I personally really like the idea of Bill x Reader x Ford. This one kinda ties into my previous post, but it’s not required reading. I suppose this would be an AU where Ford accepted Bill’s offer during Weirdmaggedon, or something else went wrong resulting in Bill staying in power :)
Contents: forced age regression, yandere, implied mental manipulation
Whereas Bill is far from the best caretaker (though he tries, in his own way), Ford takes care to create a semblance of structure in your life. He doesn’t have tons of practical experience with children or little ones such as you, but he makes up for it with dedication. He takes to caring for you as if it were a newly discovered, fascinating field of study. In other words… He reads many, many books, and tries all kinds of things to figure out what you like best.
Ford is not entirely fond of the kind of dynamic you have with Bill. It's not because he doesn't want to be referred to with parental terms, that's simply a matter of preference, but that he insists on you being friends above anything else. Considering the dynamics at play here, Ford cannot help but view it…
"As simply pedagogically irresponsible, Bill."
The triangle in question rolls his eye.
"Oh, boohoo! Fancy McFancypants over here knows what’s up!” Bill glances at you from the corner of his eye. Seeing you crack a smile while you’re sketching away with your crayons, he’s encouraged. “You read one book on how to raise a kid, and now you wanna tell me what to do? Get lost. Kid, c'mon, prove him wrong-- I'm your favourite, right?"
You look up from your latest piece of art. You are drawing all three of you, in fact. You're usually deaf to their arguments, it's such a constant that you've grown used to the noise and stopped viewing it as a threat. (Your daddy calls it 'bickering'; Billy, when daddy isn't listening, calls it 'flirting'. That makes you giggle.)
But you don't like getting involved in it yourself! So you firmly shake your head, and drop the pacifier attached to your necklace to speak.
"No favourites… I love you both," you say with the confidence only someone as little as you could have. Billy's eyelid flutters, and your daddy smiles.
To put it simply, Bill is the ‘fun, rule-breaking parent’ and Ford is… A little less that. One should not take Bill Cipher as the benchmark of taking good care of a human, though.
Ford will make sure your meals are more varied than the endless stream of candy that Bill feeds you, and get you tucked in for sleep at regular times, too. Compared to Bill, who enjoys playing games with you and ‘roughhousing’, Ford prefers calmer activities. He’s definitely up for the occasional board game, but, most of the time, he’ll read to you, make drawings upon requests (or give you lessons!), or toy around with science experiments safe for someone who gets the urge to put anything that looks interesting inside their mouth.
He might’ve taken you for an adventure or two outside, but… The world hasn’t been the same since Bill got his hands all over it. He may be technically immortal now. You decidedly are not, as far as he knows. Either way, he doubts that Bill would let you out of this room to begin with. He doesn’t have to ask to be able to know that. If there is any reason he would keep someone locked up the way he does with you, it must be because you have some form of special connection to him. Ford does not believe he would risk that.
Really, Ford isn’t stupid or blind. It’s not that he’s going along with all of this because he is ignorant of Bill’s manipulation of your mental state. Bill can call it a ‘nudge in the right direction’ all he wants. He’s keeping you regressed. But everything has changed. He has changed, and Ford doesn’t know if he made the right decision. He fears he hasn’t. (Somewhere out there, in an alternate universe, a Stanford must live who made a difference decision. Ford hopes he’s happy.)
Spending time in this little contained room, with something dependent on him and eager to be looked after by him, who doesn’t know better and never will… It’s not good, it’s the very definition of selfish, but it’s comforting to him. Grounding, in a sense. With an eternity of time left ahead of him and the foundations of his previous life all but crumbled, he has something steady to return to. It doesn’t matter how much he rationalizes it. It’s twisted and fucked up, plain and simple.
…He supposes he can understand why Bill finds him so amusing, even now.
A little whimper snaps him from the spiral of his thoughts. Your bottle is empty. He should get youa refill, then pull you back on his lap.
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you are not "detrans" you are cis
i'm definitely what you'd call cis too! though cis/bio womanhood is not at all what most tras assume it's like. especially detrans cis/bio womanhood. and for me, the label detrans helped me find others like me. it kept me from hating my own guts. it helped me find a community of ppl who actually understand what i've been through and don't think i'm a freak.
living as trans for 13 years changed what mainstream tras would call my gender identity forever. it also is a way for me to find people who also went thru what i went thru. i get a lot of DMs from other detrans women and detrans men who lived as trans or even transitioned partially/fully like me (i was on testosterone for a bit and have an awkward bit of annoying af stubble T_T gotta get expensive laser for that... it can be isolating!). to me, i will never again be a fully cis woman. i will forever be affected with having struggled with intense dysphoria for 13+ years. i also feel like my cis womanhood in general has forever been changed with me having rejected it and then finding it again - it does NOT feel the same way as my girlhood did. in girlhood, i didn't give a shit what people thought girls or boys needed to do. doubly so because i was autistic. then puberty came, and the usual teenage girl and/or afab experience of needing to conform to cispatriarchal expectations came, and i freaked the fuck out about my boobs, about how boys were suddenly treating me and the things my shitty female relatives told me were "becoming a woman" (all very conservative notions of womanhood) and it grossed me out so badly, on top of grappling with being into other afab people, and i just totally distanced myself from girlhood at all. i gave up on making my own scrungly, gender nonconforming version of girlhood. girlhood felt like it had no room for people like me.
and so i kicked it out of my mind. i obsessed over becoming a boy. some trans boys, ofc, become happily trans men. for me, though, it personally was an escape. i was trans-identified for all the wrong reasons and it really fucked me up. it made my internalized lesbophobia so much worse, to the point where i even started identifying as pansexual/bisexual (PREPOSTEROUS thing for me since i had never ever in my entire life been attracted to a man or someone living as male in society... but i was into non-transitioned transmasc people, so i thought i couldn't possibly be lesbian!). for me, the trans identity was a bandaid, it was a crutch in the worst possible way. detrans people aren't trying to make trans people look bad. we're not trying to convert y'all, we don't give a shit. we're too busy grappling with our newfound connection to cis womanhood/cis manhood and dealing with transition-related issues.
we NEED to find fellow detrans folks or we'll go batshit crazy with shame at having made a mistake, guilt at being weaponized without our consent against the trans community, and just fucking hating how hrt/surgeries affected our bodies and trying to come to terms with that and learning to love our bodies as they are despite it all.
detrans cis womanhood will never be normie cis womanhood.
detrans cis manhood will never be normie detrans manhood.
living as trans for years affects you DEEPLY. trans people should know this first-hand. detrans folks, simply by starting to live as cis / bio men/women again, cannot suddenly erase all those years as if they never existed. we just can't. i'm sorry. i tried. dear goddess i really fucking tried harder than you'll ever know. and so did so many of my detrans friends and my darling detrans girlfriend.
but detrans people need other detrans people.
mainstream tras don't understand us.
cis/bio radfems who aren't detrans often misrepresent us.
we need eachother.
and our voices NEED to be heard too.
both radfems AND mainstream tras don't get it.
detrans & desisted folks NEED sisterhood & siblinghood.
only detrans women understand other detrans women.
only detrans men understand other detrans men.
i will always be seeking out lost detrans sisters. and i will always want to hear out my detrans brothers. i love my detrans/desisted community. we've been through really hard shit, we're more likely to be gay, more likely to be traumatized, more likely to be autistic. we're not what you think. and now you need to sit down and hear our stories. sorry. it has to happen. or feel free to block all detrans voices and plug your ears and go lalala! and now i'm not talking to you specifically anon, i don't want to put assumptions in your little mouth. but i'm talking to ALL mainstream trans activists, anti-radfems especially, who assume the very worst of us from the get-go. those who want detrans & desisted people to pretend we were always cis and normies who should pretend to not be deeply affected by our real lived detrans/desisted experiences. we will not shut up. we refuse to. both radblr and normie leftblr misrepresent us.
our voices matter. or, at the very least, we deserve to put detrans/desisted in our bios so we can find one another. shoutout to my detrans & desisted siblings!!! i love you!!!! <33
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This isn't going to be another "you hate fanfiction!!" because very obviously you do not, but it is prompted by the discussion of branching out into original work, since it's something I often struggle with when trying to make that jump. Do you or any of your followers have any good resources on beginner worldbuilding? I really struggle with it.
Thank you!
If you check out my post where I made a "Prep Calendar" for Outline October (Which is a November-prep alternative/ supplement to Ominous October, the spooky short story event), I actually made a rather rough calendar outline of how to go about world building in advance for November;
The basic first steps for me are usually just three things:
Who are your characters
What kind of world do they live in (aka setting)
Whats your main plot/conflict?
To start worldbuilding at its lowest level, start with number one and work your way up; figure out what kind of character you'd like to write, where they live, and go from there!
Here is the prep calendar I threw together in MS paint, I definitely reccomend downloading it on desktop to actually zoom in to see what all it says lol.
And as a bonus, I will even make a fun, silly little exercise for anyone who'd like to get some practice in!
If you want to join in, grab a pen and pencil, or open up your favorite note-taking app :D
Here we go....!
Let's start out by saying that my basic concept for a character is *spins mental wheel of random ideas*....... a talking deer!
1) So now that I have decided that I want a talking deer character, now I have to decide:
A) do *all*deer talk?
B) Do *all* animals?
C) Or is it just this one singular deer who is special?
2) If it *is* just this one singular deer who can talk, are they:
D) otherwise a perfectly normal deer who just happens to be able to talk?
E) Can they talk because they used to be human?
F) Can they talk because they used to be an Alien or encountered Alien Tech (scifi) ?
G) Can they talk because they used to be a Magical Creature or ran into a Magical Spell (fantasy) ?
3) Now you get to decide, mostly if you chose A or B from #1 but also useful for C :
H) Is your story a more personal nature documentary, with realistic interactions between predators and prey?
I) Is your story going to be a unique world where deer have built a society with technology and know how to defend themselves from predators?
J) Is your story a unique world where all animals can talk and are equally sentient, therefore predators are revered as gods or keepers of the dead, who bring all back to the circle of life and prevent the spread of illness and disease, with older animals proudly going "to the wolves" to give their life to their brethren who consecrate the bones of the dead and keep resources plentiful?
K) Or are predators the monsters in the dark, the teeth that bite, the slavering jaws that kill to live and *cannot live any other way*, so has learned not to regret?
L) Or even, predators who feed from the already-dead when they can, and eat their fill of berries, nuts and fruits when they cannot, because they do not wish to take the lives of others for their own sake?
*clears throat* ahem. Drama done (can you see why I love worldbuilding) ,
go ahead and pick a letter from each of the above options, and jot them down on your paper or note-taking app.
You now have: A basic character, their backstory, and a basic setting!
From three-ish questions from a basic idea, you can spawn multiple possibilities, each of which can branch off into their own unique iterations!
Here's a few more, if you'd like to continue the exercise as further practice:
What is your deer's name?
What do they look like / what kind of deer are they? (deer of various species are found over almost the entire world, so there is tons of variety! :D )
What kind of world do they live in?
How do they interact with humans?
*are* there humans in your story?
What kind of zany or terrifying adventures would your talking deer and a human go on?
What kind of adventures would your talking deer go on with other deer or other animals?
How does your deer get along with other species?
Do they have friends from other species?
Do they have rivals from other species?
Do they have *sworn enemies* from other species?
Do they have a *love interest* from another species?
etc!
I am hoping this game/exercise is helpful, my brain being both autistic and ADHD means I am, at the drop of a hat, ready to start spouting more and more ideas sparked from a single concept at any given moment!
And yes, if you did this exercise, please feel free to use your deer character in a story, draw art of your deer character, etc!
If this exercise was helpful to you or fun, please feel free to tag any deer creations with "NovellaDeer" , I'd love to see them!
You can easily adapt this exercise to any story concept you need to worldbuild; pick what basic idea you have for a main character, and start asking yourself questions about them and their circumstances, and let yourself come up with multiple, contradicting answers for each question; the more the merrier!
After you've decided which starting answers you like the most, you can work your way down the list, asking follow-up questions, and before you know it you will have your very own original character :D
And do not feel like you need to keep your character exactly the way they start out as; characters evolve over time, and you may find yourself changing their "base" character to suit your story or to suit your tastes as you get more experienced with writing and world building!
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hi, i haven't read the iliad and the odyssey but want to - do u have a specific translation you recommend? the emily wilson one has been going around bc, y'know, first female translator of the iliad and odyssey into english, but i was wondering on if you had Thoughts
Hi anon! Sorry for the somewhat late response and I'm glad you trust me with recommendations! Full, disclosure, I am somewhat of a traditionalist when it comes to translations of the source text of the Iliad + Odyssey combo wombo, which means I tend to prefer closeness in literal verbiage over interpretation of the poetic form of these epics - for that reason, my personal preferred versions of the Odyssey and Iliad both are Robert Fitzgerald's. Because both of these translations (and his Aeneid!) were done some 50+ years ago (63 for his original Odyssey tl, 50 flat for his Iliad and 40 for his Aeneid) the English itself can be a bit difficult to read and the syntax can get confusing in a lot of places, so despite my personal preferences, I wouldn't recommend it for someone who is looking to experience the Iliad + Odyssey for the very first time.
For an absolute beginner, someone who has tried to read one or both of these epics but couldn't get into it or someone who has a lot of difficulty with concentrating on poetry or long, winding bits of prose, I fully and wholeheartedly recommend Wilson's translation! See, the genius of Emily Wilson's Iliad + Odyssey isn't that she's a woman who's translated these classics, it's that she's a poet who's adapted the greek traditional poetic form of dactylic hexameter into the english traditional poetic form of iambic pentameter. That alone goes a very very long way to making these poems feel more digestible and approachable - iambic pentameter is simply extremely comfortable and natural for native english speakers' brains and the general briskness of her verbiage helps a lot in getting through a lot of the problem books that people usually drop the Iliad or Odyssey in like Book 2 of the Iliad or Book 4 of the Odyssey. I think it's a wonderful starting point that allows people to familiarise themselves with the source text before deciding if they want to dig deeper - personally, researching Wilson's translation choices alone is a massive rabbit hole that is worth getting into LOL.
The happy medium between Fitzgerald's somewhat archaic but precise syntax and Wilson's comfortable meter but occasionally less detailled account is Robert Fagles' Iliad + Odyssey. Now, full disclosure, I detest how Fagles handles epithets in both of his versions, I think they're far too subtle which is something he himself has talked at length about in his translation notes, but for everything else - I'd consider his translations the most well rounded of english adaptations of this text in recent memory. They're accurate but written in plain English, they're descriptive and detailled without sacrificing a comfortable meter and, perhaps most importantly, they're very accessible for native english speaking audiences to approach and interact with. I've annotated my Fagles' volumes of these books to heaven and back because I'm deeply interested in a lot of the translation decisions made, but I also have to specifically compliment his ability to capture nuance in the characters' of these poems in a way I don't often see. He managed to adapt the ambivalence of ancient greek morality in a way I scarcely see and that probably has a hand in why I keep coming back to his translations.
Now, I know this wasn't much of a direct recommendation but as I do not know you personally, dear anon, I can't much make a direct recommendation to a version that would best appeal to your style of reading. Ideally, I'd recommend that you read and enjoy all three! But, presuming that you are a normal person, I suggest picking which one is most applicable for you. I hope this helps! 🥰
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@7iktor. . . 𝚅𝙸𝙺𝚃𝙾𝚁 𝙷𝙰𝚁𝙶𝚁𝙴𝙴𝚅𝙴𝚂.
❛ i wish i knew how to talk about it. ❜
the silence breaks as only the seventh could break it : short and sweet. he almost expected more, after so long, as if time had swallowed up the familiar cadence of this brother beside him already ; more volume, more noise, but the bar is quiet this time of day, daylight drifting dots past the windows that don't quite reach viktor. or maybe it's exactly what he expected, just less. . . solid. now, still, sure ; viktor used to inhabit an almost dear in headlights - like stocism that was likely medically induced in hindsight, but brittle. like a breeze would just blow him away.
but there viktor sits, body planted heavy in the booth, eyes unflinching, unthreatening. unthreatened. still viktor, just. . . more viktor. “ there aren't words for some things, ” he answers, careful, gaze subtle and searching. a wince, maybe. five may have helped kick them all to the space - time continuum curb more - so than the others, but every one of them left of their own accord. old habits. five doesn't know much, but he knows viktor wasn't exactly keen on visits, at least one - way. although, five wasn't so keen as to pay viktor a visit himself until now, was he ? “ i'm sorry i haven't really given you the opportunity to until now. ” words were more viktor's forte. you could fill a book with words five couldn't say. i know you were about to accidentally end the world, but i'm really sorry about that time i threatened to kill you and also ruined your life ? and that other time i threatened to kill you and ruined your life— what was it, three times ? riveting.
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