#being ace is so hard.

[thegirlinthecher]

to me, being ace is like. 'wow that is person is so aesthetically attractive but everyone seems to call that hot so I guess I will too.' 'omg I have no idea what the fuss about this dancer is but the steps look really cool.' 'oh no, I really like hanging out with this person - is this platonic or should I re-evaluate my romantic orientation.' and 'does everyone actually feel like that and am I just an impostor taking up space in such a beautiful community?' all at once.

[im-still-watching-anime]

apollo’s confidence in court: oh my god i’m the worst lawyer ever my client is going to go to JAIL because i can’t even do my JOB

apollo’s confidence outside of court: i’m the only smart one here, i’m the most normal guy in the world and NO ONE is doing it like i am, investigations are EASY, klavier gavin wants me carnally

[laurellala-comics]

Examples below:

[rendevok]

Act II ~ The Challenge

A tapestry for chapter 2 of Let No One Sleep by @azalawa-scroggs on ao3

[lazylittledragon]

ok i swear i'm not going to talk about my breakup forever but the thing that just keeps bothering me:

i know that not getting what you need in a relationship is a COMPLETELY valid reason to end it but also. i feel like having a very vulnerable moment where i opened up about my struggles with intimacy and being relieved that i didn't have to keep doing things i wasn't comfortable with, then being dumped a YEAR later because of my lack of intimacy. is something i should be allowed to be very hurt by???

[psqqa]

yes, yes i know edgeworth’s big wet eyes and loser boy personality have captivated us all, but listen. listen.

phoenix wright

phoenix “genuinely unable to reconcile the girl on the stand with the girl he dated for eight months, a cognitive dissonance so profound it’s ultimately explained by them being literally two different people, but which he first sits with for five years and does not talk about at any point to anyone” wright

phoenix “don’t mention that name to me. i don’t want to talk about it. i don’t want to think about it. i am just going to keep myself in this state of perpetual crisis mode focus on other people’s problems until eventually i die and get to hang out with mia on the astral plane and never have to deal with any of these emotions ever again” wright

phoenix “overnight loses his career and reputation and sense of identity while gaining an adopted, probably pretty traumatized eight-year-old daughter, and rather than leaning on his friends for help, or getting therapy, or taking any time to process any of this, he *checks notes* spends seven years dedicating all his free time and energy to investigating the weird fucking circumstances around it and maintains a friendship with the guy he suspects was behind it all” wright

phoenix "runs across a burning bridge and falls through it, half a day after the game establishes that he is terrified of heights, because his friend is on the other side of that bridge" wright

phoenix “i sure felt surprised. maybe i had my poker face on” wright

phoenix “looking back on it that was actually a pretty dark period in my life” wright

phoenix “don’t ask me how i got started. i don’t remember” wright

phoenix “only you stood still, your eyes calmly watching” wright

phoenix “sometimes, life just sucks” wright

just

phoenix wright

crunchiest man in the world

and all i wanna do is chew and chew and chew on him

[a-stars-art-blog]

Happy Holidays to me I made a comic of these two.

Rest of the comic down below. It’s not explicitly NSFW. They’re just making out and REALLY feeling it. Pants stay on tho 👌

[egophiliac]

I love your take on Crowley!

I know that the early, non-Diasomnia stories aren't really your thing, but are you reading the novels at all?

I have been following some of the fan translations and the second book seems intense! Would love to hear what you think about them.

thank you! 💚💚💚 I'm not really sure why you think I don't like the earlier arcs though, I love pretty much all the characters and their storis! (I think 5 and 1 are my favorite of the past episodes, though 6 infected me with the Shroud brainrot something fierce.) I just...ESPECIALLY love diasomnia. :') but there is room in my heart for all of these dweebs! like, who among us is not just as ride-or-die for Adeuce as they are for us.

that said, I don't really follow the other adaptations like the manga (aside from a dip-in just to see the new Yuus) or the novels, though I keep meaning to check them out! I do like seeing the differences between the different forms of media, and how certain things get adapted one way or another! but alas, time/a lack of accessibility stands in our way more often than not. :( someday...someday I will have time to consume all of the media...

[anbaisai]

Ace Trappola x Heat Abnormal (熱異常)-iyowa

[joshuamj]

In Stars And Time? More like In Ace And Gender

+ some alts

[thefandomcassandra]

Come closer, I am a normal lawyer game [series].

[cosmicredcadet]

Some of you will see a character that is actively repulsed by romance/sex and heavily non-partner coded (sometimes they even actively just say that they do not want a relationship!) and y'all will still respond with "But aros/aces can still date and have sex!!" like okay bud it'd be so much easier for you to say you don't respect repulsed and non-partnering aros and aces. stop beating around the bush trying to pretend to be oh so supportive when you obviously feel uncomfortable about our existence even in fiction.

[avnasace]

no but the way viserys continues to haunt the story through rhaenyra and alicents conflict, which gets passed down to both of their children, is crazy good content.

the irony in that viserys the peaceful was the one who started this war, and the downfall of the dragons/his family in the first place.

viserys and daemon had their own conflict, but when viserys alienated rhaenyra initially by marrying her best friend, he then ignored his and alicents children, eventually later his actions leading to rhaenyra marrying his brother (who he'd also taken for granted and ignored).

he then kept doting on rhaenyra up until the moment he died, further seperating himself from his own children by alicent.

alicent knows of rhaenyras affairs, grows hateful and takes that resentment out on her own children instead, while her father otto is further poisoning her and them for his own ends to scheme for the throne.

so then alicents children learnt to grow up disliking rhaenyra's. the only time you see them even remotely amicable is when theyre bullying aemond, another bond made through cruelty instead of kindness. this is ironic considering at laenas funeral you can see that aemond actually thinks about trying to offer comfort to i think baela and rhaena (if i remember correctly?)

aegon and helaena couldnt care less, which to me makes it even more sad. if aemond had, he might not have then been so quick to rub his claiming of vhagar in their faces, and he might not have lost an eye.

the taking of the eye plus viserys' incompetence reignites and cements alicents hatred for rhaenyra even more. viserys takes rhaenyras side, not defending his hurt child at all, even going as far as to shout at aegon for even the mention that he might have said something against rhaenyra. this causes alicent to attack her, and later making her then double down on her efforts to pressure aegon into hating rhaenyra, further distancing him from her.

later we see with aegon that his mothers pressure leads him to find affection in other very unhealthy and harmful ways, assaulting his maids, excessive drinking, brothel going, and assumably fathering many bastards, leading him tho the child fighting rings as well. aemond too starts going to the brothel and avoiding alicent, but for platonic affection instead of anything more.

helaena is the one who received the most of her mothers love and the least of her cruelty, however their relationship is similarly screwed up because shes the only child that doesnt actually want affection from her...

meanwhile rhaenyra is a very loving and fiercely protective mother to her children, fighting for them above all else, especially when their parentage is concerned. she does anything for them, and it shows in their natures that their upbringing, other than the scrutiny from other nobles about their father, that they were raised kindly and wisely.

whats also completely different is that rhaenyras children have not one but three father figures, all of which love them in different ways, which is three more than alicents children have. you could make an argument for cole being a prominent male figure in their lives but he is also quite cruel and hateful.

we see team greens children grow up to be anxious, affection starved control freaks, with mummy and daddy issues, with not one of them knowing how to be a leader even though they are all in some way forced to be one.

aegon is an incompetent drunkard of a king who knows nothing of court or war or politics, not even high valyrian. he is only a figurehead, but is strangely empathetic towards his subjects and loves his children.

aemond is cruel and objective, a fierce fighter and being the most studied and educated of them all, but with no care to his subjects and far too willing to disregard or maim his own blood for his own ambitions.

helaena is the gentlest but she herself has no ambition to rule, she is kind but also an outcast of their society because of her prophecies. she also does not particularly care for her subjects, even being scared of them and their willingness to get to know her.

meanwhile in complete contrast jacaerys and lucerys are kind, more than willing to learn, theyre fluent in high valyrian, they are very interested in their histories and heritage and they learn sword fighting from harwin and assumably laenor? later probably daemon too.

they stand in the war council room with their mother and learn, and even baela and rhaena are involved by rhaenyra to both take part and learn.

the generational trauma goes crazy in this show, but all these characters are so compelling. i dont think there is a single main character that doesnt interest me. yes most of them are bad people and have done awful things, but its also so interesting to see how they got that way and see how one fathers actions, or lack thereof, caused so much destruction.

[brodorokihousuke]

I really have to wonder... how did Apollo react to Trucy being held for ransom at the end of Dual Destinies?

I don't think he ever mentions it, and he isn't around when Aura initially informs Phoenix of the fact, meaning he might've not even known that she was one of those held in the space center. However, the news could've mentioned it, or Aura could have told him directly... and it's personally more interesting if he knew, haha. So.

Considering how he acted following Trucy's little fake kidnapping in Turnabout Corner, he had to have been freaking the hell out- though this may have just fed into his at-the-time cold demeanor. The next time we really see him is during his testimony, too, so he could've just channeled all of that into anger at Athena- she's the reason all of this was happening anyways, right..?

Afterwards, though, along with the Phantom, he really only had Aura to blame. And while, yes, it did all technically get the case to go to trial- which was good in the long run-, he feels awful that he worked with someone who then turned around and directly threatened someone he very deeply cared about (Trucy). Just another thing to make him feel alienated from the WAA in general...

[alongtidesoflight]

so here's my honest thoughts on dragon age: the veilguard, after ~40 hours of playing. i finished the main quest after having finished all companion quests and major faction quests. just to clear up what content i saw, i played as an elven transmasc rook who is a member of the lords of fortune. he romanced lucanis (although after finishing the game i'm now leaning towards taash). i don't know what's happening in playthroughs that have a different race, gender identity, romance or faction going on.

full spoilers ahead, i mean it. don't read further if you want to avoid them. i don't want complaining about it in my asks.

oh and also, if you're worried because of a few negative reviews online i can comfort you by saying don't give a fuck about a certain big name youtuber who is very much tied to bethesda franchises giving this a negative review. i'll explain why.

i'm starting off with the things i liked

the game looks really pretty. i was worried it wouldn't feel like thedas anymore (with them trying to "focus on northern thedas only" i thought they'd make a clear cut in environmental design. they do and they don't. it's complicated. i'll elaborate on it when talking about the negative stuff). anyway it does. minrathous feels like kirkwall. treviso enchanted me like the winter palace did. the hossberg wetlands reminded me of the hinterlands and a couple other inquisition maps. arlathan looked like... arlathan. the crossroads were different, but familiar. overall i like the way it looks and feels. it's thedas, with a twist. it's a good one, and gives everything a solid but unique feel.

combat is top tier. if you're a hardcore dragon age player you WILL miss the tactical aspect of it for a bit, but i promise you, once you're used to the way the combat works, you will be lapping that shit up. and once you get to ability combos you'll mourn the control you used to have over your companions in battle a bit less

the MAIN quest and its story. i expected worse, way worse. and for a while the game even had me tricked (harr harr you'll get it in a second) it is Really That Much Worse. but holy shit was it good. i walked away satisfied ngl.

your choices have SOLID weight. there's consequences, good AND bad. i got minrathous blighted, ruled over by venatori, and the leader of the shadow dragons ultimately died because of my decisions. i made those at the beginning and throughout the game. he died at the end. DAVRIN died because i didn't expect what i was saying to have that much weight. i thought i was in the clear. he had hero status. well turns out, your choices can still get your companions killed even if you do everything right. i fucking love him. he shouldn't have made that sacrifice just because i told him to do everything it takes once.

the inquisitor, morrigan and dorian being there, surprisingly. there's also negatives to this though, see below.

speaking of companions dying and the inquisitor playing a bigger role: the final quest feels like me2's suicide mission. i was blown away by it and the fact that i got to see the results of all my efforts playing out in front of me.

bioware are NOT trying to redeem solas. they love him as a character yes, but i wasn't forced to see any good in him. he betrays you. he fucked my rook over twice. he fucked him over right back, for good this time (the veil wasn't torn down, i anchored it by binding him to it, he's doomed to uphold it). but solas really lives up to his name as the trickster elven god. rip to all the people who grew really attached to him over the years.

varric died. if you like him that's probably as hard reading it as it was watching it. varric died and the game lies about it until the very end. when the realisation hits, it hurts. but in the very best way.

the amount of care they put into gender expression and trans identities this time around. (i'll add onto this with negative points as well too).

rook feels very much ingrained in the world of thedas. he doesn't ask questions that expose the player to lore through dialogue as if he's stepped foot into thedas for the first time. those conversations feel very solid and good. i hope other faction players got as much joy out of this as i did.

and the things i didn't like and boy there's a lot unfortunately

the music. let's just get that out of the way holy shit. it doesn't feel like it belongs in this universe. it gets so incredibly sci-fi-y at times you'd think it's taken straight from mass effect andromeda. there's not a single song unique to veilguard that i really enjoyed. it broke my immersion, real bad. hearing a busker play the tavern songs from inquisition on a lute right after i killed some venatori with wobbly bass songs playing in the background is just odd. weird tonal shift. don't like it. it's made for people who like flashy light-weight cinema.

tevinter nights is required reading. the podcasts are required listening exercises. the game is so fast paced, especially at the start, that there's no time to introduce you to characters and how much weight their names carry in-game. i would not have known who half these people are if i hadn't skimmed over tevinter nights. i'd care even less about them than i already did. there is no time to get properly attached to them. people will act as if you're talking to a legend personified and you'll be thinking man goddamn which chapter of tevinter night were they in again and what did they do???

there's a weird mismatch with the animations. you'll have beautifully fluid ones, like emmrich casting spells. and then you'll have rook's face animating in the most unnatural manner that's sorta reminiscent of mass effect andromeda's "my face is tired" addison, when their emotions SHOULD be landing with the player rn instead.

i'm not vibing with the art style. sometimes it works. most of the time it doesn't. at points i felt like i was watching tangled.

that also brings me to some of the dialogue. same issue. i am watching frozen. i am watching tangled. someone on the writer's team really likes the adorkable trope. bellara is its victim.

for all the talk about identity, bioware sure doesn't like theirs. the grey warden armor got a redesign again and it just makes them look like a generic army. i hate it lol

in general, i don't like the armor design. the wardrobe/appearances system is fine, but it's just not helping if all the armors are just... kinda bland or downight bad looking? and don't get me started on the lords of fortune armor. that is orientalism personified.

the world states should have been carried over, full stop. i know they said they didn't because they want to separate what happens in the north from what happens in the south, which... i could have lived with that. but the inquisitor sends you letters that keep you up to date on... the south of thedas. you learn that there's a blight again, that people are standing strong but it's difficult, denerim's fallen, the rulers are taking care of it, orlais is fighting and they're successful for a while, etc etc. what's good bioware. i thought we don't care about the south this time around. why are you feeding me so much boring generic information. if you're not gonna show any of it and just write letters, then carrying the world state over should not have been an issue. i have a game dev background. those few lines of code would not have broken your budget or pushed your engine's limits. fuck right off.

this gripe of mine carries over to all the cameos. as a lord of fortune you have to deal with isabela a lot. it's fun. i missed her. you get to go drinking with her and taash and bellara! also my hawke romanced her. she's not mentioned once. they had the opportunity to put a sentence or two about her in there with not a lot of effort, trust me.

when varric dies, all she has is a single line about it. for gold, for fortune, for varric. she only says it if you interact with her on your way to the final push. that's not mandatory.

morrigan is there. kieran isn't. the old god soul that mythal and then solas absorbed? who cares at this point, the gods are dead now and solas is locked away for eternity. i suppose? why is morrigan there. she feels unneeded. i wish they'd just left her down south, at least that way i wouldn't have had to witness her god awful redesign.

dorian at least feels as if he belongs in this story. the shadow dragons are a crucial part to protecting minrathous. he's also weirdly underutilised. isabela and morrigan had more lines than him in my playthrough.

on the topic of romance: bro that was underwhelming. no, genuinely. you know when romance picked up a bit? after the point of no return. i heard maybe two lines of companion banter about it before that. maybe i missed something which i honestly doubt, but romance did not play much of a role in lucanis's storyline. i saved his grandmother as he wished me to (and if you read tevinter nights you know she was rather abusive and their relationship not the healthiest) and told him to focus on his family. a reunified family my rook wasn't even introduced to as a partner at the end of all that.

really, do not buy this game if you're only in it for the romances. others might be better, lucanis's basically gave me nothing. except for an outing (the second coffee date i had with him, it was getting repetitive) all of it played out once i committed to the final quest. the sex scene was a fade to black. annoyingly right after davrin died. if you're looking for well paced and good spice, pick up something else. the sweet talk and the final goodbye were nice though.

for all the good the ever-presence of gender identity does, it is brought up in such a disruptive manner too. it doesn't even play out naturally if you CHOOSE the lines that are meant to be said. hearing the words trans and non-binary in this setting doesn't feel right, and i'm saying this as a trans guy. i think it could have been handled more gracefully. the amount of times my rook went "i'm a MAN" as if he's about to start drumming on his chest and roaring any second now got super nerve-grating. "i'm so glad you're into me... the me who is trans. remember?" just. tell me one trans person who'd talk like that to a person they've grown close with and are trying to romance. this game doesn't handle sexuality well, so all this hey my body might not look like the way you're expecting it to look talk amounts to nothing anyway. i feel about this the way i feel about krem: this is partial exposition to trans experiences... packaged up for cis consumption. the ONLY exception to that is interacting with taash. holy shit was all of that heartwarming and bro did it feel good and natural to talk to them about theirs and rook's gender.

rivain and nevarra are new locations added by veilguard. they're also incredibly underwhelming, small and constricted maps. rivain is a coastline with a few ruins. the hall of valor is a partial ruin nestled into a cave on a beach, with a fighting pit. isabela is there in her skimpy outfit commentating your pit fights. that's it. i'm sorry if you were looking for a bustling pirate cove or whatever. you're not gonna get it. the nevarran crypts btw are a long ass dungeon crawl. that's it.

speaking of maps. i thought people were being dramatic when they said you're gonna be fighting the same enemies on them again and again. i thought they were figure of speeching it. they're not. you WILL fight the same amount of enemies. in the same spot. every time you reload the map. best to stay on a map and clear out the enemies and do as much questing on that map as you can before leaving, because you WILL have to do it all over again once you return.

the three choices i made for my inquisitor didn't matter lol she didn't have to face solas and therefore couldn't stop him at any cost as she had sworn (maybe because my rook tricked solas into binding himself to the veil, there was also an option to fight him. would she have stepped in? who knows). blackwall wasn't mentioned. and either her using a small amount of her forces in the final fight was the reason the civilians of minrathous fared so well..... or it just didn't matter. ultimately i think she had very little impact on anything

[vulturevanity]

Blorbo moment

(Please don't mention the fact that I forgot Molly's star dandruff aka her second most iconic design element)