#can i say also in the safety of these notes

[gay-disabled-characters-showdown]

LGBTQ Disabled Characters Showdown Quarterfinals Poll 1

Vs.

Please be civil in the notes. We will block people if we feel it is necessary. A character being canon LGBTQ+ and disabled was not required to be in this competition. Please check qualifications and propaganda before asking why a character is included. This is not a competition of who is better representation.

Check out the other polls in the quarterfinals here.

Edit: This is a two vs. one because they tied (by our defenition) back in round 4 and moved on together.

Harrier ‘Harry’ du Bois-Disco Elysium

Qualifications:

Bisexual. Struggles with addiction, post-polio syndrome, multiple kinds of mental illness, and whatever else he's accrued by living in a city with no accessible healthcare.

Propaganda:

You know who he is. Vote for him.

Kim Kitsuragi-Disco Elysium

Qualifications:

Visually impaired

Propaganda:

I dunno man. He's Kim Kitsuragi. There's nothing I can say about him that hasn't already been said. He's quiet and reserved and uncomfortable with emotions. He's a self-proclaimed Torque Dork who loves his car like a child. He listens to heavy metal music. He's a centrist. He's a homosexual. He's consistently given shit by everyone around him for his race, his sexuality, and his disability, and he's taught himself to respond to it with cold professionalism. He dresses in historical communist pilot cosplay. I love him with my entire heart.

Yang Xiao Long-RWBY

Qualifications:

She is canonically wlw (has been for years but specifically kissed and got together with her now girlfriend in the latest season) and uses a prosthetic arm and has been shown to struggle with PTSD due to the traumatic nature of losing it during the show.

Canonically had her right arm chopped off, uses a prosthetic. Has PTSD. Is canonically in a WLW relationship.

She has a canon girlfriend and canonically has a prosthetic arm and PTSD

She's canonically sapphic (part of a recently canonised wlw slowburn relationship) and is an amputee (due to events from the 3rd season finale) who wears a robotic prosthetic. She also suffers from PTSD which is explored in the show

Propaganda:

I will keep on submitting Yang to relevant brackets until I die. RWBY has plenty of strengths and weaknesses with writing, especially Yang's recovery arc, but instead of forcing her to push past her trauma and enter the battlefield immediately, we see her struggle with it, take time to process, and not be pushed into repression and when she chooses to wear her prosthetic, chooses to train to ready herself, and chooses to seek out her family and save lives, she isn't perfectly healed, as no one is. The show depicts her having flashbacks due to sudden loud noise, shaking hand the first few times she has to fight for her safety instead of training with her dad, and snapping at friends when they bring up Blake, the person she lost her arm trying to save (who, near immediately after ran away due to feeling she was endangering those she loved, furthering Yang's already present abandonment issues.) It isn't done perfectly but the intentions and general message sent are extremely positive and honest. She struggles less as the show progresses, and there are opportunities to consider herself less for being disabled or "become whole again" but she explicitly refutes these ideas and says that's she's better because of her failures and losses, and isn't any less whole. Her becoming disabled is also extremely tied to her being LGBT, because, as previously mentioned, she lost her arm protecting her then friend and partner, now girlfriend, directly after the villain who cut her arm off told her love interest that he would "destroy everything [she] love[s]. (Camera pans to Yang, he looks at her.) Starting with her." LIKE. He attacked her BECAUSE Blake cared for her so much and Yang ran to her defense blindly BECAUSE she loved Blake so much. When they reunite, they struggle with communication because Yang feels Blake is seeing her as weak, and through several things, mostly a climatic battle against the man who severed Yang's arm, they affirm each other as equals. I can go on but this is already too long. YANG SWEEP!!!!!

Yang lost her arm while protecting her best friend and future girlfriend from said girlfriend's abusive ex. Had a whole arc about learning to live with that loss and dealing with PTSD. Is totally devoted to and in love with Blake Belladonna and is just the sweetest but most badass character in the show.

She's one of the main characters, and just finished a 10 year slow burn romance. Plus, she has both physical and mental disabilities, but is never treated as lesser or incomplete.

Yang Xiao Long was one of the first examples of a sapphic character I ever saw in animated media with her character journey in the show being an iconic part of my teenage years and current young adulthood. The loss of her arm after a traumatic event in the show's 3rd volume was one of the big shockers of the show that nobody saw coming. Since then the show has done an amazing job in exploring both the mental and physical effects of her losing a limb, gaining a prosthetic arm and the recovery journey. Her character also has a major arc regarding handling her PTSD from both this and her past most notably in the 5th and 6th volume. Her character also has a slow-burn romance with her teammate and fellow main character Blake Belladonna which is one of my fave romances ever (it has everything: canon soulmates, friends to lovers, sunshine x grump,battle couple etc..) that has recently became CANON BABIEE!!! There are MULTIPLE characters in RWBY with various disabilities that are handled well in the narrative but i would say Yangs definitely the top FAVE!

[velvetvexations]

I’m. So baffled by that one dude saying that trans men being able to pretend to be women is a privilege, because in his tags he says that it’s a thing specific to transmascs. Does he mean pretending to be cis as a means of safety is a transmasc specific thing?? Because uh, I’m… pretty sure that’s something that can be done regardless of a trans person’s gender? There are transfems and nonbinary people who can also pretend to be cis [whatever their agab was], too?

Its also not a privilege. Having to hide what you are out of fear isn’t a fucking privilege lmao

strangely people understand that when it's about trans women

just saw a post on my dash saying "'infighting' is a dogwhistle which frames transfems as aggressors". i really hope the tide is turning like you said, bc this shit is getting exhausting and im still seeing it from random people i follow who otherwise gave no indication that they drank the koolaid.

they make me out to be the aggressor all the time!

Nazi imagery anon here

These are the pics I was referring to.

As you can see it’s posted on the verified border security account and you can see two different nazi symbols on him :(

yeah it looks like standards for what they allow soldiers to adorn themselves with are low and the person taking and posting the pics aren't paying good enough attention because that guy also straight up has a naked anime bitch on his knife sheath

as I said this is an individual thing and they need to start knocking their heads together like the Three Stooges and sending them into trenches first

You know who saying that th**fab is actually a storied term that trans fems have been using to identify transmisogonists is fucking insane like girl that's such obvious lie give us nothing

they aren't even trying

It’s crazy how almost every other day on this site I see a new post with like 50k notes talking about how absolutely NOBODY deserves to be harassed, sent death threats or be put on blast yet once again I’m seeing people trying to justify the harassment of another transmasc teenager. Honestly people should just start openly admitting Tumblr is becoming increasingly hostile towards trans masculine individuals, I don’t see clownery on this level on any other platform-

Tumblr...is really bad.

I think the reason why this whole headcanons discourse bothers me so much is that is really is just fuelled by petty spite. Like all these characters are cisgender in canon. We make headcanons because it’s FUN to expand on characters in ways that reflect our different life experiences in whatever form that may take. Intentionally going after transmascs, especially young transmascs, for doing this with characters like they like and accusing them of all these different things genuinely does just feel like bigotry. Who cares if a head canon may not make the most amount of sense? It’s a cisgender fictional character we’re playing around with! Why does it have to be some grand act of activism to say blorbo number 3 is transmasc? We have much bigger fish to fry here.

exactly it's such dedication to not letting anyone else have anything

So sick of people acting like trans men are the same as cis men under the patriarchy and moreso im really sick of the "you're privileged to not be surrounded by men". Like, for lack of better phrasing, saying that about a group of people that is generally perceived as "failure women" pre transition (and sometimes during and post) is a little tone deaf. All about acknowledging how women and people perceived as women are harmed by misogyny until the ones perceived are men. Gender essentialism is ugly and tasteless and nonsensical. Please feel free to delete this im just rambling without a point

rambling is okay anon <3

„wow ur so privileged to not fear men”

i fear the fucking everyone asshole, i just realized that isnt everyone elses fault so i should still treat them with respect !!!!!

that woman called me a "self-hating doll" and I hate the second part a lot more than the first

[flowersforthemachines]

Some facts about Bellara (and also the Veil Jumpers, and other random Elven things) gathered from the banters

I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).

Note: the list isn't 100% exhaustive. I may have missed something or didn't write something down because I had heard about it before or considered it common knowledge. If you think there's something that can be added to the post, please DM me or send an ask! (do specify what banter the information is coming from)

Other characters' posts: Davrin, Harding, Lucanis, the rest to be added later this week

About Bellara

Family and past:

Bellara’s mother is a woodworker who sells furniture in Orlais, and her father is an herbalist. He taught her about deadly plants (for her own safety)

Bellara didn’t tell her parents about Cyrian’s (second) death

Bellara once broke both of her arms while racing an Aravel 

Bellara learnt magic from her Keeper and later the Veil Jumpers, but she also studied a lot on her own by reading books and just trying things out

When she was little, Bellara wondered what it’s like to settle down instead of moving all the time (just like Davrin did) 

General:

Bellara can better focus on writing when she has background noise (like Rook talking)

Bellara likes tea (but can also drink coffee after she pulls an all-nighter, which seems to happen pretty often)

Bellara liked Lucanis’s grilled fish

Bellara didn’t know any Qunari recipes before joining the Veilguard

Bellara wouldn’t want to be an assassin, but she would be interested in taking lessons from Crows about assassination techniques

Bellara thinks that most people in Tevinter are condescending, even the nice ones 

Magic and life with the Veil Jumpers: 

Bellara once found an artifact that was basically an ancient elven mechanical toothbrush 

Bellara is a Veil Jumper because Arlathan is her home, and she can’t stand by and do nothing. Also, because of the artefacts

Part of the reason why Irelin and Bellara broke up is that Bellara became too consumed by studying/fixing artefacts 

Bellara and Davrin agree that the Veil Jumpers’ odds are even worse than the Wardens’

Bellara thinks that the ancient Elven magic feels cold

Bellara didn’t find anything on the Devouring Storm in the libraries or Circles. Vorgoth and Myrna never heard of it either 

Life at the Lighthouse: 

Bellara owns a bronze candleholder shaped like a fennec

Bellara thinks that the Fade in the Lighthouse is almost too calm compared to Arlathan

Bellara likes her space in the Lighthouse and feels like “it's been waiting for her”

The Archive sometimes stares at people who come by

Bellara eventually suggests that she and Lucanis completely take over the cooking. Everybody except for Harding dreaded any meal not cooked by them anyway and gleefully agreed

Antoine let Bellara borrow his compound for flaming arrows to see how it reacts in the Fade (she doesn’t speak about the results, but she used at least one compound for testing without incidents and later wants to borrow more) 

Relationships with companions: 

Bellara offers Davrin to listen about his findings regarding the Gloom Howler as he searches for the missing griffons, saying she's a good listener

Bellara asks Neve if she can become a Shadow Dragon and is very excited when she hears “Yes”

However, when Emmrich offers her to join the Mourn Watch, she turns him down saying that the Veil Jumpers need her. 

A writing inconsistency. Probably. 

Neve once saw Bellara poking around Assan, trying to figure out if he was real or some clever mechanical contraption 

Bellara wants to make pillows out of Assan’s molted feathers (but Davrin refuses because he finds it weird)

Bellara made dog biscuits for Assan (that Davrin accidentally ate the first time). The next time she brought a batch, she left them in a box labelled “Assan biscuits inside, do not eat.” Assan liked them!

Bellara once covered Assan in olive oil thinking it could improve his wind resistance and let him fly faster. Didn’t work. 

Bellara offers Emmrich to co-author a paper about ancient elves after they find out elves came from spirits

Bellara asks Emmrich about vampires multiple times. According to him, when a Hunger Demon possesses a corpse, the resulting abomination can seek out blood, sort of resembling a vampire. They can't turn into bats though

According to Neve, some magisters in Minrathous have tried bonding with Hunger Demons which resulted in them having immense power but also a craving for blood 

Bellara and Harding swap books for reading

Bellara gets into lifting using Harding's rocks

Bellara doesn’t think she needs to threaten Lucanis when she finds out he and Neve are dating because Neve could wipe the floor with him herself if she wanted (Lucanis agrees) 

Bellara is fine with Lucanis taking on Ghilan’nain’s contract (“Whatever we were worshipping, it wasn’t her") and cheered him on at Weisshaupt

Bellara asks Neve to beta-read her story

(If Neve and Rook are in romance) Bellara thinks that solving cases together is romantic

(If Neve leaves after Rook chooses to save Treviso) Bellara kept notes of everything that happened while Neve was away to help her adjust after she’s back

About the Veil Jumpers:

Bellara mentioned that a certain elf camped in some ruins, and one day woke up stuck in the clouds. The Veil Jumpers haven’t figured out a way to get them down, so they just send them food and water

Veil Jumpers use some of the artefacts they have recovered as weapons. However, they don’t use them often, since most of them need to be charged after one use, and nobody really knows how to do that 

Veil Jumpers eat whatever Arlathan Forest provides

Though Bellara also mentions she doesn’t forage in the forest anymore. Strife does, however, he always finds something edible

It’s hard to say how many Veil Jumpers are out there because people die/go missing/leave too often to keep a proper count

The Veil Jumpers once found an artefact that caused whoever activated it to get sucked into the Fade. One guy got trapped inside because he used it even if the others told him not to. Bellara is weirdly nonchalant about that whole thing

The Veil Jumpers once found something like an entrance to the Deep Roads on the Southern Edge of Arlathan Forest. The group that found it sealed themselves inside and destroyed the entrance, leaving a note telling the others not to enter. Davrin hypothesises it could be one of the pools similar to the one we saw in the Horrors of Hormak

Ritsivas from the Veil Jupmers is non-binary (mentioned by Harding in a conversation with Taash)  

Misc:

The power crystals are called “June'suledin'bellanaris'ena'ghilan'lasa'shiral”. You may infer the reasons everybody just calls them 'power crystals'

Not all traps in Elven ruins were originally meant to be traps, but their magic is old, so it doesn’t recognise modern people and can backfire. And sometimes magic just degrades over time and accidentally rips the Veil, summoning demons

Andruil’s Gauntlet is an ancient site meant to test hunters who want to wield the mightiest weapons. It’s filled with traps, and no one has made through it in ages. It was made by Andruil’s priests to test the warriors of Elvhenan 

Clans Nuvenis and Sabrae live in Ferelden. Harding’s village traded with the Sabrae in the past

[userautumn]

i didn't have a big post planned and, in fact, actually forgot it was new year's eve because i've been working but i NEVER miss an opportunity to reflect so 💕 hmm let's see. 2024 was a Character Development year for sure. this year was for the plot. from april onward, this was one of the hardest years of my life, if not the hardest, but the people i love... oh, the people i love. you guys kept me going this year. thank you for allowing me to spend this life with you. and now, a few love notes, because i can <3

@bigassbowlingballhead - jon words cannot express how grateful i am that this year brought you and i together. you have been one of the most comforting presences in my life and i love you so deeply. thank you for always listening, for making me laugh out loud, for holding all of my secrets in the palm of your hand, and, as always, for your unrelenting kindness. i adore you and can't wait to scream about snw3 with you.

@malinaa @meyhew - seedlys, we've been in each other's lives for many years but this year i felt like i became friends with you guys all over again. you provided me a safe space to share the thing that's most precious to me in the entire world (my book) without judgement and words cannot express how much i do not take that safety for granted. thank you for holding my hand and listening to me be an annoying perfectionist about it, thank you for being excited and screaming with me, for being supportive, for letting me ramble. thank you for being in my life. i love you. i worry sometimes you guys don't know how deeply that love runs but please know that the fountain of my adoration is infinite and without bottom, even if i seem awkward or don't always show it / express it. i grow more and more thankful for you guys every day.

@godlightbuckley @ontoheartache - not to be all like "finding light in the darkness" but the fact that liam's death brought me closer to you guys truly is the one (1) bright spot out of that whole thing. annie and katie, you two are so beloved to me. your kindness, your compassion, your inner beauty — both of you have become such lights in my life in such a short time and i, with full sincerity, couldn't have made it through without you. thank you for being exactly who you are. i love you.

@dadbodbuck - jay dadbodbuck, i would trust you with my life. thank you for being a BIG part of the reason i made it through this year alive.

@texasbama - you already know, friend. thank you. for all the large and small things, thank you. ily.

@kitkatpancakestack - k, i consider it one of my greatest privileges and highest joys to be in your life, to be considered a friend by you. the amount of trust you've shown me, the number of times you've made me laugh, your kindness, the way you put me at ease from literally the moment we started talking, all the times you message me randomly just to say hi — these are all special little treasures i hoard deep inside my chest. i love you, yes, but i also love being loved by you. your friendship is a warm balm on a cool day. thank you for taking a chance on me. you are an incredible human being and i'm excited to see where life takes you because i know in my soul you're going to flourish at everything you do.

@rewritetheending - morgan, you and i are cut from the same cloth in a lot of ways and that makes you one of the few people i feel totally at ease with. watching you become a Writer(TM) this year has made me so proud and i know it's only up from here. thank you for all the long talks about life and characters, for speaking my language, for letting me love you and your family, and for always being a message away.

@bucksboobs @freewayshark @kinardbuckleys - cedric, brittany, and jess, fellow survivors of the 911blr descent into purgatory and the reason i'm not a bigger bitch on main. i love you guys. thank you for letting me be a cunt in peace.

@mistletouchunderthetree - amber, you were a friend to me in a very specific way when literally no one else was. i can't really articulate what that meant to me, especially considering how vulnerable i was and the layers of emotion wrapped up in that particular moment. but. you know what i'm talking about and i hope you realize how grateful i am for you. i'm so thankful for this year because it allowed us to become a deeper part of each other's lives. i am so lucky to know you and to have the opportunity to exist in your orbit. you and i are locked in for life, sorry, no takebacks. i love you, girl. i hope 2025 brings you nothing but peace and bliss.

@letmetellyouaboutmyfeels - lincoln. ough. man. thank you for being a part of my past and my present. i hope to be a part of your future for as long as you will have me.

@flaming-phoenixes - you are always the best part of every year. thank you for riding out 2024 with me. i love you down to the marrow of my bones, down to all the molecules and atoms that comprise my being, and i promise i always will.

there are so so so many more people i can name here who, in some way and with full sincerity, made this year worth living. to name a few more:

@comfortingevanbuckley @kirkaut @apassingbird @catdadeddie @nydoorin-lionett

@mistchievous @louferrignojrofficial @jdeanmorgan @nubuckleather @ohithankyou

@newtkelly @mellaithwen @libraryofloveletters @gayhoediaz @lemmeaskthedevil

@alex1424 @bigfootsmom @honestlydarkprincess @buckxtommy

i'm still forgetting so many people, but if you think i'm talking about you, i probably am. thank you for walking with me through the labyrinth, for lighting up my night sky, and for being my joy when i couldn't find any.

happy new year, guys. i hope it's kind to you all 💕

[paleode-ology]

"oh babe, I'd let you know" is just running on loop in my head god they sound so good

[essektheylyss]

Safety tools for games are very well and good and if you and your group need them you should absolutely use them, but sometimes the way people talk about them feels like they are using those tools as a straight-up substitute for, like, working to develop interpersonal skills and the capacity for talking openly with friends.

[sad--tree]

absolutely godawful day. i don't hate my job itself or some of my coworkers but management can kiss my ass. fucking insulting how they treat us and there's nothing u can say or do about it.

[you-have-startled-the-witch]

btw this is a preston garvey love and appreciation blog. if you hate preston you will die by my blade.

MINUTEMAN BLAST

[quietwingsinthesky]

even has killed people—though perhaps that depends on your definition of people—and it’s not. how do i put it. it’s never cool, you know? it’s never a moment where this puts them in control of a situation, where they can show off some skill in putting someone down. because even is not, generally, very powerful, and they do not know how to do this.

it just gets messy.

which is one of those terrible reasons why they… well, they don’t like the master, but they have to like that she can do it easy, quick, clean. she can give even the ability to, as well, when she wants. if for no other reason than it means that they won’t have to scrub it raw off their skin later, they appreciate that.

[bibleofficial]

aesthetic pinterest board of dark academia suicide notes

[snekdood]

ig my problem with the whole bullying thing is that so many of the leftists who do it self identify as communists of some type or really emphasizes community.... but clearly doesn't care about actually cultivating an environment where everyone in the community feels safe and welcome..........

[spotforme]

yeah i fit in a box, i actually made that box for myself, it's got armholes and everything!

[duncebento]

agh i know it can be rally difficult but especially if you are a marginalized person especially if you are a woman ESPECIALLY if you are trans please make sure that you’re not signaling insecurity to ppl via your dating app profiles or what have you. it can literally be a matter of your own physical safety.

as an example, i often see trans girls on hinge liable to put something like “i’ll fall for you if you show me any affection at all <3” on their profiles…and i know u just think it sounds quirkily self-deprecating and i KNOW that’s the way you really and truly feel but if i am someone who whether consciously or not is searching for a dynamic in which i have power over another person, a statement like that will make my ears perk up!!

furthermore, and especially for younger people, there are a lot of things that are very necessary to discuss with a partner that are ALSO very necessary to not reveal for a little while. if you have been abused in a certain way or if you are inexperienced, those are things that are unsafe to talk about with people you don’t know, no matter how honest and upfront you pride yourself on being. i’ve had someone tell me about all the sexual assault they’d experienced on a first date— and luckily for them i wasn’t interested in harming them or really into them at all— but again, imagine if i were someone who wanted power over another person! all their truthfulness and vulnerability would do is reveal them as an easy mark for my manipulation.

if you do encounter a critical situation with someone you haven’t spent enough time with yet, it should always be possible to say what instead of why: e.g. “i’m sorry, but i’d like to wait before having sex with you” or “i’d rather not hang out in that park, can we pick somewhere else?” instead of “i’d like to hold off on having sex BECAUSE i’ve never had sex before” or “i’d rather not hang out in that park BECAUSE that’s where i was assaulted.” again, both very important things to talk about with a partner, but unfortunately potentially dangerous things to discuss with someone you’ve not yet gotten close to! and anyone who seems to be sniffing around for signs of your inexperience or victimhood is not to be trusted anyway (note that sniffing around is different from a polite “oh, would you like to talk about it?” interest.)

i know it can be difficult to come across as more confident than you feel, but it is really necessary that you’re projecting a desire for something healthy and safe that will make you happy instead of saying outright that you’ll be fine with crumbs.

[derinwrites]

The Three Commandments

The thing about writing is this: you gotta start in medias res, to hook your readers with action immediately. But readers aren’t invested in people they know nothing about, so start with a framing scene that instead describes the characters and the stakes. But those scenes are boring, so cut straight to the action, after opening with a clever quip, but open in the style of the story, and try not to be too clever in the opener, it looks tacky. One shouldn’t use too many dialogue tags, it’s distracting; but you can use ‘said’ a lot, because ‘said’ is invisible, but don’t use ‘said’ too much because it’s boring and uninformative – make sure to vary your dialogue tags to be as descriptive as possible, except don’t do that because it’s distracting, and instead rely mostly on ‘said’ and only use others when you need them. But don’t use ‘said’ too often; you should avoid dialogue tags as much as you possibly can and indicate speakers through describing their reactions. But don’t do that, it’s distracting.

Having a viewpoint character describe themselves is amateurish, so avoid that. But also be sure to describe your viewpoint character so that the reader can picture them. And include a lot of introspection, so we can see their mindset, but don’t include too much introspection, because it’s boring and takes away from the action and really bogs down the story, but also remember to include plenty of introspection so your character doesn’t feel like a robot. And adverbs are great action descriptors; you should have a lot of them, but don’t use a lot of adverbs; they’re amateurish and bog down the story. And

The reason new writers are bombarded with so much outright contradictory writing advice is that these tips are conditional. It depends on your style, your genre, your audience, your level of skill, and what problems in your writing you’re trying to fix. Which is why, when I’m writing, I tend to focus on what I call my Three Commandments of Writing. These are the overall rules; before accepting any writing advice, I check whether it reinforces one of these rules or not. If not, I ditch it.

1: Thou Shalt Have Something To Say

What’s your book about?

I don’t mean, describe to me the plot. I mean, why should anybody read this? What’s its thesis? What’s its reason for existence, from the reader’s perspective? People write stories for all kinds of reasons, but things like ‘I just wanted to get it out of my head’ are meaningless from a reader perspective. The greatest piece of writing advice I ever received was you putting words on a page does not obligate anybody to read them. So why are the words there? What point are you trying to make?

The purpose of your story can vary wildly. Usually, you’ll be exploring some kind of thesis, especially if you write genre fiction. Curse Words, for example, is an exploration of self-perpetuating power structures and how aiming for short-term stability and safety can cause long-term problems, as well as the responsibilities of an agitator when seeking to do the necessary work of dismantling those power structures. Most of the things in Curse Words eventually fold back into exploring this question. Alternately, you might just have a really cool idea for a society or alien species or something and want to show it off (note: it can be VERY VERY HARD to carry a story on a ‘cool original concept’ by itself. You think your sky society where they fly above the clouds and have no rainfall and have to harvest water from the clouds below is a cool enough idea to carry a story: You’re almost certainly wrong. These cool concept stories work best when they are either very short, or working in conjunction with exploring a theme). You might be writing a mystery series where each story is a standalone mystery and the point is to present a puzzle and solve a fun mystery each book. Maybe you’re just here to make the reader laugh, and will throw in anything you can find that’ll act as framing for better jokes. In some genres, readers know exactly what they want and have gotten it a hundred times before and want that story again but with different character names – maybe you’re writing one of those. (These stories are popular in romance, pulp fantasy, some action genres, and rather a lot of types of fanfiction).

Whatever the main point of your story is, you should know it by the time you finish the first draft, because you simply cannot write the second draft if you don’t know what the point of the story is. (If you write web serials and are publishing the first draft, you’ll need to figure it out a lot faster.)

Once you know what the point of your story is, you can assess all writing decisions through this lens – does this help or hurt the point of my story?

2: Thou Shalt Respect Thy Reader’s Investment

Readers invest a lot in a story. Sometimes it’s money, if they bought your book, but even if your story is free, they invest time, attention, and emotional investment. The vast majority of your job is making that investment worth it. There are two factors to this – lowering the investment, and increasing the payoff. If you can lower your audience’s suspension of disbelief through consistent characterisation, realistic (for your genre – this may deviate from real realism) worldbuilding, and appropriately foreshadowing and forewarning any unexpected rules of your world. You can lower the amount of effort or attention your audience need to put into getting into your story by writing in a clear manner, using an entertaining tone, and relying on cultural touchpoints they understand already instead of pushing them in the deep end into a completely unfamiliar situation. The lower their initial investment, the easier it is to make the payoff worth it.

Two important notes here: one, not all audiences view investment in the same way. Your average reader views time as a major investment, but readers of long fiction (epic fantasies, web serials, et cetera) often view length as part of the payoff. Brandon Sanderson fans don’t grab his latest book and think “Uuuugh, why does it have to be so looong!” Similarly, some people like being thrown in the deep end and having to put a lot of work into figuring out what the fuck is going on with no onboarding. This is one of science fiction’s main tactics for forcibly immersing you in a future world. So the valuation of what counts as too much investment varies drastically between readers.

Two, it’s not always the best idea to minimise the necessary investment at all costs. Generally, engagement with art asks something of us, and that’s part of the appeal. Minimum-effort books do have their appeal and their place, in the same way that idle games or repetitive sitcoms have their appeal and their place, but the memorable stories, the ones that have staying power and provide real value, are the ones that ask something of the reader. If they’re not investing anything, they have no incentive to engage, and you’re just filling in time. This commandment does not exist to tell you to try to ask nothing of your audience – you should be asking something of your audience. It exists to tell you to respect that investment. Know what you’re asking of your audience, and make sure that the ask is less than the payoff.

The other way to respect the investment is of course to focus on a great payoff. Make those characters socially fascinating, make that sacrifice emotionally rending, make the answer to that mystery intellectually fulfilling. If you can make the investment worth it, they’ll enjoy your story. And if you consistently make their investment worth it, you build trust, and they’ll be willing to invest more next time, which means you can ask more of them and give them an even better payoff. Audience trust is a very precious currency and this is how you build it – be worth their time.

But how do you know what your audience does and doesn’t consider an onerous investment? And how do you know what kinds of payoff they’ll find rewarding? Easy – they self-sort. Part of your job is telling your audience what to expect from you as soon as you can, so that if it’s not for them, they’ll leave, and if it is, they’ll invest and appreciate the return. (“Oh but I want as many people reading my story as possible!” No, you don’t. If you want that, you can write paint-by-numbers common denominator mass appeal fic. What you want is the audience who will enjoy your story; everyone else is a waste of time, and is in fact, detrimental to your success, because if they don’t like your story then they’re likely to be bad marketing. You want these people to bounce off and leave before you disappoint them. Don’t try to trick them into staying around.) Your audience should know, very early on, what kind of an experience they’re in for, what the tone will be, the genre and character(s) they’re going to follow, that sort of thing. The first couple of chapters of Time to Orbit: Unknown, for example, are a micro-example of the sorts of mysteries that Aspen will be dealing with for most of the book, as well as a sample of their character voice, the way they approach problems, and enough of their background, world and behaviour for the reader to decide if this sort of story is for them. We also start the story with some mildly graphic medical stuff, enough physics for the reader to determine the ‘hardness’ of the scifi, and about the level of physical risk that Aspen will be putting themselves at for most of the book. This is all important information for a reader to have.

If you are mindful of the investment your readers are making, mindful of the value of the payoff, and honest with them about both from the start so that they can decide whether the story is for them, you can respect their investment and make sure they have a good time.

3: Thou Shalt Not Make Thy World Less Interesting

This one’s really about payoff, but it’s important enough to be its own commandment. It relates primarily to twists, reveals, worldbuilding, and killing off storylines or characters. One mistake that I see new writers make all the time is that they tank the engagement of their story by introducing a cool fun twist that seems so awesome in the moment and then… is a major letdown, because the implications make the world less interesting.

“It was all a dream” twists often fall into this trap. Contrary to popular opinion, I think these twists can be done extremely well. I’ve seen them done extremely well. The vast majority of the time, they’re very bad. They’re bad because they take an interesting world and make it boring. The same is true of poorly thought out, shocking character deaths – when you kill a character, you kill their potential, and if they’re a character worth killing in a high impact way then this is always a huge sacrifice on your part. Is it worth it? Will it make the story more interesting? Similarly, if your bad guy is going to get up and gloat ‘Aha, your quest was all planned by me, I was working in the shadows to get you to acquire the Mystery Object since I could not! You have fallen into my trap! Now give me the Mystery Object!’, is this a more interesting story than if the protagonist’s journey had actually been their own unmanipulated adventure? It makes your bad guy look clever and can be a cool twist, but does it mean that all those times your protagonist escaped the bad guy’s men by the skin of his teeth, he was being allowed to escape? Are they retroactively less interesting now?

Whether these twists work or not will depend on how you’ve constructed the rest of your story. Do they make your world more or less interesting?

If you have the audience’s trust, it’s permissible to make your world temporarily less interesting. You can kill off the cool guy with the awesome plan, or make it so that the Chosen One wasn’t actually the Chosen One, or even have the main character wake up and find out it was all a dream, and let the reader marinate in disappointment for a little while before you pick it up again and turn things around so that actually, that twist does lead to a more interesting story! But you have to pick it up again. Don’t leave them with the version that’s less interesting than the story you tanked for the twist. The general slop of interest must trend upward, and your sacrifices need to all lead into the more interesting world. Otherwise, your readers will be disappointed, and their experience will be tainted.

Whenever I’m looking at a new piece of writing advice, I view it through these three rules. Is this plot still delivering on the book’s purpose, or have I gone off the rails somewhere and just stared writing random stuff? Does making this character ‘more relateable’ help or hinder that goal? Does this argument with the protagonists’ mother tell the reader anything or lead to any useful payoff; is it respectful of their time? Will starting in medias res give the audience an accurate view of the story and help them decide whether to invest? Does this big twist that challenges all the assumptions we’ve made so far imply a world that is more or less interesting than the world previously implied?

Hopefully these can help you, too.

[nakakabaliw]

(⚠️Talk of SA/Abuse Victims/Anya Mouthwashing)

⚠️If you need any "credibility" i am also a victim of abuse.

My Thoughts on #GIRLBOSS Anya

TW: S/A , Abuse

Some people need to realize that not all victims of abuse are empowered #girlbosses and are in fact scared to face their abuser bc of power dynamics and such .

Sometimes people just arent able to stand up to them, and thats okay. Its easy for some to say "oh they should fight back" but its really not :( often times their abusers are people in power, or close to them that they wouldnt want to antagonize in fear of disappointing them or for them to do the worst.

Sometimes victims may not even realize they were being abused/manipulated, and sometimes they downplay their own suffering bc its easier than fighting back.

That isnt to say that "victims should just comply to their abuser", its definitely not, and if you are suffering from abuse please seek as mucb help as you can. Im referring to people who always assume that if victims just "tried hard enough" they could defeat their abuser.

This is why often times I feel a little off put by depictions of Anya being this girlboss character who couldve defeated Jimo Because it sorta downplays her fear of him. Yes, we wouldve loved to see her succeed and win, but she was honestly scared. She was doing her best to please him by cheering him on and folding in when he berates her.

Personally I also want her to take that gun/axe and hit him where it hurts, but as a victim of a similar (not SA) type of abuse where people who controlled/manipulated were far above me, I symphatize with her.

Her death and her folding up, her taking drastic and risky measures such as hiding the gun case when she told Jimo about her pregnancy. Her struggling to open up about it bc shes been dismissed already by Curly, who couldnt believe that someone hes close to would do such an act and is trying way too much to balance both sides.

This is all just my opinion. Theres really nothing wrong with making a victim stand up for themselves, in fact yes, it should be celebrated. But also dont dismiss when a victim doesnt do that due to fear/trauma.

TL;DR: sometimes victims can dismiss their own abuse for the sake of safety.

Pls keep in note that im speaking from complete experience and am no way a psych major or anything. This is just my voice and opinion and if you beg to differ, im open to discussion ^^ please be respectful!

[adispit]

Hiyaaa can I ask for Ayato from Genshin with a kitsune reader who steals pieces of his clothing as a secret crush on him but one day Ayato catches them and punishes them.

A Punishment ?

Ayato x kitsune! bttm male reader

Content warnings: spanking, anal tongue fucking (receiving), overstimulation, rough sex, creampie , slight predator prey dynamic (if you squint), slight dubcon because reader wasn’t really into the spanking at the start

Note: This fic has been marinating in my inbox for 2 weeks so I hope you enjoy! Also I haven’t played Genshin in a year so this might be a tad bit ooc 😭. Enjoy!

You had always been someone in the background, shadowed and sheltered under the protection of your sister, Guuji Yaemiko. Few to none knew of your actual existence as centuries passed, except for the Raiden Shogun and the clans themselves. Her influence stretched far, wrapping around you like a protective veil.

The Shrine was your haven, but also your cage. Every decision, every move you made, was watched, controlled. It was always for your safety, she would say. The sister who would tease and always play you like a fiddle to her silly whims became firm and unmovable when it came to exploring beyond the Inazuman city. You had been sheltered from the harsh realities of the world, never given the freedom to truly explore it. Yet, that defiant streak within you had only grown stronger. You didn’t want protection. You wanted to live.

However, what your sister could not shield you from was unforeseen. A little crush you had harboured for the Yashiro Commissioner himself, Kamisato Ayato. A man who carried himself with grace and power — a man who like your sister, commanded respect wherever he went. The very man that made the Kamisato name arise from its ashes and make it the prestigious clan today. As much as you hated to admit it, you were nothing better than those maidens who chased after him relentlessly for marriage offers. It stung to think of yourself in that way, to admit that you were drawn to him with the same intensity that they were.

It wasn’t just his power or his elegance. It was the way he moved with a grace that seemed almost otherworldly, the sharpness in his gaze that made you feel seen even when you wished to remain hidden. You were drawn to him with a fascination that bordered on obsession, an allure that you couldn’t shake off no matter how hard you tried. Due of your crush, you found yourself resorting to a silly yet strangely satisfying ritual—stealing Ayato’s clothes. It was an odd way to cope with the intense feelings you harbored for him, but it was the only outlet you could manage. Each stolen item, whether a glove, a ribbon, or a sash, became a cherished possession, a physical connection to him that you could hold onto.

Each piece of clothing was a wishful reminder of him—a way to keep a part of him close, even if you could never have him completely. You would fold his garments carefully, press them to your face, and imagine the moments he had worn them, his scent of sandalwood and rain with the lingering warmth, It was your own secret fantasy. It was harmless really. A secret way of indulging in the hopeless crush you’d harbored for the head of the Kamisato clan.

However, tonight, the air felt different—charged with something you couldn’t quite place. Strangely, there weren’t any guards present that were on patrol. The estate was quiet. A little too quiet.

Still, you pressed on.

The thought of what you were about to do made your fox ears twitch in excitement. Ayato’s chambers were silent as you nudged the door open, the dim light of a single candle casting long shadows over the room.

You crept inside, eyes scanning for something to take. His haori lay draped neatly over a chair, and without hesitation, you reached for it. The silk fabric slipped through your fingers, smooth and cool to the touch. Your breath caught in your throat as you brought it close, imagining, just for a moment, what it would feel like to be wrapped in it—surrounded by him. The thought made your cheeks warm, but you pushed it away, carefully folding the haori over your arm.

It was a ridiculous thought, you knew that.

You allowed yourself a small smile. Another successful heist, another piece of him to add to your collection. You moved toward the door, your escape clear and easy.

But as you turned, something stopped you.

A faint rustle. Barely a sound, but enough to make your ears twitch with alert. You froze, eyes darting toward the corner of the room. Nothing.

You waited, heart racing in your chest, every instinct telling you to bolt but curiosity kept you rooted in place. Slowly, you scanned the room again, your gaze lingering on the bed. Your breath caught in your throat as your eyes landed on a figure sitting in the shadows.

Ayato.

He was leaning casually against the headboard of his bed, his body bathed in the soft glow of moonlight. His lavender eyes, sharp and calculating, met yours with a calm intensity. Those eyes were striking—like shards of amethyst, reflecting the light in a way that made them almost glow. They watched you with a calm amusement, though the glint in them suggested he was far more aware of the situation than you were.

Your heart raced as you took in his appearance. His long, pale blue hair was neatly tied back, save for a few loose strands that framed his angular face. The moonlight accentuated his porcelain skin, making him look almost ethereal, like something out of a dream. Yet there was nothing soft about the way he held himself—he stood with a quiet strength, the grace of a nobleman who knew his power.

“You’ve been busy, haven’t you?” His voice was smooth, almost melodic, but there was an edge to it. It sent a shiver down your spine.

You swallowed hard, clutching the haori tightly. Ayato’s tall, lean frame was still relaxed, but every movement he made was deliberate. His long fingers tapped rhythmically on the edge of the bed as he spoke, drawing attention to his hands—hands that could command armies or, in this case, one mischievous kitsune.

“I… I didn’t mean—”

Ayato’s lips curled into a faint smirk, revealing a glimpse of his sharp wit. “Didn’t mean to what?” He interrupted, stepping forward, the soft rustle of his clothing barely audible. “You seem to have a habit of taking things that don’t belong to you,” he murmured, his voice low, smooth, and far too calm.

“Lord Ayato,” You squeaked softly, ears flattening as you clutched the fabric in your hands. He approached, slowly, the air between you charged with something you couldn’t name. “What were you planning to do with this, hm?” He gestured toward the ribbon in your hand, his voice soft but laced with authority. “Stealing from me, Yae Miko’s brother no less… What would she say?”

You bristled at the mention of your sister, but there was no escape now. “I just wanted—”

“To see if I’d notice?” Ayato finished for you, his amusement deepening as he tilted his head slightly. His eyes never left yours as he leaned in closer, his breath warm against your cheek. Up close, you could see the slight tension in his jaw, the quiet authority he carried in every word.

His hand reached out, brushing lightly against the fabric of the haori. “I noticed,” he whispered, his voice sending a thrill down your spine. His fingers grazed yours, cool to the touch yet searing with the unspoken threat of control.

Ayato’s smile was small but devastatingly confident. “But there’s a price to pay for stealing from the Yashiro Commissioner.”

Your heart raced as he stepped even closer, the close proximity making your tail swish back and forth with nervousness and anticipation. “And I think you know what that means.”

“Get on your knees,” he commanded, his voice low and husky, sending a shiver down your spine. You hesitated for just a moment, but the look in his eyes—dark, intense, and utterly unyielding—was enough to make you comply. Your legs gave way almost instinctively as you dropped to your knees, your heart pounding in your chest. The rush of adrenaline coursing through you drowned out everything except the sound of your own breathing, loud and uneven in your ears.

He took another step, his movements so fluid that his bare feet made no sound on the hardwood floor, as though he was one with the shadows. You could feel the heat radiating from him even before he stood directly in front of you, the faint scent of sandalwood and rain lingering in the air—intoxicating and impossible to ignore.

A slow, deliberate smirk tugged at the corners of his lips—a smirk that sent a thrill of both fear and excitement rushing through your body. The expression was playful, yet there was something undeniably dangerous in it, like he was silently toying with you, fully aware of the power he held over you. Up close, you could see the cool, detached amusement in his eyes—like a predator toying with prey, knowing full well you were already caught in his web.

"Take off your clothes," he ordered, his tone leaving no room for argument. You hesitated again, but the silent disapproving look in his eyes was enough to make you move. You stood up slowly, your hands trembling as you began to undress. Reluctantly, your robes slipped off, leaving you stark naked and cold, shivering in the cold night air. Truth to be told, you were a virgin, never having the chance to even have a sexual outlet besides from fingering yourself and masturbating on rare occasions when your sister wasn’t at the shrine. Even with your crush on Ayato, you were rather reluctant and admittedly, a tad bit fearful.

He watched you, his expression unreadable, but the fire in his piercing eyes made your skin tingle with anticipation. That calm, calculating gaze burned with something primal even though his face remained impassive. When you were done, he simply gestured for you to turn around. You hesitated briefly, but his silent command left no room for question.

Your heart pounded as you moved, his authoritative presence looming behind you. “Hands on the bed,” he demanded, his voice brushing dangerously close to your ear. The soft, commanding tone sent an involuntary shiver down your spine, making you feel small beneath him.

You obeyed, placing your palms flat against the cool surface of the futon. The fabric felt grounding under your trembling fingers. You could hear him moving, the quiet rustle of his robes as he adjusted himself, his body heat brushing ever closer. The air between you felt electric, charged with tension, until—

Without warning, the first blow landed hard across your ass. The sharp, stinging pain rippled through you like a wave. You gasped, your body jerking forward from the sudden impact, your tail instinctively going taut. The burning sensation lingered, intensifying with every passing second, until all you could do was grip the sheets, struggling to steady yourself against the onslaught.

“Ayato, I don’t think I want to — Ah!”

He wasn’t done.

The second blow came even harder, the sharp impact sending a jolt of pain through your body. This time, you couldn’t suppress the cry that escaped your lips, the force of it stealing the breath from your lungs. You bit down hard on your lip, the metallic taste of blood faint on your tongue as you fought back the tears threatening to spill over.

“Count,” he ordered, his voice dangerously calm. “And call me Sir. Stay still,” he added, the warning in his tone unmistakable, “Or this will be even worse.”

You could feel the power in his command, the unspoken promise that he wouldn’t tolerate disobedience.

“Two, Sir,” you whispered, your voice trembling, doing your best to remain still despite the lingering sting.

The next few blows came in quick succession, each one more painful than the last. Your ass was on fire, the pain mingling with the arousal that was building inside you. You could feel yourself getting hard, your body betraying you as it responded to the punishment. The next few blows came in quick succession, each one landing harder than the last. Your skin burned, a searing pain spreading across your ass with every strike, and it felt like your entire body was on fire.

Tears slipped down your cheeks, and no matter how hard you fought them back, they kept coming, blurring your vision. You mutely counted the blows between occasional cries of pain and ragged gasps for air. The room spun around you, the sensation too much, too fast.

Each smack to the ass only intensified your horror at your arousal and your arousal. You could feel your dick twitching and getting stiffer as the pain resonated throughout your body. Precum was beginning to pool beneath your cock as the electric sting that the pain brought felt even more pleasurable than the last.

“T-ten,” you whispered shakily, your hands gripping the sheets as you struggled to keep from collapsing under the pressure. Finally, he paused, giving you a moment of respite to catch your breath. Your chest heaved as you struggled to catch your breath, the tension in your body slowly unwinding as the sting of the blows lingered. Your skin was still ablaze with the aftermath.

You could feel his hand resting lightly on your back, his fingers brushing against your skin in stark contrast to the harshness of his earlier actions. The touch was almost tender, a strange gentleness that sent a confusing wave of emotions through you.

Suddenly, with a swift motion, you found yourself turned around, now facing him. Despite the harsh punishment you had endured, you felt your heart race and then falter as the close proximity of Ayato became overwhelming. Your traitorous tail, betraying your true feelings, swished involuntarily with a mix of excitement and nervousness.

However that did not distract him from the hard on you sported, much to your embarrassment. His slender hand crept down your body and dwarfed your cock. He rhythmically rubbed your length, making you shudder and feel the sparks and the familiar hum of pleasure beginning to ignite.

“Yes,” you gasped as Ayato purposefully tightened his grip around your sensitive tip, never stopping his pace, “Oh—fuck—” as that mischievous hand closed around you, there was a playful air about Ayato as he let out a soft melodic laugh while mumbling something under his breath and then shifting his grip.

The next slide up was a tight, demanding fist. You threw your head back.

“Does that feel good, (Name)?” There was an amused lilt in his voice that made you flush head to toe.

The rush of blood and desire to a point low in your stomach was overwhelming. The movement was growing slicker, better , so tempting to lean fully into. You had never been this turned on.

“I don’t know, ” you cried through a strangled whine, you felt Ayato’s laughter directly through your skin, and somehow that made him suddenly very close.

There was something so exciting and arousing about it the way the man you had dreamt about, the very Yashiro Commissioner, himself was helping pleasure you. The very thought had you moaning, once, and falling slack like a puppet with cut strings. 

You were gently pushed back onto your back against the soft surface of the futon with both your legs are hoisted up, hanging against Ayato’s shoulders. Your body folded in half as you saw his head buried in your thighs, goosebumps rising on your skin as your tail hairs brushed against his chin.

“Ayato?!” You struggled for the commissioner to release his grasp on your legs, but to no avail, as he tightened his grip to hold you still. You flushed red in embarrassment, the thought of Ayato seeing everything too much to bear. 

And then you felt something warm and slimy breach past the ring of muscles, causing you to yelp in surprise.

Holy fuck. Was Ayato actually doing what you thought he was? 

You shuddered as waves of pleasure traveled up to your core. Gritting your teeth to try and contain the shameful moans from escaping you, afraid to realise that this was all a dream, afraid that Ayato would be turned off by you.

“Hnnn…Ayato….” You groaned, eyes clenching shut and face wrinkled as you bit back on a pathetic whine. All of a sudden, you jolted.

Ayato’s tongue had prodded at something deep inside you that made you melt into a puddle of arousal and shame. You unconsciously gripped his head tight with your thighs, messing up his perfect tidied hair. He had found your prostrate. And then he stopped, a gossamer thread of saliva connecting his lips to your hole as he retreated.

You couldn’t help but notice the shy mole that hid beneath his spit shiny lips — he was absolutely ethereal even with his messy and tousled hair. An unnatural pink flush decorated his fair and porcelain face and you realised that he was aroused.

By you.

The thick tension hung in the air as he silently gazed at you, the hunger in his amethyst eyes almost engulfing you on the spot like he was a man gone wild.

Shadows danced on his face as he meticulously removed his robes, still carrying himself with the same grace and dignity as if the air wasn’t imbued with the electric undercurrent of arousal and the fact that he had just tongue fucked you. He stood above you, full mast and you felt your breath get stolen away from you.

Ayato had a picture perfect physique, lean, almost like a statue carved out and had come to life. Your eyes immediately dove down to his abdomen, to be greeted with his cock, hard, already pressing against your rim, twitching invitingly. Both hands gripping your waist as he positioned himself.

“We will not stop now, (Name). Your pleas and cries will be unheard. This is a punishment.” He stared at you with an unyielding gaze, one that you were ready to challenge. “This is the lesson you must learn, the price of your rebellion,” he concluded. “One I accept.” You let out a hoarse giggle. His eyes darkened almost simultaneously as what seemed like another amused smile tugged at his lips before he let his actions speak for himself.

He did not give any mercy. Ruthlessly driving into your hips with a force like he wanted to merge into you, you felt his girth stretch and force your walls to mould into its shape. “Huh...?” Your mind went blank with pleasure, and for a while you couldn’t comprehend what happened. Your insides clenched down hard on his cock as slaps of skin punctuated the silent night air.

“Ah! Ggh- Aah! W-wait! Ungh —!” You slurred inaudibly as you felt your body rock to his merciless pace, your cock dribbling endless pre-cum uncontrollably. He promised your pleas and cries would be unheard and he served his promise, not even a single word could leave your raw throat. Only guttural whines and moans would escape your bitten lips as you fell into the throes of pleasure.

Alas, decisions were made and you could not regret what you said. Here you were, getting your deserved punishment in the form of a ruthless fucking.

Everything was too hot, too sticky and hummed with the sound of distant sobs, you groggily thought. Oh. Those were from you. Your skin was sticky with the sheen of sweat and cum and the futon beneath you was drenched. You felt unusually full, like something sloshing in your tummy. Your hole felt sore. And he wasn’t done. But you would never admit defeat….was the last thought that echoed in your muddled mind as you gave into the embrace of sleep.

“(Name)? Learnt your lesson now? Oh. The silly thief has admitted defeat.” He pushed back his sweat soaked hair as he glanced upon your slumbering form. Letting out a grunt, he pulled out of your red, swollen hole as semen immediately began dripping out your gaping rim. Humming an exasperated sigh, a fond expression appeared on his face as his lavender eyes crinkled into crescents as he gently ruffled your hair.

The little kitsune had fallen into his trap.

Sometime ago, Ayato had noticed his belongings going missing. If he hadn’t, he wouldn’t deserve the title of Yashiro Commissioner. The thief clearly had no ill intent, but it became particularly vexing when he realized that the pair of gloves Ayaka had gifted him had mysteriously disappeared as well.

Then one day, by sheer coincidence, he noticed the little kitsune who had caught his eye more than once, wearing a familiar ribbon in their hair— his ribbon. And on their hands, the very gloves he had been missing. Amusement flickered in his usually composed gaze as everything clicked into place.

It seemed someone had developed quite the habit. But Ayato wasn’t the type to let such things go unaddressed. Oh no, if this little fox thought they could slip away unnoticed, they were sorely mistaken. Someone was in need of a lesson, and he would be more than happy to provide it.

So he plotted.

note: ajskskskk, I’m finally done 🙏 my first ask so I hope this was done well!

Reblogs are appreciated 🧑‍🍳