#can i say also in the safety of these notes

[noodlemoondle]

Promise Me You Won’t Cry Anymore

Zayne x Reader

word count: 800

summary: just a lil blurb about how Zayne reacts to accidentally making you cry

tags: not proof read!!, hurt/comfort, fluff, mentions of medicine. just zayne being a worried doctor really

authors note: hello again guys! ੭ ᐕ)੭*⁾⁾ I fully wrote this on a whim rn in like 10 minutes so pls take that into account lolol. (also it’s another hurt/comfort lolol it’s my fav tag and i don’t have any ideas for anything else) i also wanted this to be like a rlly short blurb but i think im genuinely unable to write anything that isn’t like around 1k words (´；ω；｀) i don’t really have anything else to say besides i hope i get motivation to write one of the million fic ideas i have saved in my notes soon.

as always hope you enjoy!! ✧*。٩(ˊᗜˋ*)و✧*。

Zayne is a strong man. Emotionally strong that is. The countless years he spent both studying and working in the medical field gave him thick skin and it made it difficult for things to truly get to him. It takes a lot for something to hit him in the heart and truly bring him down.

However, the one thing he absolutely can’t stand is you crying. Something about it he doesn’t truly know what. Something about the way your eyes tilt downwards with your head soon following, the small tremble of your lips he knows you’re fighting to keep still, the tear-glazed distant look in your eyes that just shows how hard you’re fighting back tears, nothing breaks his heart more.

Zayne knows, he knows he can be oh so overbearing when it comes to your health and safety, but god he can’t help it. Nothing worries him more than your, in his opinion fragile, wellbeing. Everyday on his drive to the hospital he prays to whatever god is out there that will listen to him that he won’t see you during his shift, at least not you being wheeled in through the back doors, completely unconscious on a gurney. He can’t even handle the thought of it.

It leads to his constant nagging over you. His constant worry. His constant lectures and scoldings whenever you even slightly overlook your health.

Which led to here. Another conversation that began as an overbearing reminder to take your medicine, only for Zayne to quickly discover you haven’t been taking recently. You’ve already had a tiring and stressful day and didn’t have any energy to fight back at him. So instead, you just stood there in front of him. Only looking at him as he continued his scolding on how important it was to take your medicine, why you need it, and never forgetting to remind you of just how fragile you truly are.

All you could do was look back at him, and just take everything he had to say without a fight. Not like you had the energy to speak anyways. To be honest, you didn’t even have the energy to think, or to even listen to him in that matter. All you really heard is just his upset voice, saying what?You’re not really sure, but his tone was enough to make you feel inferior.

Zayne didn’t notice. He honestly couldn’t. He was too caught up in his worries and imagination of what could possibly happen to you to be able to properly see you, but in the middle of his rant he did. He saw the look on your face that absolutely breaks his heart and makes him want to fall to his knees. He saw your head hung low, you fighting your trembling bottom lip, your downcast, distant eyes, that had tears in the brink of flowing through your pretty eyelashes and falling onto those darling cheeks he loves; especially when he sees them rise and round out whenever you smile.

And when he sees it, he stops. Instantly.

There is a quick moment of silence where he hesitates. Where he hears your uneven, haggard breathing and mentally scolds himself, grimacing at his actions.

He takes a few steps over to you and leans down to hold your face in his hands. Lifting it up so he can see you properly, however your eyes don’t follow and remain locked onto your fuzzy-socked feet. His gentle hold, contrasting his previous tone made it so difficult to keep it together. Just as he noticed a tear welling up to fall from your eyes he gently kisses it away before it could reach any further than the corner of your eye.

He softly rubs the apple of your cheek trying to coax you to bring your eyes up to him.

“Look at me… Please?” Zayne says ever so gently.

You knew if you did you wouldn’t be able to hold back your tears anymore, but the soft rub of his thumb brings your eyes up to look back at him. The moment you do, his eyes soften in guilt and regret, a slight frown forming on his lips when he sees your eyes welling up with more tears.

He slightly stands up, just enough to place a soft, delicate kiss on your forehead as he whispers against it.

“I’m sorry.”

Then you can’t hold it anymore. A soft gasp for air leaves your lips as tears begin to flow from your eyes. Zayne slowly pulls you into his chest, holding your head and running his fingers up and down your back in an effort to comfort you. In an effort to get you to forgive him. In an effort to get you to stop.

Guilt spreads throughout his whole body as he listens to your sobs and feels your tears wetting his shirt. He whispers apologies to you, offering soft kisses on the top of your head in between each one.

He’ll make it up to you. He doesn’t know exactly how yet, but he will. He’ll do anything. Whatever it takes to stop the flow of tears and broken sobs. Whatever it takes to see those darling, rosy cheeks rise up with the sweetest, brightest smile he’s ever seen. He’d do it in a heartbeat; because there is nothing, nothing Dr. Zayne can’t stand more than you crying.

[paleode-ology]

"oh babe, I'd let you know" is just running on loop in my head god they sound so good

[assmaster-8000]

unfortunately lachesis is my most neglected oc (which is a shame because they have so much potential) because i cannot stop thinking about the old man. atropos who's both the loyal knight and the dragon. atropos who's the senior dog thrown to the pound - they don't know why they were ripped away from normalcy, but they learned to bite and that's all they know how to do now. atropos who refuses a softer salvation anyways. atropos who believes suffering is the pinnacle of human nature and will inflict it onto others to remind them of how good they have it - how human they are in comparison - to judge them - to save them. all out of a disillusioned higher purpose

[essektheylyss]

Safety tools for games are very well and good and if you and your group need them you should absolutely use them, but sometimes the way people talk about them feels like they are using those tools as a straight-up substitute for, like, working to develop interpersonal skills and the capacity for talking openly with friends.

[sad--tree]

absolutely godawful day. i don't hate my job itself or some of my coworkers but management can kiss my ass. fucking insulting how they treat us and there's nothing u can say or do about it.

[you-have-startled-the-witch]

btw this is a preston garvey love and appreciation blog. if you hate preston you will die by my blade.

MINUTEMAN BLAST

[quietwingsinthesky]

even has killed people—though perhaps that depends on your definition of people—and it’s not. how do i put it. it’s never cool, you know? it’s never a moment where this puts them in control of a situation, where they can show off some skill in putting someone down. because even is not, generally, very powerful, and they do not know how to do this.

it just gets messy.

which is one of those terrible reasons why they… well, they don’t like the master, but they have to like that she can do it easy, quick, clean. she can give even the ability to, as well, when she wants. if for no other reason than it means that they won’t have to scrub it raw off their skin later, they appreciate that.

[bibleofficial]

aesthetic pinterest board of dark academia suicide notes

[snekdood]

ig my problem with the whole bullying thing is that so many of the leftists who do it self identify as communists of some type or really emphasizes community.... but clearly doesn't care about actually cultivating an environment where everyone in the community feels safe and welcome..........

[spotforme]

yeah i fit in a box, i actually made that box for myself, it's got armholes and everything!

[duncebento]

agh i know it can be rally difficult but especially if you are a marginalized person especially if you are a woman ESPECIALLY if you are trans please make sure that you’re not signaling insecurity to ppl via your dating app profiles or what have you. it can literally be a matter of your own physical safety.

as an example, i often see trans girls on hinge liable to put something like “i’ll fall for you if you show me any affection at all <3” on their profiles…and i know u just think it sounds quirkily self-deprecating and i KNOW that’s the way you really and truly feel but if i am someone who whether consciously or not is searching for a dynamic in which i have power over another person, a statement like that will make my ears perk up!!

furthermore, and especially for younger people, there are a lot of things that are very necessary to discuss with a partner that are ALSO very necessary to not reveal for a little while. if you have been abused in a certain way or if you are inexperienced, those are things that are unsafe to talk about with people you don’t know, no matter how honest and upfront you pride yourself on being. i’ve had someone tell me about all the sexual assault they’d experienced on a first date— and luckily for them i wasn’t interested in harming them or really into them at all— but again, imagine if i were someone who wanted power over another person! all their truthfulness and vulnerability would do is reveal them as an easy mark for my manipulation.

if you do encounter a critical situation with someone you haven’t spent enough time with yet, it should always be possible to say what instead of why: e.g. “i’m sorry, but i’d like to wait before having sex with you” or “i’d rather not hang out in that park, can we pick somewhere else?” instead of “i’d like to hold off on having sex BECAUSE i’ve never had sex before” or “i’d rather not hang out in that park BECAUSE that’s where i was assaulted.” again, both very important things to talk about with a partner, but unfortunately potentially dangerous things to discuss with someone you’ve not yet gotten close to! and anyone who seems to be sniffing around for signs of your inexperience or victimhood is not to be trusted anyway (note that sniffing around is different from a polite “oh, would you like to talk about it?” interest.)

i know it can be difficult to come across as more confident than you feel, but it is really necessary that you’re projecting a desire for something healthy and safe that will make you happy instead of saying outright that you’ll be fine with crumbs.

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[unluckiestmember]

Mouthwashing X Innocent! Reader

Characters: Anya, Swansea, Daisuke, Curly and Jimmy

Warning: Mention of death, but outside of that, none. SFW.

A/N: Should I open up requests for Mouthwashing? I absolutely love this game so I wouldn't mind doing some headcanons here and there for it!

Anya

When it came to everyone in the Tulpar, Anya tried her best to have a strong bond with her crewmates. You were no exception. She found your presence along the spacecraft to be a breath of fresh air. She is always delighted to see you and super excited to teach you all she knows about medical practices and safety she’s read up on. When you, her and Daisuke are together on game nights, she always knows it’s going to be one of the best nights ever.

Some nights when she stays up, she appreciates your company and will even tap into her motherly instincts by laying your head on her shoulder or lap while she hums a tune to you. You are one of the only people who knew about her “incident” and jumped straight into action against Jimmy. Anya greatly appreciated it but always tries to keep you out of trouble out of fear of you getting hurt. The final days of her life were hard, but at least she can look back and confidently say that you were one of the best people she’s ever met. She hopes you two meet again in another life…

Swansea

Swamsea didn’t like you when he first met you. He thought you were another airhead like Daisuke or some quiet soul like Anya. But after a while, he came to secretly care for you like one of his children back on Earth. You are one of the only people he opens up about his family to, reminiscing on the past and revealing his inner turmoil as a father. He appreciates how you simply listen instead of overlapping him, bearing his heart to you unlike another lovable young member aboard to Tulpar.

If you love shoes, Swansea will find it easier to love you since the both of you bond over shoes of many kinds. If your shoes get ruined during the crash, he won’t hesitate to give you his own shoes so you don’t hurt your feet on loose materials. Swansea reminds you a lot of your own father, so you guess you can call him a dad away from home? He’ll act annoyed, but he secretly loved this title. He always did…

Daisuke

Let’s not lie to ourselves, when Daisuke first laid eyes on you, he wasted no time rushing to your side. In your eyes, you might’ve seen only a fellow co-worker, but for him, he saw a new friend. The both of you ended up being pals way before the Tulpar even set off into space! The members aboard the ship like to label you two as siblings, one being a chaotic brother and the other the sweet gentle sibling. A golden retriever and a puppy to say the least.

When he’s not bothering Swansea or hanging out with Anya, he’s rushing to your side to see if you want to take turns playing Pokemon on his gameboy or if you want to play dress up with his abundance of clothing. Sometimes he’ll open up about his life at home, revealing the troubles he has with his parents and how he doesn’t like to be labeled as the “rich kid on board for fun and games”. It hurts, but it helps knowing that you’re sweet enough to look past that aspect of him. Even with that axe hanging over his head, he could at least close his eyes and drift to sleep knowing that in taking this job, he met his true best friend; You.

Curly

Though the both of you didn’t spend much time together, whenever Curly was around he always tried his best to make sure you were comfortable along the Tulpar. When you two first met, he could tell you were shy and nervous about your space voyage together. So in good spirits, he opened up a dialogue of Pokemon with you, leading to not only you revealing more of yourself to him, but also attracting the rest of the team. Whenever he had cake aboard the ship, he would always sneak his slices over to you and Daisuke since he made sure to note you loved sweets.

After evaluations with Anya and others, he always made sure to treat you in some way for being such a good member of the crew. The time the both of you spent together was short, but also as sweet as commodorative cake and Curly would’ve loved to spend more time with you. Unfortunately, his chance has passed… There were so many times he wished he would have opened up to you and just. Be your friend instead of your captain… Some captain he was, right? If only he knew that even up to the end, you still cared for him…

Jimmy

If you got any requests for Arcane or X-Men '97, send them my way! Screw it, if you have Mouthwashing requests too, then throw them my way!

Likes and retweets are always appreciated! I love you all, stay hydrated and have a good day! <3

[incorrectbatfam]

If Shark Tank existed in the DC universe

Jason: Good evening, sharks. My name is Jason Todd, but don't let the fact that my father is on the panel dissuade the rest of you from investing. I am here with my partner in more ways than one, Roy Harper.

Bruce: More ways in one? What—

Jason: Have you ever hung out with your family and thought to yourself, "Damn, we have a really bad habit of dying. What can we do?" Well, look no further, because our product will revolutionize the entire concept of parenting. We call it Responsibility™.

Roy: *walks out holding Lian*

Jason: As my partner is modeling for you, Responsibility will not only keep your child alive, but it will also ensure that your child grows up to be a well-adjusted member of society.

Roy: *spins around*

Jason: Our child safety technology combines your classic Adult Supervision with our state-of-the-art Age-Appropriate Activity instincts. Allow us to demonstrate.

Jason: Roy, is patrolling the city at night in spandex an appropriate activity for an eight-year-old? Without Responsibility™, you might say something like...

Roy: Of course! And while we're at it, let's get this small child a lethal weapon.

Jason: But when you use Responsibility™, you get this.

Roy: Absolutely not. That is reckless endangerment. Let's watch a movie instead.

Ollie, to Bruce: He's taking a dig at you.

Kate: So what do you want from us?

Jason: We propose a $100,000 investment to jumpstart our manufacturing facility. We have a vision of every single family having Responsibility™ by the end of this decade. In return, we will give you a 10% share of the company.

Ollie: Have you patented this?

Roy: We have the main Responsibility™ product patented as of last year and our Dad Reflex™ add-on is currently pending.

Ted: As you might know, kids take a lot of risks, especially in their teenage years. I know as a mentor to a teenager myself. How do you account for this?

Jason: Excellent question. Responsibility™ is a versatile product that evolves with time. For older kids, you receive the additional Conversation™ feature that aids in communicating expectations at a higher level.

Roy: While nothing is guaranteed in life, Responsibility™ is the best safeguard on the market.

Kate, taking notes: And what's your current customer acquisition cost?

Jason: We don't have an exact figure, but right now it's around fifty cents.

Kate: And your profit margin?

Jason: We sell Responsibility™ for ten dollars each and our profit margin is seven dollars.

Bruce: This is too conceptual for Wayne Enterprises. I'm out.

Jason: It's alright, we figured this product wasn't for you.

Ollie: Queen Industries is out too. We don't see it worth the investment.

Roy: Understandable. You have a track record to maintain.

Ted: I see the growth potential in this product. I'm going to offer you $100,000 for research and development at Kord Industries in exchange for 25% equity.

Kate: I'll do you one better. $150,000 for 30% equity and an office at Kane Industries.

Ollie: You guys can't be serious.

Ted: You're missing out. I know revolutionary technology when I see it. I'll raise you $180,000 plus Hollywood product placements.

Kate: $200,000 for 20% equity, an entire floor of Kane Tower, and a Super Bowl ad.

Jason: Sold to the childless lesbian! Looks like we have a deal.

Roy, handing her a bag: Here, take a free one as a token of our appreciation.

Kate, looking at Bruce: Thank you! I know just the person to give this to.

[nakakabaliw]

(⚠️Talk of SA/Abuse Victims/Anya Mouthwashing)

⚠️If you need any "credibility" i am also a victim of abuse.

My Thoughts on #GIRLBOSS Anya

TW: S/A , Abuse

Some people need to realize that not all victims of abuse are empowered #girlbosses and are in fact scared to face their abuser bc of power dynamics and such .

Sometimes people just arent able to stand up to them, and thats okay. Its easy for some to say "oh they should fight back" but its really not :( often times their abusers are people in power, or close to them that they wouldnt want to antagonize in fear of disappointing them or for them to do the worst.

Sometimes victims may not even realize they were being abused/manipulated, and sometimes they downplay their own suffering bc its easier than fighting back.

That isnt to say that "victims should just comply to their abuser", its definitely not, and if you are suffering from abuse please seek as mucb help as you can. Im referring to people who always assume that if victims just "tried hard enough" they could defeat their abuser.

This is why often times I feel a little off put by depictions of Anya being this girlboss character who couldve defeated Jimo Because it sorta downplays her fear of him. Yes, we wouldve loved to see her succeed and win, but she was honestly scared. She was doing her best to please him by cheering him on and folding in when he berates her.

Personally I also want her to take that gun/axe and hit him where it hurts, but as a victim of a similar (not SA) type of abuse where people who controlled/manipulated were far above me, I symphatize with her.

Her death and her folding up, her taking drastic and risky measures such as hiding the gun case when she told Jimo about her pregnancy. Her struggling to open up about it bc shes been dismissed already by Curly, who couldnt believe that someone hes close to would do such an act and is trying way too much to balance both sides.

This is all just my opinion. Theres really nothing wrong with making a victim stand up for themselves, in fact yes, it should be celebrated. But also dont dismiss when a victim doesnt do that due to fear/trauma.

TL;DR: sometimes victims can dismiss their own abuse for the sake of safety.

Pls keep in note that im speaking from complete experience and am no way a psych major or anything. This is just my voice and opinion and if you beg to differ, im open to discussion ^^ please be respectful!

[adispit]

Hiyaaa can I ask for Ayato from Genshin with a kitsune reader who steals pieces of his clothing as a secret crush on him but one day Ayato catches them and punishes them.

A Punishment ?

Ayato x kitsune! bttm male reader

Content warnings: spanking, anal tongue fucking (receiving), overstimulation, rough sex, creampie , slight predator prey dynamic (if you squint), slight dubcon because reader wasn’t really into the spanking at the start

Note: This fic has been marinating in my inbox for 2 weeks so I hope you enjoy! Also I haven’t played Genshin in a year so this might be a tad bit ooc 😭. Enjoy!

You had always been someone in the background, shadowed and sheltered under the protection of your sister, Guuji Yaemiko. Few to none knew of your actual existence as centuries passed, except for the Raiden Shogun and the clans themselves. Her influence stretched far, wrapping around you like a protective veil.

The Shrine was your haven, but also your cage. Every decision, every move you made, was watched, controlled. It was always for your safety, she would say. The sister who would tease and always play you like a fiddle to her silly whims became firm and unmovable when it came to exploring beyond the Inazuman city. You had been sheltered from the harsh realities of the world, never given the freedom to truly explore it. Yet, that defiant streak within you had only grown stronger. You didn’t want protection. You wanted to live.

However, what your sister could not shield you from was unforeseen. A little crush you had harboured for the Yashiro Commissioner himself, Kamisato Ayato. A man who carried himself with grace and power — a man who like your sister, commanded respect wherever he went. The very man that made the Kamisato name arise from its ashes and make it the prestigious clan today. As much as you hated to admit it, you were nothing better than those maidens who chased after him relentlessly for marriage offers. It stung to think of yourself in that way, to admit that you were drawn to him with the same intensity that they were.

It wasn’t just his power or his elegance. It was the way he moved with a grace that seemed almost otherworldly, the sharpness in his gaze that made you feel seen even when you wished to remain hidden. You were drawn to him with a fascination that bordered on obsession, an allure that you couldn’t shake off no matter how hard you tried. Due of your crush, you found yourself resorting to a silly yet strangely satisfying ritual—stealing Ayato’s clothes. It was an odd way to cope with the intense feelings you harbored for him, but it was the only outlet you could manage. Each stolen item, whether a glove, a ribbon, or a sash, became a cherished possession, a physical connection to him that you could hold onto.

Each piece of clothing was a wishful reminder of him—a way to keep a part of him close, even if you could never have him completely. You would fold his garments carefully, press them to your face, and imagine the moments he had worn them, his scent of sandalwood and rain with the lingering warmth, It was your own secret fantasy. It was harmless really. A secret way of indulging in the hopeless crush you’d harbored for the head of the Kamisato clan.

However, tonight, the air felt different—charged with something you couldn’t quite place. Strangely, there weren’t any guards present that were on patrol. The estate was quiet. A little too quiet.

Still, you pressed on.

The thought of what you were about to do made your fox ears twitch in excitement. Ayato’s chambers were silent as you nudged the door open, the dim light of a single candle casting long shadows over the room.

You crept inside, eyes scanning for something to take. His haori lay draped neatly over a chair, and without hesitation, you reached for it. The silk fabric slipped through your fingers, smooth and cool to the touch. Your breath caught in your throat as you brought it close, imagining, just for a moment, what it would feel like to be wrapped in it—surrounded by him. The thought made your cheeks warm, but you pushed it away, carefully folding the haori over your arm.

It was a ridiculous thought, you knew that.

You allowed yourself a small smile. Another successful heist, another piece of him to add to your collection. You moved toward the door, your escape clear and easy.

But as you turned, something stopped you.

A faint rustle. Barely a sound, but enough to make your ears twitch with alert. You froze, eyes darting toward the corner of the room. Nothing.

You waited, heart racing in your chest, every instinct telling you to bolt but curiosity kept you rooted in place. Slowly, you scanned the room again, your gaze lingering on the bed. Your breath caught in your throat as your eyes landed on a figure sitting in the shadows.

Ayato.

He was leaning casually against the headboard of his bed, his body bathed in the soft glow of moonlight. His lavender eyes, sharp and calculating, met yours with a calm intensity. Those eyes were striking—like shards of amethyst, reflecting the light in a way that made them almost glow. They watched you with a calm amusement, though the glint in them suggested he was far more aware of the situation than you were.

Your heart raced as you took in his appearance. His long, pale blue hair was neatly tied back, save for a few loose strands that framed his angular face. The moonlight accentuated his porcelain skin, making him look almost ethereal, like something out of a dream. Yet there was nothing soft about the way he held himself—he stood with a quiet strength, the grace of a nobleman who knew his power.

“You’ve been busy, haven’t you?” His voice was smooth, almost melodic, but there was an edge to it. It sent a shiver down your spine.

You swallowed hard, clutching the haori tightly. Ayato’s tall, lean frame was still relaxed, but every movement he made was deliberate. His long fingers tapped rhythmically on the edge of the bed as he spoke, drawing attention to his hands—hands that could command armies or, in this case, one mischievous kitsune.

“I… I didn’t mean—”

Ayato’s lips curled into a faint smirk, revealing a glimpse of his sharp wit. “Didn’t mean to what?” He interrupted, stepping forward, the soft rustle of his clothing barely audible. “You seem to have a habit of taking things that don’t belong to you,” he murmured, his voice low, smooth, and far too calm.

“Lord Ayato,” You squeaked softly, ears flattening as you clutched the fabric in your hands. He approached, slowly, the air between you charged with something you couldn’t name. “What were you planning to do with this, hm?” He gestured toward the ribbon in your hand, his voice soft but laced with authority. “Stealing from me, Yae Miko’s brother no less… What would she say?”

You bristled at the mention of your sister, but there was no escape now. “I just wanted—”

“To see if I’d notice?” Ayato finished for you, his amusement deepening as he tilted his head slightly. His eyes never left yours as he leaned in closer, his breath warm against your cheek. Up close, you could see the slight tension in his jaw, the quiet authority he carried in every word.

His hand reached out, brushing lightly against the fabric of the haori. “I noticed,” he whispered, his voice sending a thrill down your spine. His fingers grazed yours, cool to the touch yet searing with the unspoken threat of control.

Ayato’s smile was small but devastatingly confident. “But there’s a price to pay for stealing from the Yashiro Commissioner.”

Your heart raced as he stepped even closer, the close proximity making your tail swish back and forth with nervousness and anticipation. “And I think you know what that means.”

“Get on your knees,” he commanded, his voice low and husky, sending a shiver down your spine. You hesitated for just a moment, but the look in his eyes—dark, intense, and utterly unyielding—was enough to make you comply. Your legs gave way almost instinctively as you dropped to your knees, your heart pounding in your chest. The rush of adrenaline coursing through you drowned out everything except the sound of your own breathing, loud and uneven in your ears.

He took another step, his movements so fluid that his bare feet made no sound on the hardwood floor, as though he was one with the shadows. You could feel the heat radiating from him even before he stood directly in front of you, the faint scent of sandalwood and rain lingering in the air—intoxicating and impossible to ignore.

A slow, deliberate smirk tugged at the corners of his lips—a smirk that sent a thrill of both fear and excitement rushing through your body. The expression was playful, yet there was something undeniably dangerous in it, like he was silently toying with you, fully aware of the power he held over you. Up close, you could see the cool, detached amusement in his eyes—like a predator toying with prey, knowing full well you were already caught in his web.

"Take off your clothes," he ordered, his tone leaving no room for argument. You hesitated again, but the silent disapproving look in his eyes was enough to make you move. You stood up slowly, your hands trembling as you began to undress. Reluctantly, your robes slipped off, leaving you stark naked and cold, shivering in the cold night air. Truth to be told, you were a virgin, never having the chance to even have a sexual outlet besides from fingering yourself and masturbating on rare occasions when your sister wasn’t at the shrine. Even with your crush on Ayato, you were rather reluctant and admittedly, a tad bit fearful.

He watched you, his expression unreadable, but the fire in his piercing eyes made your skin tingle with anticipation. That calm, calculating gaze burned with something primal even though his face remained impassive. When you were done, he simply gestured for you to turn around. You hesitated briefly, but his silent command left no room for question.

Your heart pounded as you moved, his authoritative presence looming behind you. “Hands on the bed,” he demanded, his voice brushing dangerously close to your ear. The soft, commanding tone sent an involuntary shiver down your spine, making you feel small beneath him.

You obeyed, placing your palms flat against the cool surface of the futon. The fabric felt grounding under your trembling fingers. You could hear him moving, the quiet rustle of his robes as he adjusted himself, his body heat brushing ever closer. The air between you felt electric, charged with tension, until—

Without warning, the first blow landed hard across your ass. The sharp, stinging pain rippled through you like a wave. You gasped, your body jerking forward from the sudden impact, your tail instinctively going taut. The burning sensation lingered, intensifying with every passing second, until all you could do was grip the sheets, struggling to steady yourself against the onslaught.

“Ayato, I don’t think I want to — Ah!”

He wasn’t done.

The second blow came even harder, the sharp impact sending a jolt of pain through your body. This time, you couldn’t suppress the cry that escaped your lips, the force of it stealing the breath from your lungs. You bit down hard on your lip, the metallic taste of blood faint on your tongue as you fought back the tears threatening to spill over.

“Count,” he ordered, his voice dangerously calm. “And call me Sir. Stay still,” he added, the warning in his tone unmistakable, “Or this will be even worse.”

You could feel the power in his command, the unspoken promise that he wouldn’t tolerate disobedience.

“Two, Sir,” you whispered, your voice trembling, doing your best to remain still despite the lingering sting.

The next few blows came in quick succession, each one more painful than the last. Your ass was on fire, the pain mingling with the arousal that was building inside you. You could feel yourself getting hard, your body betraying you as it responded to the punishment. The next few blows came in quick succession, each one landing harder than the last. Your skin burned, a searing pain spreading across your ass with every strike, and it felt like your entire body was on fire.

Tears slipped down your cheeks, and no matter how hard you fought them back, they kept coming, blurring your vision. You mutely counted the blows between occasional cries of pain and ragged gasps for air. The room spun around you, the sensation too much, too fast.

Each smack to the ass only intensified your horror at your arousal and your arousal. You could feel your dick twitching and getting stiffer as the pain resonated throughout your body. Precum was beginning to pool beneath your cock as the electric sting that the pain brought felt even more pleasurable than the last.

“T-ten,” you whispered shakily, your hands gripping the sheets as you struggled to keep from collapsing under the pressure. Finally, he paused, giving you a moment of respite to catch your breath. Your chest heaved as you struggled to catch your breath, the tension in your body slowly unwinding as the sting of the blows lingered. Your skin was still ablaze with the aftermath.

You could feel his hand resting lightly on your back, his fingers brushing against your skin in stark contrast to the harshness of his earlier actions. The touch was almost tender, a strange gentleness that sent a confusing wave of emotions through you.

Suddenly, with a swift motion, you found yourself turned around, now facing him. Despite the harsh punishment you had endured, you felt your heart race and then falter as the close proximity of Ayato became overwhelming. Your traitorous tail, betraying your true feelings, swished involuntarily with a mix of excitement and nervousness.

However that did not distract him from the hard on you sported, much to your embarrassment. His slender hand crept down your body and dwarfed your cock. He rhythmically rubbed your length, making you shudder and feel the sparks and the familiar hum of pleasure beginning to ignite.

“Yes,” you gasped as Ayato purposefully tightened his grip around your sensitive tip, never stopping his pace, “Oh—fuck—” as that mischievous hand closed around you, there was a playful air about Ayato as he let out a soft melodic laugh while mumbling something under his breath and then shifting his grip.

The next slide up was a tight, demanding fist. You threw your head back.

“Does that feel good, (Name)?” There was an amused lilt in his voice that made you flush head to toe.

The rush of blood and desire to a point low in your stomach was overwhelming. The movement was growing slicker, better , so tempting to lean fully into. You had never been this turned on.

“I don’t know, ” you cried through a strangled whine, you felt Ayato’s laughter directly through your skin, and somehow that made him suddenly very close.

There was something so exciting and arousing about it the way the man you had dreamt about, the very Yashiro Commissioner, himself was helping pleasure you. The very thought had you moaning, once, and falling slack like a puppet with cut strings. 

You were gently pushed back onto your back against the soft surface of the futon with both your legs are hoisted up, hanging against Ayato’s shoulders. Your body folded in half as you saw his head buried in your thighs, goosebumps rising on your skin as your tail hairs brushed against his chin.

“Ayato?!” You struggled for the commissioner to release his grasp on your legs, but to no avail, as he tightened his grip to hold you still. You flushed red in embarrassment, the thought of Ayato seeing everything too much to bear. 

And then you felt something warm and slimy breach past the ring of muscles, causing you to yelp in surprise.

Holy fuck. Was Ayato actually doing what you thought he was? 

You shuddered as waves of pleasure traveled up to your core. Gritting your teeth to try and contain the shameful moans from escaping you, afraid to realise that this was all a dream, afraid that Ayato would be turned off by you.

“Hnnn…Ayato….” You groaned, eyes clenching shut and face wrinkled as you bit back on a pathetic whine. All of a sudden, you jolted.

Ayato’s tongue had prodded at something deep inside you that made you melt into a puddle of arousal and shame. You unconsciously gripped his head tight with your thighs, messing up his perfect tidied hair. He had found your prostrate. And then he stopped, a gossamer thread of saliva connecting his lips to your hole as he retreated.

You couldn’t help but notice the shy mole that hid beneath his spit shiny lips — he was absolutely ethereal even with his messy and tousled hair. An unnatural pink flush decorated his fair and porcelain face and you realised that he was aroused.

By you.

The thick tension hung in the air as he silently gazed at you, the hunger in his amethyst eyes almost engulfing you on the spot like he was a man gone wild.

Shadows danced on his face as he meticulously removed his robes, still carrying himself with the same grace and dignity as if the air wasn’t imbued with the electric undercurrent of arousal and the fact that he had just tongue fucked you. He stood above you, full mast and you felt your breath get stolen away from you.

Ayato had a picture perfect physique, lean, almost like a statue carved out and had come to life. Your eyes immediately dove down to his abdomen, to be greeted with his cock, hard, already pressing against your rim, twitching invitingly. Both hands gripping your waist as he positioned himself.

“We will not stop now, (Name). Your pleas and cries will be unheard. This is a punishment.” He stared at you with an unyielding gaze, one that you were ready to challenge. “This is the lesson you must learn, the price of your rebellion,” he concluded. “One I accept.” You let out a hoarse giggle. His eyes darkened almost simultaneously as what seemed like another amused smile tugged at his lips before he let his actions speak for himself.

He did not give any mercy. Ruthlessly driving into your hips with a force like he wanted to merge into you, you felt his girth stretch and force your walls to mould into its shape. “Huh...?” Your mind went blank with pleasure, and for a while you couldn’t comprehend what happened. Your insides clenched down hard on his cock as slaps of skin punctuated the silent night air.

“Ah! Ggh- Aah! W-wait! Ungh —!” You slurred inaudibly as you felt your body rock to his merciless pace, your cock dribbling endless pre-cum uncontrollably. He promised your pleas and cries would be unheard and he served his promise, not even a single word could leave your raw throat. Only guttural whines and moans would escape your bitten lips as you fell into the throes of pleasure.

Alas, decisions were made and you could not regret what you said. Here you were, getting your deserved punishment in the form of a ruthless fucking.

Everything was too hot, too sticky and hummed with the sound of distant sobs, you groggily thought. Oh. Those were from you. Your skin was sticky with the sheen of sweat and cum and the futon beneath you was drenched. You felt unusually full, like something sloshing in your tummy. Your hole felt sore. And he wasn’t done. But you would never admit defeat….was the last thought that echoed in your muddled mind as you gave into the embrace of sleep.

“(Name)? Learnt your lesson now? Oh. The silly thief has admitted defeat.” He pushed back his sweat soaked hair as he glanced upon your slumbering form. Letting out a grunt, he pulled out of your red, swollen hole as semen immediately began dripping out your gaping rim. Humming an exasperated sigh, a fond expression appeared on his face as his lavender eyes crinkled into crescents as he gently ruffled your hair.

The little kitsune had fallen into his trap.

Sometime ago, Ayato had noticed his belongings going missing. If he hadn’t, he wouldn’t deserve the title of Yashiro Commissioner. The thief clearly had no ill intent, but it became particularly vexing when he realized that the pair of gloves Ayaka had gifted him had mysteriously disappeared as well.

Then one day, by sheer coincidence, he noticed the little kitsune who had caught his eye more than once, wearing a familiar ribbon in their hair— his ribbon. And on their hands, the very gloves he had been missing. Amusement flickered in his usually composed gaze as everything clicked into place.

It seemed someone had developed quite the habit. But Ayato wasn’t the type to let such things go unaddressed. Oh no, if this little fox thought they could slip away unnoticed, they were sorely mistaken. Someone was in need of a lesson, and he would be more than happy to provide it.

So he plotted.

note: ajskskskk, I’m finally done 🙏 my first ask so I hope this was done well!

Reblogs are appreciated 🧑‍🍳