#but idk how to make it sound better

[batcavescolony]

Katniss is such an unreliable narrator. She says "Then something unexpected happens. At least, I don't expect it because I don't think of District 12 as a place that cares about me" girl you deliver strawberries to the Mayor, you hunt and trade for the district, when you fell at Prim being chosen someone caught you, when you went to Prim people parted for you, when you volunteered EVERYONE stopped. Idk how to tell you but I think you're a pillar of the community.

[hinamie]

playing around w slightly different hair renders

[lazylittledragon]

right now i'm very torn between "taking critique is important as an artist and it's not an attack on me personally" and "people commenting about my same face syndrome under my posts upsets me an unreasonable amount and i wish they would stop doing it"

[ghostespresso]

staff logging on to tumblr dot com today

[alumirp]

it happens when hes seven. He blinks and suddenly all he can see is blue, above and below, sky and sea. bright, shining blue, totally different from the pearly white walls and ceiling of his room. he blinks again, but the blue is still there.

He hears a grunt, full with confusion that he himself did not feel. after all, law was warned that this day would come. turning around, hes faced with a tall man, so much taller than him that it is ridiculous, and in the tall mans hands, there is the smallest baby of all time.

laws father was the one to explain why Lami would just disappear sometimes. as she in fact wasnt disappearing, she was being teleported closer to her soulmate. every day, once or twice she would disappear for a period of time and then appear again

lami was older than her soulmate by only a few months, but that made her the one who was pulled across the sea. soulmates worked like that, their father told him. they werent meant to be apart, so they didn't.

the older of a pair would be teleported to the younger one, so they could spend time together. law would also be taken to his soulmate one day, he just had to wait and be prepared to take care of them, since he was clearly the oldest one.

then he blinks and looks at the tall man and thinks that logically it is impossible that this is his soulmate, his eyes focus on the baby, the tiny baby that squirms in the mans arms and law knows that it is them

a moment later, the man seems to finally understand the situation. law watches his tired expression twist into one of resignation as he kneels down and shows him the baby.

''this is luffy.'' the man says, and he sounds loving, as if the baby is precious to him law just stares dumbly as the little baby grimaces, irritated at being moved and pulled from his slumber. he watches as the little round face contorts and suddenly the boat is filled with loud crying coming from the red faced baby when the man moves to rock the baby, a panicked expression on his face, its laws turn to grimace, impulsively approaching and pulling the man's cape.

"youre holding him wrong! you will only make him cry even more!" he makes him sit down, adjusts his posture, placing the babys head on the mans arm, ignoring the confused and curious looks he gets throughout the process. he does everything the same way he saw his father doing on the hospital once it takes a moment to get the baby to stop crying, but when they finally do, law finally asks.

"where is his mother? he might be hungry."

the man doesnt answer, a pained expression on his face and Law figures that its the wrong question to ask, so he continues. ''where are we going?''

"somewhere he will be safe." the man says, holding the baby tighter, a weird look in his eyes.

law blinks and "you're going to abandon him"

he watches as the man stiffens and sighs. "a child like you wouldnt understand." "my parents work in a hospital." law says, looking away from the man to luffy. "theres a little girl there, she was abandoned by her parents because shes sick. she has friends, she has nurses and doctors and even the nuns, but she always looks extremely lonely." the man finally looks at him, as if only now truly seeing law. law looks back.

''you shouldnt let him be lonely too. maybe he will never know of your existence, but I know he will miss your presence.''

and with that, when law blinks again, hes back in his room.

[dykedvonte]

love seeing your takes on mouthwashing and how sane they are. everything's so black or white. I like how you acknowledge curlys abuse under jimmy (which I honestly didn't quite notice when I first watched a playthrough. should rewatch w this in mind) and how that very much doesn't "forgive" his inaction towards Anya and Her abuse under jimmy. I think what happens to him despite all his issues (bc he clearly wasn't OK 😊✌🏼) is very much karmic. I really did hurt huh

I hate the take that what happened to him is karmic as becoming disabled and being tortured is like not in any way an equal consequence for not taking more action against Jimmy. It is a consequence as is the whole game for everyone but it’s one that is very much established as being undeserved and extreme as everyone else’s but Jimmy’s fate.

Thank you for liking my takes but I also try to point out that this exact sort of framing of the events and what happened to Curly is bad especially if you are gonna factor in his own abuse into the equation of his inaction/ineffective acts. It’s like “saying yeah he deserved the abuse he was already going through to escalate because he didn’t do enough” which is like not a message the game tries to deliver at all. It’s like the game shows that abusers escalate

Karma and punishment are not concepts that I think should be directly tied to Curly’s fate especially since during the game and even in discussion he takes on too many consequences of someone else’s actions. Like this framing is the direct thing I describe taking the discussion away from Jimmy, P.E and the factors that created the environment in the first place.

[gammija]

musing about what a translation of the silt verses would sound like and immediately running headfirst into the problem of whether and how to translate 'Sister Carpenter'

[trans-leek-cookie]

listen I'm not gonna be a Curly apologist he did Fucked Up as captain but I genuinely recommend ppl watch a playthru that goes thru the game in chronological order. It kinda helps clear up the events and gaps between them, bc even tho u See the times, you still experience it out of order.

The stuff Anya says definitely sets off alarm bells but it doesn't seem like he Fully Understands what she means, and I'm going to be 100% honest I think she was trying to repress it herself. This isn't to say that she is AT ALL "at fault" for what happened after and she should've gotten help even if she wasn't ready to fully discuss the issue but I genuinely think she herself was still coming to terms with things, so she didn't necessarily process the full impact before talking to Curly, and a lot of what happens occurs after they're laid off- like this delves into personal interpretation but I genuinely think Anya only registered Jimmy as a serious danger after his outburst towards Curly. Ofc my interpretation is limited bc of the limited pov in game and not having gone through what she has, but it personally reads more akin to coercion over time than a singular Obviously Violent incident (like. Not to say that Sexual Assault isnt violent in nature, just that coercion often specifically works to obfuscate the fact it is a form of violence.) The layoff is a Massive catalyst for her bc of Jimmy, in that she now has a very clear understanding of his capacity for aggression.

To extrapolate a little from the "Dead Pixel" conversation, she starts by saying she Likes The Screen (even though it's fake). While Curly has his quotes about the pixel "not ruining the illusion" which. Y'know is Symbolic Of His Flaws. She doesn't say the pixel ruins it, just that she can't get it out of her mind.

If we take the pixel to represent her Or jimmy, either way the way she talks about it kind of downplays things, like it's a Minor Thing that's Slightly Upsetting, but she's still okay with the big picture. Idk I could be 100% wrong but that is my take

Besides that, Anya tells curly she's pregnant 2 days before the crash, and it isn't until she outright states it that he starts Putting The Pieces Together. I want to note, he says "I'd do anything" and "this doesn't have to go on our performance evals" 1. Before he knows shes pregnant 2. Under the assumption she might attempt suicide, and I doubt he even thought about her using the gun on anyone else before she brings that up. He says literally before the line where she tells him she's pregnant that "being laid off isnt a reason to hurt [herself]". Like I've seen ppl talk about the performance evaluation thing like it's about her and jimmy, but I think he's referring to (his belief) that she might attempt suicide or similar which might genuinely be a consistent thing he's seen her struggle with, given she's able to go through with it. Also just to note: assuming their society is like ours (hellish) reassuring her he won't blab Abt her mental health is like. Genuine reassurance- lots of mentally ill ppl will Not Open Up bc it could have long term consequences (like. For example. On employment) ANYWAYS I hope it doesn't come off like "Curly never failed Anya" but rather "Curly approached this specific situation without the context of why Anya is panicking and (possibly validly) assuming she's dealing with a very different issue"

Also let me say again the time frame is 2 days. We don't Really see what happens, but we know Anya tells Jimmy without Curly knowing. I genuinely believe he maybe didn't do a Great Job in those two days (the fact he says Anya should've talked to Him before telling Jimmy is uhhh. Mm. 1. Your job to create an environment where she comes to you my man 2. Weird to tell her what she should do with HER OWN PERSONAL INFORMATION) but like.

I get a lot of ppl want immediate consequences but consider that they can't really get rid of Jimmy (co pilot. Which is. Y'know it's Own Problems) but also like. Curly knows Jimmy, and we know that Jimmy tends to lash out. Curly should probably Not Confront Jimmy Unless He Knows Exactly How To Keep Him From Hurting Anya. Like I'm not an expert but this is something genuinely important- when confronting an abuser you NEED to take into account the impact it can have on their victim, and sometimes for the victims safety you need to wait until you have a Solid Plan. It sucks but it's important.

And theres discussion to be had about Curly kinda going along with Jimmy saying "well what if we all died" and like. I do believe he Didn't Realize What Jimmy Said. Like he was just processing/trying to keep the situation under control (and failing because he underestimated how willing Jimmy was to hurt everyone including himself).

Like he's definitely an enabler but I would say his problems are mostly before he understands the gravity of the situation, in that he's friends with Jimmy and assumes the best of a man with abusive tendencies, and fails to create an environment that can keep Anya and the others safe. Like, he definitely doesn't handle in game events perfectly (psych evaluation for one- he does do it instead of Anya which is actually helpful, but he still treats it like. Weirdly.)

Idk I have a lot of thoughts about this game and I don't necessarily want to defend Curly but more like. Anya's situation is very delicate (and light on details) so sometimes the way ppl talk Abt it feels like they aren't actually focused on what she wants and what it means to prioritize her safety y'know?

Edit bc I just now figured out kinda how I want to word it: curly is an enabler and making things worse bc he doesn't put a stop to Jimmy's BS, but in the specific scenario we see in game I think he's trying to use his Skillset of like, people pleasing not for Jimmy's sake but for the crews (like "if I nod my head and say I sympathize he won't lash out and hurt them") which like. There are situations which that is unfortunately the safest option (on an individual level yes, but sometimes it's also necessary to prevent abusers lashing out in response toward ppl who are more vulnerable) but it was the Wrong Choice.

It's like. I think Curly was trying and had good intentions, and understood that he needed to protect the crew, but he didn't have the toolset/experience to realize he can't Just go along with things and that he needs to be able to set hard limits, even for ppl he likes and trusts. Like he failed but the failure was "for want of a nail", where it began way before what we see (for want of an understanding of power dynamics I guess.) Again, don't think this makes curly more forgivable or whatever, I just think he's a good example of trying to make the right choices when you never realized you'd have to make these kinds of decisions and therefore are unprepared and/or unaware

Second edit: personally I don't think you can really incapacitate jimmy without there being serious risk (again he's the copilot) but curly should've given Anya the gun when she told him Abt the pregnancy

[shikai-the-storyteller]

AWH... I'm skipping through Roier's QSMP Day 1 VOD because I'm looking for a specific thing, and I just noticed that when Jaiden stands in front of the group to do her introduction and her mic isn't working, Mariana laughs (not in a mean way, I laughed too) and Roier immediately smacks him and tells him off for laughing.

[Timestamp ~36m 50s, volume warning for Quackity's awful mic]

It's such a little thing, but I think it's really sweet in retrospect, especially considering how Roier and Jaiden have become such good friends in recent weeks :')

[nyaskitten]

It's so crazy to think about how these two almost certainly come from the same realm, as part of the same tribe

[danothan]

tough pill i have to swallow is realizing that “getting better” doesn’t mean “getting to do more things,” getting better for me means taking better initiative in protecting myself. and THAT means making sure i do LESS things

[cerealmonster15]

i forgot grunt meant like henchman or whatever for a second i thought they were like yeah leonas bitch ass grunts and growls are partial proof to savanaclaw being an athletic leaning dorm lol

[dazais-guardian-angel]

Okay, a good amount of time has passed, and after having seen this post by @weretiger-be-my-horse , I've been turning it over and over in my brain going absolutely feral over this concept. I need to expand upon my thoughts on this idea and all the evidence there is pointing towards it, whether that be actual tangible things, or purely strong vibes I have.

First of all, full disclaimer: I did not like the season 5 finale, and how it wrapped up the DoA arc. To say that I "disliked" it is putting it extremely lightly, in fact -- I absolutely hated it, and I am still, to a degree, in disbelief that I actually even watched those 24 minutes with my own two eyes, and that it somehow wasn't a complete fever dream. While I'm not going to go in long-winded detail into all the ways that I feel like the finale almost completely bastardized all of its featured characters and destroyed any and all buildup we've had going on in this arc for 50 some chapters now, because that's not the main point of this post, I will not make any attempt to hide the fact that the theory-crafting I'm about to pose here is partly influenced and prompted by how much I hated the finale, and how much I desperately hope that it will not end up being manga canon. Therefore, if you enjoyed the finale — and that's fine! — and don't want to read any negativity about it, then I would not recommend reading any further (I mean, you've probably already left by this point, which is fair lol), While obviously it's important that I be as objective and unbiased as possible when explaining my thoughts, some of my negative feelings about the writing will be a part of this analysis, even if this isn't going to be a full-blown rant. Just know that if you proceed.

With that out of the way, let me continue.

So. In the aforementioned post, the theory presented is that the anime may be operating on an alternate timeline, and that this will become evident once we read the upcoming October chapter, wherein things will go completely differently post-chapter 110 than they do in the final episode — probably for the worse, with the s5 finale intending to lull us into a false sense of security and make us assume that everything in the manga arc finale will wrap up as smoothly and consequence-freely(? lol) as it did in the anime one. It also suggests that the Fukuchi we see at the very end that sskk are fighting came from the manga timeline, where he won, and that he used the Book to jump to a timeline where he lost, the anime one, proven by the fact that this Fukuchi is wearing a mask with the same design on it as the mask Fukuchi is wearing on the chapter 110 DoA color spread/title page.

First of all, I want to note the fact that it's not just the mask design that's the same: the entire outfit is roughly more or less the same as well. It's not completely 1-to-1, because the anime can never fully match the intricacies of Harukawa's beautiful outfit designs, and the Fukuchi in this scene has the kimono half-off because of the... super saiyan mode he's in, but most all of the main pieces of clothing are there. Any small inaccuracies could also be attributed to the fact that Harukawa probably didn't have this finalized art ready back when this episode was being made, so the animators wouldn't have had the complete design to work off of. But in general, because it's all so similar, I think we can quite confidently say that the ending episode Fukuchi is meant to be the one from this manga art.

Also, people have pointed this out, but it's worth mentioning that the mask Asagiri wore at Anime Expo in July was referencing this Fukuchi. It's not a crucial detail, but it just proves more that Asagiri is a gigantic fucking troll, and that he clearly wanted to draw attention to this Fukuchi design. It's important. He describes the mask here as made in the motif of an ellipses inside a speech bubble... could that perhaps be referencing meta aspects, like the Book?

Next, I want to talk about the even bigger elephant in the room, which to me is the most damning and undeniable piece of evidence there is of the anime operating on a completely separate timeline from the manga:

This Fucking Hand™️

As we all know, in the anime, Fyodor injures his hand when the password input device blows up, and as we all know, this does not happen in the manga. In the last episode, Dazai claims that the final nail in the coffin of his impromptu plan to kill Fyodor relied on this hand injury: because Fyodor couldn't pilot his escape helicopter himself, he would ask one of his Meursault vampires to do it for him, unaware that Bram and thus this vampire was now on the ADA's side, and said vampire could kill him while his guard was down.

Ignoring how utterly stupid and contrived this plan is when you stop and think about it for more than two seconds, the fact of the matter is that something that initially seemed like nothing more than an odd but inconsequential anime original addition ended up snowballing into being the entire reason one of the big bads was brought down. If Fyodor hadn't hurt his hand, he wouldn't have needed another pilot, and so the traitor vampire wouldn't have had an opportunity to get near him and kill him without him expecting it even though said vampire was presumably with him as they were leaving Meursault, and was probably already a traitor by then, so there was plenty opportunity for him to still die. not to mention by Chuuya's hands at literally any time he wanted to, because Chuuya was coherent the whole time. Also there's absolutely no way Dazai could have known exactly what Ranpo would do, no matter how smart he is and how much he trusts him. idk it's fucking dumb, just roll with it. Therefore, putting aside all other variables for now, we can conclude that, on the most basic level, this signifies that no hand wound = no death.

And let me tell you, this hand wound bothers me. It really, really does. Because they focus on it a LOT — they go out of their way to draw attention to it MULTIPLE TIMES, from the moment it first happens to the end of the season. Fyodor even talks about it to himself, about Dazai being able to cause him tangible, visible, bodily harm, (something that, again, as far as we've seen, has never happened in the manga). Hell, even after Fyodor's death, they're still drawing attention to it, because his right arm is all of him that survives, and Dazai picks it up and gives it to Nikolai to do his hilarious sad little gay fondling of it played completely straight even though there's nothing straight going on here at all! It's like it's a big red flashing sign at all times going "you see this injured hand? This is important. Are you picking up that it's important? Are you taking note of it?" Why is that? Obviously, it serves to give us the lore crumbs about Fyodor and "that man", but that's hardly the main, much more glaring reason, as I've already mentioned.

Fyodor doesn't hurt his hand in the manga. Fyodor won't die here in the manga. I am so dead serious by this point about this, and it's not just simply the fact that this was absolutely not at all the time for him to die, or the fact that his hand is the reason for his death in the anime in and of itself, but how much EMPHASIS they place on this, and on the hand in general. What would be the point of adding something like this, if it's not meant to alert us to the fact that it has a major impact on how the story plays out? We all know Bones: they struggle to get right and include everything that's already there in the source material; they would never go out of their way to add something this noteworthy if there wasn't a very good reason for it, if it wasn't absolutely necessary. I've seen a few people bring up the fact that Fyodor gets shot in the shoulder by Sigma and that that could lead to the same outcome in the manga, but I disagree: although he has blood on his shoulder in the manga, it seems like the bullet just grazed the top of it, because his arm and hand appears completely functional afterwards (not hanging limp by his side or anything). But that doesn't even matter, because this isn't even about the semantics/logistics of how the hand wound caused Fyodor's death because again, it's a stupid outcome, or what could serve as a substitute in the manga — thematically, this is a textbook example of the butterfly effect. Countless parallel universes exist within this series, ones where even the most minute differences lead to a majorly different outcome: this just happens to be one of them. There's no reason to think it isn't, and there's no reason to not think that the anime wants us to clue into the fact that things only went as smoothly as they did on the Meursault side because of this wound; in other words, that things will go very differently in the manga thanks to the absence of said wound. They wouldn't have added it in the first place and put such clearly deliberate emphasis on it otherwise.

Things are going to happen very differently in the manga, at least when it comes to the Meursault crew (but then, if you assume that, you then naturally assume it all will be very different). This is the only conclusion one can come to with the presentation of this anime-only wound, combined with the fact that parallel universes are a very real thing in BSD.

I'm going to go on a bit of a tangent, so bear with me. I play a lot of visual novels, and although such concepts aren't really as original now as they were a while ago, some of my favorite and some of the very best VNs out there are the ones that break the fourth wall and make the visual novel branching route format directly intertwined with the story: you know, the ones where the characters go "if only I had done things differently, maybe everything would have turned out better...!" in a wink wink nudge nudge moment, and the ones where the characters are aware of the different timelines, even, or even have the ability to gain information from their selves in said alternate timelines to influence events in their current one (I'm intentionally not naming the games I'm thinking of for the sake of spoilers, but if you know, you know lmao). It gets very meta in this regard, and this is how I started viewing BSD through the lens of ever since I first learned about Beast: like a visual novel with many branching routes, and only a few routes that feel entirely "right".

When I first read Dazai's Entrance Exam, I was struck by how unnerving the ending sequence in the abandoned hospital felt. Obviously, Kunikida's internal struggle over Sasaki's actions and motives is him still desperately clinging to his ideal world that does not exist, but the specific type of phrases he uses — "who is wrong?" "[who is] the cause of all this?" "there has to be an ideal world" "there has to be something, I'm sure of it" "There must have been something we could have done!" — and the framing of the scene in general, is eerily reminiscent of a bad ending in a visual novel, to me. There's a haunting, looming, bleak sense that a different outcome could have been achieved, if different decisions had been made, or if things outside of anyone's control had been different... and we know that this is true, because in Beast alone, Kunikida never goes through the Azure Messenger incident, because Dazai doesn't have his entrance exam. Hell, you could even consider the anime's version of the Azure Messenger arc an alternate timeline in of itself, if you really wanted to, long before we even arrive at season 5.

When it comes to Beast, this timeline has almost the opposite feeling of what I described above, that I've also encountered in visual novels: the idea of a "good route" or "good ending" that still doesn't feel quite earned, or as perfect as one would expect. Beast is presented as the "ideal" timeline purely for one sole reason: Oda is alive. It is the only timeline where he's alive, and keeping Oda alive is the ultimate goal Dazai wants to achieve, the only reason this timeline exists; therefore, disregarding all else, Beast should be the best timeline, because Oda's death is the greatest devastation in the series to date. We all want him to live, so why wouldn't the timeline where he does be the best one? And yet... of course, it isn't. Dazai is alone, and steeped in darkness and loneliness without Oda, and dies by the end of the story for Oda's continued living. Atsushi has Kyouka still, but he's suffering and more traumatized, and unable to heal while stuck in the mafia, and neither can Kyouka. Akutagawa is living a much better life in the ADA... but without his sister, and without what he has from his bond with Atsushi in canon, that isn't replicated in Beast. And Oda... Oda is alive, and he has his children and his novel, but there is a feeling that he is aimless, that something in his life is missing. He has everything he ever wanted, but all that means nothing without what he truly needs: Dazai, and his time with Dazai and Ango at the bar. In this way, things going well and us getting what we want — in this case, Oda living — goes against how it's supposed to be, the natural order, which is why it feels so hollow. In the specific visual novel I'm thinking of here as a comparison (again, shoutout if you know), there's an alternate ending that involves you inputting information you gain at the end of the game very early on in the game, wherein the protagonist now has memories of the future and is able to bypass and prevent all of the events that take place normally. This means that people who die or are hurt somehow in general are saved from that fate, and nothing bad ever occurs; everything wraps up neatly and nicely... but again, there's an undeniable, unsettling feeling of emptiness, of a victory that rings hollow, because what's the point if everything is simply handed to you easily, where's the sense of accomplishment, without any struggles to achieve said victories, or any growth along the way? How can it feel earned if one doesn't have to, in Dazai's words, "scream within the storm of uncertainty, and run with flowing blood"?

You can probably already see where I'm going with this.

This finale feels weird. Really, really weird. It feels too cheap, too simple, too unsatisfying. So much so, in fact, that for almost the entire runtime, as I was bombarded with resolution upon resolution one after another, I kept thinking "There's no way this can be real. Where's the catch? When is the "gotcha!" moment gonna happen? The "it was all a dream" reveal?". And this isn't just because I hated the writing, and that it really did feel like a fever dream watching fanfic levels of bad (actually, that's an insult to fanfic writers, tbh; they could do better) — no, it genuinely feels so incredibly fake. Even upon rewatching it and already knowing what happens, my brain still naturally keeps expecting some kinda of "sike, you THOUGHT!" moment to suddenly appear. It just.... feels "too good to be true". Dazai and Chuuya come out unscathed, and it's revealed that they were never in any real danger to begin with. Fyodor, one of our biggest threats, is dealt with supposedly for good (I say "supposedly" only because of the Jesus line, but if anything imo, I think that's just a hint that this won't be the canon ending in the manga, so in a sense he's going to "come back to life"), and Nikolai seems somewhat at peace with his death. The other biggest threat, Fukuchi, is also dealt with, and he and Fukuzawa get their final moment together of closure. Yes, Sigma is left in Meursault don't even get me started on how angry this alone makes me, and Fukuzawa loses Fukuchi, but overall, everything is portrayed in a positive light, and any negatives or losses are quickly glossed over. Everything is tied up nicely, neatly, and smoothly. ...And that is exactly what makes it feel so wrong, and hard to trust in.

I'm not sure if this will make sense, but to me, the finale is so incredibly poorly written that it almost feels.... intentional. It's so bad to the point of feeling self-aware in how bad it is, how unrealistically happy and convenient an ending it is. It had to end this neatly in order to rush to wrap up this arc for the season finale and not leave the last episode on a cliffhanger — which imo is chiefly the main reason it turned out this way, and, if this whole theory is true, Asagiri just used it to his advantage — and I'm not saying this was probably an effect Bones had in mind intentionally, I'm sure they just threw shit at the wall and went with whatever stuck, maaaaybe with some suggestions/approval from Asagiri, but the result is that you have a conclusion that contradicts so much of what was set up before and goes against so many character arcs, making some characters so out of character and even regressing in their development Dazai. I'm talking about Dazai abandoning Sigma, because he would never; hashtag #NOTMYDAZAI. Also Nikolai, Nikolai for most of that is so ooc I can't even begin to describe it oh my god. Everyone is OOC to a degree though lmao, and opens so many plot holes, to the point that it's impossible not to watch all that and get the feeling that it is subtly saying to you "did you really think it could be this easy? It feels wrong, doesn't it? It doesn't feel satisfying. It feels unearned." I find it incredibly interesting and suspicious in particular that they confirmed multiple theories people had about soukoku in Meursault: that Chuuya slowed the elevator's fall so that Dazai wouldn't die from it, that Chuuya slowed down the bullet so that it only penetrated Dazai's skin and not his skull, and that the both of them used Fyodor's camera angle to their advantage because they knew he wouldn't be able to see certain things from his view. I'm not saying that Asagiri trawled BSD twitter and tumblr after those chapters dropped for the most popular theories before the final episode was made lmao, there was no time for that (imagine though lol—), but I do think it's highly likely that he already had in mind exactly what theories would be made about these parts (I mean, the evidence for the gun scene was all there), and that Dazai rattling them off in his long monologue to Fyodor at the end is essentially him speaking to the audience and going "yeah, that's what you would predict, right? Those are the clichés, after all", much like him suggesting earlier that he can maybe bring Chuuya back to himself with a few moving words and the power of friendship, and Fyodor using the split personalities trope to fool Sigma. We expect these tropes to be true. Of course we'd fall for them, as Fyodor tells Sigma, especially if the evidence is right there. But Asagiri himself has explicitly said that he likes doing the opposite of what people expect. And so just because people predicted correctly with the three things I mentioned in this timeline... doesn't mean they'll be true in the manga's. Things happened how we wanted and expected it to, and everything turned out happily. So we can relax now, right? Everything will work out just as easily in the manga, right? Or... is the reason most of this finale feels so fake and unsettling and unsatisfying because it's meant to lull us into a false sense of security before all our heroes lose in the manga? Because deep down, we don't want an ending that's this simple, because we'd rather have a conclusion where our characters have struggled more and grown more and come out the better for it, and we know it?

After rewatching the episode a lot, and watching some other videos, and doing a lot of thinking, I am pretty confident in suspecting that the only part of this finale that is actually from manga canon, aside from Aya jumping off the building of course, is Fyodor and Nikolai's exchange after Fyodor leaves Meursault — specifically, them talking about Fyodor leaving Sigma behind, and their "new game" and Nikolai being excited at the prospect of it. This little conversation actually feels in character for them, and it's easy to tell this when contrasting it with everything that happens immediately after, wherein Fyodor is fatally stabbed, and Nikolai, completely at odds with what he was just talking about, just... stands there and watches Fyodor die while Dazai monologues lmao. I'm not sure if the helicopter is still a factor, but I would bet good money on Fyolai getting out of Meursault being manga canon, and that Dazai and Chuuya getting out as well and killing Fyodor + everything with FukuFuku, is part of the anime original ending, in order to wrap up everything positively. It makes much more sense if you think about, in reality (aka in the manga), Dazai and Chuuya still being left behind in Meursault (where they can eventually try to get Sigma), because none of it was an act and things did not go according to plan, and Fukuchi having an entirely different goal that doesn't feel so stupid and contradictory to his character, and Fukuzawa possibly dying — everyone seemingly loses, with Aya still being the last hope, perhaps by awakening her ability like we all speculated.

There's a youtuber I watch who covers BSD in-depth, despite being an anime-only (she reads the respective manga content after each season, though). Going into this finale, she knew about the fact that the anime had overtaken the manga, though she didn't know where the cutoff point was; despite that, however, she made predictions about what was from the manga so far and what was anime original, and it was almost entirely spot-on, based mostly on what she basically described as "anime original dialogue." She talked about how you can always tell when dialogue is veering into the realm of anime-original, because the sentences are very short, choppy, and slightly out of character, but generic enough to not be TOO out of character, and so that anyone can easily write said lines, even if they're not extremely familiar with the character like the original author would be. And when I heard this explanation, everything clicked — because so much of this finale has dialogue like that. The Fyolai scenes just feel peppered with it, around the lines I mentioned earlier, the Dazai dialogue does too, and ESPECIALLY shit at the end like Fukuchi and Fukuzawa exchanging the cliche death lines to end all death lines: "Are you there? I'm a little tired." "Rest up." That just isn't Bungou Stray Dogs. That isn't Asagiri. BSD is cheesy at times, yes, but it isn't like this; it's smarter. The dialogue is smarter, the explanations/plot twists are smarter, Asagiri is smarter, and the aforementioned youtuber I watched agreed. She's a pretty casual fan of the series, so if even she could pick up on these things, I think it speaks volumes.

I mentioned this briefly earlier, but this theory makes sense if you consider that this situation probably came about because of Bones wanting two seasons back-to-back when they did, and this arc being as long as it is. Season 3 aired in 2019, and I imagine Bones would have wanted season 4 in 2020, and might have then been willing to wait a bit longer for season 5 in order for more of this arc's manga chapters to come out — but then covid happened. Because of that, season 4 was delayed to 2023, creating the longest gap we've had between seasons, and I wouldn't at all be surprised if the delay made them want season 5 right together with it, after getting so far "behind", so to speak. S4 was announced in November of 2021, and roughly around that time, Asagiri was finishing up writing the plot of the DoA arc. If Bones came to him sometime in late 2021 and said they wanted two seasons now (so basically, one giant two cour season), Asagiri would know that not only of course would this arc not be finished publishing in the manga for a very long time yet, but that roughly 20ish episodes would not be enough to cover it all to the end, with this arc being longer than any arc the anime has adapted to date. Because of all this, and the arc manga chapters being nowhere near fully drawn to completion, he'd have to make a decision about what to do, and what to give Bones. Without ending season 5 on a massive cliffhanger that wouldn't be resolved for years until an eventual season 6, the only other option would be to rush towards an anime-original ending for the DoA arc.... and for Asagiri to take advantage of that, and integrate it into BSD's lore. Thereby creating a truly unique cross-media experience that utilizes the different mediums to create multiple timelines, that could make both the anime and manga interact with each other and become part of a bigger picture (not that you'd need to see both to get the full experience, mind you, just that it'd provide a little bonus if you did).... and would without a doubt be Asagiri's biggest surprise yet.

...I feel like at this point I'm starting to ramble, and my evidence become more and more incoherent and less substantial lmao, so I should probably end this post. 💀 Thank you if you've read this far, and hopefully it made some semblance of sense, despite not being structured very well; I know I promised at the start to try to be as objective as possible and curb my negative feelings, but I'm not sure how well I succeeded in that regard. If it weren't for the Fukuchi thing and the Fyodor hand thing, I probably wouldn't take how wrong and strange and bad the finale feels to me as serious evidence about it being an alternate timeline, especially since I seem to be one of the only people who actually hates all of it.... but combined with everything else, I am just so convinced of this theory being true. It started off as pure copium, but as more time has gone on, I fully, 100% believe in my bones (ha) that there is no way that finale is the same Bungou Stray Dogs I know and love, for so many reasons. It just isn't. It can't be. I know BSD better than this, I know Asagiri better than this, and I know that it's absolutely in the realm of possibility for him to cook up this whole scheme to completely blindside us with in the upcoming chapters, because that's exactly the kind of shit Mr. "Please Be Surprised!" himself would pull. If I end up being completely wrong, I guess I'm wrong, and you can laugh at me all you want then.... but I just know that ages ago people were teasing the idea of the anime operating on a different timeline from the manga, and I truly do think that only now are we finally seeing that idea come to fruition, as a setup for Asagiri going full-bore insanity with the Book in the upcoming arc(s). if I and the OP of that theory end up right, this will be the wildest time in the BSD fandom's history.

Like. I cannot even emphasize how hard they are trolling us at this point. Something is going on. Something is being cooked over there, the likes of which we've never seen before... and I don't think any of us are ready for it.

Oh yeah, and one last thing of note: both Fyodor and Nikolai here have their right arms hidden from view. Is that alluding to anything? I'm not sure. I also think that since chapter 110 was so short, next chapter will likely be 110.5 instead of 111, and if that's the case, this title spread could still technically be associated with the next chapter... wherein we might see this Fukuchi, who ends up wreaking havoc, right before he jumps to the timeline in the anime, as we see him at the end of the s5 finale.

I guess we'll find out on Tuesday.

[onlyasimp4nobody]

[varjopeura]

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[sillimancer]

so I've been watching Bluey and I'm on episode 37/52 in series 1 so I feel like I've seen enough of it to have genuine thoughts (I skimmed the wikipedia page too)

the reason I started watching it was because of its reputation among millennials with kids who have been swearing up and down that it's basically free therapy for our age group. I'm definitely in the market to having my brain chemistry altered but after 37 episodes, I don't know that I'm there yet. there is still a lot of show left to go though, and some of the most-circulated clips I've seen on social media have been in episodes I haven't come across yet, so that is subject to change.

what I CAN say is that Bluey is objectively a very good tv show that 100% deserves its Peabody award. it's thoughtful, fun, and honestly funnier than it has any right to be. I've laughed out loud more than once. Joe Brumm made the show with the intention of it being entertaining for both kids and parents and he absolutely nailed that balance, I think. in that way, it's not a kid show; it's a family show. and I like that (and I'm pleasantly surprised by how well it works!).

I haven't been a kid for a long time so it's hard for me to put myself in the shoes of a child, especially in a world that is so drastically different from mine. I think this is the first kid show I've seen that prominently features things like smartphones. I know those shows exist--the new Blue's Clues is a good example of how things have been updated to suit modern audiences--but it's something that caught my eye as an Old Fart (in internet years). Not as a bad or good thing, just as a "wow I'm getting older and it's getting harder to relate to or even understand childhood" kind of way. Maybe that's why people want to be parents so badly. To reconnect with that. I can sympathize with that feeling.

the show focuses a lot on Bluey and her sister and friends navigating the world through imaginative play, which I love and has a solid backing in child developmental psychology. I actually just started learning a little bit about play therapy (I follow a play therapist on tiktok who kinda got me into it, I love her), so I feel like I've been getting a little bonus bit of enrichment out of the show for that. it's like when you're watching a movie that's partly in another language and you don't speak the language but you recognize it and can maybe pick out a couple words? it's like that.

I think Brumm really captured lightning in a bottle with this project. you can feel the love it's made with. the storylines are grounded with just the right touch of an almost magical or fantastical quality that really makes you feel childlike wonder even as a cynical and deeply depressed 30-something. There's conflict and mess, sure, but built on a foundation of safety and community, and I think that's probably what's resonating with (american) millennials. we inherited so much instability and pain from our previous generations that it's hard to believe a world or even a family unit like Bluey's could exist. parents who love each other? who are active in their children's lives? who apologize when they do something wrong? COULDN'T BE US!

all this to say I'm enjoying the show, it's heartwarming, it's charming, it's delightful, and I hope Joe Brumm lives forever. but it's also very much designed for children so like. I worry the millennial parents crying over this show on tiktok may be overselling it.