#but also because their philosophy is that everyone has a part to play so I imagine everyone would have access to care

[bitegore]

Odd to me that the whole "x trans group has it worse, actually" people seem to both be really optimistic about how cissexual cisgender society views trans people of every stripe, just about different groups. Like they don't see any of us as one of them. There's still regular degular transphobia and its fucking everpresent for literally every trans person there is. There's no passing so successful that you opt out of society beong transphobic on literally any side.

[dragonagepolls]

Via @salemsreblogs: #I’m sad par volen isn’t here #since I personally think the Qunari have the most advanced healthcare

[anything-4-0ur-moony]

since people hate american marauders, fuck you, they’re now all from various states and most of them are involved in greek life in some way shape or form

barty says he’s from nyc but he’s a fucking liar. he is from an even richer even more pretentious part of upstate new york but one person assumed the city when he said he was from new york and he decided that was cooler and rolled with it. in a frat mostly to piss off his dad, always drunk or on something, still has a 4.0

dorcas is ACTUALLY from nyc. she’s majoring in polisci but is minoring in fashion cause it’s fun and she’s good at it

marlene is from a tiny town in tennessee, very conservative, VERY christian, really comes into herself at college although there is a LOT of religious trauma to work through

mary is from south carolina, she’s very much like a southern belle, make sweet tea that will rot your teeth type, 1000% in a sorority. she’s studying english or education and minoring in art, probably painting focused but she won’t be an art teacher

james is THE frat bro, like his dad and his dad’s dad and his dad’s dad’s dad were in this frat. he will be president eventually but for his freshman/sophmore years frank was president (james has a bit of a crush on him and did not realize) he’s studying sports medicine or social work and plays soccer

the black brothers are from massachusetts they went to some disgustingly expensive private schools, different schools though, either because sirius became awful after going to boarding school or because of trans!reg, your choice.

sirius joined the same frat as james, it’s the rival frat to his father’s so there’s some shit there. he isn’t on the soccer team because soccer wasn’t “sophisticated enough” for the blacks (he can fence and ski like a motherfucker though) but he does play soccer recreationally

regulus is studying law or finance or business or something equally awful because his parents made him, it’s soul crushing and he hates it but he is really good at it (as he is everything) he wants to study philosophy and will eventually switch when he gets out from under his parents thumb

lily and snape are from new england, i can’t think of like a specific place but it’s smaller and poorer, lily would be in an academic sorority but snape has a vendetta against greek life (cause he didn’t get any bids) and has also made lily very against it (hence her hatred for the marauders) her issues with petunia stem from pet not getting into the college, asking lily to stay behind with her, and lily just needing to get out of that small town

everyone loves texas remus but may i offer you like farm kid montana remus, his family has enough land and he was always busy enough that he never really got to interact with kids his age, maybe an accident with an animal that gave him his scars. he goes to college and joins a frat because growing up almost completely alone, that idea of unwavering brotherhood really appeals to him. he’s studying classics (shocker) which causes some fights with his dad who wanted him to do something more agricultural

peter is from illinois, it was a big deal for him to move out out state for college and join a frat since no body really expected anything from his life. he’s studying math. i think his storyline would kind of be like california by chappell roan, he really wanted the city to work out but it’s just not and he wants to go home. the city brings out the worst in him and he ends up becoming the worst version of himself to try and be liked

evan and pandora are from florida but moved all over because of their dad’s business. pandora is studying art (duh) with a minor in philosophy which is how she meets reg. evan is studying engineering, i’m thinking mechanical but i’m not too sure

[cosmerelists]

Cosmere Characters as Teachers

As requested by @little-cute-pink-horrible-being :)

If Cosmere characters were teachers, what would they teach & what would it be like?

1. Jasnah: History teacher

Let's just say that she has, uh, high expectations of her students.

Jasnah: Anyone can memorize facts and dates. Jasnah: You all will do that, of course, but you will also learn to draw conclusions from those facts, track historical trends, and maybe, if you work hard, you can come up with a theory of your very own. Bravest student: Uh, miss? We are seven. Jasnah: I do not tolerate excuses.

2. Hammond: Philosophy Professor

He has a hardcore group of students who are huge fans of his.

Student 1: Hey, you're in Professor Hammond's class? Student 2: Yeah. Student 1: Isn't he the guy who wrote that book So What if the Poor are Genetically Destined to be Poor? Revolution is Still the Answer? Student 2: That's him. Student 1: And that's why your an anarchist now, huh? Student 2: Listen, he's pretty persuasive.

3. Elend: Political Science Professor

Elend, a Political Science professor at a university, is the sort of teacher who assigns a LOT of reading.

Elend: Remember: politics is for people. Even when the people you serve suck. A lot. Student: You...sound like you're talking from experience? Elend: You have no idea.

4. Shallan: Art Professor

She mainly teaches drawing and painting classes.

Shallan: You all need to decide what your art means to you. Shallan: Whether it be capturing a moment or representing a person's essence or seeing into realms not normally discernable to human eyes--as long as it's art from your soul, it will be right. Student: What, uh, was that last part? Shallan: Art should be from your soul? Student: N-No, the part before that? Shallan: Anyway, everyone start drawing!

5. Painter: Also an Art Professor

I mean, it's literally his name.

Painter: The key to art is repetition. Painter: When a Nightmare is staring down at you, you don't want to be hesitating over what to draw! Student: Professor Nikaro, please, we've been drawing bamboo for a week! Painter: ...I'm not sure what the issue is?

6. Sigzil: Science teacher

Sigzil is one of those general science teachers you get in middle school.

Sigzil: Remember: the key to science is...? Students, as a chorus: Writing things down! Sigzil: That's right! Sigzil: Now let's see what's the heaviest thing we can stick to the wall using glue--last year we managed to stick me to the wall for a couple seconds! Students: [cheering] Sigzil: ...I'm better at this than I would have expected.

7. Wayne: Theater Teacher

Wayne teaches theatre at a high school.

Wayne: Acting is all about not acting. Wayne: You gotta just be the person. Wayne: Understand their past, embody their present... Student: ...wear their hat? Wayne: Exactly!

8. Kaladin: Also a Theatre Teacher

Look me in the eyes and tell me that Kaladin doesn't understand drama.

Kaladin: [talking to an school administrator off to the side while the class watches] And you can tell the school board that the next time they want to cut funding to the arts, I will be there. Kaladin: I will be there at every meeting where even a word of funding reduction is breathed. Kaladin: I will haunt those meetings, carrying pictures of my kids doing their plays and being happy. Kaladin: And I will make them look me in the eyes if they dare to vote to take that away! New student, hesitantly: Performance art? Student: Nah, he always talks that way.

9. Sarene: English teacher

If only because I don't think they have dedicated fencing professors at most places.

Sarene: English is not simply about reading books--it is about learning to think and interpret information. Sarene: You can take the skills you learn in this class and apply them very widely: to understand the news, to read between the lines of what a person says to you, to craft effective rhetoric to get your own way. Sarene: Read everything. Sarene: Remember: you cannot defeat an enemy unless you understand your enemy. Student: ...enemy? Sarene: Don't worry: you'll have enemies when you're older. Student: Yay?

10. Navani: Engineering

Navani would be an engineering professor at a college.

Navani: Your job, students, is to get this ball through that window high up on the wall. You can do it any way you want. Student: I'm immediately seeing: trebuchet. Navani [nodding sagely]: Go with your heart.

11. Pattern: Math teacher

...Listen, I'm not saying he's a good math teacher.

Student: [staring gloomily at their test] Friend: That bad, huh? Student: Mr. Pattern wrote "Mmmm delicious lies" all over it! Friend: So...you failed? Student: Yeah...

12. Raboniel: Chemistry Teacher

She may seem strict, but she actually quite likes kids.

Raboniel: ...And that, students, is how you build a very effective chemical bomb. Students: ... Raboniel: Any questions? Bravest student: Uh, miss? We are seven. Raboniel: So...basically adults, right? Wait, how fast do humans age again? Teacher's aide: [whispering frantically] Raboniel: ...I may have made an error.

[longing-for-rain]

what exactly is Aang's toxic masculinity that you're talking about? there are no examples of such behavior on his part in the show. he is not an ideal person, he is a child who sometimes behaved incorrectly, just like all the other children in the show (Katara, Toph, Sokka), and this is normal.

in addition, we see how he regrets some of his wrong actions and gets better, while Zuko does not regret his toxic behavior, doesn't apologize and doesn't face the consequences of his behavior (racist jokes about Aang, demands that Katara forgive him as if he has the right to her forgiveness, an attack on Aang to "teach him a lesson" and many other things).

Hi anon, thanks for the ask! This is a very good illustration of what I was talking about in this post when I mentioned that I feel toxic men are overlooked more often for appearing “nice” than they are for being conventionally attractive.

No examples of toxic behavior in the show? What do you call this then?

I know what I (and the law) call it:

But you see, he’s “nice” right? This is just a misbehaved child, as you put it? Yah, no. He knew better and still did it because he was possessive; this whole interaction started because he was jealous that an actress playing Katara was interested in men other than him. And the show proceeded to frame the situation in a way that made Aang sympathetic, despite being the aggressor and the one behaving irrationally. How much more “toxically masculine” can you get than that? But he put on a flower crown once so we’re supposed to think he’s a soft uwu feminine boi (even though he was absolutely enraged that a female actress played him).

I also find it very interesting that you describe Katara and Sokka as “children” while Zuko is omitted from that list despite being the same age. Are you admitting you agree he’s more mature, or are you admitting that you hold him to different standards?

But, anyways. You asked about toxic behavior on Aang’s part, which I’ll get further into now that the most egregious example is out of the way.

Let’s break down what you consider unforgivably toxic behavior on Zuko’s part and compare it to Aang’s behavior in similar situations.

1. “Racist” jokes

I’m guessing this is made with reference to the “Air Temple preschool” comment. How exactly is this racist? In context, Aang is the one trying to force his beliefs on others, and Zuko makes this comment to a) tell him to back off and b) point out that Aang is, in fact, a child who doesn’t have any business telling Katara how to feel.

This point is particularly interesting to me, because it implies that the simple fact that Zuko doesn’t agree with the philosophy of Aang’s culture makes him racist. By this logic, Aang is also racist against Katara’s culture, because he clearly disagrees with her philosophy and is openly telling her that his culture is morally virtuous over hers. And well. That’s even more believable considering Aang’s previous reactions to Water Tribe culture.

Ah, yes. Playing with a cultural artifact like it’s a toy because you were upset about not being the center of attention for once, and telling everyone how disgusting you think cultural food is, what great ways to show the supposed love of your life how much you respect her culture!

I know your response to this point would be something like “uwu but he’s a kid he didn’t knowww” ok well. The same logic can be applied to any alleged “racism” on Zuko’s part.

2. “Demanding” forgiveness

Zuko: What can I do to make it up to you?

Ah, yes. How demanding of him. He’s clearly so self-centered and only thinking about his own values and agenda here.

It’s not like he…

…told his friend how she’s allowed to process her grief and try to impose his own morals…

…or demanded to know if his crush liked him back, wouldn’t accept “no” as an answer, and forced a kiss on her…

…or told an abuse victim he was wrong to want to kill his abusive father for trying to commit a genocide…

…oh, um. Yeah. Sorry, but after actually watching the show it’s very clear to me which character doesn’t seem to regret or see the flaws in any of his actions at the end of the show, which is when all of these examples took place.

3. Training in the finale

“Attacking Aang to teach him a lesson” … wow, that’s a very dishonest way of phrasing that situation. I’m impressed, I have to say. I’ve seen lots of dumb takes from Aang stans over the years but this is a new one.

Well, luckily I actually watched the scene in context, so my reaction was the same as all the other characters’ reactions in canon when they learned the context behind this “attack”:

They agree with him. Yeah. Obviously, when nobody is taking training seriously when the world is about to literally go up in flames, you might need to do something to get their attention.

“But it was dangerous!” you might argue. Well… yeah. When magic and bending is in the equation, training in the Avatar universe has been shown to be somewhat dangerous at times. As an example, from this very same episode, Toph very nearly smashed Sokka with a giant flaming rock. That was way closer to hurting someone than Zuko was in this incident. If you’re going to fault characters for making their training exercises too dangerous, I guess Toph is mega cancelled.

Now back to Aang. What was his reaction in this situation? How did he react to the end of the world being days away? He ran away with absolutely no plan. Just like he did at the very beginning of the show.

I mean, think about it. This is a critical flaw (and toxic trait) in Aang that is literally never addressed, because he starts and ends the show the exact same way: he’s faced with a problem, he runs away from it, then he’s saved by an in-universe equivalent of an Act of God. Wowie, such great character development. Not fixing your core flaw and having a mythical plot device materialize into existence to solve your problems for you. Aang’s whole arc is a big blah, because the writing fails to address any of his flaws or have him meaningfully question any of his values.

Meanwhile, Zuko has consistently been a fan favorite because he’s the opposite. His flaws are meaningfully addressed, he does admit he’s wrong and fix his flaws, and his character shows a critically acclaimed change throughout the show. His arc is written so well that despite being a cartoon character, Zuko is widely considered the poster child for a good redemption arc across all forms of media.

So anyways, miss me with the double standards… there is a reason why Zuko is the fan favorite, and it’s not just his abs 🔥

[justatalkingface]

If society is the reason for the personality of Bakugo, why aren't there more Bakugos in society?

If "strong" quirks turn people into violent a**holes, why aren't Nejire, Tokoyami, Kaminari, and that loud wind quirk guy relatively well-adjusted to social interaction.

The answer is simple: because it isn't society's fault.

Like, don't get me wrong, it didn't help, that's for sure, but Bakugou's problem isn't society, it's that he's a jerk. Bakugou is unironically high on his own brand.

Part of that is how other people treated him, true (though it was happening even before he had a Quirk, so it's not society in the way it's usually used for Bakugou, where it's about his Quirk), because he was cool and competent as a kid, which made the kids praise him, which fed his ego, which made him want to do it more, in a vicious cycle... but even with that, there's still something unique to him that is at fault here: he's told, as a kid, that he has a good Quirk, and he can be a hero with it. This is basic, bog standard encouragement; it's a good Quirk, but he's, what, ten? That woman is probably telling every single kid that their Quirk is great. But Bakugou, though, he hears this, and his mind instantly snaps to a conclusion: he realizes that he's The Best, TM. That he's special, that he's better than everyone else. And that? That's not 'society', that's not the fault of people around him, that's Bakugou's fault, Bakugou's problem.

I'll be honest here, kids are stupid; Bakugou isn't the first kid to have a delusion of grandeur and he's not going to be the last. What makes it different with him, though, is that it's more than just a passing phase. That philosophy, his fundamental superiority, is a train of thought that remains with him for the rest of his life, and not only that, it is a cancerous logic that festers in his mind like a disease.

You know how Bakugou calls everyone else 'Extras'? That's the logical conclusion of his superiority complex, of the idea of that he alone is special, superior, the honored one: because if he's special, what is everyone else? Less then him. An extra in his story. Or, as Shigaraki would put it?

An NPC.

That's concerning. More than that, that is deeply alarming. Unironically, I think that counts as a mental disorder of some form (probably narcissism?), and it also inherently dehumanizes other people... which explains why he's so casual about hurting everyone around them.

And to be blunt? That's a very, very bad thing. Dehumanizing other people is how people are taught that it's OK to hurt others, or even kill them; fundamentally, Bakugou is radicalizing himself against everyone who isn't Bakugou.

If they are less than him, if they are not 'real people', if they are just extras... then it doesn't matter if he hurts them, insults them, because... why would it? It's not like they're actually people, it's not like they're important. They're just extras in The Great Story Of Bakugou. They're just NPCs in the Hero Game he's playing, and nothing else.

People do horrible, horrible things to NPCs in video games that they would never in a million years do to people in real life. They do it because NPCs don't matter, not like real human beings do. Think, for a minute, how you treat the random characters in Fallout or whatever, the nameless mooks you that will always more of, because they will always respawn after whatever you do to them. Think about what would happen if you did that to a real person.

You can even see it in how he acts in the various flashbacks back when he was a child: when he was young, Bakugou was brash, a bit aggressive, but largely an OK kid. But as time passed, his aggression grew, and his respect for others shrunk. He went from insulting people (at times probably accidentally), to actively bullying them. He became more and more comfortable not just verbally abusing others, but then physically hurting them. By the time canon starts, Bakugou seemed to treat, and consider, other human beings as barely more than trash, and Izuku's existence in particular as something like a cosmic mistake he was 'graciously' tolerating.

And then we find out that he was willing, in fact, to kill people. It's very likely that, if driven to a corner, that people may be willing to kill to survive, but that isn't what happened to Bakugou: he was in school. He was unironically playing cops and robbers.

And yet, Izuku's basic unwillingness to just... give up, to just sit back and let someone maim him as much as he wanted is what 'cornered' Bakugou to the point he resorted to overwhelmingly lethal force. He doesn't feel an ounce of guilt about it afterwords, either, and he only stops because he's threatened... with being kicked out of the exercise. He's not even serious about, he's willing to kill someone but he values winning more than his murder attempt, winning at something that's essentially worthless, even. It's an impulse, one that he doesn't ever question or think about again after the fact.

To be fair, his... radicalization, or just plain assholishness, got noticeably cut back after that point (to the point where it seems more like retcon than character development), but if it wasn't for that? Clearly, no one was willing to call him on things before, so if he didn't get serious consequences, and he had killed Izuku? He probably would have grown more and more comfortable with killing, the same way he did with everything else he's done.

But it's more than just that. His parents are... well, they're good people, but... they don't seem to be the best at making their son not be an asshat; both of them were pretty OK with their son calling his mother a 'hag', and not even in a sarcastic, well meaning way, but as an actual insult.

His mom is cut from the same cloth as her son (normally, it'd be the other way around, but Bakugou's character probably came first), if more restrained. Unfortunately, that means she's probably a source of a lot of his more aggressive behaviors in the first place, and not just in a genetic way: he watched what she did, and then learned to do it from her. She tries to get him to stop the worst of it but she doesn't seem to making a serious effort? It's not a serious punishment, or a heart to heart talk about his behavior, it's... basiclly the fan gag, which doesn't really teach anyone anything?

His dad, meanwhile is more passive, grounded, but at the same time: he married Bakugou's mother. He's clearly OK with behavior in that vein. It's good he's not contributing to the problem, but he's not solving it, either.

At the end of the day, while there are contributing factors, not of them are enough to explain, much less justify, Bakugou's actions or personality. Society didn't make him like this. No one taught him that it was OK.

The only one with responsibility was Bakugou himself.

[forget-me-nightingale]

My favourite things about S7 of the Dragon Prince (part 1)

Because I need to let my emotions OUT and I know there is a lot of people here who will understand that<3 And also because I need to thank @dragonprinceofficial for creating a masterpiece of a show and because I am so sad there's so many posts about being disappointed in the season - like sure, it might've not been perfect, but it was SO GOOD and there was SO MUCH WORK put into it that I just HAVE to show how much love I have in my heart for these characters, this story and this entire show Part two will be posted tomorrow<3 1: DEATH ALIVE

Ethari's deep "Hmm…" at the beginning, his new design, the denialllll

Runaan being so stubborn about getting back to Ethari and ALLEN PICKING HIM UP BRIDAL STYLE THAT CAUGHT ME SO OFF GUARD

Also Runaan lying in bed shirtless groaning and whimpering was not something that was on my 2024 bingo list but ho boy am I glad

Callum's grief after he got back to Katolis-- they showed it SO WELL, the heavy breathing, and then the mumbled "Soren, what happened…?" and Soren's voice breaking as well at the "There was nothing I could do!" as he breaks down crying that was SUCH GOOD PERFORMANCE FROM BOTH OF THEM SO RAW AND GENUINE AND EMOTIONAL Also the RELIEF Callum must've felt when he saw Soren after fearing that everyone died hgjdhgk you can literally see it in his eyes

Huge Aaravos just sexily lounging around next to the bones of his archdragon archenemy

Astrid going "I never promised." was so badass

Ezran going "We have to find Sol Regem and destroy him" after giving several speeches on how he wants to end the cycle of violence and just stop it all made me laugh so hard-- Like don't get me wrong, I know he's a kid and he's hurt and angry and that his reaction's justified but I just heavily dislike his character, and the fact that he threw his entire philosophy away the moment his emotions took over only strengthened it lmao

Aanya has such a gorgeous soft voice, I love listening to it SO much

Claudia and Terry's little flinch as Aaravoss gestured to show "an Archdragon's bite" hgfjdghjdfk

THE THUNDERING FOOTSTEPS AS HE WALKS like- It shows so well how MASSIVE he is in that form I love

THE FASHION SHOW AARAVOS PULLS OUT GDFKHGDFJK "Startouch may be too dazzzling, don't you think?" and the way he turns towards them with this flirtatious ass smirk jkdgfhkg

"I know you like Earthblood, Claudia" 😭

Runaan's moment of silence before going "NOT. ONE. MINUTE. LONGER." and the dramatic zooms on his face had me IN STITCHES

Also him going "Katolis��? Is t… is that necessary?" he's probably having like PTSD flashbacks thinking about that dungeon and the pain of Viren putting his soul in the coin 😭😭 and also Jonathan's voice as he says it is SO SMOOTH and velvety and I'm in love with that voice so much, I could listen to it for hOURS

We finally het to see Aaravos' human form and it's INCREDIBLE, and the fact that the first thing he does is to fake being injured is so Aaravos of him LMAO

Also I wonder how did Callum not recognize his voice??? I'm sure he thought a LOT about what happened when Aaravos possessed him that one time, and he sure had a lot of time to hear how he sounds like, and besides-- a voice like that would not be easy to forget even he Callum didn't have such traumatic memories attached to it lol

And the fact that Aaravos literally said Sol Regem killed his daughter :(( He literally never lies, not even under a disguise

The famous shot with Runaan and Rayla looking at Katolis<3 it was so nice to finally see it in the actual show

"Are you not the elf who killed my father, the King of Katolis?" "…I am." it was so soft and sad gdhjghfdjkghjfdk And then him WILLINGLY getting on his knees and putting his hands behind his back 🥺

2: TRUE HEART

I love the theme that sounded playing when Aaravos' team was approaching The Puzzle House, like it was the main theme but with like- circus undertones? Or these little music box rhythmic parts and clock ticking? Very cool vibes especially with how the house was portrayed in the little comic, with this almost steampunkish robotic inventions, LOVED it

"You don't have to ask!" I'm not a HUGE Rayllum shipper but oh my God that was such a sweet moment And then Callum going "That was salty" and Rayla chuckling "the tears" njgfdhjgjfjdd

Runaan having his wrists chained up AGAIN in the Banther Lodge give that man A BREAK

THE SCENE where Stella attacks the guards and they stumble over each other and Runaan just looks at them with pity and the camera zooms in on him I HAD TO PAUSE JUST I WAS LAUGHING SO HARD, the comedy of that moment was just 👌 And then Runaan going "hello there" 🥹 he's so soft and then calling out Rayla's name and smiling up at her???? hgfjkghjkdf

"Stop right there, Rayla! Part of me wishes I hadn't seen you… But my eyesight is perfect." so dramatic gdhg I love him And they Rayla's dark and low "Then just look away, Soren." was SO badass And poor Runaan having to hide behind her-- he's probably so upset that he can't fight them off on his own

"But Ez, this is exactly the cycle of violence you fought so hard to end! You forgave Zubeia!" "What?" "Who do you think sent Runaan to kill Dad?" EXACTLY WHAT I WAS SAYING And then he STILL throws it away and orders the soldiers to arrest him fjkhg I'm sorry if I'm upsetting the Ezran fans but I have such beef with his character LMAO

Soren desperately yelling "RICKETY SNICKERS" at the top of his goddamn lungs during their fight must've been SO WEIRD for Rayla without any context LMAOOO And Runaan giving her tips to help in that way at least was SO COOL I LOVED THAT "He overextends himself, Rayla! His front leg!" We finally got that father/daughter mentor/student duo LET'S GOO

Terry giggling at the sight of the carousel made me giggle and smile so much too it was SO BEYOND WHOLESOME AND THEN AARAVOS ACTUALLY HAVING GENUINE FUN ON THE RIDE AS WELL LMAOOO it was SO FUNNY but also SO wholesome at the same time I loved it SO MUCH

And also it was very very cool to see the carousel ride itself after seeing it in the House of Riddles comic - like, it's one thing seeing it there on paper, but it's a whole different thing to see it actually animated, it was AWESOME

"Oh no, are you okay??" "Okay?! I was confined to a tiny sphere in the mouth of a clam at the bottom of the sea for thee long, lonely centuries. That… was the most fun I've had in AGES!" THE EWAY HE LAUGHS AND GIGGLES like you can hear the genuine joy in his voice oh my God I was smiling so much We got a glimpse of how he would've been if Leola hadn't died and he could just play and goof around with her 😭

The Dragon Prince just casually mentioned a character practicing self-cannibalism and didn't even linger on it for a SECOND before moving on LMAO

Aanya shooting at Runaan actually got me SO SCARED especially when Rayla threw himself in front of him frjgkfdh please don't stress me out like that Thank God it was just his arm that was nicked but the man CAN'T GET A BREAK

And holy shit the expression on Ezran's face when he lifted his hand to give Aanya the signal, it was like-- so sad and hesitant, like "don't make me do this", the artists captured the expression SO WELL

And the lighting and the scene and the music that played during the scene when Rayla, Runaan and Callum ran to the boat was SO GORGEOUS-- like, the contrast between the golden light of the setting sun and the deep blue of the shadows, how Ezran's face and the soldiers were in the shadows but the rest was bathed in the light, and the scenery and the sky was just so breathtaking

Also Runaan caught Callum when he jumped in the boat 🥹

3: THE GLITTERING BONES

The Sunfire soldiers chanting "Queens of Mercy" was so epic

Soren going "You're the bread" at Corvus to try and lighten the mood at least a little bit and it completely not working broke my heart, he's trying so hard

And then Ezran snapping even at Zym??? Bro.

Claudia doing the nose tap thing again!!!!!!❤️ It's back!! And she was so happy giggling and laughing and everything, like yesss let a girl be happy and goofy

The Garden of Innocents was soooooo gorgeous

Aaravos saying "There is nothing to be afraid of, Claudia" as she reanimates the unicorn bones 🥹 Was that a callback to him saying "there's nothing to fear" to Leola or am I reaching too far And THEN him saying "Well done" gjdfhfgdkj

"You remind me of her" THERE WE GOOOO he has such a soft spot for her "…and silly"❤️

That scene when Janai snaps at Karim!!!!!! The performance was SO GOOD, the raw FRUSTRATION and helplessness and anger and desperation in her voice!!! Especially that "How many times do I have to attempt to spare you?!" line??????

4: UNFINISHED BUSINESS

Callum, Runaan and Rayla doing the ritual dance all together was so beautiful already, and then Runaan's "I dreamt of this" gfdjkghdk

"Yeah, but… You'll want a minute with Ethari, right? A minute alone…..?" and Runaan being quiet and hesitating for a bit and then just going "…. yes. :)"

Okay so the Reunion scene-- I'm a huge Ruthari shipper and Runaan is my absolute favourite character in the show (if you couldn't tell by now), along with Ethari, so you can imagine the state I was in at that scene--- Like- First the way Ethari looks at Runaan in the reflection, cause he's probably so used to doing it to see if Rayla came back to him???? And calling him his "beloved phantom" and Runaan's expression changing to confusion- you can literally SEE him smiling softly at the "hello, my beloved" but as Ethari says "phantom" his expression immediately changes and it's portrayed SO WELL GJDHGDJ

"I see you everywhere…. Hear your voice when you aren't there… But I am BEGGING you, Runaan, leave me be. Let me let you go." "But I made you a promise." "And I long to make peace with its breaking." That was such an absolutely gorgeous piece of dialogue, and I've already talked about how I love Runaan's voice, but Ethari's as well??? The accent, the slight rasp, the kind of rough-iness in it, the hard 'r's, like oh my God, every time he speaks I am just enchanted

And THEN Ethari flinching away as Runaan touches him cause he was so sure that it's just his imagination-- and Runaan kissing his hand-- and the "It's me. I'm home." sounded SO GORGEOUS and if you look at Ethari's lips you can see them trembling cause he's about to cry--- AND THEN THE KISS OF COURSE I WAS CRYING SO MUCH WE'VE WAITED LITERAL SIX YEARS FOR THIS DAMN KISS CAUSE RUNAAN GOT IMPRISONED IN THE FIRST SEASON WHICH CAME OUT IN SEPTEMBER 2018 SIX YEARS IN AZKABAN

And the music that plays during the kiss too? ;_; I need the entire soundtrack out ASAP

RAYLA PANICKING ABOUT RUNAAN CATCHING HER AND CALLUM KISSING GFJDHGJDHGD She almost threw him off the damn branch LMAO

Ethari going "Not another word, Rayla!" as she starts to try and make her problems smaller gjddhkgd "Your family is here for you" 🥹🥹🥹

The slow realization I had of why exactly Aaravos needed Terry to find a BIG feather and a SMALL feather The way the creators intentionally made it set in so slowly And Terry going "I SAID STOP" with this pure RAGE in his voice, and Aaravos just flicking him off with a single gesture

"She would do anything to return to them, but she can't." subtle reference to Leola again And also Aaravos' coldness in that scene hfjgkdghjj no wonder Terry was terrified

The fact that Runaan has a title of "Master of Blades"?? I love it so much

"Rayla yet lives." "You speak the name of a Ghost." "I SPEAK THE NAME OF MY DAUGHTER." !!!!!!!!!!!!! 🥹🥹🥹❤️❤️❤️

The way Rayla holds her hands over Runaan and Ethari's joined ones as she appears gfjdhk I love the Moonfam so so so so much

"To invoke the ritual, one of you must bind your fate to hers." "Both of us, Keeper." SAID WHILE HOLDING HANDS AND LOOKING AT EACH OTHER SO LOVINGLY JFDKGHJKD

Terry telling Aaravos "You're sick." HOHOHOHOOOO and the way Aaravos circles him like a predator around his prey was so scary

Ethari putting a hand on Runaan's shoulder and Runaan covering it with his own to reassure him gdjfhgdfjk

Rayla calling the four assassing by names and their names being spoken in general for the FIRST time in the series--- I was so happy and surprised to hear it And the references to the pledge they made so long ago in the first season 🥹

"A life for a life… is that justice?" the way Rayla said it was so nice and soft and sad and jdgfhk

RUNAAN HUGGING RAYLA OUT OF HIS OWN INITIATIVE GHDFJGHDJKGHK

I was literally SO SCARED when the Keeper snapped and revealed he was Ram's father, I literally whimpered out loud cause I was SO FREAKING WORRIED that they won't get through to him and he won't unghost her I was STRESSING

And then Rayla just crying in Callum's arms??? 🥺🥺

[alpaca-clouds]

Let me talk Anarchism

Okay, let me quickly talk about it, because I am so annoyed with this. For once in the way how it relates to Solarpunk, but also in relation to media. And yeah, choosing good old Hobie here, because while it was kinda played for humor with him a lot, he was one of the few characters in media I have seen, that are actually kinda a positive representation of anarchism.

You know, media in general misrepresents anarchism all the time. Sometimes for propaganda purposes, and sometimes because the creator does not know any better and has grown up with said propaganda themselves and just believe it. Most of the time, media hence represents Anarchism as "Society without rules!", which is most certainly not what anarchism is.

The word Anarchism comes from the Greek An Arkhos, which translates into "Without Rulers". That is exactly what Anarchism means. Anarchism is a political philosophy that aims to get rid of all unjustified, involuntary hierarchies.

This is, by the way, why Anarcho Capitalism might use the word, but can never be anarchist, because capitalism aims to build unjustifiable hierarchies. It is exactly the goal of the system. So Anarcho Capitalism is a contradiction in itself.

An anarchist society will still have rules. We know that, because there have actually been societies in history, that today we would call anarchist. It is just that instead of a sort of some group of people ruling over everyone else deciding on those rules, everyone would get to have their say in it. That is, why those historical examples of anarchism for the most part have sprung up in smaller, close-nit societies, because before the age of the internet it would've been rather hard to make everyone's voice heard.

If you are wondering: "But isn't democracy already doing that?" The answer is no. Because democracy is not working, due to the politicians having all the power and the populus not being able to force them to stick to whatever they promised during the election. We cannot recall politicians, who have lied to us. So for the most part, it is the people with big money, who influence the politics. People, who were not even elected, but who the politicians will try to please more than the average joe, who has voted for them. 

It is another reason, why a lot of anarchists are against the police. Not only do they use police violence, but they are in a position, where they are allowed to use it against people, often without much reprecussions. And all of that, without the people having any say in who does and does not get to be a police(wo)man. It is another unjustified hierarchy.

And, yes, it is also why anarchists tend to be against the concept of nation states. Because internationally some states rule over others. Colonialism might've ended on paper, but it has not ended in practice. The reason some nations are poor, while others are rich, is that the poor nations get exploited by rich nations. An unjustified hierarchy. And that is without starting on the fact how many borders have been drawn by people, who had no right to do so.

On the small scale, though, anarchism first and foremost is about helping people. Mutual aid is one of the core principles of the anarchist movement. Helping people, who got left behind by the unjustified state and the people who are in power. It is also about empowering people and allowing them to find their own voice.

See, here is the fact: One of the core believes in anarchy is, that people are actually not terrible. If the state stopped existing tomorrow, people would not run around, murder and pillage. They would still help one another. We have seen this time and time again when through war or natural catastrophies systems of power have failed. People help each other. Because we are actually a pretty social species.

This is also why I absolutely loathe the depiction we see in a lot of media. Most of all in Legend of Korra. Where not only the Red Lotus, as an anarchist group, does not do jack shit in terms of mutual aid and things like that... We also see basically the Earth Kingdom go to ruins and violence within minutes of the Earth Queen having been killed. Like, no, that is not how people would react in that situation. There would not be instant riots or some shit. Jesus. What made them think that?

And yes, sure. Some anarchists might riot on the streets, because they riot AGAINST the unjust system. But always remember: Usually, when there is police violence for example against a protest, it is your friendly neighborhood anarchist, who will be willing to put themselves between you and the police.

[aaronsrpgs]

In Praise of Random Encounters

I'm in my "responding to frequently asked Reddit r/rpg questions" phase, so please allow me to defend the random encounter. This post is in response to everyone who goes, "Why do people use random encounters? They interrupt the flow of the story, and it doesn't make any sense to have something randomly show up and fight."

Did you know there was a Pokemon named after me?

In this post, I will argue against these strawmen, make a case for random encounters in certain games, and describe my favorite random encounter situations from my own games.

This disputation against random encounters can be broken up into three parts:

they interrupt what is already going on ("the story")

they are illogical

they're automatically a fight

I'm going to address these last to first.

Random encounters shouldn't jump right into fights. If used as intended, they come with an encounter distance, meaning sometimes you just see signs of the encounter, or you spot them from far away. And they should also come with what used to be called a reaction roll, which dictates how the encounter feels about the PCs. These were rolled on 2d6, which meant there was a bell curve that favored results in the 6-8 range, which were usually something like "wary" or "neutral."

Second, the logic of random encounters. If you're using them right, random encounters should make sense. They should only have a chance of happening in places where the encounters could be, and encounter tables ought to be chosen based on location. So you won't get a dire trout in a desert or whatever.

This last bit is the hardest one. If it feels like a random encounter would disrupt "your story," you're probably running a game whose underlying philosophies are opposed to random encounters, yes. It's probably also opposed to many other frameworks that were present in traditional/old-school rule sets. If your game has a pre-planned story or plot, if that plot requires a certain pace or order, and if the injection of outside elements would disrupt that plot, you probably shouldn't use random encounters.

(You also shouldn't use D&D or its cousins. You might also not want to have other players, since they can disrupt those plots. But that's just me being petty.)

A page of random encounter rules from Advanced Dungeons & Dragons. This is a shitty example. I promise it's easier than this.

So when SHOULD you use random encounters? Use them if the game you're running is attempting to simulate a world that has its own logic and background that is not dependent on the player characters. Random encounters help show that the world is in motion at all times and that people and creatures move about of their own volition. They don't show up when it's meaningful to the plot or the other characters; they wander. They're random.

Another key component of this style of gaming is that they usually consider story as something that emerges from or comes after play. "Remember how we tried to cross the raging river full of electric eels, and you dropped your sword, and I almost died, but we made it across? That was awesome." These things didn't happen because they were important plot points predicted by the DM; they are the results of rolls at the table, rolls that are honored in their immediacy and only made sense of after the fact. Does this mean that you risk having a disjointed mess from which no pleasing story can emerge? Yes! But you also risk having a story emerge that no one could have planned, that is equally surprising and pleasing to everyone at the table.

This emergent storytelling is probably the greatest joy of the random encounter. Don't approach the encounter with, "It doesn't make sense that a goblin would be here." Instead, adopt the attitude of, "Let's figure out why this gobllin would be here." (And while you're at it, use that same attitude toward books you read and movies you see.)

A related aside: in some play cultures, the DM is considered to be someone who plans everything out and slowly reveals bits of story as rewards to the other players. As a DM, this can feel really stagnant, and it can be a lot to keep track of, and there is far less joy of surprise. Using dice at the table to introduce new elements can bring some of that fun back to the DM.

Everything I've said so far is a synthesis of dozens of rulebooks and blog posts I've read across a decade of running games, so please allow me to introduce a final element: my own experience with the joy of random tables.

In 2014, when 5E was coming out to great demand on the backs of Stranger Things, Critical Roll, and The Adventure Zone, I started running a campaign for friends and coworkers. There was no developed play culture around 5E at the time, no cottage industry of third-party developers. So in running it, I was drawing on what I had been reading for years: old-school roleplaying and story games.

So I prepped my starting town (doing way more work that I would today), including random encounter tables for the area. And when the players were out searching for some ruins and getting lost west of town, I rolled a random encounter. It was some gnomes. All the gnomes here had escaped from a gnome hell for greed, so they weren't exactly kind. And their reaction roll was just south of neutral, so they were a little surly.

A bad screenshot of my "west of the town of Wall" encounter tables.

They led the players to the ruins and waited, trying to trap them inside after they'd been run down by the undead inside. But the players overcame the trap and told the gnomes off. (They didn't want to get in another fight after going through the ruins; more emergent storytelling.) So the gnomes ran off, but they would remember this.

Flash forward to a different session. In the main mega-dungeon under the town, the players were exploring a new area. Another random encounter: the devil of gnome hell! It was a giant mole with masses of earthworms for limbs, and it was searching for its escaped prisoners. It threatened to kill the PCs unless they gave it a magical item. So Pepper the elf gave up his winged sword, which he'd found in the aforementioned ruins. He loved that sword.

And here's where it all comes together. The gnomes were trying to settle the land west of town, but the humans had a fort there. The players were going to that fort to get some information about the faerie realms. How could I show this situation in a way that would, as succinctly as possible, illustrate the tension while giving the players a choice on who to join? Well, the gnomes would be attacking the fort. This normally wouldn't be much of a battle…but the vengeful gnome from the ruins had made a deal with the gnome devil for power. And now he was wielding Pepper's sword, using it to fly over the fort walls and attack.

Pepper was pissed! He wanted his sword back! The other players were more interested in figuring out a way to stop the ongoing conflict between gnomes and humans. And the gnomes were split between wanting to peacefully settle their new land and get revenge on the players for driving them off from the ruins. Who would prevail?

I hadn't planned a story, but I had created a situation a story was likely to emerge based on the players' actions and the results of the dice.

Conclusion

This isn't me saying this is the only way to play. It's not the only way I play. In a short one-shot or a tightly paced, emotional game, I would never use random encounters. But they can be fun! And they (and their associated suite of rules) can address some of the issues that lead to DM burnout and genre predictability.

If you find me in the wilderness, I will fight you.

[avelera]

I’ve been enjoying the Wondrium course, “The Birth of the Modern Mind: The Intellectual History of the 17th and 18th Century” much more than I expected to (based on the title). It certainly helps that the lecturer is extremely passionate about the subject. He also has a thick Jersey accent which makes it feel a bit like being lectured to by Danny DeVito.

But what really enraptured me about the course was its focus on how historical peoples thought differently than us, through the lens of how ideas we take for granted today were first introduced.

For example, one might think it obvious that, ideally, the pursuit of philosophy (as in literally “the love of knowledge”) and intellectual pursuits should be with the overarching goal of bettering the world. But that wasn’t a given, necessarily, before Francis Bacon who pioneered and championed this idea. His views became central to the later established British Royal Society, which formed a backbone of intellectual pursuits in England to this day, and likely plays a large part in just why this philosophy is deemed central to the sciences to the point of being self evident (at least, again, as an ideal).

Now, the reason I’m interested in this beyond basic curiosity is that I write historical and fantasy fiction. One goal I have when writing other times and places (real or imagined) is to capture or at least suggest and invoke a different thought process from our own. So this course is very useful in understanding how early modern people (in Europe) thought but also by extension how to create other, fictional ways to depict a different thought process. One of my favorite quotes already from this course, paraphrased, is that if we were sent back in time to a totally foreign, perhaps ancient era, we’d probably grasp pretty quickly what the rules for survival are. Like, how to make a living. Or how to not piss off the powers that be.

However, why everyone is doing what they do, how they think about the world, what basic assumptions they take to be self-evident and immutable, might be harder to grasp. For example, why do they simply accept the divine right of kings? Or that a deity makes the sun rise and set? Because they just do. That might be quite hard for a modern person to reckon with or accept.

(This particular question is quite close to my heart because I once disagreed with my Classics advisor about whether we’d get along with Bronze Age people if we ever got the chance to meet them. My advisor stated that ancient people would be utterly alien to us. Perhaps all she and I really had was a failure to communicate nuance, but I was baffled and outraged by the notion. Ape mothers with their babies have been able to recognize and on a basic level, identify and communicate with human mothers holding their babies sympathetically. Both understand they were mothers with babies and bonded over this. You’re telling me that I, as a fellow homo sapien, couldn’t communicate and understand a fellow homo sapien from a mere 3,000 years ago?? However, if the nuance instead was, “You could figure out quickly how to work within their society but you’d struggle with the rationale of the why of their society, it would be utterly alien to you.” That I would much more readily accept.)

Anyway, I highly recommend this course, especially for fiction writers who want to capture and understand that the way we think has evolved (speaking for the predominantly “Western” Anglosphere) and by extension, how to understand and portray other more archaic forms of thinking.

[siriusblack-the-third]

Sirius Black: Hobbies and Interests

The second part of The Sirius Black Headcanons Series! Here, I explore what he would have loved to do, and I hope you enjoy reading these!

Prev

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Loves flying, and is outstanding at it. Does not play Quidditch, but he does play air polo— polo on flying horses, or brooms if horses are not available. He does not care which one as long as he gets to play the sport. He also did competitive broom racing in school, and won a lot of trophies because he was just so bloody good at it. When James' mother gifted him a muggle bike for his 18th birthday, he enchants it to fly, and goes for a ride at least thrice a week. (James tried once to get Sirius to play Quidditch, but ended up getting roped into air polo himself.)

Competitive Duelling before he graduated Hogwarts and joined the Order. He participated everywhere— open circuits, a lot of closed competitions, and invite-only events— all over Europe and the Americas. Generally he was out of Hogwarts twice a month for two to three days, and he won a lot of them. He is an excellent duellist and everyone knows it; he won the U-19 Europe Open at the age of fourteen, a tournament that had over 2000 participants.

Playing the violin. It is the one thing apart from Duelling that his mother didn't force onto him as a child— he asked for classes of his own volition after seeing his grandmother Melanie play a truly beautiful tune when putting baby Regulus to sleep. He was naturally talented, and he practiced for years and years, and even after his tutor declared his education complete, he practised for at least 20 minutes every day. He played for himself rather than performing, and especially he played to put baby Harry to sleep, so much so that Harry would refuse to sleep if Sirius was not there.

Reads everything he can get his hands on. Everything. He prefers the genres of mystery, thriller, murder, historical and political fiction and mythologies of different religions. He and James devour books like they breathe air, both of them possessing excellent memory and being able to recall everything almost perfectly after only one read. Reading is a hobby he got from his father; they used to spend a lot of time together in the Black family library, debating topics ranging from Academics to Practical Magic to Ancient Philosophy to Current Affairs.

He enjoys spellcrafting a lot. Most of the pranks the Marauders play are planned with the spells that Sirius and James create. It is a little... illegal to experiment, but honestly he does not care. There are loopholes in those laws, and he knows them— he has read his father's law books. As long as nobody is adversely affected by his experimentation, and he sticks to a few ground rules, he should be fine. Besides, all his inventions came in handy when he was messing around with his motorbike.

Pranking. Do we even need to expand on this? Sirius is a genius, and he gets bored easily. Classwork is too easy for him, so he sets his sights on something interesting; the practical aspects of magic. Pranking, for him and James, is not just about taking the piss out of someone; it is about pushing the limits of magic, about accomplishing feats in magic people tell them are extremely difficult. It is about figuring out what magic can do if the limits of imagination are pushed. For the two of them, pranking is a giant experiment on the practicality, uses and effects of magic. They research, they read theses, textbooks, dissertations, encyclopaedias, they take notes and attend the higher year classes, and then they apply their knowledge to creative magical pranking.

.

Do not tag w*lfst*r, do not argue with me in the notes, and if you don't agree with my HCs you can scroll past, please and thank you.

[c0l0ure]

Okay so since having actually played through Sonic 06 (Along with Shadow Generations) a few weeks ago by this point and getting Aggressively Hyperfixated on Mephiles in particular, I've had some Thoughts about this freak:

1: I love the cutscene he's introduced in. You can clown on this game for weird voice acting/line delivery and off-putting animations in a lot of places, but this scene is actually very well done, in my opinion. I also ADORE how uncannily and creepily he moves. Not only does it succeed in making him look unsettling, but it also makes sense when you remember that he is absolutely not used to having a body at all, so of course he moves and stands really unnaturally and weirdly from our perspective. His head hanging down like he's not used to supporting the weight, the shambling walk, it's all top tier. Fight me, this scene fucking rules actually.

2: The contrast of the Duke referring to Mephiles as "it" while other characters refer to him as "he" is very interesting to me. Of course we all love neopronoun rep, but realistically it was most likely showing that the Duke does not see him as a living, sentient, and sapient being. It's a really, really interesting and important detail that I love the implications of. If there's one major compliment I can give to Sonic 06's story, it's absolutely the way that Mephiles in general was written. Obviously he's not correct for being so cruel and sadistic to anyone and everyone he meets, but also like... you can only really blame him so much. Being a victim doesn't always make you a good person or mean that your reactions to your trauma are justified 100% of the time, but it can explain a lot about you and help to put things in context

3: I REALLY wish we could have seen more of Mephiles and Shadow arguing with each other. The best moments between these two are easily when they're just talking to each other, not when they're fighting, in my opinion. Mephiles really does feel like an embodiment of all of the worst parts of Shadow in these scenes, and seeing Shadow stand up to him and call him out on his bullshit so directly is really amazing to see, but GOD I wish we could've seen more of Mephiles getting into Shadow's head even more. The moments he succeeds in doing that in the game are already really great, and it would've been fun to see it pushed harder. Especially contrasting Shadow's philosophy of "I suffered, no one else ever should" with Mephiles' philosophy of "I suffered, why shouldn't they?" and generally just really highlighting the parallels between these two with their backstories and traumas

4: Okay so literally everyone has talked about this, but OH MY GOD, HIS FINAL LINE IN SHADOW GENERATIONS, MAN- I am not over this quote, I never will be, it changed my fucking brain chemistry. Hearing someone usually as composed and outwardly calm as Mephiles desperately screaming that he wants to exist fucking shattered me. The fact that he's not just begging for his life, he's not fighting Shadow because he wants to end the world, he's not even necessarily fighting solely because he wants to kill Shadow, he just wants to EXIST AGAIN and is DESPERATE to achieve that. The way his voice breaks and he throws every last shred of power he has left at Shadow with that delivery is so depressing. Like, man, I should not feel as bad for Mephiles as I do, but GODDAMNIT, my heart is not made of stone and this reminded me of that fact

[mcdonaldsforehead-emofurry]

Daoism and The Complicated Bond Between a Hero and their Arch-Enemy ☯️

(Disclaimer: I'm not an expert on Daoism/Taoism, and even though I made sure to do plenty of research before writing this, I'm likely going to be wrong about some things. If I got something wrong, please correct me. I'm also going to use the Daoism spelling from now on for the sake of simplicity)

A common sentiment expressed between a hero and their arch villain is "Wow, the villain is the yin to that hero's yang", or "They're so yin and yang".

I myself am not an exception, as I've made that point before, especially in relation to the characters I talk about on my blog. But what does that truly mean, and how much does the original source (Daoism) play into these characters in their story?

The most commonly held definition of Daoism is that it's an ancient set of beliefs that focus on being harmonious with the universe (AKA the Dao) via being spiritually/emotionally/physically balanced within. The hard part of the definition comes specifically from the Dao because it represents the universe and its overall depth along with the seemingly contradictive beliefs that come from it. (which is fitting because of how vast and fluid the very nature of the universe is). [2][4][5]

One of the main ways the universe/oneself can remain in balance is through the aforementioned concept of Yin and Yang. Yin is the darkness that holds light and Yang is the light that holds darkness. Yin is feminine, quiet, passive, calm, and negative. Whereas Yang is masculine, loud, aggressive, and positive.

Despite these contradictive traits, Yin and Yang are forces that can't live without one another or else the universe would be out of balance. This balance is achieved through each one having an aspect of each other, as Yin holds some of Yang's passionate and aggression while Yang holds some of Yin's softer and colder parts from within.

It's also important to note neither is inherently good or bad. Rather, they're merely two sides of the same coin that remind us that everyone and everything is multifaceted.

Another concept I need to define from Daoism is Wuxing:

[1][3]: Wuxing Theory/Philosophy is a principle found in Daoism that sets to explain the natural order in the world. Wuxing incudes the elements and their associated color: fire with red, earth with yellow, metal with white, water with black, and wood with green/blue. Each of these elements/colors represent the different aspects/cycles of life including the seasons, body parts, planets, life stages, directions, etc.

[3] Here's a simplified chart showing what each element represent/is associated with:

And here is a simplified chart showing the relationship each element has with each other:

The elements chosen are more so allegorical rather than literal, which is why wood and earth are considered two elements instead of one.

When the wuxing elements are out of balance, a person's self/the world divulges into chaos as the order of nature is ruined. However, when in balance (both the destruction and creation aspects), one's self is complete and in line with the natural order of the world.

This post is going to focus on how this concept applies to the "enemies and lovers" (though lovers can be substituted with friend if desired) trope; specifically between Batman/Joker, Adora/Catra, and Ekko/Jinx. I chose these three relationships because I feel each relationship represents what happens when Daoism is applied in different ways, because this blog is mostly focused on those three, and because I feel like the Batman/Joker dynamic is arguably the most influential/subversive Yin/Yang duo in the modern age.

Which brings me right to-

Part 1: "You're the yin to my yang, can't you see?" Batman and Joker

Before analyzing the specific dynamic and how that influences their respective story, I'm going to analyze the aesthetics because I think the physical appearances are a good visual indicator of their ties to Daoism.

Simply put, Batman is the embodiment of "Dark is not Evil" whereas Joker is the embodiment of "Light is not Good". Batman wears all black to hide in the shadows and blend in while Joker wears bright colors to stand out from the shadowy Gotham. Batman works hard to uphold justice while Joker works hard to spread harmful chaos. Even more interesting is that Batman wears fully black while having white pupils, while in the animated series, one of Joker's redesigns has him with (sans undertale type) black eyes against his white skin. This would seemingly lead to the conclusion that Batman is Yin while Joker is Yang. After all, Yin is usually the quieter/repressed one with elements of aggression while Yang is the opposite.

However, it can also be argued that Batman is Yang due to his aggressive and passion to help others while holding a deep darkness within, while Joker could be Yin due to his overall darker nature with his jovial side being hidden behind his actions.

its been stated by both men how they could've easily become the other after their respective "bad day":

Detective Comics #33 (1939) Bill Finger and Gardner Fox

Batman: The Killing Joke DC Comics (1988) Alan Moore

Either way, I think this ambiguity of who Batman/Joker represents is fitting for what Yin and Yang is because everyone has a bit of Yin and Yang in them.

However, what makes Batman and Joker the ultimate Yin and Yang duo is the fact they represent opposite ideals while reacting in completely different ways. Because of how extreme said ideals they get, both men need a barrier of some sort to keep the other from going over the edge.

After all, its been said by Batman himself that if he killed the Joker he'd end up going overboard with wrath and end up hurting more than intended:

Batman: Under the Hood (2005) Judd Winick

Besides that, Batman's anger is infamous for how it manifests in a highly controlling nature. One of the only people that can go against and challenge Batman's controlling nature is Joker. Likewise, the only person who can plan for Joker's chaos is Batman. That's what makes their fights so personal for each man. They aren't just fighting a man they hate, they're fighting the contradictive ideals they see in one another while giving the other symbolic purpose.

It's no wonder why there are a multitude of stories that showcase Joker grieving over Batman's death/disappearance. After all, without Batman, crime has no punchline:

Knight Terrors: The Joker #1 by Matthew Rosenberg

Joker's 80th Anniversary: Kill the Batman, Gary Whitta

Batman The Animated Series Epsidoe 51: "The Man Who Killed Batman"

Some other examples include The Dark Knight Returns (by Frank Miller), and Going Sane (by J. M. Dematteis, Eddie Campbell, and Daren White).

While Joker is open about how much he needs Batman (with the most infamous example that comes to mind is the final fight between them in Arkham Knight), Bruce is a lot harder to crack.

At first, Batman's feelings are cut and dry, with him hating Joker for all the terrible things he put him and his loved one's through. However, various adaptations and comics (especially in recent years) have shown that Batman's feelings about the Joker are a lot more complicated than originally thought.

Part of this complication comes from how they've been fighting for so long that it's become routine for both of them. Ironic considering that Joker is all about chaos, but I digress. Heck, this same point is brought up in Batman Arkham Knight: The Riddler's Gambit by Alexander C. Irvine, where Batman tries to sort out his seemingly out of place grief that came after Joker died due to how familiar fighting him was.

Another part of this complication is due to the nature of comic books and all the adaptations that come from it. Some writers will write Batman mourning over the loss of Joker (I.E. The short story Perp Walk by Jason Shawn Alexander, The Arkhamverse, The Injustice series, Batman: Damned by Brian Azzarello, etc) whereas other writers will showcase Batman not giving a crap over Joker and his death (I.E. the DCAU). The only thing we can guarantee is that Joker makes Batman feel everything BUT indifference. Even when Batman claims he means nothing to him, he's usually screaming this or putting other peoples safety in jeopardy just so he can deal with his seemingly unimportant butt.

Whatever their personal feelings are, it doesn't stop the fact both men are trapped in a dance with one another due to their conflicting ideas.

Which brings up the question "If Yin and Yang are meant to compliment each other, how can Batman and Joker be Yin and Yang if they constantly fight with one another while rarely working together?"

Outside of their team up storylines including Batman & The Joker: The Deadly Duo (2023) by: Marc Silvestri, Batman: Europa (2016) by Brian Azzarello, Batman: The Enemy Within, Batman: The Brave and the Bold: season 1 episode 13 Game Over for Owlman, and Dark Knights: Metal (2017) by Scott Synder), they don't seemingly mash well.

And that is the crux of how Batman and Joker both subvert and utilize Yin and Yang. Does being opposites and the same while not being able to truly work with one another prevent them from being truly Yin and Yang? Or is it only a reflection of how Yin and Yang are both separate concepts that retain their individual ideas even when together? There's a lot to say how their cosmic fight both utilizes and rejects the union present in Yin and Yang (at least in a conventional way).

Whatever the case may be, the ties they do share with Yin and Yang is a reflection of each other's vices, and potential successes should they work together. Unfortunately, with the nature of comic books, these two won't be able to break apart from the cycle, which both supports the idea how they both subvert and utilize the tethered nature of Yin and Yang.

Part 2: "But you two... Even when you're trying to kill each other, you can tell there's a real bond there" Adora and Catra

Just like the previous section, I'm going to start off with analyzing the aesthetics' of these two before doing a deeper dive into how Daoism plays into their story:

Adora's main color palette includes red, white, and gold whereas Catra's color palette is red and black (with occasional violet-red in some of her outfits). They both share the color red as a reference to their leadership roles, but the difference with Adora having white and Catra having black best represents how the symbolism of red is applied differently. For Adora, red represents confidence, strength, energy, and health while for Catra, red represents danger, war, blood, anger, and passion.

With these descriptors, Adora/She Ra could be represented with Yang while Catra can represent Yin. Adora is more spunky, competitive, confident, and noble while Catra is closed off, sly, colder, and feminine. And like Yin and Yang, they held opposite qualities, with Catra being often rougher than Adora while Adora (at first) had to be told what to do and wasn't very assertive in what she wanted in her own life.

The whole series follows the fall and rise of their relationship, and how they go from enemies to allies over the course of several years. In short, their relationship serves as the backdrop for the show's universe; as while the two were fighting against each other, Etheria was often in jeopardy. However, when they reconciled and truly opened up to one another, they were able to save everyone around them.

Even their very character growth required them to learn from one another. Adora needed to have some of Catra's selfishness while Catra needed some of Adora's sympathy for others. Without these lessons, the two were self-destructive and unhappy. In this case, selfishness turns into self-love when applied correctly.

This union is also showcased in their future outfits, as Adora adopts some of Catra's feminine side along with her crown, while Catra adopted her ponytail and jacket:

During their first kiss, the scenery involves an excess of yellow, blue, white, green, and black. Combined with Adora/Catra's red, these colors are the same found in Wuxing philosophy (though technically there's five colors with green and blue being interchangeable/substituted with one another).

I'm sure this was a coincidence, but I think the background colors matching with the Wuxing elements is fitting as both women were finally able to open themselves up about their love for one another. It's especially interesting that Adora and Catra have red color's, especially because red/fire is associated with the heart and growth in Wuxing [1][3].

All in all, Adora and Catra's journey throughout the show concluded with them adopting elements from each other while still keeping certain aspects of themselves intact (with the exception of the self destructive traits), and I think that's a beautiful description of what Daoism aims to achieve. Not to concern yourself with someone else's differences, but rather learning from one another in order to grow as a person and retain balance in the universe.

Part 3: "Dynasties and Dystopia" Ekko and Jinx

Once again, lets start off with analyzing the aesthetic references to Yin and Yang that Ekko and Jinx share:

During their infamous bridge fight, Ekko is standing in front of a bright light while shadows fade on him. Meanwhile, Jinx is shrouded in shadows with a brink of light shined on her. This visual imagery showcases that Jinx is Yin, and Ekko is Yang.

Interestingly enough, their outfit's seem to showcase the opposite:

Ekko wears a white tank top with something dark on it whereas Jinx is wearing a black tank top with something light on it. There's also how Jinx is a pale white woman who wears mostly black/dark clothes whereas Ekko is a black man who wears mostly white/lighter colored clothes. Through this visual indicator, it would seem Ekko is actually Yin while Jinx is Yang.

Which could also work because Ekko's gritter aesthetic contradicts with his hopeful, noble personality while Jinx's playful aesthetic contradicts with her inner turmoil and anger.

The idea of Jinx being the Yang to Ekko's Yin is further visualized with both the necklace Ekko gives Jinx/Powder in the alternate universe:

Another tidbit to mention about the ambiguity of who represents Yin/Yang is the season finale where the two come together to save everyone around them. Like Catra and Adora, this union is visualized through their new outfits:

Jinx has hour glasses and green streaks colored onto her while Ekko has pink X's around his body. They also adopted some fashion elements from one another with Jinx's shark hoodie probably being partially inspired from Ekko's hoodie/owl mask, while Ekko is wearing a crop top similar to how Jinx would wear crop tops. Jinx has a brighter top with black in it (like Yang) while Ekko's top is darker with some whites on it (like Yin)

Similar to Batman and Joker, the ambiguity of what Jinx/Ekko represents is fitting for what Yin and Yang is, as everyone is ultimately made up of both forces.

That being said, on a metatextual level, Ekko and Jinx's relationship is one of Arcane's visuals for how much balance is present. This is best observed through the differences in season 1 episode 7 and season 2 episode 7.

In season 1, Zaun and Piltover have a lot of tension due to class issues (which in itself is a reflection of imbalance) and everyone's respective trauma. This fits along with the disarray between Ekko and Jinx and their mutual frustrations with one another.

In the alternate universe, the main cause for everything being different was hex magic never being utilized due to Vi's death. Despite this tragedy, Zaun is seen thriving with everyone looking healthier, happier, and safer. This is best showcased with Ekko and Jinx/Powder being in a happier relationship together.

Even with these differences, Ekko and Jinx still share a Daoist connection to one another, something shown through Powder/Jinx's line: "You know those ugly twins, genius and madness"

At first, it would seem Ekko is the genius to Powder/Jinx's madness. However, Ekko himself isn't as mentally stable as he appears to be. He spent various time loops and over a decade trying to help his best friend turned terrorist, he's prone to obsessive behavior, he witnessed his adoptive father die, and he's prone to bottling up his emotions due to the various traumatic events that he went through. Meanwhile, Jinx is also genius in her own way; as she's able to build advanced weaponry using scraps, she's a poetic person, and she (with the help of Ekko) was able to convert her lair into a working blimp of sorts.

Ultimately, it would be more accurate to say Ekko is the genius holding madness while Jinx is the madness holding genius inside. Both with the potential to act out as either, but only in a way that balances the other out.

Whatever the case may be, these two are always going to be tethered together even though Jinx had to leave. One of the main themes of Arcane is duality, connection, and opposites living together. Ekko and Jinx's cosmic relationship is just another way to showcase this theme among the chaos going around them.

Part 4: The T.D.L.R.

Batman and Joker both utilize and subvert Yin and Yang

Adora and Catra are directly influenced by the message presented from Yin and Yang through their union together

Ekko and Jinx is the personification of Yin and Yang in Arcane/League of Legends

This distinction is important because it shows how much the environment reflects each character VS how much each character reflects their environment.

Batman’s/Jokers world is stuck in a continuous loop unable to break apart from the cycle despite wanting to, Adora/Catra's world changes and evolves with their relationship, and Ekko/Jinx is a relection of the good and bad their environment could bring depending on how they react to it, and well they come together.

Sources:

Bertschinger, Richard. The Five Elements - Mytaoworld [1]

Oldstone-Moore, Jennifer. Taoism: Origins, beliefs, practices, holy texts, sacred places. Oxford University Press, USA, 2003. [2]

Hsu, Shan Tung, et al. “Wu-Xing Theory.” Blue Mountain Feng Shui Institute [3]

Taoism. National Geographic [4]

Zai, Dr. J. Taoism and Science: Cosmology, Evolution, Morality, Health and More. Ultravisum [5]

[gremio0]

your limbus oc looks SO cool do you have any info on him.... he compels me i want to know more about him

HI HELLO thank you for opening the floodgates I have a lot to say about Bentinho actually. in the wise words of oomf I’m like a vampire and need to be invited into talking about my ocs otherwise I physically cannot do it

Don’t expect any structure from this I’m not particularly sure half of the words I’m saying even exist

Alright. So.

He’s based on the book Dom Casmurro by Machado de Assis (actually my favorite author of all time! I have a physical silver medal from a national literature olympic on this shit). Though it’s not really possible to directly translate the title, “Dom Casmurro” is a nickname given to Bentinho in his old age, “Dom” being a mockery of his high status and “Casmurro” meaning something between “stubborn”, “spiteful” and “grumpy”. His full name Bento Santiago is also interesting with “bento(a)” being a rarely used word for “holy” (as in “holy water”/“água benta”) and “Santiago” being derived from the word for “saint”, neither of which actually fucking apply to him; “Bentinho” is the diminutive form of the name. As an LCB Sinner, Bento is kind of an insufferable little bitch who I created with the explicit purpose of suffering the consequences of his actions as much as possible because he doesn’t get nearly enough shit in the book for being such an asshole all the time.

The Sinner Bentinho has a rather erratic demeanor, always literally and figuratively looking over his shoulder. He’s an arrogant and bitter man who doesn’t seem to be looking forward to much in his life. Although he does his best to maintain an appearance of collected elegance, his paranoia and jealousy often slip through the very plentiful cracks for all to see. He’s distrusting of most of everyone, and a pathological liar; talking to him can be rather difficult if you’re not careful with your words, as he has a way of finding non-existent malice in every other sentence, but it’s not particularly difficult to gain his favor if you know how to stroke his ego.

As for general Limbus stuff:

He has Midnight Green (#004952) as his signature color, and I generally use ☕️ as the emoji to represent him. The reference should be clear if you’ve read Dom Casmurro <33

He does not have a sinner number yet, but I’ve been considering #18 (because Machado de Assis, and consequently Bentinho, lived around the 1800s)

The word engraved in the hilt of his rapier, “Desprezo” (NOT to be confused with “depressed” it’s happened too many times by now) is, in portuguese, the feeling of despising something or someone.

His base EGO is called “Tu Serás Feliz”; “You Shall be Happy"

In his LCB Sinner Identity, he has Lust, Pride and Envy sin affinities.

His Canto is called “The Truth Revealing”. It would be placed somewhere from mid to end game, as the way it’s structured would require Bento to already have established relationships with the other sinners. I’ve taken a lot of inspiration from the philosophy he presents in one of the earlier chapters in the book: “life itself is much like an Opera”. Notably, the majority of it takes place in a theater, visually inspired by the Rio de Janeiro municipal thetaer. I’ve reduced the cast of the book a bit to focus on the conflict between Bentinho, Capitu and Escobar, though characters like Ezequiel, José Dias and Dona Glória also play a part.

He has a lot of associations with opera and theater but it’s hard to elaborate on those without a full summary of his Canto. Maybe one day.

I think that’s just about enough information for a decent introduction but I’d be very happy to elaborate if there happen to be any questions. wink wink nudge nudge. He’s been very rudely occupying my brain without my consent for the past few weeks and I doubt he’ll be going away any time soon. He should die one of these days that would be great.

[creampuffqueen]

Let’s see the college au!!! :3c

okay so for starters check out this post by comradekatara for the basics/inspiration. gotta give credit for the main inspo!!

this au is where the female avatars are roommates in college and just like. hang out and have shenanigans and whatever lol. their love interests are also included as 'main' characters

so for everyone's majors and sports and stuff:

korra: kinesiology major. she plays several intramural sports (for those who don't know, it's like a club team for colleges) such as soccer, wrestling, and various martial arts

kyoshi: literature major. attends the school on a basketball scholarship

yangchen: international relations major, ends up minoring in philosophy, psychology, and political science. she plays for the school's volleyball and track teams

asami: mechanical engineering, also part of a sorority

rangi: pre-law, aiming to specialize in criminal justice. part of the school's ROTC, army branch. plays intramural soccer

kavik: pre-med, aiming to specialize in emergency medicine. attends the school on a national merit scholarship he got for his math skills

and yeah the other avatars are also here as well (don't think too hard about the timeline or you'll go crazy) but the girls are my favs so here we are

some other random things about the au:

korra was homeschooled for her entire life. so when she goes to college she has ZERO social skills or street smarts

korra's freshman roommate was opal beifong. they met online and decided to room together. they're great friends, but since they were both super sheltered they don't know how to do anything. they dyed all their clothes pink the first time they did laundry and almost burned down the dorm kitchens like three times attempting to cook

this college (it's not any specific college that i picked out it's just like some random made up school. i do feel very strongly that it's in new england tho) was not korra's first choice. originally she was scouted to swim for a big important school. but at the beginning of her senior year of high school she got into an accident that left her paralyzed for six months and in rehab for another six. the school dropped her offer and she was forced to reconsider her options

she ended up going to this random college because tenzin, a long time family friend, is a professor here

kyoshi was in the foster system most of her life, but ended up being adopted by her foster dad, kelsang, when she was 14. they aren't very wealthy so the only way kyoshi is able to attend school is because of her basketball scholarship, even though she doesn't care about basketball that much

kyoshi's freshman year roommate was randomly assigned, and she roomed with kirima. they didn't get along at first due to very differing lifestyles but eventually kirima helped her loosen up a bit and they became good friends

how everyone met: korra and rangi play on the intramural soccer team together. rangi and kyoshi were already dating when they went to college, so kyoshi met korra through her. basketball practice is right after volleyball practice. perfectionist yangchen always stays after to rep things on her own, and chronically early kyoshi is always like twenty minutes early to every practice. they keep running into each other and eventually start chatting, and become fast friends. kyoshi brings rangi and korra with her to cheer yangchen on at a volleyball game, and after the game the four go out to eat where, once again, they become fast friends

when the time comes to find housing for their sophomore year, the three girls decide to get an apartment together, and they live together for the next three years

korra meets bolin on the wrestling team, and then meets mako through him. mako and asami are already dating. korra judges asami as 'just a typical sorority girl' but quickly realizes she was wrong. there is some love triangle drama with those three but it wraps up wayyyy quicker in this au. korra and asami start dating in the spring of their freshman year

funny enough, korra actually meets kavik before anyone else. kavik is on the wrestling team for a little while, but drops it after winter break. kavik and yangchen meet totally separately, and when yangchen introduces him to her friends korra and kavik share a laugh because they've already met before

yangchen and kavik don't start dating until their sophomore year. but it takes like a whole six months for anyone to figure it out because 1) they didn't make any kind of announcement about it and 2) they don't really act that different anyway. so there's a very funny moment where kyoshi and korra come home to find them making out on the couch and are like 'hello???? when did this start??' and yangvik are like 'what do you mean when did this start we've been dating for six months 😭'

naga is korra's great pyrenees and yangchen has two siamese cats, pik and pak. kelsang has a surprisingly sweet tibetan mastiff called pengpeng that kyoshi dogsits sometimes

basically the vibe of this au is 'five of the hottest women you've ever seen - and this one guy that they drag around everywhere'

yangchen, korra, and rangi like to play sand volleyball together at the rec center. yangchen always wins but the other two don't make it easy for her

even though their partners are over so often they basically live there, the three girls have a 'residents only' night once a week where they all hang out together and gossip

the flying opera company is a band that does small gigs on campus/around town. kyoshi does backup vocals for them

yangchen is still pushing herself to insane levels At All Time in this au. girl is playing two sports, triple minoring, and is a member of like half the clubs on campus (she joins any club with volunteering opportunities). one semester korra and kyoshi start 'yangchen's redbull wall' which is exactly what it sounds like. not that they're any better lmao

the other avatars are also here in this au. kuruk is part of a frat but should be on like. suicide watch or something. bro is Going Through It. but he's actually like best friends with all the girls in the apartment. idk what roku is doing. aang is a philosophy major, he and yangchen are study buddies for philosophy classes. and uh. idk about wan either lmao

anyway that's some of the basics + random fun facts! i have lots more but writing this out has made me realize i probably need like a timeline or something haha. feel free to send more asks about this au!

[bwat5-blog]

Sevika: Loyal to a fault

**Spoilers For All of Arcane**

This will not as nearly so long as my usual content, but some discussion I had on another post got me thinking about Sevika and made me want to try and put together as complete a picture as I could! She's tall, she's beautiful, she's terrifying, but she's also loyal to her cause.

What we know:

She used to be Vander's right hand woman

She was twenty-seven when Vander and Silco split after the bridge massacre

She defects to Silco because Vander became weak in her eyes

Was present during Vander's abduction and subsequent death, which also claimed the lives of Mylo and Claggor, and as far as she knew, Vi. She loses her arm during the incident

Helps Silco take control of the undercity, unleashing shimmer, and allowing the rise of the chem barons

Clashes with Jinx over the threat she poses to Silco and the cause.

After getting the upper hand in fight against Vi, is completely prepared to kill her (NOTE: Her comment during fight "I see you never learned patience" suggests at least slight possibility she had worked with Vi on her fighting at some point)

Tells Jinx Vi is back, intentionally lying about Caitlyn to destabilize Jinx's mental health

Loses arm to Vi in rematch, but does order everyone out for fair fight

Tries to keep the undercity together after Silco's death, refuses to hand over Jinx

Kills Smeech protecting Jinx

Assists Jinx in attack on upper-city unleashing the grey, fights Caitlyn and protects Jinx and Isha during explosion

Tries to get Jinx to step into the light as a symbol to unite their people

Assists in the prison break of the incarcerated Zaunites and rescues Isha when Jinx fights Warwick

Refuses Jayce's request to help fight Ambessa and Victor

Joins with others under Jinx to fight at the last battle

Joins the council, taking the kiramman family seat

I have seen most of the commentary on her speaking to her loyalty to her people and her cause. That ultimately the wrongs she committed were because she believed it was how she served Zaun. My belief, is that it was not until she grew older and had no leader to follow, that her true focus became Zaun, because her life had always been lived service to those leaders. I read a fan-fic recently in which another character called her a "kingmaker". And as long as she had a king to serve, nothing else mattered.

We established her age during the bridge massacre, but with no hard cannon it's hard to know when she joined Vander. But given the fact that she is listed as Vander's right hand woman, and she was angry with him for not wanting to fight, its safe to assume she was with him at least during the bridge attack, which she means she knew the kids since they came under his care, possibly longer depending on how well she knew Felicia and Connal. Vi and Powder, children of Zaun orphaned by the conflict between the two cities, the very people Sevika claims to stand for:

Steps up to fight Vi during Vander's rescue

Clearly and intentionally makes effort to destabilize Jinx's mental health in hopes of Silco cutting ties with her. Who Sevika had known since she was a little girl, and who Sevika had played a part in orphaning for the second time

Tries to kill Vi while delighting in upsetting her with news of who Powder had become

Tries to kill Vi during rematch

She also plays a pivotal role in Silco's shimmer operations, a drug that while able to produce super-soldiers of sorts and controlled technology, can also be extremely addictive and grotesquely mutate those who become addicted.

But after Silco died, we see her start to change in small ways. She had literally advocated for Jinx being abandoned before, but refused to turn her in in exchange for peace for Zaun. Mirroring not one of Silco's philosophies, but Vander's. She even directly engages a chem baron in combat to save Jinx's life, the girl she could hardly stand. And when the occupation begins and the undercity has no one to turn to, she tries to bring them together as best as she can.

Simply put, Sevika is a side character. We just don't have the content on her to go as deep as say, Vi or Jinx. But she is one of the last remaining threads in the sisters lives that can be traced back to before they lost everything. I freely and completely admit that is speculation, but I feel that she truly came to regret what she had done. Because for her to sit on the council of Piltover, to take the chance at making things better through peace, and diplomacy, is not what she learned from Silco, but Vander. And I have to think that giving peace a chance, was her way of honoring the leader she wished she had never turned her back on.