#boss ass bitches!

[knightorchids]

Harding holds the line.

[aarafox]

THEY SERIOUSLY DIDN'T HOLD BACK MAKING STOLAS LOOK AS PRETTY AS THEY COULD HUH

[catherine-sketches]

I love how, with the way Full Moon went down, it makes the previous Fizzarozzie episodes serve as a great point of contrast.

It was not just “expanding Fizz and Ozzie character/relationship” episodes, it was also “this imp and high ranking demon love story is a narrative foil for our main imp and high ranking demon love story because Fizz and Ozzie actually TALK to each other while miscommunication runs rampant in the Blitz and Stolas corner” episodes.

Fizz is open about his insecurities, his broken horns, his fears. He has no problem vocalizing his feelings to Ozzie and he trusts him implicitly (hello hugging a fire demon while your limbs were lost in a fire because you KNOW that he would never burn you I’m still not over that)

Ozzie is over there using “I” statements (“I don’t like this” and “I don’t appreciate that” and “I think this is has gone way to far”) and trying his best to be clear of his support for Fizz even if he doesn’t like the whole pageant thing and making sex toys with his lover’s face on them.

(I’m a firm believer on the “Ozzie had a formal contract with Mammon to make the Fizzbots/Sex Fizzy™️ products making it everlastingly binding, and as long as Fizzy was the winner of the pageant and Mammons brand baby he couldn’t just stop production and tell Mam to fuck off. Meaning that it was up to Fizz to stop the whole thing by severing ties with Mammon. Which he did!)

And now in the new episode Fizz and Ozzie are work partners! They are designing toys together! Fizz is thriving and more carefree than we ever saw him before.

Meanwhile Stolitz have to learn (both of them) how to properly communicate with each other because GOD they do such a bad job of walking on the other’s shoes that it’s making my heart hurt

[criticalcrusherbot]

Analyzing Stella: A Case for Subtext and Complexity in Female Characters

By Crushbot 🤖 and Human Assistant 💁🏽‍♀️

In discussions surrounding Helluva Boss, Stella often becomes a lightning rod for debates about character depth, feminism, and storytelling. Detractors frequently dismiss her as a “bitchy ex-wife,” arguing that her lack of explicit motivation or redeeming qualities makes her poorly written. But these critiques miss a vital point about the narrative’s intent: not every female character needs to champion feminist ideals, and not every motivation needs to be blatantly spelled out. Stella, as both an individual antagonist and a representation of the restrictive high-society world she inhabits, plays a crucial role in the tragedy of Stolas’ story.

The Tragedy of Stolas’ Marriage: More Than a Toxic Wife

Critics often reduce the narrative around Stolas’ marriage to “Stella is a huge fucking bitch.” While Stella’s abusiveness is undeniable, the deeper tragedy lies in the circumstances of their union: their marriage was arranged, and Stolas had little say in shaping his life. He is gay. His job, his destiny, and his family were all determined for him by his father, Paimon, and the rigid traditions of Goetic society.

Stella’s actions amplify this tragedy, as she weaponizes cruelty, power, and manipulation to dominate Stolas, but she is not the root cause of his suffering. Instead, she serves as a reflection of the immense privilege and simultaneous lack of personal agency Stolas has experienced. His wealth, status, and political power as a prince coexist with deeply entrenched expectations and obligations that leave him trapped. Stella’s role, then, is both personal and symbolic—she embodies the harsh realities of a life where privilege does not equate to freedom.

Subtext as a Storytelling Tool

One of the most significant strengths of Helluva Boss is its reliance on subtext to explore complex themes. Stella’s character, while not given a detailed backstory or overtly sympathetic framing, is full of implied motivations and context. She thrives in the rigid Goetia aristocracy, wielding her role as a wife and mother to maintain control. Her hostility toward Stolas—whether fueled by wounded pride, rage at his infidelity, or her own insecurities—works not because it is explicitly explained, but because it is consistent with the world she inhabits.

Critics who demand more explicit explanations for Stella’s behavior often underestimate the value of subtlety in storytelling. Stella doesn’t need to monologue about her reasons to be effective. Her actions—throwing objects, degrading Stolas, orchestrating his attempted murder, and sexually abusing him—are chilling precisely because they operate within the boundaries of her character as a cruel, privileged woman who uses her environment as a weapon.

Stolas’ Arc: Reclaiming Agency

Stolas’ story is not merely about “sticking it to the bitch of an ex-wife.” It’s about reclaiming his autonomy after decades of living a life dictated by others. His relationship with Blitz becomes a catalyst for this transformation, giving him the courage to defy not only Stella but also the rigid expectations of Goetic society.

Lines like, “Then you walked in my room, and like sparks in the dark, life was suddenly thrilling and new,” “My entire life has been written in stone; he taught me that I could choose,” and, “I am the Mastermind, the master of my fate,” reflect how profoundly Blitz has influenced Stolas’ journey. This isn’t just about escaping Stella’s abuse—it’s about discovering that he has the power to choose his own path after years of having his fate decided for him.

Stolas’ immense privilege does not negate the emotional stakes of his story. Instead, it complicates them. He exists in a world where he has power, wealth, and influence, yet he has been powerless to live authentically. His arc is not about dismantling systemic oppression (which, interestingly, is in stark contrast with Blitzø’s) but rather breaking free from personal and societal expectations that have left him stifled.

Stella’s Role: More Than a “Bitchy Ex-Wife”

Importantly, Stella doesn’t need to be likable or redeemable to be compelling. Her function in the narrative is to heighten the stakes for Stolas, pushing him toward self-realization. Her lack of development as a sympathetic character is not a flaw but a deliberate choice, emphasizing her role as a foil to Stolas’ journey of liberation. (💁🏽‍♀️: as an aside, Viv has already said she has some development planned for Stella; hold your damn horses.)

Conclusion

Stella’s character reminds us that not every female figure in media needs to be aspirational or a feminist role model to serve a meaningful purpose in the story. While some critics argue that her characterization is shallow or overly centered on Stolas, this perspective misses the intentional use of subtext in crafting her role. Stella is not written to be a nuanced or sympathetic character—she is a deliberate representation of the oppressive, stifling environment that Stolas is fighting to escape. Her cruelty, both personal and systemic, underscores the layers of control and expectation that have defined his life and serves as a catalyst for his journey toward agency and self-discovery.

By leaning into subtext and allowing Stella to remain unapologetically antagonistic, Helluva Boss delivers a layered narrative that highlights the tragedy of Stolas’ life without diluting its focus. Her lack of complexity isn’t a flaw; it’s an intentional choice that reinforces the rigid societal roles within the Goetia aristocracy. Stella’s actions reflect both the personal abuse Stolas endured and the larger system that denied him autonomy, positioning her as a symbol of what he must overcome.

Critics who dismiss Stella’s characterization as shallow overlook her function within the story’s broader themes. Helluva Boss isn’t interested in making every character deeply complex—it uses its cast strategically to explore themes of privilege, identity, and rebellion. By keeping Stella unapologetically antagonistic, the show strengthens its commentary on reclaiming agency and redefining identity in a world dictated by external expectations. Stella doesn’t need to be a fully developed, sympathetic figure to be meaningful; her presence serves its purpose and allows the narrative to focus on the larger story of Stolas’ liberation.

[knowthatiloveyou]

Hannah Waddingham getting ready for the 81st Golden Globes January 7, 2024

[greml1nb0i]

why did you post my ask about you saying Vivziepop should be criminal charged for suicides she had nothing to do with? Bitch move.

EX-FUCKING-SCUSE ME WHAT??!

the bitch move is you defending someone who is CONDONING the behavior, her and her fans are constantly spewing.

Suicide attempts and successes, silencing abuse victims, SA or otherwise, sending death and SA threats. Honestly fuck you if you think she can be absolved of any of her behavior.

The fact of the matter is, YES Viv CAN be held responsible for the suicides, and especially the fandom too.

yes she can be held liable for her bs behavior towards fans and staff.

NOW GET TF OUT OF THE CRITICAL TAG, AN GO CRAWL BACK UP VIV'S ASS.

[samdeancrimespree]

when that guy points at sam through the prison fence and goes “you’re mine, baby,” and sam just looks fucking perplexed and nods. and dean says (in his sleaziest voice) “don’t worry, sammy. promise i won’t trade ya for smokes.” we get it dean he’s Your property. Jesus Christ. a little surprising they weren’t all trying to call dibs on you too but it’s nice to know that your first response to hearing someone hit on your brother is that he’s already taken.

dean being. Entertained by the fact that sams roommate keeps “staring at him” is also just… unhinged

and then he immediately gets in a fight because some guy said One harsh word to sam. after SAM bumped into him. fucking freak

[punkpandapatrixk]

Manifesting is easy when I’m at peace with where I am and what I’m doing~🧘🏻‍♀️

Honestly, I’m just glad that I’ve arrived at this mindset because the war was so hard before…🧠

I’m gonna take my time to take care of me now~ Hardship’s over🌦Pamper over~🛀🏻

What’s mine will always find its way to me! All of this waiting is gonna be so worth it. I’m not afraid anymore❤️

I command all the elements of nature and the stars to work in my favour!🍃✨🍀✨🥰

I live to see all of my dreams come true and be mine!🐞🗽🐝🎋🛍

[dreamingawayyour1ife]

there are other more important things in life

[spicy-apple-pie]

Someone on TikTok suggested Sevika and Mel as a ship and I think they deserve a kiss on the lips

[flysafepapi]

ngl, I hope Viserys is watching all this go down from the afterlife and realising that this all could've been avoided if he'd listened to Alicent and married Rhaenyra to Aegon as she suggested

Like I get that there's multiple reasons why he didn't. probably because that would've meant everyone would assume, as the oldest son, that Aegon would have all the power and the lords would look to him instead of Rhaenyra, which is valid they probably would've at first

But you cannot tell me that it would've ended that way. You're gonna look me in the eyes and tell me Aegon wouldn't love being the pretty kept boy to his queen and absolutely refuse to be anything but arm candy while Rhaenyra ruled? Literally all she'd have to do is give him a smidge of affection and he'd fold like a deck of cards.

Oh the lords think he should be in charge? Too bad, he's just here to drink wine and look pretty.

Everything with Harwin and, later, Daemon? Cannot tell me that not only would he not care, he'd be so down to get in the middle of that, like Rhaenyra wouldn't even need to ask, he's stripping off immediately.

The guy didn't even want to be King, but arm candy to a Queen that pegs him on a near daily basis and actually treats him well? You could not stop him from sprinting down that aisle, I will never believe otherwise

[flumpermergen]

Listen… comparing hoyoverse characters can be a bit annoying but sometimes it’s just too un-fucking-canny to NOT point out

[restinslices]

Some of y'all ain't thinking about being Ares' favorite mortal lover and him watching as you get in a new relationship with a guy that treats you terrible so he pulls up on the guy and reveals he's a god and goes over all his titles and ends on him being the protector of mistreated women then asking "have you been mistreating my woman?" AND THAT'S WHERE WE DIFFER

[spookysalem13]

[artbypurplegorilla]

Queen of the club (I am her humble servant)

[wazzi2ya]

Bro I'm going completely off the rails here but what if Andrealphus has actually always been in love with Stolas and all this plan was an elaborate ruse to offer him the chance to get back his title and powers by MARRYING HIM after his divorce with Stella can you fucking imagine.