#but there's something else and i dont understand what it is but its making me so sad

[urdreamydoodles]

how about scott, logan, colossus, jean, storm, hank, and wanda with a wild child reader, this is a kid who doesn’t know the meaning of structure or discipline. They are the epitome of skateboarder who live in a basement who survives on nothing but greasy new york pizza( they eat nothing but junk food and take out) . A kid who is constantly coming home bruised and bleeding from wild stunts. Its not even they’re fault they have the kind of neglectful parents that are like i dont care what you do as long as you don't bother me, so they chose to have absolute freedom

X-Men x Child!Reader

You are a wild kid due to your parents' neglect

Characters: Logan Howlett, Remy LeBeau, Kurt Wagner, Scott Summers, Jean Grey, Ororo Munroe, Colossus, Hank McCoy, Erik Lehnsherr, Wanda Maximoff

Logan Howlett aka. Wolverine

- You first meet Logan when he pulls you out of a scuffle in a dingy alley, your knuckles bloodied from throwing punches at a group of older kids who deserved it for being jerks. His gruff voice cuts through the tension, "What the hell are you doin', kid?" You shrug, brushing past him like he’s just another stranger trying to lecture you. But Logan isn’t just anyone, and the next time he catches you doing something reckless—trying to ride your skateboard off a railing—you realize you’re not shaking him off so easily.

- Logan quickly learns that you’re a wild spirit, one who doesn’t know when to stop. Your bruises and scratches only fuel his frustration. “You think you’re indestructible, huh?” he growls after dragging you to the mansion with your arm in a makeshift sling. “Guess what? You ain’t.” His tough love feels invasive at first, but there’s a strange warmth to it. Maybe because, deep down, you can tell he actually cares, unlike anyone else in your life.

- Despite his grumbling, Logan becomes your shadow. He’s there when you wipe out attempting a trick and nearly break your ankle. He’s the one hauling you to Hank for first aid when you stumble back to the mansion with a bloody nose. "One of these days, you're gonna kill yourself, and I ain’t buryin' a kid," he grumbles, but his actions betray his words. The way he watches you so intently, like he’s trying to figure you out, makes you feel… seen.

- One day, after Logan drags you out of another scrape, you snap. “Why do you even care?!” you yell, your voice cracking. “You don’t know what it’s like to not have anyone!” Logan’s face hardens, and for a moment, you think you’ve hit a nerve. “You’re wrong, kid,” he says, his tone unusually soft. Later, you overhear him talking to Charles about you. "They remind me of me. Don’t know how to stop fightin’ ‘cause they never had anyone to fight for ‘em."

- Logan starts teaching you how to channel your energy into something productive. “If you’re gonna take risks, at least do it smart,” he grunts, handing you a pair of gloves to protect your hands. He shows you how to defend yourself properly, how to pick your battles. It’s not just about fighting—it’s about self-control, something he knows all too well. And while you hate admitting it, his lessons actually stick.

- The breakthrough comes when you stumble into his room late at night, tears streaming down your face after a nightmare. You hate showing weakness, but Logan doesn’t push. He just sits with you, his presence steady and grounding. “You’re not alone, kid,” he says quietly. “Not anymore.” It’s the first time you realize that maybe, just maybe, you have someone in your corner.

- Over time, you start seeing Logan as more than the grumpy guy who keeps saving your ass. He’s your protector, your mentor, your family. When he gruffly hands you a plate of food during a mansion barbecue and tells you to “eat somethin’ that ain’t junk,” you laugh. He rolls his eyes but doesn’t hide the small smirk tugging at his lips. You’re still a wild child, but now you’ve got someone who understands—and who won’t let you face the world alone.

Remy LeBeau aka. Gambit

- You meet Remy when you’re caught sneaking onto the mansion grounds, trying to pull off some ridiculous stunt involving fireworks and a ramp. Instead of ratting you out, he smirks, intrigued by your audacity. “You got guts, kid,” he says, his Cajun accent dripping with charm. “But guts won’t save you from bein’ stupid.” He’s more amused than annoyed, but you get the feeling he’s watching you now—and not just because you nearly burned the lawn down.

- Remy quickly picks up on your chaotic energy and reckless behavior. “You remind me of a younger me,” he teases, tossing a playing card between his fingers. “All fire, no plan.” At first, you think he’s mocking you, but there’s a glint in his eye that suggests he gets it. He sees through your bravado, recognizing the pain you’re trying to bury under all your stunts and defiance.

- Unlike Logan, Remy doesn’t try to stop you outright. Instead, he plays along, meeting you where you’re at. He even joins you in some of your escapades, though he always makes sure to keep things from getting too out of hand. “If you gonna be crazy, at least do it with style,” he says, flipping his trench coat dramatically as he guides you away from trouble.

- One day, after you’ve crashed spectacularly and are nursing a busted knee, Remy sits beside you with an uncharacteristically serious expression. “You don’t gotta live like dis, y’know,” he says softly. “Runnin’ wild ain’t freedom—it’s just a way to hide.” His words hit harder than you’d like to admit, and for the first time, you let yourself wonder if he might be right.

- Remy starts teaching you his tricks—not just the flashy card stuff, but how to think ahead, how to read people, how to stay one step ahead of the chaos. “Life’s a game, cher,” he says, his voice light but his gaze sharp. “And you gotta learn how to play it.” You soak up his lessons, not realizing until later that he’s been guiding you toward something more stable all along.

- The turning point comes when you call Remy late one night, scared and unsure after a particularly bad fight with your parents. He doesn’t hesitate, showing up within minutes and whisking you away to his favorite rooftop hideout. “Ain’t no shame in needin’ help, kid,” he says, his tone uncharacteristically gentle. For the first time, you let yourself lean on someone else.

- Remy becomes your anchor, your partner in crime, and your found family all rolled into one. He still teases you endlessly, but there’s a warmth to it now, a sense of belonging you’ve never had before. And when he hands you a deck of cards and says, “You’re one of us now,” you know he means it.

Kurt Wagner aka. Nightcrawler

- You meet Kurt when he teleports into the middle of one of your stunts, startling you so badly you nearly fall off the scaffolding you’d been climbing. “Mein Gott, what are you doing up here?” he exclaims, grabbing you before you can tumble to the ground. Despite your protests, he doesn’t let go until you’re safely on solid ground. “You are going to give me a heart attack!”

- Kurt is immediately concerned by your recklessness, but his approach is softer than the others. “Why do you put yourself in such danger, mein freund?” he asks, his golden eyes full of genuine worry. You brush him off at first, but his kindness is disarming. He doesn’t scold you; he just wants to understand.

- It doesn’t take long for Kurt to realize that your behavior stems from more than just a thirst for adrenaline. When you accidentally let slip a comment about your neglectful parents, he connects the dots. “No one should feel like they have to fend for themselves,” he says quietly. His words linger, echoing in your mind long after he’s gone.

- Kurt becomes a constant presence in your life, always ready with a kind word or a helping hand. He patches you up after your latest mishap, his touch gentle as he bandages your scraped knees. “You have so much potential,” he tells you, his tone earnest. “Do not waste it on proving yourself to people who do not care.” His faith in you is both comforting and terrifying.

- He introduces you to the quiet joys of his world—stargazing from the mansion’s roof, reading old adventure novels, sharing stories from his travels. Slowly, you begin to see that life doesn’t have to be a constant whirlwind of chaos. There’s beauty in stillness, too, and Kurt shows you how to find it.

- The breakthrough comes during a particularly bad night when you show up at his door, trembling and unsure how to explain the weight you’re carrying. Kurt doesn’t push; he simply listens, his quiet empathy wrapping around you like a warm embrace. “You are not alone,” he says softly. “And you never will be, as long as I am here.”

- Over time, Kurt becomes more than just a mentor—he’s your family. His unwavering belief in you helps you believe in yourself, and his gentle guidance gives you the strength to start healing. When he tells you, “You are like a sibling to me,” you feel a warmth you’ve never known before.

Scott Summers aka. Cyclops

- You meet Scott after he catches you skateboarding through the mansion’s hallways, narrowly avoiding a collision with Jean. “What do you think you’re doing?!” he demands, his tone sharp. You roll your eyes, unimpressed by his authority, but Scott doesn’t back down. “This isn’t a playground,” he says firmly. “If you’re going to be here, you need to follow the rules.”

- Scott’s strict demeanor grates on you, and you go out of your way to push his buttons. Every time he tells you to stop doing something, you double down, your defiance fueling his frustration. “You can’t just do whatever you want,” he says one day, his voice rising. “This isn’t about control—it’s about keeping you safe!”

- Despite his exasperation, Scott can’t help but worry about you. He starts noticing the bruises, the late-night returns, the way you flinch whenever someone mentions your parents. “Is everything okay at home?” he asks gently, his concern breaking through his usual stoicism. You brush him off, but his question lingers in your mind.

- Scott eventually realizes that his strict approach isn’t working, so he tries a different tactic. He starts showing up at the skate park, watching from a distance as you pull off tricks. “You’ve got talent,” he admits grudgingly. “But talent doesn’t mean much if you don’t take care of yourself.” His rare praise catches you off guard, and you start seeing him in a new light.

- He begins mentoring you, teaching you the value of discipline and structure. “It’s not about following orders,” he explains. “It’s about having a plan, knowing what you’re fighting for.” His lessons are tough, but they resonate, and you find yourself striving to meet his expectations—not because you have to, but because you want to.

- The turning point comes when Scott finds you sitting alone in the mansion’s garden, your usual bravado stripped away. “I don’t know how to fix this,” you admit, your voice shaking. Scott sits beside you, his presence steady and reassuring. “You don’t have to do it alone,” he says quietly. “We’re here for you—I’m here for you.”

- Scott becomes a pillar in your life, someone you can rely on no matter what. His unwavering support gives you the strength to face your demons, and his belief in you helps you start believing in yourself. When he calls you “family,” it’s the first time the word feels real, and you know you’ve finally found a place where you belong.

Jean Grey aka. Marvel Girl / Phoenix

- You meet Jean when you crash into her during a particularly reckless skateboard trick, nearly sending her coffee flying. She catches it with her telekinesis, raising an eyebrow as she looks you over. “Impressive landing,” she says dryly. “But maybe next time, try not to take me out with you.” Her calm demeanor throws you off, but you can’t help noticing the faint amusement in her smile.

- Jean quickly picks up on your chaotic nature—not just from your antics, but because your mind is loud, a whirlwind of thoughts and emotions that practically scream for attention. “You don’t have to prove anything to anyone,” she tells you one day after catching you sneaking out for another dangerous stunt. Her words linger, even if you act like they don’t matter.

- She doesn’t confront you as directly as others might, but her presence is constant. She starts showing up in subtle ways—inviting you to sit with her during meals, offering to help patch you up after a bad fall, or simply listening when you’re too tired to pretend everything’s fine. Jean has a knack for making you feel seen, even when you’re trying to disappear into the noise.

- One day, after you’ve come home battered and bruised yet again, Jean corners you in the kitchen. “Why are you doing this to yourself?” she asks, her voice gentle but firm. When you try to brush her off, she places a hand on yours. “I know what it’s like to feel out of control. But there are other ways to find freedom.” Her sincerity cracks something open in you, though you’re not ready to admit it yet.

- Jean begins introducing you to meditation, something you initially laugh off as “not your thing.” But when she guides you through it, her voice soft and steady, you find a surprising sense of peace. “Chaos doesn’t define you,” she says one evening. “You can still be yourself without destroying yourself.” Her unwavering belief in you starts to shift how you see yourself.

- The turning point comes when Jean catches you breaking down after a particularly bad day. You try to push her away, but she doesn’t let you. “You’re allowed to feel this way,” she says, her arms wrapping around you in a warm embrace. “But you don’t have to face it alone.” For the first time, you let yourself cry in front of someone, and her compassion feels like a lifeline.

- Jean becomes your safe haven, the person who reminds you that strength doesn’t always mean pushing through the pain. She helps you channel your energy into healthier outlets, guiding you with patience and understanding. When she calls you “family,” it feels like coming home, and you know you’ve found someone who will always have your back.

Ororo Munroe aka. Storm

- You meet Storm during a thunderstorm, when you’re out pulling stunts despite the pouring rain. She appears seemingly out of nowhere, her white hair glowing against the dark sky. “What are you doing out here?” she asks, her voice calm but commanding. When you shrug and say something about “living life to the fullest,” she shakes her head. “This isn’t living. This is tempting fate.”

- Ororo is both fascinated and concerned by your recklessness. She sees your wild spirit but also senses the pain behind it. “The storm inside you is powerful,” she says one day, her gaze piercing. “But if you do not learn to guide it, it will consume you.” Her words stick with you, even if you pretend not to care.

- Unlike others, Ororo doesn’t try to control you. Instead, she shows you the beauty of balance. She takes you on walks through nature, pointing out how even the fiercest storms have purpose and harmony. “Freedom isn’t chaos,” she says gently. “It’s understanding your power and using it wisely.” Her wisdom challenges your worldview in ways you don’t expect.

- After one particularly dangerous stunt leaves you with a sprained ankle, Ororo carries you back to the mansion without a word. Later, as she wraps your foot with care, she looks at you with a mix of sternness and compassion. “Why do you punish yourself like this?” she asks softly. You have no answer, but the question lingers.

- Storm begins teaching you control—not through force, but through patience. She encourages you to embrace your passions without letting them rule you. She even takes you flying with her, the wind carrying you both as she shows you what true freedom feels like. “You are not a prisoner of your past,” she says one evening. “You can create your own path.”

- The breakthrough comes during a quiet moment in the mansion garden, where you admit that your recklessness comes from a place of pain and neglect. Ororo listens without judgment, her presence as steady as the earth beneath your feet. “You are stronger than you realize,” she says, her voice full of conviction. “And you are not alone in this.”

- Over time, Ororo becomes your guide and your family. Her unwavering belief in you helps you find balance in your life, and her calm strength inspires you to grow. When she calls you “child of the storm,” it’s not just a nickname—it’s a reminder that you’ve found a place where you truly belong.

Piotr Rasputin aka. Colossus

- You meet Piotr after crashing into him—literally. Your skateboard ricochets off his metal form, leaving you sprawled on the ground. “Are you alright?” he asks, his deep voice filled with concern. When you laugh it off, he frowns. “You should be more careful. Your life is not something to take lightly.”

- Piotr is immediately struck by your wild energy, but instead of chastising you, he approaches you with gentle curiosity. “Why do you live this way?” he asks one day, his steel-blue eyes sincere. When you deflect with a joke, he doesn’t press, but his quiet concern stays with you.

- Despite his towering form, Piotr is surprisingly soft-spoken and kind. He starts looking out for you in small ways—offering to carry your gear, fixing your skateboard when it breaks, even cooking meals for you when he notices you survive on junk food. “You must take care of your body,” he says with a small smile. “It is the only one you have.”

- One evening, after a particularly reckless stunt leaves you limping back to the mansion, Piotr sits you down and talks about his own struggles with responsibility and self-worth. “I know what it is like to feel lost,” he says quietly. “But pain does not have to define you.” His words are simple but powerful, and they linger in your mind.

- Piotr begins teaching you art as a way to channel your energy. At first, you scoff at the idea of painting, but his patience wins you over. “Art is not about perfection,” he says, guiding your hand. “It is about expression.” Slowly, you find yourself drawn to the calmness it brings, a stark contrast to your usual chaos.

- The turning point comes when you confide in Piotr about your neglectful parents. He listens without interruption, his steady presence grounding you. “You deserve better,” he says firmly. “And you are not alone anymore.” His unwavering support feels like a lifeline, and for the first time, you let yourself believe in the possibility of a better future.

- Piotr becomes a constant source of strength and stability in your life. His quiet kindness helps you find balance, and his belief in you gives you the courage to grow. When he calls you “family,” it feels like a promise—a reminder that you’ll never have to face the world alone again.

Hank McCoy aka. Beast

- Your first encounter with Hank is in his lab, where you crash into a shelf of equipment while trying to skateboard through the mansion hallways. He looks up from his work, unamused, as you sheepishly pick up a beaker. “Fascinating,” he says, his voice dripping with sarcasm. “An experiment in chaos.” You expect him to yell, but instead, he studies you with quiet curiosity, his sharp intellect already dissecting your motives.

- Hank is both intrigued and exasperated by your lack of structure. “Do you understand the repercussions of your actions?” he asks when you try to sneak off with a bag of chips for dinner instead of eating a proper meal. His lectures are long and full of big words, but somewhere in the middle, you catch a hint of genuine concern.

- He starts observing your behavior more closely, not as a judgment but as a puzzle to solve. “You remind me of entropy,” he says one day, his voice surprisingly gentle. “Chaotic, unpredictable, but not without purpose.” Despite his logical approach, there’s warmth in the way he speaks to you, like he’s trying to understand rather than condemn.

- After finding you late at night in the kitchen, rummaging for junk food with a fresh set of scrapes and bruises, Hank decides to intervene. “Your body is a machine, and you’re running it into the ground,” he says, handing you a plate of something surprisingly healthy. When you grumble about his nagging, he smiles. “Consider it an experiment in self-preservation.”

- Hank starts introducing structure into your life in small, unobtrusive ways—inviting you to join him in the lab, teaching you how to fix your skateboard, and even sneaking vegetables into your meals. You find yourself drawn to his calm and steady presence, even if you won’t admit it out loud.

- One day, after a particularly reckless stunt leaves you with a sprained wrist, you break down and confess the truth about your home life. Hank listens intently, his usual verbosity giving way to silence as he processes your words. “You are not a failed experiment,” he says firmly. “You are a work in progress, and I intend to see you thrive.”

- Over time, Hank becomes your anchor, the person who helps you find balance between chaos and order. His guidance isn’t just about rules—it’s about helping you see your own potential. When he calls you “family,” it feels like the culmination of every moment he spent believing in you, even when you couldn’t believe in yourself.

Erik Lehnsherr aka. Magneto

- You meet Erik when you’re caught trespassing near one of his hideouts, attempting a trick off a rail. He steps out of the shadows, his imposing figure stopping you in your tracks. “You’ve got nerve,” he says, his voice cold and calculating. You expect him to throw you out, but instead, he watches you with a strange mix of curiosity and disdain.

- Erik is fascinated by your wild energy, though he would never admit it. “You remind me of my youth,” he says one day, his tone sharp. “Defiant, reckless, and utterly unafraid of consequences.” His words sting, but there’s something in his gaze—a flicker of understanding—that makes you pause.

- He doesn’t tolerate your antics, but he doesn’t outright condemn them either. Instead, he challenges you, questioning your choices in a way that forces you to reflect. “What are you running from?” he asks bluntly after catching you sneaking out again. His directness catches you off guard, and for once, you don’t have a snarky reply.

- Erik’s approach to helping you is harsh but effective. He doesn’t coddle or comfort—instead, he teaches you the value of strength and self-reliance. “The world will not be kind to you,” he says, his voice heavy with experience. “But that does not mean you must surrender to it.” His lessons are tough, but they resonate deeply.

- Despite his stern demeanor, Erik has moments of surprising gentleness. He notices your injuries, your exhaustion, your deflections, and though he doesn’t press, he makes it clear that he sees you. “Pain is a powerful motivator,” he says one evening. “But it does not have to define you.”

- The turning point comes when you break down after a particularly bad day, your defenses finally shattering. Erik doesn’t offer empty comfort—instead, he shares his own struggles, his own pain. “You are stronger than your circumstances,” he says quietly. “And you are not as alone as you think.”

- Erik becomes an unexpected source of stability in your life. His belief in your strength pushes you to grow, while his rare moments of kindness remind you that even the toughest exteriors can hide a compassionate heart. When he finally calls you “family,” it feels like the highest honor, a testament to the bond you’ve built through fire and resilience.

Wanda Maximoff aka. The Scarlet Witch

- You meet Wanda when you accidentally skate into one of her magical runes, disrupting a spell she was casting. She turns to you, her red eyes glowing faintly. “You shouldn’t be here,” she says, her voice laced with warning. But instead of scolding you, she tilts her head, curious. “Why are you always running?”

- Wanda is both drawn to and exasperated by your chaotic nature. “You remind me of Pietro,” she says one day, her voice tinged with sadness. “Always moving, never stopping to think about the consequences.” Her words cut deeper than you expect, leaving you to wonder why her disappointment stings so much.

- Unlike others, Wanda doesn’t try to impose structure on you. Instead, she meets you where you are, offering understanding without judgment. She starts leaving little charms around the mansion—spells to protect you from injury or to heal your bruises. “You may not care about yourself,” she says softly, “but I do.”

- One night, after returning home with a fresh set of cuts and scrapes, you find Wanda waiting for you. “You don’t have to do this alone,” she says, her voice gentle but firm. When you try to brush her off, she touches your hand, and for a moment, you feel the warmth of her magic easing your pain.

- Wanda starts teaching you small spells—little enchantments to protect yourself or to calm your restless mind. At first, you’re skeptical, but her patience and quiet encouragement win you over. “Magic isn’t about control,” she tells you one day. “It’s about balance—finding harmony within chaos.”

- The breakthrough comes when you finally open up about your neglectful home life. Wanda listens intently, her empathy as deep as her power. “I know what it’s like to feel unwanted,” she says, her voice breaking slightly. “But you are wanted here. You are loved.” Her words feel like a balm, soothing wounds you didn’t know you had.

- Wanda becomes a source of unconditional support in your life. Her kindness and understanding help you start healing, and her belief in you gives you the strength to believe in yourself. When she calls you “family,” it feels like a spell—a promise that no matter what, you’ll always have a place where you belong.

[crushedsweets]

I would like to ask if the creepypastas know what happened to each other? Like do Tim and Brian know what happened in Toby’s and Kate’s childhood/past? And if they do know how did they find out?

some do!! this kinda half-assed answers your question cuz i included all 16, so its kinda difficult to cover everyone neatly!

for kate... i dont think anyone but toby and MAYBE clocky/nina would know what happened to her. she doesnt want to talk about it at all, and toby would only find out by connecting the dots of random stuff shes said.

i think toby is pretty open about what happened to him. he'd be very quick to make jokes or casually be like "yea i got the shit bullied out of me". so people are familiar, HOWEVER i dont think a lot of them really understand how bad it was for him bc hes so casual with it. i think tim and brian probably caught toby losing him mind, having nightmares, screaming and he'd be like "you dont get it you dont fucking know the shit that happened to me" etc etc. with clocky or kate or EJ, he'd be SLIGHTLY more vulnerable. tell them about lyra and connie, but he's just uncomfortable with that stuff

tim wouldnt really want to talk about his childhood or everything he lost either. i think he'd only bring it up with toby in the event that toby needed comfort, or something to ground/relate to (i.e hospital visits, schizophrenia, loss) OR if someone implies tim has it better than them. then he's like WHAT the fuck do you think you know about me. otherwise he rather not.

brian is pretty similar. he just doesnt wanna talk about it. brushes things off pretty easily, tries to joke about it, or he says something like "it sucked but im here now. gotta keep pushing, why dwell". . .

clockwork keeps that shit to her chest. the most she'd bring up is like "yea i grew up poor, dad was a nutcase, i dont wanna talk about my brother" or implying other people have it easier than she did (which is true 90% of the time. she had it rough). i think only toby and nina would get a better idea of what really happened to her, but she just doesnt like to think about it. itd be a similar case where they catch her having a panic attack or nightmare and she chokes something out .

nina spills everything she doesnt really care. she likes to talk and share and spill her guts, so everyone is pretty familiar with all her ex boyfriends, workaholic parents, getting bullied, whatever. shes a bit more hesitant to bring up certain things that SHE'S done (cheating, cyberstalking, self harm, etc) but she'll happily share times she was a victim to others

EJ would share about his family very freely, and i think if someone asked, he'd tell them about jenny. so i guess it just depends on who cares to ask ? toby, clocky, maybe tim/brian would. jeff and ben might ask like "hey why are you ugly now" and he would not tell them . cuz he needs whoever he tells to ask genuinely and treat it seriously

similar to nina, jeff just yaps and yaps and goes off about how hard he had it (completely warping the story and lying half the time). so he'll just bring it up to brag or compare or compete or prove a point, but its never done very.. vulnerably?

ben doesnt talk about any of it. most of the group knows, because his case (yk, 13 yr old boy kidnapped and murdered amongst several other young teens..) got really big and everyone kinda talked about it without him. he doesnt want pity or to think about it. he'd only bring it up with sally, i think, cuz he feels a bit more seen by her

sally would only tell jane and clocky. i genuinely cant see a reason she'd ever bring it up to anyone else, and those two are the only ones she'd trust (and mary but marys not that big in my au)

jane tells people pretty openly, because she was a victim of jeffs stalking. she tries to make her story more...inspirational? because after all her pain and loss, she still went to law school and all of that. or if someone tries to diminish her pain, she'd be like 'watch your mouth.' i think she'd tell nina and liu. for nina, it'd be like "you dont even care do you? you still love that man after everything? how can you look me in the eye, knowing all he's done, and tell me you idolize him?" and for liu it would be more about like. closure maybe? part of her resents liu even though it was NOT his fault whatsoever and he's also a victim, but shes mature enough to try and navigate the trauma WITH him despire her pain

for liu its kinda similar, but nothing is inspirational. he would tell people because for him, its how he connects to people. connecting on trauma, even if its not the healthiest way. . . if someone asks, he tells them. its kinda sad the way he talks about jeff though. 'i just miss pushing my little brother on the swing'

dina screams and screams at everyone about "YOU DONT KNOW WHAT IVE LOST" because she was held in such a idolized position in her cult. she hates lazari and she blames everyone else because she thinks they have something to do with the devil(zalgo) and thats why god doesnt want her anymore.

lazari would cry to EJ about her nightmares of her mom, but i dont think she'd talk about it with others. it just makes her sad. maybe she'd tell jeff cuz he'd be asking and then He'd belike oh. jeez. ok. LOL. that sucks.

lulu doesnt really remember what happens to her, but everyone has an idea. she mumbles about hazing, how cold the water is, how she doesnt wanna drink again, how the sorority girls are so mean, she just wants to go back to her dorm, whatever. but its just because shes so lost in her mind

ann is more like ... sassy . brags about her redroom business and whatnot, complains about the man who killed her, gets all sultry about kate saving her from her big bad killer, whatever. but she doesnt talk about her family or how she was a femcel neet.

[icarusredwings]

It gets to the point where they start argueing about this and Wade is so angry and so upset that through grit teeth and hot tears

"Well, no one came to rescue ME!.... and I'll be damned if they ever feel abandoned like that."

And it's a big therapy moment. A massive "oh.... ouch... yeah that makes sense.." moment.

"But baby you dont even give me time to try. I-... I dont know.. how to do this I.. im learning."

And so, still full of anger and paternal rage he bites he starts biting his tounge. Coming and just.. standing there. Sometimes he's glaring simply because this type of crying just dosn't sit well with his Ptsd and immediately wants to put a stop to it and give the child justice. But he waits. He waits and watches as Logan fixes it.

Once the crying stops it kind of deactivates that little soilder inside of him that so desperately wants to keep his kids safe.

"I'm their father-"

"And that didn't fucking stop mine! Now, did it?"

"But Wade, I'm not him. I'll never be him."

"My mother stood there and watched it all without a word Logan. I won't-..." He's choking on his tears. "I- REFUSE.. to be like that."

"I get that, but you have to understand that you are not her. And I am not him. I would never hit them"

"Yeah because if you did I'd fucking kill you! Like actually find a way to kill you. I would put you under, drag your ass to the middle of the fucking ocean, and watch you drown! And when they ask where you wen-"

"Wade... Wade! Stop. Breathe. I know that you're scared and I know.. that.. your brain dosn't want to trust me. That you will never be able to trust anyone 100% with them. Ever... but please. I need you to trust me at least 90. Can you give me 90?" He asks, hands on his shoulder as he can already see his husband dry heaving, tears running down his face as hes already about to slip back into that state of protective violence.

"....you get 5 minutes." He states, walking away before he ends up saying or doing something he will regret.

So he starts getting 5 minutes to fix it.

5 minutes to make it all better.

5 minutes for his actions to prove to Wade that he can be trusted. That he doesn't have to go all winter soilder on his ass the moment he hears one of the kids crying.

"Kids cry wade. Its what they do."

"Youre their father. Youre not supposed to make them cry..."

But now things are better.

Now his head will snap the other way, and watch. Staring in that direction rather if someone is talking to him or not.

"Hush."

"Excus-"

"SHUT UP... one of my babies is crying...." so he stares. Watching as Logan comes to scoop up the little tyke that skinned their knee at the park and give them kisses. The crying still happens because obviously theyre spooked and probably hurt a wee bit, but seeing him fully take care of it switches off that instant rage and he turns back like "what were you saying?"

He just can't silence that scream in his head, telling him that Logan (or someone else) is hurting them, so it needs proof that he isn't (as bad as that sounds)

Hurting his poor little babies.

Esspecially if it IS a baby. Wade would be extremely over possesive over a baby. The older the kid gets (and if they have healing factors or not) the more chilled out Wade gets. At this point he expects Laura or Gabby to say something back so when one of them run off crying without a remark it really throws him back into that "What the fuck did you do!? You have 60 seconds to explain- Go." Mode.

He knows Ellie is a little more sensitive because of her truamas kids making fun of her for not being a mutant at a mutant school, but thats what chuck wanted. He wanted humans AND mutants to succeed in his school. Though sometimes Wades voices convince him that Logan loves Ellie less because shes not his "real daughter" and so they convience wade that logan is mean to her on purpose (this is a very VERY big effect on mental health type of HC)

With their other children, depending on how young, he can't help but have dreams of Logan killing them before their powers even come through or abandon them. Hes terrified of logan just deciding one day that he doesn't want to be their father anymore and just... dipping.

Traumatized🤝Not ideal parents 🤝 Traumatized

I can imagine something happening at the school and the MOMENT Logan hears about something happening instead of going to the kid he instantly has to track down his husband like Eliza Hamilton.

"I gotta go I gotta find Wade."

"Let him know we're on his side?"

"No- He'll consider this a personal slander, I gotta stop a homicide."

"OH-"

Thinking about how protective of his kids Wade would be. Like he does not give a fuck. Logan could be a little bit too harsh and make their child cry, and Wade would unload his gun plus an entire SECOND clip into his gut and then put his foot on his throat, lean in, and be like:

"Don't you EVER talk to my fucking kids like that ever again if you want to stay in this house. You're here because I let you be. I don't need you* I can just as easily replace you** and I sure as hell won't let you treat our children like how we were raised. Do I make myself clear?" And if Logan doesn't agree within a certian amount of time, Wade would just shoot him in the head and walk away.

"....Papa?"

"Yes sweetheart?"

"...what happened to daddy?"

"Daddys taking a nap honey. He'll be alright in a couple minutes don't worry baby. Hey are you okay? You know daddy doesn't mean the things he says, right?"

The child nods, wiping tears from their eyes as Wade hugs them and kisses their head. "Daddy wasn't hugged as a kid, that's all. Hey! We should order pizza! Would you like that?"

And they nod softely but are still concerned with the fact that they saw their dad (who by now is sitting up) bleeding out on the floor two seconds ago.

"Oooh, Heeeyyy. Well, mornin' sleepy head! How was your nap. I think you had something to say to you. Don't you, Wolvie?" 😃

"I... uhm... Sorry kiddo.. I- i didnt mean to yell at you like that.."

"Awww! Great! Now we can go to Vinnies as one big happy family! Yaaayy!" 😊

The moral of this story is- Wade Wilson don't play when it comes to his kids.

*lies.

**another lie.

[starry-bi-sky]

I am absolutely loving your Danyal Al Ghul au. While I have a soft spot for the whole plotline of Danny becoming his canon personality almost right after breaking away from the LOA all because of Jazz, I'm just as much for your take in which he goes through the same character development as Damian.

Now I'm curious. You already tackled his relationship with Dani, will you eventually take a stab at when he, Sam, and Tucker meet Gregor? Given that it's one of my hated episodes as I couldn't stand Sam's infuriatingly hypocritical attitude to Danny's suspicions of him, I'd kill to see your spin on it.

Aw, thank you! Danyal Al Ghul aus are what got me into DPDC first, so I have a major soft spot for them. That being said, uh, its exactly that soft spot that causes me to have Many Opinions about the trope you just mentioned. Like the trope is all fine and dandy, i don't blindly hate it, my main issue with it is that most aus i've seen treat his backstory as an ex-assassin more like a pretty cosmetic accessory rather than something that actually should have had an impact on him. Especially if he remembers being in the league.

Like i cannot stress enough the fact that being in an ecofascist assassin cult (regardless of his standing in it) should've left him, in some way or another, screwed up morally and psychologically because that's just how development works. Nature vs. Nurture is like a game of tug-o-war that never ends, where they are constantly fighting against each other and one side usually has the upper hand or greater influence. Children model the behaviors of the adults around them (ex: bobo the clown doll experiment), and what impacts them in childhood can stick with them permanently.

Like how my psychology professor put it: a baby's brain is like wet cement; if you slap your hand on it, it leaves an imprint, and the cement dries that way. The same rings true for small children.

I could go on, but I frankly have so many thoughts on that alone that I would end up completely derailing from the second half of your ask, and I don't want to be more critical than I already have. Especially since you just mentioned you have a soft spot for the trope.

[Okay, hold onto your hats because this is long. Naturally lmao.]

Gregor! Man, I'll admit I last watched the show back in middle school on a dodgy illegal website (it had surprisingly good audio and visual graphics, and full episodes. But really annoying porn ads.) but I only made it to like season 1 before my hyperfixation faded and I lost interest. So I never actually saw the Gregor episode.

But... it is relatively easy to find free websites that stream Danny Phantom :), so finding the episode took me like. Thirty seconds. Plus the Tv.Tropes recap page because my damn earbuds just died and im out in public as of rn.

I'm not sure if I'll write something for the gregor episode like I did with Dani, since Dani's a bit of a special case in that she's a clone and tends to be a reoccurring presence in DPDC, and I thought the new dynamic with Danyal would be interesting.

Plus, I'm not a big amethyst ocean shipper for the pure reason of I'm just not all that interested in it; its kinda bland to me. I'll admit I've entertained the thought in this au due to the whole balcony scene i wrote, but I would've entertained the thought anyways if it was Tucker in that position instead. Big multishipper, me.

But, if I had to make it official? Danyal is not interested romantically in Sam when the Gregor episode happens, regardless of his relationship with Valerie. Who, speaking of I'm trying to think about how that would go, and I'm torn between including him almost-dating Valerie or not.

Because on one hand it helps point out Sam's hypocrisy (and i love her but i am always happy to point out her flaws and address them in au) in this episode in terms of Danny spying on them, but on the other hand I'll want to include a lot of set up in order to make Gray Ghost work in this au and wow will that take a while.

Especially with the Flirting with Disaster episode because it happens due to Technus' meddling, and Danny is, well, the son of the Batman? A trained assassin? An ex-assassin nonetheless, but still an assassin? A prodigy child in this au? He might not have needed to use most of his skills in the last few years, but like... there's just a bunch of 'what if' and 'well technically...' and 'would he? he could, but would he?' things that is getting in the way of my thought process and making my head spin.

.

Mmm. Okay. Flirting with Disaster occurs relatively the same as canon with a few exceptions; like Danyal noticing the strange coincidences, and he might take the idea into proper consideration because Sam has a point it is strange, especially out of nowhere.

However,,, he really enjoys Valerie's company, and he does really like her. He's been adjusting to civilian life for the last four years and while he's made a lot of progress, he's still. an ex-assassin child living like a wolf amongst sheep. This is normal, typical teenager stuff, and usually his friends like to encourage him doing normal teenager stuff.

So he's stubbornly holding out on the thought that this is normal, that ghost stuff isn't interfering here. He's a little hurt that his friends are discouraging this, he's not bothered by the fact that Valerie is a ghost hunter and he a ghost -- his mother is an assassin, and his father is Batman, and they still had a relationship. (Granted, he's not gonna tell them that)

If anything, being diametrically opposed to each other but still being in love is part of the family! Granted, usually both parties are aware of said opposition to each other, but he'll make a special exception this time around.

(And man now that i'm thinking about gray ghost, im now thinking about various like. scenes i could write between the two of them. maybe in a reblog.)

Anyways uhhh things relatively go the same as canon. Yeah. I think Sam still has a crush on Danny and still spies out of jealousy with Tucker.

.

Now, the Gregor episode! With that out of the way; the TVTropes recap for this episode isn't the best because it doesn't go into detail about the entire episode like it does with Flirting With Disaster and Shades of Gray.

(which i looked at earlier because I made a section of this post talking briefly about what changes I'd make to the Shades of Gray episode to help set up Gray Ghost, but ended up deleting because it was kinda irrelevant for the matter at hand.)

So I'm taking in bits of the episode clips at a time, I'll try not to get too nitpicky about how each scene goes because then it's gonna take me a longer time to write this.

But! First thing's first; since Danny is not romantically interested in Sam, he is also not jealous of Gregor. He is however, a bit eyebrow-raisey at him in their first introduction, but that's because Gregor is coming off as obnoxious.

Danny thinks he's kinda annoying, and it doesn't take a genius to see that Gregor is trying to impress Sam. But since they've only known him for five minutes he takes the good faith assumption and assumes that Gregor is genuinely trying to show interest in Sam's interests too because he likes her, so he keeps mum. The fake hungarian accent is weird, but it's overall harmless, so he doesn't point it out.

He does do the spying thing when he starts suspecting that Gregor might be working for the GIW. The episode only has this happen twice, but for the au this happens a handful of more times over the course of the week, with Danyal's suspicion steadily rising more and more each time.

Hah, when he brings up wanting to spy on Sam and Gregor because of this reason, Tucker still does his "woah! you wanna spy on Sam?" thing.

Danny immediately turns to him, completely unimpressed, and crosses his arms. "Tucker," he says, deadpan, "you and Sam spied on me and Valerie."

He uses a combination of his ghost powers and his regular stealth ability to spy on them. He's hiding in a tree when they're skipping rocks, close enough that he can use his powers to hear them talk but far enough away that he has a good view of their surroundings.

He's invisible in the cinema, but doesn't accidentally get in front of the projector. He checks the inside of the room for the GIW, and then waits outside the actual room itself, keeping an eye on the area and occasionally flying in to watch the movie out of boredom. It reminds him of being back on a recon mission with the League, but it doesn't end with him orchestrating someone's death.

Then when they're at the mall he stays in human form, blending in with the crowd. He runs into the GIW there, but realizes that they're not there because of Gregor; they're just shopping. They didn't show up at either of the last two locations, and he follows them to make sure they're not also trying to blend in. But they're literally just there for shopping.

Danny is rather pleased with this turnout; so far Gregor isn't a spy, he's just annoying. The next day at lunch he asks Sam how her date with Gregor went, and that's how she figures out he spied on them, because well, she didn't tell him that.

"Have you been spying on me?"

Danny messes with his food a little bit, and Tucker is sinking into his seat with embarrassment. He frowns, "Only last night. Those incompetent government dodos--"

His lip curls up; he gets all 'Shakespeare-y' (as Sam and Tucker put it) when he's insulting someone, "--kept appearing whenever Gregor did. I followed you and him last night to make sure he wasn't a spy."

A roundabout way of saying, "I was worried".

Sam is, as canon, furious. Danny understands why, he knows generally speaking that people don't like being spied on. But he's confused on just how angry she is, and is a little irritated by it.

"Why would you do that!" She exclaims, "That's way out of line, Danny."

"How? You spied on me when I was going on dates with Valerie." He narrows his eyes, and points his fork at her, "I'm not blind, I noticed."

"That's different, we told you why we were suspicious. And we don't have ghost powers like you do."

"I don't need ghost powers to sneak around, Sam, you've seen this firsthand. And I just told you why I followed you, I thought he was working with the guys in white--"

"So you think someone can only be interested in me if they're after you?" (this is a paraphrased quote, folks ;D)

"No! If that was the case I would have voiced my concern the moment I thought it. I don't get why you're so angry, you spied too."

Iiits.... a mess. Sam storms off with Gregor, Tucker tags along because okay, yeah, maybe Gregor isn't with the GIW, or maybe last night was a fluke. Either way he ends up tagging along. Danny overhears that conversation between the GIW and Mr. Lancer, and maybe he's right, maybe he's wrong; but something is up.

I've gotten to that scene in the locker room where Gregor tells Danny that he knows he doesn't like him, and I've paused at Danny's reply to say this: Danyal doesn't even bother trying to deny it.

"I know you do not like me."

"You're right; I don't."

"Ah, let me finish. I know you do not like me because you want to protect your friend, Sam, and I respect that."

"...That's correct."

"Good! Because I am going to ask her out."

"I had a feeling you'd say that," he stands up, claps his hand tight on Gregor's shoulder, and leans close to him with a threatening smile, "so you understand me when i say; if you break my best friend's heart, you're as good as dead, right?"

"Ah,, yes. I am so glad we got that cleared out of the way, and now I hope after we can.. how you Americans put it, hang out?"

In the episode he hugs Danny and gives him a la bise (which is that french greeting where you kiss someone on the cheek two or more times) after they end their conversation. But here, when he goes to do that to Danyal, Danny leans away, points an accusatory finger at him, and says; "Absolutely not; we are not close."

The next scene after that is like, end of day. Sam, Tucker, and Gregor walking away. Sam looks over her shoulder to glare at Danny, then gets forlorn. Tucker looks back and just looks forlorn.

(When did I start narrating each scene?? Eh, I'm writing this in brief spurts of time throughout the day. Don't fix what's not broke)

After that there's this whole scene with the two GIW agents that have been chasing Phantom all episode. They're there because they have Tucker's PDA that Skulker took, and it's got the information of their purple backed gorilla assignment on it. They've been going around seeing who Tucker associates with in hopes of catching Phantom.

Uhh ahaha and that is where this gets a little interesting imo, and also allows me to mention that im retconning Danyal's (already) redesigned ghost form. Which I've wanted to retcon even before this moment bc it was just too busy. I'll get to that in a moment.

The GIW suspect Gregor for being the Phantom because of his white hair and green eyes, which is all fine and dandy until you remember: Danyal (and by extension Phantom) has that very noticeable, rather identifiable facial scar that goes across the middle of his fucking face. The GIW could easily suspect that Phantom hides his scar with makeup if he's in disguise, but if they meet a kid with a seemingly identical facial scar and similar disposition? Hoo boy.

Solution? I've got two: Gregor is canonically a kid from Michigan who faked everything to impress Sam. Considering he knows she's gothic and knows that she's ultra-recyclo vegetarian? He probably watched her from afar or got information on her somehow. His hair is dyed, his eyes might just naturally be green, but if he notices that she's got a crush on either Danyal or Phantom? A little sfx makeup could help him recreate a similar looking scar.

My second solution that's gonna happen anyways bc its that suit redesign; Danyal does hide his face as Phantom. Ghosts are emotional creatures and its a popular headcanon that their interests, ambitions, etc, influence the way they look as a ghost, not just their death. A big reoccurring theme of my au is that Danyal did not leave the League unscathed, and that being an assassin is an important part of his identity.

So i'm discarding the hazmat suit look entirely and leaning into the 'assassin' thing. But the general (stylized) feel is like, white ribbon/cloth vambraces that he has used as a garrote at some point, a hood, a gaiter scarf-type thing. I'm keeping the cape. I did a doodle a few days back that's not the official redesign, but a redesign for Phantom. I may reblog this post with that attached because it's got the general feel down. There's very little white involved, but the inside of his cape flares out and looks like the night sky.

Now, the hood and gaiter scarf gets rid of most of the problem, but Danny's hood doesn't stay on all the time, so the GIW have likely seen the upper half of the scar. :] Gregor's own drawn-on scar doesn't have to be 1:1, but it looks close enough, right? A small scar cutting through the edge of his brow and ends right below the corner of his eye. A 'cool, badass' one opposed to Danny's 'garish' scar.

But! Back to the episode scene. Canon Danny gets written off as being 'too prepubescent' to be Phantom, and honestly it'd be hilarious if Danyal was written off for the same reason (he's calling them idiots in his head if they do). But instead -- leaning into the GIW's incompetence here -- he gets written off as being too mature or too talkative. Or something equally as absurd.

Sam breaks up with Gregor for canon reasons, but when Gregor does his "i really like you, but, come on-!" and gestures to tucker, he adds on "and that scary friend of yours too, seriously!"

Things go relatively the same as canon after that. Danny does end up apologizing for spying, however. Sam does it first. Sorrows, prayers, all that.

.

Things usually end up changed or different when I actually write it down, so I'd likely add more or adjust different scenes according to the flow of the oneshot. This is just like, a general vibe of how things would go, and where some of the more obvious changes would be if I did write this oneshot.

Hope you enjoyed! Thanks for the ask :]

[dykedvonte]

I hate the stretch lines in the front of Curly's uniform because that means the devs rushed to make a model in like a month or so and thought "They gotta at least know he has huge knockers, gotta know he's got back pain." Cause like what is the thematic importance of his tits having overhang?

What responsibility is that representing? Breast reduction? It shows an inherent greed in his character due to the excess and heshouldletmeholdone and that he clearly is blinded cause if he tries to look down his damn ladder all he's seeing is his own cleavage.

[marshbarks]

i think its weird how artists and especially youtubers will 'redesign' characters from media they deem problematic as though slapping a new coat of paint on the character erases all the issues they were rooted in to begin with. or as though redesigning the character makes them Better than the original creator, because now its THEIRS

[imadhatt3r]

This is going to sound really weird, I know, but I seriously feel like there's a number of like, British communists who desperately wish they were Eastern European??? Like they think that by being into political side of communism (usually not the kind that existed in Eastern Europe), they can be chummy with people who actually grew up in Eastern Europe and were raised with the communist era somewhere in the background their whole life, usually without knowing the nitty gritty of theory but with a lot of cultural herritage from that time...

Like no, there's a big difference between being British, being raised in British culture, with cultural institutions, history, traditions, then getting into communist theory and just assuming that you know everything about life in communist Eastern Europe, and then pulling a "how do you do fellow commies" to people from Eastern Europe whose associations with communism are much different, and they will see you as detached and insensitive at best.

[triglycercule]

mtt playing poker but why would they bet with money thats soooo boring boo boo boo no they bet with increasingly worse and concerning things and its fun for some reason

oh theyd LOVE that shit istg. luck and bluff and tells and lies??? god who knows your own lies and deceit better than another version of yourself??? and yet picking up the other two's tells is oh so very hard because theyre not the same anymore than when they were all sans and sometimes they dont even know themselves so how could they pick up on a mirrored version's? it works out a lot more than they think

killer would have no disregard for what he bets. he plays unpredictably and sneakily. probably faking some emotion here and there to get the hasty (horror) confused and concerned about what he could do and then it turns out killer had a fucking ass hand yet he won??? BULLSHIT horror cries out!!!! but dust just picks up the cards on the ground and deals them again and they play another round. sometimes killer purposely loses. why? he dont know its just to throw a wild card into dust and horror's predictions and mayhaps for the reactions

dust is a dirty player he is a fucking CHEATER‼️‼️‼️ phantom paps are his eyes that he uses to spy on killer and horror's hands. would he need to even try anymore at that point when he could easily win every round? well yes because that wouldn't be a fun game and dust wants to have as much fun as he can in this game of lies. he pretends he doesn't know what horror and killer's hands are. they both know. theyre both more than aware of dust's cheating. and that's why their betting starts going against him specifically and then dust has to figure out how to bet them higher while also trying not to fuck himself over

horror's main thing is just to not get fucked over. goddamnit why did he agree to this he's not as open to getting hurt than dust or killer are!!! (but you still agreed anyways?) so he thinks he's the only one to have a real reason to win (because horror no wanna get hurty hurty owww owww painpainpain ouch!!!) maybe he gets too cocky and ends up betting too high because dust or killer had been losing and he wanted to take a chance. maybe that high bet was actually what got him to win?? it's all a game of chance of course and horror'll only show what he thinks after the round's done. when the cards are dealt and the stakes are up he'll just analyze the hell out of the two (don't YOU hate being analyzed??) and tap his fingers on the table over and over

their way of betting would be like: the winner gets to do whatever the other two said as their bets to the betters. like if dust loses and horror wins and he said he could get sucker punched horror is sucker punching the FUCK out of him. but these three argue they fight and bicker and throw gibes and taunts!!! how would they ever agree on what bets are higher and which are lower ⁉️⁉️⁉️ to horror a bet of saying that he'd have to eat something could be like straight hell to him but killer and dust could just put the argument that it doesn't REALLY mean that much (they know it does to horror) and then force him to bet higher because cmon coward you can do better than that!!! dont you want to get some sort of revenge on us if you lose a previous round and win this one??? and other forms of logic like that 4 dust and killer

killer starts off with an absurdly high bet (because he would) like getting to mess with his soul or something. is he sure that dust and horror have losing hands? he doesn't know. and because killer has no form of limit for himself and that's already a high bar to set for dust and horror to reach (if they don't have good hands i think they'd probably want killer to bet lower. but would they tell him??) so damn it horror has to pull out some bullshit fucking bet like he'll allow himself to get hunted down by the two with every trap he's ever set on a human in horrortale (sooo much more psychological thinking and trickery going on without betting money and instead scenarios its SO FUN). and then could dust fold? does phantom paps say he should? it depends on the cards dust has (and what if he doesn't believe paps based on his own assumptions? (paranoid bitch)) and if he can't fold he has to match the bet or go higher and then he comes up with some bogus situation like ok i'll let you guys dress me up in my human's clothes and throw me in an au and have to do what they did (and OH GOD what about if they make a bet that the other 2 wouldn't actually want to do if they win??? if killer won that round with that as dust's bet would he want someone to reenact something similar to what his own human did and have to watch??????)

oops they just got another new set of scars from last week's poker night and another layer of trauma but why the hell are they sitting down at the table again??? idk man i'm just the dealer here trying not to get killed

[skunkes]

the way I've been raised has shown itself in a recent awful experience I had and the realization won't leave me because I'm not sure what to do about it.

I don't like feeling anger/upset and it's rare for me to feel it anyway but it's led to me being unable to tell what's worth getting upset over anymore. If my wants upset somebody, then, well, maybe I shouldn't have them? What is so serious that I need it to go completely my way...? What desires am I allowed to have. It's not that serious, it's okay if not, you can't always get what you want....

every time I feel Upset I am later wracked with guilt because it wasn't a big deal and I was just being selfish... What IS a big deal then? How can I tell? Its admittedly never a big deal... But I keep being upset. And stepped on....

[faaun]

idk how to live so im going to talk to myself out loud until i do

[angelicdonuts]

Nene and girlfriend this time :3 !!

Grhghvhhg the girls... the shawty baes..

(Still more!! Next post is gonna be boyfriend focused [with a little bit of Pico too ^_^] !!)

[autisticlee]

sometimes I think about how when I went to college for a year before I dropped out (basically failed out,) the counselors/dean told me they can't help me at all or give any accommodations unless I have an official autism/adhd diagnosis. that might sound logical at first, but when you think about it more, it's actually quite fucked up. if someone is struggling really bad, what's the harm in helping them? why do they require a paper to get even the smallest amount of help? people who don't need help aren't going to be failing miserably without help! even NTs could benefit from some adjustments to the horrible school system! (but changing the entire system is a whole other conversation that the school system isnt ready for)

but even if you do agree to jump through their hoops, you realize it's even more fucked up that the diagnosis process requires YEARS in most cases (in my case it took 4 or 5 years, can't recall exactly now, for autism/adhd diagnosis, which would have meant i finished school before getting it if i managed to mot fail out, or i wait that long before going back, which is a whole struggle itself) and they also tried billing me for THOUSANDS of dollars because of insurance issues!!

so you put a ton of time and money into this, and then get told the only accommodation they are willing to give you for autism and adhd is "a little extra time on tests"

....

my test scores were the best part of my whole class experience. that was NOT what I struggled with!!!!! those tests were all online and could be done in the comfort of your home where you can accommodate yourself and have plenty of time left over when you finish them because you are comfy in your own space, (and also, no one was stopping you from having your notes/books/google open to find the answers,) and you don't even need a time consuming, expensive diagnosis for that!

SO WHAT'S THE POINT!!!!!!!

[deus-and-the-machina]

ffxiv garlemald discourse is so funny because people will go "ugh people just cant stand it when things aren't black and white" and then you look at how the empire are portrayed in stormblood and shadowbringers and its like hm. that seems like a pretty intense and accurate display of violent imperialism to me! Wow I wonder why people in this day and age may find it hard to feel sympathy for them or even hate them on principal. god its such a mystery.

the games like 50/50 to me on how it tackles these themes because I actually like the garlemald arc in EW, I think it has a lot of horrific and powerful scenes depicting how self destructive fascist propaganda and beliefs are, but I also think it doesn't go far enough on some fronts. the garleans' xenophobia is most notably and obstacle to getting them to accept the contingent's help, which is what they're there to do,

but there's never an admission of harm from any garleans on the uuuuuuuuh massive amount of war crimes the nations around them are still suffering from they're just kind of like "we misjudged you...but you actually wanted to help us all along" like yeah thats great now can we get you all some deprogramming because you keep talking about returning to your prime and glory days and I think we need to unpack some stuff you really SHOULDNT return to. im not even really talking about EW proper but the patches where things are a bit more chilled out and people are recovering.

It feels like they wanted to have their critique of imperialism and also have things end with the beauty of human connection and reaching out and these things just don't mesh well because hey a lot of your modern day audience is not gonna like having to treat people yelling xenophobic things at the cast and your character with kid gloves after you showed them hours and hours of the awful things these people's beliefs have done. especially in the present day hoo boy.

[milf-harrington]

its so fucking disheartening realising that no one actually sees me as a guy, they just pretend to - and yeah its great being called theo but its less great being lumped in as one of the girls in the same breath

[opens-up-4-nobody]

...

[puppyeared]

who up seeing their disorder in a fictional character but feel like its not their place to put a name on it