#beings with lives similar to your own

[boxedsprouts]

hi!

[starcurtain]

Outing myself as a Genshin rarepair lover just to say that what I love best about Diluven isn't the "boy and his god" dynamic (though that is very good, chef's kiss yes yes)--what I love most is that both Diluc and Venti (literally, in Venti's case) are characters shaped by their grief, characters who have responded to loss in different and yet equally unhealthy ways.

Venti hides his grief behind a light-hearted veneer, using laughter and antics to dissuade people from taking him--and the things he's experienced--too seriously. He asserts a carefree (sometimes careless) exterior while internally hiding away the pain of his personal losses and the immense pressure of being an archon.

Diluc is the complete opposite. By all accounts, he used to be a happy child, but he's allowed his grief to completely reshape his external self, from a boy who smiled all the time to a quiet, brooding young man who feels best fit for the dark of night. Diluc carries his loss and his deep sense of atonement outside himself for everyone who knows his past to see. It's a weight he can't let go of and doesn't even try to hide.

But who better to help you heal than the person who has faced the same kind of suffering and chosen a different path?

Through Venti, Diluc can learn that a legacy of loss does not have to mean sacrificing joy and companionship in the present; that letting yourself freely express happiness here-and-now isn't a betrayal to the memory of those who are gone.

Through Diluc, Venti can learn that there's no shame to showing one's sadness nor selfishness in sorrow; that you aren't ignoring what was gained by mourning what was lost--that no one will begrudge their god for the times he doesn't feel like singing.

Until until, one day:

A Diluc with reasons to smile unreservedly.

A Venti with someone to sit beside his silence.

So yes, it's about a boy and his god. But also: it's about two people who have experienced the same profound grief and who both, in their own ways, are the exact type to soldier on under the burden of their duties to Mondstadt at deep cost to themselves.

It's about healing your mirror in order to heal yourself, and it doesn't get any better than that.

Like goddamn, what a dynamic.

[daily-hanamura]

[rebellum]

I feel like... Perhaps... Arguing that transphobia is defined by murder and that anything other than murder doesn't even matter... May NOT be conducive to fighting for trans rights.

Like... people want the right to exist as they are. They want to have access to hrt and surgeries and prosthetics. People want access to clothes that fit them and reflect how they want to be seen. People want access to medical care (eg. Getting screened and treated for sex-based forms of cancer can be impossible if you have the "wrong" sex listed to receive those tests). People want to be respected and treated well. People want to not be sexually assaulted and beaten and abused. People want to have access to housing and jobs, and the protection to not lose those things for being trans. People want access to shelters for homeless people or survivors of domestic abuse. People want name changes.

Acting like all of those things don't matter because at least they weren't murderered by an individual (and instead die of suicide or state violence, or survive and suffer) isn't okay.

[phoenix-before-the-flame]

I’m watching one piece, and now I’m wondering do you have any hcs on the world building in the fairy tail universe ? Do you think theirs some crazy kingdom’s , advanced technology in some lands ? Love to hear your thoughts 💗

hmmmmmmmmmmm kinda a bit of a deep question tbh.

Structurally FT has good bones for its world. And that's kinda it lol

There's a fleshed out map of all the countries within the continent that fiore is found on (Ishgar, which has 16 named countries apart from fiore itself) and expanding wider than that we know that there are about 3 named continents (Ishgar to the east being a peninsula connected to the mainland that we know nothing of, Alakitasia to the west where Alavarez is and Guiltina to the north) and a fourth unnamed continent further east that exists within earthland.

But while we have all this info, nothing in particular comes into play as the series had progressed, the majority of the series' arcs all more or less take place within the same country, which for a series that has it's characters constantly travelling for missions looks particularly bad, especially when even the known locations all visually seem indistinct from each other in terms of stuff like architecture. It's a reason why I appreciate edolas in particular because it at least offered something that visually stood out and an insight into how that culture functioned. (and in Phoenix Priestess for the small montage the squad in the city of Rose Garden and showing a bit of the country Veronica)

Like it is frustrating to me whenever I think on it because the solution would be just to change the locations of where they travel to just to expand the background of the places travelled, wouldn't even have to change arc structures or anything to give some life to the named countries like:

Joya despite its small size as a country is the main manufacturers of trains and exports the majority of the transportation other countries use as well as weapons. Wizards are less found here, with treasure hunting being a more popular job choice.

Sin, despite the ironic name, is a deeply religious and faith driven country. Magics that have connection to nature and celestial bodies are particularly revered here.

Desierto mostly deals with trade, having constantly active shipping ports. Enchanted items such as brooms and carpets are popular and easy transport choices within cities and are more widely used than vehicles.

Iceberg's largely uninhabited due to the weather with most of the population sticking closer to the country's borders.

Like this is all just purely flavour text examples to just try and bring some life to these otherwise lifeless locations but you get the general gist of it.

There was clearly this effort to establish these locations by giving then names (and drawing a full on map) so it always boggled me that they were never properly used as a backdrop for the arcs within the story. (Tower of Heaven? Move that arc to Sin, Lucy's arc with Loke? Takes place in Stella, That arc with the giant village? Put it in Minstrel).

Like shifting around major arc locations would easily open up avenues to naturally expand the world as the story moves. And not even just big arcs, but smaller less grand filler arcs (which jesus christ did ft rlly need because it defs need breathing room between all the big events. It's why the story moves at such a breakneck speed without things really feeling as though they've changed in any meaningful ways) would do wonders to make earthland feel like a genuine lived in world (like how it is within the world of one piece that you cited as an inspo for this ask.)

[dullahanblorboposting]

Hmmm I do enjoy the large amounts of feral toxic and obsessive violence flavors of durgetash around but its not my preference, like. I crave the 'horrible awful worst people youve ever met are soft for (ONLY) eachother' dynamic. What if, given the opportunity, they really WOULD rule together side by side, and they really do secretly and shamefully yearn for that comfort together. What if they almost indulge in it sometimes. AAAAAAAAAA

I really love the star-crossed lovers, forbidden romance, mutual yearning, tragedy of the only person to ever know you, and even openly like you being a temporary co-conspirator but ultimately your sworn enemy you you know you must kill.

Maybe it's just circumstantial. Maybe in another life you really would have hated him, or worse, had no feeling towards him either way at all, but that's not your reality. Your reality is that he's the ONLY ONE that offers you a painful glimpse of normalcy. Or as close to normal as someone like YOU could get. And it's so tempting (comforting even? Is that comfort?) That you can't ignore it. No matter how much guilt and shame it brings, no matter how much fear you hold towards your Father. You can control your urges, but not this? This feeling, this longing is stronger than even your deepest nature as child of Bhaal, so much so that you can't control it. So you ask for forgiveness instead. With promises that in the end, the result will be the same. You will kill him all the same. He will die at your hand, before only you, yourself.

You justify it this way. To the temple. To Father. To yourself.

Death is the only way this could end anyway. Because could you really go on living the way it was before? Before being known, accepted, liked as you were?

[worstloki]

not a fan of people saying Odin and Loki are similar in a moral or decisive sense, particularly when it comes to Thor. that makes it sound like Loki doesn't know Thor or care about him beyond what he symbolises (regarding Asgard/the throne/family/worthiness), when that's a defining part of their relationship

[a-s-levynn]

"Even if the sky cracks in mourning / And the heavens just won't open up for me" A Series of Small Offerings - II/12 - day20

[bibuckleykinard]

how many times do we need to learn as people that irony and hyperbole can be harmful because 'jokes' aren't easily distinguished from genuine thoughts and feelings until we stop rewarding people for speaking or posting about violence

like even if you're joking/don't actually believe that/think whoever you are insulting is bad/immoral/fictional therefore deserves it - ad hominem attacks always do more harm to the people who share those characteristic then the individual you intend to cause harm to or discredit

[wasabi-gumdrop]

the elden ring dlc story trailer just dropped so just letting you guys know that i’m gonna find a way to integrate elden ring lore into dunmeshi somehow because i need both stories like i need air to breathe

[steakout-05]

headcanons about peter simpkins, professor brains, barry steakfries and how they all tie together (this is starting to become less headcanons and more just rewriting my own canon at this point lmaoooo)

Peter Simpkins and Professor Brains were university friends who had both moved to Australia for its promising technological and scientific fields of study. Simpkins was very extroverted and chatty, while Brains was more introverted and reserved, but they both shared an immense interest and joy for robotics and biological sciences. Simpkins was much more creative than Brains was, but Brains was able to take those ideas and apply them in a more realistic logical point of view. the potential of their genius and ideas were always fully realised when they were a team, so they founded their own robotics and technology company using the funding from their university.

Legitimate Research had actually first started out as a force for good, although the ways they orchestrated it were a little bit odd and unconventional. they wanted to develop the world of robotics with creative and useful machinery that would stand alongside humans, and to do this, they designed a lot of their technology after animals. the Profit Bird was meant for carrying medical supplies and had more of a messenger pigeon design. Mr. Cuddles was meant to assist aircrafts as a sort of flying signal device, like a big flying lighthouse. Flash was originally conceptualised as a support dog for aging people who could also complete many human tasks that his owner wouldn't be able to. his initial design was based off a Great Dane dog, although many smaller designs were also conceived as ideas for the robotic dog.

a couple years after Brains and Simpkins founded Legitimate Research and were ready to start prototyping their ideas, Simpkins fell in love with a woman he met in the city named Mareth, or Mary for short. Mareth was a nurse who had a big heart and always had a funny story to tell. she and Simpkins got along incredibly well, exchanging each other's numbers that very same day. eventually, around a year later of becoming closer and closer friends, to partners and then lovers, the two got married. Brains had also been a close friend of Mareth during this time and would discuss a lot of his plans for his company with her, as the medical industry was one of Legitimate Research's biggest points of focus at the time. the week before they got married, Simpkins offered Brains to be his best man and stand alongside him and his newly wedded wife at the ceremony, to which he gladly accepted, feeling honoured that he had been accepted into Peter's new family.

Barry Steakfries was born shortly before the passing of Peter Simpkins. he was only a few weeks old when he died, and thus Barry only has one extremely blurry memory (which he wrote off as just being a dream) and little hints to go off of as to who his birth father was. Mareth never told Barry about Simpkins when she remarried with Lareth, for she was worried the grief would get in the way of his development as a person. she wanted a child who would be strong enough - stronger than her - to overcome anything that came his way. she thought just letting Barry live a normal life would be better for him.

Professor Brains was actually supposed to be Barry's uncle when he was born. being such a close friend of Simpkins and his wife Mareth, Simpkins entrusted Brains with the honour and responsibility of being a sort of uncle figure to baby Barry. Brains was unsure about it at first, as he had concerns that expanding his family like this might interfere with their work at the laboratory and he was experienced with children, but after some reassurance from Simpkins, Brains took the responsibility and agreed to come visit Mareth and baby Barry the next week when Mareth got out of the hospital.

this would never happen.

Simpkins had passed away during a catastrophic accident that occurred during a flight test with an early Mr. Cuddles prototype. the mechanical dragon's controls had malfunctioned and became stuck in one direction, and Simpkins was unable to stop it before it crashed headfirst into a nearby aircraft, killing the young scientist instantly. Brains witnessed the entire event, feeling his heart drop and his body freeze up as he watched the burning mass of metal plummet to the ground. as soon as he managed to land his own dragon and make his way to the wreckage he was immediately overcome with devastation and guilt, believing he was the sole reason for Simpkins' demise, as he was the one who organised the flight test, and retreated back to his laboratory in tears.

ever since that day, Brains never truly got over his guilt. he's been permanently stuck in the anger stage for god knows how long and felt himself getting more and more spiteful every day that passed. from that day on, Brains yearned for complete control over every situation he could gain control over so that nothing like this could ever happen again. he became desperate, digging up those old cloning machine prototypes he and Simpkins had attempted to develop all those years ago, trying his absolute hardest to try to reincarnate the man he felt responsible for losing until he just couldn't anymore. he just kept spiralling more and more in his own grief until he was nearly unrecognisable from the person he was before. ditching all his original values, all the initial plans he had at using technology to make the world a better place, he had become the very villains that he and Simpkins once dreamed of overcoming.

Mareth, who was just as devastated and confused, had no idea what to do after the sudden death of her husband. she had just given birth to a new baby boy and was still recovering from the stress it put on her, and she just lost the closest person she had in her life. she was in a very desperate spot. she was on maternity leave, she had just gotten out of the hospital and there was nobody else around who could help take care of her and her child; they were all too busy with their own lives to make time for hers, and Professor Brains had mysteriously gone completely silent since the incident. not wanting to give up the new family she wanted so badly to create for herself, she made the hard decision to remarry with another man and try to give Barry the best life she possibly could while trying to grapple with the intense grief she felt.

despite Mareth's best efforts, Barry never really had a good relationship with his stepdad (despite the word stepdad, Lareth was, in fact, not the dad who stepped up). there was always this distance between the two, as if there were an invisible brick wall separating them from really becoming close with each other. Lareth always seemed cold towards Barry, never really liking to talk to him and just giving one word answers whenever Barry spoke with his dad. not to mention, Lareth was already an older man when Barry was a kid, and by the time he reached his early adult years, Lareth had begun to show signs of dementia, and would become quite angry and aggressive towards the people around him who he started to recognise less and less each day. he'd often pressure Barry to continue his family tradition of gramophone selling, despite the fact that it would have clearly gotten Barry nowhere in life. Barry never really felt like he could be himself or address his needs to his stepdad when he was a kid, so he ended up growing much closer with his mum.

bonus stuff:

Toni is one of the first successful clones to have been created after Simpkins' death. he retained all the knowledge and knowhow of the late scientist, but none of what made the original man himself. he was simultaneously his own person and forever bound to the identity of someone else who had been gone long ago. he was fired by Legitimate Research after he had stolen and bastardised the original blueprints for the Profit Bird and Mr. Cuddles vehicles, as well as prototype blueprints for Flash, an idea Brains and Simpkins had conceptualised but never completed.

this also means 'Robot Bird' doesn't depict Simpkins' death, but it is pretty damn reminiscent of how it happened

Professor Brains, in canon appearances, has shown occasional fondness towards the main trio of Barry counterparts. there was that scene Brains and Barry had in the original PSP version of AOZ where they had a little heart-to-heart upon learning they share a first name (that was, until Barry turned around and called him a little bitch), and that little bit we get with Betty in the Pixel invasion event from Jetpack Joyride 2 (specifically: Brains: "So it is! Well, Betty, I must say, it's been a blast working with you." Betty: "Aww! It has!" Brains: "But like all one-dimensional supervillains, I shun all meaningful interpersonal connections. NOW GET OUT OF MY SPACESHIP!"). my headcanon is that deep down, Brains doesn't really hate Barry or his counterparts, and he even kind of likes spending time with them and is a little hurt when they treat him like the villain he is. he won't admit it to himself, but a small part of him pursues Barry out of a desire to see how his little nephew's been doing. it's a subconscious thing that he either refuses to acknowledge and work through or doesn't even realise is there.

[crandberrysaucewithpulp]

we should all be done with trying to smear our distinctive qualities into the dent of societal normalcy. i am going to seek every weirdo freak and nerd and assemble them into a union to rival insecure conformists, and then convert them into their own authenticity

[fellhellion]

I have a rich inner world abt both iterations of Miguel and the relationship to fatherhood <- literally just hc

[rivilu]

Everyone's on about Miguel beefing with a 15 yo, which sure it's funny, but y'all are letting the Spot, "I now declare this child that MY INVENTION inflicted this anomalous occurrence on, my lifelong nemesis", the ULTIMATE beef haver, to go unchecked.

[corpus-incorporated]

I think that a lot of people get into this problem where, with the aim to help and compassionate desires, they make the mistake of assuming that the answer to their problems will be an answer to everyone else's, and that people must be pushed, even against their consent, to agree with their course of action as the only way out of misery.

[toytulini]

thinking about my oc Bytte. and. her gender is Aro. her Aromanticism is inextricable from her gender experience.