#carry on meta

[soulmates-for-real-tranquility]

And there's the other side to this story. A sort of corollary. A harrowing one. Sam spent about 40 years on earth after he lost Dean only and only because he promised Dean. He got out of hunting, had a son and brought him up with all the love and protectiveness only because he promised Dean. He got old and feeble and sick and waited for death only because he promised Dean. And through it all, he never once stopped thinking about and grieving Dean. He survived just because he gave his word. To the brother who was his everything.

when Dean went to heaven, he drove till he met Sam. He d r o v e till he met Sam. He didn't care about anyone else. He drove till he met Sam. Do I have to say it more clearly? He didn't look for anyone other than Sam. While Sam lived his life on earth, Dean waited for him. Dean drove down that road until he met Sam. I'm drilling this into you because I can't get over the fact that even tho they spent their whole lives together, Dean was eager to see him immediately again. My heart.

[irrealisms]

everyone in mcyt fandom talks about bad inventories but i feel like we don't talk enough about the different types of bad inventory & the ways that inventories can be characterizing. i took most of these screenshots but one or two of them aren't by me and i've just had them saved for a few months sorry. i'm taking inventories from various people across various servers (wild life, dream smp, hermitcraft, lifesteal, and 2b2t) to illustrate my point here

like there are inventories that are bad because they're empty:

but then there's also inventories that are bad because they're full:

and, like-- the different ways an inventory can be bad are also characterizing? an inventory can be bad because the items aren't stacked; or because it's empty of anything useful; or because it's so full of building/fight supplies that there's no slots left for doing anything else; or because it's full of random junk. it speaks to a character's position (compare tubbo's diamond sword and empty inventory to ranboo's netherite sword or zam's full inventory of potions) and the rules of the server they're on (tubbo's not wearing elytra because elytra aren't allowed on the dsmp; zam's inventory has chorus fruit and wind charges but no ender pearls because ender pearls aren't allowed this season on lifesteal) and what their priorities are (building, pvp, lore) and how organized vs scattered they are and so much more. another inventory i like:

like!!! that's so instantly characterizing, for both the character and the server!!!! 5 stacks of end crystals + obsidian. 6 stacks of tnt. 3 stacks of god apples and a stack of chorus fruit as your only food. the bucket of lava and bucket of water for lavacasting. the fact that the flint and steel is enchanted with unbreaking. that's a STORY--of the character but also of the server! this is not the sort of inventory you have on most servers! it's so focused around griefing--explosions, lavacasts--and pvp, and the stacks of god apples as primary food source are an instant warning sign for widespread duping. the chorus fruit not for fights--ender pearls are strictly better, and he's got some so he clearly has access to them--which means it's for escaping traps, which means that's a live concern. it's got a lot of pvp supplies but it's so wildly different from the lifesteal inventory in ways that speak to the differences in server rules and cultures. like, horrendous inventory in many ways. also, very good inventory in some ways. also also, delightful inventory! fascinating inventory!!! inventories are such a delightful source of instant characterization i love them so so much

[secriden]

one reason i think liu qingge has such great potential is that he's one of the only characters entirely free from the PIDM narrative. because he dies early in PIDM, sqq isn't coming into every conversation and interaction expecting lqg to adhere to a preconceived script. this allows sqq to actually see lqg as a person and for his words and actions to be taken at face value.

i just think this is great potential for sqq to still be completely oblivious or in denial about lbh and yqy's attentions (because he's so fixated on how bad/complicated PIDM!sqq's relationships are with them) whilst also catching wind of lqg's growing feelings for him because he isn't hampered by any preconceived notions of what they're dynamic "should" be.

so give me sqq noticing the way lqg's mannerism soften around him, how his gruffness changes, how he spends more time just having tea with sqq even after his meridians have been cleansed as they start to have civil conversation about sect business. recognising lqg's care in returning his fans; seeking common ground over their shared love of monster hunting (even if lqg just cares about fighting them, can he maybe smash them in such a way that shixiong can study them afterwards?) and discussions on cultivation techniques and the differences between bai zhan and qing jing styles.

sqq who is so just so grateful to have someone in his corner, someone he feels safe with, who he doesn't have to second guess during every conversation. someone who was never supposed to be around by this point in the narrative, and so is entirely shen qingqui's.

[mae-i-scribble]

I'm sure this has been talked about plenty but I'm still awestruck at how well Frieren handles Himmel and Frieren's relationship. I have never seen the 'character haunts the narrative' story beat done to such effectiveness.

Frieren's regret is that she didn't know Himmel before he was gone- but he exists in everything Frieren does without her fully realizing it. Frieren is a fundamentally different person and we *know* it is mostly thanks to Himmel's influence. The constant flashbacks, the way in which Frieren's logic and everyday routines have been altered by his memory. She collect spells because he and the others complimented the mundane, random spells she had found. The way that instead of her master, Himmel is the person who the monsters choose to immitate.

The flashbacks too, are so so potent in characterizing who Himmel was- not only in regards to Frieren, but in regards to Himmel as the hero. The person who lead his group to kill the demon king. The person who did everything in his power to help those around him. The person who was so clearly in love with Frieren but understood intimately that Frieren would not love him in the same regard and even worse, would be walking a very long and lonely path.

Hell, it's at the start of every chapter, in which time is only kept by the years before and after Himmel's death.

It all comes back to him, in the end

[tyrannuspitch]

objection your honour this propaganda is NOT fair representation of snowbaz!! yeah the cover is okay but the CONTENTS of the book are capable of turning a teenage brain inside out (source: it happened to me.) thankfully as tumblr user tyrannuspitch i consider myself qualified to remedy this situation.

the basic concept of carry on is that it starts out as a parody, as the most cliché young adult fantasy book you can imagine, with every melodramatic speech and villainous flourish dialled up to eleven... and then it slowly but surely makes the inevitable gay fanfiction of its central homoerotic rivalry canon. my reaction the first time i read it was literally: "this shouldn't work. this shouldn't be allowed to be good." and yet it IS!

it's a Story About Stories. it's a love letter to the genre and a brutal genre deconstruction at the same time. it's intensely meta and genre-aware, but not in a cynical or undermining way - in an intensely compassionate one. it's both honest and EARNEST, both funny and genuinely heartbreaking, and these things are never in tension with each other - they flow into each other naturally as how people in extraordinarily terrible circumstances cope.

"doomed by the narrative" this, "doomed by the narrative" that, and yet none of you guys seem to care that tyrannus basilton grimm-pitch has been aware that he is the villain(tm) and he's going to have to be murdered so the happily ever after(tm) can happen since he was eleven years old...

it is [ao3 voice] a slowburn enemies-to-lovers arc, and again - it's executed so well. the hero (simon) and the villain (baz) are two young figureheads for opposing factions in their magical society, currently in a kind of cold civil war, always on the verge of tipping over into an actual war. they can't be in the same room starting a fight, and they've tried to kill each other multiple times. and. they're roommates. they are child soldiers on opposite sides of a war, and they had to grow up in the same bedroom. the intimacy! the yearning! the tragedy! you sleep next to this boy every night and you know what his shampoo smells like. and one day he's going to kill you!

THE LOVE TRIANGLE. of course there's a love triangle. but it's an m/m/f love triangle, and at least one of the boys is gay, so how can this be? the answer is that it's an intricate web of closet cases and increasingly desperate attempts at denial. and it's both genuinely interesting and incredibly fun. you've heard of lavender marriages, now get ready for: lavender infidelity!

vampirism as queerness. god, have i really not mentioned the vampires yet? well. of course, we all know that vampires are gay because they're sexy, sinister outsiders - but i think what this book does particularly well is setting up vampires as a legitimately unjustly persecuted group, and fear of vampires as a irrational and deeply damaging stigma. you do have to work for this one a little bit, but it's absolutely in there. simon showing compassion towards baz's internalised vampirephobia is key to the central turning point of the book!

this is a child soldier story. both simon and baz are used as weapons and pawns by their own families from a very young age. that means the story has to hold onto three simultaneous truths: firstly, that sometimes your parent is a terrible person, and you love them anyway. secondly: that even if do you love your parent, sometimes they're such a terrible person that you'll have to kill them if you ever want to escape. thirdly: that violence takes an immense toll on people, especially children, and forcing them to commit it is itself a form of abuse. so, yes, you can kill your abuser and be justified in it. but it's still a tragedy, because you never should have had to.

on a lighter note... the oft-screenshotted wikipedia page's table of contents reads as follows:

finally, i leave you with one of the songs from my playlist which i think most definitively captures the vibe(tm): sleep alone (bat for lashes)

thank you, and good night.

ROUND 1: POLL #46

ROUND 1 POLLS [HERE]

PROPAGANDA BELOW

Simon Snow/Tyrannus Basilton "Baz" Grimm-Pitch:

SnowBaz looking awesome

[SPOILERS]

Ren Amamiya/Goro Akechi:

They're rivals but obsessed with each other. Goro tries to kill Akira and fails, but not before he spills his guts and tragic backstory. Akira is the only person to make Goro question his worldview and start on the path to become a better person. They mirror each other perfectly, since they're both fighting for justice and a better world, but in different ways. SPOILERS: When Akira thinks Goro has died, he carries around Goro's glove as a reminder of their promise to be rivals and constantly oppose each other.

[docdufresne]

I love Rvb season 7 and I love simmons and donut interactions

[veinsfullofstars]

💙 MetaDede Week 2024 Day 1: Sworn Partners (Free Day) 💜

(ID: Kirby series fanart, four-panel comic, of Meta Knight being exhausted and King Dedede offering a solution. Transcript in Alt Text. END ID.)

Partially inspired by this post by @das-a-kirby-blog.

Next Day | Prompt List (made by @mtddweek)

Started 07/31/24, finished 08/05/24.

[aflamboyanceofflamingos]

I have a dumb idea

The justice league (Minus Clark and Diana) thinks that Robin is an immortal being that changes form every 5-10ish years because Bruce never told them he had different robins

Robin I and Bruce having issues near the end was just due to the transformation coming near

Robin II only lasting so long and Bruce’s grief after they attribute to something going wrong with the transformation and do think Robin is dead

However when Robin III comes they assume that Bruce’s grumpiness is attributed to him being over protective after the disaster of the last transformation

The Steph comes and goes back to Tim and they’re all thrown but like maybe this version of Robin is genderfluid and they don’t want to be rude so they don’t say anything

And when Damian comes after 5 years it just solidifies this theory as well as Robin probably being genderfluid cause of Carrie

Yes the bat kids have come to the watchtower as Nightwing, Red Hood, Red Robin, and Spoiler

Bruce is unaware

The batkids know and are keeping up the act as they wait for the perfect moment to descend from the celing, all wearing the robin uniform and traumatizing the Justice League

[meteortrails]

obsessed with the contrast between how openly and blatantly law carries the impact corazon had on him vs how reserved and secretive he is about his family and flevance. like he tattoos his whole body and designs his Jolly Roger and names his crew in honor of corazon, but the only marks of his home he carries with him are his skill as a surgeon and the hat he’s had since he was a kid. he even keeps two of his names a secret!! idk there’s just something about this sort of external focus law puts on the grief that he can actually act on and assign specific blame to, vs. the much more internal nature of the grief that he can do nothing but carry with him alone. but then again, by a certain measure the mere fact of his continued existence is one of the most obvious declarations of his grief over his family and his country that he could possibly make, so who knows!

[soleminisanction]

Once again got a bee in my bonnet to spend a night doing obscure fandom research to make a point, so. For all those people who keep making the annoying, "Tim keeps '''stealing'' other peoples' names" comments -- have a table.

EDIT: Updated version with some mistakes corrected.

Everyone with a check mark has used that codename at some point in DC's 80+ year continuity -- Elseworlds and alternate dimensions/timelines count, adaptations (movies, video games, cartoons, etc.) don't unless they've got comic book tie-ins, and neither do in-universe dream sequences/illusions/fantasies/other narrative elements that are objectively "not real" within the boundaries of the fiction.

A purple marker indicates an element that only applies in Elseworlds or alternate timelines. Yellow is for the originator of the legacy title. Star symbol is for borderline cases/extenuating circumstances/it's open to interpretation (with some further elaboration below).

The "other" column is just there to account for people who've held lesser or non-legacy titles, like Renegade, Wingman, Arkham Knight, Drake, Redbird, Talon, Deadman, Black Bat, Orphan and Catwoman.

Point being: the people who have actually gone through the most legacy titles in this family are Dick, Babs and Jason, tied with 5 each (again, not counting "other;" if we counted those separately Dick would've had by far the most). Tim is tied with Steph AND Helena Wayne, so unless you're whining about them "stealing other peoples' names" you're just wrong, and they're all only one higher than Damian, Carrie and Bruce.

This is a legacy family that passes their codenames up and down the inheritance line. It's what they do. It's not a legitimate criticism to level at one character and not the others. Please get over it.

---

Further elaboration on some of the lesser known/niche cases:

- Bruce uses the Robin ID in Superman & Batman: Generations, as well as the pre-Crisis Detective Comics #226 story.

- In the second half of Thrillkiller ‘62, Babs cuts her hair and dons the Robin costume worn by her deceased partner Dick to get revenge on his killer; however the only name ever used for her in the series is Batgirl

- Cassandra was a member of the Robins orphan gang from Dark Knights of Steel.

- Duke was a member of the We Are Robins gang, as well as the aforementioned DKS orphan gang, and has appeared as Robin in a couple of Elseworlds, including I believe a White Knight spin-off.

- Cass was Batwoman in one of the versions of the Titans Tomorrow, as was Bette Kane, depending on changes to the timeline.

- Babs is Batwoman in the Batman ‘66 comics and in the 1980 story “The Secret Origin of Bruce (Superman) Wayne”

- Earth-3 Steph is Batwoman in Young Justice 2019.

- Helena Wayne is Batwoman in the possible future story Last Rites

- Tim is a member of the Batgirls vigilante/little league baseball team in the DC Bombshells universe, as is Cullen Row. Some call them the “Batboys” instead. I call those people cowards.

- Helena Bertinelli wore the costume that would later become Cass’s signature Batgirl look during No Man’s Land. However, she was more often referred to as “The Bat” and her Batgirl status is up to individual interpretation.

- Dick didn’t originate the Nightwing name, it started with Clark in the Silver Age.

- Steph has never been Nightwing. The panel where she appears in the costume is a Black Mercy illusion that happens only in her own mind. It’s a dream sequence.

- Barbara was Nightwing in the Smallville Season 11 comics.

- Terry was briefly Nightwing in volume 4 of Batman Beyond.

- Damian briefly became Nightwing after accidentally killing Dick in the Injustice series.

- Dick is Oracle in the “Eight Wonders of the World” version of Earth 2 (aka the Black Superman dimension)

[knightmareross]

He's trying ok

[weepynymph]

Penelope’s window 

Obviously the Featherington’s drawing room window looking out across the square to the Bridgerton’s house is a hugely significant part of this season (which is so fantastic because it’s been planted for two season straight now that’s she’s constantly sitting there - I love it!) but what about Pen’s bedroom window? 

On first watch I automatically assumed during the scenes where she’s sat at her bedroom window all day after her and Colin’s lessons are revealed to the ton that she was, as usual, looking out at the Bridgerton’s house. Especially because we immediately cut from this image to Colin looking out of HIS drawing room window towards the Featherington’s house. But then on second watch it struck me that her bedroom doesn’t look out over the square, its on the opposite side of the house, overlooking the gardens.

The best evidence I have for this is 2x08 where its looks as though Pen is watching the fireworks in her bedroom.

And during the scene in 3x02 from what I can see it’s mostly trees out there which doesn’t match up to the square at all so it’s got to be the back of the house.

So when she withdraws from society and hides in her room, it’s not the Bridgerton’s house she’s staring out at all day - it’s the garden. It’s the place where they made this disastrous plan, and the place where she heard Colin say he’d never court her.

Later that night when Colin meets her in the garden (God the symmetry is so GOOD) she describes herself as ‘a sad, stupid girl who believed she might possibly have a chance of love’ and I can’t help but be reminded of how crushed she was at the end of last season when she believed that things might finally be happening with Colin only to hear him completely reject the idea of ever courting her. 

I’d be willing to bet that she spent a good portion of that day in 3x02 staring out at the garden thinking about that night and punishing herself for having let herself hope, for having ‘brought this on herself’ again.

For Penelope, the drawing room window represents the hope that she might someday be with Colin. When she says to Debling in 3x04 she’s ‘grown tired’ of the view I think she means she’s grown tired of hoping for something that will never happen.

Whereas her bedroom window, I think, has come to represent the destruction of that hope (at least at this stage in her story). The only times we see her looking out of it are 2x08, and here in 3x02: moments when all hope is lost for her, not just in terms of being with Colin, but of finding love at all. Portia makes it pretty clear in this scene that the idea of Pen making a match is unrealistic, one could say, laughable.

And then where does Colin bribe Rae to bring Pen so they can have a moment alone? Not the front of the house or that little side entrance we see her meet Eloise at in season one (which would probably be more discreet to be honest), but the garden.

Whistledown’s narration is significant here too, she says: ‘a small taste of the light can lead to that most dangerous of emotions. Hope. And once hope is lost, a lady may become reckless.’ They are literally standing in the place where hope was lost, the place where he broke her heart last season, and the whole script is about to get flipped. She thinks this is the end of everything, when really it’s the beginning.

She’s been staring at the garden all day thinking about everything it represents; how she is nearly on the shelf and may die without ever having been kissed, how Colin Bridgerton would never dream of courting her. But it isn't true. Instead, true love is waiting for her down there. Hope is waiting for her down there. She is not going to die tomorrow. She is not going to die without ever having been kissed. Colin Bridgerton WOULD dream of courting her (and is about to in the next episode! In the bloody garden!!!)

This turned into a dissertation but all this to say that this is why Colin Bridgerton needs to climb through that bedroom window in part two and thoroughly make it up to her, thank you for coming to my Ted Talk.

[bacchuschucklefuck]

okay unironically I love so much that porter is like this world SUCKS its BAD here and it HURTS you why do you care abt it!!! and literally every single bad kid is like ngl we just hate ur ass it does not matter what ur philosophy is

[casualavocados]

I want you to call me in person. I'll only meet with you. I'll only answer your phone calls. I only trust you.

Chen Yi, head of Yiyun Meng: North Hall, with Ai Di at his right hand KISEKI: DEAR TO ME (2023)

[necrotic-nephilim]

what's fun about shipping Tim with Dick, Jason, or Damian is he has, at some point, hallucinated all of them to comfort himself. even when he doesn't like them or particularly get along with them, he has to imagine/hallucinate them just so he has the power to go on. Tim's concepts of the Robin mantle and what it should be is so fun, because he respects the others through the Robin mantle. Tim worships Dick because he was the first Robin. he wouldn't be Robin if Jason hadn't died in the mantle. and a lot of his frustration with Damian is he feels Damian isn't honoring the mantle correctly. when you ship Tim with the other Robins you can't divorce their identities as Robin from it because Tim will always see them as a Robin first and that's so fun and fucked up. like.

batman (1940) #456

Tim perceiving Dick as *Robin* cheering him on, not Nightwing, which is the version of Dick that Tim actually knows? that's just. wild of him. he will always view Dick as Robin first, his personal hero but also the original of the legacy. his love for Dick is shaped by that.

and then of course, even when he's hallucinating/imagining Jason cheering him on, it's *still* through the lense of being reminded how Jason failed? subconsciously believing that Jason got himself killed because of his actions, and that being a lesson for Tim to learn from? Jason isn't a person to Tim, he's a moral lesson about how to be Robin. any potential idolization he could have of Jason isn't because he loves Jason, it's because of the lessons Jason's death taught him.

and then, even though him hallucinating TIm is from the New-52, which makes characterization all kinds of questionable, i do think it makes sense for TIm to hallucinate/imagine Damian after Damian's death in an attempt to cope with it.

teen titans (2011) #18

to an extend, he sees Damian's death as in part his own fault. and even hating Damian, Tim needs the comfort from this to cope with Damian being gone. he's angry that Damian even was Robin, and has to learn something from Damian's death and how it impacts the Robin mantle, and teenage heroes as a whole. like, Tim can pretend he hates Damian all he wants, even getting taunted by the image of Damian, but there's still an underlying love to their relationship.

i think that's just the fun of shipping Tim with any of them. you will never divorce Tim's views of them from the Robin mantle and how fucking Unwell he is about anyone else who's been Robin before or after him, to the point he has to hallucinate them comforting him when he's at his lowest. it's always going to be a little unhealthy, a little toxic, and driven by Tim's relationship with being Robin as well. i need more Tim being weird about Robin in these ships.

[oakgreenoak]

thinking abt how red & green's designs and outfits complement/contrast

hat rounds off top of head; hair (dark) points down

consistent colour scheme of primarily red + white with bits of black

bottoms stay consistently blue

gold accents (yellow bags, badge on gen i hat)

style leans more towards adventure or athletic wear

did not receive a new outfit in HGSS (despite meaning short sleeves on a mountain)

hair points up, light in colour (sorta looks bleached)

colours and style vary, but black is in all outfits

since gen iii, tops stay consistently black with colourful bottoms

silver accents (bags, necklaces, buttons, belt buckle)

style leans more towards fashion over practicality (like when he's shown with a bag at all it's pretty small)

did receive a new outfit (with jacket) in HGSS