#but this is also for so many other women

[mortem0]

if you can’t handle powerful women… THEN DONT DATE ONE

[wewontbesleeping]

the weirdest fucking thing to me is how men will be like "it's so hard being a man. no one cares that i'm sad. the loneliness we experience could NEVER be understood by a woman" and then also be like "btw i never talk to my friends and i don't know their names and i love hanging out with men because they don't talk about their stupid emotions all the time. women could never understand a bond like this." like ???

[technically-human]

Bisexual crisis Crystal edition

[butcharium]

I often do think it is important to call myself a woman. In past I've had kids ask me "are you a man or a girl" and in hindsight I think these kids were quite perceptive of the world. Especially when you're in your 20s it's men and girls, I've seen students write pieces describing themselves as men, but their female peers of the same age they call girls, but I have also heard bisexual women say they like both men and girls. In past I've fallen into that myself and said that yeah I'm a lesbian I like girls, but do I? No I am in my twenties and I am actually only attracted to my fellow adults - women. It does feel more serious, less trivial, both to be and be attracted to women as opposed to girls, and that can be a bit uncomfortable to be faced with. It is also important to me as a butch. I am no longer a tomboy I am a butch I am no longer a girl I am a woman. I am a woman and women can be like me. I don't feel like I've succeeded enough at adulting to call myself a woman, but that doesn't matter. I am 25, and if the word bears other connotations so be it, that's not my problem.

[izzys-bluebell-woods]

I feel like people have been quick to dismiss Mimzy's importance in Ep. 5

I've been seeing a lot of Mimzy hate, mainly on Reddit, where people are genuinely REALLY hating on Mimzy because she was annoying, interrupted Hell's Greatest Dad, and served no purpose in the episode.

Whilst the previous two points are down to personal taste, I feel like considering Mimzy's role in this episode nonexistent, or that she just exists for fanservice here, is greatly overlooking what this episode is about. There are two focuses to the episode, one of course being Lucifer and his relationship with Charlie, but it's also the deepest look into Alastor's actual character that we've gotten so far, I'd say significantly more than the finale. We see two sides to Alastor that both Mimzy and Luficier bring out, and I wanted to kind of highlight my thoughts and what the episode was trying to show us about Alastor that we wouldn't have gotten if Mimzy wasn't there.

Alastor's instant hostility towards Lucifer makes it incredibly clear that Alastor can't keep his cool all the time - his two biggest flaws is that he is power-hungry and incredibly petty. From what we know - and what is likely to be true considering Lucifer is shown to have no idea who he is - Alastor has never met Lucifer before this. If the theories that he belongs to Eve/Lilith in some way are true, there is reasonable ground to say that this immediate hatred towards him could be justified, maybe it was in some way Lucifer's fault that he's caught in this deal and this is his way of taking it out on him or trying to uphold his end of that deal.

But look how much his mask slips, look how annoyed and angry he is. If this was a font that he was doing to somehow make Lucifer intentionally mad at him for some sort of personal gain, he wouldn't have looked so murderous. Him just leaning down and hissing 'fuck you' right in his face was so shocking for the audience purely because no one has done that to him before, no one has pushed him so much.

This indicates that Alastor isn't just playing some sort of game, Lucifer genuinely got under his skin, because he is so obviously more powerful than Alastor and he HATES that. He hates being reminded that he's not the biggest meanest in Hell - this was explored more in his showdown in Adam, but at the time of this episode's release, this is the most flawed and 'human' Alastor has ever felt. He's dropped from this force of mysterious evil, to randomly picking a fight with the Devil himself because he was so catty about being shown up.

As further reinforced with him snapping at Husk when he also reminded him he wasn't as all-powerful as he sees himself to be, Alastor will lash out at those who make him feel like he isn't the one in control and pulling the strings of everything - we finally see a hint of motivation for him sticking around at the hotel at all.

But then there's Mimzy.

We immediately go from seeing Alastor at his worst, at his most aggravated and petty, to seeing him literally melt into a hug. The demon who, according to Viv herself, hates physical contact so much that he would distort and melt himself to get away from it. We so quickly go from being shocked that Alastor is behaving so spitefully to now having to take in Alastor being ecstatic to see someone who he considers to be a friend.

Having this be so directly after his massive tiff with Lucifer is so important. If this wasn't included in this episode, our only insight into the person Alastor actually is would be that he's an asshole. Picking fights with people just because he wants to stay on top, that its the thing he cares about the most. But Mimzy does come along, and we see that it isn't true at all - and its confusing, and that is so perfect.

You think you're getting somewhere with the person Alastor is, but you see that, hold on, there is actually a semblance of heart in there, here he is actually caring about someone. But what is so important about this being a relationship he shares with Mimzy, and something that couldn't at all be explored with, say, Rosie, is the kind of person Mimzy is.

Mimzy double crossed Alastor. And, according to Husk, this is a somewhat regular occurace. We can see that Alastor is annoyed at her, and I think most of us were prepared for him to do something to her like he was doing to those loan sharks a few seconds before this confrontation.

But...he doesn't. Not at all, he doesn't even snap at her. Perhaps scold her a bit, but other than that, he is so nice to her and just politely tells her to leave and that is that. He does more shit to Lucifer, who literally hasn't done nothing but exist in his presence, than someone who just trampled all over his ego by using him, both as a shield and, well, somewhat emotionally.

In this episode, Alastor is shown to lash out. Easily. All you have to do is be more powerful than Alastor, and he won't like you - that's the impression you'd get from his scenes with Lucifer alone. But we have his scenes with Mimzy as well, and you're being told, hold on, no, that isn't quite correct, because he's not acting the same here. What has Alastor got to gain from letting Mimzy get off of this with no repercussions? Mimzy, someone who has probably sold her soul to someone else and has absolutely no power at all.

Nothing. He does it because Alastor cares about her.

I don't think I would have considered his friendship with Rosie to be genuine at all if it wasn't for his friendship with Mimzy. Rosie is so powerful, and Alastor has so much to gain from being in close cahoots with her, but it's so clear that he doesn't care about that, but he sees her as an equal. If all we saw from Alastor in that episode was him lusting for power, it would render the way we see all his relationships with people to be of some gain to him somehow. ESPECIALLY Rosie and other Overlords like Zestial.

This makes Alastor and Mimzy's relationship arguably one of the most interesting in the show. Someone who is so powerful and unpredictable, who hardly cares for anyone other than himself, caring about this absolute gremlin of a woman. He likes Mimzy purely because she's fun to be around, a sentiment you might expect from Alastor, with his stated reasoning for joining the hotel being to laugh at people, but he's in no way laughing at Mimzy. You can tell that he doesn't intimidate her at all, because she has the absolute balls to pull off the loan shark thing with him.

Mimzy and Lucifer's interactions with Alastor has made him to be one, if not THE most interesting character in the show. Because you're exploring two contradictory sides of the same coin at once. One where he gets so worked up and angry over not having the power he sees himself as having, and one where he's visibly hurt that his long time friend used him. In one instance you have him pulling out all the stops to be as hostile as he could be to Lucifer without actually hurting him (even though he clearly wants to), and another where he has full range to hurt Mimzy as much as he wants to, but he doesn't.

Alastor cares about people. But also disregards people like playing cards. He is such a mixed bag, so far from being one note, and you wouldn't have gotten that insight without Mimzy.

[the-judicial-assistants-notebook]

not enough discussion about the gavins' complicated relationship with feminine-coded/beauty products, i don't think.

[taibhsearachd]

Boy I can't wait for another four years of being blamed for white women voting for Trump when like. It's cishet white Christian women. It is a specific demographic. We know this.

But yeah, let's shame your local white lesbians for not... somehow converting their homophobic transphobic moms. This will save democracy. I'm already exhausted.

[langernameohnebedeutung]

.

[ladystoneboobs]

westerosi ruling ladies/acknowledged heiresses outside of dorne, listed by region:

the north

lady jonelle cerwyn, lady of castle cerwyn after the murder of her younger brother, lord cley cerwyn, by ramsay snow. (cley did not long outlive their father, lord medger cerwyn, who died of his wounds as a pow at harrenhal, after fighting in roose bolton's host when tywin lannister defeated them on the green fork.) we first hear of lady jonelle when robb stark calls his banners and lord cerwyn means to bring his old maid daughter with him, and the next we hear of her is when asha greyjoy gets her letter from ramsay, co-signed by a lady cerwyn and lady dustin, among the other northern lords in the bolton camp. cerwyn men-at-arms and the cerwyn maester are noted with roose at wf, and presumably if their lady did go south with her father, she must have returned north in roose bolton's party.

lady barbrey ryswell dustin, widow of the late lord willam dustin, apparently the last of his line since no surviving male dustins are ever mentioned. the widow of barrowton rules in his place for the remainder of her lifetime, and (unlike poor lady hornwood) rules with power uncontested, as barrowton's closest neighbors are the ryswells, also her closest kin, father and brothers. however, without any children from the late lord dustin, unclear what would happen after lady barbrey dies.

lady lyessa flint, head of the branch of house flint of widow's watch. lady flint's son, robin flint, led their forces in robb stark's army and died with the king at the red wedding, but was not the head of house. lady flint is listed such in the appendices, and was said to be pregnant in acok, meaning she likely had a living husband at the time, but he goes unnamed as only her consort.

lady alys karstark, heir to her eldest brother lord harrion karstark of karhold (whose location and current status is unclear after being captured by the lannisters a 2nd time), following the deaths of their brothers in the battle of the whispering wood, and the execution of their father by king robb as a murderer and traitor. at jon snow's instigation she has taken sigorn, magnar of thenn, as her consort.

lady wynafryd manderly, elder granddaughter of lord wyman manderly, by his son and heir ser wylis. should be the next heir to white harbor after her father, unless her parents should produce a son.

lady maege mormont of bear island, the only ruling lady listed here to also have a daughter as her heir. first this was dacey mormont, but after her murder at the red wedding, the new heir is second daughter alysanne aka aly the she-bear. but since aly told asha greyjoy she had a son as well as a daughter back home, that means there likely won't be a 3rd ruling lady in a row, as the mormonts may have a history of women warriors, but there's no sign they don't still practice male-preference primogeniture when there is a son to inherit. where the mormonts do step out of northern convention, however, is the ruling ladies fucking whoever they want without feeling the need for a husband and still naming their fatherless children mormonts, not snows, a practice rhaenyra targaryen would surely envy.

lady eddara tallhart, an heiress and then nominal ruler of torrhen's square, before the age of 10, after her elder brother benfred was killed by theon greyjoy's ironmen and then their father ser helman was killed when roose bolton sent him into an ambush at duskendale. listed as still a captive inside her family's seat, besieged by dagmer cleftjaw again, in the adwd appendix.

the riverlands

lady barbara bracken, eldest daughter of lord jonos bracken of stone hedge, who has multiple daughters by two of his three different wives, but no surviving sons.

lady amarei frey lannister, married to lancel lannister at castle darry as a granddaughter of a previous lord darry, then left to rule on her own after lancel abandoned her and repudiated their unconsummated marriage

lady eleanor mooton, eldest daughter of lord william mooton of maidenpool, listed as his heir in adwd appendix, at the time of her marriage to dickon tarly. (meaning presumably his sons mentioned in acok died during the war.)

lady carellen smallwood, (likely?) heir to acorn hall as the only known surviving child of lord and lady smallwood, whose only known son died years before.

lady liane vance, eldest daughter of lord karyl vance of house vance of wayfarer's rest, listed as his heir in the affc appendix

lady shella whent, last of the line of the whents of harrenhal, disposessed by tywin lannister, and allegedly dead by the time of affc, according to littlefinger. text is somewhat inconsistent on whether she or her husband inherited harrenhal, just as it's unknown what happened to all their children if they were the same whents hosting the tourney at harrenhal years before, nor even how they were related to minisa whent tully, the late lady of riverrun.

the vale

chella, daughter of cheyk, clan chief of the black ears

lady anya waynwood, lady of ironoaks, an older lady with multiple sons and grandsons still ruling in her own name, a formidable power in the vale, perhaps second only to the main branch of house royce as chief bannermen of house arryn

the westerlands

cersei lannister, lady of casterly rock as well as queen regent, following the murder of her father, lord tywin lannister, by her brother tyrion, an attainted traitor and fugitive, with her twin brother, jaime, unable to inherit as a knight of the kingsguard

lady alysanne lefford, lady of the golden tooth after lord leo lefford drowned in the battle of the fords against edmure tully's army. (whether the previous lord was her father, brother, or even uncle or cousin is unknown, all we know of her is her entry in the affc/adwd appendices after lord lefford's death in asos)

the reach

lady alysanne bulwer, the lady of blackcrown as the only known child of the late lord jon bulwer, frequently referred to as lady bulwer. (lady fatherslastname not being a style otherwise used with a lord's unmarried daughters, lady housesurname usually referring to a lord's wife using her husband's name). there is an inconsistency with taena merryweather telling cersei that there was talk of megga tyrell being betrothed to lady bulwer's brother (which a nondornish heiress cannot have and is not listed in any appendix), but this is either a mistake by grrm or misunderstanding by taena unless she's referring to an unknown brother of alysanne bulwer's mother, the last lady bulwer. (i'm taking multiple mentions of her as lady bulwer in sansa's pov over any gossip from taena.)

lady arwyn oakheart, lady of old oak, a widow with multiple grown sons who commanded her own forces in renly baratheon's army, even if she did not mean to fight on the field.

the crownlands

lady ermesand hayford, the last of the hayford line, a babe ruling in name only, married to the squire tyrek lannister before she was weaned, a husband now missing since his disappearence during the riot in kl on the day of princess myrcella's departure

the ladies tanda, falyse and lollys stokeworth, three would-be rulers of castle stokeworth dispossessed by the schemes of queen cersei and ser bronn of the blackwater. lady tanda ruled for years with falyse as her heir and younger daughter lollys as the only heir to the barren falyse, until such time as lollys was wed to bronn and lady tanda took a griveous fall from a horse. bronn started calling himself lord stokeworth when tanda and falyse were still alive, chasing off falyse after her husband attempted to kill him at cersei's behest. falyse died painfully in qyburn's dungeons, while tanda was left to die at castle stokeworth, making lollys even more a ruler in name only than baby lady hayford, as her husband is inside the castle with men loyal only to him, not to any stokeworth lady.

the stormlands

lady brienne of tarth, heir to lord selwyn tarth the evenstar as his only surviving child

lady mary mertyns, listed as lady of the mistwood in the adwd appendix

you'll notice the iron islands is the only (nondornish) region missing here. ofc they did have a possible heiress to pyke and all the isles but then asha greyjoy was soundly rejected as such at the kingsmoot after balon's death. the lack of other present-tl ruling ladies/acknowledged heirs afab may be down to this being the smallest region, aside from the crownlands. however, there are no historical ruling ladies in their section of the world book either, iirc.

AND there is another case of a possible heiress, again meaning asha, wrt harlaw. her uncle lord rodrik harlaw tried to dissaude her from the kingsmoot by offering to name her heir to his castle, while allowing a cousin to inherit all his other titles and power over the whole island of harlaw. but shouldn't asha have already been in line for all the harlaw lands and titles, above all the harlaw cousins? her aunt gwynesse's complaint of being the true heir as rodrik's elder sister may not work outside of dorne, but even on the nondornish mainland, a lord's sister (and therefore their children, ie asha) still come before a lord's uncles and cousins. isn't that the whole point of alys karstark's plight, that her older cousin had to marry her to try to claim her birthright? so the harlaw line of succession should go rodrik>gwynesse>alannys>asha before any cousins come into it.

that this would not be the case and that asha is only presented with the option of being lady of ten towers by doing homage to a cousin as her overlord for the whole island of harlaw suggests imo that the islands are particularly resistant to a woman as head of house, with all male kin following her in place of a patriarch. women may serve as castle stewards and the right sort may prove themselves as captains (not common, but not too rare either) but ruling on land, ruling over male kin, and fellow captains is a different matter. perhaps not too surprising from a people whose religon sees rape of foreign women as a key and holy part of their way of life. an ironwoman may not disapprove of her men doing so, but cannot fully participate without the cock to forcibly spread seed across the world. how can a captain who cannot fully perform manhood as the drowned god proscribes for his captains be rock king over any island, let alone all of them? in this light, balon's choice of asha as heir is even more radical, though likely it came not from a view of equality between the sexes but from a feeling that his own daughter was the very much singular special exception, more a son than greendlandized theon.

[sukibenders]

"I'm team feminist/feminism!" But will quickly drag a female character through the mud without sympathy for their circumstances just because they don't fit your ideals, will get mad when poc criticize a female character's actions that are very thinly coded in racism and say "support her crimes!" while ignoring how that often leads to the harm of poc characters, will shade woc characters or put them on higher pedestals than their yte counterparts while ignoring the harm they face while trying to meet your standards, will victim blame those who suffer (and are still suffering) from abuse when they act out in ways you deem "wrong" because of it, following up with the last point will mock and laugh at said abuse to uplift another female character (pitting women against women, even when the narrative does not ask for that), will dismiss any valuable argument displayed if the said female character is a little mean but then go and say "why can't female characters be mean? 🙄"

I could go on.

[ganondoodle]

okay, bc i have seen this argument alot now (and it also seems to be the view point of aonuma himself..) is that "zelda cant do everything link does bc whats the point then"

and i take personal offense on that bc its a stupid argument (in. my. very. personal. opinion.- not judging people for liking it. its a ME thing)

whats the point? its that its her. its still a different character, different in story, background, personality, but i WANT to play zelda and she can do everything link does, why does she have to be so restricted and be bend over backwards to find some new way to make her 'useful' when link gets to do basically everything no questions asked (the only thing thats hers is like .. sealing power and sacrificial maiden, which i find a little underwhelming to say the least), if theres no point to it why are there always modders that model swap link with someone else, and in that case it has even less impact bc its an artificial model swap with no changes to the story (which can and should still be different when its the vanilla game with a different protagonist... its still a different character), clearly theres joy in just the model being a different one- and that isnt even to mention the story possibilities, since, again, its stil a different character

if we ever (never ... i know who we are talking about here) get to play as ganondorf i want to him to be just as versatile and active as link is, if we got a point and click adventure game for him instead bc 'whats the point' id be disappointed too- you can find any sort of excuse/explanation for zelda to be singled out but the fact remains it tracks with how female characters are often treated, and that hits a very sore spot for me

i guess i am unfortunately one of those annoying people that want to see female characters be treated exactly the same as male characters, possibly bc i am myself afab but identify as agender and have a deeply personal dislike for anything 'traditional' feminine bc i cannot and never will be able to truly live as myself in real life, it influences all of my work, my work is as just as much as my opinion on this, very personal

and in line with my point about modding, i see theres joy in just beign able to play as her even if its like this, i get that, i also get it for the creative aspect (though that mechanic worries me even more for the future bc it really seems to be the path now that -freedom = good, linear anything = bad-) it is a different idea and its not like i cant see that value- im not trying be "right" either, just bc i have that opinion doesnt mean i need everyone to agree, its a very personal thing, if you like it good for you! not for me though, and i think both of that is equally valid

i just personally wish she was allowed to be just like link, fight just like him but be different bc its still her and not him in the end- to be physically/playstyle like jsut like him, but you know ... as her, i dont think shed stop being zelda if she could wield a sword just like him

i dont really know how to get my point/feelings across, i dont want to step too much into personal stuff nor spam people with something that ultimately doesnt interest me alot, im just saddened by it really

(EDIT: bc i forgot to add this on here again; this isnt as much of a problem as it might sound like here, just the main topic i wanted to talk about; why im so uninterested in it is MAINLY bc i dont trust them to write anything interesting/care about lore anymore after totk, im always on the more pessimistic side that thinks its most likely worse than id hope and i know even the past games arent perfect or super interestingly written, but now its much more just a general distrust, together with everything like the price ... im just much less hopeful and cant get excited until i see more of it, like im waiting for the game to get out and reveal that its just as much of a mess and money i regret spending- kind of fear)

[bipunkharrington]

There's something that infuriates me so much about people mocking characters that fall into the "not like other girls" trap, because the reasons girls take on that stance is because they exist in a society that tries to put womanhood and femininity in a restrictive box that tells them who and how they should be.

They're generally mocked and derided for not wishing to conform to stereotypical femininity, but when they lash out in entirely predictable but ultimately unhelpful ways (by being dismissive and rude about other women and femininity in general) instead of understanding that it's a product of growing up in a society that's restricting them and punishing them for not conforming (either by choice or inability) so many people who claim to be feminists choose to mock them or make them out to be the cause of the problem rather than a symptom. Whether its being mocked in real life, or watching people deride the fictional characters they relate to, this behaviour just alienates those girls even further into thinking that the issue is other women, and confirms their belief that women who are typically feminine will only ever be derisive toward them and that they're somehow fundamentally different from other women.

If you know someone who thinks along those "I'm not like other girls" lines instead of mocking them try directing them towards resources that can help them understand where that harmful rhetoric comes from, and when you're critiquing characters that fit that mold try to consider why they behave that way, and what girls who see themselves in those characters take from your commentary.

[hulloitsdani]

@moe-broey THANK YOU!!! AND IM GLAD THE RUFFLES ARE APPRECIATED!!!🎉🎉🎉

But seriously this is the highest compliment, because this is actively what I’m trying to do when it comes to how I draw Kiran! I really want to convey how unabashedly charming this silly little tactician is. It helps explain how they keep the order intact on a social level and also why this keeps happening:

In retrospect, Alfonse never really stood a chance, did he?

Anyway I won’t lie, I did all this for the Loki bit. Please imagine that she’s just off screen for all these outfits hitting that exact pose.

[elden-hicks]

decided to revisit my au

[kerryweaverlesbian]

They really fumbled the season 14 emotional core specifically by not having Mary be present and recognisably Mary for MOST of the season. It feels like we see more of her after her death than before it, and when we do see her before it she's a completely different character who's their uncomplicatedly loving mom.

Take season 10 Charlie, who was present and dynamic and alive and forming new relationships with other major characters and was generally a big part of the plot for season 10. Take season 12 Mary even! So cool they fridged her thrice. The high level of emotion from Dean and Sam after her (apparent) s12 finale death was meaningful to the audience because Mary IS season 12. Take season 7 Bobby! He is active and present and having an emotional arc and has been consistently a part of the fabric of the show.

And compare these to season 14 where she is living in a cabin with an unimportant side character, she's being sweet and motherly full stop, she's in The Pearl where her husband comes back from the dead and she has NO complicated scenes or emotions to process with Dean or Sam and gets maybe 3 lines in the whole 'pisode. The show doesn't give a fuck about her. And this is after season 13 where she's mostly in another world doing fuck all.

For a death to have weight in fiction you need to remind the audience consistently that THIS CHARACTER IS IMPORTANT by having them form new relationships, do things for the plot and generally be present onscreen. As it stands, even though intellectually I know that if MY mom got killed and her murderer came to see me going 🥺 it was her fault really 🥺 will you comfort me 🥺 and I knew they were going to kill more people, I would probably be easily persuaded to put them in eternal prison or shoot them in the head - the emotional truth of it on the show just doesn't carry through.

It feels like an overreaction for Dean to be so angry about this for so long because the show didn't care about Mary enough to have her around. What is he losing by not having her around? In season 14, they don't show us. They did in s12 - the potential to be seen, and the complex joy of getting to know his actual mother rather than the idea of her. And by not showing us, it makes it not exist, because its a tv show and anything that isn't being depicted implicitly isn't important to the story. If you removed all of Mary's scenes from s14 before her death, what would change? Pretty much nothing.

Now to be clear, I don't think they should have fridged Mary at all. But they could have at least done it properly. The sexism that made the writers less bothered about characterising Mary thoughtfully in s14 is a blight on the show.

[gaytobymeres]

Benoit Blanc's similarities to other fictional detectives

Specifically Holmes, Poirot and Columbo because I'm most familiar with them and saw many of their characteristics in Blanc.

Impeccable clothes - Poirot

Cigar - Columbo

Post-case slump - Holmes

Eccentric - Holmes, Poirot, Columbo

Detection as a means of helping people, not just for the sake of solving crimes - Holmes (and Poirot and Columbo to a slightly lesser extent)

Fun name – Holmes, Columbo, Poirot

Referred to by surname (almost) all of the time, even by close friends/partners – Columbo, Holmes, Poirot

Kindness to and deep respect for vulnerable women – Holmes, Columbo, Poirot

Said to be the best detective in the world – Holmes, Poirot

Fun American accent – Columbo

Hates rich people who abuse their financial influence – Holmes, Columbo, Poirot

Polite – Columbo (of course Holmes and Poirot can also be very polite but I don't feel like it's a defining characteristic for them the way it is for Columbo)

Rude to mean rich people in a way that is so polite the horrible rich people don’t realise they’re being made fun of/talked to rudely – Holmes, Poirot

Politeness and diplomacy that is often pushed too far and they explode into explicit anger – Holmes, Columbo, Poirot

Drama in resolution – all three to varying degrees, but especially Poirot

Understated and affable – Columbo

Involved in self-contained stories – Columbo, Poirot, Holmes (though a couple of Holmes stories do link closely to previous stories)

Uses the word 'afoot' – Holmes

Gay – Holmes, Poirot (I'll let you decide if this applies to Columbo)