#but at least let me speculate on these possibilities

[albinokittens300]

!Spoilers Under The Cut!

A/N: SO...been a minute since I wrote fic but. Made sense since I have ideas floating around might as well write and share them. Please note not only am I rusty writing in general, this is my first attempt at these characters. Be gentle on me please XD. I do hope you all enjoy. Let me know what you think, and maybe I'll try and get another one out maybe before Act 2 drops this weekend. All this ended up being was a little drabble of a possible reunion between Ekko and Jinx because I need some Timebomb goodness. Isha making an appearance is a bonus! Fair warning I make some wild leaps about what goes on during Act 2, so beware this is based some of my speculation.

He lets it go on for a few turns into different allies before finally stopping.

Ekko knows his little shadow is nothing more than a child, judging by the sound of the sets on the stone and the occasional clang of metal being kicked or tripped on. He usually wouldn't be worried- but with no one chasing after and taking her back to where she belonged, he took it as the sign it was. To follow him so far means she is all alone. Having just gotten back across the bridge, helping an orphan wasn't something on the list of deep concerns. At least, not until it needed to be.

"As quiet as you are, I have to say it'd be easier to get around if you weren't hiding." He says softly. Light brown eyes peek around the corner, playing at being undercover without actually doing so. She is hard to make out in low and greeish light, but he manages. "You can come out. Not gonna hurt you. All safe, I promise."

His hair raises, though, when her gaze flicks back to where he can't see. By all appearances, she is getting permission. So the girl isn't alone. When she takes a few steps out, he tries to remain unsuspicious.

"Whose behind there?" He asks as he kneels while she approaches.

"Definitely not who you're expecting." A darker, familiar voice speaks.

Jinx hasn't even revealed herself before the instinct takes over, and Ekko grabs the little girl and puts her behind him.

Attempting to pull her away from the known danger sets off another problem, though- the little girl reacts as if she has been burned. Letting out a cry, she wiggles away from him quickly before running back and wrapping herself around Jinx. While she removes the hood of her cloak, revealing a far too proud smirk, another arm wraps around the kid's shoulder. His eyes quickly scan her other side. A few bombs are latched there, but no pistol or any of her bigger toys. It was not a situation he loved, but it was preferable to facing down a minigun.

When Ekko's eyes return to the child, he doesn't think someone so small has ever looked at him so frightened. Something screams this isn't right as he watches for a few seconds.

"Relax, this one, I'll admit, has a reason to be a bit jumpy." She says, directing the words at the girl. Then, leveling a look at him. "What was it Vi said you had to say when the two of ya caught up? About looking good for a dead person?"

"That makes three of us, then." He says back. "Wanna explain what is going on down here, seeing as you are my welcoming party."

"Ah, nothing much. War, revolution, infighting, and unifying! All of that. If you are looking for the Firelights, they aren't at the tree. Or what's left of it." She says with a wave of her hand and a shrug. The blood runs like ice at the words and he rounds on her.

"What did you-"

"Woah, woah, I didn't do anything. Those wackos from Noxus? They are the ones who tracked the tree. My only part was helping everyone out." She hisses back. When his face changes, so does hers—relaxing just the slightest bit. Helped them out? Months trapped away should mean nothing surprise him. But it does.

He sees her arms crossed, watching and almost waiting for him to decide how this will go. Deciding to match her lack of hostility, just this once, he looks around to the eerily empty and quiet lanes.

"Guess I got a lot to catch up on."

That brings a less taunting smirk to her face. "Just a bit."

[goodqueenaly]

It’s probably worth noting that Tyene’s mother does seem to have raised or partially raised her daughter for an indeterminate period of time, and also seems to have maintained some level of contact with Tyene and, by extension, the larger Martell family. Doran remarks that “Oberyn once told me that she [i.e. Tyene’s mother] read to [Tyene] in the cradle from the Seven-Pointed Star”, and though he gives no further details on this anecdote, the suggestion is that at least when Tyene was an infant, Tyene’s mother had direct care for her daughter. Perhaps more to the point, Arianne recalled visiting Tyene’s mother on at least one occasion, along with three of her bastardborn cousins (presumably Tyene herself being one of them), which does imply that some level of relationship continued between Tyene’s mother and the Martell family even after her father would have taken custody of her. Naturally, I think, Tyene was probably taken or given to Oberyn pretty young - not only because presumably no motherhouse worth its salt would allow one of its septas to raise her child by her lover, but also because Tyene’s “Sand” surname means she was raised as a Dornishwoman (despite wherever she may have been born, just as we see with her sister Obara). Someone - Tyene’s mother herself, Oberyn, and/or Doran - was able to let Tyene, her sisters, and/or Arianne know where she, Tyene’s mother, was living, and presumably Doran knew enough about the situation to allow his heiress to travel there (as we see the opposite happen when young Arianne tried to sneak away and meet Willas Tyrell, only to be caught at Vaith by Prince Oberyn and returned to her father). 

(Yes it me but I wonder if GRRM was partially thinking about a plot point in the fourth book of The Accursed Kings, The Royal Succession. Marie de Cressay, the beautiful and aristocratic secret wife of the Italian merchant Guccio Baglioni, is placed by Guccio’s uncle Tolomei in a convent during her pregnancy (though with the ultimately unfulfilled expectation, according to Tolomei, that Marie would be free to live with Guccio following the birth of their child). Druon somewhat wryly notes that the young novices of the convent “were continually entering Marie’s cell to watch her dress her baby, gaze at her radiant face as she fed him” in order to “[admire] the miracle of motherhood outside a painted figure in a window”, since while “it sometimes happened that a nun sinned, this did not occur as frequently as the public rhymesters stated in their songs, and a newborn child in a convent of the Clarisses was not a very frequent occurrence”.)

If I were to guess, I would say Doran and Oberyn may have worked out an arrangement with Tyene’s mother’s motherhouse about the unborn or infant Tyene, with the septa allowed to have her child and nurse baby Tyene within its walls until she was weaned, after which, perhaps, Oberyn and Doran agreed to take the baby and have Tyene’s mother return to her life as a septa. Given that there seems to be some level of openness to at least some motherhouses throughout Westeros - the Motherhouse of Maris being “where many lords sent their natural daughters to be raised”, and a motherhouse in Oldtown sheltering Lady Smallwood’s daughter during the War of the Five Kings - it’s possible Tyene would have had the right to visit her mother within the context of the latter’s (presumably even more strictly controlled) ecclesiastical world, and the freedom to bring her sisters and cousin (especially given, of course, Arianne’s high rank as a princess of Dorne, and the Sand Snakes’ status as the daughters of a prince of Dorne). But that’s complete speculation which may or may not be addressed in TWOW (though given, ahem, GRRM’s attitude sometimes toward nameless mothers, I’m not holding my breath). 

What do you think happened to Sarella, Tyene and Nymeria’s mothers? Do you think they also got the “spear or tears” treatment?

Given that Nymeria's mother was "the noblest blood of old Volantis" and Tyene's mother was a septa, I doubt it. With the former, matters could be arranged between the two families (especially since Oberyn didn't marry Nymeria's mother); with the latter, there's no way a septa would have been allowed to raise her child herself and so Oberyn could step in with no drama (and was probably expected to do so). So threats like Oberyn made to Obara's mother would have been impolitic and unnecessary, respectively.

With Sarella, we just don't have the information. The most we (maybe) know is that Alleras' mother is from the Summer Islands, but that leaves a lot of room for different social dynamics between her and Oberyn. Maybe in TWoW!

[majoresca]

How are the magic wands of the magic users of the Ever Realm able to bend without breaking the magic crystals they contain at their core?

Like, crystals

I have two hypotheses:

The magical crystals used inside the wands are crushed into powder, and then placed inside their core. Like the phosphorus powder inside fluorescent lamps.

Or, the magic crystal is in a state of matter called liquid crystal, which is between the solid and liquid state and is capable of rearranging its particles through electrical charges. And the electrical charges in this case would be the effect of the magic itself passing from the magic user through the wand to the performance of a spell.

[blood-starved-beast]

So I've been thinking.

Icarus and Arachne clearly have some situationships going on (Arachne's is triggered when Mel gives her ambrosia and it looks to be mutual unless something else changes). They are both shades LIs (2)

Eris and Nemesis both clearly also have situationships with Melinoe. They are both female god LIs and daughters of Nyx (2).

Moros is highly implied (like the foreshadowing is very thick) to be a potential LI for Melinoe. He is a male god and son of Nyx (1). If we look at the pattern going on so far, we're missing one male god love interest. Who could that be?

Now, it's entirely possible that it's a god not yet included in Early Access and has to be patched in with development. But also. Melinoe has had a parasocial relationship with Hypnos going on since forever. She gives him great reverence/interest with him. She clearly is into babygirl" men. It would be wild, and I say wild, if the final male LI established is Hypnos. Once you wake him that is.

[petro1986]

THE RESULTS ARE IN!! if you didn't get a chance to vote, well that sucks... Maybe redo this with a dedicated Tumblr Poll account or Disney Critical Blog (fuck off suck ups)

Who's ready for the Data? GOOD!

Childhood Trauma:

Dead last (for both polls actually) is: "Intermission/Meet the Soundtrack! It's a big nothing burger based on the limited sample size, if you have a thing about waveforms, let your voices be heard (and bamboozled in one direction)

8th place of Fantasia Trauma: The Pastoral Symphony, 1.8% traumatised. Place your bets where it'll come on the Horny list!!! (ignore results above)

it's now a three way tie for 5th place, with Toccata & Fugue/The Nut Cracker Suite, and Dance of the hours with 3.6% each. the last of the single whole digit scorers, and fun fact: My Partner is traumatised by One of these segments, feel free to speculate among yourselves as to which exact moment >:3c

4th Place, at 14.5% of 55 votes, Give it up for The Rite of Spring! Ponderous Dinosaurs and a genuinely creepy T-Rex* that for the longest time represented one of the most visceral depictions of dinosaurs, until Chris Pratt came along... Well done Dinos!

With the Bronze Medal, with 16.4%: The Sorcerer's Apprentice! Animated brooms following orders mindlessly, fucking mood.

In with the Silver, at 27.3% of voters: Night on Bald Mountain! Lot's of great nightmare imagery and Chernabog! Harpes with titties! Dæmons dancing and melting into pulsing flesh! If you want to get fired from your childcare job the quickest way possible, skip to the last chapter of Fantasia!

But taking the Gold Medal, with a whopping 29.1% for most trumatic part of Fantasia 1940 is: Didn't see it/Watched Fantasia 2000!!! The greatest trauma is the barriers to seeing a veritable piece of art and Steve Martin

NOW ONTO THE HORNY LIST 🍑🍆👀💦 No one is horny for the Intermission/Meet the Soundtrack, need not freaks clearly next time these polls get redone... BUT JOINING THE SOUNDTRACK is Toccata & Fugue, Now I know someone crosses their legs to that segment! both got 0% so are canonically the least horny parts of the film

7th place, The Nutcracker Suite at 3.2%: If you're into Fae folk and poorly aged mushrooms, you do you! Just be careful about putting your dick in it (if in doubt: don't put your dick in it)

For joint 5th place (much to the author's displeasure) is The Rite of Spring & Sorcerer's Apprentice, with 6.5%... If they aren't at risk at putting you in A&E from getting frisky, is it really anything?? But then that could go for number one... You'll see... Oh, forgot to talk about Sorcerer's Apprentice, Would smash Yen Sid~

4th place with 9.7% is Dance of the Hours: 10/10 baddy T-Rex made many monster fuckers out of nearly 10% of you, that's a healthy kink! Step on me Mommy

Into the Medals, and bringing home the Bronze is Night on Bald Mountain with 12.9%! Step on me Daddy Chernabog~

Silver with 29% is Haven't seen Fantasia 1940/Watched Fantasia 2000! Horny for not watching movies and that personification of The Forest/Nature, But I will cancel You if Rhapsody in Blue does it for you...

The Pastoral Symphony wins the horny Gold with 32.3... Only acceptable if you're Smashing/getting Smashed by Bacchus/Zeus/Vulcan, I won't be taking further questions on this...

What can we draw from this? Go watch Fantasia 1940 in any way that doesn't put coin in Capitalism Rodent's pocket, but watch out for the un-censored versions, all the more reason that I'm so dissapointed at the Horny Gold winner...

Wiki page to remind yourself which visuals go with what music

If multiple, I'm sorry that there's no granularity with Tumblr Polls, reblogs for larger sample size is greatly appreciated!

[jils-things]

jokes aside if they're really doing bw remakes i think that's such a bold move because bw was the absolute peak of masterpiece and it's what a pokemon game should be (at least to me) i also prefer pixels over 3d models so there's a slight bias. if they're going to remake it and turn it to 3d like dp -> bdsp... i hope it looks good because im quite picky there ... i wonder how will they remaster the skyarrow bridge or castelia city's camera panning because I don't think anything can top that quality. personally for me i think its impossible to "upgrade" bw nor can you replace it. it's just too good and well, it's the best farewell to the ds era.

[orcelito]

Worked on pictures for about 8 hours straight, stopping a few times for crying breaks, but it's done. I made the slideshow and sorted it real nice. The sorting was half the time by itself. But I think I did a good job.

Also emailed my advisor. Look at me go.

[tagidearte-spam-sb]

The Daycare Attendant and Their Dialogue

A little ramble on some of the things I've noticed about their ways of speaking. This post ended up being predominantly about how they refer to one another. Most of this is speculation mixed in with my own views on them and their relationship, without discarding some other possible alternatives (for instance, although I do view them as two AIs that heavily rely on each other to function properly, I do not cast aside the interpretation that they are the same person).

(note: although I have played SB and Ruin, I did not play HW2 myself. All I know about that game has been through let's plays).

Sun is, obviously, the chattier of the two. Not only are his sentences longer, he speaks more of them in a row than Moon does - in fact, we only see Moon going on and on in Ruin (which we will discuss later).

Both of them use a lot of repetitions when speaking. From their infamous "clean up, clean up" line, to Sun's panicked "you like glitter glue? I have glitter glue!" and "light's on! Light's on! Keep the generators on!", to Moon's "hidey hide, hide away" and "bad children must be punished. Bad children must be found", "knock knock", etc. One of the first things Eclipse says is also a repetition ("warning, warning"). They appear to occasionally rhyme their words too, or at the very least use similar sounds in their sentences. This is a robot that works with young children, so it's not surprising.

On that same vein, their main insult to misbehaving children (and employees... or at least Cassie's dad) is also a repetition: "naughty, naughty" (which turns into "naughty boy" for Gregory), "rulebreaker, rulebreaker", and "bad kid, bad kid". In fact, it appears they repeat words more often when they're mad/stressed (Sun's no no nos, Moon freaking out in Ruin). Taking into account they get mad pretty easily when things don't go their way, it's not surprising we hear it so often, but it's neat.

Although both of them speak in an almost song like manner, with Sun's run on sentences flowing well between one another, Moon is the one where this is more evident due to how much shorter his lines are.

Moon is also the one who speaks in a more childish manner. Not only are his phrases shorter, he doesn't articulate them as much as Sun does, and seems to prefer shorter words and sounds, especially giggles. This makes Sun appear more developed. Key word being appear.

Sun tends to speak as if he's entertaining a crowd, doing his best to keep the attention on himself while trying to keep it fun. This is most evident in his level explanation parts in HW2, but it's also clear in SB. In Ruin, this is absent for... obvious reasons.

Both of them are somehow direct in their way of giving orders/saying what they want to do. When they can't be direct, they find workaround truths in order to conceal what they truly want to say, while keeping the main order clear (such as Sun saying the player will hurt their eyes if they work in the dark and ordering them to keep the lights on, rather than saying Moon will kill them so keep that room bright. Direct, but nicer).

Not at all important to FNAF speech lore but I think it's funny: Sun says the infamous Vanny line during the daycare intro section. "Are you having fun yet? (Are ya, are ya?)". 0.5 seconds after Gregory just stands there, which coincidentally is what Vanny does 0.5 seconds after Gregory gets into a vent (numbers exaggerated). I don't know. I just think it's funny. Replaying the daycare section after hearing Vanny yapping that line non stop gave me flashbacks.

The way they refer to each other and the pronouns they use are an entire thing, so let me separate it in two parts.

So that this post doesn't become scrolling hell on the tags, I'll keep it below the read more line:

Sun

Sun is the one who refers to himself the most. He frequently uses "I" or "me" when talking about himself, and does it way more often than Moon. Examples of this are "I have glitter glue!", "I'm stuck in a nap", "it really speaks to me", "I feel dumber just looking at it" - you get the point by now. The reason I'm going hard on this point is to contrast his way of speaking to Moon's.

When it comes to him referring to Moon, we only ever hear it twice. In HW2 he says "He'll wake up if the lights go out!". In Ruin, he says "Not me, the other me!". Besides those two voice lines, he merely alludes to Moon without ever mentioning him by name or by pronouns (such as when he says he'll turn the lights off himself, implying he'll let Moon deal with you, or when he says you can't work in the dark and instead of saying the real reason as to why, he cuts himself and goes "You'll- hurt your eyes if you work in the dark").

This is interesting for two reasons: one, we only see him directly mention his counterpart when he's in a ruined state (the HW2 voice line comes from the mask off section, when they're broken down. At least I think so); two, he simultaneously views Moon as separate from himself ("he'll wake up") and as a part of himself/another side of himself ("the other me"). You can take that as them really being the same "person", or as a reflection of their complicated body sharing situation. Take it as you will.

As far as referring to himself and Moon at the same time, he only does it in Ruin when he states "We need to be whole".

Moon

The way Moon structures his sentences means that he seldomly actually refers to himself directly. For instance, he doesn't say "I will find you" or "I will punish you", putting himself as the subject of the sentence. Instead, he puts others as the subject, wording it as "Bad children must be found" and "Bad children must be punished". This is consistent across all of his voice lines except one... Well, technically two.

To get it out of the way: there's a deleted voice line where he says "I'm putting you in time out", a line he and Sun share and which worked the same way the clean up one does - them saying the same thing, a push towards them being the same person ordeal.

The only in-game time he refers to himself directly is in Ruin. This line is also the only time he refers to both himself and Sun as a duo. This line is also the longest line of dialogue Moon has.

"(groaning noises) Naughty! Naughty! Make it stop! The light makes us hurt! Grind Grind! Grinding gears inside my head! We can't move. Error! Error!"

This line, much like Sun's, is interesting for various reasons. Even though Sun is no longer with him (being stuck in the VR world and separate from Moon, shown by how Moon can't move because the lights are on but his body can't shift into Sun, so he's completely stuck), he first refers to himself as a "us" - adding Sun into the mix. Then he refers to himself alone, "my head" instead of "ours", before going right back to a plural.

We can assume one of three things here: one, Moon refers to himself as a we more often, adding Sun into the mix, a complete opposite of his counterpart who typically speaks in singulars; or two, Sun is not as absent as he appears and in that moment he is in fact with Moon, just stuck on the passenger sit, hurting alongside him; or three, this is merely an effect of this being in the Ruin DLC where the whole point of the daycare section is to fuse Sun and Moon into the Eclipse, so the writers decided to bring the point home further. If you have more options, feel free to add them.

Side note: This voiceline also shows Moon's speaking patterns pretty well. Putting "the light" as the subject instead of "we/I", the rhyming, the repetition, the clipped sentences compared to Sun's endless ones, the noises, the scratchiness, the vague childlike mannerism... All ending with "we can't move", way more straight to the point, said right before he freezes up, which deviates from the "other subject first then me" rule due to the pain tearing through him at the moment.

Moon does not call Sun "the other me" or anything similar in any of the games. He never refers to Sun as if he too was Sun. However, we can assume his view on their situation probably mirrors Sun's - being in the same body and all -, so take it as you will.

And as for Moon referring to Sun as a separate individual... He does not refer to him as a "he". Instead, he actually mentions his counterpart by name, saying "No more Sun". Meaning he's the only one of the the two that has canonically used his other side's name. I think it's interesting how the least chatty one is the one actually calling the other by name and not the other way around. And yes, you can say it's a way of speaking and he's referring to the concept of the sun rather than saying his name, but taking into consideration Sun never utters the word moon, I'd say it's still quite a big thing.

In my headcanon land, due to the happenings at the Pizzaplex, Sun is probably too embarrassed and mortified to even mention Moon. Moon, on the other hand, has no reason to have such troubles besides hating Sun for (in his perspective) keeping him locked in a prison of light. So for me, it makes sense we never see Sun saying Moon's name, and it makes it more impactful when he actually acknowledges Moon as the other me rather than a he.

Eclipse

I lied there's three parts.

Eclipse has very few voice lines. The only one that matters here is "We need to clean this place up before we can open in the morning." This is pretty straight to the point: Eclipse, unlike Sun and Moon, doesn't use an "I". They immediately speak in the plural. They do not view themselves as just Eclipse, but rather as both Sun and Moon combined, at the same time.

As for the DCA being two AIs or one... in Ruin, Sun thanks Cassie after Eclipse is activated. It's left ambiguous. You can say Sun speaking afterwards proves they're not one and the same, "with the Sun and Moon AIs still running separately somehow", or you can assume Eclipse existing doesn't mean Sun and Moon can't keep doing their thing under safe mode, albeit in a less chaotic manner, allowing Sun's voice to come through but not making him any less Moon - he is Moon, he is Sun, and they are complicated yet very simple.

I believe in whichever version is more convenient at any given time, with a preference for "two codependent AIs" given what the games show us. Although, going by everything I collected here, the only theory I believe to just not be supported by canon at all is the one with Eclipse as a separate thing all together. Eclipse refers to themselves as a "we', not an "I". Eclipse activates when you make Sun and Moon "whole". It canonically makes no sense for Eclipse to be a third thing. (Please remember this is a post about what's in the games, the canon of FNAF. AUs and fandom or whatever, you do you).

That's it. Hope you enjoyed my rambling. Uh artblog unpaid promotion @tagidearte thank you for making it this far.

[fagus-sylvatica-beech-hedge]

okay buckle the fuck up because I've got a lot to say and not much time to say it.

the central theme and purpose of dan and phil crafts, at least in my opinion, boils down to trust.

the trust that they have for eachother and have had for years, and the trust they place in us as an audience.

for example, the sheer amount of trust that (crafts) phil had to have in (crafts) dan to let him sacrifice him multiple times, and believe that he would be able to successfully complete the ritual and bring him back to life, in a way mirroring the fact that (real) phil willingly went back into the closet after living somewhat openly as a gay man for several years in university, for the sole purpose of letting (real) dan process his sexuality in his own time, therefore "sacrificing" that part of himself for a time and trusting that dan would eventually get to a point where he would be more comfortable being out.

PART II: THE HAND HOLD

of course, now in the present day with both of them firmly out of the closet, having lived together for over a decade and built their "forever home" from the ground up, they understand the implications that can be drerrived from their more "coupley" actions, especially knowing how the phandom used to be.

if you have been in this fandom for any sizable amount of time you might remember how any "sighting" of them possibly holding hands was prone to much speculation and excitement,

images such as the ones presented below were posted and reblogged many times, with varying amounts validity.

[images taken from pinterest as I couldn't find the original posts, if you know who posted these please do let me know]

so, them standing front and centre, unabashedly holding hands symbolises this new era that we have been entering since the revival of dan and phil games, this era of acceptance and the trust that they are placing in us as an audience by letting us see a bit more of this side of them.

"we know you know" and all that.

so then, devotion, to a god, to an influential online figure, or of course devotion to a partner.

and what is devotion if not trust? and then again what is trust if not love.

thank you for coming to my ted talk, I have no idea if this makes sense to anyone else, I wrote this whole thing in about 15 minutes while slightly delirious from the heatwave currently boiling my whole city alive.

so long and thanks for all the fish

-fagus.

[lady-raziel]

and alright, here's my last (let's hope) and boldest take yet. lots of people have been talking about the level of staff (around 25-ish people) at watcher, and whether downsizing that number could have been a potential avenue of reducing costs before just jumping to a subscription model. at first i was like yeah, i'm not sure that there needs to be 18 people involved in making a lets play. i was in the fucking trenches in the unus annus days and i'm still amazed how markiplier and ethan nestor managed to put out pretty well edited videos every day for a whole year with only a handful of editors and a couple people filming. what unus annus was trying to do and what watcher is trying to do are obviously pretty different, but the point is that you really don't need a whole crew of people to make lots of different types of content and do it well.

i still think there probably doesn't need to be a whole production crew involved with the creation of some of the simpler types of content watcher puts out. however, i don't think the size of the staff is the real problem. in fact, i think the staff of watcher probably should have been larger.

let me explain. if i begrudgingly go to one of my most detested websites (linkedin. *bleeegh*) and look up watcher, i can see that pretty much every person on staff is in a creative role of some sort by their own admission. at first glance, its like, oh, that makes sense. they're making creative products, it's natural that they should all be in creative roles. however, once you think about it for a little longer from a business perspective, that fact is really concerning.

after all, by watcher's own definition, this is a production studio. this is a company. So in this sea of creative roles, who's doing corporate planning? Who's managing finance? Who's doing payroll? Or brand outreach? Or human-freaking-resources??? you can hire outside groups for all this. i'm aware. but those services cost a lot of money to contract too. i'm just finding it concerning that there is pretty much no one on full time staff that is there to at least do some of this stuff. if watcher wants to be a big-boy company, that's fine, but that means you have to pay some people to be part of your company to do the not-fun business stuff like accounting. or resource management.

if they want to be a real company, they should actually have a lot more people on staff to deal with all the non-creative parts of running a company. even if they contract out most of it, you want at least a few people that are your people and don't actually work for someone else. that's how you don't get screwed over or end up in a contract you can't get out of.

which leads me to my last train of thought. like, as i go through the staff of watcher and look at what they do, it really seems like one of the ONLY people who's job it was to look at the business side of things WAS steven lim in his role as CEO. and thinking about that, i'm like god, can you imagine?? here's a guy who just wants to create cool stuff too but as one of the few people who has to think about the realities of Brand and the Business, HE has to be the one to burst the bubble. He as CEO has to say no to people and make decisions to make sure the company survives. In a group of creative people who just want to make things they're interested in, no expense spared, he was probably the guy who had to stay at least a little tethered to reality.

I'm not about to say that steven lim isn't to blame here. everyone involved in making the decisions that have led up to this point is part of this. but shit, it absolutely sucks to have to be the person at the end of the brainstorm session when everyone is coming up with their best ideas and to have to say "guys, i don't think any of these things are possible unless we make some big decisions."

is that what happened at watcher HQ? i don't know. at this point, with radio silence from everyone, speculation is all we've got. but if you follow the thread of a bunch of creatives striking out on their own to make their own business after being burned by their former employer, despite not knowing really how to run a business, and then only hiring fellow creative people and not other people who actually run business things... well, all of this starts to make slightly more sense in WHY none of watcher's actions make sense. everybody wants to stick it to the man and be their own boss with their own business, until it actually comes to the hard parts of doing that. at that point people start to realize, "oh, maybe some of the things that existed at my old job were there for a reason, actually."

all this is why lots of creatives striking out and starting their own businesses don't work in the end. they're thinking about in terms of creative products still, when they really need to be focusing more on the "business" part of the "creative business." it's sad. it sucks. it destroys a lot of good ideas and good people, because one person in every company like that has to be the one who thinks practically. could this have been avoided if watcher had been hiring people all along to manage this business and not just adding people to add to the creative output? maybe. even then it might not have been enough to curb other predictable impulses that led us down this path.

i feel bad for watcher, and i feel bad for the fandom. but i can't help but wonder if this was always the kind of situation we were going to end up in, and we just missed some of the warning signs because ALL of us were thinking, "well, that could never happen to us. we're different. not the Ghoul Boys."

[ssa-dado]

12 - Goodbyes & Partners

Aaron Hotchner x bau!fem!reader Genre: uuum you tell me Summary: The BAU team discovers that Hotch had a former partner, a brilliant female profiler who left the unit abruptly. Gideon reveals you were one of the best, sparking curiosity among the team. As they dig deeper, they uncover your impressive credentials, speculation grows about your close relationship with Hotch, with theories ranging from unspoken feelings to complicated personal dynamics. Warnings: none - or at least that's what I think - who would have thought. Word Count: 7.1k Dado's Corner: OKKKKK let's gooo! First time meeting Aaron's children the team, who's excited?! Peter canonically the most hated character of this fic. This chapter, like many others in this fic, has a sister chapter coming up in exactly 7 hours. After leaving you with your mouth dry yesterday, I figured it’s only fair to keep the anticipation going! Let me know what you think of the team! Also if you have ideas for this particular fic, my inbox is opened, feel free to leave as many suggestions as you would like!

previous chapter ; masterlist

No one at the BAU was ever good with goodbyes.

It was a team built on unspoken bonds and shared burdens, a group of people who had seen the darkest parts of the world and each other. For all the skills they had in reading human behavior, they were never quite able to express what it felt like to lose one of their own. Words often felt inadequate, insufficient to capture the weight of what they’d been through together: the late nights, the close calls, the quiet moments that held more significance than any case file.

Goodbyes were messy, uncomfortable, and often avoided altogether.

Rossi had been the first to leave, and even though Hotch knew he had been restless for months, it still came as a shock. One day, Rossi was there, with his dry humor and his endless stories, and the next, his office was empty, the walls bare, as if he had never really been there at all, if it weren’t for Gideon’s call, he would have never reached out. Only later he left behind a brief note, neatly folded on Hotch’s desk, with a few lines about “needing a change” and “time to start the next chapter.” It was classic Rossi: vague, detached, like he didn’t want to make a fuss. Hotch had read the note a multitude of times, hoping to find some hidden message, but there was nothing. No explanation, no real goodbye. Just Rossi, slipping away on his own terms, halfway to his next adventure before anyone had a chance to ask him to stay.

Then the most recent was Gideon’s. After Boston, after the case that had broken him in ways none of them had fully understood, Gideon’s silence was deafening. Hotch remembered the last time he’d seen him, sitting alone in his office, staring blankly at the case files scattered across his desk. Gideon hadn’t said a word, hadn’t offered any explanation or farewell. He just looked up, his eyes hollow and distant, and Hotch knew that whatever had been holding him together had finally snapped. By the next morning, Gideon was gone, his desk cleared out, his badge left behind like a discarded shell of who he once was. There were no letters, no phone calls, just the ghost of a man who had once been a legend in the field but was now too broken to even say goodbye.

Both of those men had left him with new responsibilities: Rossi’s departure had made him a lead profiler, and Gideon’s exit had eventually thrust him into the role of Unit Chief. Though Hotch had always been an ambitious person, the way he’d earned his promotions often felt like a double-edged sword, each step up tinged with a sense of loss. It was as if there was an unspoken rule that he could never fully enjoy his achievements without bearing the weight of the absences that had made them possible, leaving him to wonder if success always had to come at such a cost.

Hotch had never mastered the art of letting people go. The departures always felt like tearing pages out of a story that had been written together, each blank space a reminder of what had been lost.

But you, you were different.

You were the only one who was extraordinary at goodbyes.

It had been a few months after his wedding when you made your announcement. The BAU had just wrapped up a grueling case, the kind that left everyone drained and hollowed out, and Hotch had retreated to his desk, hoping for a moment of peace. You had come in, hesitant at first, fiddling with the bracelet on your wrist - a nervous habit he’d come to recognize over the years. You took a breath before speaking, your voice laced with the kind of excitement that only comes when you’re standing on the edge of something new and terrifying.

“I got an offer,” you said, your words tumbling out in a rush. “To teach. It’s a position I never even dreamed of. The first-ever Behavioral Sciences courses, all across Europe. They want me to lead them.”

Hotch remembered the way his heart sank when you first told him, though he tried his best to keep his expression neutral, hiding the ache beneath a composed facade. He had always known you were destined for more; your talent, insight, and your relentless passion for sharing knowledge had set you apart from the very beginning. You were the team’s quiet genius, not just in profiling but in connecting dots others couldn’t see, blending psychology, philosophy, and the art of communication into something extraordinary.

You laid out all the details with an excitement that was hard to contain: Rome, London, Paris - places you had only glimpsed on rare vacations now calling on you to bring your expertise to their prestigious institutions. It was a perfect fit, a job seemingly tailored just for you. Your fluency in multiple languages, from Italian and French to German and Swedish, made you uniquely qualified to teach across Europe, bridging cultural gaps with the ease of someone who had spent their life immersed in the subtleties of language and human behavior.

It was everything you had worked for, and everything you deserved. Hotch knew that it was fate, really - that someone with your knowledge, your intellect, and your gift for teaching would eventually end up in front of a classroom, shaping the next generation of minds. But knowing that didn’t make it any easier to swallow. You were finally getting the recognition you deserved, but for Hotch, it felt like the beginning of the end of something he hadn’t been ready to let go of.

Hotch had listened intently, though the tightness in his chest made it hard to breathe. He could see the flicker of conflict in your eyes, the way you glanced at him, searching for something: approval, reassurance, maybe even permission to take this leap.

You had always been strong, but this decision was monumental, and Hotch could sense your need for his support. As you spoke, your words came out in a rush, filled with excitement yet underlined with an uncertainty that made his heart ache. When you finally paused, breathless and hopeful, he forced a smile, pushing back the knot of emotions building inside him.

“You always told me I should find my happiness,” he said softly, echoing the words that had once helped pull him through some of his darkest times. “Maybe it’s time you did the same.”

He watched as your expression softened, the tension in your shoulders easing just a little. Hotch could feel you on the verge of saying something more, something that lingered just beneath the surface. But instead, you nodded, your smile bittersweet, tinged with an understanding that broke his heart just a little more.

“Thank you, Aaron,” you whispered, your voice so quiet, yet so full of sincerity it nearly undid him. “I needed to hear that.”

And he knew, in that instant, that his words had given you what you needed. But the cost of that comfort weighed heavily on him. This was it - this was the moment he had been dreading. The goodbye that followed was simple, yet it carried a depth of emotion that neither of you dared to fully express. There were no tears, no grand declarations, just the two of you standing in the bullpen, surrounded by the echoes of shared memories and silent understanding.

When you moved to hug him, Hotch felt the familiar warmth of your presence wrap around him. For a second, he held on tighter than he should have, his hands lingering at your back, memorizing the way you felt against him. He wasn’t sure how long he held you there, but it wasn’t long enough. It would never be long enough. The realization hit him hard, this might be the last time he’d feel the steady comfort of you by his side, the last time he could call you his partner in the same way.

“I’m going to miss you,” you said, your voice thick with the emotions you’d worked so hard to keep at bay. And though Hotch tried to respond, his throat tightened, and all he could do was nod, hoping that somehow you’d understand all the things he couldn’t find the words for.

“Don’t forget to write,” you had said, pulling back with a small, teasing smile that didn’t quite reach your eyes. It was a half-joke, half-promise, but Hotch had clung to it.

When you finally pulled away, it felt like something inside him had shifted, like a piece of him had gone with you. He watched as you gave him one last, lingering look before walking out of the building, the door closing softly behind you. The silence that followed was suffocating. Hotch stood there for a long time, staring at the space where you had been, already feeling the weight of your absence settle deep in his bones.

You both knew phone calls wouldn’t work - the time zones were unforgiving, and your schedules were a mess of lectures, seminars, cases and travel. Trying to coordinate would only lead to missed calls and voicemails, the kind of slow drift that ends in silence. But letters, letters were something else. They were tangible, personal, a way of staying connected even when the rest of the world pulled you in different directions.

Your first letter arrived a few weeks after you left. Hotch had found it waiting on his desk one morning, nestled between case files and memos, and just seeing your name scrawled across the envelope made something in his chest tighten.

For Hotch, the idea of writing to you felt right. It reminded him of the hours you had spent together in the bullpen, sitting across from each other as you filed endless reports and bantered over cases. Your handwriting, always in blue ink - never black, because you said it felt too clinical - was something he had come to cherish. He still remembered the way you had teased him, claiming that black ink was for lawyers and pessimists, and he had laughed, knowing you were right.

He opened it carefully, unfolding the pages with the same kind of reverence he might have shown an old photograph. The letter was filled with details of your new life abroad: how strange it was to be teaching in a classroom instead of chasing down criminals, how the students were eager but occasionally overwhelmed by the intensity of your lessons. You wrote about your tiny apartment in Rome, the cobblestone streets that twisted like a labyrinth, and the late nights spent sipping espresso as you prepared your lectures.

But it wasn’t just the big moments you shared; it was the little things, too. The frustration of dealing with Italian bureaucracy, the odd comfort of hearing a student quote something you’d said in class, and the quiet evenings when you missed the familiar hum of the BAU. Every word was laced with your personality: your humor, your insight, the way you saw the world with a blend of sharp intellect and boundless curiosity. Hotch read that first letter at least a dozen times, absorbing every detail, and when he finally put it down, he felt closer to you than he had in weeks.

Writing back to you became a ritual for Hotch, a quiet refuge at the end of his long, exhausting days. Once the cases were filed, the team had gone home, and the dim glow of his office lamp was the only light left in the bullpen, he would settle at his desk, the silence his only company. The act of writing to you felt both familiar and soothing, a tether to a time when you sat just across from him, lost in your own thoughts yet always attuned to his.

Hotch’s letters were a blend of work updates, personal reflections, and glimpses into the ever-changing dynamics of the team. He would tell you about the latest cases they were working on, the challenges that kept him up at night, and the way the BAU had evolved in your absence. You were always keen to know how the team was adjusting, and Hotch made sure to keep you in the loop, filling you in on the new agents who had joined and the unique personalities that now made up the BAU.

He told you about Derek Morgan, the first agent to join after you left. A former Chicago police officer with years of experience in the bomb squad, Morgan brought a fierce determination and a protective instinct that quickly made him an invaluable asset. But there was also a softer side to Morgan, one that emerged when he talked about his past or reached out to support his teammates. In many ways, his drive and unwavering loyalty reminded Hotch of you, and he knew you would have liked him.

Next came Penelope Garcia, the flamboyant technical analyst whose quirky style and unmatched brilliance with computers brought a new energy to the team. She was a ray of light in the otherwise dark world of profiling, and Hotch often found himself amused by her unique way of looking at the world. Despite her unconventional approach, Garcia was a genius with technology, hacking into systems with ease and always finding the crucial piece of information that made the difference. Hotch thought of how you would have loved her spirit, her warmth, and her unfiltered way of connecting with others.

Then there was Jennifer “JJ” Jareau, the new media liaison who had quickly proven herself to be on of the most important resources in the team. JJ was calm under pressure, compassionate, and fiercely dedicated to the team’s mission. She was a bridge between the BAU and the outside world, handling the delicate task of managing public perception and dealing with victims’ families with grace and empathy. Hotch admired her poise and her quiet strength, qualities he often found himself describing to you, knowing you’d appreciate how she balanced the team’s intense work with her soft-spoken resilience.

And then there was Dr. Spencer Reid, a young genius with an IQ of 187. Gideon had brought him in, recognizing his potential - just as he did with you back then - even though Reid was still so green, fresh out of the academy with a mind that worked on an entirely different level. Hotch wrote about Reid’s unique brilliance, the way he could recite obscure facts at lightning speed, and notice patterns no one else could see. But he also told you about Reid’s vulnerabilities, when his intellect clashed with his emotional sensitivity. Reid’s innocence and earnestness were tempered by the heavy weight of the cases, and Hotch often found himself mentoring him.

Lastly, Hotch wrote about Emily Prentiss, the newest addition to the team, an experienced agent with a knack for languages and a drive that matched his own. Prentiss was smart, resourceful, and relentless in her pursuit of justice, and her multilingual skills often put her in the center of complex international cases. She was bold, unafraid to speak her mind, and determined to prove herself, even when the odds were against her. Hotch appreciated her dedication and saw echoes of your tenacity in her work ethic, her unyielding desire to understand every angle of a case.

As Hotch became Unit Chief, he had worked hard to build a cohesive team, one that felt more like a family than just a group of agents. He made it a priority to cultivate an environment where each member’s strengths could shine, creating an expanded, stable unit where everyone had their own area of expertise: Morgan with tactical support, Garcia with technical prowess, JJ with media relations, Reid with his unparalleled intellect, Prentiss with her international insight and Gideon – just being Gideon.

It was a dynamic mix, and though the team had grown and evolved, Hotch never stopped missing your presence among them. You were the missing piece, the partner who had helped lay the foundation for what the BAU had become.

But his letters were not just filled with work updates; they were laced with personal moments, too. Hotch shared glimpses of his life outside the office, the small joys that kept him grounded. He wrote about his son Jack, who was growing up faster than Hotch could keep up with. He also wrote about Haley, who had found solace in gardening, transforming their backyard into a small oasis of color and life.

The lines between work and personal life blurred in his letters, just as they always had with you. You were more than just a partner at work, you were the person who had been there through the highs and lows, his best friend who understood the burdens he carried without him having to say a word. And though you were an ocean away, your presence lingered in every word exchanged, each letter a lifeline that kept you connected despite the distance.

You never just sent letters, though. There were always little extras tucked inside: clippings from newspapers, photos of the places you were exploring, and, most often - to still honour your long lived tradition - books.

You had a way of choosing the perfect titles, each one reflecting the country you were living in or the experiences you were having. When you were teaching in Italy, you had sent him a cookbook called “Pizza, Pane e Focacce,” a whimsical collection of traditional recipes that made Hotch laugh out loud. He had imagined you in the tiniest Roman kitchen, trying your hand at kneading dough, and the thought was so charmingly incongruous that he couldn’t resist teasing you about it in his next letter.

“Italian pizza and philosophy, a natural combination,” he had written, the playful tone feeling both familiar and distant. “Let me know when you’re ready to challenge Rossi to a cook-off. I’ll bring the wine.”

But the most meaningful gift had come when Hotch had told you about Haley’s pregnancy. It was a vulnerable confession, written in the quiet hours of the night when he felt the weight of impending fatherhood pressing down on him.

He hadn’t expected anything in return, but a few weeks later, a package arrived, a book titled “Guide for New Dads.” It was in Swedish, a nod to one of the first books he’d ever given you about coin collecting, and this time to prove him you had long mastered that language, every page was carefully translated into English with sticky notes in your familiar blue ink.

You had filled the margins with little jokes and notes of encouragement, turning a practical guide into something deeply personal.

“This one’s actually useful, Hotch,” you had joked.

“I promise, the Scandinavians know their thing.” Or

“It’s not the easiest language,” you had written on one of the notes, “but then again, neither is parenthood. You’ve got this, partner.”

Those two words - “you’ve got this” - had stayed with him, becoming a quiet mantra in the moments when doubt threatened to creep in. You always seemed to know exactly what he needed, even from halfway across the world.

Today, Hotch was sending you something in return. After years of toying with the idea, he had finally co-written a book on crisis negotiation, a project that had taken countless late nights and long hours of reflection. It was something he was proud of, a culmination of his years in the field, and it felt only right that you should be one of the first to see it. He carefully packed the book, adding a handwritten note on the first page, a Hegel quote about partnership that he knew you would appreciate.

"Partnership, like friendship, is an expression of freedom that arises from the recognition of others as individuals, bound by a common ethical life." - (Philosophy of Right, unfortunately, not Hegel for Dummies)

“Hopefully, you’ll like this one in particular,” he had added in a playful scrawl, imagining the way you would roll your eyes at his attempt at humor. It was a small gesture, but it felt like a continuation of the conversation you had been having for years, the dialogue that never really ended.

Six years had passed, but some things never changed. You were still his partner, the person who understood him in ways no one else ever could. But now, your life had taken a different turn - you were engaged to Peter, your best friend since you were fifteen. Hotch knew Peter well, how he had been there when you needed a shoulder to cry on, when you were too stubborn to ask for help, and how, despite winning that date with you back at his welcome back party, you’d never really given him a fair chance.

Peter had always been that steady presence, always willing to wait, always there in the background, a constant in your life when everything else felt uncertain. And though you had resisted his quiet, unwavering affection for years, something in you had shifted: a desire for something safe, something dependable, something that felt like home.

In your letters, Hotch could feel the warmth and affection you had for Peter radiate from every line. You described him with such tenderness: the way he would surprise you with breakfast on mornings when you were buried in work as your usual, how he would wait up for you when your classes ran late, and how he would listen, truly listen, to every word you said, even when his own responsibilities at Interpol were just as demanding. There were little moments, too: the way his eyes would light up when he saw you walk into a room, and the quiet nights spent talking about everything and nothing.

Hotch could tell Peter cherished you in a way you deserved: patiently, deeply, without reservations. He could see that Peter was the one who was there to hold you through your doubts, the one who made you feel understood when the rest of the world seemed incomprehensible.

He remembered the letter you had sent announcing your engagement, how you described Peter’s proposal on a quiet evening in Vienna, the two of you standing on a bridge overlooking the Danube. You wrote about the gentle way he had asked, how it felt so natural, so right, that you hadn’t even needed to think twice before saying yes.

You were building something beautiful, and he was happy for you. Truly, he was. But there were moments, in the quiet solitude of his office or in the late hours of the night, when he couldn’t help but feel the weight of your absence like an old, familiar scar.

He sealed the package with the book and his note inside, pausing to add a small card with a few lines scribbled in his neat handwriting:

“To my partner, the only person who could ever make a philosopher out of an FBI agent. I hope this book finds you well. I’m proud of you, always. Don’t forget to write.”

He had kept your latest letter on his desk, re-reading it whenever the weight of the day became too much. You wrote about the small joys of your new life - the café near your apartment in Paris, where you and Peter would go on Sundays, the excitement of teaching your students about behavioral analysis, and the bittersweet feeling of missing the team. It was the kind of letter that made Hotch smile, filled with all the small details that made him feel like you were still just a phone call away.

But life at the BAU had moved on. Hotch was Unit Chief now, a position he had worked years to attain, and the team was evolving with new faces and new dynamics. Haley and Jack were thriving, and Hotch found solace in their little routines, the stability of home life that had once seemed impossible. But no matter how full his days were, there was always that quiet moment when he would think of you: wondering where you were, what you were doing, and if you ever missed him the way he missed you.

He hadn’t seen you in six years, hadn’t heard your voice except for in memories, and yet you were still so present, woven into the fabric of his everyday life in ways he hadn’t fully understood until you were gone.

.

Back in the bullpen, Emily Prentiss, still trying to find her rhythm with the BAU team, leaned against her desk, her eyes trailing toward Hotch’s office. She had been with the team for a few months now, and while she was learning the ropes and getting comfortable, Hotch remained somewhat of a mystery to her.

He was always calm, collected, and focused - a leader who kept a firm grip on everything around him. But when it came to his personal life, he was a locked vault. It intrigued her, in a way that felt almost frustrating. With a sly smile tugging at the corner of her mouth, she tossed out the question she’d been wondering for weeks. “Does Hotch even have friends? I mean, besides his endless pile of case files?”

The bullpen, which had been filled with the familiar hum of typing and low conversations, quieted as everyone processed the question. Morgan, sitting across from Prentiss, was the first to break the silence with a low snicker. He leaned back in his chair, hands behind his head, flashing his trademark grin. “Hotch? Friends? Nah, that man’s married to the job. Friends would require, you know - fun - and I don’t think he’s ever met the word.”

JJ, who had been sorting through a stack of papers at her desk, laughed softly. “Yeah, he definitely seems more like the ‘spend Saturday night in the office instead of watching a game with buddies’ type. I’m pretty sure he doesn’t even have time for friends.”

Prentiss grinned at that, shaking her head in agreement. "Or maybe he has a secret club of workaholics where they get together and solve cold cases for fun."

Garcia, standing behind Morgan’s chair and draping her arms around his shoulders, gasped dramatically, her eyes widening with an over-the-top look of mock horror. She placed a hand theatrically over her heart, shaking her head in disbelief. “Oh, can you imagine Hotch at a dinner party?” she exclaimed, her voice dropping into a stiff, deadpan impression of him. “‘So, how do you feel about the rising murder rates in the Midwest?’”

She shivered dramatically, clutching Morgan a little tighter for effect. “Honestly, the worst small talk ever,” she declared, rolling her eyes with a playful shudder that sent the team into laughter.

Laughter rippled through the group, the shared image of Hotch awkwardly navigating social situations becoming a source of amusement. But as the laughter died down, Reid - who had been quietly sifting through old case files - looked up, his expression thoughtful, as if he had been contemplating the question more seriously than the rest.

“I don’t think it’s that he doesn’t want friends,” Reid mused, his tone thoughtful as he leaned back in his chair. He absentmindedly flipped through a stack of old case files in front of him, though it was clear his mind was elsewhere. “It’s more that he doesn’t *prioritize* them. His work-life balance is… well, skewed. I think he probably sees relationships outside of work as distractions. They pull him away from his responsibilities, and that’s something he can’t afford.”

Prentiss nodded slowly, taking in Reid’s assessment with a soft hum of agreement. She crossed her arms over her chest and shifted her weight, her gaze flicking toward Hotch’s office, where the blinds were half-drawn and the lights were on. “Yeah,” she said, drawing out the word, “I can see that. But still… doesn’t everyone need someone to talk to? I mean, even Hotch?”

Morgan, leaning back in his chair with a casual grin, was about to drop a classic sarcastic retort when something stopped him in his tracks. He noticed the subtle shift in the room - a presence just behind them, commanding yet silent. The playful banter faded as everyone instinctively glanced up.

There, standing quietly at the edge of their conversation, was Jason Gideon.

His mere presence had a way of quieting a room. Unlike Hotch, whose authority was overt and rooted in his leadership, Gideon’s was understated, more psychological. He didn’t need to bark orders at them; he simply had to be there, and everyone would fall silent. He looked between them, his eyes calm but sharp, assessing the scene with a quiet understanding.

Gideon had clearly overheard enough of the conversation to know what they were discussing. His expression was thoughtful, as though he was deciding just how much he wanted to reveal. Finally, in his familiar, measured voice, he broke the silence. “Yes, he does have friends.”

The simplicity of his statement landed like a bombshell in the middle of the room. All eyes snapped to Gideon, the weight of his words sending shockwaves through the group. The notion that Aaron Hotchner - stoic, ever-serious Hotch - had a social life outside the walls of the BAU was almost laughable.

Morgan was the first to react, leaning back with an incredulous grin as he raised an eyebrow. “Seriously?” He let out a disbelieving chuckle. “You’re telling me Hotch has friends? Like, real, actual friends? Not just old case files and unsolved murders?”

JJ, sitting a few desks away, blinked in surprise and lowered her papers, clearly caught off guard by the idea. “Friends?” she echoed. “I mean, I know Hotch is close to his team, but I didn’t think he really had time for anyone outside of work.”

Prentiss, her curiosity instantly piqued, leaned forward, her arms now resting on the back of a chair. “Wait, hold on. Hotch has a friend? Who?”

Gideon’s gaze swept the room, and the corners of his mouth tugged upward in a subtle smile, enjoying the ripple of disbelief he’d caused. He took a step closer, his hands casually tucked into his pockets. “She used to work here,” he said, his voice calm and deliberate, almost as if the information he was dropping wasn’t about to throw the entire team into a frenzy. “One of the best profilers we’ve ever had, Hotch and her were partners.”

The weight of that revelation hung in the air like a thick cloud of mystery, and the group fell silent again, processing what had just been said. A female profiler? Someone close to Hotch? Who had left the team without a single mention in all these years? The idea felt like a puzzle, one they couldn’t help but start piecing together.

Garcia, always the quickest to act when it came to uncovering mysteries, perked up immediately. Her fingers hovered eagerly over her keyboard, itching to dive into the archives. “Wait, wait, wait,” she said, her voice bubbling with excitement. “She? A female profiler? Who worked here? And Hotch’s partner?” Her eyes sparkled mischievously. “We need details, Gideon.”

JJ, her brow furrowing in confusion, leaned against her desk and glanced at the others. “Why didn’t Hotch ever mention her? I mean, if she was one of the best profilers we’ve had, wouldn’t we know about her?”

Morgan scoffed lightly, shaking his head in disbelief. “This has got to be a joke, right? Hotch had a female partner, one of the best profilers, and he never said a word? Not even in passing?”

Prentiss, now fully engrossed in the mystery, added, “And why did she leave? People that good don’t just walk away. Something had to have happened.”

But Gideon, ever enigmatic, simply shrugged as if he were tossing breadcrumbs to a group of hungry detectives. “She moved on to bigger things,” he said, almost wistfully. “She’s in Europe now. Teaching. Brilliant mind.” And just like that, before anyone could ask more questions, he gave a small nod of finality and turned to walk back to his office. He left the group standing there in stunned silence, their collective curiosity now burning hotter than ever.

JJ blinked rapidly, still trying to process what had just been revealed. “That’s… cryptic, even for Gideon.”

Morgan, arms crossed over his chest, glanced back at Hotch’s office, his brow furrowing deeper. The blinds were half-drawn, but he could still make out the familiar figure hunched over case files, as usual. “Hotch had a partner like that and never mentioned her once? Not even a hint? That’s not just weird, it’s suspicious.”

Prentiss raised an eyebrow, a sly smile playing on her lips as she shook her head. “If she was that good, why isn’t she still here? There has to be more to the story than Hotch is letting on. You know how he is with secrets.”

Garcia’s eyes were immediately already glowing with excitement. “Well, my darlings,” she said, leaning forward with an exaggerated conspiratorial whisper, “it seems we have ourselves a delightful little mystery to solve. And you know there’s nothing I love more than a good digital dig into the archives.” She clapped her hands together. “To the Batcave!”

Morgan chuckled, standing up and stretching. “Alright, alright, lead the way, baby girl. Let’s see what you’ve got on this mystery woman.”

With an excited flourish, Garcia waved them all into her colorful sanctuary, the tech-laden, light-filled Batcave that was her pride and joy. Stepping inside, it was like entering another universe, a world of colorful bobbleheads, blinking lights, and eclectic posters that shouted Garcia's unique personality. Her desk was lit up with the glow of multiple monitors, all showing scrolling lines of code and flashing icons.

She wiggled her fingers theatrically over the keyboard before diving into the search. “Prepare to be dazzled, my friends. You’re about to witness hacking magic.”

Prentiss leaned against the edge of Garcia’s desk, smirking. “Do we get popcorn for this?”

Garcia flashed her a grin. “Popcorn comes later, my dear. Right now, we’re after intel.”

The rest of the team gathered around Garcia’s chair, their curiosity piqued. Morgan leaned over her shoulder, watching as she quickly navigated through various secure databases, her fingers flying over the keyboard in rapid succession. The sound of keystrokes filled the air, the tension rising with each tap. After a few moments, Garcia’s face lit up, her fingers pausing as she let out a theatrical gasp. “Oh. Oh my God.” She spun around dramatically in her chair, eyes wide. “Ladies and gentlemen, I present to you… her.”

The monitors flickered, and suddenly, the screen filled with your personnel file. A younger version of you stared back at them from the photograph - a sharp, focused gaze beneath determined brows, your expression serious yet full of life. There was something magnetic in the way you carried yourself, even in a still image.

Morgan leaned in closer, his eyes narrowing as he studied the picture. “Well, damn,” he muttered under his breath, letting out a low whistle. “She’s exactly my type.”

Prentiss nudged him playfully, raising an eyebrow. “You say that about every woman who’s both breathing and talented, Morgan.”

Morgan grinned, flashing her a playful wink. “Yeah, but this one’s different. Hotch kept her under wraps. That’s like a glowing recommendation.”

Garcia, enjoying the banter, rolled her eyes affectionately. “Easy there, tiger,” she teased, spinning back to her computer. “I’ll share her with you, but only because I love you. Remember, I’ve called dibs.”

The team erupted in laughter, Garcia’s infectious energy cutting through the room. Even Reid, who had been quietly studying your file, let out a small smile, though his focus remained intensely on the details unfolding before them.

“She was hired here at 21,” Garcia read aloud, her voice laced with a mixture of awe and disbelief. “Straight out of university with degrees in philosophy, psychology, and linguistics. And - oh, my God - she spoke 16 languages fluently when she joined.” She paused dramatically. “Now they’re up to twenty-six, tewnty-six.”

Reid’s head snapped up, his eyes wide with shock. “Twenty-one? She was recruited younger than I was?” He blinked, his mind racing as he processed the information. “That’s… incredible.”

Morgan grinned and elbowed Reid playfully. “Looks like someone beat you to the genius profiler title, pretty Ricky.”

Reid shot Morgan a mock glare but couldn’t hide his amazement. “Twenty-six languages?” His voice was filled with admiration as he scrolled through your file. “I’ve read her work. She pioneered an entirely new method of geographical profiling, 3D models that incorporate topography. Elevation, terrain changes, natural barriers… it completely changed how we understand unsub movement patterns.” He leaned forward, growing more animated. “Traditional geographical profiling looks at a flat map, but she recognized that criminals don’t move across flat landscapes. She factored in hills, rivers, even forests,anything that could affect the unsub’s route or escape. She mapped out the terrain as the unsub would see it, considering how natural barriers influence decisions.”

Prentiss nodded, intrigued. “So, she wasn’t just tracking where they went, but how they moved through the landscape?”

“Exactly!” Reid’s excitement built. “She created a ‘criminal terrain map,’ layering traditional geographic data with topographical maps. She used it to predict choke points, places where terrain forces an unsub to make specific choices. She even factored in the psychological impact, organized offenders would avoid risky terrain, while disorganized ones might take dangerous paths without thinking. She didn’t just consider where they were going, she understood why they made those decisions, based on both the landscape and their psychology.”

Prentiss raised her eyebrows, clearly impressed. “So, basically, she was a legend?”

Garcia continued scrolling through your file, her fingers moving methodically as she scanned more of your achievements. “And she didn’t just stop there,” she said, excitement building in her voice. “After leaving the BAU, she went on to teach behavioral science and criminology all over Europe: Italy, France, Spain, Greece, Sweden – you name it – even Iceland. Lecturing in multiple languages, of course. She’s giving a guest lecture at Quantico today.”

Morgan let out a low whistle, leaning in closer as though he could learn more about you just by studying your photo. “Hotch’s friend is an international superstar. That’s why he didn’t tell us about her. He didn’t want us feeling inferior.”

JJ chuckled from the other side of the room, still processing the idea of Hotch keeping someone like you under wraps. “Of course, Hotch would keep someone like that close to the vest. It’s so like him to have a secret weapon tucked away.”

Prentiss, crossing her arms, seemed to grow more curious by the second. “If she’s this brilliant, why did she leave? And why didn’t he ever mention her?” She scanned the faces of her colleagues, clearly unsatisfied with the pieces of the puzzle they had so far. “There’s something else going on here. Hotch doesn’t just let people disappear.”

Morgan scratched his chin thoughtfully, glancing back toward Hotch’s office, which seemed to be shrouded in even more mystery now. “Yeah, something’s not adding up. She was that good, and then she just… vanished from the BAU? I bet there’s a whole story we’re missing. The question is, why did she leave?”

Garcia, never one to miss out on a juicy bit of gossip, spun around in her chair with a conspiratorial grin. “You know, now that I’m thinking about it… she left just a few months after Hotch’s wedding.” She wiggled her eyebrows dramatically, enjoying the shocked looks from the others. “Coincidence? Or was there something more going on?”

JJ’s eyes widened, and she laughed softly, shaking her head. “You think she and Hotch were… what? Secretly involved? No way. Hotch is way too straight-laced for that.”

Morgan leaned against Garcia’s desk, crossing his arms. “I don’t know… maybe. She leaves right after his wedding? That’s a pretty big red flag. Maybe she had feelings for him, and when he married Haley, it was too much. She couldn’t handle being around him anymore.”

Prentiss raised an eyebrow, half-amused but also intrigued by the theory. “Or… maybe Hotch had feelings for her, and she left to avoid a messy situation. I mean, Hotch isn’t exactly one to wear his heart on his sleeve. Maybe it was all too complicated.”

Reid, who had been silently absorbing the conversation, finally spoke up, ever the voice of reason. “Or,” he said, “it could just be a coincidence. People leave jobs all the time for personal reasons. She was clearly brilliant; maybe she just wanted to pursue teaching or research.”

Garcia grinned at him, eyes twinkling with mischief. “Come on, genius. Even you can’t deny that the timing is suspicious. She leaves only months after Hotch gets married? There’s gotta be more to that story.”

Morgan nodded, his expression serious but playful. “Yeah, kid, you don’t leave the BAU, the best profiling team in the country, unless something major goes down.”

Prentiss tilted her head, her curiosity still running wild. “What if they had some kind of falling out? Maybe they were super close, and after the wedding, things got awkward between them.”

JJ leaned against the wall, looking thoughtful. “It’s possible. People don’t usually leave a close partnership like that without a good reason. Especially someone like Hotch, he doesn’t form bonds easily, but when he does… it runs deep.”

Morgan grinned. “Whatever it is, I can’t wait to find out. If we’re lucky, we might get some answers when we meet her. Maybe she’ll drop some hints about what really went down.”

Garcia, her fingers flying across the keys again, pulled up more details about your guest lecture. “Well, lucky for us, she’s not going to be a mystery for much longer. Her lecture is in just a couple of hours at the Academy. How convenient for us to take a little field trip.”

Reid, his eyes lighting up, nodded eagerly. “I’d love to hear her lecture. I’ve read so much of her work - it would be fascinating to see how she applies her theories in person. Maybe we’ll even get some insight into her departure.”

Prentiss smirked, clearly enjoying the intrigue. “And I wouldn’t mind getting a sense of what she’s like. She sounds like a force to be reckoned with. Plus, if she was that close to Hotch, there’s gotta be some interesting history.”

Garcia swiveled around to face them, a mischievous glint in her eyes. “Well, what are we waiting for? Field trip, anyone?”

JJ pushed away from the wall, smiling as she glanced around the room. “I’m in. Let’s go meet the legend.”

The team exchanged eager glances, the sense of excitement in the air palpable. There was more to this than just a lecture, they were about to meet someone who had not only shaped the field of profiling but had also left a deep, unspoken mark on their unit chief, Aaron Hotchner. They couldn’t help but feel like they were about to uncover a part of the team’s history that for some reason had been hidden for far too long.

[theunknownpoetandrewfoster]

I want to take a minute to talk about the books that are in the therapist's office in 'The Gang Gets Analyzed'. Now, I've watched this episode at least ten times, and I never once paid much attention to them, but upon viewing it today, they finally stood out.

The first one that caught my attention was the Child Sexual Abuse book sitting atop the Lesbian Subjects one. I had to pause and rewind, and immediately I couldn't help but think they were referring to Dennis, Charlie and Dee (I've read speculation about her sexuality and it's a definite possibility as we know Glenn stated that all the characters are a little gay).

Let's look a little closer at the other titles - (I can't make out the very first one on the left, no matter how close I zoomed in), but from there we have Soul, Mind, Body, Medicine : A Complete Soul Healing SYSTEM for Optimum Health and Vitality (again, Dennis, anyone?), Psychological Research in Prisons (Mac and his daddy issues?), Power vs. Force (a book that explains how anyone can tap into their inner power to change their lives and the lives of those around them) (Again, this cries Dennis to me), Identity and Anxiety (Mac again), and finally, Listening Perspectives in Psychotherapy, a book that illustrates four distinctly different styles of listening that have emerged in psychoanalysis (Dennis and how he analyzes the other four).

I just found the titles not only interesting, but quite specific to the characters' traits.

Moving on...

Next up, on the top shelf, the first book Medicine Without Menopause felt like a dig at Dee, followed by Adult Children of Alcoholics (Dee, Dennis and Charlie), (And I Can only partially make the next one out) The Handbook of Psychiatric x (I can't make out the part in white but it sounds like something Dennis would've ingested at some point), Sex After Sixty (Frank, no doubt), and lastly Collective Behavior which the very definition of describes the gang to a t - {Excerpt from the book} Collective behavior takes many forms but generally violates societal norms. Collective behavior can be tremendously destructive, as with riots or mob violence, silly, as with fads, or anywhere in between. Collective behavior is always driven by group dynamics, encouraging people to engage in acts they might consider unthinkable under typical social circumstances.

Then we have the other books that are standing - The Human Animal (Charlie and possibly Frank), Adult Bipolar Disorders (Dennis, Mac?), When Life Becomes Precious (a book about taking care of a loved one with a terminal illness i.e. in reference to Charlie's Mom Has Cancer?), Woman Heal Thyself (another dig at Dee), and lastly, How to Live Well on a Shoestring Budget (Frank and Charlie).

This screenshot was taken in the last few minutes of the ep, and look! A new book has been added to the pile - Childhood Socialization. I don't know why I found that one to feel like it was calling out Charlie specifically, but could quite possibly refer to them all as well.

I feel like all of these titles weren't just mere happenstance and that someone picked these out to represent the gang as a whole or individually.

Either way, just thought there were a lot of interesting choices in the mold. Thank you for listening to my ted talk regarding the Gang Gets Analyzed.

[whatudowhennooneseesyou]

MTL 18+

Who in atz do you think could be a mean dom? Full on mocking and teasing maybe maybe even some degradation (doesn’t have to include degradation)

In my opinion↓

I think woo, hwa, yeo, joong would be towards the top. gi imo would definitely be last he’s a big softy. Im not so confident about yun, gho, or san but id like to say they’re more towards the bottom.

•More•

Woo (what can I say🤷)

Hwa (he’ll be so sweet while ‘bullying’ you. prepping soft kisses while being so so mean ☹️)

Joong (again what can I say😗)

Yeo (ik ik he’s a sweetheart but hear me out. he thinks of himself as a doberman instead of a maltese is all I’m saying. think he has a lot more bite than he lets on)

Yun (I feel neutral about him idk.)

San (possibly can switch spots with gho)

Gho (possibly can switch spots with san)

Gi (I don’t think he’d enjoy degrading his s/o in any way shape or form. even without degradation I don’t think he’d be mean possibly afraid of hurting them or himself lol. meanest I could picture him being is him teasing you. calling you mean dirty things, mocking you etc nahhh I don’t see it tbh 🤷😗)

•Least•

How would you place them instead ?

This is the next ask to answer and omg what a doozy, what an absolute fkn (horny) doozy.

It's taken me weeks to complete this post because I keep thinking and changing my answers lol.

Disclaimer: This is all speculation and not to be taken for reality.

Who in Ateez Could Be a Mean Dom?

Most!

Jeong Yunho No 1!!!

Of course I'm going to put Yunho as the meanest dom in Ateez because firstly, he's the ONLY member of Ateez that's a 100% 'suit-wearing, lamorghini driving dilfy-ass' DOM!- all the rest of the members are switches.

Whilst he doesn't have the biggest degrading kink, he's still a mean dom in my mind because he'd be the type to love to mock, edge, tease and humiliate yourself in front of him.

His natal chart also indicates he could be a downright sadist and enjoy objectifying whoever his submissive partner, like downright depersonalising you and treating you like property.

Yunho's dominant presence reminds me of James Spader's character from the movie 'Secretary' and in the movie, he has a bdsm relationship with his secretary (duhh) and he's a mean/hard dom.

In the movie, they're roleplaying a scene where he tells the secretary to place her hands on the table and she cannot move her hands until he comes back to her and he's gone for HOURS and he doesn't come back until she's fallen asleep (and peed herself).

Then he comes back and completes the scene and there's a beautiful aftercare segment where it shows him giving her water, he picks her up and carries her to the bathtub where he cleans her and washes her hair. The bathing scene then cuts to him gently placing her on his bed where he proceeds to absolutely worship her and treat her like a princess.

And yeah- that's how I imagine Yunho as a dom.

Also, Secretary is a great film in general that shows how a dominant should take care of their submissive PROPERLY and it also highlights how he enhances the life of the secretary/submissive for the better.

In another scene, there's a moment where they are having a conversation and he encourages her to be more independent and tells her to go take a walk because it's sunny and it'll be good for her mental health.

And Maggie Gyllenhaal is sexy in it and James Spader is SEXY in it!

James Spader is a Capricorn Venus and Mars so he was perfect for the role honestly and I know he's unconventionally attractive for the girlies who get it- you get it.

Park Seonghwa!!

He's the second because he's not a dom, he's a switch with a heavy dominant preference...probably 90% dominant to 10% submissive but as a dom- he'd be a mean one indeed.

His Aries Mars indicates he doesn't have the best stamina and *finishes* quickly so think 10-15 minute rounds but A LOT of them.

He's a mean dom because this Mars sign have the type to be a bit selfish, so for example, you have 4 rounds with Seonghwa and he'll expect you to prioritise his needs in the first two and then he'll satisfy you in the last two.

Would be the type to almost bring you to orgasm and make you wander around frustrated from a ruined orgasm for hours before giving you the euphoria you desire.

Jung Wooyoung!!!

Wooyoung is one of the three true switches of the group and I'm including him under Wooyoung because he would be a mean dom but also a bratty dom and enjoy mocking you in social settings.

He's got a bit of voyeurism kink most likely and so I can imagine him being mean to you by allowing you to go out the girls at the club but he'll leave a huge bite mark on your neck and expect you to leave it uncovered for everyone to see.

Definitely an edger, like I can imagine him running his fingers up your thighs while you're chatting with someone at the dinner table, going so close to where you need it but just never close enough so you're all red-faced and antsy whilst talking to others.

Kim Hongjoong!!!

Hongjoong is smack in the middle because I always mention how he's the most flexible with his kinks and interests.

He's one of the more switchiest members of the group and it doesn't matter if you're a brat or obedient, he'll tailor his personal interests to what you like and enjoy.

In terms of meanness, he is a Sagittarius Mercury so he could enjoy a little bit of degradation but I think he'd be more 'mean' in his love for edging, overstimulation, teasing etc.

He's also more into the psychological aspect of being mean so instead of calling you degrading words, he might be mean by making you crawl on your hands or knees etc.

Choi Jongho!!!

I'm placing Jongho here for the same reason as Hongjoong even though I think he's more dominant than Hongjoong, I don't think he'd be as into degradation as Hongjoong.

I feel he'd more show his mean/hard dom energy by restraining you with his size or with shoving your underwear in your mouth so you struggle with the audacity of teasing Jongho as he edges or overstimulates you.

Choi San!!!

Choi San is one of the true 'switchy' members of the group and could easily adapt to your desires and preferences so whilst I think he could be into being mean- I'm not sure he would pursue that unless you initiate.

He's a Leo Venus and they're extremely words of affirmation oriented and his fancalls consistently highlight his love of praise and being complimented- so I'm just not feeling it with him.

He'd love to spank your arse and manhandle you in multiple positions before degrading you verbally.

Kang Yeosang!!!

It's not that he could be a hard dom I just reckon he'd be bad at it and you couldn't take him seriously if he stuttered.

'are you being a b-bad girl for me?'

Let's be real, most would laugh if his voice broke during dirty talk.

Least

Mingi is least because (imo) he is the subbiest member of Ateez and I legit think he would actually feel bad if he was degrading towards you.

I think he would try if you asked him but I think he'd feel guilty about it or he would overthink about it and worry if you thought he'd actually meant those things?

I feel it would cause more harm to his health emotionally being the giver than if he would the receiver.

Not that I think Mingi would enjoy receiving the degradation but I think he could handle receiving it more knowing you'll praise him afterwards.

taglist: @scuzmunkie @mykryptonitelight @cursedeastern @sugarnspice630 @ja3hwa @youre-alittle-taste-of-hell @marievllr-abg @umbralhelwolf @starsareseen @mischiefsmind @mrcarrots @junieshohoho @gyuhanniescarat @partywithgyu @whatsk-poppinhomies @hologramhoneymoon @staytinyinmybpack @necessiteez @wooyoungmybelovedhusband @laylasbunbunny @anyamaris @krishastumblernow @hexheathen @i-love-ateez @michel-angelhoe @northerngalxy @justaaveragereader @silentreaderthings @daddysspecialdollyworld @abby-grace @wisejudgedragonhairdo @smilefordongil @writhingwrecked @hongthoven @almightyddeonghwa

[reidmoony-toast]

Orange Juice. ౨ৎ

"Feels like I've been ready for you to come home for so long"

Spencer x fem singer!reader

The two times they miss each other, and the one time they don't

content: no use of y/n, so much fluff, pining

cw: literally nothing!! <3

wc: 2.6k

an: This has taken me SO LONG and I'm not very proud of it 😭 Anyways hope you enjoy, ily xx

| pt.1 | pt.2 | pt.3 | series masterlist ౨ৎ

· · ──────────── ·𖥸· ──────────── · ·

She was dreaming of him when she woke up. She groaned, burying her face into the crisp white mass of her hotel pillow. Sun filtered through the large windows, dust motes dancing in between the rays of light.

The sky was a vibrant blue, only a select few clouds scattered across its expanse. The trees on the opposite side of the street swayed in a gentle breeze, looking content and greener than ever.

For Virginia, it was beautiful weather. A perfect day. Usually, on a day like today, she would be bounding out of bed to start her morning bright and early. But, she had been dreaming of him, and that wasn't something she wanted to wake up from.

She was back in Virginia to record a few songs for her new album—it was, apparently, filled with a few too many sad songs, mostly about her previous breakup.

Her producer had told her to ‘go away and write some more upbeat songs’ to give the album more variety, and to make it more like her last album.

She cringed just thinking about it. What the hell was she supposed to write about? No immediate inspiration had struck, and she was starting to think that she wasn't cut out for happy songs anymore. And that was a depressing thought.

She gave up on going back to sleep, instead getting up slowly, with another groan, as her limbs protested from the sudden movement. She stretched, yawning, as she tried to recall her dream.

It had been good, she remembered that, but the details were fuzzy, becoming less and less clear the more time she spent awake. Curse her and her weak memory recall—it was especially bad when it came to dreams.

Another thing that didn't help with her little obsession, was a multitude of videos that were making the rounds of her and the ‘mystery man’, as her fans had dubbed him.

The comments were filled with theories and speculation, wondering if she had a new boyfriend, and so many more itching to know his identity.

As much as she wanted that information herself, she was glad his face was hidden in shadow from every camera angle. She didn't want his privacy invaded by hordes of her craziest fans.

She sighed and headed to the bathroom to shower and make herself at least a bit presentable for the cameras that were likely to appear in the most unexpected of places.

~☆~

She would say that when it came to her performance in her line of work so far, it was beyond satisfactory. One might even go on to say she was the peak of professionalism.

She loved her fans; interacting with them during concerts, as well as meeting them in her day-to-day life always made her feel better, but she remained detached to a certain extent to maintain a healthy relationship with her fans.

Fans. She had those now. The very idea was improbable to her. She still couldn't believe all of her dreams had come true. The bright and glittering sheen of success and fame had not even dimmed a bit, and she felt like she had almost everything she could possibly want in life. Until, she saw him.

She didn't believe in love at first sight—but a tangible connection had been instantly formed when their eyes had locked. She felt sparks shoot through her very soul, the golden thread between them snapping taught, dragging her towards him like a moth to a flame. Maybe that was why she did what she did.

She had interacted with so many crowds in so many different cities; seen so many handsome guys–who were most definitely into her by where their lines of sight were—but she had never once willingly touched a fan at a show. Not like she had with him.

She was mad at herself for letting it get so far, as she always prided herself for her unwavering rules and restraint. Professionalism.

He was just… different.

Even a month later, she couldn't stop thinking about the mystery man at the concert—brown eyes, big and wide, staring into hers with awe, messy hair slicked back and tucked behind his ears, the perfectly pressed shirt that she took pride in rumpling and the most kissable lips known to man.

It was unfair, really, how gorgeous he was.

He didn't even know the lyrics to any of her songs, but instead of finding it bothersome, she had found it oddly indearing.

He plagued her waking hours, as well as the ones she was asleep for. Many a dream, not just the one from that morning, consisted of him; frequently enough that it made her question her sanity on more than one occasion.

The elevator ride down from her hotel was quiet, her manager staying silent as they descended the levels.

She was glad—she had hardly gotten a wink of sleep the night before, due to being up half the night writing a song she had been working on for a few days now, ever since she was told to write about ‘happier’ things.

She had gotten the instrumentals down, but she couldn't figure out the lyrics. It was downright impossible.

This frustration kept her up into the early hours of the morning—she kept trying different approaches, but none of them worked. This was partly to blame for her less-than-stellar mood today.

They stepped out into the foyer, only to be met with the sight of paparazzi outside the hotel entrance door. She outwardly cringed. The paparazzi were her least favourite bit about this lifestyle. She knew she would never get used to them, no matter how long her stardom lasted.

She put on a brave face, a smile too wide for her at such a young hour of the morning, especially with her mood. See? Professionalism.

The glass doors were propped open for her as she walked through, and she gave the men holding them a nod and a thank you. She stuck close to her manager as they headed for the tinted SUV that would take her to the airport.

Camera shutters went wild as she waved and flashed them a bright grin. Questions were thrown at her from the crowd, although she didn't answer any. The curb neared as the car door was opened for her.

At that moment, she felt a prickle on the side of her neck, coupled with the profound urge to turn and look to her left. She swivelled as she reached her destination, scanning the street for something. Something important.

There, walking down the main road, satchel slung across his body, coffee in one hand, was the man of her dreams. Literally. His hair was tucked behind his ears and he wore a simple button up and dress pants, but a pair of worn converse sat on his feet; not matching with the rest of his business attire whatsoever.

Her dreams had not done him justice—he looked even better than she remembered.

Her eyes widened comically at the utterly creepy coincidence. She squeezed them shut before quickly reopening them, assuming she had finally gone insane, and that he was a mere figment of her imagination.

When she looked again, though, he was still exactly where he was a moment ago.

She was completely frozen, mouth falling open in surprise, and unhearing of the loud shouts of the paparazzi right in front of her. He glanced up from the ground at the disruption in the otherwise quiet early-morning street and her heart leapt clean out of her chest.

Those sweet eyes flicked from the mass of cameras, to the car, to her. His sure steps faltered at the clashing of their gazes, wide eyes stared back into her own shocked ones.

He was still a few yards away, but she could make out his rapidly rising chest, and his hand as it tightened on the flimsy coffee cup.

She opened her mouth to say something, but nothing came out, all of her words stayed firmly lodged at the back of her throat. She stumbled forward a few steps, intending to just go over to him, but the swarm around her had other ideas.

They moved in tighter, and her manager swiftly grabbed her forearm, guiding her into the back seat of the black car before she was squished between the hordes of paparazzi and their oversized cameras.

She protested, her view of him was obscured, but she was unceremoniously shoved into the SUV nonetheless, her objection unheard in the fray.

The door was shut in her face when she made to get back out, and soon enough, her manager joined her in the back, buckling his seatbelt as they pulled away from the hotel.

She tried to get another glimpse, but all was obscured by the paparazzi. Another of many reasons for her to hate their guts, she supposed.

Her stomach sank in disappointment. Her second chance, ripped out of her grasp—there would never be another opportunity to see him again.

It was foolish to even think such a thing. Twice was a stretch, but three times? She knew that was almost mathematically impossible. Probability was a bitch.

She sighed, and sunk further into her plush seat, staring glumly out the window at the passing street.

~☆~

When she arrived home, her first thought was to write. Music and lyrics were swirling in her head and she needed to write it down before they disappeared completely.

She closed the front door quickly, kicking off her shoes haphazardly, and raced to her studio. She plopped herself down, picked up her guitar, and sang.

The words flowed immediately like never before, and she grinned to herself as she finished the song that had been plaguing her all day and night. It was exactly as she imagined, and exactly what she felt in those moments.

Next to that car, surrounded by paparazzi, and on stage, surrounded by her fans. Those moments where all she could focus on was him. All other distractions, other thoughts, other feelings faded into static—background noise—when they had locked eyes.

It was perfectly pathetic of her to write such a sappy song about a man she had never properly met, but pathetic seemed to be her brand these last few weeks— and the song was good, there was no denying that.

She hit record on her phone, intending to send the audio clip to her producer for approval. She knew the song would go across well with her team. From when she had first sung it, it felt right. Like it had been bubbling under the surface for some time now, waiting patiently to be let out.

“Your eyes whispered, "Have we met?"

'Cross the room your silhouette

Starts to make its way to me…”

~☆~

She finished a song, and cheers rippled toward her from every angle, surrounding the stage. She tipped her head back, basking in the warmth flooding her body as she beamed in exhilaration. This feeling. This was why she did what she did.

To know that her and hundreds of thousands, maybe even millions, of people were all connected by one thing. Music. Her music, that she had written about her own life, hoping that others could relate, too.

Hoping others would enjoy listening to it as much as she enjoyed writing it. She was incredibly blessed to have this job, and she couldn’t think of something better, more fulfilling, than this.

The crowd was especially loud at this point, because they knew what was next. She would play a song that wasn’t on the setlist—one of hers, or sometimes, a song from another popular artist. Her fans dubbed them as ‘surprise songs’, and it had become somewhat of a novelty.

She waited for them to quiet down a bit, before she spoke. “So… I have something a little different for you tonight.”

The room went wild. She laughed, before waiting once more to speak. “It’s an unreleased song that I wrote a few days ago.” Screams of excitement bounced from floor to ceiling.

“And, if you guys like it enough, I might just release it as a single, how does that sound?” She grinned cheekily at the deafening cheers. “So… how about I sing it for you?”

She slung her guitar strap over her shoulder, from where a stage hand had conveniently placed it, and stepped up to the mic, ready and waiting to start.

“Now, I wrote this song about a very special someone.” Again, the crowd whooped, clearly ecstatic at the mere thought of romance.

“And I hope they hear this song, and-” She strummed the first chord. “Well- understand how I feel.”

The venue went berserk, and she smiled out at them, amused. And then, she sang.

“There I was again tonight

Forcing laughter, faking smiles

Same old tired, lonely place...”

The music flowed over her, before seeping into her very bones, filling her with reverence. With peace.

“Walls of insincerity, shifting eyes and vacancy

Vanished when I saw your face

All I can say is, it was enchanting to meet you…”

Her eyes stayed closed throughout the whole song, fingers finding the strings with practised ease. In the inside of her eyelids, she saw an imprint of him.

That man, the one that consumed her dreams, the one who hijacked her songs. The one with the soft, kind eyes—that really looked at her, into her, like he saw all of her fears, aspirations, and every waking thought.

Those two encounters, as brief as they were, somehow etched themselves right into her brain. As pathetic as it sounded, she couldn’t think of anything else, and it was eating her from the inside out.

She begged to whatever deities existed to put them back into each other's path once again, no matter how improbable that was.

“Please don't be in love with someone else

Please don't have somebody waiting on you.”

The last chord faded, and she broke from her reverie, shaking herself out of her stupor. Was she really begging to meet that guy again? That was seriously next level. She didn't know his name, had never even said a proper word to him, and she was fawning like a schoolgirl.

She stifled a groan. She had definitely lost the plot.

She plastered a smile back on her face, and continued her show without a hitch, pointedly choosing to not think about the mystery man, and instead focus on her music.

It was more important. Always and forever. She couldn’t afford to pine over a man she had only seen twice. No. Her music was the most significant factor in her life, not silly things like love and romance. She had tried that, and it never ended well.

Her most recent ex was a perfect example of why relationships aren’t worth it. She threw away three years of her life to that lying, cheating scumbag.

For now, she was sticking to perfecting her craft, and nothing would distract her from that. She would just have to force herself to forget about the mystery man. Erase him from her brain.

Pretend he never existed in the first place. It's not like she would ever see him again, anyways, no matter what higher beings she tried to appease.

~☆~

By the time she returned to her hotel, ‘Enchanted’ was available for streaming as her newest single. So far, it was a hit, but there was an overwhelming amount of speculation about who the song was about. She was, honestly, wondering the same thing.

She had told herself that she would completely forget about him, but he was still there, in the very back of her mind, intruding in her thoughts. She couldn’t make him leave, no matter what she tried.

She fell onto the bed, took one of the crisp, white hotel pillows, and pressed it into her face, before letting out a shrill scream.

Yeah, she was most definitely going insane.

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Thank you for reading, feedback is appriciated x

Tags: @reidology13 @reidmania @navs-bhat @iheartshopping @dreamsarebig <3 - Comment to be added!

Masterlist ౨ৎ

[inkblotsinkblots-alt]

My experience with [band]

My experience with [band] and [band]'s management starts in April 2022. I had emailed the band's business email that used to be in their bio in December 2021, and in April 2022 I got a response. I had been asked if I was available within the next couple of weeks to come down to Brighton and do a photo shoot with the band. Management really liked my work, and wanted to work with me. I was asked to provide my rates and any expenses that would incur. I had asked if I would be at least credited for these images on social media (tagged etc ...), and management said that they could not commit to that at that time. This photo shoot did not happen.

I worked with [band] for the first and only time in January 2023 and photographed / videoed their set.

I was completely blindsided by the fact that this could’ve been a huge opportunity for me, and it could change my career completely. When I got the email inviting me to work with the band, I screamed and actually worried my parents for a few minutes. I agreed to terms that I shouldn’t have (not a full written agreement, but various statements in emails). In hindsight I had no clue what some of them meant (and I think the band’s management knew that).

There was no formal contract, only emails. The band would own my photos 'in perpetuity' and when I asked what that meant, they (management) said that 'the band have the freedom to use them however they please'. Making money off of my photos, and putting them on merch that they would then sell out of, was not mentioned. I was under the impression they would only be using the photos on social media as I did not get any clarification, even though I asked for it. I wanted to press for a more detailed answer, but I was afraid that I'd lose the job.

This was never about the money that I'd potentially make from having my photos on merch, it's that I didn't even know it was happening. I was also 'allowed' to upload '3-4' photos to my social media from the gig, even though they were my photos. I was stupid enough to agree with this. Again, I felt as though if I challenged this I would lose the job.

At the end of the show in January 2023 I was promised at least a couple of shows on the upcoming tour, as '[I was] great to work with. Such a pleasure.' I have no evidence that I was offered shows during that tour as it was said to me in person. I was then let down at the beginning of March (after multiple follow up emails) with 'I don't think there is the additional need for your services also' when I asked about discussing the tour. I was devastated.

I was offered photo passes* to subsequent Manchester gigs and I took them as they had no strings attached, and the band would not own my images (that's why you've seen a lot of them on my socials).

I met a bunch of well-known creators, musicians and photographers while working with [band] and they were all so very sweet. Some of which I am still in contact with today, and some I am good friends with. I am very grateful for this.

I fully support Shelby, she is so incredibly brave for talking about her experiences, and it's because of her bravery that I felt confident enough to share my experience - although very different in nature.

I fully believe that [band]’s management wanted to take advantage of fans who wanted to photograph [band]’s gigs. And pay them as little as possible with no consistency in pay between photographers or how many photos they were allowed to post. (This is my own opinion)

I am not the only one that has had a negative experience with [band] and their management as a photographer / creative, but those are not my stories to tell and if they want to comment then they will. Please don't speculate on who these people are or harass them on social media, they have every right to not want to talk about their experiences. Please respect everyone involved.

Massive love, take care of yourselves.

am

(*Photo passes are offered to press photographers and non-touring photographers. They shoot the first three songs from the photo pit and then leave. Either to go into the crowd for the rest of the gig, or leave the gig entirely.)

please do not edit this post or reblog, do not take screenshots and post this on twitter or any other social media platform, thank you.

[lokideservesahug]

An Unexpected Crossover

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Pairing:Carlos Alcaraz x F1 pilot!Reader

Notes: I've had this in my mind since Wimbledon but only ever ½ created this. Shout out to @yungbludz for fully bringing me into my Alcaraz era and for indirectly encouraging me to post this (il your work) + (an anon comes out of hiding ig). I have ideas for other parts but Idk if I should continue so feedback is very welcome. This characterisation is probably awful but I've never written for Carlos before. I'm very open to advice though.

Summary: Y/N Y/L/N, the only rookie in Formula 1's 2024 season. But many people get excited at her attending Wimbledon especially after some old interviews resurface...

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☆-☆-☆-☆-☆

☆-☆-☆-☆-☆

You weren't ashamed of your boyfriend, of course not. But mornings like these made the constant speculation, talks and borderline harassment about your relationship worth it.

Moments where you woke up earlier and could watch the first breaking of the morning sun fall out between the gaps in your curtains and onto Carlos' face. You watch as the yellow light frames your boyfriend's face, making him look even more pretty than usual.

In this moment, he looked like the perfect image of sleep. And goodness did he deserve it, especially after his performance, that could only be described as truly outstanding yesterday.

You'd heard what people said about yesterday. Djokovic gave one of his greatest performances ever and Carlos still managed to beat him. Even the thought strikes a chord of pride within you and brings a grin to your face.

A sudden groan however wakes you from your thoughts. "Querida?" You hum in response, looking back down to your boyfriend. He lifts his head up slowly and gives you a familiar look (one that you've learnt that at times like these, means he's questioning why you aren't still glued to his side). You hold in the urge to laugh slightly his pouty face and half asleep fueled strop but that only makes his pout get somehow bigger. "Big baby." You lie down next to Carlos, resting your head on his shoulder and weaving your hand under his shirt. Carlos let's out a slight shiver at the lack of warmth in your hands but also simultaneously hums in content. "Eso está mejor" (That's better)

You roll your eyes. "Then shush you big baby." Already anticipating his next move, you whip out your other arm to cage Carlos' hand to the bed. "Don't even think about pretending to be offended. Just go back to sleep." And that order he happily complies with; well after wriggling his arm from out of your grip only to lay it on your back and rub mindless shapes as he mutters "mujer mandona" (Bossy woman). And before you have the time to respond, (probably about the fact that Carlos gets riled up at stuff like that) you feel the familiar shallow breathing of your boyfriend fan across your hair.

You had to do things at some point today. But you suppose you could sleep in, especially for the Wimbledon Champion.

☆-☆-☆-☆-☆

☆-☆-☆-☆-☆

☆-☆-☆-☆-☆

Jane had given you some elaborate story for if anyone truly cared enough to ask about your relationship, well at least for your standards. You're pretty sure it went something along the lines of:

1. You and your boyfriend met at the start of last year and began dating soon after (but kept it on the downlow due to your job). However, you were so enamoured with him that despite your PR training, you let the fact that you weren't single slip once or twice.

2. He broke up with you a few months ago, leaving you heartbroken but still being mature and understanding.

3. (Possibly the truest element of the whole story) Carlos kissed you when he won Wimbledon for the second time, which he did.

4. Your ex boyfriend saw, came to a realisation, called you up... you know the rest.

It was very PR polished and you knew it, Jane knew it, but it was what you needed. Some story just yo cover your tracks and make people focus on your racing, not your love live. But it almost made you laugh at what lengths people had to go to. When infact the real story was only:

1. You and Carlos started dating at the start of last year...

That's it. No break up, no heartfelt reunion after you kissed another man. However, you and your boyfriend had a good laugh over the whole story and even led to an interesting conversation a few days ago.

☆-☆-☆-☆-☆

You'd just come home after racing in the simulator all afternoon. You look down at your phone and sigh at the sight of Jane wishing you a nice day, finally ending the conversation. You fight the urge to roll your eyes as you unlock the front door and step inside. You take your shoes off and walk to the living room to try and find Carlos.

And exactly as expected, he's sat on the sofa, scrolling on his phone. He looks up as you enter the room. "Buenas tardes cariño. ¿Cómo estuvo?" (Good afternoon darling, how was it). You sigh and drop back onto the sofa, leaving back on Carlos as he adjusts to put an arm around you. "Meh. Same as usual. Jane finally came up with a cover story..." Carlos hums in intrigue next to you as you explain the ins and outs of what might as well be a well constructed pyramid scheme at this point.

By the time you've finished, you feel well and truly worn out but you seek comfort in the feeling of Carlos absentmindedly rubbing shapes onto your shoulder. "I don't see what the big deal is. I mean I told Juanki ages ago." You feel your whole body tense up as you turn to Carlos... "You did what?" You're only met with Carlos' sheepish, confused face. And oh gosh, you feel like you need to lie down.

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Thank you for reading, I hope you enjoyed!

As always, likes, reblogs and especially feedback is always welcome!

Idk who to tag so I'll tag my usual people but please let me know ow if you don't want yo be tagged in work like this:

Taglist: @nikfigueiredo @mysoulispainted @leclercings @d3kstar @hiireadstuff @a-beaverhausen @nichmeddar @lozzamez3 @stinkyjax @marymustdie @littlesatanicassholebitch @mehrmonga @insanedeathwish @ems-alexandra @a-disturbing-self-reflection @cherry-piee @thatgirlmj