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"Came back wrong" trope but actually the character came back right. A character who, when they were living, hid and changed so many parts of themself around others to appease them and, when they died and came back, they stopped doing so and started living as who they always have been. But everyone thinks they came back wrong because of how different they are
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is he acting out of character or did you get too attached to a headcanon
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something something Mark S shredding Petey's map and Mark Scout tearing up his wife's photo. something something you still carry the pain with you. same man. same fucked up little man
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ummmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmmm.
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Severance 1.02. Half Loop | 2.03. Who is Alive?
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SEVERANCE | 2.3, "WHO IS ALIVE?"
‘O gods of this world, placed below the earth, to which, all, who are created mortal, descend; if you allow me, and it is lawful, to set aside the fictions of idle tongues, and speak the truth, I have not come here to see dark Tartarus, nor to bind Cerberus, Medusa’s child, with his three necks, and snaky hair. My wife is the cause of my journey. A viper, she trod on, diffused its venom into her body, and robbed her of her best years. I longed to be able to accept it, and I do not say I have not tried: Love won. — Ovid, Metamorphoses ( BOOK X ).
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this made me cry so now i need everyone to see it
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"if women are oppressed, then why Simon" is about where this site's average attitude towards misogyny lies
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for you and your warped reflection
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when i remember that no amount of waiting will make me brave and no amount of fear will keep me safe
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oh wait nobody is talking abt natalie discussing turning rickens book into an 'official innie version'... capitalism subsumes all critiquies of it into itself etcetc...
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it's so fucked actually that lumon repurposed the security room into the family visitation center. not just because it supports the illusion that lumon isn't watching as closely, or because the innies now have no clue where and how to reactive the overtime contingency if they ever needed to,
but because it's overwriting the room where dylan performed his (physically demanding!) act of rebellion, a sacrifice he agreed to out of deep (platonic) love for his friends, with a room where he's rewarded for being a Good (Obedient) Worker with getting to know his outie's family. with each visit he'll make, burying in his mind the place that represents the connections of solidarity he found down here as an innie underneath reminders of the connections that "actually" matter, the reasons he's here in the first place — the connections his outie has. the people (including three kids!) who directly rely on him keeping this job.
lumon isn't just separating dylan from the rest of the team by giving him a perk that the others can't have (because they don't have a family, huh. looks at devon) and encouraging him to keep it secret "for his own sake". they're trying to drill into him that his loyalty has been misplaced. that he's been selfish. that he has to choose one group of people or the other; choose which version of himself gets to be loved.
and innies aren't made to be loved.
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maybe love transcends severance
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TWIN PEAKS dir. David Lynch
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Severance, S02E03 - Who is Alive?
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thank you for all the lovely reactions to my last fish post :‘)
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first mammoth to get hit with a spear mustve been like actually fuck you for real
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