#but one of my goals for this year is to create more - no matter how scared i am - and maybe i can make that story MINE

[cadybear420]

I'm still figuring out my Prime MC Jordan Price's future, but here's a rough draft.

I'm indecisive about whether I want Jordan to be a year older than the rest of the group (it was always kinda ambiguous in Prime ngl), or if I want her to be allowed to skip a grade and graduate a year early. I don't mind the former, but I think the latter probably has more narrative potential.

Either way, one idea I was thinking of was that Jordan is actually hesitant to graduate.

My backstory for her and explanation for how the teenage MC can found and build a brand new high school, for context: Jordan's parents are a black-Indian lesbian couple who faced a lot of restrictions for obvious reasons that Jordan was well aware of (one of the worst was that Jordan could only call one of her moms "mommy" when they were out in public, they had to pretend the other mom was a roommate friend).

They knew how much this affected Jordan and decided to train her in stuff like business/financial and social/communication skills, not with the goal of forcing her into business school but rather to give her a toolset that they figured would be useful no matter what she does with her future, they wanted her to lead a life that had as few of these restrictions as possible.

And when she's around 14, she decides to use those skills to build the new high school, she figured it would be great to create a school with an environment dedicated to welcoming people no matter who they were.

Anyways, throughout the Prime timeline, Berry High basically becomes Jordan's passion project. It's her baby. And she gets used to the idea of running the school for eternity. But then she gets offers from a couple of high level colleges because they're very impressed by her work with the school and she's even offered to graduate early. Think Luke Smith from Sarah Jane Adventures, if you've ever seen that (he was allowed to graduate school and go to Oxford a year early due to his exceptional academic performance).

A lot of Jordan's friends encourage her to take the opportunity... but Jordan does not want to. She wants to focus on the school. And she's also developed the idea that she doesn't need a higher level of education after she was able to use her skills to build a brand new high school. Some of her friends respect this decision because it's her decision, others believe that Jordan should still take the opportunity because it can maybe lead her to do bigger and greater things.

Julian greatly encourages her to go for it. He greatly looks up to her as a leader because... well I'm just gonna link to this thread. Basically, he always looked up to how self-assured she was, her leadership skills, how well she balances her efforts in the things that are important for her. It meant a lot to him that she encouraged him to do better in school and encouraged him to be a better leader. Their difference is that Julian used to think he could never be capable of academics in college, while Jordan does seem to know she's capable but also thinks she doesn't need college academic education.

But she encouraged him that he could expand his horizons at what he was good at, and in a similar but different way, he does the same for her. He also reassures her that the friend group and all the other students would be able to maintain her promise and purpose of building the school, she helped them grow into the better people they are now, and they'd be able to do the same for newer and/or younger students.

This talk convinces Jordan that yes, she'd love to be able to expand on the skills she already has and use her skills for more than just one school.

(fun fact, this is the moment where Jordan truly starts to feel attraction to Julian. They get together around book 3 of the Choices OG HSS timeline).

I have yet to figure out what college Jordan would go to (maybe SJSU would be good for her) and what exact major would be best for her goals, but yeah. She definitely checks in on the school when she can, but she is able to pursue bigger projects as well.

(I also have some headcanons for my Choices OG HSS MCs and my HSS:CA MC, which I'll add later)

I'm curious, what does your MC do after graduating high school?

For me, I can see Rosalyn going to college to major in psychology with a minor in education then going off to get certification to become a teacher, where she'll work her way to becoming the principal of Lakeside Prep (her school)

[intersex-support]

Help an intersex family in Gaza!

Hi everyone. I'd like to share about a fundraiser that is very important to me. A good friend of mine is in contact with the organizers.

(Described in alt).

Their story:

"Hello, my name is Abeer. I'm organizing this fundraising campaign from Belgium on behalf of my family, who currently live in Gaza. 

Since October 7, all families in Gaza have been subjected to genocide. My family is one of those families that has had to flee its own home several times because of the threat of regular attacks. 

After two months, my family decided to return home and take the risk of being bombed at any moment rather than stay in the street. Our 4-floor building now contains over 100 people who have fled from different parts of Gaza. We always open our hearts for our own people, but we can't do it without your help and support. 

My parents, Kamal (53) and Moukaram (51), are suffering from the war because of their age and health. My brother Suliman, his wife Rawan Abualnaja and their two-year-old daughter Bisan are trying to stay strong, but it's complicated by their little daughter's enormous needs. My other siblings who are not married are Mohammed 25, Inas 22, Ibrahim 17, Abdallah 15.

My family medical condition during the war:

My father suffers from delusional disorders. He can't work or help my family financially. Mohammed and Ibrahim suffer from a chronic disease, congenital adrenal hyperplasia. It is difficult for them to obtain medication in Gaza. One of their medicines has not been available in Gaza for two years. During the war, they couldn't get their medicines because they simply didn't exist anymore. My family members are still suffering. They don't want to be potential victims. They want to escape death and live like other families on the planet.

 On 01/01/2024, they attacked the local mosque and the missile failed to explode and ended up in front of my family's house. My family is in danger and the missile will explode any second.

Since then, my family has decided to be evacuated from Gaza because of the senseless attack on our city. Please help me evacuate my family to Egypt so that they can rebuild their lives in peace.

I've been in Belgium for over five years. I feel useless because I haven't been able to do much except try to help them with their daily living expenses. That's why we created this campaign. We're raising funds to evacuate my family to Egypt, a place that offers a glimmer of hope and stability. However, the cost of the evacuation is high, hence our call for crowdfunding.

Every contribution makes a difference The funds we raise will be used for :

- Evacuation from Gaza for both families (Rafah border crossing fees for 9 people total)  - Two months of temporary living expenses in Egypt, including food, shelter, and transportation  - Passport fees  - Food expences untill they leave Gaza 

No matter how small your contribution, it can make all the difference in breaking the cycle of violence and uncertainty. By supporting our campaign, you are offering a lifeline to our families so that they can rebuild their lives, heal from their trauma and make a fresh start in a safe and secure environment. Please leave a comment and share our campaign with your friends, so we can reach more people and make a bigger impact. Together, we can make a difference!"

They are using a French platform called Papayoux Solidarite instead of GoFundMe. Abeer also has a Paypal account for non European donors.

They are currently at 33 588,78 €/ 50,000 €.

Let's see if we can get them to 34,000 today. Any donation matters, even $1 or $2 donations can add up.

We need to help them meet their goal. Intersex liberation means intersex liberation everywhere--it is so important that we show up in solidarity. Those of us living with CAH know how dangerous salt wasting crises are without medication, and how important it is to urgently help Mohammed and Ibrahim get access to the medications they need to support their CAH. Intersex solidarity means that we need to show up and support intersex people facing genocide.

If you can't donate, please share. Consider doing an art raffle to raise money. Do whatever you can to help this family because it is urgent, and we need to act in solidarity with them now and make sure that the intersex community is here to support them!

[neuromantis]

aw2 gave me perhaps, one of the most important realizations of my life. just now. "how do you run from an idea?"

the world i created when i started writing. i liked it. and i liked my characters. they were real to me. but. i could escape there. but i couldn't live there. with my family and friends and loved ones, the only ones i've had then.

i needed to stay outside and keep writing them. i could never join them. so i kept writing. every day i would write more of it, obsessively. and with that came a realization of the genre of the story it was shaping up to be.

i keep calling it "automatic writing", because i really never felt like i was in control of it. ideas just used me as a conduit. the story was telling itself. and it wasn't. a nice story. not one with hopes or happy endings.

i once told someone a long time ago that i couldn't stand writing anymore because i loved those people. loved their world. but if i made more of it. they'd have to suffer for it. so i quit. i kept meeting new ideas and characters and i only wrote down the barest of outlines. because the narrative would inevitably doom them, there had to be no narrative anymore.

i think what also made me stop it, was meeting Adam. a guy i knew like 10 years ago who suddenly messaged me. he re-sent me my own message to him from 2013. "well what about the fact that perhaps there IS a god, but he just specifically hates you?"

the last couple of years made me accept it. Adam is me. N(adam)ian. The one who made it all. The one who set up the rules. The one they'd be suffering for. And I don't want to be that. So I chose to leave them. They don't let me. But at least I can not write.

[falesten-iw]

To Those Who Still Hold Onto a Shred of Morality and Humanity - Stand with Us and Don’t Forget Us.

Over 40,000 lives have been lost, with 70% of them being children and women. Among these numbers are my own family members—many of whom I’ve already lost.

My family, my cousin, aunt, their children, and grandchildren were all directly targeted by Israeli airstrikes. I’m sharing a video of my aunt and cousin to reveal the harsh reality we are facing in Gaza. In this video, my aunt bravely shares her story about how the Israeli army airstruck them along with their children and grandchildren. Even if you don’t understand Arabic, just watching her speak will help you grasp the immense suffering we are enduring in Gaza. You can see the vedeo in this post.

The few family members who remain are in grave danger, and I’m terrified of losing them too. We have a chance to make a real difference and give my 24 surviving family members a chance to live.

In Gaza, jobs are non-existent, and nonprofit organizations like the UN have drastically reduced their work on the ground. Basic necessities such as milk, food, and medicine are almost as expensive as gold. My family is struggling to afford even the essentials, and my mother urgently needs medication that we simply cannot afford.

I’m also sharing another video that shows the daily struggle people face just to get clean water. The suffering here extends far beyond my family; it’s a genocide affecting every aspect of life in Gaza.

Thanks to the generosity of those who have already donated, we’ve raised $535 toward our goal of $190,363- august 17th. I’m deeply grateful to each of you, but we still have a long way to go, and I need your help more than ever. Imagine if it were your family—how would you feel if they were in this situation?

For those who have created special posts or reblogged to amplify my voice, thank you from the bottom of my heart. Your support means everything to me and to my family. If you haven’t yet shared our story, please take just one minute to do so. Your voice could be the lifeline my family desperately needs.

You cannot continue to treat human lives as mere numbers. This is a genocide that demands immediate action. How many more should be killed before you all wake up? Will 40,000 lives be enough to stir us to action? 50,000? 100,000? 150,000?

Asking for donations and charity is something we never imagined having to do in Gaza before the war, and it’s heartbreaking that it has come to this. But if everyone who saw my last post donated just $10 or $20, we could reach our goal in no time. If you’re looking for a way to contribute, consider giving up your coffee, tea, or other “cup” for one day, one week, one month, or anything in between. Then, donate what you would have spent to help me. Please help us and donate now!

This is about more than just donations—it’s about preserving human lives and upholding our shared moral values. Your contribution can make a world of difference in our survival and ensure I don’t lose more of the people I love.

Demanding an end to this suffering is a matter of basic humanity. You cannot remain neutral in the face of such genocide. Please, let’s stand together. Enough is enough.

Every donation, no matter how small, brings us closer to hope and healing. Thank you again for your kindness and support. I will never forget it.

Vetted and shared by @90-ghost: Link.

Verified and shared by @el-shab-hussein: Link

Listed even as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link

Additionally, Al Jazeera News has documented apart of my family's case: Link

Important note: ** 105 Swedish kr is just 10$ ** 1050 Swedish kr is just 100$ ** 10500 Swedish kr is just 1000$

Please share !

@humansofnewyork@intersectional-feminist @intersectional-feminists@intersectional-feminism @intersectional-feminist-killjoy

@thepeoplesrecord@socialjusticekitten-blog @socialgoodmoms @nowthisnews @socialgoofy

@theblogofawesome@fightforhumanity-rpg-blog @fightforhumanity-rp@queerandpresentdanger @progressive-pride

@radicalsocialworker @activistminds @mybelovedworld @hopeandresist @solidarityisimportant-blog

@solidarityissbliss @solidarityisnotaslogan-blog-blog @unified-multiversal-theory @feministacansada

@feministactionsupportnetwork @globalvoices @save-the-world-but-lose-her @save-the-world-one-day-at-a-time

@save-the-world-tonight @wip-wednesday @daily-writing-prompts @allthingswordy @writerscorner-blog

@fictionfood @wordsthat-speak @writerscunts-blog @storyshots-blog @wordsnstories-blog

@writeblr @thewritingcaddy @fictionwriting2 @inkstay @creativepromptsforwriting @interact-if

[tempo-takoyaki]

From an anonymous freeform prompt for SVSSS Action, may I present to you... Delicious in the Abyss! A SVSSS x DunMeshi AU!

More info about the different characters (with some sketches) under the "read more" :

In Delicious in the Abyss, we follow various groups of adventurers as they explore the "abyss" a mysterious place filled with various fauna and monsters. No matter their race or age, most of them have the same goal: becoming the master of the abyss... However, some have a very different idea of how one should explore the abyss. Take for example a certain group led by an elf named Shen Yuan who desires one thing only... eat as many different monsters as possible!

Shen Yuan's party :

Shen Yuan: Elf, 87 y/o, Mage. His wish is to eat and study as many monsters as possible. He started exploring the abyss about twenty years ago, but had to stop abruptly after taking in Luo Binghe. On the surface, his studies seem to merely be for the sake of curiosity... But are they?

Luo Binghe: Tiefling, 63 y/o, Tank (and cook). Thrown into the abyss at the age of 38 (since tieflings are a long-lived race, it means he was about 14), he got stuck in the lowest levels for few years before Shen Yuan saved him. He regards him as his savior (and one true love) and would do anything for him... even if it means cooking the monsters (he hates it, he hates it so much).

Shang Qinghua: Gnome, 87 y/o, Healer. Shen Yuan's oldest friend and the author of many infamous books. He stopped writing them about twenty years ago though, after he started to explore the abyss with Shen Yuan. He seems to be looking for something in the abyss, or rather: someone.

Liu Qingge: Tallman, 26 y/o, Swordsman. One of Shen Yuan's friends. He used to be part of the Cang Qiong guild but left it after a disagreement with one of his colleagues. Now he works for Shen Yuan with his younger sister, Liu Mingyan. "Uh? My goal? Get stronger. Mh."

Liu Mingyan: Tallman, 24 y/o, Swordswoman. Liu Qingge's younger sister, she accompanies him on each of his missions. She got an offer to work with Cang Qion mountain once but refused it once she learned her brother had left the guild. She's quiet but efficient, however, Shang Qinghua suspects that she might stick around for other reasons...

Cang Qiong Guild:

Yue Qingyuan: Tallman, 48 y/o, Tank. The leader of Cang Qiong, he's a respected individual amongst adventurers. However, he seems leniant on the vices of his vice-leader: Shen Qingqiu.

Shen Qingqiu: Tallman, 40 y/o, Swordman. Vice-leader of Cang Qiong. He's the reason Cang Qiong is exclusively made of tallmen, as he has a strong distate for any other races, especially elves. The only exception to this rule is his adopted daughter: Ning Yingying, a dwarf. He's the one who abandoned Luo Binghe into the abyss after discovering his true nature.

Mu Qingfang: Tallman, 29 y/o, Healer. The group's medic.

Qi Qingqi: Tallman, 31 y/o, Swordswoman. She wanted to create a branch specifically for women in Cang Qiong Guild's but because of Shen Qingqiu's veto on recruiting other races she couldn't make it work.

Ming Fan: Tallman, 19 y/o, Mage. A cowardly young adventurer. He has a crush on Ning Yingying.

Ning Yingying: Dwarf, 51 y/o, Tank. Despite being older than him, she's Shen Qingqiu's adopted daughter whom he took in when she was merely 30 y/o. She likes her father a lot, however she can't forgive him for what he has done to Luo Binghe. (She'll leave Cang Qiong to join Shen Yuan's part at some point).

(Side note, Cang Qiong is still specialized in cultivation, hence why most of them look so young)

The Tieflings hideout:

Tieflings are a race that I made up for this AU specifically, inspired by D&D. They're inhabitant of the dungeon, tall and sturdy, with pointy ears akin to elves, horns of various shapes and tails. They can also use magic like elves, tallmen or gnomes, however their magic rely on its own set of rules.

Mobei-Jun: Tiefling, 92 y/o, King of the Northern tribe. Leader of one of the numerous tiefling tribes hidden in the abyss, he met Shang Qinghua twenty years ago in the abyss and has made him swear his loyalty to him since then. He has sensed change in the abyss since Luo Binghe's arrival, and decided to trust Shen Yuan's party to solve this issue... With the compensation of Shang Qinghua.

Sha Hualing: Half-ogre half-halfoot, 15 y/o, Princess of the Eastern tribe. Adopted daughter of the king of the eastern tribe, she's a bastard born from the forbidden union between an ogre and a half-foot and was abandoned into the abyss at birth. Of short stature, with a short life spawn, she makes up for it with her keen senses and her strength. She later on joins Shen Yuan's party.

The first Tieflings:

Tianlang-Jun: Tiefling, ??? y/o, Master of the Abyss. The master of the abyss, his powers are beyond anything imaginable. He claims to have eaten what has given him those powers and since then has known hunger beyond what any mortal could endure. He has once fell in love with a tallman woman by the name of Su Xiyan, but she has left the abyss years ago, and he doesn't know what her whereabouts are... The only thing he knows is that she's the only one capable of satisfying this hunger that eats him from the inside.

Zhuzhi-Lang: Beastman (snake), ??? y/o, Guardian of the abyss. Tasked by the Abyss' Master to protect its inhabitants, he'll kill anyone who gets in his ways indiscriminately at the exception of Shen Yuan, who saved him years ago when exploring the abyss for the first time. He only obeys the Abyss' Master orders, and because of that, has forced the Tieflings deeper and deeper into the abyss regardless of how they felt about it. As a chimera, he's more snake than the tiefling his soul has been mixed with.

Other groups:

Huan Hua's guild (the governor's guild): The one guild financed by the governor of the state in which the abyss is located. Its members are from various races. Despite the guild stating they're open to anyone, only those from a wealthy background can become a part of it.

Zhao Hua's guild: Specialized in magic. They have rounds to reanimate unlucky adventurers in the abyss.

Tian Yi's guild: Specialized in training new adventurers.

And that's it for now! What awaits them in the abyss? Many adventures and delicious cooking, that is, if Luo Binghe can handle it.

"Freed from the abyss at long last... Forced to cook the monsters with seasoning this time. I've been cursed there's no other way to explain it... Damn it, it's good though, I really am a great cook."

[prettieinpink]

NEW YEAR, NEW ME

( A collab with thee lovely lele @bloombabydoll )

If you want to reinvent and rebrand yourself, or just continue to make positive improvements in 2024, the first thing is to evaluate your current year. 

EVALUATION

Reflect on how things went for you. Was there continuous growth? Were there many difficult times? Did you discover anything major about yourself and so on. Try to summarise your year in (a) paragraph(s) at least. 

Oversee your goals. Which ones you didn’t, did achieve, difficult ones, easy ones and the impacts it had on your life. 

Compare your dream girl then and now. Is your visualisation of your life currently different to the one you have now and why? 

List any major losses or successes you’ve had in your life, and how they have helped you or why it matters to you. 

This evaluation can be as detailed or simple as you like, but as long as you have a decent outline of your year. 

PREPARING & PLANNING

To prepare for 2024, you want to know what you want life to be like in 2024. Something realistic to a point, but still is a growth journey. 

Think of something that you can associate with 2024. This can be a word, a symbol, art, a song, a book, a movie, a place, or even just all of these things. When you think about your goals and your journey, this is your theme. This is something that should relate to your goals or your dream girl somehow. 

For me, I chose a word and a song. My word is growth because, for me, 2023 was a year for just being able to shed my old self which I did achieve however I just felt there wasn’t much growth as an actual person and not just in my environment. 

For my song, it is Mayflowers by Proleters and Taskrok. This song is the epitome of what I would imagine, is the most polished mindset. I would say perfect, but having a perfect mindset is near impossible. I want to have a mindset glow up because I’ve just been hard on myself lately which has caused my confidence to plummet. 

Before we get into the fun part of the preparation stage, we have to do some organisation in our life. I want you to take a look at your daily lifestyle and your habits, and be completely unashamed about this. 

Then categorise these habits into two sections; Leave and Leap. Leave habits are habits that you are leaving behind in 2023, leap habits are habits that are leaping into 2024 with you. 

Any habits that are self-destructive, addictive or generally harmful are leave habits. Beneficial habits and self-building are leaping with you into the new year.

I want you to do the same for people in your life, all environments (school, work, online etc) and anything else you believe needs to be sorted out. 

This works better if you can reason with yourself why it is a leaping or leaving habit, but don’t try to convince yourself a bad habit is good or vice versa. 

Now, I want you to document an honest paragraph about who you are right now. List your bad and good habits, your strengths and weaknesses and your behaviours. This one requires a bit more detail. 

Then, write a paragraph about who you will be in 2024, your dream girl. List her habits, lifestyle, behaviours, mindset, strengths and anything else extra. I’ll explain later but do not include materialistic desires in this your dream girl. Once again, this one also requires details. 

Stemming from those paragraphs, I want you to create specific and achievable goals. SMART goals are best, but I want to introduce you to how I set goals. 

I divide my year into quarters. For each 3 months, I have 3-5 goals for those months. Usually, it’s one from each area of my life. Then, I break down these goals. 

Questions and How They Help 

Why do I want to do this goal - For motivation and commitment. 

How it’ll benefit me - For the sake of improvement. 

How can I involve myself in this goal - To achieve your goal.  

I prefer this method because it is a lot simpler for me, as I am just a young girl and my bigger goals are more in the future in which I’ll utilise SMART goals. 

To create good goals; Make sure they align with your current values and life principles first. Try to avoid creating goals that you have just taken from the internet. Those goals just aren’t it and you most likely won’t follow through with it. 

Be specific. Don’t say you want to eat more healthily, instead say you want to include (a certain group of veggies/fruits) in your diet and reduce the intake of ( food/drink). 

E.g using eating healthy example

I want to eat healthy -> I want to start including foods that boost my immunity system and support my skin while reducing those that have the opposite effect. 

Then break down those quarterly goals into monthly, weekly and daily goals. Make these habits that you can establish in your lifestyle and have a way in which you can refer back to your progress. 

EXAMPLE GOAL BREAKDOWN

Quarterly Goal - Read 6 books.  

Monthly Goal - Finish 2 books.

Weekly Goal - Be or near half way of one book.

Daily Goal - 20 minutes of reading per day. 

AREAS TO SET GOALS IN YOUR LIFE

Academics

Spiritual

Fitness/sport

Health and wellbeing

Mental health

Personal life

Relationships

Hobbies and recreation

Now for the best part- vision boards! Collect all of your favourite images that embody your quarters or the whole year, then put them in one place where you can see them regularly!

Some ideas are a scrapbook, Pinterest boards, mood boards, playlists etc. 

Choose your theme; It can be your healthy girl era, your academic come back or whatever you want. You can have more than two btw.

Use quotes! Then actually say them in your daily life as a way to shift your mindset to reflect said quote.

Include inspirational people. It doesn't even have to be a millionaire or a very well established person, it could be your friends or someone on the internet.

Be imaginative. Your vision board doesn't have to realistic in my opinion, as the whole point of it to me is that viewing it daily and considering it to be part of your life one day allows for you to open up to those opportunities.

Materialistic Wants

I feel obligated to make this a separate section. This section is practically tangible objects that you want.

However, when choosing this said object that you want, mindfully think about why you want that thing specifically.

It doesn’t have to be meaningful, but as long as each thing on that list has got a purpose to you, and will serve you, I think it’s all good!

Conclusion

If you want, you can definitely start implementing habits before January. However, I believe that as long as you go into 2024 at least knowing who you want to be and shedding away any limiting beliefs, you’ll be fine.

Make sure to incorporate some self care rituals into your daily life as well✨

To end this, I hope everyone has a very merry Christmas! And that 2024 they will achieve to close that gap with their current selves and their dream girl selves! 💖🙏

[art]

Creator Spotlight: @camberdraws

Hello! My name is Camber (any pronouns), and I’m a mixed media illustrator located in the southwestern United States. I love drawing everything, but I have a special interest in depicting strange creatures and environments, often accompanied by abstract imagery and mark-making. Professionally, I’ve worked creating concept art and 2D assets for museum exhibits, but currently, I am engaged full-time as a software developer and make standalone illustrations in my free time. I’ve been posting art on Tumblr since I was a teenager, and the site has been very welcoming towards my work to this very day!

Check out Camber’s interview below!

Did you originally have a background in art? If not, how did you start?

I’ve had an interest in drawing since I was barely sentient, but at thirteen years old I decided to become “serious” about art. I was all about reading tutorials and doing a ton of studies. I would tote my heavy instructional art books to school every single day (my poor back!) Despite all this, I decided to forgo art school in favor of a bachelor’s degree in Computer Science at my local college. Alongside my major, I received a minor in Art Studio with a specialization in fine art, which totally changed my views on creating artwork and drastically changed my style.

How has your style developed over the years?

As mentioned previously, my style did a 180 after I studied under some very skilled fine art professors! As a kid, my drawings were very realism-heavy and inspired by video game concept art. I mostly worked digitally, too. During college, I was thrown for a loop when we were instructed to do strange things like, for example, make a bunch of marks on paper using pastel, WITHOUT looking, and then turn said marks into a finished piece of art! I quickly and deeply fell in love with abstract work, and especially appreciated images that are not easily parsed by the viewer. Since then, I’ve made it my goal to combine abstract mark-making with more representational subject matter.

What is one habit you find yourself doing a lot as an artist?

Hmmm, one habit I really enjoy as an artist is strictly tracking the amount of time I spend drawing! I currently work a full-time job wholly unrelated to art, so I have to be careful with my time if I want to spend enough hours drawing each week. I created a spreadsheet that allows you to enter the amount of minutes you’ve drawn each day and calculate how much drawing time you still need to reach your weekly goal (I aim for 20 hours a week.) Having such a clear, numbers-based objective keeps me motivated to work like nothing else!

Over the years as an artist, what were your biggest inspirations behind your creativity?

I know this is a common inspiration, but Hayao Miyazaki’s work has been rewiring my neurons since I was a child. Seemingly all of my artistic interests can be summed up by the movie Princess Mononoke: it has strange/abstract creature designs, a strong focus on nature and environmental storytelling, and a mix of dark and hopeful themes. Additionally, I’ve been deeply inspired by video game series such as Zelda, Okami, Pikmin, and Dark Souls. But arguably, none of these have influenced me more than Pokemon! I’ve been drawing Pokemon since I could barely hold a pencil, and I haven’t stopped since! I believe my love of designing creatures originated with my endless deluge of Pokemon fanart during my childhood.

What is a medium that you have always been intrigued by but would never use yourself?

I’ve always been fascinated by 3D mediums and am so tempted to try them out! Whether that’s 3D models created digitally or sculptures made from clay, I profoundly admire artists who have this skill. Oftentimes, it feels like I don’t have time to delve into a totally different artistic paradigm. However, I feel very strongly that learning new skills can enrich your current work. I should take that advice and someday give 3D mediums a shot!

What is a recent creative project that you are proud of?

I am in the process of creating an art book (a dream of mine!) and have been executing smaller drawings of concepts I find interesting from both a visual and storytelling standpoint. A recent drawing for said book is that of a snail made of ink with an ink bottle as a shell, and it went absolutely viral! I’ve never had an experience like this as an artist before and it has been spectacular! I was able to open a shop using my newly acquired art printer and sell many prints of my snail. Creating something original, directly stemming from my interests, and having that resonate with so many people has been unreal. I couldn’t ask for more as an artist!

What advice would you give to younger you about making art that’s personal or truthful to your own experiences?

I would tell my younger self to chill out and experiment more! I was so caught up in the idea that I needed to have a realistic style to be considered “good.” I also believed that technical skill was the only measure of how worthy my art was. That’s not to say technical skill doesn’t matter, but I now firmly believe the creativity and voice of your ideas far outweigh the skill of execution in terms of importance. Technical skills should elevate ideas, not the other way around. Once I began to revel in strange ideas and stories for my work, depicted oftentimes in odd styles or mediums, I truly found my voice as an artist.

Who on Tumblr inspires you and why?

My peers here on Tumblr inspire me more than anything! Sharing my work with contemporaries and giving each other support brings me joy like no other, and keeps me motivated to continue creating. I wouldn’t be where I am today without them! @beetlestench, @theogm-art, @trustyalt, @ratwednesday, @phantom-nisnow, @svltart, @mintsdraws, @mothhh-hh, @jupiterweathers, @thesewispsofsmoke, @picoffee, @fetchiko, @kaisei-ink, and @pine-niidles just to name only a few!

Thanks for stopping by, Camber! If you haven’t seen their Meet the Artist piece, check it out here. For more of Camber’s work, follow their Tumblr, @camberdraws!

[literaryvein-reblogs]

How to Write a Character

For creative writing to have as deep an impact as possible, you need to give the reader strong characters they can relate to on a personal level.

By borrowing from tried-and-true character archetypes and giving them your personal spin, you can create heroes, villains, and sidekicks that will affect your readers as if they were real people they knew.

Come up with a backstory

Crafting a backstory can help you flesh out an interesting character profile.

“When I’m dealing with characters,” says legal thriller author David Baldacci, “and I’m trying to explain somebody's situation and motivations, you have to look into their past, because [the] past always drives motivations.”

Ask what experiences your character had in elementary school or high school that shaped who they are today. Your character’s backstory can greatly inform your plot.

Develop a character arc

A character must evolve throughout a story.

“The character has to change,” insists crime fiction writer Walter Mosley. “The character doesn’t have to become better. The character doesn’t have to become good. It could be the opposite. He could start good and become bad. He could start off hopeful and end up a pessimist. But he has to be impacted by this world that we’re reading about.”

Plan out your storyline based on your character's goals and how achieving or not achieving them will change them as people. This sort of template can help anchor your narrative.

Do research

If you plan to set your story in a specific locale or period, do enough research to make your characters seem true to life and believable.

“What does it mean, for instance, in the Tudor era to be a male person?” asks Margaret Atwood, author of The Handmaid’s Tale. “What does it mean to be a female person? What do those things mean when they’re at different social levels?”

Empathize with your characters

No matter what the type of character you’re developing, try to find some reason you and your reader can relate to their internal conflict.

“You’re living with these people every single day for months at a time—in some cases, years at a time,” says acclaimed children’s author Judy Blume. “You had better feel for them. So, for me, yes, I have great empathy for them.”

When people can empathize with characters, they’re more likely to find them compelling.

Experiment with different approaches

If you usually write characters from a particular point of view (or POV), change things up to challenge yourself.

“Write about someone entirely through the eyes of their friends and family,” suggests journalist Malcolm Gladwell. “So do a profile of someone where you deliberately never talk to the person that you’re profiling.”

There are plenty of ways to craft compelling character descriptions—free yourself up to try new alternatives.

Give your characters flaws

To craft believable characters, you need to give them flaws.

“One, it makes the characters human, just by default, because everybody recognizes that we all have flaws and mistakes,” David says. “But two, it gives you plot elements and plot opportunities because somebody makes a mistake. Why? Because they’re flawed.”

Learn from real people

Pay attention to real people’s mannerisms, personality traits, body language, and physical appearances.

Do research, and be respectful, when you want to write characters with backgrounds that you are not familiar with. Become familiar with different people's cultures, sexual orientations etc.

Talking to people about their experiences will help form your character’s personality.

Let your characters surprise you

Character development can proceed down a host of different avenues.

“Spend a lot of time with your characters and getting to know them,” Judy suggests. “And the way that you get to know them can be different from the way I get to know them. But my way is: They don’t come alive until I write about them, until I put them down on paper.”

As you write, your character’s motivation or perspective might change from what you originally planned.

Play characters off each other

Ask yourself how a secondary character’s personality might thwart the main character’s motivation.

“One of the best ways, as I said, to develop a character is to put that character in relationship to another person,” Walter says. “So as they talk, as they fight, as they work together, we find out more about who they are and what they are.”

The character’s close friends, adversaries, and acquaintances might all have different effects on their behavior.

Take an organic approach

Over the course of the story, be ready for your characters to surprise you as much as the people you know in real life might, too.

Your characters may take on a life of their own.

Avoid static characters by letting yours have their own lives and personalities. Let their stories take you where they lead.

Writing Notes & References

[violetbeauregut]

In Defense of Feedism

I was absolutely struck when I read  @fatliberation‘s beautiful, vulnerable post the other day. They always have brilliant ideas and they show unfailing grace and kindness to everyone, despite a ton of rude, ill-informed backlash (I would 100% recommend following them). 

I can’t stop thinking about the reactions to that post and how incredibly strange it is to have to tiptoe around feedism (to use an umbrella term) in a movement that is supposed to be centered around ending the oppression of fat people. 

I can understand why fat people who are not feedists would be weary or even repulsed by this kink. From the outside it may seem degrading and manipulative that the language and insults used against fat people are replicated in the bedroom. It is also harmful to be fetishized when you do not want to be fetishized, both in real life and online. 

But these are the only points I’ve heard against feedism that I consider to be a legitimate argument in the discourse of fat liberation, as these are the only claims against feedism I’ve come across that are not based in fatphobia. If you are in favor of fat liberation, then you must see fatness as morally neutral. Therefore, the choice to gain weight is not inherently “good” or “bad,” it is instead a matter of autonomy– a right that should be granted to everyone, regardless of size. 

The major issue with feedism is the same issue that permeates all kink and, by extension, all sexuality: consent. There are feedists, particularly feeders, who fetishize all fat people, regardless of their wishes; feedists who try to force fat people to participate in kink with or without their knowledge or permission. This is abhorrent behavior; there are no excuses for it. But the problem here is a violation of consent and not the kink itself. The unethical practice of kink does not make the kink unethical. And while feedees are often disregarded in discussions of feedism and fat liberation (which I have already talked about in depth here), there are most assuredly fat feedees, like myself, who are fully consenting to fat fetish play. 

While I can only speak for myself, I know that I am not the only person who developed this kink because of weight-related trauma. When you grow up fat, when you are forced to go to Weight Watchers at seven years old, your brain comes to associate fat as taboo and taboo as sexy–but it goes beyond an attraction to something risky or frowned upon. 

I live my life as a fat woman; I am fat at the doctor’s office and fat in tiny airplane seats and I am especially fat as a feedee. No matter if I’m engaging with my kink or not, I am fat and I don’t get to stop being fat outside of my bedroom. Out of all of the scenarios where I am existing in my fat body, engaging in kink play is the only one where I am experiencing pleasure because of my body, not despite it. It’s arousing to be praised for the thing that once made you hate yourself. It’s arousing to engage with something you fear or that has harmed you in a safe, controlled context where you have all the power to make it stop. 

What anti-feedist fat liberationists need to understand is that feedism is, at its core, a resistance to fatphobia. When you see things that are typically fatphobic in feedist play– terms like “pig,” “cow,” “tubby,” etc. and comments about being “out of shape” or “ruined” by fat– it is not a replication of weight stigma, but a subversion of it. Feedism takes the harmful stereotypes of fatness and robs them of their power by putting them in a new context; a context where fatness is so desirable that feedists want more of it. By using the language and misconceptions of fatness to give and receive pleasure instead of to oppress, feedism not only creates a safe space to heal from fatphobic trauma, but it empowers fatness– it empowers fat people, which is supposed to be the goal of fat liberation.

[woso-dreamzzz]

Idol

Barcelona Femení x Teen!Reader

Summary: You manage to humiliate yourself in front of everyone

Your first ever tournament with England ends in defeat.

Defeat to Spain by one goal.

You'd contributed well through the campaign, coming on as a super sub most matches.

You were still young, nearly sixteen and a half but still making waves in the Championship. You'd played at Bristol City, helping them secure promotion.

Then you'd gotten the call from Sarina to join her World Cup squad.

You'd happily accepted.

A natural midfielder, you'd tended to replace whoever needed to be replaced during the World Cup campaign and made waves with the amount of chances you'd created.

Most of them never came to anything, an intercepted pass or a save by the keeper.

But you still made chances, still unpicked midfields and defences like it was easy.

You were a talent, hidden away in the Championship where no one could see you.

You were adaptable, able to play wherever you were put, eager to get just ten minutes on the pitch to show off your skills.

You were a little bummed at hearing your friend Grace would be called away from Bristol City now they were in the wsl but you reckoned you'd still see each other during matches.

That had been the plan until Barcelona paid your release clause.

You'd only been signed to Bristol for one year, your first professional contract and you were already being transferred over to a different team.

To Barcelona.

That was the scary thing.

Their midfield was stacked. You'd even go so far as to say the best midfield in the world, at least in your humble opinion.

In your humble opinion as well, you'd never been more excited.

You were as English as they came but your father had worked in Spain straight out of university and only got interested in football because his coworkers dragged him out to a Barcelona game.

You'd have to thank them at some point, for igniting that love of football and Barcelona in him because it was the only reason he'd started you in football in the first place.

'My daughter will play for Barcelona one day' is what he'd said to people.

And here you were, practically trembling at Keira's side as you looked up at the building.

You'd come into the England team by yourself, not knowing anyone.

It's nice to know that you have Keira and Lucy here with you now. You don't think you would be able to cope with introducing yourself to such legendary players by yourself.

The nerves threaten to overtake you but you force yourself to stay strong. You force yourself not to show your new teammates how in awe of them you are.

"You'll do great, kid," Keira says to you, ruffling your hair.

"Just try not to embarrass yourself," Lucy teases," We know what you're like."

Your face flushes red and you look down.

"Lucy, leave her alone."

You both know what Lucy's referring to though.

You were a Barcelona supporter through and through but you had a great deal of respect for anyone that played in the midfield. You'd nearly thrown up all over Keira and Georgia when you first met them, mindlessly blurting out their statistics from last season that you'd memorised from watching all of their games before the embarrassment set into your bones.

It was nearly the most embarrassing moment of your life, second only that time when you had accidentally knocked both you and Grace out at training by trying to head the ball at the same time as her.

Lucy and Keira were sworn to secrecy over the first matter and you knew they wouldn't betray you to anyone who wasn't English.

Both times were humiliating but, at least, at Barcelona it was a fresh start.

Or, it would have been an embarrassment-free fresh start had you not completely humiliated yourself the moment Alexia Putellas shook your hand.

"You'reonmywall!"

The words rush out of your mouth before you can even stop them and Lucy bursts into hysterical laughter.

Keira catches your shocked expression as you turn to look at her, brows shooting up to your hairline and eyes wide like you can't even understand why you opened your mouth in the first place. It would have been better if you pretended to be mute.

Alexia Putellas cocks her head to the side curiously.

"What was that?"

Fuck.

She even sounds understanding.

"I...er...It's nothing."

"She said that you're on her wall," Lucy, the traitor, says once she's recovered from her laughter.

Somehow, your face burns even brighter and you hide away behind Keira.

"On her wall?"

"As a poster," Lucy confirms, nodding," She collects them."

"Please stop. Keira, make her stop," You beg but Keira just soothingly pats you on the back.

"No accounting for taste," Patri Guijarro teases, laughing herself as her hand falls onto your shoulder," Is it just Ale on your wall?"

"I..."

"Lots of different players," Keira says, saving you from embarrassing yourself further yet somehow managing to still humiliate you," Not just Alexia."

"Is it a good picture of me?" Patri asks, already assuming there's a poster of her somewhere up in your childhood bedroom," Did it catch my best side? Because some photographers don't, you know."

"Am I on it too?" Pina asks," I don't think there's enough posters of me. I should be on more people's walls."

"It was a group poster. Everyone's on it," You manage to force out of your mouth.

"Except the Alexia poster," Keira, to your horror, keeps talking," That one's solo."

"Keira!"

This whole situation is super humiliating and you can't make eye contact with anyone.

A finger taps your shoulder though and it's rude not to look at someone when they want to talk to you so you have to force your eyes up.

Alexia Putellas is the one that tapped you and your throat bobs nervously.

"I am on your wall?"

"Yes?"

"You play midfield, right?"

"I do."

"I thought so," She says," When I heard we were signing you, I watched some of your games. You had some good ones during the World Cup. You were Bristol City's playmaker."

You nod. "I...Er, that's what they said, yeah."

Her hand goes over your shoulders.

"You have a lot of talent but you hesitate too much. You could have scored in the World Cup final if you hadn't passed the ball. Come on, I have a few tricks I think will work well for you."

[ash-says]

Being in touch with your sensuality:

On today's episode of ash-says we are going to talk about how to get in touch with your sensuality. Personally it's something I am very passionate about and kind of indulgent too.

Sensuality helps me in feeling alive and in tune with myself. I can't guarantee it for everyone but for me it works wonders. It's like the "Amrut" or "rejuvenating water" (for a lack of better terms) for me. Along with that it's the most healthy way for expressing my sexuality and keeping it in control to not let it affect my day to day functioning.

Here are some ways I incorporated in the last five years of my life to be in touch with my sensuality:

1) Exercise: No matter what I am going to vouch for this always. The way it helps me in expressing the surplus energy and controlling my desires is a chef's kiss. Plus helps in tackling the sluggish feeling.

2) Dance: Especially the slow sensual seductive dance. Not only it's a good outlet but above all that it validates the emotions and creates a space to delve in it to create a beautiful synchronisation with the body movements.

3) Art: Create! Create! Create! Nothing better than creating beautiful art or writing poems, stories,etc to voice your passion for the world and it's offerings.

4) Music: I have playlists on Spotify that specifically cater to my sensual mood. It has all the songs that can set a tone for the bedroom (iykyk). Singing to it or dancing works wonders. It's a magical experience.

5) Meditation: You can meditate on those feelings to internalize it and put all that energy in proper use for achieving a goal,etc. This is something I very rarely do because I am a very active person but putting it out here cause it works for some people.

6)Play Barbie: This is my personal favourite. After all I am just a girl. I put on some makeup, wear a bold sexy outfit or a cute dress (depending on the mood) then spend my time reading a romance novel and listening to sensual songs. It's my kind of therapy🦋🦋

7) Be a model: Being all dressed up but not clicking any photos you got to be kidding me!!! Come on girl! Pose and click! You are not going to be this young again. The best thing I do is this. It literally helps in skyrocketing my confidence. I don't click pictures daily but boy when I do, God forbid!!

8) Unlearn the shame: The basic one. You need to own your body first and appreciate it. I know saying is easy but hey you won't get there if you never start.

9) Imitate things that you find sexy: I will explain this with an example, so I find laying on the bed on my chest with my legs dangling in the air extremely sexy so when I am alone I will lie on the bed in that way as a way of expressing. Secondly, we all know sipping wine while reading a book is incredibly sexy while being dressed all slutty but I don't consume alcoholic beverages so as an alternative I drink pomegranate juice. Plus I find pomegranate as the sexiest fruit for obvious reasons.

10) Invest in things that make you feel sensual and seductive: It doesn't need to be costly. Find your sexy and invest!! For me it's aroma candles, jewellery, deep neck tops, skirts, ribbons, art honestly I have developed a knack to turn any ordinary thing into something seductive atp I feel. Everything works for me. So exploreeee!! If you are experimental enough and don't have parental risks you can try out sex toys too.

That's all for today's show on ash-says. Stay tuned for more illegal tricks and explosive opinions.

[highblkfemsociety]

Finishing Strong: A Guide to Ending the Year with Intention

Hello Beautiful,

As we enter the final quarter of the year, it’s time to reassess, realign, and step into our power. For the high-achieving woman, Q4 is the perfect opportunity to manifest abundance, success, and peace. The last stretch of the year can be incredibly transformative if you take the time to focus on intentional growth and clarity. This guide will help you make the most of it.

Vision Boarding: Your Visual Blueprint for Success

A vision board is more than just a collection of inspiring images— it’s a visual roadmap to your goals. As the year draws to a close, this tool can help you stay aligned with your deepest desires and prevent distractions from trends that may not serve your higher purpose.

Why Vision Boarding Works:

Clarifies intentions: Visualizing your goals helps solidify them in your mind.

Amplifies focus: It’s easier to stay on track when you can see success every day.

Boosts motivation: A visual reminder reignites passion when the journey gets tough.

Tracks progress: As you achieve goals, you can reflect on how far you’ve come.

Encourages self-reflection: It’s a tool for assessing what truly matters to you, even as life shifts.

How to Create an Inspiring Vision Board:

Set your intentions: Before you begin, ask yourself what you truly want to manifest in the final months of the year. Be specific. Is it financial abundance? Career growth? Deeper self-love?

Gather visuals: Find images, quotes, and affirmations that align with your intentions. These can come from magazines, online, or even personal photographs that symbolize your goals.

Display with purpose: Place your vision board somewhere you’ll see it daily. It could be your workspace, bedroom, or even your phone wallpaper—wherever it can regularly inspire you.

Review regularly: As the quarter progresses, check in with your board. Adjust it as needed, whether adding new goals or removing old ones.

Vision boarding is not just about aesthetics; it’s a way to stay grounded in your purpose and connected to your inner desires. This practice empowers you to remain authentic and committed to meaningful objectives, ensuring you don’t stray from your path as the year winds down.

Journaling for Clarity: Unlocking Your True Potential

Along with vision boarding, journaling is an essential practice for self-discovery and personal growth. It allows you to access your innermost thoughts, uncover desires, and identify areas where you need to pivot or push harder.

The Benefits of Journaling for Clarity:

Fosters self-awareness: Writing helps you process emotions and ideas, leading to deeper understanding.

Refines your objectives: Journaling can reveal what’s most important to you, helping to prioritize goals.

Uncovers hidden strengths: Often, we don’t recognize our capabilities until we reflect on them through writing.

Helps you strategize: By identifying potential obstacles, you can develop plans to overcome them.

Enhances focus and motivation: Regular journaling keeps your objectives clear, making it easier to stay disciplined.

Journaling Prompts for a Powerful Q4:

What do I want to achieve by the end of this year?

What obstacles have held me back in the past, and how can I overcome them?

What are my strengths, and how can I leverage them to reach my goals?

How do I want to feel when I look back on this year in December?

What am I grateful for right now, and how can I use that energy to propel me forward?

When you make journaling a part of your daily routine, you create space for clarity and creativity. This practice is especially powerful for manifesting success and growth because it fosters a mindset of continuous self-improvement and reflection.

Mindset Shifts: The Power of Affirmations and Mental Resets

The final quarter is not just about working toward your goals but also about transforming your mindset to support your journey. Affirmations and mental resets are two key strategies for doing this.

Why Mindset Matters:

Success isn’t just about hard work; it’s about believing you are worthy of the results. Affirmations are a daily tool to remind yourself of your power and potential. Whether you say them in front of a mirror or write them in your journal, affirmations help shift limiting beliefs into empowering ones.

Examples of Affirmations for a Powerful Q4:

I am deserving of all the abundance that is coming my way.

I am capable of achieving everything I set my mind to.

I am worthy of success, love, and happiness.

I trust the process and know that everything is unfolding for my highest good.

I release any doubts and embrace my power fully.

Daily mental resets can also help you stay grounded when challenges arise. These can be as simple as taking a few deep breaths, practicing meditation, or taking a short walk to clear your mind. By intentionally resetting, you can approach tasks with renewed energy and focus.

As the year draws to a close, the fourth quarter provides an opportunity for reflection, growth, and manifestation. Whether through vision boarding, journaling, or affirmations, reclaim your power and finish the year with intention.

How are you planning to end the year with intention? Share your goals and insights below!

Check out our Instagram & Facebook for more!

[sillysiluriforme]

If you’re up for it, could you talk a bit more about Felix in the la terreur au? I saw that comic of Colt shooting him in the head (and not dying bc senti shenanigans), and that makes me want to know more about how he grew up and what else Colt did with him (and what Amelie’s role has been in all of that). Love what you do, thanks! 💙🦚

Oh boy !! I think Felix is one of my favorite characters from canon.

He's extremely competent, right ? He has all these grand plans that he does go through with, unfortunately the plans all have stupid goals. Not only that, but he can't seem to think long term. (confronting Gabe during the same episode he learns he's keeping his aunt's body in the basement, the diamond ball episode, his whole relationship with Kagami...) He has this childish recklessness I find really endearing.

We're pushing all those things a little further in LT !

Felix grows up isolated in a big, big house, he learns quickly that no one that can will help him. Amelie's in the same boat. His grandparents are fully aware of Colt's behavior and refuse to step in. Emilie's oblivious. Gabriel is Gabriel.

So he learns to rely on himself.

Colt is not a good person. He's selfish, and he's jealous, and he's set in his ways, and he's a war profiteer. And now he has a magic baby of dubious origins.

He can't get past the fact Felix is not a normal baby. The first few years go smoothly enough. The baby is fussy but manageable. Something for Amelie to do. Then Colts starts gets sick. It's like a cold initially, but he never gets better.

He tries to raise a real man. Drills and old fashion discipline. His mom whines about it, but it's what he needs. He's "beating the devil out of him." Colt keeps getting worse. Amelie's head is everywhere but here. She's calmer. She's stealing his Codamol, but he doesn't bring it up. Anything to get her to shut up.

He's dying ! He's dying, and he's scared, and he's a profoundly religious man, he's sure this fucking thing he created is siphoning his life forces. That's what he gets for messing with the devil. He blames everyone but himself. He mostly takes it out on Felix. From that point on, it's constant orders. Do this, don't do that, do it this way or that way. He's using that ring like his life depends on it. Does it ?

This thing cannot die. He tries to get rid of it 3 times and no matter what it gets back up.

He's dying, and his mind is going with it. This thing is a monster. His brother-in-law is a monster. His wife is a monster. Everyone is a monster. He's dying and it's their fault.

[drdemonprince]

I know so many people who are certain the world is about to end. They’ve felt this way since about 2016 or so. They are neurotic and unempowered, refreshing their Twitter feeds and making posts begging others to stay worried and go vote. 

Some of them are leftists, and say they wish to see an end to capitalism, perhaps even to America — but when the possibility starts actually feeling real to them, they fear crime, and chaos, and their own helplessness. They joke uneasily that we live in “The Bad Place” but they are too afraid to get to the good one. They don’t want to see an end to their quiet street corner, their cozy condominium, their favorite television shows on streaming, their door with a lock. They admit this world is hell but they try to claim their own corner of it and keep it comfortable. 

I’ve been in the exact mental spot as these people, so I don’t mean to make myself sound superior. For the longest time, all I wanted to do was find a few comforting distractions to get me through the years before my death. I went to bed with my stomach in knots, certain that one day the power grid would go dark, the water would stop flowing, and the fascists would march in the streets and no one would stop them. 

Back then I didn’t fantasize that I would do anything to stop them. I picture things differently now. 

I used to think that voting and calling representatives were my only avenues for political participation, but now I see that with every choice I am not merely voting for a better world, I am creating it. When I fund a friend’s jaw surgery, when I look an unhoused person in the eyes and ask them how they are doing, when I slow my walking speed, when I share my knowledge, I am making decisions about how the future will be. I am not powerless. I am small, and vulnerable, but I always have something to give. 

I think that when we are feeling powerless and afraid of the collapse, it’s helpful to shift our attention toward practical, empowering questions like these:

If the government collapsed today, what would I do tomorrow?

The End of the World is a big, frightening abstraction. But if some terrible disaster (or glorious revolution) were to happen today, all I’d have to do tomorrow is make a few basic decisions. What would I eat? Where would I sleep? Who would I contact first? 

At the end of the world there are still dirty clothes and rumbling bellies. Those pressing physical needs are the most immediate questions we will need to answer, not larger philosophical quandaries about what life is “for,” or what the ideal new political system should be. For those more essential questions, there will always be answers: canned food to gather, lakes to wash off in, stories to be traded across candlelight. 

The future that we expect is just a fiction we tell ourselves, and it has never been guaranteed. And so, when some dramatic change comes, we can focus not on the loss of certainty, but on the practicalities: finding shelter, getting fed, and keeping the people around us as safe as we can. This is already what life is about — and we’re all more practiced in survival than we might think. 

If the world as I know it ended, what would still be important to me?

Hitting my weekly wordcount goals wouldn’t matter at all anymore, I know that much. But in the wake of a terrible collapse I would still value my friends, my immediate family, my chinchilla, and the people I see every day. I wouldn’t be so fixated on never seeming ‘awkward’ or ‘creepy’; the moment disaster happened, I would just get over myself and knock on my neighbors’ doors. 

If the world ended, I’d stop caring about my appearance, but I’d still long for a mode of self-expression like fashion currently provides. I wouldn’t think of my writing “career,” but I’d still want to be heard. I can imagine myself giving a small speech to my neighbors, trying to persuade them to take whatever course of action I thought best. I would be wrong often and not always persuasive, but I would still get to express myself and witness how that expression influences the world. I’d take care of more animals. I’d worry less about my apartment getting banged up and wrecked. 

It’s worthwhile to contemplate the people we will become after capitalism. The rhythms of our lives will change, as will our priorities. We may harbor fears about all that may be lost, but it’s worth asking whether our possessions and favorite TV shows and Twitch streamers are really all that important. I often find myself looking forward to the person I could become in this new reality. And those thoughts often motivate me to make small changes in who I am and what I prioritize right now.

The full essay also contemplates these questions about the apocalypse:

What would I feel unburdened from?

What important work would I keep doing?

What skills do I have that people will always need? 

What help would I ask for? 

You can read the full piece for free, or have it narrated to you in the Substack app, right here.

[epiicaricacy-arts]

oh we’re still so young, desperate for attention

this was super experimental so i will talk about my process (+ clearer version) under the cut

i’ve been looking at a lot of “messier” or more textured painting styles recently and an artist that stuck out to me is clariondeluna ! they posted a self-portrait recently that i really liked and i was super interested in the brushwork seen in their work. i love all the textures and how the shapes feel so loose yet everything is so detailed.

that’s not a method for me at all!!!! i cannot paint like that at all and the stuff i like to paint is very different to theirs. which is okay!!!! i had no intention to copy this artists style so closely like with what i tried to do in my raiden painting, i just wanted to try this style out :^)

it’s been a goal of mine to avoid over-rendering like i tend to do a lot, and i think i’ve been doing good with that recently! the mindset i’ve got going on right now is that if i find myself staring at it too hard for too long, i have to leave it and move on. if there’s still something wrong with it, i can fix it later once ive got a fresh view!

i’ve been trying a lot of things with my art this year. i always try to challenge myself with each piece, and to end the year off i wanted to be as uncomfortable as i possibly could be with this painting. i let myself draw whatever i wanted because i still wanted to enjoy it, but everything i did in this process was new, including parts of the subject matter.

i’ve never drawn a head at an angle like this, and i struggle with drawing mouths open. i don’t do bold lighting like this, and if i do, it’s not fire. i’ve never drawn fire! i also rarely work with warm colours and i hate using green, so i combined those to be my colour palette. i like working cleanly so instead of having a dozen different layers for one section, each section only had 1-2 layers for rendering. instead of clipping masks i would simply paint over things loosely and clean it up later. i never like having limbs cut off in a drawing so i had his other arm go GOD knows where. i don’t like weird patterned backgrounds so i made myself figure out how to like it!

IS THIS MY FAVOURITE PIECE OF ALL TIME. no. absolutely not. but i’m very proud of how this came out with all the challenges i put on myself. i WANTED to get better at these things and be more broad with my art, both in terms of the styles and subjects i portray.

okay let’s talk about wtf this drawing is

for those who don’t know, the design in this painting is my fatui/“Father” lyney fan design (read the design post here). the concept isnt super complicated and i don’t really have much explanation for it, but i wanted to combine the story of how lyney wanted a delusion before getting his vision, fire eating circus acts and how olympic medalists will bite their medal to prove it’s real??? don’t quote me on that i’m like 75% sure that’s a thing that happens. i don’t watch sports though so im just believing someone i heard on the internet ages ago.

anyways. i think fire eating acts are cool. and i think the fact that lyney wanted a delusion is very interesting to me. scratches my brain in the right places. and yk as a magician lyneys character revolves a lot around fooling people and creating illusions so i guess what im saying here is that lyney is trying to prove to himself that this power he’s been bestowed is real. bc his whole life his only constant has been lynette so he is trying to see if he can trust this new power. cause i guess this is an alternate universe where lyney does eventually become “Father” but he never got his vision ??? idk im not making lore for this i just wanted to dress up this funny little guy.

ok i’m done

thanks for reading

here’s my dog

[frogcroaks]

How I deal with shapes

@spadefish @kobothesmall So for shapes, the way I work with them is from studying how things break down individually, instead of following a broader ruleset for character design that you see a lot in tutorial posts (the triangle, square, circle theorem basically).

The way shapes work in humans is different from other animals (which also differ from each other), which is different from objects. The same shape can be used for different goals depending on what you're drawing. So there's no one size fits all, and especially in styles that have a bit more of realism going on, those shapes will behave differently than extremely cartoony styles.

Process wise, a lot of it ends up happening in my head than in the canvas, because I spent years dealing with this shape philosophy of "just bang your head for each thing you're drawing", which I understand is very tedious to some people, but I love studying individual things vs following tutorials because it teaches me 1. how that thing works in a context 2. gives me a new book to my visual library which I can pull from, which is often what happens! That, and a lot of it is just staring at references too. Still, I'll try to draw something up for this.

There are 2 ways to approach shape design. You either start with the shapes and then apply a concept to it, or you start with a concept and apply shapes to it. The former is much harder to do without practice (and also comes more in concept art which is rough, unfinished and meant to be done and redone dozens of times by design). So, I tend to do the latter: I start with a concept of what I want. This can be as simple as "I just want a character that's fat/standing" or more abstract like "I want a character that feels like a river/I want this to feel like an outburst".

Let's start with a concrete concept: I want a design that looks like a pacman frog, and just a standing pose that isn't too stiff.

I grab some pacman frog references, and sometimes if the pose is complex, I'll find references for that too. Pacman frogs are pretty pudgy, and their legs aren't that long compared to most frogs, even when unfolded, and their faces have a nice triangle-ish forehead with a nice shape for the mouth.

The result is that i use large shapes for most of the body. Curves contrast with sharper lines, giving the sense of something geometric but still organic. The line of action here helps me pose these shapes in a way that gives some movement to something as simple as standing (and you'll gain a lot of mileage from learning how to rotate shapes! this is how you're able to position them in different ways and create more dynamic poses).

For something more abstract, like a crouched pose meant to be angry, I take some references when i can and start doing something like this:

Note that these shapes seem weird because I'll have a naked fullbody wip below any clothed characters to have some anatomical guidance, but for actual final shapes and silhouette, what matters is the final elements, and that includes clothes! so i try to build shapes that emphasize this droopy, closed off feeling. This sketch isn't even that good really, there's plenty of errors, but I hope it gives an idea of whats going on.

I hope this weird rambly nonsense helped LOL