#as its what i had the most ideas for

[rhiangalaxy]

Congrats GYX on the gay awakening <3 (Immortal alliance conference pt.1/?)

[ID: A Scum Villain Comic. Panel one first depicts Chibi!Plant Yuan sitting on a bench resting his head on his hands with a disgruntled look. A caption says "Waiting for Binghe to register as SQQ banned SY from participating due to 'past incidents'" His demonic butterfly floats in front of him. A voice from off-camera says "Shen-Gongzi?" a zoomed in Chibi!PY perks up in surprise and his butterfly hides. A non-chibi Gongyi Xiao is shown with has hands cupped in a martial salute and bright expression saying, "You're Peak Lord Shen's son right? This one is Gongyi Xiao from Huan Hua." A chibi PY in a box in the corner continues to look up in surprise with his hands slightly lifted from his face with thought bubbles saying 'Woah..so bright.. Kinda reminds me of Binghe.'

Panel two depicts a non-Chibi! PY looking up with a gentle smile with his hands in his lap, replying "Yes, this one is Shen Yuan! Are you here to participate in the Conference?" The rest of this panel is depicted in chibi form. GYX sits next to SY and responds, "This one is! Is Shen-Gongzi not?" to which SY closes his eyes with a disgruntled/tired look and places his head back in his hands, stating "My A-Die banned me. Said this one attracts too much demonic attention..." to which GYX points and says "Oh? Is that why you have that demonic butterfly?" Leading SY to have a panicked look, his thought bubble saying "Shit" whilst he verbally says "Please don't tell my A-Die I brought her."

The final panel has chibi!GYX raising his hands up to placate SY with an amused nervous expression saying "Don't worry! This one won't. It seems very friendly, with you especially." To which non-chibi!SY, now having his butterfly balanced on one of his hands, the other raised up as if to gently pet it, looks down fondly and says "Yes she is... She's been with me a long time." A very flustered Chibi!GYX replies softly "oh". End ID]

[nibbelraz]

A writer and His number one fan hater

[dawnbreakerluna]

NOT WHEN IT COMES TO YOU (W. SYLUS QIN) wc. 1050. hurt/comfort. reader is the mc and experiences a panic attack. canon compliant to the l&ds story, no spoilers. character study-ish on the mental state of the mc. sylus is perceptive person and sees through the reader. non-established relationship. not proofread. side note: my writing program crashed after i pasted it to the tumblr draft. lol!

‘Does any of it matter anymore?’

You write those words in a pocket-sized journal every night. The very same one that’s tucked away in your drawer where an assortment of lingerie overfills and molds within one another. You have to do something, anything, to keep your body aware of its movement, its functionality and life.

Does any of it matter anymore?

You almost want to reach out to Zayne about it. To talk. To explain this stream of endless thoughts and the endless void of questioning your worth. Things haven’t been easy, to the point where you wonder if taking the Hunter Exam, valuing your worth on whether or not you passed, was worth it in the end. Not after everything you’ve found out. Not after everything you’ve witnessed and lost.

Now, you had bargained your life. A bold, risky step that required more trust than you could ever ask for. (You got it, regardless. You had nothing to fear in that aspect.)

“Does any of it matter anymore…?”

You ask yourself again, your voice a low whisper. You needed to make sure you were here, still. Some way, somehow. You were now shrouded by a blaring red sky and even darker red moon. Your gaze, holding faux grit, stares into a crimson gaze that looks over your sunken, kneeling form.

He wears a light curl of a smirk, lowering himself to you: “You should speak up, little Hunter. I can’t quite hear you.”

You push down that growing dread in an empty chest. But if it were empty, your heart wouldn’t be housed there, beating ferociously as you were face to face with the one who had answers you needed. If not all, at least some. The ones to point you in the right direction.

You call it going away in your own head—it’s what you do when you feel more than just your heart on the verge of giving out. It’s what you do when your fingers begin to twitch and tremble, your words struggling to come out. You don’t consider it freezing up completely, but a different sensation.

It’s just something you always dealt with on your own, always aware of.

The gentle flick of your fingers at your side gauges your knowledge of it happening again. Surrounded by desperate brokers and merchants; people with vile intentions and greed that isn’t a homely territory back in Linkon City.

You’re reminded why Onichynus thrives. Why Sylus wears the success and pride he does.

Despite his teachings intending to help you hold that same pride, you can’t. You realize too late in this room full of people who could eat you alive, you bit off more than you could chew. You remain by Sylus’ side as he indulges in the meaningless chatter of those who throw themselves at him with wretched desperation—but the room is beginning to feel hazy.

You know you should’ve arranged something. Some kind of signal to let him know you needed a breather.

This was more than a breather you needed. This was an emergency where you’re a glass sculpture, waiting and begging to be knocked over. You hated being made of glass, regrettably—hated being ogled at in that way. You feel it in the worst form now, being the guest of the most powerful man in the N109 Zone.

Your arm, securely wrapped around his bigger one, shifts back just slightly to tug at his sleeve. It’s not an obvious action, not even to the keen eye like yourself. But it’s enough that you feel the slight jerk, that startles him. To Sylus, this would be a disturbance as little of a fly on someone’s shoulder.

Yet, the air between you two shifts.

Sylus holds a hand up to the two men standing before you both, “Ah—you’ll have to excuse me, gentlemen. I just recalled that I am to assist the security detail with an issue. Please, do enjoy the rest of the evening.”

He leads you away without another word, brushing off the guests.

Vultures. Vultures. Vultures. Every single one of them.

You hold your breath in a subtle manner, your throat constricted. Sylus’ movement is swift and urgent at once, heading towards the back of the ballroom. He opens one of the double doors, ushering you out first before following closely.

It’s just you two now, in this empty, grandeur hall.

You felt sick. You wanted to die. You wanted every fiber of anguish to leave you be and never come back. You never wanted to feel anything again. You wanted to rip your heart out and burn it, to bleed out to death by its side—

—Does any of it matter anymore?

“Little Hunter,” Sylus’ smooth voice cuts through your clogged mind. His hand comes forward, knuckles gently brushing against your cheek, catching stray tears that roll down, “Just focus on me. You’re alright now.”

Oh.

Your eyes widen, your faint breath an overwhelming echo in your head as you come back to yourself. Never before had you seen his eyes so… fond. Gentle. Comforting. It makes you feel sick. You feel the need to lurch and throw up everything you’ve eaten.

Instead, your tears thicken. You blink a few times before lowering your head, pressing the back of your hand against your mouth as you pant heavily. Clawing through your throat is a string of sobs, your body tensing along with it.

Sylus reacts with instinct, his voice lowered as he gently shushed you. His arm wraps around your shoulders, pressing you into his strong torso. To hide you away from the world, to delicately hold your sorrows.

“You’re alright, Little Hunter.” He whispers into the top of your head, lips brushing softly against your hair, “I feel your shame, there’s no need to carry such a thing. I’m not upset.”

You hiccup, pulling away just enough to tilt your head back—looking up at him: “You’re… not?”

A deep chuckle rumbles from his chest. His fingers gently tuck strands of your hair behind your ear, offering you the most warmth he possibly can in this moment. Unfamiliar, but not unappreciated. You’re more grateful than anything, in spite of everything you two had rough edges about.

“Never,” he assures you with a smile. “Not when it comes to you.”

[pinkytoothlesso11]

It's really interesting seeing people mostly interpret Sky and Viktor's relationship as romantic or her presence in the astral plane as literal.

To me, it's always been clear that Sky's connection to Viktor was one-sided and a sort of a crush or just genuinely her fangirling over Viktor. Even in the flashback scene, we see the curious way child Sky looks at Viktor, and then Viktor goes to chase his invention rather than go say hi. There's definitely something to be said about how Viktor's pursuit of his science and inventions leaves people he can build connections with behind or how the only meaningful, touch based relationship he has, either platonically or romantically, is with Jayce, but I digress.

Viktor's guilt about Sky is stronger than any feelings he might have had about her. When he fuses with the hexcore and Sky is in the astral plane and guiding him I see it not as literally Sky's spirit but more a subconscious part of Viktor's psyche itself and maybe the hexcore manipulating Viktor...

But at the end scene with Sky, when Viktor tells her he will miss their conversations, she says, 'No, you won't.' Now this is also correlating to Viktor giving up on humanity and his own humanity. So Sky might have been the metaphysical representation of Viktor's humanity. That's the shape and form of his humanity, manifesting through his guilt about Sky. When he loses her, he is physically losing his connection to humanity. It's only Jayce connecting to him as a person that's able to bring him out of his destructive view of humanity not being redeemed.

I have nothing against Sky, I think she was a important character for Viktor's development, but I don't see any romantic connection there and also believe that her presence with Viktor was more a manifestation of Viktor's humanity.

[iknowicanbutwhy]

"I'm going to design my own Loop!" I thought. "It's going to be so fun!" I thought. "Surely modern clothing - that isn't just a hoodie and shorts or anything with jeans - is something easy to design!" I thought.

It was fun. But I am aware that all I wear are t-shirts and shorts.

^^^ extra little outfits. Glitter pants are super fun, alright? You ever wear swishy glittery pants? They're SO fun.

[ilynpilled]

jaime turning women down constantly more bc he is very monogamous and in love with someone else right now for the first time and is also kinda scared of actually having sex with someone other than cersei is sm better to me than “i respect the kg vows of chastity so intensely rn actually because i changed into a good and serious person” or whatever lol

[kagoutiss]

the newly vassaled gerudo king is inexplicably handed a baby

[binglepringle]

Idek what this is but here you go 🤲

[amphibianaday]

Hello I would like to request your favourite little freak(amphibian) for day 1432

day 1432

[redrobin-detective]

My fic writing process

Me: Here is an interesting idea, extrapolating the story's inherent, underutilized worldbuilding and not only acting upon it, but expanding it and making it my own to explore themes and characters I enjoy. Also Me: Ok but also this would be Hilarious

[dykedvonte]

Can you talk about trans!Curly a little bit more? I'm curios if you have any headcanons and the like

-💀

It's just such a thing in my mind because it adds a truthful sadness and differing aspect to mouthwashing.

If Curly was trans it adds the horror of the horribly selfish thought he could have easily been in Anya's situation. It could've been him but it wasn't and he so conflicted on the pit it put in his stomach that brings and the shameful relief it wasn't. In this scenario he is friends with Jimmy for a long time still. Jimmy likely knew him pretransition. Maybe he gave Curly weird looks then, maybe they never stopped after, maybe they seemed meaner. They are guys now, bros, both of them are. He doesn't really have to worry what those looks mean anymore, Jimmy just has that face with him sometimes. It's recontextualizing a lot of things for him that he was in denial about or too ashamed to admit. How naive he was being and how he let that get another person hurt.

Specifically with Anya, it's he knows the dread and fear she's feeling. He can understand it because he had to live with it for a good portion of his life, he knows it cause he still does, just in a slightly different way. It makes him think of all the times he's been alone with Jimmy, all the times he's been way more drunk off his ass and not remember the night, Jimmy was always with him the next day. Makes him think of the comments he would laugh off both because that's what guys do but because that part of being a girl says to laugh so Jimmy doesn't do something. It's the selfish realization that he was never safe and he's uncertain now too. Mad at himself for forgeting that feeling, espcially since for a long time he would've been considered the only woman on a crew (with all that implies) for a long time.

He should've taken those blinders off, step back into that position for just a moment and it's so much more painful that Anya likely came to him because he should've gotten it. Those thoughts don't leave his mind after the crash when he's in an even more vulnerable position than she was...

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[thisisntreaver]

Hello I have once again upset myself thinking about Logan an the effect Aurora had on him and his relationships.

Walter is a father figure to him and HOBW and their relationship is in TATTERS, and as far as canon shows, it's never mended.

Does Logan believe the man who raised his sibling and took care of him after Sparrows death died hating him? Does he believe Walter only saws the bad in him? Does it have any impact on his decision to go into his self-imposed exile? Does he regret not telling Walter about what happened to him in Aurora soonee??

Did he and Walter ever have a chance to reconcile, to speak of what happened to them on their respective trips to Aurora? Did he ever express regret for Logan feeling as if he couldn't speak of what happened to him?

Did Walter ever embrace Logan as one of his own again, or did they stay away because of their history?

[sonknuxadow]

am i the only one who still thinks that they didnt do enough with rouge in sonic prime. and not in a "she didnt get enough screentime" sort of way but in a "they didnt seem to be putting as much thought into what they were doing with her as they were with the other main characters" sort of way

[aropride]

gender microlabels are really cool to me bc a lot of the time they're like, metaphors almost, for how someone experiences their gender. like constellunyx, which is a gender connected to the moon, stars, & the connection between the moon & stars. or mechuatic, which is a gender related to mechanical sharks or fish. or lunaboy and solgirl, which are a gender related to the moon + femininity while being a boy, & the sun + masculinity while being a girl, respectively. or genderfunky, which is when ur gender is funky and goofy, and has a really fun flag. like i genuinely think it's so cool!! i love it & i wish microlabels weren't so looked down on both within and outside of the queer community bc it rules!!!

[epicfirestormer]