#as a person interested in a cultural landmark

[folerdetdufoler]

59.9267, 10.729653

[taxiservicechaurffeur]

Why private tour in London is best for travelling with family?

Travelling with family is an amazing experience that creates long-lasting memories. When planning a trip to London, opting for a private tour chauffeur service will be best. It will also help elevate your family's travel experience to new heights.

With private tours chauffeur service, you can enjoy a range of benefits, i.e. from personalized itineraries to flexible schedules and exclusive access.

Let’s check out why private tour London vehicle serviceis an excellent choice for a family trip.

Why you should consider private tour chauffer service for a family trip?

While planning a trip with family it is important to create everlasting memories. With private tour services you can do so as they are expert in following services.

Tailored itineraries

The main advantage of private tour vehicle service is the flexibility to customize itinerary as per the interest and preference of your family.

It alsoallows you to design a personalized experience that suits your family member’s age range and needs.

Whether you want to engage in family-friendly activities like Harry Potter-themed tours or the London Eye or explore iconic landmarks like the Tower of London, Buckingham Palace, or the British Museum, private tours can be tailored to match your family's specific desires.

Expert guides

A private tourchauffeur in London is an expert guide with in-depth knowledge about the city's attractions, culture and history, ensuring an educational and engaging experience for the entire family.

They can also adapt their storytelling techniques to captivate kids of your family, making the tour more entertaining and informative for everyone.

Additionally, the chauffeurs can accommodate your family's pace, allowing you to spend more time exploring areas of your interest and get answers to the questions that arise in your mind.

Flexibility and convenience

With private tour chauffeur service, you are benefited as they adapt to the schedule and preferences of your family.

You can easily choose the start time, trip duration to every attraction, and break time, ensuring a stress-free experience for every family person.

With this flexibility, families with younger travellers are benefited as they require more downtime.

Chauffer service of the private tour also provides door-to-door service, eliminating the hassle of navigating public transport and looking for parking.

They make your journey more comfortable and convenient.

Conclusion

While travelling with family, private tour London provides an array of advantages.

The ability to tailor the itinerary, coupled with an expert guide, ensures an educational and engaging experience for the entire family.

By avoiding traffic and busy roads, private tours and chauffeur services allow you to enjoy most of your time and keep younger travellers excited throughout the journey.

The flexibility and convenience provided by private tours make it easier to accommodate your family's needs and create a stress-free travel experience.

Also, while exploring the wonders of London, the chauffeur service offered by a private tour in London offer a personalized way to discover the right history, hidden gems and iconic landmark of the city.

It also allows you to create cherished memories as a family and helps to foster a deeper appreciation for the vibrant metropolis.

So, when planning a family adventure to London, consider the facilities offered by a private tour London and embark on a journey that leaves an indelible mark on the travel experience of your family.

[whetstonefires]

this is a reasonable post except for the ludicrous historical revisionism of trying to argue that a billion-dollar franchise that continued having major motion pictures and theme parks about it was 'forgotten as soon as the books stopped.' like. if that were what had happened this obviously wouldn't be an issue.

why enjoying harry potter related media as an adult in 2023 isn't morally comparable to being a lovecraft fan:

-lovecraft does not personally benefit from cultural relevance or your financial support bc he is dead

-lovecraft is an indispensable facet of literary canon & has a genre named after him, you can't cast him aside even if you want to, which can't be said for your middle of the road young adult series that was forgotten as soon as the books stopped.

-lovecraft fans have done infinitely more to deconstruct and reclaim lovecraft's work than harry potter fans' pure denial/apathy.

[blueiight]

ldpdl, ethnicity, and the false monolith of blackness

there's this false tendency to think amc louis being made black is pandering, or a means of removing louis from his oh-so-detailed /sarcasm/ background in the books. i also find that people tend to not even understand what show louis's ethnic background is, despite rolin jones the showrunner and even the fictional louis both coalescing around this multigenerational explanation of the gens de couleur in new orleans, and how jim crow disempowered them.

I came around to his ethnicity a sort of interesting way which is through Lestat. [ … ] I was like lets give him a legitimate a third attempt at figuring how to be with somebody for the rest of his life and how to not repeat your mistakes. [ … ] I started from there so it had to be someone with some money cause he had to be with his own folks and I thought he wanted someone who could fight back and who could be a challenge and would force him to restrain himself. And nobody at AMC was interested in 7 seasons of the regretful plantation owner, so we made Louis come from a lineage that did have a plantation and did own slaves.

rolin jones in the s1 post-finale episode of the podcast names how he came to this understanding of louis's character. lestat, after failing to make a bride of his mother, and a concubine of nicki, was seeking for someone of a similar background, or the most approximate equivalent. he would not have been interested in louis if louis was an anglophone baptist black man descended from upper-south arrivals into new orleans, nor would he have been interested in louis if louis was a poor black creole honestly s1 does not give a good reading of claudia's ethnic bg in new orleans, but since she cannot understand french, we can presume shes either a poor creole removed from her cultural background with her vampiric adoption narrative in mind, or was also of an anglophone baptist black background like claudia was. louis coming from this fallen sort of gentry, the free gens de couleur, similar to that of the tvl lestat who came from this barren aristocracy dating back to the crusades, was key to lestat's long-term goals with louis.

Capital accrued from plantations of sugar and the blood of men who looked like my great grandfather but did not have his standing. But then decades of Jim Crow and the electrified light of a new century had vanquished any idea of a free man of color. - AMC IWTV 1x01

louis was of the first generations of the gens de couleur to be born, raised into, and face the institutional and personal ramifications of being viewed as black in america. this fuels much of the character's rage as he moves through storyville, trying to continue the similar modality of exploitation to the contrary of pretty baby with brooke shields, majority of the brothel circuit was statistically black girls + women being sexually pawned off to white men but ultimately failing to do so bc of the anglophone white american class that now rules over him. [tom anderson, alderman fenwick, finn o’shea starting out as louis’s subordinate then ending w/ him entering whiteness by having a sporting house throwing torches at louis’s brothel in s1e3]

By 1850, the free population of color, beset by the hostility of white supremacy, was economically diminished and residentially segregated. The Americanization of Louisiana, and in particular New Orleans, was completed before the state became the sixth to secede from the Union in 1861 in the struggle over the perpetuation of slavery. [link] The Democratic redeemers who came to power in 1877 lost no time in redefining the Negro's "place" in Louisiana life. They immediately restored the color line in the New Orleans public schools and offered silent support to de facto segregation practices in places of public accommodation. With the assistance of two landmark decisions by the United States Supreme Court, the redeemers soon dismantled the egalitarian legal apparatus put together piece by piece under the Radicals. Finally in 1890 they began to write their "final solution" into Louisiana law with a series of "separate but equal" statutes. Soon New Orleans Negroes were again segregated in virtually every public pursuit. [link]

[topazadine]

How to Kick Ass at Worldbuilding

Worldbuilding. You either love it and spend all your time dreaming up rules rather than writing, or you hate it and try your best to avoid it despite writing fantasy or scifi.

Or you are in the middle, which is where you should be. You have a healthy appreciation for what makes worldbuilding so special, but you also don't obsess over it.

Worldbuilding does not need to be complicated to be effective, as I've harped on a few different times now. So how do you strike the right balance? Let's take a look.

As always, this is just my opinion based on my own efforts creating The Eirenic Verses. You can disagree and that is fine. However, I hope you'll consider thinking about what I offer here as you craft your own world.

A lot of what people focus on when worldbuilding is not what the audience cares about.

Very few people like to read a book littered with random terms they have to keep track of. We want to build a unique world, but we also don't want to throw such an extreme amount of lore at our readers that they tune out.

When worldbuilding, we want to consider the cognitive load on our audience. This is how much information the reader needs to remember throughout your story so that they can follow along.

Cognitive load includes things like:

Character names and appearances

Relationships between characters

Place names, such as cities and countries

Unique mythological creature or fauna

Backstory, including mythology and folklore

Language names

The general plot (who is the protag, who is the enemy, etc)

Magic usage (who has the power, how they acquire it, any conditions it comes with, etc)

Power dynamics between characters, countries, and so on

Political systems, if included

Even in the most barebones fantasy story, this is a lot to remember. As such, we need to consider what is most important for our readers to generally understand the plot and emphasize this, letting the rest serve as background information that is not quite as essential. The more emphasis we put on something, the more we direct a reader's attention.

At the same time, we want to create a world that feels lived-in and interesting so that readers want to know more. How do we do this?

Consider what you think about foreign countries in our world.

Most of us will have a general concept of a country but only will think about the specifics if it is currently relevant.

Let's take Japan for an example. (I'm a bit of a weeabo, okay?) Here is what I personally think about when I imagine Japan, in order of what I consider important.

Japanese cuisine (sushi, ramen, ochazuke, sake, lots of rice dishes, seafood)

What the people are like according to my own stereotypes/cultural perceptions (polite, quiet, respectful, hardworking, punctual)

Climate and geography (temperate, island country, volcanos, mountains, beaches)

Unique flora and fauna (cherry blossoms, flowers, Nara deer, giant salamanders, pretty birds)

General landmarks, but not necessarily specifics (castles, temples, busy cities, red bridges, torii gates)

Clothing styles (kimonos, school uniforms, business suits, kawaii fashion)

Cultural icons (samurai swords, samurai armor, Shinto shrines)

General overview of the history (samurai, daimyo, feudal system, bushido, Meiji restoration)

Language, but not necessarily specifics of the language (Japanese, kanji, hiragana)

Religion (Buddhism and Shintoism)

Folklore (ghosts, kami, tsukumogami, evil spirits)

Any festivals I might know of (cherry blossom festivals, moon viewings, Obon)

Your own list may have these in a slightly different order, but it's probably what you most think about.

Notice that you will likely not think about these things:

Political system

Specifics of the language

Interpersonal hierarchies

International relations

Specific landmarks

Specific historical events

Famous figures

So why do we think like this? Because in real life, we also have a cognitive load that we must balance with things that are more relevant to our everyday lives.

If I tried to memorize specific details of every country in the world, I would go insane. I have better things to do, so I create a general image of a country based on pictures I've seen, people I've met, food I've eaten, and so on. You do the same thing.

To be realistic, you do not need to be specific. You need to approach worldbuilding the same way people generate their world knowledge: basic concepts and visual imagery.

What to emphasize in worldbuilding

So let's break this down on what you want to think about when creating a world.

Food is one of the most accessible elements of a culture.

Food is how many people learn about different cultures for a simple reason: if you have the ingredients, you can cook food from anywhere. You don't need to be introduced to it by a native of that culture.

Plus, humans tend to like food. We kind of need it to exist.

Think about these things when considering national cuisines and eating habits of your fantasy world:

Do they have spicy food? Bland food? Heavy hearty dishes?

Is most food served hot or cold?

What kind of spices and vegetables do they use? Root vegetables, beans, cinnamon? Salt?

What type of meat do people eat (if any)? Seafood, poultry, beef, pork?

How is bread prepared? What is it made of? (Look, nearly every culture has some sort of bread, we love carbs)

What about pasta? Does that exist here?

Are desserts important? What are they made of?

What kinds of drinks do they have? Coffee, tea, milk, lemon water?

Is alcohol a thing? What kind of alcohol? How often do people drink? Are there bars?

How often do people eat, and when? Do they have the typical three square meals, or do people eat kinda whenever they feel like it?

Do people prepare food at home or are there restaurants?

Are communal dinners common?

Cultural stereotypes provide tension and can help craft your characters.

Are people in your culture known for their boldness? Their cunning? Their resilience? Their standoffishness? Their fiery tongues, or their passive-aggressive jabs?

You can play with a lot of this, either confirming or denying the assumptions through your characters.

Landscape gives us an idea of where we are and what to expect.

Landscapes are some of my favorite aspects of worldbuilding rather than intricate magic systems and political concepts. Readers get a good sense of environment when you focus in on landscape and how it impacts the characters. You can also build a culture off your landscape, such as how certain geographic features may influence peoples' attitudes and lifestyles.

For example, a coastal landscape will have beautiful views of the ocean, sparkling beaches, and maybe tall cliffs. Being a fisherman may be seen as an honorable but dangerous profession. People might cliff dive for fun.

Mountainous areas may produce cultural enclaves, especially in a fantasy setting where everyone is more isolated. One mountain town may have a completely different vibe than the town over.

Flat, wide-open plains mean people can spread out, but since moving from one place to another is easier, there may be a more cohesive culture.

An area with caves will have a sense of mystery and fear; there may be a lot of superstitions about the caves.

A swampy area can also be very mysterious as there are so many places to hide out and a lot of dangerous animals.

Climate influences how people behave.

Hot climates make people need to conserve energy, so they may take afternoon naps in the worst of the heat. They might value relaxation and calm over industry and productivity because bro, have you ever tried to even walk outside in the Florida heat? Shut up and get me air conditioning.

Cold climates make people need to stay active to stay warm, but they can also produce a sense of isolation. Think about how outdoorsy the Finnish are but how they looove their personal space.

Temperate climates are probably a bit more even-tempered, but as weather changes get more extreme, people will vary their behaviors based on the seasons: spending more time outdoors during summer but holing up during winter. The culture may emphasize hospitality because people need to rely on one another to survive, and they have time to meet their neighbors during the summer.

I am very partial to temperate climates, being from the American Midwest. We're known for being nice and hardy people. You should come visit.

Flora and fauna help the world feel real.

When I worldbuild, I often base my cultures on a real place and what kinds of animals or plants are there. For example, Breme is based on Mongolia so I have herbivores, big raptors, and a lot of grasses.

A warm climate will have lots of reptiles. Sea life will be important in a coastal area. Swamps might have big predators. Mountains will have hardy creatures that can climb. A savannah area will have huge herbivores and fast, hungry predators.

General cityscapes or villages are great for providing a sense of place.

Do people build low spread-out cities or tall rickety homes? What kinds of building materials do they use? Are there lots of markets, bars, apocetharies, temples or churches? What do homes look like here? What are any unique architectural features?

This gives a sense that we are in a different but specific world that has a rich culture.

Clothing tells us what people prioritize.

Cold places will have lots of layers. Hot places will have soft draping outfits or very skimpy outfits. Natural materials that are easily available will make up the majority of the clothing in a fantasy setting. You wouldn't have people wearing cotton in a place that doesn't grow cotton. If there are lots of sheep, people will wear wool. If there's lots of cattle, people will wear leather.

You can also think about adornment. Is jewelry common? What type? Why is it important? Is it a status symbol, a way to keep wealth, or perhaps ways to honor ancestors?

Cultural icons demonstrate what the society values.

A warlike culture will prioritize weaponry. A pacifist culture will think about art and music. A nomadic culture may have a rich oral tradition. An agrarian society will emphasize farming rituals.

Think of a few things that symbolize your society, whether that's musical instruments, weaponry, textiles, statues, or jewelry. Consider how those traditions could have come about and why.

Folklore and mythology offer an offbeat but important sense of history.

Folklore is often tied up with many other factors of a society, such as their religion, landscape, history, and overall values.

For example, the Japanese believe items survive for over a century gain a kami, or spiritual essence. This shows that the Japanese cherish their long history and their material culture, and it also infuses their Shinto belief into folklore.

You can also think about cryptids or ghost stories. Isolated and difficult terrain often makes people think of monsters lurking in the woods. Areas with lots of caves will have myths about what is down there. Coastal areas develop myths about ghost ships.

Idioms, turns of phrase, and gestural quirks tell us more about the culture without overwhelming readers.

This one can be more challenging (I haven't done much with it) but if you can manage it, you'll have a very rewarding story.

I'm not talking about making a whole new language here, but rather about idioms and turns of phrase. Think about all the fun idioms that English has, like "beating around the bush" or "break a leg." Without cultural context, you can't understand them, so you'll have to incorporate an explanation without actually stating it.

For example, you can have a character say "the horses are running fast" as they look out the window to see a sheet of rain. We can guess from this that the idiom is rain = horses, so lots of rain = fast horses. We'll understand from this that this culture probably loves horses; maybe they're a formerly nomadic race.

Gestures, like whether people give thumbs-up, point with their index, or bow with their hands to their chest all give us a feeling of the culture without being overwhelming.

What not to emphasize

Now that we've gone through some things to focus on, let's talk about what you don't need to make up for your world.

A whole-cloth language

Please, you don't need to create brand new words for things that exist in our world. You can reference a language, but do not make people memorize nouns they don't need.

Don't even make up the language at all. Say there's a language and then write the rest of it in English.

Made-up languages are irritating for readers because they want to focus on the characters and plot, not mysterious words they need to translate.

It's possible to make languages interesting without going into specifics. For example, the Bas-Lag trilogy by China Mieville has a species that communicates in clicks but the species can also learn human languages if necessary. There's a language called Salt that's basically the common tongue blended from everything else.

Do we need to know how Salt works? No. Doesn't matter. We're told someone is talking in Salt, or they're learning it, or they switch to it when meeting someone from a different culture. That's plenty.

Specifics of a magic system

You're not going to instantly summon up all the rules of magical realms when you visit a new country; you might not even know them. And your readers won't be too interested in them either.

For example, in The Eirenic Verses, I have High Poetry. Readers will come to know that this was a magical system where certain people given the power can recite a poem and whatever they speak comes true. Every poem can only be used once.

It was given by the goddess Poesy to a specific woman, Saint Luridalr. It was so successful that the goddess started giving it to more women and a whole religious system arose.

I don't need to explain exactly how it works because no one cares. Someone makes things happen by coming up with a poem: that's about it. We don't need to question whether certain rhyme schemes or meter or punctuation impacts anything. That's too technical.

If you've got pages and pages of notes on all the intricacies of the magical system, you have too much. Pare it down.

Political systems

Unless you're writing a fantasy where politics are absolutely critical to the plot, you can just reference the political system in passing and maybe elucidate a few key elements, like who the leader is, how power is transferred, etc. You don't need to go into all the specifics because most people are not going to care.

Hierarchies

Please don't lay out the entirety of an army's ranking system or how someone is promoted. Make up something consistent and stick with it, but don't go into exhaustive detail. People aren't going to sit and question whether a captain is above a lieutenant or how long it takes to become a general.

We'll know that a general is a big deal if the characters make it a big deal. We'll know who the head of the army is but we don't need to know how they got to that position.

Exact city layouts

You do not need to tell us where everything is in relation to one another. Tell us characters are moving from one landmark to another. You could say "this is across a bridge, this is up in the mountains, these buildings are right next to one another, these two buildings are in opposite ends of the city." That's plenty.

If somewhere is very far away, just show them travelling there and how long it takes. You don't need to measure it in miles or leagues or whatever. We will guess that if it takes them a week to walk there, it's pretty distant.

Economic systems

We just need the basics here: mercantile, capitalist, bartering, etc. We don't need to know if the coinage is pegged to a certain precious metal or if people invest their money or how people are paid. That's boring.

In my world, I have two currencies: quillim for Breme and barnals for Sina. What's the exchange rate? I don't know and don't care. How much is one quillim worth? One quillim is not a lot but 2,500 quillim is. How much is the average person paid? Doesn't matter. Do people keep lots of coins on them? No one is asking that. It's not important.

Transit systems

Tells us if the roads are cramped, spread out, nonexistent, poorly maintained. Tell us if there are road blocks or toll booths. Tell us if there are roving bandits. The more physical and sensory you can get, the more real it feels.

Few people care about the specifics of even their own transportation system. I know highways are fast, I know tollroads are expensive, I know parkways are pretty, I know some cities have weird turnabouts and dead ends. That's exactly what I need and what I care about.

That's what I've got for you today. If you liked this, maybe you'll consider checking out The Eirenic Verses series, which follows most of these principles.

I've been told that my fantasy writing is very approachable, even for those who don't usually like fantasy, specifically because I don't get too insane with my worldbuilding. So maybe you'll enjoy it too!

[niteshade925]

April 12, Xi'an, China, Daci'en Temple/大慈恩寺 and the Giant Wild Goose Pagoda/大雁塔 (Part 1 - Temple and Architecture):

Daci'en Temple is famous in popular culture mainly for one reason: the monk Xuanzang/玄奘, or the real person who inspired the character of Tang Sanzang/唐三藏 (sometimes translated as "Tripitaka") in the novel Journey to the West/西游记. Xuanzang was in charge of Daci'en Temple after he returned to China in 645 AD from his journey throughout Central Asia and India. More on him later.

The temple is also known for two more things, first is its importance to Chinese Buddhism, as the temple is considered the cradle of the Consciousness-Only School (weishizong/唯识宗) and the Dharma Characteristics School (faxiangzong/法相宗)(both are part of Chinese Mahayana Buddhism), and second is the Giant Wild Goose Pagoda (built in 652 AD while Xuanzang was in charge of the temple).

The temple has been rebuilt over the years, and the current temple (excluding the pagoda) was mainly built in 1466, during Ming dynasty, thus the current temple consists of Ming-era architecture:

Drum and bell towers within the temple

Giant Wild Goose Pagoda in the distance

More pictures of the architecture. I have to say it's better preserved here than in other places so far...

Coming up to the Mahavira Hall/大雄宝殿 of the temple

As mentioned in the previous posts on Qinglong Temple, I avoided taking pictures of the Buddha statues as this is considered disrespectful. But because it's just hard to avoid including them in pictures of the architecture, the statues may be partially visible sometimes.

Approaching the Tushita Hall/兜率

More pics of the architecture, note the pattern on the windows, called chuangling/窗棂. This particular one is a "three-crossing"/三交 pattern, the highest grade of chuangling.

There were two visiting monks taking pictures of this relief behind Mahavira Hall, so it's probably okay to snap a picture of it. The interesting thing is the bian'e/匾额 above it, which says 人天欢喜 (right to left: "human and heaven rejoice together"). Usually it's "heaven" before "human" (天人), but here it's clearly "human" before "heaven".

The Guanyin Hall/观音殿. Guanyin is the Chinese name for Avalokitesvara. The smaller red lanterns are where visiters hang their wishes from:

And finally the Giant Wild Goose Pagoda, one of the landmarks of Xi'an. This pagoda was originally built to house all of the Buddhist texts and relics Xuanzang had brought back from India, and is the largest Tang-era brick pagoda remaining today. In Tang dynasty (618 - 907 AD), people who passed the imperial exams to become jinshi/进士 would tour around Chang'an on horseback with flowers in their hair and write poems before this pagoda, called "雁塔题名".

Before we entered the temple, I could hear a weird jingle-jangle from across the street, but it was only when we came up to the pagoda that I realized where the sound was coming from. There were bells hanging from every corner of every level of the pagoda, and they were pretty loud for their size.

Since it was pretty hot outside that day, to avoid possible heat stroke we didn't attempt to climb the pagoda (I don't think there's air conditioning inside considering that this pagoda is 1300+ years old.....). I think there were several important artifacts/relics inside? But I can find some pictures from online for part 3.

[hamletteprinceofdenmark]

“Jack is so annoying the way he refuses to believe.”

He literally knows.

In the moment he recognises that he’s being unreasonable.

Van Helsing is asking him to believe in vampires.

“Dracula” was one of the landmark works of supernatural fiction. It, along with Carmilla and other works, put vampires on the map. The average Victorian person would never have even heard of vampires, or if they had, it would be — like Quincey — the bat, not the nightmarish horror.

He can’t be genre savvy right now. He’s too busy defining the genre.

Seward as a character is defined by his logic and his emotion. He is a man who strives to be cold, rational, and objective, but who cannot separate himself from his own emotions.

When Van Helsing challenges Jack with all the evidence before him, Seward is fighting everything he’s ever learned, and what his culture has taught him. He is fighting to “not let a little bit of truth check the rush of a big truth.” He wants to be Van Helsing’s “pet student”. He wants to learn. He has immense respect and admiration for his former teacher.

He literally in the moment knows that he’s reacting more on impulse than what he truly thinks. “Once more, argumentative hostility woke within me. I could not accept such an overwhelming idea as he suggested; so, with an attempt to argue of which I was even at the moment ashamed, I said:—” (bolded for emphasis by me)

Have you never found yourself grinding in your heels while realising in some back part of your mind that it’s against your interest? But that you can’t back down. To admit that you are wrong — that there is a Big Truth that you must accept at a cost to yourself (to avoid a greater cost later) — is so overwhelming that you reject it before it can have a chance to take hold?

Yes, it is frustrating, but please, spare some compassion for our man, Jack.

He is surely in the toils.

[howlsofbloodhounds]

Because I had headcanon that Color is Autistic and has developed special interests in things such as photography, travel, maybe even things like social advocacy.

Maybe even philosophy and psychology. For now, in this posts, I’ll focus on the big two: photography and traveling. (I will also touch on how Color’s physical disability, chronic fatigue, his autism, and perhaps his ptsd/ separation anxiety from Killer also effect his ability to engage in his interests in another post.)

I think he’d develop some decent if not above average technical knowledge, such as camera types and functions. Detailed understanding of different types of cameras (DSLR, mirrorless, point-and-shoot, medium format, etc.) and their specific functions.

Knowledge about various lenses (prime, zoom, wide-angle, telephoto, macro) and their applications. Mastery of camera settings like ISO, aperture, shutter speed, and how to manipulate them for different lighting conditions and artistic effects.

In-depth understanding of how aperture, shutter speed, and ISO interact to create a properly exposed photograph. Proficiency in using software like Adobe Lightroom, Photoshop, or other photo editing tools for post-processing and enhancing images.

He’d learn about artistic elements such as composition techniques, lighten and color theory. Develop a familiarity with compositional rules like the rule of thirds, leading lines, framing, symmetry, and how to creatively break these rules.

Knowledge about natural and artificial lighting, how to use light to create mood and depth, and techniques like backlighting, side lighting, and using reflectors. Understanding of how colors interact, complementary colors, and how to use color to convey emotion and direct viewer attention.

Awareness of different photography styles (portrait, landscape, macro, street, documentary, astrophotography, etc.) and genres, and what makes each unique.

Knowledge about influential photographers and their work, such as Ansel Adams, Henri Cartier-Bresson, Annie Leibovitz, and contemporary photographers.

Understanding the evolution of photography, from daguerreotypes to digital photography, and significant milestones in the field. Awareness of current trends in photography, popular styles, and emerging technologies.

And, of course, he’d develop and grow practical experiences and hands on practice. Experience with on-location shoots, managing different weather conditions, and adapting to various shooting environments.

Knowledge about how to properly maintain and clean camera equipment to ensure longevity and optimal performance. Skills in troubleshooting common issues like lens flare, sensor dust, or focus problems.

He’d have a deep enthusiasm for specific techniques or subjects he enjoys photographing, whichever or whatever you all think those could be exactly.

Likely to have personal photography projects, well-organized portfolios, and possibly an online presence showcasing their work. Extensive collection of books, articles, videos, and tutorials related to photography.

A special interest in traveling, in addition to photography, would manifest in the character in several ways, showcasing their passion and extensive knowledge about various aspects of travel. Here are some specific aspects:

For his interest in travel, he’d be very well versed in the planning and research process. Color might create comprehensive travel itineraries, meticulously planning each day's activities, routes, and schedules.

He might gradually develop an extensive knowledge about various travel destinations, including historical sites, natural landmarks, cultural attractions, and lesser-known gems.

He’d display a proficiency in booking flights, accommodations, and transportation, as well as understanding visa requirements, travel insurance, and local regulations.

An expertise in packing efficiently, knowing what to bring for different climates and activities, and how to pack photography gear safely for travel. Color is likely to show a very deep and profound appreciation for different cultures, learning basic phrases or even fluency in multiple languages to better communicate while traveling.

He’d definitely show a deep interest in trying and understanding local cuisines, knowing popular dishes, and even recipes from various regions. He’d have at least some knowledge about local customs, traditions, festivals, and etiquette to respect and immerse themselves in different cultures.

He’d certainly develop some geographical and historical knowledge, with a detailed understanding of world geography, maps, and the ability to navigate using traditional maps as well as digital tools.

Knowledge about the history of the places he visits, including significant events, historical figures, and the cultural evolution of the region.

He might maintain detailed travel logs or journals documenting his experiences, including photos, notes, and personal reflections. He’d definitely collect souvenirs, postcards, or other memorabilia from his travels; often gifting them to beloved friends.

He’d probably engage with travel communities, forums, and social media groups to share experiences and gain insights.

This special interest would possibly lead to him gaining a lot of practical skills, such as in budget management. Expertise in budgeting for travel, finding deals, and managing expenses effectively.

He might display an ability to adapt to different environments, handle unexpected situations, and problem-solve while on the go.

Although it’d probably be harder for him than most, particularly if he has a harder time handling and dealing with change—especially if the change is unexpected and unplanned.

Knowledge about staying healthy while traveling, such as understanding local healthcare options, vaccinations, and travel safety tips.

He’d like combine both interests by using his photography skills to capture stunning images of the places he visits, creating travel blogs or photo albums to document his journeys.

He might create photo essays or visual stories that capture the essence of the cultures and places he explores. Share his travel experiences and recommendations with others, possibly through writing travel guides, blogs, or social media content.

All this is to say that Killer would definitely encourage Color to come with him to explore abandoned places and ghost towns, and Color’s going to be so overjoyed he starts hand flapping. He’s going to take so many pictures, he’s going to remember it forever.

[jazzmckay]

'Killing's what swords are for': an Oghren analysis

companion piece to my other meta, 'I am your Paragon': a Branka analysis"

upon walking into the orzammar commons, you encounter an argument between two groups of dwarves that turns into a fight, resulting in one being killed. this is your first introduction to the political situation in orzammar, to bhelen and harrowmont, and to dwarven culture itself. the captain of the guard laments that the warden--an outsider--happened to arrive in time to see this, as it makes the dwarves look violent and disorderly. he seems to disapprove of the fight being witnessed by an outsider more than he disapproves of the fight happening at all.

behind him, a grand bridge stretches across the city, a bigger and more eye-catching landmark than anything else around it, even the doors that lead to the diamond quarter, which houses the shaperate and the royal palace. this bridge leads to the provings, where dwarves pit themselves against each other, sometimes to resolve grievances, sometimes just to fight for fighting's sake.

the dwarves are fighters. with the constant threat of darkspawn pushing at the borders of what's left of their empire, they have to be.

orzammar is also thoroughly structured. the caste system defines who a person is--who they must be. everyone has a role, given to them by birth. there are rules, and the dwarves follow them strictly. duty is the most important thing, and the cost of rebelling is steep. if an individual should step out of these rigid boundaries, the only recourse is an honourable death by joining the legion of the dead. otherwise, the casteless are left in the destitute dust town, or they go to the surface; both options involve that dwarf being removed from their people's records, no longer a recognized member of their society.

between this strictly regimented system and the value placed on their warriors and defenders, dwarven society exists on the razor's edge between violence and order. in some ways, it's a blend of the two. in other ways, the impossible dichotomy can ruin a person who only ever sought to be what orzammar needed them to be.

oghren is a member of the warrior caste, and he is also a beserker. his purpose in life is to be a fighter, a defender, a protector. the warrior caste is the sword and shield of orzammar. without them, darkspawn would likely overwhelm the legion of the dead and then lay siege to the city, and so they are trained--and expected--to be as fearsome of a warrior as they can be.

as a warrior, oghren was successful, and gained respect and renown. being an exemplary member of the warrior caste, he was chosen to marry branka, who was an exemplary member of the smith class. oghren was already interested in felsi, but he did his duty to his people and gave her up to marry branka. they were both recognized for their accomplishments and upheld as role models, all the way to branka eventually being named a paragon, a living ancestor, akin to a god.

and then branka disappeared.

and orzammar gave up on her.

anyone you talk to about branka will tell you what a genius she was, about the invention of hers that earned her paragon status. they'll also tell you that she's been gone in the deep roads for so long that there's no way she's still alive. people have accepted that she's gone, and it's a waste to send search parties out after her, as they'll just lose more people in the process.

oghren can't let this go. branka is his wife, and it's easy to see how much she means to him--even though their relationship was rocky--in how he talks about her accomplishments, her cunning, her tenacity. to him, it's a disrespect for orzammar to give up on her and assume her dead. he's convinced she's still alive out there, and the lack of belief from others, the lack of action, is maddening for him.

oghren describes being a berserker as "mad rage". he says:

Oghren: The hard part is getting in touch with your rage. We all learn to hold that back. It's why we don't kill every duster who looks at us sideways. You need to shut that off.

being a beserker on behalf of orzammar means unleashing that mad rage in defense of the city, and when orzammar abandons oghren's wife, their paragon, he is understandably livid. this leads to him demanding action, and killing a lord's son who doubted branka was still alive, in a duel that was meant to only be to first blood. the warden first encounters oghren when he's arguing with loilinar ivo about the lack of support for branka, and he'll explain the situation oghren is now in, two years after branka's disappearance and as a result of him killing that lord's son:

Loilinar: It was a huge scandal. Oghren should've been executed, but he'd won honours in the Deep Roads. Instead, they stripped him of all weapons, and forbid him from engaging in fights within city limits. If he breaks the decree, he'll be exiled.

loilinar also aptly refers to oghren as "practically gelded". oghren is a warrior, and a berseker, who served orzammar well enough to gain honours and be part of an arranged match. his rage has been a tool for orzammar's protection. he played his role perfectly, up until orzammar abandoned branka. he gave everything to orzammar, and only lost everything in return. he may not have been exiled immediately, he may still be oghren of house branka, but house branka no longer exists in the eyes of most. the entire house, oghren excluded, disappeared, and is presumed dead. oghren is still allowed in orzammar but he isn't allowed to carry weapons, he no longer has his family, he no longer has his people's respect. the only thing that's left to him now is drinking away his sorrows and trying, again and again, to convince someone, anyone, that it's worth sending a group after branka.

when you first get to speak with oghren, he's drunk, angry, and distrusting. he calls you out for doing dirty work for one of the potential kings. he doesn't believe you genuinely want to help him find branka out of the good of your heart. and what reason does he have to think otherwise? no one else is willing to help him, especially not without ulterior motives. the warden is just a stranger, or worse, a lackey for the kinds of people who have disrespected branka and ignored his pleas. his rage has been simmering without an outlet for two years. his city has given up on him as much as it gave up on branka. the oghren you meet is a shadow of his former self, beaten down, practically a nobody.

oghren was orzammar's sword. killing is what he is for. all he ever tried to do was be what orzammar needed him to be, to fit in that strict caste system, but how could he, when he was taught to give into a wild, mad rage, within a society built on rules and order?

oghren himself says it best later on, when you ask him about the warrior caste:

Oghren: You get a sword or an axe and are told to go out and defend your city. It's the best thing in the world, that is until you try to live in the city you saved. I mean, they train you to kill, teach you to harness your rage at the first noise you hear, then try to set a hundred sodding rules about it. Like those Provings. Ancestors show their favor through the strongest arm, right? So why so many rules saying how to fight and when you win, and not to bloody kill? Killing's what swords are for! You toss a nug to a deep stalker, you don't expect it not to eat the thing, right?

while branka is lost and doomed in her drive to live up to orzammar's standards, oghren still has a chance for escape. after completing paragon of her kind, oghren leaves orzammar without any hesitation. becoming a surfacer is exile, it is to be casteless, and many dwarves are wary of what lies beyond their city, with that vast open sky above. but oghren doesn't hesitate, and he's hardly fazed. later, he expresses that he doesn't miss orzammar:

Oghren: What? Miss Orzammar? Are you mad, in addition to being ugly? They treated me like a puddle-fly back there. I'm never going back.

and that he prefers the broader, less strict world of the surface:

Oghren: No one has any idea who you are. Or what you're doing.

in essence, he's free. he has a blank slate. he isn't a member of the warrior class, he isn't the husband of a paragon, he isn't oghren of house branka. he is a companion to the warden, and will fight against the blight, but these are connections he chose and willingly aligned with. when all this is said and done, he can do anything he wants with his life.

oghren's personal mission isn't just about hooking him up with an old flame. it's about helping him get what he truly wants, if felsi will have him back, and a second chance at a life that will make him genuinely happy. in the awakening dlc, his personal mission then is about balancing the person orzammar made him into with having a family. everything that happened in orzammar has left a mark on him; settling down completely may never be possible for him. he feels like killing is all he's good at, and now he has joined the wardens as well, but with the right encouragement, he can embrace fatherhood.

it may not be the most picture-perfect ending, but it works. oghren has gotten to make choices for himself, and the grey wardens provide him an outlet, give him the chance to still fight orzammar's main enemy on his own terms, and to fight along comrades who are all equal, who see him as a brother-in-arms without any politics, expectations, or additional obligations in play.

in the oghren the family man quest, when encouraged to stay in touch with his family, oghren says:

Oghren: And hey, (chuckles) the little one will grow up thinking Daddy's a great hero.

and maybe that is all oghren needs to be happy, in the end, after giving all of himself to every fight he has faced: to be seen as a hero.

[theoutcastrogue]

The Port & the City

Buenos Aires, photo by lasgalletas (Creative Commons CC BY-NC 2.0)

Introduction

City of witches and of asphalt, port with no exit to the sea! — La Portuaria, from the port of Buenos Aires

Some cities have a port, and some port cities have a port culture. That's how I call it, anyway. It's a very special thing. It's created by the furious economic activity that concentrates around the coming and going of ships, cargo, and people. A port needs to cater to all of that, the ships and the cargo, the shipowner and the dockworker, the captain and the deckhand, the tourist and the sailor and the fisherman. And that transforms the entire city.

Where a port city meets the sea, there's shipping companies, travel agencies, imports/exports, truck companies, posh hotels, shitty hotels, fancy bars, seedy bars, brothels, strip clubs, theatres, restaurants, casinos, bookshops, tool shops, souvenir shops, fishing supplies, and fresh fish. There's peddlers and businessmen, porters and accountants, all sorts of people, and they all mingle. They have to! The port's there!

Port cities have their own landmarks and geography, with docks, wharfs, piers, depots, gates, shipyards, and people can orient themselves by relation to the water.

New York City, photo by Kari Nousiainen (Creative Commons CC BY-NC 2.0)

Crime

My gold watch and my pocketbook and lady friend were gone And there was I, Jack all alone, stark naked in the room — the port of New York City

Port cities attract furious criminal activity. Firstly and obviously, everything that's smuggled will be smuggled through here, from cocaine to counterfeit handbags to guns to oil. (I mean crude/refined oil, though with the prices we've seen lately, olive oil is equally plausible.) Port authorities, customs, shipowners and workers, all can have a hand in the pie, a little finger or both hands shoulder-deep, depending on how high up the ladder they are.

Second, ports are always full of newcomers, sailors and passengers, and all newcomers are potential marks. Con artists, scammers, and grifters of all sorts can ply their trade here. There's also a lot of shilling for more or less legitimate businesses (come buy this, sir! rent a room here, ma'am! oh but you must have a drink there, buddy!), and peddling less then legitimate goods (may I interest you in a fine watch? Rayban glasses, I have Rayban glasses! 100% genuine!). And then there's good old pickpocketing. Although in most cases, pickpockets are not allowed to operate within the port itself: it's bad for everyone else's business, and unlike cops, "everyone else" can actually enforce that.

And third, there's the entertainment sector: the trifecta of night life, sex work, and gambling, all going hand in hand with the sale and consumption of drugs and booze. Expect the port city to be much more entangled in all that than other cities, and the port itself to attract the bulk of it, or the worst of it. Things that are theoretically illegal might be tolerated here, things that are heavily regulated elsehwhere might follow their own rules here, and things that are otherwise unheard of can be found here. What are you into? Step right up but beware: the large print giveth and the small print taketh away.

The upshot of all this is that people in the port's vicinity (not the whole city, though) are more likely to be involved, or at least personally know someone who's involved, in profoundly shady and/or illegal business. And that certainly affects the culture. Breaking the law is more "eh" than "oh my!".

Clydebuilt Museum, photo by Paisley Scotland (Creative Commons CC BY 2.0)

Politics

All my life I've lived beside the waters that they call the Clyde I build the ships and watch them glide down the Broomielaw, sir Trudge to work in sleet and rain, labour for another's gain know yer place and don't complain, that's the rich man's law, sir — Alistair Hulett, from the shipyards of Glasgow

A port displays furious political activity. Unions are strong here, because labour is not only working, it's working hard, manually, in the same spaces (so they can talk about it!), and facing the same dangers to life and limb. Working on the docks, handling cargo containers, and ship-building and maintenance are very hazardous jobs (scrapping even more so, I'd say dramatically so), and under these conditions, it's easier to spot the enemy. Not automatic though. Port cities are traditionally, but not unconditionally, strongholds of the left.

Today, it's extremely important for the left to take the ports, because if it doesn't the fascists will. The workforce here has significant ethnic diversity, coming both from inland (immigrants and local minorities) and from the sea (sailors who go around the world sometimes end up working in random ports). So basically, this either goes "proletarians of the world unite" or "foreigners are stealing our jobs", no middle ground.

By the way, if all your knowledge about port unions comes from The Wire, or worse (for our older readers) from On the Waterfront, please be aware that these are slanted depictions, and you don't actually know anything. [They're not equally slanted, The Wire is nowhere near the other one's level of shameless propaganda, nor so completely divorced from reality. I mean yes, unions can be involved in shady business; so can literally everyone else in the port. But On the Waterfront, without the slightest exaggeration, is to American organised labour what Birth of a Nation is to Black Americans.]

Valparaíso, photo by [o] Rolando Vejar (Creative Commons CC BY-SA 2.0)

Culture

Amo el amor de los marineros que besan y se van. Dejan una promesa. No vuelven nunca más. — Pablo Neruda, from the port of Valparaíso

The port's culture seeps through the rest of the city. This is where sailor lore gets created and spread, and a port by definition loves travel and the ocean. Many non-sailors fall for it hook, line and sinker, and write poems and sing songs and their heart swells at the mere thought of sailing. But their fascination is often rose-tinted, whereas people who make a living from the sea typically have a love/hate relationship with it.

Maiden voyages are important occasions in shipbulding ports. A ship's last voyage, before it goes to scrap, is also memorable. If the ship regularly docks there, it will be the talk of the town, and if it's a passenger ship [this assumes a geography with regular passenger runs], a whole mess of people will be sharing stories and memories, waving it farewell, shouting, applauding, crying a little. It can get very emotional.

There's also a silly sort of localism/professional pride going on, where even the port's accountants, who've never set foot below decks IF they've actually boarded a ship, feel like they're a different species of accountant, inexplicably tougher and saltier than their more, er, inland colleagues. No matter who you are and what you do, it's badge of honour to say you're from and/or work at the port, like you're automatically endowed with tenacity and street smarts. It doesn't make sense, but there you have it.

Rotterdam, photo by MaxAmy Photography (Creative Commons CC BY-ND 2.0)

Desire

In the port of Amsterdam there's a sailor who dies Full of beer, full of cries, in a drunken town fight In the port of Amsterdam there's a sailor who's born On a hot muggy morn by the dawn's early light — Jacques Brel (in David Bowie's adaptation), from the port of Amsterdam

A port is filthy, grubby, and hopelessly romantic. If it faces somewhat west, it's on fire every sunset. Silhouettes of gigantic cranes are framed by red clouds like alien tripods. The sun sinks into the ocean, and tell me, in the whole wide earth, is there a sweeter sight? Ships approach like sea beasts, and dock in their usual place like old friends.

A port carries the whiff of grease and petrol, the cool sea breeze, and the incessant sounds of waves and engines and – most of all – people. A port IS people, passing. And tell me, in the whole wide world, is there anything more exciting and heartwrenching than people passing? A port city can fill you with wanderlust and feel like a prison, or a warm welcome, or a devastating farewell.

And if you point a gun to my head and force me to describe a port in a single word, I'll have to say: desire.

Love me, leave me, hold me tight, walk away, forget. Look at how I broke inside, and how the sea has swelled! It's pouring out a riot of colours, scents, and lights, and in the city's gutter it's building paradise. — Ξύλινα Σπαθιά, from the port of Thessaloniki

Thessaloniki, photo by Arend Kuester (Creative Commons CC BY-NC 2.0)

La Portuaria - Un dia cualquiera (El bar de la calle Rodney) | the port of Buenos Aires

Ξύλινα Σπαθιά - Ρόδες | the port of Thessaloniki

Tom Waits - Step right up

Finbar Furey - New York City girls | the port of New York

The Dubliners - Go to sea no more | the port of Liverpool

Alistair Hulett - The Old Divide and Rule | the shipyards of Glasgow

The Dreadnoughts - Roll Northumbria | the shipyards of Tyne

The Longest Johns - Fire & flame | the port of Halifax

Maria del Mar Bonet - Merhaba | the ports of the Mediterranean

Cesária Évora - Mar de canal | the port of Mindelo

Susana Baca - Los marineros | the port of Valparaíso

Παντελής Θαλασσινός - Άσπρο καΐκι στη Νέα Πέραμο | the little port of Nea Peramos

Jacques Brel - Amsterdam | the port of Amsterdam

Social Waste - Kasbah | the port of Algiers

Πάνος Κατσιμίχας - Ο πιλότος Νάγκελ | the port of Colombo, so far from Lofoten

Ξύλινα Σπαθιά - Φωτιά στο λιμάνι | the port of Thessaloniki

[lunadileo]

🌟 Leo In The 9th House 🌟

✨ Natives with Leo in their 9th house are well-travelled. They have a very powerful subconsciousness and strive to be the best at what they are doing. They spend a lot of time studying the subjects they are interested in (for example, politics, public relations, philosophy, spiritual topics) and are very good at teaching other people. They speak with power and authority, being confident in themselves and in what they are preaching. When travelling, they absolutely love to learn about new places, cultures, cuisines and landmarks. They have great skills in learning foreign languages. These people strongly believe in themselves and are confident in their forces. Many people look up to them for how much they have gone through in life and came out as a winner!

✨ Some people see natives with Leo in 9th house as arrogant and boastful as sometimes they tend to act intellectually superior. They put a high emphasis on knowledge, be it self-development or getting higher education as this is a symbol of status to them. Natives with Leo in the 9th house learn early on in life who they are. They define and validate themselves. They have a very high level of self-confidence and self-respect and would never allow anyone to dictate them who to be and how to live their life. They are very independent in their views and opinions about everything in life. They are their own bosses and do what they want.

✨ These natives are very enthusiastic, ready to live their life to the fullest. Inspiration comes easily for them, they are very creative and passionate in whatever they do. Natives with Leo in the 9th house are natural born leaders, great spiritual mentors. They are able to lead people to become their best confident and successful selves. They are constantly working on bettering themselves, focused on self-improvement. They are very confident in their skills and abilities when it comes to their education and have a lot of academic success. Once these natives set their mind on a certain belief or philosophy, it's almost impossible to change it no matter how many people try to influence them.

✨ Natives with Leo in the 9th house can gain popularity and recognition in foreign countries. People admire and look up to them. These natives consider themselves to be a worldwide person and feel comfortable living in a foreign country. It gives them freedom and joy to expand their horizons. They have great opportunities to settle in foreign lands, gain admiration and love from other people. Natives born with Leo in Ninth House can learn from people with authority, like their boss or the man who raised them, but can’t be influenced by women to attain their true potential.

© 2023 Credits to my blog @lunadileo ღ

[zodiactalks]

What FIRST DATE Will Make Each Zodiac Sign FALL in LOVE?

The first date can make or break the chances of a future relationship. It tells you a lot about the person you are considering as a partner.

If you are well suited to one another or not. 

The zodiac signs are all likely to have a couple of key things they look for on a first date. They may want a relaxed, traditional date. Or they may want a thrilling, adventure-style date.

Let’s take a look at what will have each zodiac sign falling in love by the end of your first date. 

Aries

Anything fun to bring out Aries inner child.

And make it competitive.

It can be physical like hiking or a sport they enjoy. It could be an amusement park or a go-cart track. If they are more intellectual, you could take them to a museum or historical landmark with a good long walk to it.

 Anything that gets Aries moving will endear you to them. Make sure it applies to their interests. They will be pleasantly surprised at your attention to detail.

Taurus

Anything from a nice dinner and a movie to a casual café date works for Taurus. 

Taurus is a creature of habit. If they mentioned a favorite spot they go to a lot, or a place they tried once and liked, take them there.

Taurus would also enjoy it if their date took them somewhere that meant a lot to them. Taurus loves to learn about the person they are dating by experiencing what they love. If the two happen to love the same thing, it will be the start of a great relationship.

Gemini

Talk with Gemini for hours. 

When Gemini begins to talk to you about themselves in a more intimate manner, they may be falling for you.

If you can get Gemini talking about themselves, they will likely be the one to ask you out. They have an abundance of date ideas to choose from. If they ask you to pick one, it is likely a test. 

Pick the right one and you will see Gemini light up. They know you are the person for them.

Cancer

Take Cancer to a cultural festival. 

Cancer loves local gatherings. They like to interact with different communities and learn about other cultures. 

Cancer will be surprised at your off the beaten path date idea. Not many people would think of such a casual, yet personal date idea like this. It will show your consideration for things Cancer enjoys.

Leo

A fancy date to a fancy restaurant. 

Dates, especially the first one with a potential partner, must be classy. They are an excuse to get dressed up in Leo’s best clothes. 

If your Leo is a woman, you’d best expect to foot the bill. Leo is a traditional zodiac sign, and all genders love to be doted on. 

The first date with a Leo is all about silently testing you. Will you compliment their appearance? Will you laugh at their jokes? Will you pay for dinner and drinks? If you pass them all, Leo will be infatuated. 

Virgo

Take Virgo to a bookstore.

Virgo is all about learning. They probably already have a home library they want to keep adding to. 

If you take Virgo on a date to the bookstore and buy them books, you might as well have proposed. 

Make sure you let them read in peace. But do stay near them. If they give you a book that they love, make sure to read it and try to understand why they treasure it. That kind of effort will have Virgo falling for you.

Libra

Libra will enjoy cultural festivals, museums, and theatre performances.

Libra enjoys the arts. If you take them somewhere they have mentioned wanting to go, like that new play, you will see them light up. 

Dress up in a classy outfit and enjoy the show. After, make sure to take Libra to a nice dinner and escort them home. 

Libra loves the classy, rom-com type dates. Depending on the individual, tailoring the date to them and their specific tastes will be key.

Scorpio

Take Scorpio on an adventure. 

Scorpio is quite the adrenaline junkie and will enjoy any date that feeds that. If you are willing to go along with that kind of date, you will have them hooked. 

Scorpio enjoys trying out new, out-of-the-way places they may not have known existed. This could be a small place to eat down a creepy alleyway. Which will engage their adventurous and thrill-seeking sides at the same time.

Double points if it turns out the restaurant is bougie. Scorpio can have expensive taste, and indulging that will have them falling for you. 

Sagittarius

Sagittarius will enjoy a date just about anywhere. 

If Sagittarius is already crushing on you, there’s a good chance they will love wherever you take them. Of course, asking the individual for their input is always a good idea, as they will have opinions. 

Sagittarius will likely want to go somewhere new to them. If you have a place you are familiar with, take them there. Sagittarius lives for experiences, getting to know the person they are dating through their favorite places is attractive to Sagittarius.

Capricorn

Take Capricorn to a new hiking spot.

Capricorn likes to get out of the busy city when they get the chance. Hiking is an enjoyable thing for them. Spending time in nature is healing. 

If you introduce Capricorn to a new place to hike, they will find you a valuable resource. It sounds a bit cold when talking about a person they are dating, but that’s the first step in making a Capricorn fall for you.

Capricorn has to find a person useful and valuable to them for attraction to set in. Once it does, though, prepare to be loved hard.

Aquarius

Aquarius can be wooed by travel dates and dedication to a cause.

Aquarius is a natural humanitarian. It’s not unusual to find them volunteering at a local organization or community event. That is oftentimes how they meet people they end up dating.

Aquarius wants to know the person they consider dating has values that align with their own. It’s essential that they see eye-to-eye with you. 

Aquarius is not one to overlook a difference of opinion when it comes to moral standing. This will have to be the first thing you prove to get Aquarius to go on a date with you.

Aquarius will be excited if you come up with a day trip somewhere close by. Preferably somewhere they haven’t yet explored. If you can find an opportunity to combine travel with their other passions, Aquarius will find themselves falling for you.

Pisces

Pisces will enjoy a sweet, personalized date.

Cook them dinner, take them for a drive to go look at the stars, and talk about anything and everything. 

Pisces wants to feel the effort you are putting into dating them. It is extremely important to Pisces that a potential partner can share in their interests and efforts in a relationship. 

By putting in that effort on your first date with Pisces, it will endear you to them quickly. 

[endcant]

Crossposted from my Tumblr Community: The Trans South

--

The Trans South Monthly Bulletin Board

Our pinned post for the month of November, 2024.

comment anything you want to add, and i'll add what fits in this month's post. i'll be making a new post each month, so you may need to resubmit any links that are applicable for multiple months. check the comments for anything i missed!

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the bright side:

the fact that you're alive is good news to me!

"Good News: Some States Passed Protections for Abortion Access, Marriage Equality, and More" | Here is an article with some upshots and progress from the 2024 election.

"Lipstick Lounge Owners Break Ground on Sports Bar Venture" | "The Lipstick Lounge is one of only 32 open and operating lesbian bars in the United States registered with the Lesbian Bar Project."

"Florida's LGBTQ+ community defies queer repression with advocacy & preservation" | "I will not paint a desolate picture of the state. And, there still is hope."

"The Candy Shop: Columbia SC Rallies to Honor Landmark Black Gay Bar" | "Researchers and preservationists at Historic Columbia have joined the struggle to correct the way the club has thus far been "written over" in the historical record."

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TTS crowdfunds:

help fellow transgender people in your community today!

Catgirl-smash needs help with bills and moving!

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fun links:

things that gave me dopamine and kept me going

Read "When We Call a Place Home" by Chinelo Onwualu | "A utopian tale of historical memory, the dangers of forgetting…and vampires."

WEBFISHING | "WEBFISHING is a multiplayer chatroom-focused fishing game! Relax and fish (on the web!)"

Memory Games | I've been using these memory games to try to heal my brain a bit from long covid brain fog.

Mahogany's List of Black Banned Books | Read some books they don't want you to read!

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useful links:

interesting resources and organizations you should know about

Trans Reads | "Trans Reads is an ambitious project created by and for transgender people to openly access writing related to our communities."

Southerners On New Ground | "SONG is a home for LGBTQ liberation across all lines of race, class, abilities, age, culture, gender, and sexuality in the South".

Winners from The LGBTQ+ Victory Fund | Check out this list of winning LGBTQ+ candidates for various political offices from around the U.S. who were supported by the Victory Fund.

Lambda Legal's Help Desk | "a resource for the community we serve in providing general legal information and resources relating to discrimination based on sexual orientation, gender identity and gender expression, and HIV status."

Every State has a DD Council! | Did you know that it's federal law that every state must have a council whose job it is to hold their state accountable on behalf of developmentally disabled people?

Help the Palestinian People with a Click | "Your free click generates donations from our sponsors. Remember, you may click once a day, every day. Donations raised will go to UNRWA to assist the Palestinian refugees."

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If you're an adult trans person in the U.S. South, join my Tumblr Community: The Trans South.

If you're a teen trans person in the U.S. South and you create a youth community for trans southerners, let me know and I'll link to it in The Trans South.

[rjncore]

Unexpectedly Yours (Chapter 1)

You've been accustomed to living in Italy now. It's been 4 years since you first stepped foot in that country. When you got there, you thought you would just be there for your job and stroll around. It wasn't part of the plan to stay there for good. But as days passed by, you found yourself falling in love with the culture, its people – everything. And maybe, just maybe, there will be more reasons to stay in that country.

It was part of your bucket list to go to Italy to see their picturesque landmarks in person. After you graduated from university, you were eager to have a job immediately to save up money for your goal. You were able to land a job in a prestigious and established company as an architect. That's already a huge step towards the fulfillment of your goal. But little did you know that you'll be much closer to your goal than you think. One day, you were so busy making a plan for a project that was assigned to you when your boss suddenly sent you a message to visit his office.

"Good morning. I would like you to come and visit my office today. I'd like to propose something to you."

With curiosity taking over your head, you hurriedly went to his office. As soon as you arrived, your boss went straight to the point and said, "Well, our company has a branch in Italy. They need a helping hand and creative mind because of a huge project. I would like you to go there. You'll need to stay for 2 months but if the project requires you to extend, it's fine. The company will cover the expenses of your trip and stay there. I hope you consider this offer."

Hearing this, you knew that you didn't need to think it through. It was an invitation, a great opportunity that doesn't come often to anyone. "Sir, thank you for giving me this offer. I'm accepting it because I believe it's a huge opportunity not just for me but also for the company. I would like to see the scenic architecture of Italy as an architect myself."

A week has already passed, and you'll be leaving for Italy today. Your most awaited day has finally come. You're already at the airport and it's almost boarding time. It'll be a long flight so you've decided to find something to watch during the flight. You picked up your iPad and scrolled around. You saw your friends and workmates leave you good luck messages. You're normally into Netflix series, but a workmate recently recommended you something else to watch – Haikyuu. You have no idea about it so you searched, only to find out that it was about volleyball.

"Heck no, I don't even watch anime, let alone sports anime." you murmured to yourself as you browse about it. You just finished watching a romance series so you're still trying to find something else to watch. It's been an hour since the plane took off, and you're still scrolling around. You thought that it would be better to just doze off for now but you're still not sleepy. You picked up your phone instead, and opened TikTok. For some reason, the algorithm of that app is weird, at least for you. You don't even watch sports, but a video clip of a volleyball player is now in your FYP (For You page). To be honest, it wouldn't hurt to watch the clip and as someone who doesn't know anything about the sport. You thought he was just average — nothing too special. Being curious enough, you read some of the comments under the video telling that he's got great skills, and he was born to be a volleyball player. But there was also one comment that made your eyes grow wide, “He has been playing in Italy for quite a while now. Maybe that's the reason why he has improved so much.”

"Hmm, ok. I see" you mumbled to yourself. To be frank enough, that one video sparked curiosity inside you – something that you didn't expect you would feel. Maybe you suddenly became interested to know more about the sport, or because of that person you just watched a video clip of. “Yuki Ishikawa, team captain of Japan men's volleyball team plays professionally in Italy” you covered your mouth in awe, as you searched him in Google. Instead of trying to review the project that you're about to handle, you're now in a completely different world. You kept on watching his videos during the flight, and you realized that you just got yourself into something new. Maybe, volleyball isn't too boring after all.

It was a 13-hour flight and you were only able to doze off 3 hours before you landed in Italy. You're now in Milan, but it didn't fully sink into you yet as you were still feeling a bit groggy after only having slept for 3 hours. Your boss texted the location of your apartment, so you went straight there to rest and settle your things. The first 2 days in the country were your free day. It was up to you on how to spend those days to the fullest. You've come up with a plan and besides, you need to actually get used to the environment and have some time for yourself too. It's the weekend, so your plan was to visit Duomo di Milano then try some famous Italian food. You learned some basic Italian words now that you can use when socializing, especially when you are out alone. Everything is going according to your plan that day – trying out famous Italian dishes and strolling around the plaza. But then, it suddenly rained.

"Argh!" was all you can say as you scratch your head while booking a cab in your phone.

You didn't bring an umbrella but luckily, the cab arrived few minutes later. As you're on your way back to the apartment, it dawns on you that you still have to walk a bit before reaching the complex. You have no choice. The cab can't enter the complex, so you must walk in the heavy downpour. After a 15 minute ride, you finally arrived.

"Grazie!" you cheerfully said to the driver, as you made your way towards the apartment complex. As you didn't have an umbrella, all you could do was use your small, black handbag to cover your head. However, it proved useless since you are wearing a dress and now, it's all wet. You were almost at your apartment, so you tried to run with all your might, itching to change your clothes. You're also quite worried that you might get sick on your first day in the country. But then, as you were running, you bumped into someone.

"O-oh, I'm sorry and thanks too" you said, as he returns your handbag to you, because you dropped it out of hurry.

"You're welcome" he answered, his voice soft. You smiled at him sheepishly, feeling the awkwardness in the air. He's still staring at you full of gentleness yet concern as well. It was a complete silence, before he got the courage to speak up.

"Miss, do you live here? You're drenched. You should return to your place" he said as he looked away from you, rubbing the back of his neck. Lost in the moment, you find yourself staring blankly into space. You tried to avoid eye contact with him not only out of embarrassment, but also because of the fact that he's not just anyone. Same like you saw him in the internet, he's tall and his body proportion is very athlete-like. Well, he's Yuki Ishikawa.

It was another minute of silence, you couldn't respond to him immediately as you're still processing who's in front of you right now. Then again, he broke the silence.

"Miss?" he waves his hand to you, trying to get your attention back.

"Uhm y-yeah, I just arrived here. Was strolling around then it suddenly rained like this" you answered, nerves evident in your voice. He lets out a chuckle, causing you to feel warm in your cheeks even with the cold breeze brought by the rain.

"Oh, so you're new here. It's obvious. By the way, I'm Yuki Ishikawa. See you around" he then waves his hand, bidding his goodbye.

By the looks of it, it seemed like he was going to their training today. He had a hand carry bag with him. "Do they still have training today? In this heavy rain?" you mumbled to yourself, as you finally reached your apartment. As you sat down on the sofa, drying yourself with a towel, a realization hit you. His calm demeanor earlier, opposite to the strong aura he had when he's on the court, as you've seen in the videos was something that you didn't expect. The gesture was very gentleman of him, you thought to yourself. You just knew him through internet but seeing him in flesh and actually talking to you in a respectful manner, stirred something inside you. Perhaps you're already starting to get the hype for him as you murmured, "Mhm, he's nice".

Back in the parking lot, as Yuki gets inside the car and prepares to leave for training, his phone suddenly buzzes. It was an announcement from their coach, "Our training is postponed today. We'll reschedule it, when the weather gets better." Yuki lets out a huge sigh, knowing that his usual routine will be disrupted today. He has been used to training during this day of the week for a very long time now. Yet he had no other choice but to return to his apartment. The heavy downpour earlier is just a light drizzle now, so he took some time to walk back to his place. His footsteps were steady, as he was still thinking about the encounter with the woman earlier. It's nothing too special, yet his lips can't help but to form a smile. He himself was surprised with the way he talked to her. He doesn't usually behave with someone like that outside of the volleyball court. But maybe, it's time for a change.

[empirearchives]

The Dome of the Halle au Blé — Ironwork in Paris in the 19th Century

The Halle au Blé under demolition in 1887

The Halle au Blé was transformed into the Bourse de Commerce — Pinault Collection. Though most of the original building was changed, the iron dome designed in 1807 was kept in tact.

The iron dome of the Halle au Blé (which housed the grain exchange of Paris during the 18th and 19th century), was the largest iron structure in the world at the time of its construction between 1807 and 1813.

The original dome of the Halle au Blé was made of wood and burned down in a fire in 1802.

The replacement dome, upgraded to cast iron, was designed by François Bélanger. The design was sent to a committee headed by Becquay-Beaupré, and was approved by Napoleon in 1807.

Bélanger's elegant and audacious design was submitted to Crétet, who consulted with Napoleon. The emperor approved the project in a decree of September 4, 1807. Napoleon was interested enough in the project to visit the site during construction, and he personally dedicated the dome. Actual construction began in 1809 with cast iron produced at Le Creusot, but the dome was not ultimately completed until 1813, having cost 700,000 francs, seven times more than the original estimate.

Bélanger’s iron dome is important because it was the largest iron structure of its day, and it was several decades before another of such magnitude was constructed. The elegant and slender ribs of the dome seen from 40 meters below create an illusion of lightness far surpassing that which is possible with other traditional framing materials.

The novelty of the use of iron and the thinner dimensions made the Halle au Blé a notable attraction in Napoleon’s day and throughout the 19th century. Pierre Fontaine, whom Napoleon had named First Architect and who had argued with the emperor regarding the Vendôme Column, the Temple of Glory, the Pantheon, the Pont des Arts, the Pont des Invalides, and the Pont d'lena, found the dome to be much more satisfying in its use of iron than these other structures.

“This work,” he wrote, “is one of the most remarkable which has been erected under the present regime.” In fact, many of the Parisian guidebooks of the last century give ample treatment to its description, since the dome was considered to be one of the significant landmarks of the capital.

Conversion to the Bourse de Commerce:

The engineer Cosmo Canovetti was charged in 1887 with the reconstruction of the Halle au Blé and its conversion into the Bourse de Commerce. In order to determine whether to retain or reconstruct the dome, Canovetti examined it for any deterioration. He calculated the bending moments by means of funicular polygons, a process unknown to Bélanger, in order to determine whether the additional weight of a roof covering over part of the dome would create any structural problems. Canovetti found the structure adequate, and he observed that Bélanger had understood well the appropriate ratio of diminution to give the ribs from their spring points on the masonry wall to their apex at the compression ring which forms the lantern base.

Source:

Building with Iron: A Napoleonic Controversy, Frances H. Steiner, Technology and Culture, Volume 22, Number 4, October 1981, pp. 700-724 (Article), Published by Johns Hopkins University Press

[pharawee]

I'm thinking of reviving my super random (and spoilery so be warned!) review posts for I Feel You Linger in the Air because I have so much love for this show and I need a place to gather my super random thoughts.

I read the novel back in spring not really expecting much beyond a pleasant read but it's quickly become not only my favourite BL novel but one of my favourite novels in general. Does it need an editor? Yes (but I'm an editor so I'm biased - but tbh I'd rather have these "imperfect" translations out there than not having them at all, and IFYLITA's translator did a really good job). But beyond that it's insightful and sweet with a hint of sadness and loss. It manages to capture the moment perfectly, painting such a clear and nostalgic (but not sugar-coated) picture of the time period(s).

I feel like this is exactly what the series is trying to capture as well. It's in the colour-grading and the lighting and the cinematography and the way both Jom as the main character and Chiang Mai as the backdrop (and I'd say almost a character in its own rigght) are introduced. It's in the mystique and the dread of Jom catching these glimpses of himself and what's to come. It's in the abrupt unravelling of Jom's ordinary life and the pain and loss (and later confusion and anger) he feels at not understanding how and why these things are happening to him - which imo becomes such an important theme later on as Jom gains understanding and acceptance. Because to me IFYLITA isn't just a beautiful love story. It's just as much about Jom (and Yai - but in the novel he's never a POV character until the special chapters, and he's never quite as aware of his past as Jom is, having lived every aspect of it) growing as a person. Not in a way that changes who he is - Jom is a very set and self-aware character who knows what he wants and I really like that about him - but rather in how he perceives those around him and his own feelings.

The novel also has a handful of spectacular and vivid bed scenes so I'm really curious how (and if) they'll approach them.

But on to episode 1.

I love this opening. It's so atmospheric and eerie. We feel just as out of place here as Jom does. And I love how he's the intruder here. This isn't his home, he's watching a very private scene unfold and it's instantly made clear that he's not (yet) wanted. The other Jom is more scared of him than he is in this moment. I also love how he's half in the light, half bathed in shadow, like he's already wandering between worlds. Ah, I love me a good foreshadowing.

And I love how we're then slowly introduced to Jom, to his work, his life, his mannerisms. He lights a scented candle, his flat is full of sketches, drawings and books on architecture. Apart from his work, he lives his life patiently and quietly waiting for Ohm, his boyfriend (who he met at university and who he believes is the love of his life). In his two years in London Ohm has never given him any reason to doubt his commitment, which is why his infidelity is such a heavy blow later on.

We are then introduced to another "character": Chiang Mai - as it is today with its busy streets and markets and landmarks. Old trees lining the waterways and what remains of the walled city itself. In the novel, Jom uses his knowledge about Chiang Mai to pinpoint where he is in the past and how things have changed. As an architect interested in art and culture he also makes a lot of observations about historical buildings and society - which is what makes the novel so special to me. You'd probably need a huge budget to visualise this on a similar scale in the series but they tried (and succeeded imo) with the market scene, and Khun Yai's house will soon become the visual focal point of the series anyway.

A house, which Jom specifically has been asked to restore by the owner even though he's only a few years out of uni.

And as with Jom's dreams, Jom already has a connection to the house. He's been seen by the workers when he wasn't there. He instinctively knows which key to use for the chest the workers found in one of the rooms. The chest contains several sketches that to Jom seem remarkable because they don't really fit the time period.

Hm, I wonder who drew those. 🙃

Of course, soon enough everything goes to shit.

And it hits even harder because Ohm's so much more callous and cruel than in the novel. In the novel, Jom almost becomes a bit of an afterthought, a side character, an inconsequential affair (and I suppose he's the affair here too) on Ohm's path to happiness. But here his actions toward Jom seem quite deliberate and careless. And his fiancée Kaimook is painted as just plain evil. It's like Ohm and her don't even love each other (when in the novel they do - with all the tragedy that entails).

I guess they really wanted to drive home how quickly Jom's life falls apart. And, damn, his speech about waiting for two years and somehow NOT becoming unfaithful was incredibly strong. Then again, he was the one waiting, holding his breath, essentially stopping his life to stay in Chiang Mai until Ohm returned. He's blameless, of course, but that's not exactly healthy either.

The attempted SA isn't in the novel at all. I get why they included it. It's very difficult to watch but it drives its point home. Content warnings would be appreciated though.

Then there's this. Commander Yai. I screamed. Here I was wondering if he'd make an appearance at all (and hoping they'd maybe end the series with a glimpse of him) but they just put him front and center.

The moustache is a necessity, I'm telling you. It wouldn't be Commander Yai without the moustache. Also, this is a fake moustache in an underwater kissing scene. All things considered this is amazing make-up. Embrace the moustache. Commander Yai is worth it, I promise!

Unfortunately, Commander Yai's early appearance might also mean that there won't be a second part of the series planned. They might just allude to Yai's past life without going into much detail - which I totally get. Another season about the Lanna period would probably be a logistical and budgeting nightmare. But still. Gimme!! 😭

Anyway, I love how Jom is immediately just so at ease with him. Granted, he's drunk, grieving and drowning but kissing a handsome, moustached dude during his near-death/time travel experience feels like the most normal thing ever. And I love how it's Commander Yai who saves him. The shot of him uplifting Jom was so beautifully filmed.

Good thing he's found by Ming my beloved and not a dozen angry bare-chested Northerners who promptly punch his lights out lol

And this is one of the moments where I wish I was (more, much much more) fluent in Thai so I understood more of the differences between Jom's Central Thai and everyone else's (old-fashioned) Northern Thai. I do understand there's a difference, and I do understand that they're using different vocabulary and some different grammar but that's about it.

Where is Jom's phone, though? He still had it in the novel and it's an important plot point later on.

I love Jom's brush with the old market. You browse, you buy.

Also Jom sitting down in a secluded spot and just devouring the food that was given to him. I don't know why but the scene really resonated with me. Maybe because it was as out of place as Jom must feel. Or maybe because it was so human - such a mundane thing to do after everything that's happened. Almost like the past is already much more soothing than the present that Jom has left behind.

I'm faceblind but that's supposed to be Ohm (in a past life), right?

Not Jom having an existential crisis over Ming namedropping his future father-in-law (and Ming pitying him in the background. He might be a bit strange, Ming, but don't even pretend you haven't already adopted him into your family).

Finally we meet the mystery man from Jom's dreams (sans moustache this time), and he looks just as suprised to see a familiar face as Jom is (albeit for very different reasons).

I love that they included the jasmine with the lantom flowers. Khun Yai only drinks jasmine-scented water so they're as much Jom and his flowers as the lantoms (and their meaning isn't as bittersweet either).

And then there's the underwater scene(s) which are just so imcredibly well done. So intimate and soft, and probably the only time Yai really looks as young as he's supposed to be.

So yeah, this series is so far exceeding all my expectations and I'm so glad we'll be getting twelve 1h+ episodes (and a special? And a second season? Please? 🥺) of this beautiful, beautiful show.