#but i have no idea what it entails

[starburnedkisses]

ok actually, i have a question if someone can answer; what’s a qpr like? and what does it mean to have or be a qpp? the most i’ve read about it is from reddit and it was infinitely unhelpful

[turtleblogatlast]

Shockingly underrated thing about Leo is that he’s legitimately charming when he wants to be?

He’s the Faceman! He’s persuasive! That’s not just some random title he gave himself with no backing to it. People will listen to him. Even if they think he’s being annoying or if they’re upset at him, people listen to him anyway! There’s a reason his bros push him out front to talk to people, and when this happens, that talking nearly always works.

Moreover, Leo knows people. He looks at them and takes into account how they act and what they’re like as he makes his way through the conversations. It’s easy to forget this aspect of Leo’s character because he only brings it out when he really needs (read: wants) to, but it really is a notable part of him that always love to see.

And I say charm in particular because he has a knack for not only getting people to pay attention, but for getting people to stay and listen to what he has to say.

[sysig]

So much experimenting to be done, where to even start (Patreon)

[annoyinglandmagazine]

Caranthir at the annual Feanorian strategy meeting: You know, we could just chuck it all and turn to piracy. It would be a LOT easier.

[kyouka-supremacy]

“Chuuya villain arc” do you think that usually he works for the good guys?????

[wishchip106]

the kids:

the dads and the cool aunt who has to do everything because these guys adopted six kids despite knowing nothing about parenting:

[captainjonnitkessler]

If I could create a law of the internet it would be this: There is no word so specific or so well-defined that people online won't misuse it until it is absolutely meaningless.

That shelf is going to buckle under the weight of all the words we've had to put up on it and we are still finding new words to redefine into oblivion every single day

[callsthefaithful]

wip. handies

[seaofreverie]

Thank you sparks for the ominous ticking noises they've made me happier than i've been since hearing my favourite song played live in front of me two months ago

[icewindandboringhorror]

It's always interesting to hear about people's weird/unexpected "alternate life paths". Like, something that you could have done with your life, a job you almost took, a school you almost went to, etc - that was still actually realistic enough that it could have happened, but NOW it seems to not suit your current personality.

Like for example, I currently hate advertising (how manipulative it is, brands trying to be 'relatable', social media amplifying it to an obnoxious extreme, etc.) so much that even seeing a little ad before a youtube video is grating to even witness, but there was a point in time where I was genuinely seriously considering going into marketing/making commercials as a career lol. Or like, I have a relative who was very inclined to be a pastor when they were younger, even though today they're a super strong atheist, etc. etc.

[numbersareimaginary]

was thinking about whether im a therian and this appeared to me in a vision

[windupaidoneus]

hey btw are you familiar with the hades lore they put in the nier mobile game

THE WHAT THEY PUT IN HUH?

[desktopmermaid]

Sum stuff of king and anchor in their teens. And BORROS Goldie lore I’ll eventually do a proper comic about, but here’s like scraps of info

[superconductivebean]

#1539

I disdain and hate Engish dialogue punctuation. I'll explain.

With M-dashes for dialogue and quotation marks for thoughts and inner monologues, the text is objectively a lot easier to read without actually reading the script. You're aware of what to expect, grammatically, and can adjust to the author's pace this way.

I am a fast reader, it's all vital for me and it's a generally good exercise to try and implement grammar as a pace marker.

But the way English-language allows for random placements of the spoken speech is aggravating; it's not, technically, the language's fault, but I totally understand why people constantly feel lost or don't understand the system completely. I don't understand it either, and in a sense, I reject and resent it.

How are you supposed not to if everything looks exactly the same?

Especially when it allows this to exist:

"A lengthy line of dialogue", character A says. "A line that belongs to its own paragraph and is poorly indicated, if at all", character B adds. [Unrelated things are happening here and it's not clear why they're not their own paragraph.] "Line." [who said that???]

Bonus point if there is no indication and the reader is expected to utilise the power of cosmos to understand who said what lest they don't want to reread an entire scene multiple times to simply be able to digest it.

It's partly author's fault. A paragraph is a concealed thought, it should be lone in most cases, but intertwined with everything else. We as authors should always remember this.

But the language allows to mush these thoughts together. It creates a sense of the flow, yes, to write like this; but then its reading is done backwards. You have to look at the end of the next sentence to know who said it, then read the line, then read everything assembled together, and even if your eyes were trained to do that in seconds, it's tiring and unnecessary. Cute but rocky flow, perhaps you shouldn't write like this, maybe it's better to opt out for something like this:

"Line." "Line?" "Line x10." "Oh. Line then."

If a paragraph is a concealed thought, the thought can also be a compound of smaller thoughts. Yet they shouldn't be convoluted or smooched together too tightly they're nigh impossible to untangle?

With M-dashes, this would look like this:

— A lengthy line of dialogue, — character A says. Character B adds: "A line that could still be its own paragraph but now fits as it is clearly marked as an addendum BEFORE the line begins; could be possible with the previous example but is rarely, if ever, structured this way". [Things became their own paragraph.] — Line. — Still unclear who said that but at least it is its own thing now.

And this is one of two cases when "" aren't used for thoughts and inner dialogues; another one is when your entire dialogue is back and forth and can be presented as its own paragraph.

It also makes the text read extremely fast because you take in the sentence structure first and then populate it with words and senses.

I'm angry at this, evidently. A lot of thought goes into where it should not belong—ttp it feels like a honest downgrade from Russiаn. The punctuation should be the rail regulating of reading, not a labyrinth or a some kind of twister game.

[mothpdf]

crying on the public transport

[plyr125]

i do think the potential of a plot twist as big as minsu being the son of a vip or vip no. 3 himself is great, but it feels far too close to the season 1 reveal of 001 being the head vip and what's going on with the front man in season 2. i won't be implementing it into my main verse as a result, unfortunately. it's a fun au to explore but it's not my intention to cheapen the events to come in season 3.