#avoidant subtypes

[avpdpossum]

i might try to do a deep dive into the conflicted avoidant subtype at some point, and maybe the self-deserting subtype after that. every time i read the descriptions of them, i’m struck by how accurately they describe me, and i wish there was more info about the subtypes out there

[briarpatch-kids]

Though in case anyone is wondering I DO have a personality disorder it's just a Cluster C and those are treated as "annoying scaredy cat disease" instead of "shitty asshole disease"

[60inchyugiohheadcanons]

On Jōnouchi's ADHD (1.39k words)

This headcanon is probably the longest on this blog; it's some compiled thoughts on how growing up with (undiagnosed) ADHD has affected Jōnouchi. It's halfway between headcanon and fanfiction piece, and was requested by @bloodyscott, whom I kept waiting for too long for a response. I apologise sincerely for the delay.

This headcanon begins below the cut, as it's obscenely long. You may find it more comfortable to read this from the blog page, or on Archive of Our Own (NOTE: tumblr is acting strange. To access the page, copy the link and manually remove the href.li portion and the second https), rather than on your dashboard/search, in terms of formatting and such.

From infancy, Jōnouchi wailed his way out of his crib, out of his room, out of his house—as a baby, he thrashed towards whatever freedom he could find. He loathed the four walls of the crib; he'd scarce room to move. A skin infection brought him, aged 4, to hospital, and the very sight of overrun grey plastic seats and skinny cubicles exhausted him more than his illness had ever threatened to.

In primary school, others’ desks would blend together in a whir. Here he was, stuck, dizzyingly sedentary—the longer he sat, the foggier the world seemed to grow. When he kicked and whined at other children throughout electric lunch breaks, and they shrank from his vitality, he learned to eat alone. As his peers trudged from class in packs, watching the pavement, he sat, sullen, as his father drove him home. Somehow, Katsuhiro had never trusted him not to lose himself in chasing his surrounds. The fabric of the car seat would bite into his shorts, and he’d squirm for the window, squealing towards the noise outside: Birds that cawed; scraps of paper that fluttered and choked on smog. That was a fragile era, when his mother still waited, with dry hands and chipped nails, at home. When his father already stank of beer, but still spoke loudly, deeply, boisterously. Again and again, Jōnouchi’s mother would sit her son down, and write his name, stroke by agonising stroke. She’d recite each mora in time with each character. Yet sound would cluster through his head, and his own name would dissolve amid his mother’s instructions, amid the blaze of sunlight trapped on the windowsill behind her. He would write, and the strokes would come out rushed, mis-ordered, lopsided. 

Iro wa nioedo 

chirinuru wo.

At 10, his father grew quiet, and his mother yet quieter. Silence took up like a plague in Jōnouchi’s head, and swarmed in shapeless formation throughout parched mathematics lessons. Times tables hurled themselves headlong into a skull full of fog, and burst on contact. Are you listening? a teacher asked. How could he listen with a head full of noise, of unspoken words billowing back and forth? He gripped his seat, and glared back. Why should I care, anyway?

When his mother left, his father stopped caring to chaperone him. It had taken Jōnouchi a decade to earn the right to shed his infancy. He resented that it had been this long, so tried to join the huddle of middle schoolers. He told odd stories, and took off, queasy, in front of them. They withdrew their smiles when he approached on the second day. He growled his plaint, and resentment drove him to take the opposite route. He explored back alleys, wallflower convenience stores and dilapidated cinemas; the faster he walked, the more clearly he could see each brick, and the brighter each fleck in the pavement glinted. At speed, he delayed the journey home, and set his eyes on a gorgeous early winter sunset. The colours bellowed, too bold for winter, ungainly and vain. They were glorious.

Jōnouchi came home late. His father glared; fog crashed back down on his shoulders. 

Wa ga yo tare zo 

tsune naran?

A week before she cleared out too few of Katsuhiro’s belongings and packed too few suitcases, Jōnouchi’s mother drove both children two miles to the optometrist. My son, she explained, reads slowly, yet resents reading; it seems he can’t see very well. My daughter’s sight seems clearer, yet she complains of pain. The optometrist forced Jōnouchi to read down a chart of letters; he fidgeted, and, consumed in memories of a lonely lunch break the day prior, passed with flying colours. When the optometrist flashed a light to photograph his eyes, whatever hideous miracle that was, Jōnouchi screamed.

Katsuya Jōnouchi, the optometrist surmised, had perfect acuity of sight. He sought attention, stimulation. Meanwhile, Shizuka Jōnouchi, who had sat entirely still throughout her examination, had more ragged, derelict peripheral vision than her family had anticipated. Untreated, both your children will get much worse.

And in the months after Shizuka Jōnouchi became Shizuka Kawai and Mrs. Jōnouchi became That Bitch Who Never Cared, Katsuya Jōnouchi became horribly aware of how little time he had to be lethargic. He had to survive this schism; yet as he was, he barely felt capable of thinking. He walked, fidgeted, paced to prove to himself that he was a moving, breathing organism. Yet his father’s frustration would brook no exuberance. Long before Katsuhiro fully committed to flinging glass and spurning his son’s misery, Jōnouchi began learning to move silently, slowly, around his father. He memorised which mats snapped and snagged, which bits of fabric hissed when stepped on. He noted which windows opened most quietly. And yet he never managed a perfect, quiet exit. He couldn’t help but be conspicuous; he could only hope to get out too quickly for his father to react. And, to lift the torpor that followed escape, he would run to school, and, after, run back. Never did the sun shine brighter than when he was moving.

Uwi no okuyama

kyou koete.

When he met Hirutani, did he become more violent? No; every punch he threw during his delinquency had waited, kinetic and desperate, for days, months, years. In classrooms, his sole responses to being ordered around had been sullen deference, with sullenness being his sole demonstration of rebellion. Now, threatened with the obsolescence of his ego, of his perceived freedom, he chained himself to violence, over and over. The first time he punched a man in the gut, he found himself shaking. And rather than sink into sallow, domestic remorse, he slathered himself in white rage. And he went back and he went back and he went back, helpless to his own instincts, trying to dredge the noise in his skull out through his fists. No matter how many punches he threw, and no matter how many he received, he could not stop his head from blazing anew the moment he walked away.

Did Duel Monsters afford him any peace? He would be no man’s losing dog; nor would he be confined to dull celebrity. To play as a strategist consigned him to sitting still, committing himself to gambits he could never entirely trust, to moves that demanded a clear head. To play too whimsically would doom him to inferiority. Thus, he gave half his heart to diligence, and half to sheer fortune. Nobody could idolise his kind of folly, nor devalue his kind of skill. This was Jōnouchi’s will—to eschew having to wait in the mire of expectation; to escape the fog of obligation to anyone’s morals but his own. Honour suited him, so long as it was on his meticulous terms. In games of Duel Monsters, he became a knight-errant of sorts: predictably unpredictable, unexpectedly canny, blindly faithful. With this relationship to his own fate laid out so, he could finally draw cards without fearing those next to come. And thus, hyperkinetic, he found a peace in the game. So he played and played until he forgot how long he’d been playing, and Duel Monsters became as second nature.

Asaki yume miji

ei mo suzu.

Two weeks before Jōnouchi’s graduation, Shizuka invited him to her place to dine. Their father was not to join them. Jōnouchi protested, and his desperation died in a pinprick throat. Wisteria spilled itself over the footpath. Each step threatened to plunge, vertiginous, to the ground. 

When Jōnouchi saw his mother, his throat turned to sandpaper. She looked so old.

You cried so much as a baby, she told him. Kicked and screamed to see the world. You weren’t comfortable waiting in your crib—I’d end up coming to you at 4AM, walking you around the perimeter of the house till my heels burned. And you seemed so afraid of all the noises of the night—groaning engines, singing birds. Now, look at you—you’ve grown up so terribly fast.

Could he afford to tell her how even now, he bit down the urge to kick and scream, to launch himself, all fists and sparks, onto his tormentors? No; so, all night, he gripped his glass as tight as he could. The cold lingered and itched on his palms for days. Holding onto things, it seemed, was not so difficult as he’d once believed.

[sunderwight]

Thinking about SV demon culture as one struggling under the weight of imperialism, a violent ruling class with a might-makes-right mindset, and a lot of warfare.

I really don't like fics that imply that Luo Binghe's conquest of the demon realms just automatically improved living conditions there. I think both versions believed that they could conquer things, establish a new regime, and fix a lot of political issues in the process, I just don't think that would actually be the result of a violent takeover on the part of a cultural outsider with a patchy understanding of the actual multitude of demon cultures involved, whose only asset was an extreme capacity for physical violence and resilience against death.

Like, no wonder Bingge was always putting down uprisings and "rivals" for power -- a lot of his empire was probably actually being run by the demon wives or families of the demon wives he favored most, like Sha Hualing, or by preferred subordinates like Mobei Jun, who very probably pursued their own interests just as doggedly as they had prior to his rule. Only, this time they'd have been doing so with the added leverage of Luo Binghe's violence answering anyone who "rebelled" against "his" authority.

Demons in SV have myriad subtypes and subcultures. It seems really likely that a lot of them have been persecuted by others, that there are demon communities who have been subjugated, muscled out of ancestral homes, enslaved, wiped out, etc. This would probably even explain some "invasions" by demons into the human realm -- I'd imagine numerous cases across history of refugees being taken for (or described as) marauders by cultivation sects, or human communities unprepared or unwilling to deal fairly with visibly inhuman "monsters" and answering their approach with violence, or even displaced demons who did in fact become bandits and such in the fallout of various conflicts causing problems.

But there also would probably have been demons that succeeded in making their way in the human realm, and disguising what they were well enough that the sects never even knew. After all, most of the methods for alerting the sects to the presence of demons involve demons doing something violent (like the Skinner demon) or people seeing demons and going "ahhh!" about it. A demon or a family of demons uninterested in serial killing and only looking to get by and avoid the violence would likely not attract that kind of attention, just so long as they could pass as human too.

I do wonder if the reverse has ever happened as well. Human wars driving humans to seek refuge in the demon realms. It would conversely seem a lot more dangerous (demons are physically tougher than humans, and the demon realms are notoriously harsh), but in some cases it was probably like, well, life is hell already, at least the things trying to kill us in the demon realm are straightforward about it?

There are probably way more half-demons out there than just Luo Binghe, and even more demons with human ancestry or humans with demon ancestry. I wouldn't be surprised if demon ancestry actually played a roll in some humans being cultivation prodigies compared to others -- demons seem to have a natural physical power that most humans don't, and while their cultivation uses different energy, it would make sense of some aspects of things like a physical inclination to store, accrue, or manipulate energy in general could benefit even predominately human descendants of mixed blood.

But anyway, back to politics.

Tianlang Jun didn't seem to be a terribly proactive ruler either. Which on the one hand can be a good thing (he wasn't a tyrant, wasn't interested in waging wars or conquering others, didn't much care to throw his weight around), but someone was actually ruling in his absence. Conflicts were still happening, and being resolved. Tributes or taxes were still being paid to him, for him to live any kind of lavish lifestyle, which means they were being collected, rates were being determined, enforced, etc, which does beg the question of who was doing it. Not Zhuzhi Lang, certainly.

In Bingmei's time, the person actually running things is Shang Qinghua, which means also Mobei Jun is actually running things to some extent too. Shen Qingqiu loves demonic beasts but doesn't seem like he could care less about politics, and Luo Binghe only got this job in the first place because he was trying to impress him, and the post-canon extras would seem to indicate that they check out of the process as often as possible.

Mobei Jun and Shang Qinghua's rule probably makes things pretty hard for the southern demons who are traditionally loyal to the Heavenly Demons. I mean, apart from not being able to beat Luo Binghe in a fight, self-serving ambition would definitely be a motive for Mobei Jun to throw his lot in with him as soon as possible, right? "Give" the emperor your palace, your service, your resources, etc, and the emperor basically becomes Mobei's own tool to reinforce his sovereignty. In PIDW he even uses him to do that in a more immediate sense by bringing him to the fight with his uncle. In SV he decides Shang Qinghua is more suitable, which, symbolically, is even true. The cost of wielding Luo Binghe's authority is having to submit to it, but Shang Qinghua has elevated Mobei Jun even without that.

No wonder the southern demons couldn't get on Tianlang Jun's side fast enough when he reappeared. Given both Mobei Jun and Shang Qinghua's bias, the North has probably been running rampant with their own interests while the South gets hamstrung and dealt crumbs by comparison. Sha Hualing's clearly been trying to get on Luo Binghe's good side with minimal success ever since he got out of the Abyss. Unlike in PIDW, where she's a major player, here she's just an underling desperately playing catch-up and accidentally offending him all the time.

I wonder how that's impacting the complex arrangement of political alliances, cultures, and conflicts among the various factions in the demon realm. It'd probably be like if the remote and somewhat isolated North and Winterfell in ASOIAF/Game of Thrones suddenly became the new capital of the empire, and White Harbor became the main trade hub, while all the southern lords struggled to even get a foot in the door with the new king and kept pissing him off all the time. And every time they try to break free or rebel or kill him, it doesn't work and they get personally murdered by him. Meanwhile the northern lords are making off like bandits, with the current Lord Stark gay married to some inhuman warlock who does all his paperwork and somehow knows all your embarrassing secrets.

...That comparison got away from me. But I mean, it's kind of fascinating? A huge mess and likely miserable for a lot of demons, but still. The implications...

[aventurineswife]

I would like to ask which of the HSR characters would be their favorite type of Goth Girl and how they interact with the goth girl reader.

HSR characters and their favourite type of Goth Girl

Hmm, that's a good question! I'm not very familiar with fashion, so I had to look up the different subtypes(?) and styles of Gothic fashion. Here’s what I came up with, but keep in mind—this is just my opinion on these specific characters!

Blade – Traditional or Occult Goth

Blade would gravitate towards a goth style that embodies the Traditional or Occult Goth aesthetic—dark, intense, and reminiscent of ancient mysteries. This style complements his own fractured soul and aligns with his sense of danger and fatalism.

Blade would admire her goth style in a quiet, intense way. He’d likely avoid compliments, but his lingering gaze would speak volumes. Occasionally, he’d make cryptic remarks about her choice of symbols or accessories, intrigued by the darker meaning behind her look.

He’d invite her on nighttime walks, where they could talk about life, pain, and purpose. Blade would share his own views on suffering and self-destruction, finding solace in knowing that someone understands the allure of darkness without flinching.

When she shares her own struggles, Blade would respond with empathy, quietly urging her to embrace her scars. He’d consider her as a kindred spirit, united by a mutual understanding of darkness, perhaps even guiding her towards finding strength in their pain.

Kafka – Elegant or Victorian Goth

Kafka would be enchanted by an Elegant or Victorian Goth style, one that exudes mystery, timeless beauty, and a touch of refined danger. A style that combines old-world charm with darker, alluring elements would captivate her attention.

Kafka would treat her as her accomplice, matching her elegance with her own polished look. She’d appreciate her ability to blend dark, regal sophistication with subtle danger and would often compliment her in her composed, low-key way.

She would revel in their shared love for all things dark and alluring, occasionally teasing her with whispered secrets and mysterious invitations, making her feel like part of an exclusive, hidden world.

Whenever the reader/she reveals a darker or emotional side, Kafka would listen intently, then offer her hypnotic words of wisdom, nudging her towards a balanced yet sophisticated approach to their emotions. She’d subtly manipulate her into embracing her elegance as armor.

Sunday – Dreamy or Romantic Goth

Sunday would be drawn to a goth style that embodies a sense of ethereal beauty and dreamy mystique, like a Romantic or Dreamy Goth. This aesthetic, filled with delicate lace, ethereal black layers, celestial accessories.

Sunday would admire her goth look as if she's an angel of the night, often complimenting the dark beauty she bring to his Sweetdream Paradise. With poetic and enigmatic language, he'd express how she reminds him of a serene vision, free from the pain of the waking world.

Behind closed doors, he’d reveal a gentler, protective side, seeing her as someone worth preserving in his dream-like world. He’d subtly ask her about her philosophy on life and pain, curious if she'd share his perspective on a reality without suffering.

Whenever she displays a darker or more melancholic side, Sunday would be there to “soothe” her spirit, gently guiding her towards his paradise—although this “soothing” might actually involve urging her to escape painful thoughts.

Robin – Ethereal or Pastel Goth

Robin would admire an Ethereal or Pastel Goth style, with softer tones like lavender and violet combined with traditional goth elements. This blend of gentleness and depth aligns with her own music and tragic past, which holds an undercurrent of beauty amidst sorrow.

Robin would feel a comforting connection with the reader’s look, as it aligns with her own aesthetic of blending light and dark. She’d often give small, heartfelt compliments, noting how her style reminds her of a bittersweet melody.

She’d enjoy quiet moments with the reader, perhaps inviting her to her studio, where they’d share their thoughts on beauty, darkness, and the ways they each express their emotions. Robin might even dedicate a song to her, inspired by her unique blend of innocence and mystery.

When the reader is feeling down, Robin would offer soft-spoken support, listening patiently and reminding her of the beauty in every emotion, treating her struggles like notes in a beautiful song that deserve to be heard.

Aventurine – Cyber or Industrial Goth

Aventurine would appreciate a goth style that leans into cyber or industrial aesthetics—think metal accessories, bold colors, and futuristic touches. This type of goth aligns with his strategic mind and love for taking calculated risks, mixing sophistication with an edge.

Aventurine would be fascinated by her bold look, often pulling her aside to compliment her style in a playful, flirtatious way. He’d likely buy her accessories, such as metallic chokers or bracelets, to enhance her look and treat her style as another high-stakes investment, always encouraging her to be bold.

With his knack for creating excitement, Aventurine would take her to the casinos or exclusive places where they could revel in the aesthetic together. He’d suggest that every encounter and style choice is part of a larger game, creating an atmosphere of thrill and risk, which he finds irresistible.

When the reader shares her darker feelings or thoughts, he’d humorously encourage her to “double down” on it, teaching her to gamble with her emotions, to transform them into something powerful and alluring.

I hope you like it! I tried my best, and it was challenging to decide styles (and writing for a female reader as I'm used to writing for gender neutral) and all, so I really hope you enjoy it 🫶❤️‍🩹

[lu-is-not-ok]

Btw, me and a friend have been working on a theory about what the defensive skills could mean, and I wanted to know your thoughts on it

(Apologies if there's already a post about them and I just missed it hfkdjfj)

We thought that maybe it could be the way the sinner reacts to external threats, either physical (like in combat) or psychological.

So essentially, Defense would be closing themself off, or isolating, ignoring the threat by putting up a defensive shell. Using the gameplay mechanics, it could work (for a while), but there's also a chance that the threat is stronger than anticipated and can breach through anyway.

Somewhat similarly, Evade would be running away from the problem, avoiding thinking about it at all, or distracting themself and/or suppressing it in one way or another. Once again using the gameplay, it would depend on a lot of factors when it comes to whether they could avoid it successfully this time, or take the full hit anyway.

And we thought Counter could be something like lashing out. Taking the full hit, internalizing and then attempting to hit back. That's pretty much what the gameplay mechanic would be too, putting yourself at risk just to get a chance at hitting back, or accepting the inevitable hit.

And then the Sin Affinity could possibly be the reasoning, or how the action is conducted. Taking N Corp Sinclair for example, I interpreted it as closing himself off from everything around him (Defense) and ignoring the consequences of his actions for the sake of carrying out his "mission" (Pride), thus reaching some respite in the form of SP.

But this is just a base idea and doesn't go into the subtypes (like counters that can be clashed with), and your analysis posts tend to go more in depth, so... Any thoughts?

Yeah that sounds about right from what I've been thinking. It's definitely something you can see with how some Sinners behave as well.

Take Hong Lu for example. In Canto 7 we see his trauma response be just trying to get the conversation over with by no longer trying to be invested in it - he's Evading the percieved threat via Sloth (apathy).

Though I'd say Guard could be just as much ignoring the threat as it could be simply just taking whatever comes at them.

Look at Gregor at the end of Canto 1, he takes full responsibility for the failure of the mission and actively puts himself down while doing so. He's just taking it all as if Guarding, while focusing on the negativity and his past through Gloom.

[rabbitindisguise]

migraine cheat sheet for folks not sure if they have migraines

A couple cardinal signs for migraines:

pulsating/throbbing

nerve pain-like (tingly, electric, shooting)

aching, especially radiating into the jaw

can be on one side or both sides, in one area or more than one area, or even at the base of the skull, front of forehead, etc

at least one of sound sensitivity, light sensitivity, nausea +/ vomiting, and veritgo (typically- there are subtypes and other headache disorders)

and of course migraine aura (flashing lights, dark spots in vision, etc)

can come in short bursts of 1-30 seconds repeatedly, can last for hours or even weeks, and have different phases with different associated symptoms

Headaches:

don't interfere with work, school, or socializing

mildly annoying

take a lot of effort (weeks of staying up too late, being hungover, etc)

happen infrequently (closer to 1-2 a year)

are not "bad ones" (if you had "regular headaches" and "bad headaches" then it's very likely you have migraines - though personally both headache types turned out to be migraines for me)

happen when you have the flu or another illness as a result and it's clears up by the time you recover from it

do not last 30 min - 72 hours with a clear start, middle, and end phase

don't make you feel wrung out dry afterwards

don't affect you neurologically (fuzzy feeling, slow movements, slurring, feeling exhausted/sleep deprived, feel like you can't rest properly even after taking ibuprofen)

don't respond to sumatriptan or another migraine reliver

you don't dread having a headache

you don't avoid chemicals/harsh scents, chocolate, concerts, or any other migraine triggers

[vocalux]

" remaking " my queer stance slothqueer , there isnt much difference , but i wanted to " redo " it

— slothqueer [ sloth-queer ]

slothqueer is a stance related to being " lazy " , just like the animal . being too lazy to care about other peoples identities , getting into arguments , or just in general ! usually just agreeing with others , especially strangers , to avoid anything .

— pro ;

𖹭 - transids + any type / subtype

𖹭 - any paraphilia + pro - consensual - contact ㅤ ( nothing specific , thats up to you )

𖹭 - muds + self diagnosis

𖹭 - contradictory identities

𖹭 - reclaiming terms , mainly from antis

𖹭 - using terms made by antis

𖹭 - using terms out of spite

𖹭 - creation of alternative terms

𖹭 - any kind of identity

𖹭 - any kind of gender

𖹭 - any kind of fiction + ship

𖹭 - any kind of system

𖹭 - any kind of self expression

𖹭 - consent

𖹭 - conabusive relationships

𖹭 - transition , as long as it doesnt hurt anyone without consent

𖹭 - choice + abortion

— anti ;

𖹭 - forced recovery

𖹭 - abuse without consent

𖹭 - harm without consent

𖹭 - declawing

𖹭 - removing any part of an animal other than for medical reasons

𖹭 - any kind of hate

𖹭 - math / j

— " ohhh but - " i know theres probably already something like it , but i just wanted to !

— emojicombo ; 🦥🌈 / 🌈🦥 / 🦥🌳 !

— a more specific one for this " remake " ; 🦥💤 !

— old flag ;

— any of the 8 can be used , no problem !

[honey-dont]

types of freight cars

made a whole post to help ppl design stex ocs as the resident freight enthusiast :) while this isn't every freight car in existence, it's definitely a good chunk of them!

FLATCARS

The most basic type of freight car. They’re…well…flat! Designed for carrying bulky loads.

Autorack: Transport automobiles. Can have single, double, or triple levels.

Boom/Idler: Placed in front of a breakdown crane to protect the boom or in front of/behind oversized loads to protect the overhang.

Bulkhead: Have walls (bulkheads) on the end. Used to transport pipe, poles, slabs, and lumber. Prone to derailing when traveling empty and put speed restrictions on the freight train.

Centerbeam: Carry lumber. Another type is the opera (round) window style. Have to be loaded/unloaded evenly to avoid the car tipping over.

Depressed Center: Used to carry extremely heavy loads such as generators. Have a lowered (depressed) middle section.

Intermodal/Well: Carry semi-truck trailers and containers. Have a lowered bottom (well).

Skeleton/Spine: Very narrow car used to transport lumber. Has stakes on the sides. Spine cars do not have stakes and are often used for intermodal transport.

GONDOLAS

Open-topped cars that generally transport loose goods. Can also be covered. Differ from hoppers in that they have flat bottoms and have to be manually unloaded or put through a rotary dumper.

Bathtub: Transport coal. Have rounded bottoms for extra space.

Coil: Carry coils of metal. Can be open or have specialized covers to protect the cargo. Typically considered a subtype of gondola, but can also be a subtype of flatcar as well.

Side-dump: Cars tip sideways to dump loads. Often carry ballast or rocks for railbeds.

HOPPERS

Evolved from gondolas but differ in that they have sloped bottoms and discharge doors. Can be covered or uncovered, and have between two to five chutes. Open cars transport bulk goods such as coal, while covered ones carry food items.

Ore Jenny: A small, specialized hopper designed to carry large loads of iron ore from mines.

BOXCAR

Enclosed cars with side or end doors. Used for bulk commodities and for goods that need to be protected from the weather.

Stock: Used to transport livestock such as cattle, horses, sheep, and poultry. Have ventilated sides for airflow. A variant used to carry fish was attached to passenger trains and was more luxurious.

Refrigerator: Insulated and cooled cars used to transport frozen goods.

TANKERS

Used to transport liquids or gases. Can be specialized to carry hazardous materials.

Milk: Specialized tank car variant (as opposed to the boxcar variant) that carries milk. Attached to passenger trains to prevent spoilage.

Pickle: There's pickles in there! The vats were filled with vinegar.

Torpedo: Carry molten iron. Designed to withstand very high temperatures.

Whale Belly: Large tank car with a lowered midsection for additional carrying capacity.

SCHNABEL

These cars are a type all of their own. Used to transport extremely large loads by pinching it between the arms of the car.

[blueopinions49]

Enneagram 7 Subtypes Explained

Social 7 "Sacrifice"

Similar to SO6 the SO7 craves happiness through the formation and progression of social circles. The social 7 finds true enjoyment in life through the understanding of community and friendships. Social 7s can have a wide or a small desire for this type of enjoyment. Some so7 will have small circles who they keep close in order to find enjoyment. While some others will have a general overview of people and the need to share their enjoyment of life with them. Whether it is by improving their social and emotional well being or just being a good friend to others. And IMO they are the most extroverted of the types in the enneagram. This subtype can look like a 9 (but more assertive and focus on immediate enjoyment)

Characters: Jayce tallis, Ashoka Tano, Tony Stark, Elena, Mabel Pines, Aang, Buffy Summers and Spongebob.

Self Preservation 7 "Family"

Unlike the So7 the Sp7 is all about self enjoyment and indulgence. This subtype is described as the most gluttonous of the type 7. This is usually due to their constant need to feel pleasure and avoid distaste or discomfort in life. These 7s have a 3ish look to them to their obsession with easy fast results, assertiveness and luxury. However, a clear distinction to take into consideration is the root of the desire of luxury. The Sp7 looks at luxury as something they simply enjoy. Luxury permits the SP7 to have a broad taste for the things that brings them joy. While the 3s desire for luxury is more about symbolism and promotion of the self.

Characters: Satoru Gojo, Flynn Ryder, Gabrielle Sollis, Agatha Harkness, Wallace Wells, Deadpool, Jessica Riley and Fleabag

Sexual 7 "Fascination"

To the SX7 the idealization of romance comes from the rush of happiness and excitement from falling in love. This subtype in specific focuses on the millions of possibilities there are to live in a romantic relationship. For them finding this partner and understanding the possibilities and the different factions of their personality comes first. To SX7 the enjoyment of love and inter personality comes first and foremost. This subtype tends to look like a SX8 due to their assertive approach to romance or a SX9 due to their desire for connection with another.

Characters: Utena Tenjou, Carrie Bradhshaw, Stiles Stilnski, Lucy Gray Baird, Scott Pilgrim, Beast Boy, Ariel and Roger the alien.

[howlsofbloodhounds]

Killer’s persona is exaggerated and over the top, with performative or extreme actions and reactions, but in reality he feels little to nothing.

A lot of this is also rooted in what I know of Killer and NM. Killer’s relationship with Nightmare mirrors the dynamic between someone with HPD and a manipulative ATP. With Nightmare, Killer constantly exaggerates his abilities and behavior to gain attention, seeking recognition and validation (through conditioning as well) . He is also easily manipulated by Nightmare, whose awareness of Killer’s emotional insecurities plays into his suggestibility.

In terms of HPD, Killer most closely aligns with the Theatrical subtype.

There’s also this weight of having HPD in which your subconscious actions to gain the attention of others and to feel something deeper than you do (which contributes to why you act performatively) don’t align with your wants or needs

Also, this reading is deeply rooted in my personal experience as a pwHPD and having a sibling with HPD so some of it I can't get into

I see major parts of myself in multiple of his presentations

I'm struggling so much to put this into words but I hope some of the point is getting there

There's also so much to talk about it's difficult lol

Ooh that’s an interesting take.

If we go with the “canon” stuff rahafwabas has drawn of killer and nightmare, I’ve always believed that killer seeks to avoid nightmares attention unless it benefits him to have it (or he can control when he has it), because he does things like sweat, grimace, and attempt to lean away somewhat when Nightmare touches him, flirts with him, or talks to him—and sweats when talking about or thinking about Nightmare, at least in Stage 2.

(Although very important to remember to that, when in Stage 2, Killer has said that he does “kinda miss that guy,” even when he’s seems somewhat aware that Nightmare uses him.)

But that’s an interesting take too. I personally don’t think Killer wants Nightmare’s attention or recognition, or even gets jealous whenever someone else has it, it’s more like he needs it to ensure that he won’t be deemed useless and discarded and replaced soon—needing the validation that he’s still useful enough to be allowed to exist.

And of course, whenever he wants to feel real—through pain, and feeling that sense of power and control if he can convince himself he has a say in when or how he is suffering.

I get what you mean about these things sometimes being hard to put into words. If you ever want to share more thoughts, my inbox is always open and im always willing to listen. 🙏

[mistype360]

How can you tell the differences of a social 4, self preservation 4, and sexual 4?

so4: cares more about others emotions. romanticizes his pain the most. expressive, often through their style or appearance. has trust issues. more outgoing. has a low self-esteem, often with a victim complex. like an e9, tries to avoid conflict. acts kind and caring as a result. still very empathetic. but when in conflict, will act passive-aggressive. also lazy like an sp9. may complain a lot. seeks sympathy from others. feels shameful. can be mistyped as an e6.

sp4: least envious. more tolerant of emotions. "hoards" objects and experiences. strong sense of justice. often loving, and cares for others. very "masochistic." feels like they have to be "tough," and wants to be loved as a result. never feels like they are enough. keeps struggles and emotions to self. may often appear as a 1. wishes they were more like others. prone to self isolation.

sx4: feels "misunderstood." the most humorous, extravagant, and histrionic of the subtypes. most focused on uniqueness of the subtypes. has emotional swings between feeling "depressed" and feeling "euphoric." affected by hardship/failure quickly. can resemble an sx2 or 8. most commonly mistaken as a 3 or 7. struggles with shame, and acts "shameless" as a result. treats feelings as if they are more important than others. competitive mindset (towards resources, relationships, and love), says what's on their mind, blunt. wants to be respected and admired, but often struggles to achieve it.

[cripplecharacters]

What are your thoughts on people making random characters albino (especially regardless of their race, even if they aren't black? Would it count as fetishizing under certain ways?

I've heard that albinism can appear in any race group, but I'd just like to know how you view just random characters casually having albinism (even without it being sexualized for fetishized)

Hey!

Casual representation is great. Not just albinism, but disability in general. You don't always have to go into complicated details of "how's it like to be disabled". But just because it isn't meant to be a work about a certain condition doesn't mean you shouldn't do your diligent research - if by making random characters have albinism you mean giving them the "aesthetic" and nothing besides that, it would be fetishization or at least just poor representation.

Also, for this answer I'll be talking about oculocutaneous albinism because I'm fairly sure that's what you were referring to, but please be aware that there are other types, like;

ocular albinism (has 3 different subtypes)

Heřmanský–Pudlák syndrome

Chédiak–Higashi syndrome

Griscelli syndrome

oculocutaneous albinism also has multiple (7) main subtypes, with some of them splitting further. You should take that into consideration as well when deciding on what kind of albinism your character(s) has. I'm not saying that you should write "X has oculocutaneous albinism, type OCA1b" in your book, but it will help to inform you what their needs and symptoms could be.

First thing I will mention is that the word "albino" is generally not the preferred term and you probably shouldn't use it unless you have albinism yourself. Here's a page on it by the National [USA] Organization for Albinism and Hypopigmentation or this post we reblogged recently.

To make sure that your representation works, you need to understand how albinism works. Even if it's a side or minor character, you should be aware of the symptoms other than just the lack of melanin. Prime example, the extreme majority of characters with albinism in media don't have any vision issues at all, which is not how it is in real life. If you make a character with albinism, you're making a character who is blind or low vision. It's important to research aids and assistive technology, as well as blindness tropes that your character could fall into. For a character that only shows up occasionally, it's still important to show things like a white cane, their light sensitivity, them having to avoid the sun.

If that's your approach to "making random characters be disabled" then you should be good. A lot of disabled characters end up boxed into specific tropes (for albinism: being evil, being emotionless, having magic powers, or being mystified because of their disability) so having e.g. a background character with albinism who has a regular job and shows up in the story from time to time would mitigate that. People with albinism are normal people.

It's true that a person of any race or ethnicity can have albinism! Some types of albinism are more common in certain demographics; for example, Heřmanský–Pudlák Syndrome appears much more frequently in Puerto Rico and OCA4 is almost exclusively seen in Japan, and oculocutaneous albinism is more common in sub-Saharan Africa as a whole (which is a giant area, but there's not much statistics about it). But your character could be of any background to have albinism in general.

In short, if the representation would end at "giving a character white skin, white hair and red eyes*" then it's more fetishistic than representative; that's just using the appearance but ignoring everything else. Keep in mind that it's a medical condition, not an aesthetic. If a character stops having albinism when they dye their hair, tan, and wear colored contacts, then that's just a character who happened to have light hair skin and eyes, not a person with albinism. Good representation of disability means showing the disabling parts of it - again, you don't have to go into detail about how it is to have albinism if the character shows up for two chapters, but show them navigating with a white cane.

*In real life, people with albinism don't have red eyes. I mention it because it shows up in media all the time. It just screams fetishization because it's not a thing - most people with albinism will have blue, gray, hazel, or brown eyes.

I hope that this helps - if you have a more specific question, feel free to send another ask. I also recommend going through our #albinism representation tag, it might answer some of the questions you might have.

mod Sasza

[inkyquill553]

Arcane Characters as Enneagram Types

I’m going to start analysing the main characters of Arcane based on their Enneagram types. This will be kind of a masterpost with links to each character because it will be LONG haha. I’m starting with Vi but I will hopefully get around the others soon!

Summary:

I’m sure lots of people have heard of the Enneagram before but for those who haven’t: the Enneagram is a personality typing system based on the idea that the emotional wounds received/messages internalised in childhood shape how a person behaves and thinks as an adult. Based on this, it determines that people fit into one of 9 core personality types.

It’s not super scientific and is probably not recognised as being genuine in most psychology circles but it’s fun to analyse which little personality box your favourite characters fit into!

Some enneagram basics:

There are 9 core types based on the core fear/message internalised in childhood. While your personality traits may shift slightly as you grow and change as a person, your internalised beliefs/messages from childhood (i.e. your core type) does not change.

Each of the 9 core types can be divided into three subtypes based on instinctual goals:

Self-preservation types: Focus on issues related to survival and material security. Direct energy towards safety, security, avoiding danger, and maintaining wellbeing.

Social types: Focus on issues related to belonging, recognition and relationships in social groups. Driven to “get along with the herd” but also can be driven to achieve power or social standing in a group

Sexual/One-to-One types: Focus on issues related to the quality and status of relationships with specific individuals. Direct their energy towards maintenance of one-to-one connections, interpersonal attraction and bonding.

All three instincts are present in all people, but one will be dominant and shape the specific way their core type is expressed. The dominant instinct can change throughout the course of a person’s life as their priorities change.

This creates 27 possible subtype personalities, for example someone could be a Type 9 (Social), or a Type 9 (Self-Preservation) etc.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Okay! With that out of the way, here is my analysis of some of the main characters in Arcane. This is just my opinion and I’m not an expert by any means. Click on the links for an in-depth analysis.

Vi: Type 8 (Social)

Powder/Jinx: Type 6 (Self-Preservation [Powder], then Sexual/One-to-One [Jinx])

Jayce: Type 3 (Social)

Viktor: Type 5 (Self-Preservation, then Social once fused with the Hexcore)

[soylent-crocodile]

Howling Banshee (Prestige Class)

(Howling Banshee by LordVishenka)

(This was by far the easiest aspect shrine to convert to PF1; they're defined as nimble terror troops that use 40k's ill-treated morale rules. Dexterity-based intimidate class. Done.)

Howling banshees are the other aspect shrine of the Asuryani focused on melee combat, along with the striking scorpions. In many ways they are opposites; where striking scorpions favor stealth and power, howling banshees storm into battle as a screaming wall of blades and noise. They are designed to terrify their enemies and strike hard and fast, crippling the foes of the Asuryani before they can even react.

Notably, gender in Asuryani society is fluid and tied to the role one is in rather than ascribed to some physical quality. All howling banshees are women; this is not because they only admit women, but because to be a howling banshee is to be a woman. Striking scorpions, similarly, all use he/him pronouns.

Role: Howling banshees are the terror troops and nimble warriors, capable of weaving through combat to spread fear and bloodshed. Alignment: Like most aspect shrines, howling banshees abhor chaos and so are rarely chaotic. HD: d10

Prerequisites Race: Must have the Elf subtype Stats: Dex 15 Skills: Intimidate 5 Feats: Weapon Finesse, Exotic Weapon Proficiency (Asuryani) Other: Must be inducted into a howling banshee shrine.

Skills A howling banshee gets 2+Int mod skills per level. A howling banshee’s class skills are Acrobatics (Dex), Climb (Str), Intimidate (Cha), Sense Motive (Wis), and Swim (Str)

Weapon and Armor Proficiency

A howling banshee is proficient with light and medium armor.

Banshee Mask

A howling banshee is gifted a banshee mask, a grotesque tool of terror holy to the Asuryani. This weapon is specially crafted for her; all other creatures treat it as having the broken condition, and it If the weapon already has the broken condition, it does not work at all for anyone else trying to use it. This weapon can only be sold for scrap (it’s worth 4d10 gp when sold). 

Banshee’s Wail

When a howling banshee deals slashing damage with a melee weapon, she may make an intimidate check to demoralize her target as a free action. If she is successful, the target is shaken for a number of rounds equal to the damage dealt. If her attack was a critical hit, the target is additionally frightened for one round.

First to the Fight

A howling banshee adds her charisma modifier to her Initiative, at a minimum of +0.

Intimidating Finesse

At level 2, a howling banshee adds her dexterity modifier to her intimidate checks in addition to her charisma modifier. This bonus does not stack with the bonus granted by the feat Intimidating Prowess.

Backflip

At level 2, a howling banshee is exceedingly nimble and agile. She ignores the penalty to jumping without a running start and halves the DC to make high jumps.

Graceful Avoidance

Creatures with the shaken condition cannot make attacks of opportunity against howling banshees of level 3 or greater.

Piercing Strikes

A level 4 howling banshee’s blows are perfectly timed to take advantage of the cowering of fearful enemies. When attacking a shaken enemy, she may apply her dexterity modifier to damage rolls when making a melee attack with light weapons and weapons with the finesse special quality.

Banshee Mask

At level 5, a howling banshee becomes an exarch, a respected and feared member of their aspect shrine who has lost herself to the craft and is gifted a +3 Thundering banshee blade. This weapon is specially crafted for her; all other creatures treat it as having the broken condition, and it If the weapon already has the broken condition, it does not work at all for anyone else trying to use it. This weapon can only be sold for scrap (it’s worth 4d10 gp when sold).

-

Banshee Mask Technological Item Price: 10,000gp Weight: 4lbs Slot: Head The wielder of this mask gains a +5 bonus to intimidate checks. Additionally, as a standard action the wielder may make an earsplitting shriek, dealing 5d6 sonic damage to one target within 60ft, will save for half. The save is equal to 8+the wielder’s ranks in Intimidate.

Banshee Blade Exotic Weapon Price: 100gp Type: Two-handed Melee Proficiency: Exotic Weapon (Asuryani) Damage: 1d8/1d10 Critical: x3 Range: Melee Type: S Weight: 6lbs Special: Finesse, Reach The banshee blade is an eldritch curved weapon that was designed specifically for the fighting style of the howling banshees. It is uniquely precise among polearms and incredibly difficult to find, granted only to the most powerful of Asuryani warriors.

[beemovieerotica]

I just saw your post (one of? ) where you discuss your OCD symptoms, and they sounded... Familiar, for lack of a better word. I went into a therapist recently for anxiety and intrusive thoughts, and she wanted to evaluate me for OCD. My dad has diagnosed OCD, and I don't think that my internal experiences match his at all. I really feel like I just have stress-correlated anxiety. Do you mind talking about what your OCD experience is like, for comparison?

oh 100% my ocd ramps up a lot with stress. I have a lot going on but basically ocd can attach itself to anything in your environment and create reasons for why it is an existential threat. anything can be a trigger.

there's also a distinction where people may do none of the habitual compulsions (like physically checking things) and it's all just things revolving in their head - this is a lot of what I have. but yeah here are some more common symptoms / subtypes im familiar with that do get screened for by specialists:

intrusive thoughts like horror movie imagery throughout the day

spiraling what-if catastrophe scenarios that go on for minutes at a time where I just kind of blank out and get wrapped up in an extremely vivid and distressing daydream that feels like it's actually happening. like I will straight up start grieving for someone who is not dead.

superstitions/very specific fear-based beliefs that go beyond what would be typical for the person's religion. centered on blasphemy, moral goodness, purifying one's thoughts, punishing one's self, believing you deserve retribution/death, etc

believing that you're going to hurt/kill yourself and having obsessive suicidal thoughts. suicidal ocd is different from actual suicidality but a lot of providers don't know this or that it needs to be treated differently - it can lead to highly avoidant behavior like not wanting to use kitchen knives or being near ledges out of fear that you will do something.

questioning your memories of the past. being convinced that something horrifying and traumatic happened to you but you just can't remember it, obsessively analyzing memories to try and fill in the gaps. you can develop false memories in this process.

persistent fear of forgetting things, needing to feel like you have to remember everything all the time to avoid catastrophe

re-playing conversations word for word in your head hours or days after something happened over and over assessing everything that happened to try and figure out the precise way in which you fucked up

no amount of re-checking can reliably convince you that you haven't fucked up, or maybe you do get a moment of peace before something else takes its place

also, I heard somewhere that having 1 parent with ocd gives you a 50% chance of developing it...ough.