#burning buildings

[rising-defiance-au]

RISING DEFIANCE ┋ VOL 1 ┋ PAGE 32

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[strawberry-rose80]

[poligraf]

« Saint Genevieve » by Nicholas Roerich

[saunters-vaguely-downwards]

Scum Villain AU:

Wu Yanzi decides not to go to the Conference with Shen Qingqiu the year that Yue Qingyuan would participate. So, Shen Qingqiu does not see Yue Qingyuan and doesn't not kill Wu Yanzi to save him. Instead, he stays under his "tutelage" for a lot longer. Until he finally snaps...

Shen Qingqiu always had a penchant for fire. There was a reason he burned the Qiu household and watched the flames burn higher. What better way to say a final goodbye to his "teacher" but the same way he bid farewell to his "family".

(I don't know guys, the image of Shen Qingqiu watching Wu Yanzi burn is living rent free in my brain right now.)

[darlingsunflower]

-✯-

[yuutaguro]

[papamin au 🐅] please clap for nanamis talented son 👏

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[teethburied]

Matthew McConaughey on Rust in 'Making True Detective'

[ofdreamsanddoodles]

actually, it would be really funny if gerry shows up in a statement in tmagp considering the arg confirms that he & sam were in the same unethical magnus experiment. like he just just up in the middle of a talker & goes "gerard keay??? the gerard keay from traumatic childhood??? my fucking trauma buddy gerry???"

[evilhorse]

Hurry! We must burn more buildings!!

[localechoes]

and before she died, she remembered who she was

[bigassmoonchild]

Lost

Pairing: Logan Howlett x Reader

Word Count: 1.4k

Summary: It's not the first time you've plummeted into another timeline. It is the first time in years that you've met a Deadpool still doing the anti-hero (vigilante?) thing. And unfortunately for you, you're stuck with him.

Content Tags: DEADPOOL AND WOLVERINE SPOILERS! I'm being so serious, this entire series is going to be stock-full of spoilers for that movie. Some mentions of blood, lots of cursing (as expected). No use of Y/N

A/N: I promise I'm working on stuff, work just has had me super busy the last few weeks (months if I'm being more honest) and school is coming up soon for me :(. Anyways. I wanna lick Logans abs. This is hopefully gonna be a slow burn ;)

(p.s. lmk if you wanna be added to a tag list in the future)

(p.p.s. this is mostly story building with a tad bit of plot)

(p.p.p.s. i'm trying to write in a less past tense style, forgive if that changes throughout the story, im so fuckin delirious)

It’s jarring. Every single time it happens is so jarring. It’s almost like getting whiplashed with how hard you are pulled backwards and then your stomach drops; it feels as though you’re falling. The same sensation you get right before you fall asleep, like your body can’t tell if you’re still alive.  

You’ve never been thrown so forcefully out of it. Usually you land, stumbling on your feet. This time, though, you’re thrown onto your back. Your skull cracks against the pavement underneath you and it feels like all the air has been forced out of your body.  

“Fuuuuck,” it feels pushed out of your body, your chest heaving in short gasps. Rolling onto your side, all you can see in front of you is the street. Whatever Earth you’ve landed on, it doesn’t seem like it’s good.  

There’s blood splattered everywhere, cars and buses are on their sides or flipped over. Glass is scattered on the streets. Maybe you just arrived right after the battle of New York, maybe this world has been abandoned.  

You struggle to your feet, stumbling and catching yourself before standing fully upright. You can feel the warmth of some blood on your back before the skin reconnects, leaving behind the burn of cement rash.  

Behind you, there’s panting. It’s heavy and sounds almost wet. Turning, you look at two men who were behind you. 

“Oh, you’ve got to be fucking kidding me,”  

... 

You tried walking away. Removing yourself from the situation like the adult you were, but no. It wasn’t working. You never got more than a few feet away from the two before being teleported back within their range.  

The two men, Deadpool and the poor Wolverine stuck with him, just watched for some time. Deadpool was oddly quiet through most of it, although you can almost hear the monologue in his thoughts, his head following as you walked in different directions before snapping to where you appeared. Dogpool, the ugly thing, sat in the arms of its alternate person just panting heavily. It never stopped panting.  

You huff angrily, throwing your back against the wall right next to Wade. Crossing your arms, you look down at Mary Puppins sitting in his arms. She went cross eyed while looking up at you, staring blankly at the wall next to you and yourself.  

“Who shit in your biscuit this morning?” Wade asks you, head tilting slightly. You have to brace yourself and breathe deeply to make sure you don’t roll your eyes. You never realized how thankful you were that your home Earths Deadpool ended up in the void before you even knew what abilities you had.  

Glancing down at him with just your eyes, you find that he still hasn’t looked away. “Whoever the hell sent me here, that’s who,” you respond. There’s pain in your voice, you can hear up, but also the utter annoyance that most Deadpool's just bring. “Didn’t know the Wolverine on this world was still alive,” you nod your head towards Logan like you’re gesturing to him.  

It’s quiet. You’ve somehow silenced Wade Wilson, the merc with a mouth. You watch his chest expand in a deep inhale and it caves back in as he exhales deeply.  

“He isn’t,” and your brows furrow. Other than the TVA, you don’t know any other casual dimension jumper. Even they were a stretch, you know, they didn’t deserve to be able to do that.  Somehow, they were able to master it. You think he can see the confusion on your face as your eyes flit back and forth between them. Logan’s still eating whatever it is he had in his hand. “The TVA,” he takes a breath, and you have to interrupt. 

“Why did they bring him here?” You shake your head, brows furrowing further.  

Wade shifts his head side to side. “They didn’t bring him here, sunshine,” his voice perks up. “I did,” and he has the widest smile on his face that doesn’t quite reach his eyes.  

“I don’t,” you pause and rub your face, looking down at the ground. “I don’t even wanna know why or how,”  

“’Cause I'm Marvel Jesus,” is his quick quip back. He stands suddenly, his back popping and cracking as he stretches himself. “Alrighty, Peanut, let’s get going home,” he says to Logan (maybe it was to Mary Puppins, you’ve got no idea), and there’s a little pep in his step. “C’mon puppy!” Wade calls and you get yanked again and appear just a few feet ahead of him.  

With a roll of his eyes, Logan stands and tosses his food off to the side. “I’m going to go figure things out on my own,” he says. Turning away, you watch as Logan walks off from the two of you and you hope to whatever being is out there that you get pulled along with him, but he isn’t able to make it more than a few steps before Wade starts talking again. 

“Oh no you don’t! I’ve waited far too long for this meetup!” Wade calls out, and you see Logan stop in his tracks. His shoulders slump, almost like he’s struggling with a decision he’s about to make. “Blind Al isn’t all she’s cocained up to be, we need a third in our little house of horrors,” he snickers a little. 

You’re really hoping it doesn’t last forever, but when you finally make the trek to Wades apartment that feeling almost vanishes (almost). It’s homey, although the apartment itself is small and cramped with two people already there. You’ve met a few Als before, but only a small number of them weren’t blind. 

It was only in passing though. You could recognize that woman anywhere. Her eyes were always a striking feature, and the few who weren’t blind always carried this sort of knowledge within them as they followed you when you walked by them.  

This Al seemed sweet, although listening to Wade tell you about her was a little odd. You couldn’t fully tell if he was joking about her being able to see cocaine, but there’s been worse you’ve interacted with.  

Speaking of worse, Logan would not let you out of his sight at all thus far. You could feel his eyes boring down on your back the entire walk to the apartment, and even when you got inside and completely ignored everything Wade was saying (a lot of it was just telling you and Logan about the apartment and what to not touch, oddly enough) he would not let you leave his sight.  

Even just checking out what type of T.V this world had to offer left you with his stare. You begin to browse their small selection of DVD’s when you finally speak up. 

“Might wanna take a picture,” it was quiet, but you knew he could hear you. “It’ll last you longer,” but there was no response. Usually, it was the Bucky Barnes of the Earth that had the staring problem, it had never been the Wolverines.  

They always made their problems with you obvious. They’d never pulled this type of behavior, and it was strange. For the first time in years, you had someone act strange and you couldn’t figure out how to go about confronting it.  

“Who’re you?” Logan finally spoke up, quieting Wade in the middle of his rant.  

You swallow thickly. “I’m not the person you think I am,” and you cringe internally. It always sounded dumb when you said it, but you never knew what else to say. Who knows if there’s another you in this world, or maybe even Logans. “Whoever I am, or was, to you? That’s not who I am,” but you’d never met another one of you.  

There’s the thud of glass on wood, it's thick and there’s no way that it isn’t a beer bottle.  “I’ve never met you in my life. Have you?” Assuming he was talking to Wade, you turn as best as you can while still crouched in front of the TV to look at him.  

He’s shrugging, opening his mouth for a response before Logan beats him to it. “What the hell is it that you can do, anyways? Are you a mutant? Or just another fucked up creation by a government?” You bark a laugh.  

“I’m just one of God’s fucked up mistakes, that’s what,” and you look down with a sigh, shaking your head. “I really don’t know. My world didn’t have mutants, not like others do. It was always some botched work done by doctors in basements,” Wade looks appalled.  

His eyes find some spot on the wall, and he smiles at it. “It’s like looking into a mirror. Although a lot less ballsackey and not as interesting,” you have to shake your head.  

Logan clears his throat. “What do you mean, your world didn’t have mutants,” you smile at him.  

“My timeline doesn’t exist anymore,”  

[pendarling]

What Ruins Romance Between Characters

Also keep in mind I’m not a professional writer. This is just a list of things I think absolutely destroys chemistry

Lack of Communication & Proximity: It should be a no-brainer that the two characters in love would also want to be together as much as possible. However, for some authors, what they don't do is just that. Automatically, these characters become more like strangers than people that are dating/married/pining for each other. If you want to build romance start with them actually talking and putting them in situations that demand them to work as partners.

No Show of Physical or Verbal Affection: Another no-brainer. How're you going to want your reader to love them if they don't show it? Even enemies-to-lovers will always figure out a way to make a scene more tense and filled with desire as long as your characters are giving us hints that they want something more than just what they currently are.

One-Sided Pining: Do not have one character doing all the romantic gestures! Readers will think the receiver of the affection is undeserving of their partner. I can assure you, nobody wants to see only one person doing all the heavy-lifting in the relationship. It's boring, sad, and will likely make readers want that character to leave the relationship asap.

Wildly Different Perspectives/Nothing in Common: You're bound for writing a breakup if this is the situation of your characters throughout the entirety of the story. Unless they slowly come to understand one another and meet in the middle, this romance will fail.

Arguing More Than Loving: If your characters are constantly arguing with no intentions to stop it, they are no longer compatible for each other. You are writing a toxic couple that hate one another and forcing them together is unlikely to make the average reader want to continue any further. I've seen some writers do an excellent job of a couple arguing but always trying to be better for their significant other. If you want them to argue solely because this is enemies-to-lovers, some time soon they're going to want to stop being an asshole to the person they like.

Better Romance With Other Characters: If Character A is supposed to be with Character B, but Character C is becoming the ideal, then I'm afraid to tell you the romance will not work between A and B. To avoid this, make them communicate less, have less in common, spend less time together and give more attention to Character B. Take away the roles that make Character C more compatible and give it to B. This doesn't mean you should completely change C, it just means you need to do everything you can to put the focus back on B, and if that's too much then consider ending whatever B and A have.

Too Slow/Fast to Fall in Love: Characters that take 20 seasons and 3 movies to confess is insanely slow. We are starving for the romance that was promised in the story, eventually readers will stop reading because that is not being satisfied. Pacing is incredibly important and you need to take into account the behaviours Character A will have with Character B. Also, don't make them instantly fall in love, I feel everyone in the writers and readers community know this very well. That's not how people work, you actually have to try to know each other first.

Only Together for Sexual Gratification: I don't even have to do a lot of speaking for this. Unless the characters become part of each other's lives outside of the bedroom then the chemistry does not exist.

Lack of Trust/Keeping Secrets: There has to be someone that knows their partner more than anyone else. Keeping secrets will show the readers that Character A does not love their partner enough to trust them with important information. It's fine if they're keeping a few secrets maybe-- major ones-- to protect Character B, but constantly lying and being unwilling to share is the beginning of what we call "falling out of love." Even worse is if Character A went ahead and shared their deepest insecurities with Character C.

Priority is Not The Significant Other/No Sacrifices: All relationships have done something that must be done in order to make the relationship work. If Character A will not give up something that they know upsets their partner/crush then they are not ready to be with someone. In order to love someone you must devote time and have interest in them. If your character chose some external desire over Character B, then this will not work. Their greatest desire should be Character B.

Unrealistic Standards & Expectations: We can't have characters choosing each other for surface-level wants to be satisfied. Readers will end up seeing characters changing their entire personality for their partner and their entire body to fit an image they were not made for. If your readers know Character B very well and it's that Character B would never turn away a friend for example, and suddenly they cut ties with all their friends because Character A doesn't like them, then I'm sorry but this is toxic. You can't change someone's characteristics in the middle of the story to help Character A.

No Conflict: What relationship is truly perfect? There will be arguments and setbacks that need to be explored. This is a fun way at having a deeper level of understanding on why your characters are having a conflict of interest. It's quite stale when everything is happy-go-lucky with no issues, you don't need to make them breakup or anything just a simple disagreement can show a ton for readers on the complexities of Character A and B as people who operate differently together.

Underdeveloped Character with No Goals: Some shows I've watched put time and effort in flushing out one character and completely forget about their life-long partner. Uhm, hello? What's going on?? If you write Character A with their entire lore and family tree or whatnot and then-- oh side note, they also really love Character B-- excuse me, who's Character B? Give us some sign that Character B is capable of thoughts and has dreams of their own. Do not make it revolve around Character A either.

Couple Do Not Interact with Anyone Aside From Each Other/No World Building: Similar to the point above, if these characters only know and see each other, you will lose readers. We are sick and tired of stories where the overarching story has been reduced to two people. If the story is about them, then introduce us to their lives outside of their partner. Can they operate as a functioning creature with thoughts without their partner? Do they have friends and family? Do they go to work and school? Are there fears they have? There's tons of material to choose from, pick anything.

Too Much Interference: Although it's fun to watch two characters do anything to get closer to each other it can become annoying when there's simply way too many characters and situations that separate them. We want all that hard work to be rewarded to Character A when they finally get what they want, Character B. Even a little bit of talking alone, being alone, finally away from the chaotic world is more than enough. Let your characters be alone.

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~~~ MASTERLIST

[tryinginvaintobreathethefire]

going absolutely insane over this

[nordsea-horizons]

i made a massive train station on my island🚂🛤️

[hayaku14]

kuroba 'im traumatized by fire taking my loved ones away im never letting you near one' kaito vs kudou 'i let someone die in a fire and it haunts me to this day i'll never let that happen again' shinichi