#but only junko gets talked about

[the-apocalypse-is-upon-us]

Mukuro Ikusaba,they could never make me hate you

[rainbow-crane]

Trigger Happy Havoc may be the part of the franchise I talk about the least in Junko's analysis(after V3 ofc lol). Which is funny considering that's her first real appearance but like, it's also just the start of everything we learn about her and you get the real meat from DR 0 and beyond

[fma03envy]

In which Junko periodically sneaks out of the old school building to meet with Izuru (and then lies to her classmates about it)

[235uranium]

every time the female character discourse happens i just sigh. the ppl critiquing fandom misogyny don't even like that interesting of women

[devotedlystrangewizard]

what does it say about me as like. a person. that my first thought whenever im writing fanfic. is that i need to make these people have a terrible time

[mirai-e-jump]

Animage October 2024 Issue Kamen Rider Gavv ft. Chinen Hidekazu & Sugihara Teruaki (translations below)

Publication: September 10, 2024

The Strange Sweets Kamen Rider

The 6th Reiwa Kamen Rider is the first ever to use a sweets motif! The cast and staff talk about the behind the scenes of the birth of the new hero who fascinates us with a gap between poppin visuals and its heavy filling!!

Having passed out due to hunger, Shouma, who comes from another world, was saved by a human boy named Hiroi Hajime. Shouma was in a difficult situation when he confronts the Granute, a monster who wants to kill Hajime, but when he "sets & eats" the familiar like creatures called Gochizo in the mouth on his stomach, he transforms into Kamen Rider Gavv and crushes the Granute. This was the beginning of Shouma's battle to protect humans.

The latest entry in the Kamen Rider series, "Kamen Rider Gavv" only just started in September. Despite the poppin imagery and visuals of sweets as its motif, this is a hard and serious drama that depicts the lonely battle of a young man named Shouma, who hides a grand past and mystery behind him.

This production features Takebe Naomi-san as the Producer, Sugihara-san as the pilot Director who determines the direction of the work, Komura Junko-san as Screenwriter, and Fujita Satoshi-san as Action Director, all of whom have worked on the Kamen Rider and Super Sentai series. In particular, Sugihara-san and Komura-san are the pair that gained attention for their work in "Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger" and the fans are expressing their expectations.

The story of a fierce battle between the sweets Kamen Rider and the Granute monsters has only just begun, so don't miss a moment of the birth of a new Kamen Rider legend! _

Chinen Hidekazu (Shouma)

The first transformation born from an extreme situation

-Supported by dependable friends and the Director-

"Please tell us your impression of the Kamen Rider series."

Chinen: For me, I've admired Kamen Riders since I was a child, and I love them so much that they're the first thing that comes to mind when people ask, "Who's your hero?" I've lived my whole life dreaming of becoming a Kamen Rider, so I was really happy when I was chosen to be Shouma.

"Are there any works that you find particularly memorable?"

Chinen: It's hard to pick a single work from my generation since I'm so attached to all of them, but……I think "Kamen Rider OOO" might be the one I was particularly enthusiastic about when watching. The dialogue between Hino Eiji and Ankh was interesting, and even as a child the ending made me think, so including its theme song, it's my favorite work. Lately however, I've been super into "Kamen Rider Den-O" (laughs). I'm watching it from the perspective of learning why it became so popular, but I also like Den-O because of Satoh Takeru's (who plays Nogami Ryotaro) amazing performance in which he plays multiple different personalities.

"What kind of person do you feel Shouma is?"

Chinen: I read the script so much that it felt like I was watching myself, as I thought that Shouma was so similar to me. We're very similar in the way that we're abit out of the loop, but also curious and get into the things that interest us. I was glued to the TV when I was a child, and I'd become so engrossed when watching it, that I couldn't even listen to what my mother was saying. However, I feel like I'm far removed from him in terms of his guts and inner strength, his desire to save people even at the risk of his own life, and his ability to fight the enemy. Playing the role of Shouma gives me energy and makes me aspire to be like him.

"We think another feature of this production is that right now, Shouma doesn't have a fixed place to stay, and that he comes into contact with a variety of people wherever he goes."

Chinen: I think alot of people are curious to see what happens next, as so far in Gavv, the story continues to be dominated by Shouma's easygoingness and the fact that we don't know what he's thinking. He seems to have a connection with Sachika-san, who he met in episode 2, so what happens to them in the future is a big point to watch out for!

"Please tell us your impressions of Sachika and the person who plays her, Miyabe Nozomi-san."

Chinen: Miyabe-san is a very refined person, so when we first met at script reading, I was shocked and said, "This person's gonna be a gyaru?!" (laughs). One of the things I like about Miyabe-san is that her mannerisms show the quality of her upbringing, but the more we talked, she really started to look like a gyaru, and I felt that performing together with her was amazing. Sachika-san leaves a strong impression of being a gyaru, but on the inside, she's a stable girl who's able to understand the feelings of others. Seeing her say with a refreshing smile, "I think it's good for everyone to be happy," Shouma respects her and thinks, "She's such a wonderful person" and "I want to be like her," almost like she's the embodiment of peace. When I read the script, I always feel supported and say, "Sachika-san, thank you."

"Shouma's brother sister like relationship with her is also very interesting."

Chinen: Director Sugihara Teruaki said to me, "It's like a dog and his owner" (laughs). Still, I think that Sachika-san's all encompassing kindness, and Shouma's simple mindedness are a great combination, and we're also playing the roles with confidence.

"He's yet to interact with Shouma, but we think the role Hanto plays will also be another highlight to look forward to."

Chinen: In some ways, Hanto is also easygoing, but he's the compassionate, hot blooded type, and he too lives by carrying something on his back. I hope you'll look forward to seeing how Shouma and Hanto, who are completely different types of people, interact with each other and what they'll think of each other in their first meeting. Hino Yusuke-kun, who plays Hanto, is the mood maker who makes the set feel relaxed, which is a gap between him and Hanto, but I feel that we're similar in our passion for the production and performance, and the way we put our all into something. To me, Hino-kun is a rival but also like a reliable big brother, and we often consult with each other and visit each other's houses (laughs).

"What were your impressions of Director Sugihara, who also directed the first two episodes as the pilot Director?"

Chinen: As I had no experience in acting, Director Sugihara is a respected teacher who taught me how to perform from the ground up, including how to read the script, and he's like a father figure from Tokyo. He understands each actor's personality and gives them advice accordingly, and he's an amazing person who draws out our potential, so every time I'm on set, I feel happy to film under Director Sugihara. He's a Director I really love.

"Before filming, it seems that you and the Director practiced vocalization together."

Chinen: Yes, even before I could act, my voice wouldn't come out (laughs). I'm really grateful that he took time out of his busy schedule to watch me one on one, and it was an important turning point that led to something changing in me. I want to grow so that people will feel that I'll have changed over the coming year, and one of my goals is to give an inspiring performance that'll be recognized by Director Sugihara with, "You gave it your all."

-Aiming to be as cool as Nawata-san-

"Kamen Rider Gavv, who Shouma transforms into, has a motif based on gummies and other sweets."

Chinen: When I saw the illustration depicted in the proposal, I thought it was incredibly simple, however, my opinion changed when I saw it in person. The armor on the chest and shoulders have a gradient so that it shines beautifully when light hits it, and there's a playful gimmick where a squishy dent will form when it's pressed, so a bunch of detail has been carefully put into it. I'm now so attached to it, that I can't think of anyone else but Gavv. Personally, what I want you to pay attention to the most are the feet. The feet are actually clawed, and this slightly animal like aspect is an important element of the show, so I'd be happy if you make sure to pay attention to the feet as well.

"What's your impression of Nawata Yuya-san, Gavv's Suit Actor?"

Chinen: Nawata-san is an actor who I shape Shouma together with, and he's an indispensable person to me, as I'm able to talk to him about problems that I can't talk about with the other cast members or the Director. He also taught me about acting, like how to create the mood and how to read the script. I'm grateful to Nawata-san's action, as I think Gavv's appeal has tripled, and I feel like the show itself has also become more brilliant.

"Does that also get you enthusiastic about the post transformation dub recording?"

Chinen: That's right. The recording process is more difficult than normal acting because you have to use only your voice to express your emotions and fight scenes in accordance with the footage. In episodes 1 and 2, I had to rerecord so many times that I lost the strength in my voice, and it took twice as long as the planned time (bitter smile). As well as the performances of my seniors in the Kamen Rider series, I also studied the game "Street Fighter" based on the advice of Director Sugihara, and now I feel like I'm getting by. I'll work more diligently to make Nawata-san's performance 120% more appealing with my voice performance, and to become a Shouma who's just as cool after his transformation into Gavv.

"One of the real thrills of the Kamen Rider series are the transformation scenes, but how did you create the pose?"

Chinen: The transformation pose was decided through a discussion between myself, Action Director Fujita Satoshi, Director Sugihara, and Nawata-san. It's a movement that involves rotating your arm, but the final version, which we created after discussing the angles and timing with everyone to make sure it looked cool and appealing, is the transformation pose used in episode 2. Depending on the story, he could transform quickly, so I hope people watch the way he changes based on the situation.

"In the episodes up to this point, the action leading up to the first transformation in the first episode is a scene that can't be ignored when talking about Shouma. There was some action involving wires, and we were also impressed by his performance as he was gradually being cornered by the Granute."

Chinen: That scene was prepared weeks before the shoot, as Director Sugihara and Action Director Fujita came up with a really cool direction. The scene where Shouma is beaten was especially important to give depth to the reason for his transformation, as it took two days to film. In the end, it was in the most extreme situation I had ever experienced in my life, my performance came out unconsciously, and I was complemented with, "Your facial expressions were very good." I could've never done it on my own, the scene was made possible by the advice of Director Sugihara and Nawata-san, who worked beside me, and by all the staff members who created an environment that allowed me to concentrate on my performance.

"It makes us want to go back and pay attention to the expressions on your face. Finally, please tell us your goals throughout filming of Kamen Rider Gavv."

Chinen: I'd like to learn alot about action from Action Director Fujita, Nawata-san and everyone else on the Action Team, and I'd like to improve my acting skills. I've never been in an environment where I could spend an entire year with people who are so good at captivating others, and I don't think it'll ever happen again in the future. I hope to make full use of this experience so that in the next year, I can be an actor who can do it all, from acting to action and recording, so I'll do my best to do what's in front me!

Director Sugihara Teruaki

The vibrant world Shouma comes across

-A dark story with colorful visuals-

"When did you first hear that you'd be the pilot Director?"

Sugihara: I'm pretty sure it was around last Fall, when I was working on the drama, "Tokyo MPD: From Zero to Hero," I received a phone call from Producer Takebe Naomi-san who said, "I'd like to meet and talk with you at once." I heard from a separate matter that Takebe-san would be in charge of the next Kamen Rider, and at the time, I thought I was going to be the second Director, but when I met her, she said, "You're the pilot Director." (laughs).

"At the stage when Director Sugihara joined, how much of the content in the show was decided on?"

Sugihara: Aside from the sweets and monsters motif, we'd yet to decide on the content of the story and the personalities and relationships of the characters. In the beginning, we were a small group consisting of the Producer team's Takebe-san and Takishima Minami-san, Screenwriter Komura Junko-san, and myself. Our three parties worked out the content by sharing ideas from our respective perspectives.

"What specific ideas did Director Sugihara have in mind? Personally, we felt that the visuals of the characters, including their costumes, incorporated the Director's ideas."

Sugihara: You can assume that I'm basically in charge of visual aspects like the impression and fashion. For Shouma's fashion in particular, during the rather early stages, I'd draw an illustration and say, "How about something like this?," and I'd have them look at it while I created his character.

"Not just Shouma's clothes, but also the interior of Hapipare is rich in color, so much so that it's unusual for the Kamen Rider series."

Sugihara: I told artist Fukuzawa Katsuhiro that I wanted to make the visuals as bright and pop as much as possible. Kamen Rider Gavv itself isn't meant to be a continuation of the "ism" seen in the first generation of Kamen Rider, but it includes themes like family conflict and Shouma's sad separation from his mother, so the content is heavy. Because of this, we made the impression of the colors vivid, and were careful to not make them too dark. Moreover, being in the human world for the first time, Shouma's a kid who's impressed by everything he sees, so I was conscious of the world captured from Shouma's point of view and to use rather flashy colors. Conversely, the Granute World and Stomach Family use muted colors, or to just say it outright, they have dirty colors.

"What do you value in your expression of Shouma, the main character?"

Sugihara: I wanted to depict Shouma as a pure kid, someone who suddenly comes to the human world and finds everything he sees as fresh. On the inside, he's not much different from Hajime, who he first meets in the human world, in fact, he's much more of a child than that kid. So he ponders over what he's been told, hurt by the casual mention of "monster" and afraid of hurting others, he's unable to be together with someone else, so he leaves Hajime and Sachika and goes elsewhere. However, I didn't want to make it too dark, so it was hard to depict (laughs). While he carries a dark side, I want him to be a kid who's always smiling when he's with someone, even if he has to force himself to smile.

"This Shouma is beautifully embodied by Chinen Hidekazu-san."

Sugihara: The best thing about Chinen-kun is that he looks great on camera. That's the kind of talent an actor has. Also, the expressions on his face when he eats are really good. Even though he's eating food he usually sees all the time, he eats it like it's a delicacy, looking as if he's eating something he's never seen before and is impressed. In that sense, I think he was the right choice to play Shouma. Still, since this is roughly his first performance, he had to start from a place where he couldn't express his emotions properly, and to begin with, he couldn't even vocalize. I had Chinen-kun stand on one end of Toei's rooftop, and I stood on the opposite end and had him deliver his lines. I gave him relentless acting instruction from the very beginning (laughs). Filming started earlier than usual, so we've already shot several episodes, and I feel that he can now stand proudly in front of the camera as Shouma. With each episode his performance and facial expressions are getting better and better. I have high expectations for his growth over the next year.

-Dedicated action that make the most of the motif-

"We felt that the vibes of Gavv's everyday scenes were different from that of previous Kamen Rider series, but was there anything you were conscious of in your direction?"

Sugihara: In my mind, I had a bright, pop like feeling, but during filming, Chinen-kun……it was important to me how to capture Shouma and the human world from his point of view. I may have only been thinking, "How can I get a good shot of him?"

"In that sense, it's interesting to think that the entire production is being pulled along by Shouma and Chinen-san."

Sugihara: That's right. This is especially true for the first episode, as the story unfolds from Shouma's point of view, so I was conscious of the fact that I wanted to bring the viewers perspective as close as possible to Shouma's.

"Despite the battle scenes also having a fancy sweets motif, from the very first episode, we were taken back by the intense physical battle depicted between Gavv and the Granute."

Sugihara: I'm pretty sure it was Action Director Fujita Satoshi who put out the idea of a serious fistfight at a container warehouse, and with sword fighting in a narrow space. We specified the colors and placement of the containers, and asked the people on location to arrange them accordingly. From there, Fujita and I talked in detail about the composition of the action, and we put it together by discussing the angles while adding in our own ideas as we filmed on site.

"We heard that you and Fujita-san worked closely together to create this."

Sugihara: I also like action quite abit, so I tell Fujita various things like, "Do this sort of thing." Naturally, Fujita has alot of things he wants to do as well, so the two of us are working together to come up with ideas for action sequences and angles.

"Including Gavv's own actions, the way he fights while "eating" the Gochizo is unique."

Sugihara: It was decided in advance that the transformation items Gochizo would appear alot like that of "Pikmin" and "Minions," so I thought it'd be better to use alot of them. Because of that, when Gavv takes damage, his armor breaks and he'll eat the Gochizo one after another……we're calling it "follow up sweets," and I think it'd be interesting to keep changing sweets and repair them as he fights.

"The standard Poppingummy Form has flexible armor, while Zakuzakuchips Form's sword weapon can easily break depending on how it's used, and the use of sweets as a motif was also visually enjoyable."

Sugihara: Inspiration for the action comes from discussions that are almost like casual conversations. I thought about how things like thin baked snacks such as potato chips might be weak to side attacks (laughs). Also, unlike other Kamen Riders, we don't use bullet impacts on Gavv when we depict him being hit (mechanism that detonates gunpowder that's attached to the performer). In his setup, the armor is derived from sweets generated by his own body, so we tried to create the effect of small bead like things flying around him. During filming, we've been throwing beads into the air from the side of the camera. In that sense, it may have a new visual feel.

"What scenes from episodes 1 and 2 were particularly powerful?"

Sugihara: In terms of taking the most time, I'd say it was before the transformation in the first episode. When I was thinking about Shouma's human image, Takebe-san said, "I don't want him to be a hero who fights just because he has powers." You don't fight just because you have the power to become a Kamen Rider, there's a will to fight, and that's where the power comes in. I wanted to create an image of a hero who's able to transform into Gavv because it's Shouma. Since the time of the script meeting, we had talked about how we wanted to portray a different kind of strength from that of the everyday Shouma, who keeps going despite being beaten up by someone he can't even stand up to. On set, Chinen-kun and I worked together to find out why Shouma was feeling that way, and we worked on his facial expressions and gestures one by one, and I was quite persistent throughout filming. We were supposed to film the transformation scene in one day, but we took too long and didn't get to the transformation, so I had to apologize to the staff (laughs).

"Finally, please tell us your enthusiasm for the future."

Sugihara: Honestly, I have no idea how Kamen Rider Gavv will conclude a year from now, but I want to make a show that'll make people who watched it think, "Gavv was interesting." For this reason, I'd also like to delve deeper into Shouma and Hanto, and Sachika and the others characters, and to make each of them appealing. I'm sure that Komura-san will come up with some great developments (laughs), and for my part, I hope that I can take advantage of that, and as the pilot Director for the first time in a long time, to create images that people watching in their living rooms have never seen before.

[lovelyyandereaddictionpoint]

The Misadventures of the Third Enoshima (1) | Yandere Danganronpa

For the first official game, I can see you physically not being apart of it

Unfortunately, the Despair twins are all too busy preparing for their roles in the 78th class

So busy they don’t have time to chase you themselves

Much to Mukuro’s chagrin

Junko leaves it to another to pursue you’re hiding and un-brainwashed

“Nenene~Kamakura-Sen-Pai! You’ll find my precious baby bird? They’ve seemed to run off at the height of our despair!”

“Why should I? It could be boring, chasing down this...bird of yours.”

“Hmmm, it could! I never thought about it that way~! You know what I’ll just have that pig do it instead since you’re so preoccupied hanging out with the 77th class! Tata.”

He pulls out her mini photobook with various snapshots of you he so easily swiped

None of which have you posing for them

It was easy to swipe

And wordlessly he’s accepted her favor

Why? 

Something about this mere picture of you feels….far from boring

So while you continue to be on the run vaguely aware of your being followed 

You can only look on as the friends you once knew are forced to kill themselves in a mutual killing game

Slowly unraveling the truth surrounding their despairful entrapment

Meanwhile, you begin to try and see if there’s a way you can remind the 77th class of who they are before this

Just narrowly surviving and thwarting their grand plots of despair

In the midst of this is where those at the future foundation find their interest in you 

“(Y/n)? Last name?”

“Does it really matter now? The point is I’m trying to help.”

It’s up to you whether to tell the sword-wielding Munakata or let him figure it out himself

Either way, you’re actions and adorably cute pleading face has him taking you under his wing

“Fine (Y/n)...for your safety you should take my last name earlier than planned. So that you’re past doesn’t interfere with the hope you’ll bring.”

“Thanks Kyosuke for believing in me!”

“What are you talking about (Y/n)-chi~? You did it all by yourself fighting despair on your own for soo long.”

“Chisa–”

“Yeah but don’t expect us to just leave you unattended! Knowing you you’d get yourself killed in seconds.”

“Hey!”

“Juzo don’t be mean!”

“All that being said…welcome to the Future Foundation (Y/n). Let’s cure the world of despair.” 

[zxmbigirlfriend]

hopes peak academy tumblr dashboard simulator

🍡kusamochis Follow

i hate ultimates fuck off ultimates ultimates dni

🍀nagikomaeda Follow

reserve course lmao

🍡kusamochis Follow

YOU ARE LITERALLY WHO I’M TALKING ABOUT HERE

#except for @gamez4life you are the only exception ily

47 notes

🐉best-sister Follow

@lesbienning what are you gonna do? cancel me for “harassing ultimates”?

📸lesbienning Follow

123.69.420.51

🐉best-sister Follow

WHAT THE FUCK

1,609 notes

🐰gamez4life Following

why can’t reserve course and main course just get along :(

473 notes

🐺fenrir-mercenary Follow

@junko-enoshima-official how do you reblog

5 notes

🔮mageofdespair Follow

haiii!!! :3 our warrior cats animated series featuring our ocs “the rise of despairstar” has its first episode out now :3!!! Drawn primarily by @birdskinhater and voice acted by @totezadorbz, we’d like to say thank you to @junko-enoshima-official for helping give our project more recognyation!! :3333

💋junko-enoshima-official Following

#omgggg this slayed #not to be a warrior cats fan or anything but i TOTALLY LOVE despairstar she serves CUNT you with me she serves CUNT

21,394 notes

🍡kusamochis Follow

Getting brain surgery tmrw hope it goes well

11 notes

🎓hope’s-peak-academy Following

Clarification- our school has NOT taken part in any unsanctioned lobotomies. Such behaviour is abhorrent and we recommend that any reports of it are to be reported immediately.

2,356 notes

🍬candygurl Follow

just got expelled

21 notes

🍀nagikomaeda Follow

Finished my junko enoshima callout doc, you can find it here

#junko enoshima #anti junko enoshima #junko enoshima critical

685 notes

💉kill-your-self Follow

i stand with my cancelled wife

💉kill-your-self Follow

shut the fuck up about your fictional characters this is about my real-life girlfriend

3,687 notes

🎤ilovesayakamaizono Follow

shes so pretty it hurts…

#koma talks #i love her #sayakaposting

7 notes

🎸 bookidooks Following

IS THAT A FUCKING DEAD BODY

#WHAT THE ACTUAL FUCKKKKKK

9 notes

🐱cutesquish Follow

Fun fact: killing people is universally wrong! If you think otherwise you are a horrible person and I hope you fall in a tar pit!

📸lesbienning Follow

Fun fact: you shouldn’t be morally policing other people’s activities! Everyone has their own way of expressing themselves and you shouldn’t be forcing your views onto others! Op is an asshole, don’t listen to them!

🐱cutesquish Follow

what. what the FUCK.

🃏irlvamp Follow

Calm down. It is unnecessary to be throwing a fit after an innocent comment. I believe it is important to see both sides of the debate.

🐱cutesquish Follow

don’t you like run an illegal underground gambling ring

🎸 bookidooks Following

anyone here smoke weed

10,452 notes

🐰gamez4life Following

Playing this cool horror game… there’s “punishment” if you failed a task and there was this one were we had to go through all these traps and eventually got impaled… god it looked painful i would definitely not like to be in that game

#it was so sad too? Like we got a little bit of hope and then it got quenched out :( #i HATE the evil teacher btw how dare she betray us

5 notes

[theamityelf]

Makoto enters the Neo World Program to help with the shutdown sequence, but to his surprise, he doesn't find himself in the trial room.

He finds himself on the beach, in the simulation's normal map. The original map, before Junko's twisted Funhouse and her Titty Typhoon and all her other contributions. He was even dressed for the beach, in a tank top and swim trunks.

(Back in the trial room, Junko stops in the middle of some great exposition and exclaims, "OMG, finally! Later, chumps! Sit and spin, or whatever," and she disappears, leaving them confused.)

Makoto feels that she's there. He doesn't have to turn around, but he does, only to get glomped in an unnecessarily tight hug.

"You made it," Junko('s AI) coos. "It felt like I was waiting forever. Did you let me play with those chumps because you were scared to see me?"

He sighs. He kind of knew that he wouldn't have much control over what happened once he was in the simulation, but the fact that he hasn't joined the surviving Remnants as intended is a bad sign. "Get off."

"Oooh, so forward!"

"Get off me, Junko."

She takes a few steps back, eyeing him up like she's taking inventory of his limbs.

"What happened to the trial? What's happening to them, while I'm here?"

"Who knows? Who cares? You didn't actually think this was about them, did you?"

"It is for me."

"Not even that. Come on, those nutty senpais of ours were always just dolls. They're proxies. How about you put on your big boy pants, instead of wetting them, and talk to me directly."

"They're not dolls, and you're not her. She's dead."

"But I'm like her. Aren't I?" She traipses up to him again, trailing her nails lightly over his skin. "Aren't I enough like her?"

She looks completely real. The details of her skin, her eyes, are exactly the same. Her hair is frizzing from the spray of the sea. She's wearing a bathing suit, too. The top piece laces at the shoulders; it's tied into a bow on one side, but on the other it's just a knot. Imperfection. Realism. The placement of the sun directs his gaze to her, and her shadow snakes across the sand.

The sand feels real.

"This is cheating. You didn't win the trial. You haven't earned this. If you don't play fairly, you're admitting that they can beat you if you give-"

"Yawn! You're taking a leaf out of Kyoko's book. We already did this 'I owe you a trial' thing. Take a load off. We're one-one right now. You beat me once, I beat you once. Let's take a walk."

Makoto almost argues, but then he remembers the ancient ruins on the second island and considers that he might be able to get out through there. "Fine. Let's take a walk."

"Yay!" Junko bounces up and down, and he quickly looks away. "I just love this map. As soon as Kamukura plugged me in, I could just smell your nasty little hope-hands all over this thing. Did you notice, I kept all of your ideas in my version of the map, in some form or another."

Makoto starts walking toward the bridge. He did notice that the places that were removed or walled off wholesale were ones that were thought up by other people. He assumed it was a coincidence. After all, how would Junko know which ideas were his? "I'm glad they got to ride the rollercoaster. It looked like they had fun."

"Like we did."

He remembers that class trip. "Yeah. We did."

"Tampering with your map was more fun than this whole killing game. It was like we were making a baby together."

"N-No it wasn't."

"You planted the seed, and I-"

"Nope. I'm walking faster now." He power walks across the bridge.

"Oh no," Junko deadpans, remaining a step behind him. "Your legs. So long."

[shiut]

It's that time of year to once again think about that one part in a DR interview that talked about how Makoto had coordinated with the rest of his class to throw a surprise birthday party for Junko and Mukuro, and that was the moment Junko decided to plan the killing game.

Through the series, Junko has shown more open and visceral disgust for her own birthday than anything else, but her classmates throwing a party for her and her sister was just so genuinely kind and thoughtful and nice that it made her break and made her realize how meaningful her bond with her class was, and so that was the moment that she started concocting the idea for the killing game that she later put the people she cared about so much through.

And it's partially Makoto's fault. For caring enough to plan a party for a birthday that probably normally gets overshadowed by Christmas. Think about how Mukuro became attached to him because he was the only person who would smile at her genuinely. Even though by the end of the game he was so angry about their betrayal and all the awful things they had done, he still had once cared about them so much. Imagine when he got his memories of his school life back and truly realized the full extent how much he cared about them. How do you reconcile the conflicting emotions between those two different sets of memories.

[danganronpadedication]

DAY 12: DANGANTOBER

Day 12: Remnants of Despair

AT LAST, AT LONG, LONG LAST! IT'S HAPPENING, IT'S FINALLY HAPPENING! THE EVENT ONE BILLION YEARS PROPHESIZED HAS COME TO PASS! THE DAY HAS COME! I FINALLY GET TO RANT ABOUT THE REMNANTS! Hats off to you if you know what I was referencing just now, lol.

I've said this a lot, but I really love the Remnants of Despair. They're my favorite part of the Danganronpa story, and I think they're criminally underused. There's just so much potential to explore and work with, and it's something that plagues my mind 24/7. Their designs are awesome, their psychology is interesting, and further exploring them not only paints a more detailed picture of the characters, but of the Danganronpa world as a whole. In this post, I'll be talking about EVERYTHING, from what they did, to how they look, whatever comes to mind, really.

For those of you who have forgotten the details of the Remnants, never played or watched UDG, or just never watched the episodes of the anime where we get information about them, here's a recap.

So, hopefully everyone reading this is familiar with the cast of SDR2. That group of students are the ones who go on to become the Remnants of Despair (+Hajime, even though he was just a reserve course student at the time). While they were at Hope's Peak, they rarely hung out with one another. Their teacher, Chisa Yukizome, rounded up everybody and made them start coming to class so they could form connections with each other. This class of students consisted of Teruteru, Peko, Mahiru, Ibuki, Hiyoko, Mikan, Gundham, Nekomaru, Nagito, Chiaki, Fuyuhiko, Sonia, Kazuichi, Akane, and Imposter pretending to be a character named Ryota Mitarai (who will be discussed later in this post). After a few days of knowing each other, and a certain soup-related incident that I will not ruin this post with, Chiaki is named as the class representative.

As each day passed by, the class grows closer together, and closer to people outside of class as well. Chiaki makes friends with Hajime, and Mikan finds out about the real Ryota, and about Junko and Mukuro. Junko uses Mikan as a test subject for her despair video, and it works on her. She doesn't show up to class anymore, and one day, someone spots her on campus, so everyone goes searching for her. Nagito and Chiaki stumble across a hidden passageway, where they find Junko and Izuru. Nagito is injured in the interaction, and Chisa provides a distraction for the two of them to get away.

I fear I am jealous of Nagito here lmao. Chiaki and Nagito go back to the rest of the class, who found Mikan, and they all decide to go back for Chisa. Meanwhile, Junko has already brainwashed Chisa, and her master plan is set into motion. The class walks through the secret passageway, and Mikan separates Chiaki from everyone else. Chiaki runs into Chisa, who leads her to an elevator that takes her to a dungeon-like obstacle course, full of spikes and boulders. She must escape to get back to her friends, and Chiaki actually manages to reach the end. Unfortunately, she's been tricked, and she gets impaled by multiple spikes, dying from her injuries in a scene I will never forget.

The others are shown the footage of her death, and they begin to feel despair over the traumatic loss of their friend. Taking advantage of their anguish, Junko begins to play her despair video for the class, brainwashing them into Ultimate Despairs, who are then let loose to cause chaos in the world. The next time we hear about them as an active group, it's at Makoto's hearing for disobeying the Future Foundation to help them. There, we get this picture.

Whoever designed them ate, I fear. As the Remnants of Despair, they use their ultimate talents to spread despair in unique ways, from building weapons of mass destruction, aiding other subsidiary groups of despair, to tyrannical takeovers of certain parts of the world.

Anyways, Makoto manages to rehabilitate them in SDR2, and its a happily ever after for them as reformed, wanted dead or alive war criminals <3 But, a lot of what they did, with the exception of Nagito, is left up in the air for us fans to theorize about.

Speaking of Nagito, let's talk about Servant first. Nagito basically became a single father as a Remnant. As Servant, Nagito's job is to watch over and aid the Warriors of Hope, consisting of Masaru Daimon, Jataro Kemuri, Kotoko Utsugi, Nagisa Shingetsu, and Monaca Towa. He's the only Remnant that we really get to see in action, being a pivotal character in Ultra Despair Girls.

Nagito is unique from the rest of the Remnants in many ways. He's not expressly violent like many of them are, preferring to be more manipulative in his methods. Despite his title, he pulls the strings of a lot of things that happen in UDG. When he's not making milkshakes for those tyrannical little gremlins, or being outed by Kurokuma, he's blackmailing and kidnapping members of the Future Foundation, like Toko and Byakuya respectively. He's tricking the kids, working under the guise of being subservient to them and their want to create a paradise for children, instead working with Monaca to bring about Junko's successor.

He also has a very strange relationship when it comes to Junko. While a lot of the others seem to view her as their leader, he hates her with every ounce of his being. That's the entire reason he's working to bring a form of her back after her death. The idea of her being alive once again causes him intense despair. He even says that he's jealous of Makoto, because he wanted to be the one to kill Junko himself. He despises her for turning everyone away from hope, including himself. But, he also still seems to have some kind of twisted appreciation for her as well, stating that she's the woman he loves and hates the most. After the plan to create Junko's successor falls through in UDG, he decides to raise Monaca to be Junko's successor herself, stating that because he loves and hates her so much, he can recreate her perfectly.

Nagito's also one of the three Remnants who actually scavenged from Junko's dead body, the other two being Mikan and Fuyuhiko. Nagito took Junko's arm, replacing his own with it. Looking at it causes him despair, since now she's stuck as a part of him. It's unclear what else he did, but we know he was just as, if not more, overzealous about it as he is about hope. It's his maniacal nature that manages to turn Monaca off from despair in the anime, saying that she'd rather not end up as crazy as him. For a character who was so determined to usher in a new era of despair, the fact that Nagito was too crazy even for her, speaks volumes. Don't worry, these other sections won't be as long, since there's not much info about them besides fanon.

Next up, Kazuichi Souda. The only bit of real content we get of him is a small compilation in one of the episodes, showing him working on a large Monokuma robot. This Monokuma robot was featured in the end of Ultra Despair Girls, nicknamed 'Big Bang Monokuma' by everyone's LEAST FAVORITE CHARACTER, Haiji Towa. Haiji is nasty, and if you like him, he's one of the characters I CANNOT see why you'd like him. Haiji likers, DNI.

Anyways, aside from working on Big Bang Monokuma, it can also be inferred that he would go out with weapons and either supply or fire them in crowded areas. After all, there's only one character we know of who would match the dude in the beanie.

I personally believe that Kazuichi was mainly responsible for two major things. The different Monokumas that can be found around Towa City, such as Ball and Junk Monokuma, and the executions from THH.

My biggest piece of evidence for that above claim, comes from Kazuichi's free time events, where he says that he wants to build the fastest motorcycle ever, even though he'd be too scared to ride it. Aside from being the only character in this lineup(apart from Izuru) who could feasibly make the executions, Mondo dies from a motorcycle that can go fast enough to liquify him.

Also, I think that each Remnant went against their personal life goals mentioned in the final episode of despair arc, to create maximum despair. They are asked to state what they want to do with their lives, and they say things like "solve all diseases", "create peace treaties", "increase animal welfare" etc. Kazuichi says that his personal goal is to eliminate all pollution from the atmosphere, so I think he'd be responsible for polluting the air even more, dumping oil in the seas. He is the reason the sky is red, and why Hope's Peak needs an air purifier for the participants in that game. Poor guy, when he's not simping for Sonia, he seems like an actually pretty chill person to be around, especially in those final episodes.

Speaking of Sonia's simps, next is Gundham. We see him in that compilation, surrounded by all sorts of animals. Snakes, elephants, giraffes, you name it. Though, notably, the Four Dark Devas/Twelve Zodiac Generals (all hamsters, the devas are part of the twelve), are absent from the line up.

It can be deduced that Gundham released dangerous animals from zoos and sanctuaries, letting them run amok through major cities. He managed to rally the animals together, training them to be very destructive, and ultimately uses them in battles against the Future Foundation.

Gundham doesn't have anything he sets out to do with his life, at least nothing he voices in the final episode, so maybe he wanted to create a safe place for animals to live happily, and weaponizing them would cause him despair.

To explain away the disappearance of his hamsters, I think he released them as a final act of humanity and care for them. I think he knew that he'd be mistreating all the animals he held dear, and he wanted to give the hamsters a chance to escape. ESPECIALLY if he's going to be having snakes and birds around them, that's a recipe for the hamsters to be eaten.

I feel very bad for Mikan. She was the first one that fell to Junko's influence, the first one to be rewritten in such a way. She even watches the video a second time, which means she's probably one of the most far gone.

Like Nagito, Mikan is one of the three Remnants who took a body part from Junko's corpse. She took her uterus, and replaced her own with it, in hope's of carrying on Junko's legacy. She's also the one who probably attached the arm to Nagito, and the eye to Fuyuhiko.

In the final episode, Mikan says she wants to create a miracle cure for all diseases. As such, I can see her poisoning medical supplies, much like the real-life Tylenol Murders. She would probably hurt those who are sick and weak, and quite possibly experimented on people. As a medical professional, she was probably responsible for making sure the Remnants who frequented active combat against the Future Foundation were healthy and in peak condition.

I've also seen some people say she probably worked on ways to brainwash people through chemicals, and likely used captured Future Foundation soldiers as test subjects.

Akane and Nekomaru are the fighters of the group. They go out, and their main job is to cause as much stress for the Future Foundation as humanly possible. They're both heavy hitters, and that'd definitely be a hard thing for the Future Foundation to beat.

Akane's goal for her life simply boiled down to eating her fill of food, while Nekomaru said he would support everyone's dreams. I think he may have acted as support for the other's plans, kind of freelance depending on which Remnant required his services at the time.

We know one of the Remnants starved themselves, I believe it was Akane. Food brought her joy, so to cause despair she limited herself. In the anime, she's seen with abs, but I think they were just scared of showing her ribs. It's honestly a wonder that she would be able to fight at all. She fights with everything she's got, running off of despair, spite and mania.

Fuyuhiko and Peko occupy a similar area as Akane and Nekomaru. In fact, I think Nekomaru and Akane probably partnered with or joined Fuyuhiko's group of soldiers. All four of them fight against the Future Foundation, keeping their field agents on their toes and actively fighting against any sort of helpful effort by them.

In the final episode, Fuyuhiko says that he and Peko will lead the people in the Kuzuryu Clan down the right path, since he doesn't want to keep perpetuating violence. He wants them to get good educations and lead good lives. Peko says that she'd never kill again. For Peko to be actively fighting in battles across Japan, means she's actively causing the pain she didn't want to. Peko wants to be seen as more approachable, so to be one of the main Remnants in charge of causing chaos must be awful for her. For Fuyuhiko to take a step back and use the people in his clan to cause despair, he's also violating his life goals, and his want to not be reliant on the Kuzuryu Clan. It's the same reason he wants a degree of separation between himself and Peko in SDR2. He doesn't want to be seen as weaker, and he doesn't want to use the people around him.

Imposter is definitely an enigma character. There isn't much information about them when they're not in disguise as either Byakuya or Ryota (who deserves his own post, what I have to say may be a hot take). You can infer though, that they're actually a very caring person. When they notice Ryota engaging in unhealthy behaviors, they make sure that he eats and sleeps when required, and assumes his identity to give him a break. You can also see it in-game, where the more you hang out with them, the less they act like Byakuya, and more like a kind leader figure. Personally, I call Imposter Touya, since it sounds like a combo of "Two" and "Byakuya", and people already call them Twogami. It also means ''all the more, increasingly'' like their talent.

In the final episode, they aren't in disguise as anyone, and they say that they could become anyone they want, including the president. There's a strong desire within them to become their own person, to be seen for who they are, and not as the person they're impersonating.

It's intriguing, as in Remnant form, they're dressed like Byakuya. I think that Touya assumes the identities of various important figures in society, and infiltrates certain organizations whilst doing so. Since they're currently acting as Byakuya, I think Touya has infiltrated what's left of Togami Corporation, and is working to destroy their reputation. Maybe after Byakuya joins the Future Foundation, Touya tries to make it look like he's betraying them during different missions. Maybe that's why he's never out in the field unless it's absolutely necessary.

Teruteru Hanamura. I think there's a consensus on what we all agree he did while under despair. In the final episode, he says that he will feed everyone tons of nutritious food, and end world hunger. On top of that, he's someone who values his family a lot, especially his mother and siblings.

Teruteru is implied to use drugs in his food to make it taste better. It's an already disturbing theme with the food-oriented ultimates, with Ruruka using Seiko (the Ultimate Pharmacist) to enhance her sweets. In Teruteru's free time events, he feeds Hajime a simple rice ball, and Hajime leaves that interaction feeling like he's been drugged from how drowsy he is. Teruteru also keeps drugs around his food normally, evidence being the infamous soup scene. He may have poisoned his food, or used certain drugs to manipulate people to do bad things while in a weakened state of mind.

There's also an almost mutual agreement that I've seen in the fanbase, that he possibly turned his family into food. For how much he values them, I could definitely see that happening as a possibility, and it's such a terrible thought. For the life of me, I hope that isn't the case, and that Teruteru's mom and siblings are still out there in the world, ready to reunite with him once things have cooled down.

I've lumped Sonia and Mahiru together because this is the only picture of Mahiru as a Remnant. Anyways, starting with Mahiru, I think she traveled across the world, taking pictures of all the destruction and carnage as a result of the Tragedy. She likely also blackmailed high ranking officials and celebrities, bringing them under the thumb of Ultimate Despair and granting them more power over the general population.

In her free time events, Mahiru states that her mother was a war photographer. Her mom would go to scenes of destruction, take pictures, and sell them to news outlets. Mahiru says that, while she respects her mother, she doesn't want to take pictures of war. She wants to capture people's smiles and happy scenes of people living their lives. Going around and taking those sorts of pictures amidst the worst event in human history would definitely cause Mahiru despair. That can be seen in the picture as well, taking pictures of Sonia, likely declaring war or commencing public executions in her kingdom of Novoselic.

At the end of the final episode, Sonia says that she wants to make Novoselic into a peaceful kingdom, one with no wars. Once she becomes a Remnant, she forces her people to commit mass suicide, declares war on nearby countries, and executes people in her own country, supposedly including her parents so she may have sole power. The people who do not die in her initial takeover are likely added to the Novoselic army, serving under her and for her every whim. For someone who wanted to be seen as an equal by her peers, and not treated differently for her status, I can see her feeling very upset with herself knowing that she ruled her kingdom with tyranny and terror, and made people treat her as such a higher power.

Next is the girl group duo, Ibuki and Hiyoko. I think their combined abilities probably made the other's very potent, and its an interesting team-up. They aren't shown doing anything too bad, merely putting on an evil concert.

In the final episode, Ibuki says she wants to use her music to spread happiness, while Hiyoko says she wants to use dance to spread joy.

I don't really know what they would've done to spread despair. Maybe Hiyoko hit the griddy and it made people very upset. In actuality, I believe that Hiyoko probably employed methods similar to snake charmers, and managed to work in some form of hypnosis into her performances. That would be able to turn the masses against one another, and against other people.

Ibuki, on the other hand, definitely worked subliminal messages into her music, causing people to perform certain actions or think certain things for despair. Swifties but evil. Her music was probably also engineered to cause the most discomfort, with screeching guitar riffs and loud drums. Headaches and injuries would be prevalent at their concerts. I can also see Ibuki just smashing her guitar and wielding it as a weapon if facing off against Future Foundation members.

You can even hear a sample of her music on Spotify, since in the final episode of the anime, the rehabilitated Remnants go to help the trapped Future Foundation members, and she plays a song to incapacitate the brainwashed Future Foundation members. Listen if you dare!

It's finally time to talk about my BOY! I want to save some of my thoughts for his own post, and I honestly think this post is getting very long. For context, I started writing at 3pm, and it's now 10pm. Granted, I watched a movie and did some homework, but that's not the point here. I don't classify Izuru as a Remnant of Despair. I know he is one, but his circumstances are different. To understand Izuru, we need to start with Hajime.

Hajime starts the series as a reserve course student, someone with no talent, yet he idolizes Hope's Peak. He wants to be an ultimate so badly, that he'd do almost anything to do so. He has a bad habit of comparing himself to other people around him, basing his self-worth against theirs. So, in a school full of exceptional people, he's at an all time low. He has no friends, and feels like his goal is out of his reach. For as much as he wants to be an ultimate, we never get an idea of what he wants his ultimate to be. He has no plans for what it is, all he knows is he wants one. To feel important. To feel special. Because he doesn't see himself as anyone of worth.

He is approached by a group called the Steering Committee, which Tengan is loosely involved with. They propose the Kamukura Project to him, which is meant to give him a talent. He obviously really like this idea, but the idea of getting a talent artificially rubs him the wrong way. It's unknown if his parents know what's been proposed to him. One day, thinking by the fountain, he meets Chiaki, and they quickly become friends, bonding over video games. After that, they meet up regularly to game and talk by the fountain. One day, Fuyuhiko's little sister, Natsumi, ends up in his class, and he briefly meets her. Towards the end of the day, he finds her crying by herself, saying that she wants to be seen as the Ultimate Little Sister because Fuyuhiko only deserves the best in his life. Hajime starts to apply this to his friendship with Chiaki, believing he's not worthy of being her friend.

Still, he tries to keep his chin up and not let it bother him. He's hard-headed and hasn't been broken down yet. That's shattered when he tries to go to the ultimates course building for an important question (WATCH THE ANIME) and he gets beat up by Juzo. That very day, he meets with Chiaki, tells her to make tons of memories and have lots of fun for him, and then on, they never see each other again.

He accepts the Kamukura Project, and they begin at once. In the anime, it's done as a very quick procedure, but in real life, it'd be months and months of surgeries, mental conditioning, and medical tests. Soon, Hajime is completely erased from his mind, and is replaced by a figurative blank slate they name Izuru Kamukura. Interestingly, they call him Izuru Kamukura 1.0, implying there were supposed to be more after him. He was essentially a beta test, one that likely wasn't meant to make it this far. They likely expected him to die from the experimental procedures.

He is left on his own for days on end, until eventually Junko finds out about him. Her and Mukuro go to his little room, and try to get him to join despair. He initially declines, not seeing the purpose behind doing so. They invite him to the student council killing game, and there he feels some semblance of an emotion, so he continues. He is there, lurking in the background for many subsequent scenes.

The scene that is most important is Chiaki's death. She dies slowly in that scene, and Izuru is there, watching her. She recognizes him, reaching out towards him because he was her friend. At her death, he finds himself actually feeling something.

He's crying. Something he didn't think was possible. It is unknown if Hajime's repressed pain and despair was so powerful that it was finally felt in this moment, or if Izuru was just intrigued and confused by the idea of someone using their last moments to reach out to him. Nevertheless, he sticks with Junko's plans for despair, and is the reason she even ends up in SDR2. He's still effected by Chiaki's death long after this scene, expressing what can be confused for anger at the end of UDG when Junko starts to mock the way she'd greet him. He rips the wiring out of Shirokuma and Kurokuma's heads, taking only what he needs for the plan.

Izuru wasn't brainwashed, at least, not by Junko. The Kamukura Project deserves it's own post, but here's the rundown. He is supposed to be the Ultimate Everything, in peak physical and mental form. The surgeries needed to give him the strength capacity for the athletic ultimates would've involved breaking every bone in his body and rebuilding him from there, strengthening him enough to be able to launch Mukuro across the room with a flick of his hand. He would be injected with a cocktail of chemicals, made to increase mental abilities like memory, and possibly growth hormones for certain aspects of his body. That would explain why his hair is so incredibly long and dark, and why his eyes are red.

On the mental front, yes, he'd undergo numerous brain surgeries. Likely around the hippocampus and amygdala, they'd sever connections related to his original identity, which would also damage his ability to feel. Your emotional receptors are in those areas, and maybe ruining those sections were by design. After all, Hope's Peak is shady, and maybe they were trying to create some kind of unfeeling superweapon. Theory for another day. They left him near emotionless, with all the logical processing needed to complete any task needed, like a robot. They left him purposeless, craving entertainment of any kind. This makes him easier to use, easier to employ as a tool. If he is lacking purpose, he'd do anything you ask in order to feel anything other than emptiness. This is something Junko appeals to, since despair would be unpredictable and exciting for him.

I think he grows bored quickly, since after a while, anarchy becomes its own kind of order. There is still humanity in Izuru, he holds onto Chiaki's hairpin, and when Makoto finds him, he's nurturing a flower.

This scene is part of the reason why Makoto believes the Remnants are able to be saved. An unfeeling, despair-ridden monster wouldn't take the time to be so kind to something as small as a flower.

This scene is so moving when you watch it.

I think as a "Remnant", Izuru was merely an observer. I don't think he did anything except watch, only intervening when he felt it'd provide him some entertainment. Once he got bored, and only had Junko's USB stick plan, he'd probably find some way to make it easier for Makoto get everyone together, if only to enact that plan for that final bit of entertainment.

Is it obvious that I love Izuru?

Original Creator: Jayce Jole on YouTube

I spent a while learning psychology, and it's always been a big interest for me. Like with the factors pertaining to Izuru, the Remnants also have unique traits that explain why they act the way they act.

They were brainwashed by the subliminal messages that Ryota and Junko had placed in the video, that's why they're so deep in despair. But what is brainwashing? Brainwashing is a form of mental conditioning, that can essentially reprogram the mind to adopt radically different beliefs, ideas, and morals to the ones already carried by the victim. Brainwashing is not mind control, but it's conditioning.

They had their morals completely rewritten to align with Junko and despair. That's part of the reason I think Nagito is as different as he is. I think hope was such an engrained value within him, that he still holds onto despite his despair. The mental reprogramming is in constant conflict with his closely held beliefs.

There are many real examples of brainwashing, most notably within cults and real-life criminal organizations. They take advantage of vulnerable people, and make them change everything about themselves to align with these new ideas. Junko took advantage of their grief over seeing Chiaki die so gruesomely, and changed them fundamentally. They are not inherently evil people, they were not mind controlled into being evil people. They are people who were taken advantage of and conditioned into going against who they were. It's so saddening, they're teenagers, teenagers who should be going into job fields and colleges and living their lives, instead of terrorizing the world. Grief is a powerful, yet human emotion, and it's one that was easily controlled and manipulated by Junko. That's why Makoto took a chance on them as well. He didn't see the terrible people they had been turned into, he saw the hurt, grieving people underneath and wanted to help them.

It's also sickening how Junko only did all this so the Tragedy would carry on while she was masterminding the Hope's Peak killing game. The Remnants are nothing more than a backup plan to her, people she views as "not useful". They only exist to keep spreading despair while she is away, and that's sickening. She brainwashed them and not her own class, BECAUSE she doesn't value the Remnants. She cared about her classmates, so she wanted to feel the despair of watching them suffer. She merely saw the Remnants as tools, ruined their lives just for her own benefit.

I think there could have been an entire anime arc about them. Show Makoto, or Ryota, or some other character trying to rehabilitate them. How did they manage to track them down, and bring them to Jabberwock Island without dying or being discovered by the Future Foundation? How did they manage to stabilize them enough mentally to enter the Neo World Program? How did Izuru manage to get that USB stick past whoever was helping them? What were they like after waking up from the NWP with all their progress erased? If the survivors were normal, how did they handle seeing their friends in such a state? What impact did they do to the world? They could provide a clearer image of the Tragedy itself, which isn't really explored past Towa City, and even Towa City has only just recently been affected by the Tragedy. I think there's so much to explore, and so little attention actually given to them.

PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE PLEASE SEND ME YOUR ART, YOUR HEADCANONS, YOUR FICS, YOUR CONFESSIONS, YOUR PSYCHOLOGICAL ANALYSIS OF THE REMNANTS! I WILL EAT THEM UP LIKE I AM STARVED! I WILL SUP FROM THE WELL OF FANON AS IF IT IS THE FIRST DRINK OF WATER I'VE HAD IN DECADES! I NEED TO CONSUME EVERY BIT OF MEDIA ABOUT THEM!

I'm so normal, I'm so normal, I'm so normal, I'm so normal-

Anyways, after Dangantober is over, I may introduce my Danganronpa OC to this blog (not as a roleplay thing, but just to yap about him). Mainly, he's a former classmate of theirs, and he's part of their rehabilitation process because I NEED to chew on it like I'm teething.

Here is an edit I made of Chisa Yukizome, and the Remnants (it's short, it was my first one), to a Miss Delight edit audio. Please enjoy it, I was so proud when I finished it <3

Is it obvious now just how much I love the Remnants? They NEEDED more screentime, I'm not kidding on that front. Imagine everything that could've been explored, how much of their actions was the brainwashing, and how much was them acting out in twisted grief?

What did each person do while under despair? Was any guilt felt? How did they react after being rehabilitated? How are they living now with the knowledge of what they've done?

They were just grieving kids, kids who were taken advantage of and used for evil purposes. But I also agree that the Remnants are not blameless in their actions. They must live with this guilt forever, constantly on the run for what they've done, and yet, they have each other.

When I found out that UDG was SUPPOSED to be about facing the Remnants of Despair as either Makoto or Komaru, before it was changed to be the WOH, I was UPSET! Someone, PLEASE MAKE THAT A REAL GAME, I'D PAY YOU EVERYTHING IN MY WALLET AND BANK ACCOUNTS!

Make merch of the Remnants, all of them, not just the Servant pop-up parade and Izuru plushie.

[smooshednetwork]

Rant:

The danagnronpa fandom has an issue of taking everything way too seriously, judging a character’s morality in a game where they aren’t written with good morals, and treating characters as if they were real people.

I have seen himiko haters be so pissed saying “you can’t like her because she said such and such” as if half the characters haven’t killed people, she isn’t real I promise you she isn’t hurting anyone. And yes what she said was bad but liking a character doesn’t mean you’re condoning their actions, if that was the case then the entire fandom would be filled with murderous sociopaths.

Yes I understand characters like Junko, Teruteru, Korekiyo, Celeste are bad (morally) and sometimes annoying characters but they were crucial to the story.

Don’t even get me started on the yasuhiro, sonia and himiko hate, seriously? Hating a character because they didn’t die? Obviously some characters arent as useful as others, obviously a psychic, princess and magician isn’t gonna be as useful in a killing game as a detective, and yes all of them were useful at some point.

The entire fandom only focuses on the morality and puts the characters in realistic positions in a game where realism isn’t there, the characters arent real, they aren’t hurting anyone real, and them existing isn’t hurting anyone real.

Same goes for haji, though his writing is uncomfortable, wrong and frankly shouldn’t have been allowed by the writing ream he is still a fictional character, hating him with all your power is just weird, maybe try focusing your anger on proshippers who can actually endanger minors.

Can we try liking a character for their character instead of hating them as if they were a real person, their actions are not hurting people.

Ps: I am NOT talking about people who joke about hating characters i’m talking about people who genuinely despise a character and their fans with all their heart.

[sprinklenoodles]

Cuz I'm bored and in a mood to ramble, I'm gonna do a little mini-series! About the pictures most of the THH survivors got in Chapter 6 because those are interesting.

I Will be looking at them as if the person who isn't in the picture, made it. That just seems the most logical to me and makes things more fun!

Part 1: Byakuya's picture

Staring off with this one because it's one of my favs!

So, in the front we have Sayaka and Kyoko. Neither of them are swimming, they're just relaxing on the side of the pool. Sayaka looks very happy while Kyoko looks a bit surprised. I could see this as their reactions to Byakuya agreeing to take the picture.

Like, this is most likely later into their life in Hope's Peak, which is why Kyoko is more expressive. Probably let her guard down after a bit around her classmates.

But Byakuya is also Byakuya. Him agreeing to take a picture would very much be a surprise. And Sayaka is probably just happy about it since it makes them feel closer, more like a group.

It could also be that Sayaka was the one asking Byakuya to take the picture and was glad he said yes to her. Like, they could've been friends- something that I won't talk about this time but can talk about another time- and she's happy Byakuya let a bit of his ego go and took the picture.

But behind them we have Makoto... He just looks kinda cunfused. Probably cuz he's just not good at posing for pictures.

In the far back we have Toko and Celeste, which I don't really have anything to say about. They probably just don't like swimming.

Then we have Aoi, who's the lifeguard. That obviously makes sense, though it's probably not her fav thing to do. I have a feeling she would want to be in the water.

Left from here, we have Junko and Leon. Leon is spashing water in Junko's face. This doesn't surprise me much, he's the type of guy to do that. But since only the 2 of them are there, they're probably just hanging out together there in the water, which may mean they are friends.

Most of the other things aren't really interesting. Other than Sakura punching a massive fish out of the water. Like, how tf did it even get there??? Oh, and Mondo watching Taka swim (kinda gay my dudes)

But that's all for this time! Will talk about the other pictures next. Feel free to suggest the one I should do next, might also do the other pictures found in THH that take place before the game :3

[popcornpieispissedoff]

A Pile Of Canon Divergent Danganronpa Headcanons:

The students absolutely did not get along when they first enrolled, they were all legit getting on each others' nerves and every other day was a shouting match.

Byakuya doesn't mind Ultimate Impostor's presence most of the time, but there have been times when he was seriously creeped out by Impostor.

After they adopted Kotoko, Hifumi collected all his loli/shotacon and invited Kotoko to help him burn it. Seeing the damage adults did to Kotoko has him rethinking his tastes in manga altogether.

If Kiyotaka catches anyone running in the halls he will drag them to that person's starting point and make them walk back to their destination.

When Gonta inevitably found out that Hiyoko liked squishing ants, he sat her in front of the biggest anthill he could find and unloaded ant facts on her. This bored the habit right out of Hiyoko.

Everyone has accidentally locked themselves out of the school at least once.

Over time, everyone noticed that Mikan was tripping over less and less. Though she attributes it to learning balance from Sakura, she subconsciously knows it's because she doesn't need the attention anymore.

Mikan wants to cure Nagito's terminal illnesses, but fears that Nagito's luck would kill him if she does so.

Mikan cares deeply for the Warriors of Hope, and is a key player in their rehabilitation.

The virtual Jabberwock Island from Danganronpa S is still there...but the students actually built it to get away from their oppressive dickhead superiors that they hate. It has the 50 day summer camp mode for all of them, or a solo mode for anyone to set a specific amount of time within the virtual world to unwind.

[Very slowly lays hand on Masaru's head as to not trigger his trauma of being slapped] This boy can fit so many cuddles and kisses.

Jataro won't just let you hug him, the little mf will let you s q u i s h him into your body with all your love and might. As long as he can still breathe he will be happy and let you hold him.

Kirumi cracks pretty easy under stress. She doesn't lash out at everyone so much as she curls up against the nearest wall and rocks herself.

Don't ask Kirumi to reenact Jackass with you, or she will absolutely overcomplicate the assignment and seriously injure herself. She does not comprehend physical comedy, much less the line where physical comedy becomes everyone around her fearing for her life.

Ryota straight up lives in the walls along with the balding Monokuma from V3. Junko and Ultimate Impostor are the only ones who know, but neither of them have been successful at getting Ryota out of his shell.

Korekiyo has been given an intervention by all the girls at Hope's Peak. It ended with eight hours of group hugging. Korekiyo is feeling better now.

Korekiyo and Kirumi have routinely fought over the air conditioning.

Masaru will bite anyone at least once, but for reasons only known to himself, he likes biting clowns the most. He will hunt down any clown that appears in his field of vision and not stop until he gets a bite.

If Gonta finds any insect traps or insecticides, he throws them down the garbage chute.

Hajime is still Izuru, but it's an open secret. His classmates love him no matter what his identity is. <3

Reserve Course students weren't so chill about Izuru, however-they wanted Jin Kirigiri's BLOOD. And the Ultimates just kinda let them do it for treating their friend as a lab rat.

One winter when the heater broke everyone slept together in the gym until it was fixed. We're talking a pile of blankets that was three feet thick.

They legit would not trade each other for the world except for Kokichi and even then Suichi would still be sad about it

Mahiru doesn't like taking pictures of Ryoma because his weirdly large eyes reflect all the light and the result always looks terrifying.

Someone kept leaving a stuffed toy clown in random places around the school...until they adopted Masaru and he promptly bit the shit out of it.

Ibuki tried playing from the rooftop once. It took 8 hours to find her, 4 hours to coax her down, and 2 hours to soothe her afterwards.

Nanokumas like to move things around when nobody's looking.

All Ultimates are prone to getting the zoomies. It ranges from Leon running around in circles to Sakura almost leveling the school.

Reserve Course students like to observe the Ultimates because Ultimates are all stupid fucking dorks and watching them accidentally stir up chaos is great entertainment.

Hope Fragments appear when a student feels their happiest. It forms within the body and gets hacked up like a hairball.

Gonta routinely has nightmares about being caught in a venus flytrap.

Fuyuhiko has become aware of Yasuhiro's debt to his family, and holds it over his head.

Peko wonders if her parents know about her becoming an Ultimate.

Junko is trying really, really hard to feign apathy towards her classmates in the name of Despair, but no one buys it.

Mukuro and Peko like to spar together, and they're pretty evenly matched.

Miu is soft (by Miu standards) towards Chihiro.

Miu becomes very anxious and needy at the mere thought of graduating from Hope's Peak and moving away from her friends.

More to come when my brain cells wake up and remind me who these people are

[ahhvernin]

To my nosy neighbors who say my yard is full of "Trash" Those are native flowers.

Black eye susans

Milkweed

Jewel weed

White Heath Aster.

They're dying...because its almost OCTOBER. Its called WINTER IS COMING. You don't like my "Messy Garden", well I don't like your golf course manicured lawn. It looks haunted. Devoid of life, only the remnants of the spirits of what could have been there. Meanwhile I have bumblebees, green metallic sweat bees, honey bees, monarchs, skippers, hairstreaks, house finch, catbirds, mocking bird, cardinals, dark eye junkos, ruby throated hummingbirds my favorite bird, grackles, dragonflies and A SHIT TON OF FIREFLIES. And you know what sometimes it takes like 2 years for someone to watch how their garden grows and then decide what to plant there. Its called: "Not spending hundreds or thousands of dollars on landscaping and plants that will probably die if the professionals dont come and take care of them"

Also I dont see you sharing the fruits of your labor such as harvested vegetables with the neighbors. Have some Tomatoes, radishes, peas and squash. Don't yell at me for "Not cutting the lawn every week" When you don't even physically mow your own lawn and then have the gall to tell me "If you can't hire a landscaper you shouldn't be living in a house." What kind of elitist bullshit is that. Don't tell me you can't mow your lawn because of your bad knee, but expect me to mow my lawn with how shitty legs that want to give me a 40 minute cramp. And then give me a sob story that you got to spend most of your Social Security Check on landscaping and you eat like a dog. Well...Then...Have some damn tomatoes, radishes, peas and squash. PS. I'm doubling down, finally know what I'm doing with that one flower bed. I'm putting more black eye susans, I'm also gonna add New England Asters and White Heath Asters. Locally collected BTW. I'm gonna get my cottage meadow house one way or another and I'm not gonna hire landscapers. That's like a weeks worth of groceries. P.P.S The skunk is nomadic. It hopscotches from property to property. It sprays because your dogs and cats are in the yard in the middle of the the night. I don't have pets other than my fish, and I only generate one 8lb bag of trash each week, so I don't know what "TRASH and GARBAGE" you're talking about. P.P.P.S This isn't an HOA. If you want manicured curb appeal without any personality, you are free to retire in an HOA. Otherwise...

My Yard, My Playground.

Also, I'm not hiring a snow removal company either, deal with my zigzaggy hand shoveled driveway.

[tobiasdrake]

Ranma 1/2 01x08 - Darling Charlotte

Charlotte? Wait... Hang on... Isn't that... Is she supposed to be here this early?

Oh, no, it's THIS girl. My mistake.

Okay. Yeah. I completely forgot she even existed. My memory was conflating her with the... with that one.... You know who I'm talking about....

...

*google google*

Akari. I was thinking of Akari. For some reason I thought Akari was the "CHARLOTTE!!!" girl, and I remember Akari is like endgame late introduction. But she's not the Charlotte girl.

Apparently these guys are named Shingo and Kiichi according to their photos.

The stuff in brackets isn't anything interesting. It's just quoting the dialogue they deliver here.

The two Ranma photos are Saotome Ranma, but an interesting note is that the pair have different names. They're both Ranma, yes. Both of them are 早乙女 Saotome. Which, fun fact, means "young maiden responsible for planting rice". Have fun with that, Transfem Ranma headcanon team.

But the girl Ranma is named らんま Ranma in Hiragana while the boy Ranma is named 乱馬 Ranma in Kanji. Ranma's name, incidentally, means "chaos".

When P-chan hears Akane call out to him, the kanji in his eyes flip from 気絶 kizetsu meaning "faint" to 起床 kisho which means "getting out of bed".

Wait, that's who the Charlotte girl is? I remember this guy. This is the ice skater bro who Ranma and Akane have to do a doubles match against, with him and some girl.

I completely forgot that the Charlotte girl was that girl. ...and thought she was Akari instead. Wow, my memory of this series leaves a lot to be desired.

"...they're what now?" ~Junko Enoshima, intrigued.

Look at that happy smile. Azusa really wants to bean him with that table. This is her second time reaching for it.

FACT CHECK. Let's check out the replay. Aaaaaaaaand:

Oh yeah. Without a doubt. Ignore Akane's squealing gal pals and the romantic flowers in the background and just look at that face. Akane is half a second from splitting him crotch to throat with a fucking ice skate.

Ranma's challenge fish cake saved Mikado's life.

You know what's fucking hilarious about this?

1 - It would actually make more sense for Ryoga to be Akane's partner than Ranma. Like Akane, Ryoga is very invested in Akane winning the contest and getting to keep P-chan. He doesn't want P-chan going with Azusa any more than Akane does, while Ranma's kinda rooting for the enemy team.

2 - However, despite having a compelling reason for replacing Ranma in this contest, Ryoga can't actually present that argument. The only reason to let him replace Ranma is because he is P-chan. Without that context, this is a wild-ass out-of-left-field demand for him to suddenly burst out of their bathroom and issue.

3 - But if he did explain that context to Akane... he still wouldn't get to replace Ranma, because the entire purpose of even competing in this match would be instantly voided. P-chan wouldn't be welcome in her room anymore.

So he's just. Fucked. He's just fucked. His tangled web of deceptions has left him powerless to participate in something that really matters to him.

Try not to live your life like Ryoga.

So begins the era of Ranma weaponizing his curse in order to escape the pressures of his own interpretation of masculinity. He turned himself into a girl because men shouldn't be bad at ice skating. I like that Akane's a little bit offended when she finds out why he switched.

Akane: I'm not impressed! I can do that too!

The 100-man spar is a cool demonstration of how talented these two are at ice skating as a martial art. But also, this is just a typical weekday morning for Akane.

In fact, Akane's actually more impressive because this is choreographed as shit. These guys are wearing jerseys with the number of their engagement on them. They attack in sequence so Mikado and Azusa can take down 01 then 02 then 03 then 04 and on and on until they hit 100.

This is a performance, not a brawl. Most generously, it's a training exercise to help them work on specific maneuvers. A very complex and multi-person version of practicing your kata. But it's not a real fight, where Akane's version always is.

YOU PICK THAT UP RIGHT THE FUCK NOW

I mean, the collar is actually adorable and I'm kinda with Azusa on that. It's way better than P-chan's shitty neck-rag that probably smells like three months of unwashed wandering.

BUT THAT THING IS MADE OF STABBING AND THERE'S LIKE A DOZEN OF THEM FOLDED INTO ONE

DO NOT LEAVE THAT LYING ON THE RINK FOR ANYONE TO FALL ON.

The way Ranma reacts to Mikado's advances is... honestly fascinating.

We saw Akane earlier. She was a moment away from breaking this sex pest in half. We talk a lot about Flight or Fight response, and Akane has a well-honed Fight response to sexual harassment. It's. Kind of. Been a thing for her for a very long time, both the harassment and the Fight response.

But an oft-overlooked response is the Freeze response. Both times, when Mikado moves in on Ranma, his response is to Freeze. Freeze is an involuntary stress reaction that temporarily suspends both Fight and Flight.

Once the deed is done and Ranma's able to form conscious thoughts again, then we see Flight.

Until he can reassert his masculinity, and only then does he react with Fight.

Which is itself very interesting. Not just for how it speaks to Ranma's internalization of gender norms; That he reacts with Flight when female and Fight when male. But there's more than just that going on here.

Ranma doesn't just flee from the rink. He flees to the public bathhouse and throws himself into the hot bath. He's not fleeing Mikado. He's not fleeing Akane or the situation.

Being violated in this way makes Ranma flee from femininity. His immediate kneejerk reaction when his brain retains the ability to make conscious decisions is, very emotionally and very powerfully, that he desperately wants to stop being a girl now.

A tragic choice that many women don't get to make.

Not only was Akane the only person on the rink that was able to keep up with the action here - with possible exception of Mikado but explicitly not Azusa - but she was even able to count how many hits Ranma landed.

This fight establishes that Akane and Ranma are actually more formidable than Azusa and Mikado. Like, if this were a street fight, they'd trash these suckers, no problem. Pound for pound, they're tougher.

It's only because they have to compete in Azusa and Mikado's arena that this is going to be difficult. Azusa and Mikado have the home field advantage, in a contest where mobility is intensely challenging and must be mastered and controlled in addition to the fighting.

He says while wearing the fucking collar. XD

This family needs a TV. XD