#but heres what shes been up too

[brainrotcharacters]

makes me giggle to think of X2 Logan meeting dp&w Logan when this is a thing

[guinevereslancelot]

what was with cameron house md she spends 90% of the episode saying she wants their patient to die bc he's a genocidal dictator and her colleague husband says "babe it bothers me for ethical reasons that you want our patient to die :(" and she said "hm maybe you're right :/" but when it comes down to it the genocidal dictator lays a finger on her in an aggressive manner and chase instantly commits medical malpractice to murder the guy and then when he tells her she LEAVES HIM bc boo hoo he's a murderer now like GIRL he killed a man for you!!! he's wracked with catholic guilt!!! he's being crushed beneath the weight of his sins because he chose his devotion to you over his devotion to god!!! he literally could not get any sexier at this moment in time!!!

[drenched-in-sunlight]

saying this as respectfully as possible but. Do not put fandom content creators on a pedestal. We are also just fans contributing to a community just as you are. We have boundary on our own work and that’s it. What I say is not and should not be considered sth the whole fandom should listen to. I’m just a normal ass person ranting about things on my blog. If it does not have a fandom tag for others to engage in, do not make it out to be me trying to start fights or addressing the whole community. Because it’s not.

I’ve said it before and I will say it again, my art, my lore talk, is biased. I’ve never tried to hide that I view Marika a certain way and will always develop my theory following that base assumption.

Aside from translation stuffs and pointing out in-game items, everything else I say you can look at it, agree or disagree, and move on to form your own opinions. Just because I draw stuffs doesn’t mean you get to saddle me with responsibilities about managing fandom expectations. What the hell? I’m a fan artist, I’m the last person who you should look at for “leaderism” (?) WHAT?

I can and will be a hater in my own space, like I know sometimes other artists will just post their stuffs and not engage too heavily with fandom, and for a while I did try to do that here (because I’m already a dramatic ass on twitter), that’s just not me though.

You will get art and you will get my opinions as well.

[poorly-drawn-mdzs]

i wanna know more about svsss menopause

They synced their periods together too well. Now they are synced through their perimenopause years.

[floccinaucinihilipilificationa]

Hello may 31th anon! Look at that, another year behind us and a new one to come. Have a nice day! ₍՞◌′ᵕ‵ू◌₎♡

[missusruin]

ordered my first bjd the other day (!!!) and it probably won't show up for a few weeks/months, but do any doll owners got fave stores for clothes and wigs and whatever else?

[bonefall]

The more I consider the "Smoky gets Frostpaw sterilized against her will" thing, the more I dislike it even on a thematic level...

This book seems to be trying to put Frostpaw through an arc of learning to trust people. Riverstar magically appears in her dreams to send her to the Park Cats who are meant to teach her this lesson, but... starting and resolving that arc more than halfway through the book was sloppy, and a waste.

Instead of Smoky forcing medical treatment on her in spite of how she tells him point blank "please no," SHE should have called for the human.

A creature that the Clan cats have never trusted, that they have great reason to fear. Caught between dying with her pride like a good warrior and taking a risk on the kindness of an unknowable beast, in spite of all the betrayal, she chooses the chance.

Play it like this; Make it so the reason she becomes chosen by Riverstar at all is because he SEES this glimmer of potential within her, because of this very choice.

Instead of that bizarre opening chapter where he seems to have magically gifted her some kind of spiritual connection as a plot device, INSTEAD make it that they were sadly overseeing the end of her life. That this was her destiny, to die as a young, proud warrior apprentice. To trust no cat, as her mother told her.

But instead, she tricks the wording of the self-fulfilling prophecy Curlfeather told her. It said nothing about trusting a human!

THEN follow it up with teaching her how to trust cats again. But make the road down this character arc be something she truly initiated, instead of the weird bullshit they did with her being mad at Smoky for violating her consent while also exonerating him for "Doing The Right Thing :)"

[sluckythewizard]

'I wont cry for you, I wont crucify the things you do. I wont cry for you, see, when you're gone, I'll still be BLOODY MARY'

[yuwuta]

twin aus are fun bc sukuna is sooooo ugly and yuuji is soooooooo pretty and beautiful and lovely <3 completely understand why sukuna ends up the deliquent loser twin bc why would anybody choose him when <3yuuji<3 is right there

[palilious]

Working off of a personal headcanon where Redacted Vamps show off their age by their ears

[carolperkinsexgirlfriend]

Steddie Upside-Down AU Part 87

Part 1 Part 86

Mom’s hovering in front of the door, a knife in her hand, trying to get the rest of them to get away from the window. It’s not working. If anything, Max’s nose only presses more firmly to the glass with every request she makes.

Will’s hovering just behind her, desperate to keep Steve and Eddie in his line of sight. He can just barely see the wisp of a curl through the side window of the van, bouncing as Eddie moves around inside.

He squints, trying to keep the hair in sight as the movement becomes more erratic.

Will hears glass breaking just as he loses sight of Eddie entirely, wisps and all.

He rushes past his Mom, using the weight of his body to open the door, even as she stands in the way. It’s almost involuntary, a compulsion to follow the thread that Eddie’d pulled him by.

“Will, don’t!” she cries, but it’s too late. He’s out, and through.

Mike calls after him, too, and there’s the sound of tennis shoes stampeding out of the house behind him. Will only hopes he’s not leading them all to their impending doom.

Bodies slump into the driveway, none of them human. They’re like if the Demogorgon had followed a different evolutionary chain. Dustin would find it fascinating. Will just wants Eddie and Steve back.

Wayne’s still standing sentry, looking out across the street, waiting for more monsters to creep in from the darkness, Barbara by his side.

Shielding the entrance to the van, is El.

“El!” It’s Mike, because it always is. He sounds so genuinely elated that something curdles and dies in his throat. He swallows it down, hopes it decomposes in his stomach, so he never has to look directly at it. “You came!”

El smiles, happily at Mike, then around to all of them. “Of course.” She looks over at Max, and she’s frowning now, that way she does when she doesn’t understand something. It used to happen all the time. Now, it’s rare.

Will doesn’t care, can’t when Eddie’s too quiet in the van somewhere Will can’t see. He pushes past her, too.

There’s a misshapen, monstrous foot sticking out of the broken window. He stares at it for a second before swinging the door open. It wrenches the foot strangely, makes it crack and tear with the resistance of the door before it breaks free, black blood flowing like the thing’s still alive. 

It stays still. 

Will looks past it, and finds Eddie’s pale face.  

There’s glass in his hair, and his palms are bleeding where they’re held in front of him, but he’s breathing. Alive. And he’s looking up at El like she’s answered all his prayers. Will and Eddie have been sharing the same prayers from the same broken pews for so long that for a second, Will thinks Steve is back. 

He scrambles over the dead thing blocking his entrance. It’s cold against his palms, flesh barely giving as he crawls hand over feet atop it. But, Steve’s still just sitting there, blinking, Carol huddled into his side like he can protect her, even like this.

“Steve needs your help,” Eddie says, plaintive. Begging with both voice and unblinking eyes, gaze locked on El’s own until she breaks it to look at where Steve still sits, unbothered.

Her brow furrows, eyes squinting like she’s peeling off layers of skin and meat to get to whatever’s underneath. “He’s lost?” she asks.

Carol is squinting at El like the words aren’t clicking for her. She looks back to Steve, then back to El, brow furrowing with anger.

Eddie nods. Will clears his throat. “Not like last time,” he clarifies. “He’s here, but his mind isn’t.”

El nods, decisive. “I will help.”

“What the hell are you all talking about!” Carol demands, even as people scatter around her, setting up for El’s latest rescue mission. “He’s right there!”

She’s not looking at Will, though. She’s looking at Eddie like it’s all his fault. Still, when Steve doesn’t say anything, her lip wobbles as she turns and asks, “right Steve?”

He doesn’t answer, even as she calls again. Will looks away when she bites her lips, eyes wide.

It’s easier this time. They don’t have to break into the school, don’t have to find a pool. El just sits cross-legged in front of Steve on the carpet, careful to stay away from the broken glass and the dead thing. Mike covers her eyes with Wayne’s flannel while the man himself switches the radio dial until he finds one with enough white noise to satisfy.

He can’t quite tune out the murmured conversation between Eddie and Carol, though, no matter how hard he tries. Eddie explains, in clipped, emotionless words, that something, one of the monsters from the other place she’d just gotten a taste of, has taken over Steve. 

“But we’re getting him back?” she asks, voice shrill and breaking, contrasting with Eddie’s own even tone. A veteran to the newbie in the warzone. 

Will, suddenly, feels terribly old. 

“Quiet now,” El demands. 

Eddie looks away from Carol without answering. There is no answer to that question when they’re all subsisting off hope, and not much else.

“Tell him we’re coming, okay?” Eddie asks. He’s looking down at his own bloody palms now, like he can’t bear to look at their last bastion of hope and wait for it to flame and go out. 

“Ask ‘im how to stop the thing taking ‘im over,” Wayne interjects. 

Eddie’s lip wobbles. Will knows how he feels. He doesn’t want Steve to know, if he’s in there at all, that they don’t know what to do. Neither does Will. He wants to save Steve. He always wants to save Steve.

But, Eddie finally looks up, meeting Will’s eyes before nodding. The movement knocks a tear free, but his voice sounds clear when he says, “Ask him how we kill the fucker.”

El nods, shoulders settling as she reaches out to take Steve’s hand. The white noise blankets them all. Will settles down to wait. 

That’s what they always do, when Steve is dying: they wait. This time is no different. 

Part 88

Taglist: @deany-baby @estrellami-1 @altocumulustranslucidus @evillittleguy @carlprocastinator1000 @hallucinatedjosten @goodolefashionedloverboi @newtstabber @lunabyrd @cinnamon-mushroomabomination @manda-panda-monium @disrespectedgoatman @finntheehumaneater @ive-been-bamboozled @harringrieve @grimmfitzz @is-emily-real @dontstealmycake @angeldreamsoffanfic @a-couchpotato @5ammi90 @mac-attack19 @genderless-spoon @kas-eddie-munson @louismeds @imhereforthelolzdontyellatme @pansexuality-activated @ellietheasexylibrarian @nebulainajar @mightbeasleep @neonfruitbowl @beth--b @silenzioperso @best-selling-show @v3lv3tf0x @bookworm0690 @paintsplatteredandimperfect @wonderland-girl143-blog @nerdsconquerall @sharingisntkaren @canmargesimpson @bananahoneycomb

[the-bi-fangirl-biatch]

the entire season they've shown sylvie perpetually being okay to just walk away from the fray and getting no consequences whatsoever. which would be ok since she doesn't rlly care about them like loki does. but in the end she just moves on so fast after she watched loki isolate himself and go off JUST to fix her mistake.......

meanwhile mobius is there, frozen in that time, left behind by the person he's an "expert" on not only bc of his job but bc of their friendship, him quitting the job that was his entire life, because loki has left and his previous purpose didn't have loki anymore

it's just fucked up how everyone else got their happy endings (good for them) except for loki and mobius. they're apart, separated once again, looking miserable in their last shots. just like last season.

[mulders-too-large-shirt]

s3 episode 23 thoughts

the previous episode was SO good. but, it is true, i was distracted by the dog. it was SUCH!! a perfect episode. EXCEPT for that one thing. so i hope that today, i can face this episode with a clear head, free of judgement based on the fate of little dogs.

well, boy, i did face this episode with a clear mind, and wow. wowza. another AMAZING ep... and i will keep the angst from this episode in my heart forever and bottle it and take a nice long swig when i need my msr feels, which is basically always. wow. an exclamation point doesn't even feel APPROPRIATE, it just needs to hang in the air for a bit. (wiping tears away) wow....

let us go back to yesterday's notes, which shall commence below:

reading the episode description... so this one features murders linked to a device that alters television signals… huh. man, too many people i know don’t even have cable anymore. this simply would not work in the modern era. imagine if hulu or tubi or something made you kill people though lmao that would be silly to imagine.

we open with a guy digging a hole in the woods. always a promising start. seems he’s in an orchard of some sort? and the music is very very creepy. 

okay, so just as you suspect, this dude is burying a dead guy. sometimes your gut instinct is correct and tropes are not meant to be subverted. but the dude who is burying him says “your killing days are OVER” so is this actually a justice arc??? hmm. it is not clear. man, it would be hard to dig a hole like that.

shovel murder man is at home washing the blood off. but then someone else approaches him and he kills THAT GUY TOO WITH THE SHOVEL?? huh? what is going on. 

police at da guy’s house. everyone has the same face as the dude he just killed??? so they tase him. and then the faces go back to their REAL faces. now what is going on here!!!!!!!!!!

as the real faces return, the man realizes he killed someone named sarah!!! and he seems sooo upset by the fact that he killed sarah!!!! poor sarah :(

so does the tv make you see other people’s faces on the bodies of random people….? omg that’s insidious...

we now shift to a different scene, one where mulder is sitting in his car at 2 am. doing what???? waiting for some guy!!! he was waiting TWO HOURS for this guy!!! who is this guy...? it's giving blind date/drug deal.

the man who enters his car gives him a newspaper clipping about the murders we just saw. and mulder came here after getting AN ANONYMOUS EMAIL in the middle of the night??? this is crazy because literally so many people want him dead and this would have been a very easy way to accomplish that goal. wow. seriously, no self-preservation instincts on this guy.

mystery man says he has no obligation to explain what is going on, but if mulder walks away from it, more people will die. so no pressure!! xx

cutscene to a hospital, where mulder is watching our murderer through glass, while scully comes in saying that she is sorry she is late, but “the beltway was a parking lot”. beltway refers to interstate 495! thank you wikipedia i love your services!

murderer is named joseph. and he claims to have been killing the same guy over and over again, and that he wouldn’t die. which seems pretty awful.

OH! and the week before, in the same town, a babysitter attacked the kids she was watching because she thought they were WOLVES??? omg that is horrific??

they’re talking to the physician, dr. stroman, who says perhaps this was provoked by amphetamine abuse. then joseph starts SCREAMING. he sees a guy on the TV- miriskovic- sorry y’all idk my post-soviet history 💔 (update: i googled it, i don't even think that guy was real because all the results are links to wikis on this specific episode... reveals how little i truly know)

anyway, seeing that guy's face on the TV seems to have triggered the screaming situation. does he have trauma from the country he used to live in and seeing references to it makes these things happen…? that would be a wild episode. put me in the writer's room and let me cook.

scully quickly picks up on the fact that this case is Weird, and mulder admits it came from some random guy, which makes her suspicious. but they go to the crime scene, and, like always, he lifts the crime scene tape up over her head, and it’s very charming despite the lack of sensibility in going down this whole rabbit hole.

the minute they get in, they hear screaming and a gunshot! but it’s just some kids watching TV??? eating popcorn in a crime scene??? LMAO WHAT?

mulder kicks them out and scruffs one of the boy’s heads... ohhhh he needs to be a father so bad huh... like i have been saying this since s1 he just has a Need to tease and spoil children. well, we can unpack that another time. there's crime afoot.

so he watches the tv and it starts to go all static-y because a guy outside is fixing the wires. scully finds a TON of tapes and they’re just shelves and shelves of cable TV shows!!!

“there must be hundreds of videos here”, she says, to which he asks “anything good?” <- idk why this made me giggle. it sounded like he was gonna put one in and chill for a bit lmao

scully starts to wonder if seeing the cable news, like joseph had recorded, was what triggered his episode back at the hospital. ooooh! a theory!!! 

cut to mulder watching a tape in the bed of his motel, making an absolute pile of sunflower seeds- this dude is gonna attract mice or something someday omfg- and also he has a cola which is peak american culture. LMAOOOO he has a HUGE pile of tapes on the floor i’m crying... my type A self could NOT deal with him!

he says he watched 36 hours of bernard shaw and bobbi batista and is now also ready to kill someone as scully welcomes him into her room, which also has cola but is much more nicely organized! she found something weird on the tapes from late april, each a night when he committed a murder 

AND WHY DID MULDER GET ALL COZIED UP ON HER COUCH?????? hooooooly fuck i have never seen such a baby girl of a man

OMFG??? all the reports from the murder nights feature that miriskovic guy!!!

so did seeing violence make him violent? mulder says no, and that theory assumes that “americans are just empty vessels, ready to be filled with any idea or image that’s fed to them like a bunch of pavlov dogs, and go out and act on it” oh if only this man could see the news lately……… insert ben affleck smoking a cigarette image here to describe the things we see in our current age. mulder you would not believe.

he’s really bashing her theory, but she’s saying maybe he was high and seeing these things sent him on a spiral- makes sense to me

he is leaving to go get some sleep (after admitting he can’t explain what is going on!!! which always endears me) but scully says she is going to watch the rest of the tapes… a herculean task for our girl

middle of the night and it’s still tape time for scully, but she hears the phone ringing. she hears mulder having a conversation. and he says “no, she doesn’t” which is weird… that is suspicious… what doesn't she...

scully chews her ice which is so funny because me too sometimes. she has chewed all of her ice and must fetch more. and get a cola ofc!!! nothing more american than a cold soda iktr!

but she sees mulder in his car??? lighting up with cig man???? HUH??? and handing over a tape? omfg this is crazy. i assume she is hallucinating though, because no way….

cutscene to a lady named helene watching “the price is nice” (lmaooo) and washing some dishes. but the soap in the dishes starts to look funny- and everything is glitching around her!!! she sees a man outside in a hammock… kissing a woman!!! and oh, she is furious!! she gets her SHOTGUN?? this has escalated very fast. and we hear some shooting!!!

scully is still very visibly disturbed. mulder is reporting the murder, but she seems like a shell of herself. she checks the ash tray in the car, and there is no ash… she notices the car has been moved and he says he got a paper…. why do you ask…. “nothing. it’s nothing” OHHH THIS IS JUICY

so the crime scene has a very bloody hammock. and a dead man, who the wife claims he saw in the hammock with a blonde. but the only other creature at the scene was a dog!!!

OH!!! the hammock man wasn’t even helene's HUSBAND??? this really is LAYERED!! she killed the NEIGHBOR thinking it was her husband, who wasn’t even in town!!!!!! how do you mess this up so badly?

despite the fact that scully is clearly suspicious of mulder, she is sharing the umbrella with him in their usual fashion, and the sense of tension this produces is delicious 

they go to investigate the crime scene and mulder finds some sort of bike and immediately climbs upon it while proclaiming that television does NOT cause violence (LMAOOO HE IS SO WEIRD i need him.) 

they find a bunch more tapes and AGAIN the same guy is messing with the cables outside while they're investigating!!!! mulder is in chase mode!!!! but he cannot chase this dude in the van!!! no man, even a track star such as him, can outrun a van carrying secrets!

scully is trying to fast forward the TV and she looks out to see mulder climbing the pole…. average day for a man like him. he finds a weird cable scrambler in there. she wants to send it to the crime lab, but he says he’ll do the analysis, and she should go interview helene the murderer. OH... she is so suspicious, she just wants to go home…. scully :((( mulder is deeply confused as to why she is being so weird 

so he takes the thingy to the lone gunmen, who say it looks like it’s used for blocking premium cable channels, which i didn’t even know was a thing, you learn so much with this show. but it doesn’t block anything!!! HOWEVER, if you compare a tv with the machine and one without it, the one with the machine is slightly different. hmm...

“you know how television works?” “yeah, you click it on, you have a picture” <- the man who said that line went to oxford btw

it seems that this cable blocker thingy is adding some sort of frequency, but they can’t tell what… hmm.

mulder on the road. scully calls and only asks “where are you” in this very flat and creepy tone and OH i’m scared!!!!

he tries to explain that there is some sort of signal being introduced to the tv- he even says she might be right about the tv inducing violence theory! but she isn’t answering… she hears a clicking, like they're being listened to, and she says he never went to the detective…. let’s wait and talk on a landline, he says.

despite being in his car many miles away, he can tell that there is something very wrong with scully. he says don’t go anywhere, he’ll be right there, and redials after she hangs up. it's very much echoing when she said something similar to him in his crazed gargoyle quest.

but she is so scared, she rips the phone out of the wall and takes it apart!!!! and then the lamp too, and the table. she is checking everything for any sort of bugs!

holy hell, we have never seen her like this before... but i’m actually gagged because she is usually relatively stoic and seeing her paranoid is so different, but it also feels very natural??? she is acting her ass off here as she rips up everything in this motel room. big shoutout to GA, i love your work.

and the static that set in helene's vision earlier is setting in hers now!!! she hears a car pull up and drops to the floor…. she hears a man say “she’s in here” and a pounding on the door. 

OMFG someone tries to open the door and she FIRES 4 SHOTS RIGHT AWAY??? but it’s mulder!!!!

(author's note: i was thinking after i finished the episode, and we know that she is a good shot- remember how she hit just the right angle to knock mulder out but not kill him at the end of s2? so she is either SO out of it that she cannot even aim straight, or there is a tiny tiny tiny part of her that still thinks that mulder isn't worth killing. please mull over which option brings you greater angst)

he’s coming in with his gun and his hair is blowing in the wind and he can’t FIND HER!!!!! it was really very dramatic. hair blowing in the wind has this effect.

cutscene to scully’s mom’s house, and we see a picture of young scully on the table... AWW stop she’s so cuuuute and one of missy as well 😭😭😭

OH! it’s mulder on the phone calling mrs. scully in the middle of the night!!! NOOOO he has to tell her that he doesn’t know where she is :( NOOOO poor mrs. scully has gone through too much. he feels SO bad breaking this news, that he even apologizes for hanging up right away, something he never ever does. he must be in deeeep distress to do such a thing.

and why does he hang up?? because SKINNER IS HERE!!! he’s leading a manhunt for scully, and mulder is saying she shouldn’t be hunted like a convict… but skinner says dude SHE FIRED FOUR ROUNDS AT YOU AND SOME RANDOM GUY last night!!!!

despite this, mulder insists that he can get her to listen to him if they just keep her safe; she’s suffering from some sort of paranoid psychosis. skinner is being quite patient as he tries to explain that the video tapes made her do it. skinner says well... you better find her before these guys do.

GASP!!! he’s putting up the x on his window! and doing that thing where he bounces his basketball because he cannot relax!!! stop i'm emotional!!!!!

the lone gunmen call to say they found something on the tape…. and it induces electrical activity…. MIND CONTROL???

but why wasn’t he effected?

! MULDER LORE REVEAL ! HE’S RED-GREEN COLORBLIND???? THIS IS AN INSANE LORE DROP TO GIVE NEARLY 4 SEASONS IN??????

wait, is this just for plot purposes, or is DD actually colorblind and they decided to roll with it? because now i’m gonna be looking at all the red-ish things we see on screen (like his tie he is grabbing to emphasize his point) and wonder, can he see that? how does this impact his tie selection process....

okay that really threw me off guard. man, i was getting to think we'd never get another lore reveal, which is a shame because i quite like formatting those facts in that way. good to know we could get more at anytime!

he gets a phone call from maryland state police. the lone gunmen ask if she’s okay and he says no, he has to go and ID the body. WHAT!!!! WHAT!!!!!!!!!!!! he is trying to keep composed. holy fuck………..

(heavy breathing as i grab your shoulder and squeeze) hey man. hey. he was trying so hard to be strong.

so he pulls up to the morgue and stops before he gets out of the car, and holds his head above the wheel STOP I’LL CRY???? i’ll cry… what are they putting him through??? losing her again……..

(i mean i have SEEN gifs of scully in seasons past this one, so i know she's gonna pull through, but HE doesn't know that, and must be reliving the worst days of his life AGAIN, and aughhhhh!)

but the mystery guy from the start of the episode that give him the info on the muders pulls up and says get in right now!!!!!! mulder is furious, he says he’s busy. in a shocking display of insensitivity, mystery man says he does not give a fuck. mulder is yelling that this is all his fault. mystery man says “they” are destroying the evidence, and they’ll finish it by tomorrow if he keeps searching for her, but he kicks the door shut and ignores him.

(omg…. he loves her enough to break him out of his bloodhound mode… the dogged ahab-like quest for answers and revenge… i’m getting flashbacks to his conversation with missy in one breath…….. realizing he needs to put the ones he loves before his need for revenge sometimes..... wow)

so he walks into the morgue, and the dude in there says they found a body nude and shot in the forehead.

he closes his eyes to try and brace himself before taking a peek, to prepare to see her lifeless, probably reliving those many hours by her bedside when she was in the hospital, trying to imagine her shot in the forehead, the scully he knows and loves with her dry humor and her teasing smile and caffeine dependency, the her that is so full of life, lifeless…

but it isn’t her. PHEW!

despite this being good news that he has to share- she's not dead! her mother isn’t answering her phone…. so he goes to her house. and i'm thinking, oh my gosh, did she do something rash in her grief?

but mrs. scully answers the door and claims dana isn’t here. he bursts in and says he needs to see her right now. omg, he saw right through her lies.

(also, it always feels weird to refer to her as dana, but moving on)

NO!!!! she has him at gunpoint and says he’s here to kill him!!! poor guy looks so flabbergasted… and her mom is trying to get her to please put down the gun, and he’s trying to explain what is going on!!! he is so singularly locked into her…. 

“he’s lied to me from the beginning. he’s never trusted me” “scully, you are the only one i trust” AUGHHHHH (rips my clothes off of my body in biblical levels of grief) 

“you’re one of the people who abducted me” AUGHHHHHHHHHHHHHHHHHHH (rips off not only my clothing but also my hair as i experience emotions that rival what job from the bible went through)

she’s CRYING, and saying he killed her sister while her mom gets between him and the gun… and she’s saying she knows she’s safe here, that’s why she came here, and to put the gun down. and she falls into her mother’s arms sobbing. 

WHAAAAAAAAT. and he had to watch all that… oh my scully oh my goodness my poor scully…

timeskip a little bit. he shows up to the hospital where scully is with her mother, and mockingly puts his hands up in surrender, because he is so STUPID and he always has to make a joke, and i love him so terribly, so so so terribly, because he loves HER.

she's laying in the bed, and he shuts off the tv and asks how she’s feeling. she says she is ASHAMED- as if being a victim of mind control was a personal failing. scully, i want to yell, you have NO REASON to be ashamed, let me take all the shame from you and carry it elsewhere. she says it was like the world was turned upside down.

and he makes ANOTHER stupid joke about the world being out to get him, and now she knows how he feels-

before leaning in and explaining how joseph, the first murderer on this case, became convinced he was killing the bosnian war criminal who people called “the modern hitler”, which was especially important to him because both of his parents survived the holocaust. hence his line about the killing days being over!!!

and helene was scared her husband would cheat on her. so somehow the TV signal turned their worst fears into a living nightmare. 

OHHHH HER WORST NIGHTMARE IS HIM BETRAYING HER. HIM BEING RESPONSIBLE FOR HER GOING MISSING AND LOSING HER AUTONOMY AND MEMORIES... wails into my shirt. 

(this reminds me of that episode in s2- irresistible- when we learn her biggest fear is that humans are capable of terrible horrific things and grasping to trust despite that knowledge. we’re seeing that again right here. how uncertainty seeps in)

THEY CALL HIM THE CANCER MAN!!! wow very official canon recognition of the name (yeah it’s happened before but it happened again so that is cool) anyway she says she saw him giving cancer man the tapes and reporting.

he says that maybe cancer man was behind this, but then he whispers “why don’t you try and get some rest?” and there is something in me that melts so entirely as he leaves her to sleep.

(perhaps it is the fact that hurt/comfort and whump are my favorite tropes. because is there anything more intimate than letting someone see you at your most vulnerable, and them choosing to love you at it? is there any feeling more cutting than seeing your loved one suffer and knowing you’d stop the world for an instant of their relief? the terrible desperation of both parties, the wordless connection upon recovery, someone being the last thing you see before everything fades to black and then the first person you see when you return... yeah. it’s cathartic. but also it makes me want to yell and cry. pls give me all the hurt/comfort content)

so the doctor found high serotonin levels in her that maybe can be associated with mania, but now they’re back to normal. he asks if someone in her situation would be diagnosed with amphetamine abuse, and she says no. then he quickly calls the hospital where joseph is staying… what is he cooking in there…

he wants to talk to joseph's doctor, dr. stroman, who left behind only a number from the motel…. and he had JUST checked out…. so he’s going through his stuff. and asking about his calls. and he DOES find a cigarette in his room but a lot of people smoke so… try not to jump to conclusions juni… but the cigarettes mean one thing in this show!!! was this innocent-looking doctor behind such a cruel experiment?!

he calls and has the last number the doctor called get checked from the folks at the lab… so he goes to visit the place of residence and creepy music is playing. the dude from the cable company we saw before rolls up!!! he walks right inside the house, so mulder peeks inside. it seems the people in the house set up a trap of some sort, as they are talking about “him” showing up at 7.

he bursts in after hearing gunshots and both of the men in there are dead!!! shot in the head!!!!

who is there... but X???? X says he HAD to kill those men- he just hoped mulder would get them first. and oh, mulder is YELLING AT X!!! he is letting him HAVE IT!!! he says he is a coward, he was too scared to unveil the situation with the mind control TV murders himself….. he says X NEVER risks his own life, but he sure does make him risk mulder and scully’s.

OH! he is holding X at gunpoint. all X is saying is that he failed, and that mulder needs him. so he walks out, confident he won't pull the trigger. and he doesn't. 

WHAT! i need to kind of just let that sit for a second. i need to figure out this X fellow, but i get the sense i never will…. he failed… because he chose to try and save scully…….

cutscene to skinner’s office, where mulder is giving him a report. and scully walks in and says that dr. stroman DIED IN 1978!!! when skinner asks about the killer, mulder jumps in and says he remains unknown… oh, skinner is def gonna pick up on that….

so now we see X in a random back alley. getting into a car…. WITH CANCER MAN?????? X REPORTS TO CANCER MAN??? he asks if he has completed his work, and X reports that he has cleaned out all the personnel, everything is removed, but mulder still has a device. and mulder’s source has been eliminated. but the source’s source remains unknown. oh, he’s def lying through his teeth.

OOOOOOH this episode was SO good.

oh man, my brain is racing in a bunch of different directions. scully breaking down and sobbing into her mother’s arms…. scully convinced that mulder is a traitor, that he did those terrible things to her…. mulder so scared that she was gone, bouncing his basketball, getting a call from the police department that he had to go identify her… choosing her, even in what he thought was death, over following the Truth… the sick and twisted relationship he has with X, and X with Cancer Man, and Cancer Man with the world… it’s making me think of how mulder broke into his house that one time, was going to kill him over what he did to scully, and cancer man had the nerve to say he liked mulder… OOOH my brain is just racing racing racing. 

poor scully… how scared she was, how horrified afterward… 

other things that are on my mind, in no particular order: the bond between scully and her mother; mulder being all babygirl on that couch; mulder hopping on that bicycle and picking up some random doll from the murder victim's house; how haunting scully's voice was when she asked him over the phone where he was; their cola drinking; mrs. scully trusting mulder no matter what; how he tried to cover the grief in his voice when he told the lone gunmen he had to go identify her body; how he kicked the door shut of the mystery man, damning the investigation to pay his respects; how his head hovered above the wheel of the car before he got out to do that; how X uses and uses him to no clear end, and what is HE doing reporting to cig man, and what was that random doctor doing conducted fucked up experiments on random people; and scully's miraculously bad aim; mulder's conviction he could talk sense into her (spoiler: he could not); her shame at being convinced he had been the one who abducted her; how terrifying that must have been; and his stupid jokes when he walked into her hospital room, with the sincerity he tries so hard to outrun and outfox breaking through in his whispered why don't you get some rest?

so needless to say, i see why this one is a fan-favorite. this is certainly one i will be revisiting in the future when i need something strong. i have a million things to think over that will stick with me Forever, and i am in no rush to move on from this. in fact, i took these notes yesterday, but in the process of editing them tonight, i have decided i am not ready for the season finale and will have to save it for tomorrow because i'm still feeling So Many Things. so stay tuned to see how that goes, because whew!

[feroluce]

Belobog was my fave main quest but a lot of it is so. Contradictory. It's like they had multiple groups doing different shit and none of them checked in with each other for consistency. And you see this so much in Gepard's profile.

So in the main quest, they made him unfailingly, unquestionably loyal to Cocolia. Gepard's character arc is him learning to question authority etc etc. And this isn't even a bad thing; that's a story worth telling! It makes good conflict between him and Serval! And I love that we got Gepard as a boss battle and I get to see him all the time in SU!

But then you look at his character stories and it's like. The complete opposite.

According to his profile, Gepard has already HAD this awakening, long before the Astral Express, and he'd already decided Cocolia sucks. Even outside of his stories, there's a pretty damning readable between him and Pela.

He even disobeyed direct orders right in front of her- he has been disobeying orders for a while now!

So I've decided I'm marrying the two different sides of this into a 1.5k fic-ish thingy, because I think there's some fun potential there with Gepard not trusting Cocolia, but still having to pretend to be a good obedient little soldier.

Anyway. I love to think of it as like. Gepard knows Cocolia has sunk into her apathy. He can see it in her eyes every time he looks at her. She doesn't care. Not about him, not about Pela, not about all his soldiers on the frontlines giving their lives to protect the citizens. And that's... It makes him bristle a bit, but ok. Gepard can deal with this. Even if Cocolia no longer cares, as long as she does her job then it's fine. Having compassion behind an action doesn't matter as much as the action itself. If Cocolia's heart is no longer swayed, then he'll just have to care twice as hard to pick up the slack. He considers it part of his duty as a captain of the guard anyway. It's fine. Gepard can deal with it.

And then, Cocolia starts coming down to the restricted zone. Issuing direct orders.

And Gepard realizes he is in way over his head.

Because Cocolia orders him to stay back and issue commands from the ramparts, away from all his comrades, away from where he can protect them.

Gepard had thought nothing could be as bad as watching a fellow guard die right next to him. But the first time he watches someone struck by a killing blow, so far away, it hurts. Every defensive scar across his arms itches, his fingers curl in want of a weapon, the cold cannot numb his hands enough as they desperately ache for his shield. It hurts.

Gepard tries to find any reason to stay. Because surely... He knows Cocolia has lost her love for her people, but surely... She wouldn't...

One day, Cocolia orders for their gunners to advance 20 yards. There are no survivors. She almost looks like she smiles.

Gepard doesn't sleep that night.

Pela brings him the report at the end of the first month; and then the month after that, and the month after that. A significant uptick in losses, and all of it started on that first day Cocolia started overriding his authority and issuing her own orders. The ends of Gepard's pens have all been nearly chewed off. Pela outright calls Cocolia an idiot, and Gepard corrects her. Cocolia isn't an idiot. Gepard had known her through Serval, knew her through all her college years and then some, and he knows how intelligent she is. It's not that she's stupid, and it's not that she's inexperienced, it's nothing of the sort.

Cocolia knows exactly what she's doing.

She must, there's no way she could make such a horrible mess of things so badly by accident. And Pela, quick as a whip, sharp as a tack, always too smart for her own good, catches onto the meaning behind Gepard's correction without any further prompting. The tent goes deathly quiet, nothing but the wind howling outside.

"...She's trying to kill us," Pela whispers, her voice swiftly suffocated by the silence.

Gepard swallows. He can't bring himself to correct her this time. There is nothing he could say that he would actually mean.

His gaze drops, back down to his desk and the reports on it. The names aren't listed, just the numbers, but Gepard knows them, knew them, and there must be something wrong, something he's missing, because why, why would she-? What could this possibly accomplish-?

“Gepard! Focus!” Something snaps right under his nose, and Gepard startles, eyes instantly honing in on Pela's irritated face as she leans over his desk. She holds his gaze for a moment before she huffs and begins to pace, wedges a knuckle between her teeth and bites like Gepard hasn't seen her do since cadet school.

Pela angrily strides from one end of his tent to the other, words hissed between her grit teeth. “What are we going to do?” In the dim lighting, Gepard can just barely see the damp spot of blood weeping under her gloves. “We need a plan.”

“A plan?”

“Wh- Yes, a plan! Unless you want more people to die!” Pela rounds on him then, all the wrath of a blizzard, winds roaring and snow sharp enough to cut.

“We don't even know-”

“What does it matter?! She killed-!!” Pela cuts off with a garbled noise when Gepard leaps up from his desk, hastily shoves his hand over her mouth. The prosthetic, not the flesh one, because he knows better than to assume Pela won't seize the opportunity to leave teeth marks in his skin.

“You're right. I'm sorry, I'm sorry; you're right. But you need to keep quiet.” Pela quirks an eyebrow at him and Gepard can read the question in her face. “Because we both saw what she did to Serval,” he hisses.

It's amazing the snow plains haven't thawed out yet, the amount of heat Pela can put behind a glare. The mere mention of Serval, and the smoking ruins Cocolia had made of her life and career, have her bristling up like a riled cat. The sudden hot breath she takes fans fog across his metal skin, and Gepard wisely keeps it in place until Pela finally sighs and reaches up, taps her fingertips against the back of his hand.

The second she's free, Pela bats him away and then her knuckle is right back between her teeth again, Gepard leaning back against his desk with his arms crossed to watch her resume her pacing. “If we spread the word, she'll have us discharged and make sure we can't even touch the frontlines,” Pela's voice seethes like an open sore. Gepard nods but keeps his silence. He knows better than to get in her way.

“And if you and I are both out of the picture, Belobog is fucked.” A little harsher than how he would have put it, but there's no denying that they're both important to the city's survival. Pela has the restricted zone running as efficiently as ever, and Gepard had become the youngest captain on record for a reason. “We need to keep this tight under wraps, at least for now… It can't leak to anyone higher up the chain.” Another nod. “Serval might know other discontents…” Another n-

Gepard's head snaps up. “No.”

“No what?”

“No. We're not involving Serval in this.”

Somehow, even the same tone that leaves entire squadrons shaking in their boots has never worked on her. “You're not deciding that for her, Gepard.”

Pela hadn't seen the worst of it, though, back when his sister had just been banned from the Architects. Serval's pride hadn't allowed it. Pela wasn't the one to find her passed out bottle still in hand, hadn't been the one to wash the sick out of her hair or carry her to bed. 

Serval still has trouble thinking clearly when it comes to Cocolia, still can't quite bring herself to be objective. And Gepard maybe doesn't want her to be purely objective- but he would worry a lot less if she thought twice before she acted more often.

“At least let me be the one to bring it up to her.”

“Whatever, fine,” Pela gestures affirmatively at him as she paces past, and Gepard sighs. Good, at least that's one thing he can help.

From there, it's a lot of hemming and hawing and frustration. Cocolia has them under her boot, and Gepard and Pela both know it. Even with the way she's been cracking down on freedoms lately, Cocolia is still, overall, liked by the people. It's unlikely anyone would believe them. They don't even have solid proof, because most people don't know Cocolia as well as they do and won't see the clues in the same light. 

The Fragmentum has been ramping up in recent years, too. Everyone is struggling just to survive as is, they can't afford a fight on two fronts. Gepard is a damn good captain, one of the best for that matter. But they're at a massive disadvantage, his experience is narrowed to fighting a defensive battle against monsters, that's all he's ever done. That's all anyone there has ever done. He has no way of finding first-hand knowledge for taking the offensive against a human opponent, and if he goes at this blind, there's no way he'll get everyone out unscathed. He's going to lose people. He's going to lose a lot of people.

He'd never thought before that Cocolia would have it in her to have someone killed. And with this new knowledge, he has no guarantee she won't go after Serval or Lynx if she decides to retaliate.

Gepard has to remind himself to breathe when he realizes this.

Pela writes down every name the two of them can come up with. Lists and lists of names and groups and anyone they can think of who might be an ally in all of this. They memorize every bit of it, make their plans of who to talk to and when. Gepard watches the sparks reflect off Pela's glasses as they burn the evidence together.

Pela finally leaves, far too late to make it home, but says she wants to stay in the restricted zone anyway to investigate. Gepard watches her make her way in the direction of Dunn's tent, watches her back until she's out of his sight and squashes down the urge to follow and keep an eye on her. His tent feels empty.

In the morning, Gepard is up before the wake up bells. He drags himself out of bed, leads his soldiers through their morning training. The same people gravitate to each other everyday. Friend groups and training partners. There's an ongoing rivalry between a few squadrons that everyone bets on. Some of them have lockets around their necks, keepsakes, mementos. Some of them wear wedding rings.

Gepard is suddenly, painfully aware of something acidic clawing at the inside of his throat, of a heavy weight low in his chest that blooms, takes up room until it threatens to spread his ribs. His mouth tastes of bile and blood.

He rearranges the schedules. Puts himself down for every open patrol into the Fragmentum, makes sure he'll be on the frontlines every single time Cocolia visits.

He only hopes that it's enough.

[jesuis-assez]

↠ Tim & Lucy scenes ↳ 5x10 - The List

[zeb-z]

I’ve made a billion fucking drafts and can’t find the words to talk about cellbit and bagi from today. how the fuck do you explain the intricacies between a brother who has lived a life that has sharpened him to cut what he touches, and a sister who had to live with his absence? a man who has to see the childhood he never got to have whenever he looks at the woman he now knows is his twin? said twin who cannot understand why her brother would be anything but glad they are reunited? how do you get across that tangled mess of emotions cellbit had to get him to burn his old pet worm? the paradox of longing for what could have been while desperate to get rid of any reminder, with a healthy dose of paranoia that anything could be a federation bug. or the pure devotion bagi has to decide to stick with her brother even though he is not close to the same as he was when he went missing? the unfairness of it all, of cellbit being taken and made into a killer before he turned 14, of bagi looking for him at the detriment of her own safety and self, of ripped up childhoods and everything that could have been? the fact that the first thing cellbit asks is what he could have done to deserve it? the disgust he holds for himself for what he’s done, and the anger he has for the federation that’s taken everything from him, and the resentment he has towards bagi no matter how unfair it is because she never had to go through what he did? how after bagi swore to help him burn the federation down, cellbit went to bad instead, because bad was there and fought alongside him, and he trusts bad because he’s seen him at his worst, and all he feels like doing is his worst right now? the two of them so similar still because they’re consumed by their need for revenge, while bagi just wants to leave the island? how the fuck can you summarize all this and the emotions that accompany it?