#both the mom and daughter

[fake-married-my-dead-fiance]

Divorce him! Do it. Please!

Leaving a young kid home alone that is so dangerous!

Take this one:

[rqg179]

the way brennan lee mulligan plays single mothers needs to be studied because i have been thinking about the delivery of "maybe we could bump up the priority on de-cursing the old ... my only daughter in the world" for 4 days now

[tiredbitchposts]

Ok, but Shen Jiu being Shen Yuan's father is so funny in a very tragic way. Shen Jiu is a ball of traumas and all types of issues and i truly believe there's not a single one that man doesn't have, so, you give him a baby!Shen Yuan, a little ball of life that depends on him for survival, cannot walk away from him and is culturally wired to pretty much love him and if not, to at the least respect him above all else, you cannot tell me that this man would be normal about him. Also, imagine Shen Jiu, who'd be the type of parent to project traumas the way only a mother could, having a child that looks like him but with a "sweeter" personality (which, by the way, is bullshit, they just have never seen that boy rip into a book he disliked but wouldn't stop reading) that has the effect on men Shen Yuan has, he'd lock that boy up in a tower to "cultivate" and consequently create a rumor about the Qing Jing's beauty who was so bewitching their peak lord father locked them in a tower because that's just his luck. Loving Shen Yuan wouldn't fix him, but it'd create a whole new set of issues that'd cancel out the other ones

[elizabethemerald]

Don't Sneak up on People with Swords

@im-totally-not-an-alien-2 made a prompt about Danny sneaking up on Jason Todd and @sky00asara made a comment in the tags about what would happen if Danny did that to Talia. So here is my version of that! Enjoy.

Talia al Ghul watched her beloved from afar. He was out, again patrolling his city for those he considered wrong doers. Her son was by his side. She scowled at how Damian’s fighting style had changed, softened in the company of her beloved. Despite her love for the man under the cowl, he had a tremendous ability to take even the most ruthless of killers and change them to spare the undeserving. He had even tried it with her. 

She was hidden on the roof of an abandoned tower nearby. The tower had succumbed to fire and was now condemned until the city got around to destroying it properly. For now it made the perfect place for her to observe her beloved and her son work undisturbed. 

“Excuse me?” 

Talia whirled, drawing her blade as she spun. Her blade moved fast enough to almost cut the air itself yet the small shape ducked under her stroke and back-pedaled quickly to move out her range. 

“Jeez! Why is everyone in this city so jumpy!” 

The voice more than anything made her realize that the person who had somehow snuck close enough was an actual child. Their black hair and blue eyes made her wonder if this was another of her beloved’s adoptees. Except surely this boy was too young to catch Bruce’s eye? 

“Well maybe you should not sneak up on people?” Talia hissed, her voice soft yet stern. To say nothing of how a child who couldn’t be older than five had snuck up on her at all. 

“Well maybe you shouldn’t brood on the roof of my home!” The child snarked back, just like one of the Bat’s brood would, completely unafraid of the blade still in her hand. Talia raised an eyebrow at him then looked around at the burnt skeleton of the building they were standing on. 

“This building is not fit for human occupation.”

“Neither was the last place I lived.” He said dismissively. “This place hasn’t even killed me yet, so it’s practically a paradise.” 

She was tempted to take the child’s words as sarcasm, yet something in the way he spoke made her think he meant it more truthfully. 

“You’ve died before?” Talia asked. She relaxed her hold on her blade, allowing it to rest at her side. 

“Oh yeah, I die all the time.” He said, then he looked at her curiously tilting his head first one way, then another. “You’ve died too, huh?” 

She nodded, now examining him closely, looking for the signs she would recognize. She could see the hint of a scar on the boy’s palm that might have caused a death. 

“What is it with this town that so many people have died and come back?” The boy asked, apparently rhetorically as he didn’t let her answer. “First the stabby Robin, then the stabby Batgirl, then Batman, and even Red Hood. It’s like everyone I run into is contaminated.” 

Talia’s eyes widened. 

“You can sense those who have utilized the Lazarus Pits?” She would have to inform her father about this child. He could put the entire League of Assassins at risk. The child before her just shrugged. 

“I have no idea what that is. Red Hood mentioned some kind of pit as well, but I’ve never seen anything like that. I just know y’all are contaminated with ectoplasm, though not enough to make a core.” 

“What is this… ectoplasm?” Another name for the Lazarus Waters? Had there perhaps been a Pit outside of League control? In the midwest somewhere based on the boy’s accent. 

“Oh it’s this stuff.” He held his hand out and Talia couldn’t help keep her expression of shock withdrawn despite all her training as his hand filled with the glowing green light of the Pits. He held the Pit Water in his hand then tossed the glowing orb to his other hand in a half juggle as if he weren’t carrying the League's greatest secret and weapon. 

Nevermind telling her father about this child, he could never learn of him. If Ras had the power this child had under his control the world would never survive. There was only one option. She needed to train this child to wield this strength. With the stealth he displayed in sneaking up on her and his power over the Pits themselves he could make an assassin like the world had never seen. He could be the next Head of the Demon under her guidance. She knelt down to the boy’s level, slipping her sword back away as she did so. 

“Tell me, young one. Are you living in this death trap of a building all by yourself?” 

“Yeah, but don’t worry, I’ve got it taken care of. I know I’m little, but that just means people are less likely to notice me. I’m able to steal all the food I need from that big box store down the street.” 

“Oh of that I have no doubt. My name is Talia al Ghul. What’s yours?” 

“Hmm. I’m Danny.” The boy seemed hesitant to trust her, which to be perfectly honest was probably a very smart thing to do, but at least she had a name for this gift of Lazarus. 

“Danny, how would you like to come live with me? You won’t have to steal any more, or worry about food ever again, and I could train you how to fight even better than the Bats.” 

He narrowed his eyes at her, looking her over closely. 

“Would I get a sword?” 

“If a sword is what you want, then once you were trained in its use I would acquire one for you.”

Danny looked like he was about to nod, but then he froze, his head tilting to the side as if he was listening to something. His eyes widened and Talia tensed. 

“Uh-oh. Fruit Loop incoming. I gotta go.” 

Talia half turned as she heard the sound of one of her beloved’s grappling lines catching on the building’s edge. By the time she had turned back to face him, Danny had completely vanished. She hadn’t even heard him leave. She stood and scowled as her beloved landed on the rooftop next to her. 

“Talia.” He grunted at her, glaring all the while. 

“Beloved. Must you ruin every nice thing in my life?” Talia snarled back. The boy, Danny, had the gift of Lazarus at his beck and call and Batman had scared him off. 

Bruce looked momentarily stunned at her fury, but quickly hid it behind his mask. However Talia couldn’t care less about her beloved right now. She just needed to lose him so she could return to find the boy. The boy who would change the world with his power. 

[tittyinfinity]

I just remembered that up until 5th grade, all of the sports teams I was in weren't separated by gender. I played basketball and baseball with boys. And we did just fine.

It wasn't until 6th grade when they segregated it by gender. It didn't make sense to me. I was now in softball instead of baseball, because "softball is for girls" and "baseball is for boys" (which confused me bc my dad was on an adult softball team).

Now, my brother's all-male team didn't win a single game. My all-girls team won every single one.

They presented the boys' team with this HUGE trophy, and if you wanted replicas of it, they were $30 each.

My team was presented with a very small trophy. Extras were $5.

That's when I decided gender-segregated sports were bullshit.

[sincerely-sofie]

After that post about the Lamb’s parents figuring out who she is, I got to thinking about them getting to know Narinder, and Narinder learning about where the Lamb gets her... uniqueness from.

[laurrelise]

beautiful gorgeous stunning women of the umbrella academy save me SAVE ME

[lunarrolls]

listen so closely to me i think liliana temult is a fascinating character and she’s really fun to examine morally but also nothing will ever come fucking close catharsis-wise to watching ashton and orym fucking cross examine her ass in episode 92. the sexiest shit i’ve ever seen “your worst fear is probably my worst fear, and i think we just got a little sample (my worst fear came true because you weren’t fast enough, what will you do when it’s her head on the line?)” and “keep wrestling (you must bear the weight of their deaths on your conscience and know it will never be enough for what you took from me)” like holy SHIT you guys

[al-luviec]

smthn easy for today (sorry)

[biodead-on-the-biobed]

I see people talking about “oh Phillipa and Prudence are racing to produce an heir, and so far Penelope is winning” and “what if Prudence and Phillipa both have daughters and Penelope is the one to have a son” and I raise you:

Penelope has twins.

Because THINK abt it. Bridgerton has messed with birth order/child names before (see Daphne and August) so it’s possible for this case (ie: making Agatha and Thomas twins instead)

But just. Imagine the chaos. Imagine Penelope’s family brushing aside the idea that Pen is even pregnant, or telling her “you’re so sick because you’re having a girl” or some other nonsense. Imagine her sisters still haven’t had their children. Imagine Penelope gives birth and of course half the Bridgertons are there in support and Penelope’s own family arrive late after the birth. And Portia gets told that Yes, you do have a granddaughter.

And a grandson.

And then you cut to Colin and Pen holding their girl and boy respectively (I refuse to believe Agatha wont have Colin wrapped around her little finger within 5 minutes of her being born, and you know sweet boy Thomas has Pens entire heart) and Portia, Prudence, and Phillipa have to come to terms with the fact that not only did Penelope beat them in the race to have a child, she had TWO

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[greghatecrimes]

not to be overdramatic but i’m going insane over the framing of this shot. how thirteen is completely shaded by the trees (completely overwhelmed with her grief and and guilt and fear). her posture, how her body is angled away from house and she has her arms over her chest, shoulders slightly curling in— she feels vulnerable and afraid and is trying to protect herself. she looks like she wants to turn and run, yet she’s letting herself linger instead of fully turning away. letting herself stay so she can look specifically to house, who stands tall and straight and strong despite being nearly consumed by the trees’ shadows (his own pain, emotional and physical). house, who picked her up from jail, and who continuously refuses to be pushed away or leave her alone (“shut up, i’m not leaving.”) whose face is the only thing in the frame bathed in sunlight. she’s up looking at him from absolute rock bottom, and she’s facing him instead of running. when she shows him her tears, when she meets his eyes… she’s letting herself open up the tiniest bit. she’s risking emotional safety and comfort to reach out to him… her speck of light among all the shadows.

[chaika-jpeg-shitpost]

Joseph, just like Chika, had someone weak and helpless in his care. However, when the threat of death from starvation drove him into a corner, he refused to abandon the one he promised to protect. Unlike Chika

[baflegacy]

need amanda lehan-canto to personally shoulder my therapy bill for playing dread characters who love/trust/are utterly devoted to their parent so much that it endangers them and/or others

[francy-sketches]

Oh we are reaching warriorcats level of discourse

[princess-ibri]

King Magnifico Backstory Part 3

Part 2

On the Princesses 18th birthday, a strange messenger came to the castle, with a desperate plea.

"Princess Maroula, my mistress, the Keeper of the Wishing Stars, who granted both you and your father life, needs your aid. There is a quest that only one such as you can fulfill. A dangerous quest but a necessary one for the good of all people within this world and the EverRealm. She has done what she can herself, but her gaze is stretched thin by her obligations. We ask that you leave as soon as possible, if you are willing to come and aid us.”

And the princess, always kind of heart, and remembering the conversation in the garden all those years ago was willing

But her father was not.

“How dare your mistress ask this dangerous task of my daughter! She knows the perils that exist in that realm, that befell me. She did nothing to aid me in my troubles, why should she ask to place my daughter in peril now?”

“The Blue Lady is young, in the way of her people, she had only recently taken over this charge when your misfortunes befell you, and she has sorrowed over them ever since. She granted you your daughter in part as penance for that failure. But still she has her duties, and she has foreseen a threat that only as deeply linked to Wishes as Maroula is can combat. Would you see an entire realm suffer for what was done to you?”

Maroula knew the anger born from his past heartache, which her father usually tried to keep under control, beginning to rise, and tried to sooth him

“Father, I am willing to go. You and Mother have taught me well in both the use of magic and the need to be generous in helping others. Please, let me go and help the Lady. How can I call myself a princess of Rosas and not do so?”

“No Maroula!” The King cried, his fear for his daughter and anger getting the best of him. “I won’t allow it! What right has this fairy to grant my greatest wish, give our happiness tangibility and then take it away!”

“She’s not taking me away Father, she’s only asking that I—“

“Enough!”

The king turned and dismissed the messenger coldly from his sight, demanding that it never return, for his daughter would not be going to the other realm, now or ever.

“That choice is the Princess Maroula’s.” The messenger said as it left, unfazed by the king’s anger. “She is a woman grown now, able to make her own choices, even if they are not what you would choose for her. If she wishes to go, then she may go”

“Then I shall insure she cannot!”

And with that, the king used his magics to open up a room, deep deep beneath the castle, a room he had discovered upon taking claim of the castle, (a room where he had found a dangerous and deceptive tome of magic). Here he wove about with his spells and enchantments so that he was sure no star’s light could find his daughter.

“I don’t wish to leave you here Maroula, but I must keep you safe, at all costs. Let that other place deal with its own problems. You will stay here until you’ve learned to see sense”

And so the king left his daughter crying in the dark, as his gentle queen cried in the palace above, torn between supporting her husband in keeping their daughter safe from unknown danger, and supporting her daughter’s generous wish to help

What neither realized, is that there was one small opening within the dungeon, a keyhole that the king had failed to account for, a keyhole through which a single thin strain of starlight came through and found the weeping princess. The princess beheld the light, and taking the power within her, she wished upon the star

And the star answered

But what came after for Princess Maroula is a story for another time…

The king and queen sought day and night for their daughter, but even with all his powers, either the power of the Lady of the Wishing Stars was greater, or Maroula was using her own to avoid her father’s search. Even his wishing her back did nothing. And so the king and queen fell into despair, knowing their daughter was lost forever.

Is this the thanks I get for granting everyone else’s wishes all these years? To have my own daughter run from me? I’ve cared for her from the day she was born, given her everything and and she still decides to defy and disrespect me with this rebellion?!”

At last, the king, letting his anger over this perceived betrayal overcome his grief, decided that they could no longer go on as they had, and so he crafted a spell that would enable them to move forward

He asked his wife to give to him her wish for their daughter’s return, gifting it to him to hold onto until it could be granted. And as Amaya gave him her wish, trusting that one day it would come true—the memory of her daughter left her entirely, along with the grief of her loss. Letting her forget without the weight of regret…

From then on, the king utilized this spell whenever it came time to grant his people’s wishes, holding on to them in perpetuity, instead of granting them on sight. Having lost the love of his daughter, he tried to substitute it with the love he felt imbibed in each wish as he guarded them, keeping them safe as he couldn’t protect her. Each person who gave him their wish forgot it, and so Magnifico intended to ensure that not only would no unworthy wish be granted, but no wish would lead to the heartbreak he had suffered

Despite his anger at his daughter, over the years he took many other apprentices, seeking to fill the void she had left, even granting their and their families wishes when he usually would have declined to—but none of them ever filled the place of his beloved Maroula.

And as the years passed, his anger over her loss, the heartbreak of his past, and his frustration over watching everyone’s wishes be granted but his own began to harden the king’s heart, and a darkness grew beneath his pristine exterior, waiting for the day until he felt threatened enough in his power and control to break loose…