#but if so someone please correct me

[matcha-goblin]

I think Light and L are a decent illustration of why the "high functioning" label doesn't work as a way to categorize autistic people* (with the important caveat that they are fictional characters, neither of which are canonically autistic). Spoilers for Death Note.

Light (operating under the theory that he is autistic) would definitely be labeled as high functioning: he does well in school, could hold down a job, date, live on his own, and most importantly he can Act Normal (aka he masks really well). But the second important reason that he'd fit the label is that he wants to. He tries hard to blend in and be successful and function well according to neurotypical standards. The ability to do this is one thing and willingness to do it is another.**

Enter L. He is highly intelligent, skilled at deception and psychoanalysis, and has an interest in observing other people's behavior. I think that if he wanted to, he could very well pass as neurotypical and therefore earn the label high-functioning (because let's be honest, that's what it really means). But he simply doesn't give a shit. People would call him "noticeably autistic" or "socially impaired" instead. Not because he is necessarily impacted by his autistic traits more, but because he doesn't actively work to hide his autism from others.

This means that Light doesn't get the support he clearly needs for his mental health, is unable to form genuine close relationships, and is bored and unfulfilled by the neurotypical success he chases. It also means that L is underestimated, not taken seriously by co-workers, and babied by his guardian. Making assumptions about people's support needs based on how thoroughly they are masking is harmful. In the case of Death Note, it leads indirectly to mass murder and the untimely death of everyone involved haha.

---

* If this is the first you've heard of it, I recommend doing some research on the problems with high/low functioning labels elsewhere before worrying about this post, it's kinda a bad first-time explanation haha.

** Important note that inability to mask effectively isn't an indicator of worth, and people who can't pass as neurotypical and/or get labeled as "low functioning" shouldn't be belittled either.

[seventh-district]

Making Incorrect H:SR Quotes Until I Run Out of (hopefully) Original Ideas - Pt. 1 - Ratiorine Messages Edition

[Pt. 2] [Pt. 3] [Pt. 4] [Pt. 5] [Pt. 6]

[godspeedmajortom]

I’m fascinated by how variations of Sea Power's “Want to Be Free (Remix)” provide a musical theme for death and endings that follows Harry and his foils throughout Disco Elysium.

The first place you hear it is as “The Field Autopsy” while inspecting the Hanged Man’s body. It's barely recognizable as the original song, though. It's sluggish and muddy and bilious. The piano melody has been lowered and sustained to an ominous funereal organ and combined with deep strings. A lilting viola line in the lush layers of the original "Want to Be Free" is isolated here and contrasts with the low organ, rising like the stench off a corpse. If you do the autopsy first thing as Kim suggests, Harry – freshly, grotesquely awakened from his apocalyptic bender – is not in a much better state than a corpse himself.

The music underscores a visceral scene of death and decay, our introduction to the Hanged Man, the first of Harry's foils. Both Harry and Lely are agents of state-sponsored violence as a cop and mercenary, respectively. They bear similar physical scars from the neglect of the systems they grew up in. They both desperately want to escape the horrorshow of their lives, using drugs and dark fantasies to cope with the terrible things they see and do but finding little more than self-destruction in the nihilism. The Bloated Corpse of a Drunk taking the Hanged Man's place in Harry's first night dream makes their connection explicit: you should be dead, Harry. This may as well have been you.

The next place you hear a variant of "Want to Be Free" is in the washerwoman's shack in the fishing village. “Live With Me” is wistful and melancholic. The gentle piano and cooing vocals evoke the wind and waves on the bay, an escape calling outside the salt-rimed shack. But this is a place of death, or at least its potential, as the return of the high viola from "The Field Autopsy" reminds us. This is where Ruby hid when Harry's arrival made her fear for her life, where she contemplated killing herself if things got even worse. This is where Harry can end up if no one vouches for him at the RCM tribunal finale, where his wounds will grow infected without medical care, where there is little left to do but return to drinking and wait to die.

But true to the song title, the shack also offers Harry the possibility of learning to with himself as he emerges from his bender. Here is a mirror free from the damage and trauma of attempting to destroy himself where he can reflect on who he was and who he wants to become. He can choose to keep or let go of his past coping/defense mechanisms like his facial hair and The Expression. He can choose to embrace or reject the self-defeating fantasy of fascism. The shack marks a midpoint of the game, when the hangover has worn off but before the case is closed. So "Live With Me" scores the balance between potential endings: abandonment or acceptance, relapse or recovery, death or life. Harry breathes in the sea air, breathes it back out, and takes another step.

I didn’t realize this until a recent replay, but “Live With Me” also plays when you visit the Working Class Woman to notify her of her husband’s death. Since this is an optional sidequest, I understand why they didn't create original music for it. But they didn't reuse "Rue de Saint-Gislaine", the song for the rest of the Capeside Apartments (including the Smoker on the Balcony's apartment when you talk to the Sunday Friend). The Working Class Husband is another mirror for Harry who has met his end, and "Live With Me" plays to mourn him.

Victor Méjean died from an accident while inebriated, a fate that also could have befallen Harry on a previous drinking binge. The striking thing about Victor's death is how easily he could have been overlooked and forgotten. He died at the end of a pier in a fenced off, abandoned part of town. His wife wasn't concerned about his days-long absence. It's only by virtue of Can Opening and Jamrock Shuffling that Harry will know about or find him. Victor literally and figuratively died slipping through the cracks – of the rotted boardwalk, yes, but also of any sort of social safety net. This is what happens to alcoholics in Revachol. This is what will happen to Harry if he continues drinking and hasn't built his own personal safety net with Kim or Cuno to prevent the RCM from abandoning him. As Harry informs Billie of her husband's death, it's only natural for him to think of his own possible endings, and the soundtrack reflects that.

The final version of the song you hear is “Burn, Baby, Burn” blasting from Sad FM on the boat ride to the Sea Fortress to find the Hanged Man's killer and Harry's last dark reflection: Dros, The Deserter. Dros shares Harry's penchant for clinging to political ideology to give meaning to his life and obsessing over women he can't be with. He lives in bitter isolation, refusing to move beyond the failures of the past, his personal shortcomings and the evils of the world alike. He's emblematic of yet another possible outcome for Harry: not literal death, but despair-induced stagnation that leaves one living like a ghost in the mortal realm.

By the time Harry gets in the boat to the island, his fate at the end of the game is set. The RCM (specifically Jean) has all they need to decide whether to accept or abandon their prodigal lieutenant-yefreitor. Should his former partners leave him, Harry can return to the shack and the circle of drunks who have also given up on life. Or he can return to the island, where he would take Dros' place as the creepy old man haunting the fortress, scaring children, and staring at the mainland with longing and resentment. But even if Harry returns with his unit to Jamrock, simply resuming his old life will not keep him from returning to the depths of despair. The RCM broke him; the RCM will not save him. Neither outcome helps Harry become a person he truly wants to live with.

"Want to be free/It will last forever/Eternally," croons the boombox on the boat. The lyrics echo the self destruction that Harry sought before the game's events: freedom forever from pain, the ultimate release of death. At least that's what the Ancient Reptilian Brain would see in those words. But there's tension in the lyrics as the desire for freedom and exhortations to "burn, baby, burn" repeat. The bridge offers an alternative vision of verdure not consumed by the disco inferno: "And the trees are green and overhanging/Feather-light, free, and everlasting." Perhaps a less moribund future exists for Harry, even if only in the next world, as a new person.

[guujikaroko]

You know, Caster Gilgamesh really likes Ritsuka, doesn't he. And I mean really really.

It's kinda low-key (of course it is, it's fucking CasGil), but when I had this epiphany I went back to some scenes with him and. Huh. It's true.

He sees himself as a guide for humanity. Hell, he's the one who kickstarted the Age of Man. And Ritsuka turned out to be the kind of human he likes.

Of course, Ritsuka is a completely ordinary, unremarkable human, having lived on peaceful times. No exploits, no breakthroughs in any field. Also definitely subpar as a mage. You'd think Gilgamesh would see them as nothing more than an ant, maybe even less.

Even so, it was Ritsuka who stood up on times of hardship and decided to fight. It's Ritsuka who refused to give up, Singularity after Singularity and Lostbelt after Lostbelt. It's Ritsuka who continues to pick themselves up and run, defying gods and Beasts and whatever the world throws their way. It's Ritsuka who carries the flag of humanity now.

And I think CasGil appreciates that a lot. Rather than leaning on the exploits of great figures, he thinks that Ritsuka's struggle holds far more meaning. If even the most ordinary person can stand up and achieve impossible things, then isn't that the perfect proof of the Human Order's value? Isn't that the perfect rebuttal against the fate imposed by the gods?

It makes me think of his Valentine's Day scene, actually. Instead of a physical gift like Archer Gil, CasGil chose a boat tour throughout Uruk, a city that houses plenty of memories for both him and Ritsuka. I wonder if he acknowledges that Uruk lives within them, too.

[just-an-enby-lemon]

"The kid seems scared.

Tip had always been a little nervous. Or at least that was the reality when the two had met.

It was fairly obvious for everyone that met them that the child had not been treated well by their formar guardian and in a way that Elphaba sadly recognized still seemed to afraid of facing the same pain and rejection again.

Still lately the kid seemed more relaxed and open, treating her with the same easiness and earnest they did Jack. More determined to learn than eager to please. Following her around with questions and vibrating with excitement as she turned wooden sticks into dolls and toy swords alike. It made her think of Nessa in a very bittersweet way.

She failed her sister and she would not allow herself to fail another young person she became responsable for.

That's to say Tip's strange turn to the same scared kid she met soon after leaving her behind and being declared and enemy of Oz scared her.

"Miss Elphaba, I have something very serius to tell you."

Maybe they want to leave. They are not in fact different in the same way Elphaba is. Tip is a normal if deeply magical child who just ended up in the care of a horrible woman. Being her aprenticce is actually the only thing turning them into a dangerous and hated figure.

"I understand."

The kid takes a deep breath. Elphaba tries to think on the best words to explain that of course they can leave if they want to and that they can take as many provisions as they need. Tip will never again be a prisioner.

"I don't think I am a boy? Wait no. I know I'm not a boy. Like the idea of it is still a bit scary because it seems like it will be a big deal but I'm fairly sure I'm a girl actually. I just never though about it before but Jack called me she accidentaly and it just makes sense. I am still the same Tip and please let me keep being your aprentice." She says in a single breath.

"What?"

The girl looked scared. "I'm a girl." She says. Than in a smaller voice. "I can try to be a boy if you want?" It does not appear to be something she wants and the fact she still sugests it breaks Elphaba's heart a little.

"Oh! Oh. No, no, that's fine. Do you want to be called something else?"

Her eyes go huge and she stops deep in thought before answring.

"Uh. I guess so, but I'm still thinking on it. I don't mind Tip for now."

"Okay, tell me when it changes?"

"Will do."

"Anything else?"

Tip looks a bit shy for half a second before a excited smile covers her face. "Could you let me borrow a dress?"

Elphaba laughts.

"You are too tiny for my dresses, kid. But I can help you magic one for yourself. "

Her eyes shine. "Cool!"

[...]

"Morrible says you'll marry some prince soon." Dorothy says making a face.

"I don't see why you are soo distraught, my dear, I'm pretty sure she'll find me a great prince." Glinda says with false cheer.

"I doubt it. Princes are all very dull."

"Met many princes did you?" She jokes lightly, trying to find a way to change the subject. She loves the kid dearly and for all it's bleak consequences will always be glad the tornado ended up bringing the girl into her life but she would preffer not to discuss those subjects. Specially not in her own bedroom in a rare moment of relaxation.

"Well no." The girl pouts. "But most boys are dull and I can't imagine liking to marry even the ones that aren't. I guess I just thought you were the same? I'm sorry."

"No need to apologize. And I sure hope marriage is unimaginable for you, you are way to young for it."

The girl smiles a tiny bit before frowning.

"I can imagine myself marrying a girl one day."

"Oh!" Is all Glinda says.

"I told Aunt Em once she told me to never say it again, she told me I was too young. But I'm ten now and I feel the same. " Dorothy rarely talks about home, sometimes Glinda tricks herself into beliving it is because her the kid just loves Oz better, that she forgot all about it, but she knows deep down that Dorothy will always miss Kansas, always miss her uncle and aunt and Toto, she just accepted home as a place she'll never return to. In the good days Glinda knows Dorothy would also miss Oz, would miss her munchkin friends and mostly would miss being Glinda's apprentice. In the better days she thinks about bringing Dorothy's family here. After all Kansas always seems sad and hungry. "Girls don't marry each other in Kansas." She continues. "But I though maybe they did here. "

"I think they do everywhere, Dorothy, is just some people pretend they don't because the different scares them."

"Like the Wizard and the animals?"

Glinda had only recently convinced Dorothy to only speak her very dangerous beliefs on the Wizard in private and even there she sometimes corrected the kid. But right now it felt too much like liying to Elphaba she couldn't do it, not when she knew Dorothy to be right.

"Yeah. Just like that."

And after a second she adds.

"Between us, I would also like to marry a woman".

Dorothy smiles, just a little bit.

[...]

She knows she should not be here.

But it's fun, she likes the dancing and the food and the small chance of going back home with something that can actually help Elphie. Maybe a magical item or even just some usefull information.

Besides the girl she is talking to is very pretty and fun and smart and she is not open about it but she's definitivaly not the biggest fan of the Wizard either. Oh and a great dancer.

"I'm sorry" the girl says "but I think I did not catch your name?"

Now it's the moment to say something clever like 'i never gave it to you' or maybe just invent some fake name. She can't say her name. It's too easy of a conection to make. But she doesn't need to lie. After all it was never really her name. And she has a name now. Has had it for days and just keept it a secret in some weird form of fear. But it felt like time. She would tell it to Elphie and Jack when she went back.

"Ozma. I'm Ozma. What's yours?"

[...]

Dorothy had never had so much fun at a party before. Her new friend was the most beutifull girl she ever met and the funniest and cleverest and it had never felt so easy to talk to someone before. In fact the only thing Ozma didn't appear to be was a good dancer but Glinda had teached Dorothy well and she found herself leading the other girl steps into the best dance she ever had.

She noticed Ozma did not gave any surname but it was not her place to pry. She just hoped to mert the girl again.

"Dorothy." She says and takes the hand. For a second she considers continuing in the way she was instructed to (Dorothy Upland at your pleasure and a kiss to the hand) but while she loves Glinda that's not really her. And she somehow trusts Ozma enough to be honest. "Dorothy Gale." She shakes the hand just like Uncle Henry used to.

[poorly-drawn-mdzs]

Los Chicos Peleandoooooo

[First] Prev <–-> Next

[sadquickchristmassnowman]

so um. was doing some thinking and. I don’t think abed mentions inspector spacetime ever again after troy leaves. so uh. do with that information what you will

[superalloyman]

Lyla watched Miles do this while Miguel was out and totally convinced him it was a good idea

[idontmindifuforgetme]

Think I’m making communication a non-negotiable for 2024. If you don’t know how to properly communicate like an adult we quite literally can’t be friends

[a-a-a-anon]

rik and ade as students/young actors. from bottom: exposed

[statementlou]

https://www.tumblr.com/louisupdates/754934426217152513/goodbye-faith-in-the-future-world-tour-272024?source=share

did he or did he not lose fans then?

I will answer this because this anon actually brings a concrete question to the table rather than just "hurhur but you're a larrie??" (tell me you can't actually refute any of our points…). Anyway this post shows the decrease in Louis instagram followers between the screenshots taken directly after the release of Faith in the Future in Nov '22, when he changed his bio to promote that album and the tour tickets, and now, when he changed it again to mention the current release. But I'm putting that response under a cut because I'm tired of the actual POINT of all this nonsense getting lost in a sea of made up things people insist are important:

There is no rational argument you can make to say that Louis has less fans now than he did 2, 4, or 6 years ago. You don't need a spreadsheet of details you need to USE YOUR EYES! He has gone from filling theaters to filling arenas and stadiums. His second album made a higher chart position than his first album. His festival has doubled in size EVERY year of its existence. And for that matter: his insta post engagement numbers remain about the same (despite the fact that older posts should have way MORE likes due to having been there longer, even aside from follower counts.) SO WHO FUCKING CARES ABOUT HIS INSTA FOLLOWER NUMBER???? Serious question: what does the word "fans" mean if these things aren't what matters? ALL of this quibbling about what he should do to make things better and people can't even see that THINGS AREN'T BAD.

Anyway to address the specific question- (con't......)

NO- HE DID NOT LOSE FANS. HE LOST SOME INSTA FOLLOWERS. THESE ARE NOT THE SAME THING. As I said above, literally what does it mean to lose fans if that number change coincides with him having higher sales, more audience members, and higher engagement than ever before? Whatever he lost ISN'T FANS. I wouldn't be surprised if a significant factor was something like a bot purge, but also yes: I'm sure a lot of casuals followed him around the time of his big album release and later unfollowed him. That's extremely normal because that's how casual engagement works, and why the definition of fan really matters. Louis and his team understand this and have referenced it repeatedly, talking about how lucky he is to have *us* specifically, to have the kind of dedicated fanbase he has, to have the KIND of fans he does who will allow him to do what HE wants. @dogsliampaynedoesntinstagram named the issue of depth vs breadth with regard to fans a long time ago, and pointed out why having DEPTH is so much more important. It's like this- artists who are on top 40 radio have more numbers on things like insta follows, and for a time on sales and tickets. But those aren't FANS- they're people with a casual interest. And as soon as that person isn't being forced in their ears 10x a day, those people lose interest and stop supporting them, stop buying stuff and unfollow, and those artists end up doing the 'opener on the jingle ball' circuit rather than their own tours. One Direction as a whole, and Louis maybe most of all or near to at this point, have something MUCH MORE VALUABLE than that- DEPTH FANS. Louis has fans who will support him even if he takes years to release music, or stops parading around with a pretend girlfriend to stay in the headlines at least once a month, or completely changes his image and genre, and that is UNHEARD OF. It's ASTONISHING and worth SO MUCH MORE. And they get that! THAT is why he always bragging about us, why industry people he works with are always so agog about us, why he will do anything for US- not for randos. He is also growing his breadth- and it's OBVIOUSLY WORKING whatever his follower counts are, but that is always going to be secondary to doing things for THE FANDOM because that is his sustainable business model. That is what keeps him onstage and reaching number one. And not coincidentally, the things they do are also working to grow that- much more valuable- commodity. So the fact that that's exactly what these chuckleheads complain about- that he does things that are just fandom facing or serving rather than everything being aimed at recruiting casual fans- does nothing but betray how completely they, unlike Louis and his team, misunderstand the actual drivers of his (actual, existing, happening) success. Luckily for Louis, he and his team rely on their own data harvesting (they do a LOT of it) and growth metrics (they're off the charts) rather than the smug assumptions of random (mostly quite new to this) fans and the few bitter people leading the complaining about everything Louis does.

[menacewithawolfcut]

guess who finally watched nosferatu (2024) instead of sleeping last night (+ refs)

[imeriayapping]

He doesn't know when it starts or even how.

Well if Logan tried to go back to see all the steps that lead him here he should probably start around 2021 when he first opened MotoGP race when there was nothing else to watch.

He was always hungry for more, watching as much different racing as he could, it's just motorcycles are a bit out of his comfort zone so he never gravitated towards opening a stream somewhere to watch.

Of course logan knew about it, about people in it and thought about Rossi the same way he did about Gordon and Hamilton if not for his own experience of watching than at least for how much lando was talking about him. As the Greatest of all.

It takes him a bit to learn all teams, how everything works and some major events but he gets there, fully emerged at that point.

Logan still doesn't watch all that much content of riders bc he's not interested in their personalities besides what they say about bikes but he catches glimpse of how insane it all is anyway and it fascinates him when he compares it to formula scenery where it's so political and everyone is second away from clawing at your throat.

Guys there are wild and don't have pr crafted personalities that they need just to survive. Next season starts, he gets into f2 and watching gets a bit more challenging on some weekends but manageable on most. And nothing would change if not for one bike that his eyes keep going back to and the guy on it that Logan starts watching press conferences forBc firstly bez is amazing and it's interesting to watch him on track. And secondly he's just so..... different, so open and always smiley.

It's fascinating to Logan because it's almost diametrally different from what he himself is. He loves a good hug don't get him wrong but living mostly alone on another continent from your family and all friends doesn't make for a lot of opportunities to express emotions through touches. Sometimes it feels like he can go weeks without meaningful contact. Also Logan can only watch how outgoing and extrovert marco is never even being close to that, sticking with few people that he knew the best.

It somehow transformed into following him on multiple platforms and watching whatever content motogp or his team would put out. It became kinda embarrassing at the point where he could understand a few Italian words from sheer amount of them that he heard before. It was a bit annoying not being able to understand a lot of stuff but he wouldn't prove "dumb American" stereotype by wishing for guy to speak only in English. Plus the way his voice sounded when he actually did talk in English was very cute, so nothing to be sad about.

Logan started wondering if this what admiration for drivers felt like because he never experienced it before always only motivated by his own desire to win not by those he saw on screens. It was pretty tough to rationalize by himself so he went to the most rational person he could think of (and totally not because it was his only friend on the grid,no) - oscar.

It was usual hangout for them only stained by somewhat awkward logan who didn't know how to approach subject until oscar points out his weird behaviour and makes him talk it all out while listening intently. In the end oscar just answered with short but straightforward "sounds more like you catching an internet crush that anything else" which made Logan spat out million protesters a second only stopped by solid hand on his forearm

"Look you should think it all over and if you still not sure I'll go to MotoGP race next month for promo so you can tag along and actually speak to the guy to see how you feel"It took him a while to evaluate everything and actually come to some form of conclusion but looking back oscar wasn't wrong, it's just Logan never catched feelings in similar way so it was confusing. But looking at it now it wasn't even surprising with how mesmerising marco was, resembling the sun whenever he went with his blinding smile and warm attitude. And Logan wanted to reach out to that shine too

But even ignoring all that he asepted Oscar's offer mostly to watch race itself because in person it would be way cooler than through small screen in shitty hotel room. Logan didn't plan on even going close to bez there because mortifying ordeal of confronting a crush that doesn't know you exist is a bit too much for him but it's not like anything ever goes according to his plan.

So this time what gone wrong was bez himself that catched a cute blonde guy laughing with sun rays in corners of his eyes while talking to someone but standing completely on his own otherwise looking a bit uncomfortable in unfamiliar space. And of course marco went to introduce himself because why waste such chance? Especially when his outstretched hand ready for handshake is met with blush and shuttering before he even managed to say anything besides "hi, I'm bez"

[blorb-el]

at any given time i am thinking about clark and kara having lil kryptonian nicknames for each other

clark calling kara 'kri-a' (portmanteau of kara and the prefix kri- meaning light)

kara retaliating with 'kal-kir' (little kal) or 'sojebkir' (little (m) cousin but the word for cousin is already diminutive so adding on -kir makes it like 'little tiny cousin' instead). and him firing back with 'sejebkir' (f) because they're BOTH the little tiny cousin actually

but they can both agree that kon is OUR little tiny cousin ('sehjebkirkah' (gn))

when he's being overbearing she'll be like 'oooookay tonth' and he goes -_- about it (something like...bossman? pretty sassy. you’d never usually genderize the word tynth so masculinizing it emphasizes he’s being overbearing in an annoyingly Guy Way)

also that panel of kara calling cat a snagriff (literally a bad tempered species of dragon, probably something on the level of asshole) is near and dear to my heart i think she calls bruce this sometimes and clark with an annoying-on-purpose well-actually tone of voice on goes wem khahp nahn zhod ghimkir (i think he is just a lil bat)

and also just calling each other 'kara-te' and 'kal-te,' the familial possessives. my kal. my kara. grammatically this would be MORE formal instead of less formal but consider: i don't care. and also they're the only family left to each other [for a while]… no one else left to use those particles….

krizhor.... maybe the kryptonian equivalent of sweetheart...

[mangoazalea-art]

Omnibus

commission for @purple-sage

[circular-8]

you know, through all of this I can't help but think that Eddie hasn't really processed or accepted that Shannon wanted a divorce. He's stuck in this limbo where technically he's a widower and everyone acts like he is because that what he tells (almost) everyone. But he's not, not really. They were separated for years and she wanted a divorce. I hope he comes to terms with that because I think that would really help him.