#which is why it has lies meant to manipulate people in there

[whetstonefires]

this is a reasonable post except for the ludicrous historical revisionism of trying to argue that a billion-dollar franchise that continued having major motion pictures and theme parks about it was 'forgotten as soon as the books stopped.' like. if that were what had happened this obviously wouldn't be an issue.

why enjoying harry potter related media as an adult in 2023 isn't morally comparable to being a lovecraft fan:

-lovecraft does not personally benefit from cultural relevance or your financial support bc he is dead

-lovecraft is an indispensable facet of literary canon & has a genre named after him, you can't cast him aside even if you want to, which can't be said for your middle of the road young adult series that was forgotten as soon as the books stopped.

-lovecraft fans have done infinitely more to deconstruct and reclaim lovecraft's work than harry potter fans' pure denial/apathy.

[perenlop]

Playing through Explorers of the Spirit and catching up to where I was... and I'm sorry I mean no disrespect, but it really comes across like the modder never got over their beef with chatot from 10 years ago and is using the opportunity in the game to vent about how much he sucks and why the guild is bad actually

[byuno-o]

ASTRO OBSERVATIONS I'VE OBSERVED.

NOTE: THESE ARE ANECDOTAL OBSERVATIONS; HENCE, MIGHT NOT BE APPLICABLE FOR EVERYONE.

Mercury in Capricorn almost always talks about jobs and money. If accompanied by Libra or gemini, they're meant to be in a field which requires them to make connections with financial people.

Air sign people are prodigies in something. Take this with a grain of salt.

Having 11 house stelliums, might mean that you'll get to your destiny through other people. Not necessarily stomping over them, but connections that you build will help you get higher and higher.

Cancer moons are some of the most insecure people I've met, but once they gain confidence over themselves, you just know you're seeing a star in the making. They are so flamboyant, just like Leo moons. Might have to do something with them being associated with luminaries and inner worlds since your moon sign depicts your inner self.

Work with your North Node and the house it resides in to become your better self. The sign and house always hold the key that leads to self-improvement which leads to better mental health and strong mindsets regarding your fears.

Interesting observation I've made on this: my Juno has no aspects in my natal chart. But it resides in 11th house in Aquarius in 28°. I'm yet to see anything significant regarding this.

The most picky Venus signs are Venus in Virgo and Venus in Capricorn. But they also love the hardest given that both love stability one way or another and providing comfort to their significant other is a matter of pride for them.

I don't understand why the manipulation tactics of fire signs are not talked about enough. Well?aspects can play a huge role, but know this: so many fire signs have so many different personalities.

Wherever you have Taurean degrees- 2, 14 and 26, just know you might have a scarcity mindset, and stubbornness rules that house.

6th house placements almost always deals with social anxiety. Correct me if I'm wrong.

If you have afflicted 11th house, just know your friends might not be what they seem.

12th housers and Pisces stelliums might get dreams about their future significant other or about their loved one's significant events. I had a friend who had heavy pisces in her chart, and she almost every time would dream about her best friends' results before exams and well, her dreams never lied.

Never underestimate an Aries' competitiveness. If they want it, they won't stop until they get it. But it's the journey that excites them.

I don't get the slander Venus in Gemini get in astro community: they are really cool people who love hard, if you meet their standards.

Do let me know what you think, and let's discuss.

[ceaselesswatchersspecialboy]

Offering an NPD perspective on Ford Pines, because I feel the most common discussions surrounding his narcissistic traits tends to go in two ways — from what I’ve personally seen — and that’s defending him, and denying the mere possibility he may have NPD because it’s seen as a negative, or using NPD as a way to villainise him, and thus demonise NPD. Or, the alternative, this part of his character is completely overlooked.

That isn’t to say I haven’t seen some wonderful analyses on Ford and NPD, rather, I find it surprisingly lacking when his character might be some of the best representation of my own experience struggling with narcissism (alongside Bill).

I believe a lot of it stems from the misconception and stigma around NPD, and the fact Ford goes again common, typically incorrect, ideas, such as showing genuine care for other people, and accepting his failures and where he went wrong in the end, trying to repair his relationship with Stan, and realising that he doesn’t need to be recognised worldwide, as he’s found happiness with his family instead. All of these do not correlate with the media idea of a narcissist, but the fact is, narcissists are no different from any other disorder or mental health issue. We come in all different forms, and the idea we are inherently abusive or evil is such a widespread misconception that it becomes difficult getting help or support.

And that’s why I find Ford so important.

This alone, to me, describes in simple words how it feels to deal with NPD, and though you could argue Bill is projecting here, I think the point is they’re so similar, the lines blur. Both struggle with this same mentality, but Ford is able to reach out, and accept help, and Bill lets himself sink deeper and deeper into his own lies. Also, I’d argue it isn’t Bill projecting, because we sees evidence of this behaviour in Ford in the show and the journal.

He’s someone who believes himself destined for greatness, and won’t accept the bare minimum, such as when Fiddleford suggests he publish his research as is — No, he can’t have that. He has to be the one to uncover this grand theory. He has to have his name cemented amongst the greats. He believes himself to be special, different and more capable than other people, and yet he longs for the company of others all the same. He lives off of validation and praise, and strives for it, his own ego clashing against his lack of self-worth. Bill’s manipulations work on him because Ford eats up this sort of validation — it’s like one big high. It’s confirmation he is special. He is meant for greater things. He was right.

Ford notably struggles with empathy, which is likely both related to his autism, and also his narcissism. Other people simply don’t make sense to him. It takes effort for him to be able to understand people where they’re at, and he is willing to put in that effort notably, taking note of Fiddleford’s habits for example.

He also does struggle with manipulation and being deeply self-centred. A great example being Dipper’s apprenticeship. Ford is very subtly manipulating the situation here, and he doesn’t even notice, which is, in my own experience, common with NPD. He’s also unable to see Dipper and Mabel as, well, Dipper and Mabel, rather putting his own issues with Stan onto them, especially Dipper. He sees Dipper as a younger version of himself, and is trying to point him in that direction, never thinking whether it’s actually right for Dipper, or whether it’s for himself.

I could probably go on, like how he tends to have a black and white view of people, with his opinions on them easily flicking between extremes as a method of coping, or how he panics at the idea of his life’s work being destroyed, despite knowing the dangers.

Whether you agree he has NPD or not, Ford definitely has a lot of narcissistic traits, and yet, despite that, despite every mistake he’s made, everyone he’s pushed away, he gets a second chance. He gets to be loved and understood. He finds happiness. He gets to recover.

It’s very rare that characters with so many narcissistic traits get endings like that!

Ford is not a bad person because he’s a narcissist, he’s just a person, one who’s fucked up, and who’s still learning, and still healing, and that’s why he works. That’s why he’s such a comfort.

On a final note, If you are someone who’s going to argue vehemently against this idea, I kindly ask you simply scroll by!

[metamorphesque]

I don't know how unpopular this opinion is but I strongly hold the position that society today seems unable to differentiate "Art" from entertainment, and this blurring of lines harms both. _ what do you mean?

What I mean to say is that society nowadays fails to recognize the fundamental differences between art and entertainment. Thinking that they are the same or interchangeable does a disservice to both. To me, it's not an "art vs. entertainment" situation. Rather than opposing them, the distinction lies in recognizing their complementary roles because a healthy individual needs both art and entertainment, but for very different reasons.

Entertainment, of course, entertains us; it delights and validates us by affirming our existing beliefs and emotions. It's there to make us feel good — a safe space that doesn't challenge us, as it has been created specifically for our needs and is catering to our preferences. However, it leaves us unchanged and not transformed. Entertainment is produced because there is a public demand for it.

Art, on the other hand, is meant to change and transform us. It's not always delightful, entertaining or self-affirming. On the contrary, it can sometimes feel like an attack on our beliefs and the reality we think we’re living in. Art can be uncomfortable, even disruptive, and by being so, it forces us to engage with it on a deeper level, challenging our perspectives and encouraging us to evolve. Unlike entertainment, art is not made because there is public demand for it. To be more precise, the demand for art exists, but it doesn't come from us — the public; art meets the demands of the time. Real artists are those who can discern the lessons and demands of the time and make them digestible for the public. While entertainment caters to an audience’s desires, art challenges its audience, often presenting ideas or emotions they may not have asked for but need to confront. It’s not about pleasing or fulfilling expectations; instead, art serves as a catalyst for intellectual and emotional growth, pushing society to reflect, adapt and progress.

My beloved Armenian poet Paruyr Sevak has a very thought-provoking piece that, I think, is about real artists. I'll present a rough translation: "They come unoften, yet never too late. / They are born at exactly the right time. / And they get ahead of time itself, / Which is why they are not forgiven".

The role of a true artist goes far beyond technical skill or the ability to produce aesthetically pleasing works that will be liked by many and, thus, make a fortune. A true artist serves as a visionary, a truth-teller and a catalyst for change. They push us to reflect deeply and think critically about the world around us. This is why, in the absence of such people (and I strongly believe that we live in such times), individuals become more susceptible to propaganda, manipulation or conformity, as there are fewer voices prompting them to critically examine their environment. Additionally, without these voices, society loses touch with its emotional depth, becoming more disconnected, indifferent and apathetic to the suffering or experiences of others.

True artists are what we need today. There are many discussions held online about whether today’s celebrities should address "political" issues and the problems we face as humans.

My answer to this is no, at least not for everyone that society considers an "artist." Most of these individuals are mere entertainers who are there solely for entertainment purposes (I would be quick to add that some of them even fail at that). Dozens of them can't even form comprehensive sentences in their mother tongues; how can we expect them to express trustworthy opinions on grave issues? This is one of the reasons why it is highly dangerous to confuse entertainment with art.

[sadnightforus]

NEXT LIFE  (JJH)

toxic-boyfriend!jaehyun x gn!reader

SYNOPSIS: You’re sick and tired of the on and off relationship you have with your boyfriend. He was a chaos and you were trying to tame it, overtime, it burns you and turns you into someone you don’t recognize. And you decide that you’ll walk out of this, to save both yourself and him.

WORD COUNT: 1.4K

WARNINGS: ghosting, neglectful behaviors, toxic toxic toxic, manipulation, self destructive behaviors on god, this makes my head spin.

A/N: i’m better at long one shot than a full fic. embarrassing. anyway, enjoy this charli xcx crumbs, i love love love next life by her (which is the inspo for this). also super fun fact, I wrote this on March this year and it's October now lol.

reblogs, comments and likes are appreciated!

 You both are at the river side, a popular spot for couples to hang out and strengthen their bonds. For you, it’s very far from the truth that you want to strengthen it, because you know it’s on the verge of falling and there’s no way to stop it from crashing and burning.

 It’s a nice day, you feel content. Or force yourself to feel content with what you have. 

 Then you begin to think far, about how tired you are. How sick you are that your relationship with him played out like this and it never became better as time went by. But in one way or another, you found yourself going back to Jung Jaehyun, no matter what. 

 You think his heart is made of metal, that’s why he doesn’t care to change.

 Love can be so pure, but so poisonous, and you’re on the receiving end of the latter. You can barely recall what love is supposed to be like anymore.

 Loving him is a form of self harm, you convinced. Why does it hurt to walk away even when you need to?

 You’ve always been more than understanding. You understand why people lie. You let people use you and throw you away many times, it’s the same thing with him. Nothing is more addictive than lies that come from his lips such as ‘I love you’ and ‘I’ll never hurt you’ are some of the few. And when he kissed you like he meant it. But you know he was kissing in an attempt to mend the broken heart and only then crushed it with his own hands. 

“I don’t think I can do this anymore.”  You blurt out, in the moment that you both are enjoying the riverside sight after all of the chaos, which earns a confused look from your boyfriend. You stand up, pulling the strap of your bag to stay on your shoulder as Jaehyun does the same. 

“What’s wrong?” He questions, stunned by the sudden change in your behavior that was just sweet moments ago. Despite that, his face never falters from the stoic expression and you find it so hard to read him.

“I want to break up for real. This time.” You breathe out, finding the courage and words that hides itself in the back of your brain, then gazing right into his eyes before continuing. “Thank you for everything. But we shouldn’t do this anymore.” 

 He reaches out to grab your hand, as if a sentiment for you to change your mind. There’s a different sparkling in his eyes, almost like he cares about your departure from his life. He shifts closer, analyzing your body language if you were being honest. “Do you? Do you not wanna do this anymore?” 

“Yes.” You find the courage to speak louder than you had ever been. Maybe it’s a false confidence, but you want to get out of this situation. He makes it so hard with the way he has been giving you those helpless eyes that made you want to rethink everything you’ve said. 

 Except you don’t. 

“But we can try again, can’t we?” He pleads, asking for another chance but you won’t crumble like you had done so in the past. 

“You say that every time, but that’s why this shit dragged on for 5 years! 5 YEARS!” 

 Perhaps your voice will most likely catch the attention of many if it wasn’t for the fact you both are the farthest as you can possibly be from the area where it has a few people. That much of a distance buys both of you the privacy of doing this in public. 

“I’m really sorry…” 

“Do you mean it? Do you mean it when you say you’re sorry?” It sounds condescending, but really it’s not. It almost sounds taunting, but he doesn’t miss the way tears are making its way out of your eyes. “You don't, right? You don’t. You always said sorry but then you’d go back to neglect me then we’ll fight and say it’s my fault. Then we’ll make up and then get along for you to ghost on me again. Tell me, what did I do for me to get that kind of treatment? Do people in relationships do the same thing as we did?” 

 His eyes shift around, uncertain of the outcome, although in his guts, he knows that it’s not as the same as it was before. That thought crashes him. He was overconfident that you would stay and tolerate him forever.

 Maybe he was wrong. 

 You have tried loving him and given him so many chances, but it was never easy– you watched him being self-destructive. Itt was the same old broken song record that you kept trying, hoping that you would be able to fix all of those errors. He was a beautiful chaos, but still a chaos that you needed to get away from.

 And you do indeed need to get away from him, everything has worn you down so much that you barely recognize yourself. You begin to wonder, why did you let him play with your heart this much?

“Are you aware that I’m just a human too? Every time I thought we could just be friends or change into someone better, you turned around and fuck it up. I DON’T GET YOU!” You yell, hot tears streaming down your cheeks due to frustration. “It’s not the first time you made me feel like this. I’m so fucking tired. Do you see how tired I am? DO YOU?!” You try to suppress your cries in an attempt to articulate your thoughts as you search for remorse on Jaehyun’s face. “We went back and forth so many times. My friends watched me bend my back for you, picking you up at the bar just because you fought with someone who ran their mouths. Aren’t you tired?”

“I am.” 

 His answer sounds as worn out as you are. “I’m sick of it too. But what can I do? I’m fucked up on everything. I’m lonely, you were my only hope. When you were gone, I wanted to get your attention and tie you back to me.”

“Why would you do that?”

“As selfish as it is, you were the only person who had your best interest for me.” And he ends it with “I’m sorry that I took advantage of your kindness. I’m too confident that I’ll get back up on my feet and you’ll still be there in the future. But I’m wrong.”

 You’re stunned, so stunned that you held your breath because you can’t believe what he was saying.

 Suddenly, you see the glimpse of the Jung Jaehyun that you fell in love with, before all of these catastrophic events. You wish that he hadn’t changed so much, because it’s too late to back out now.

 You turn around in an attempt to walk away, want to, but a hand stops you.

 “Let go of my hand.” Your voice trembles, betray the confident demeanor you had earlier as you were lashing out. 

“No.” He firmly answers. “If you promise to answer this question, I’ll promise that I’ll let you go.”

“Okay.” You turn back around, dancing him as you take in a look of him one last time, because you might never see him again. You pull your hand out of his grasp, and he doesn’t make a big fuss over it.

“Do you think somewhere in the parallel universe, we’re happily engaged and in love and I’m.. the best person you could ask for?”

“I think so.” You meet his eyes, which are bloodshot red from tearing up by now.

“That’s all.” He nods, biting his upper lips to suppress his cries. “Maybe we’ll be better in our next life.”

“Maybe in our next life, I’d think twice about this.” You sigh, then finally say out the words you want to say the most. “Goodbye, Jaehyun.”

“Goodbye, Y/N.”

 As you turn around to walk away from the river, heart heavy and body tense, there’s still Jaehyun who stands frozen in the same place since you had left him there.

 His eyes are piercing at your figure that slowly makes its way to slip out further and further from his sight. He wishes he can tell you this one thing.

“Maybe in our next life, there will be no goodbye.”

 But he has to accept that you’re gone, and won’t come back to him anymore.

COPYRIGHTED BY SADNIGHTFORUS, 2024

[felixbobeelix]

In Defense of The Emperor (or, Ansur Is Not A Victim)

GIF credit: @mittthrawnuruodo

The Emperor is, in my opinion, one of the most underappreciated and misunderstood characters in Baldur's Gate 3, and I have spent a lot of time thinking about reasons why that may be. I honestly think it's tragic because The Emperor is such a compellingly-written character, and I think a lot of that gets lost under the landslide of abject hatred people feel for it.

I have a lot of thoughts about this, so buckle up buttercups! Lots (and lots, and LOTS) more under the cut!

I was playing BG3 again the other day, as one does, and was working my way through Emp's reveal, its initial withholding of the details about its escape and the nature of its relationship with Stelmane, and all the Ansur stuff, and I got fired up about this again. I don't think I'll ever stop getting fired up about The Emperor, to be honest pffffff.

There are a few really common reasons I see for why people hate The Emperor. One is its manipulative behavior, lies by omission, and the fact that if you pressure it enough, its attitude toward Tav will change. Another is the fact that if you choose to free Orpheus it will willingly return to the Netherbrain. Then there's its enthrallment of Stelmane and the implication that it led to her illness and death. And, of course, there's the idea that The Emperor betrayed its longtime friend and implied former lover, Ansur.

I also think there's a secret fifth option that maybe happens unconsciously. The vast majority of people spent a lot of time crafting their Dream Guardians into gorgeous feasts for the eyes, which is something the devs intentionally encouraged players to do. So when the game hit them with the twist and their beautiful Dream Guardian was replaced by an (ostensibly) unappealing Illithid, their sense of betrayal was amplified; they were predisposed to greater anger and hatred for The Emperor than they may have felt if it had retained the pleasant visage of their Dream Guardian.

Emp's Manipulation:

I find the argument about Emp's lying and manipulative behavior a little strange, when, for example, so many people are willing to overlook Astarion's abject manipulation of their Tavs. Personally, I think the reasons here are twofold. One, Astarion enjoys the privilege of being conventionally attractive and Emp does not, plain and simple. Two, sticking it out through Astarion's lying and manipulation will eventually lead to satisfying gain: an endgame relationship with him. There's no such satisfying outcome with Emp, so players are less inclined to put up with behaviors they endure for Astarion's sake. It's actually arguably easier to get Emp to admit to its manipulation of Tav than it is to get Astarion to do the same thing, and yet Astarion is more readily forgiven.

There may also be some degree of people being skeeved out by Emp's mind reading and its apparent ability to enthrall. But even this is a little odd, since Tav and their companions are all telepathically joined and that doesn't scare the player. The Emperor also never actually makes an attempt to enthrall Tav even when they're being combative and resistant. My only conclusion is that player distaste in this context is a product of the negative narratives about Illithids throughout the game. Which, for the record, are narratives I think we're meant to challenge as players.

(As an interesting side note, those narratives seem to be easily overriden when an Illithid is seen as helpful, as in the case of Omeluum. Despite clear evidence that it has not entirely denounced Illithid culture, and despite its membership in a morally questionable organization, players have a largely positive opinion of Omeluum simply because it tries to help them. They seem to forget that it was experimenting on Tav, and its miscalculation could have seriously compromised them.)

I think it's also worth pointing out that an Illthid in hiding is going to find particular challenge in simply surviving and remaining undetected, and even moreso in avoiding being attacked and killed, especially if it does not have the benefit of allies. Even Omeluum (who has the benefit of allies in the Society of Brilliance) has to disguise itself when it moves about the city. If you visit Omeluum and Blurg in Baldur's Gate you can listen in to their conversation, and Omeluum admits it sometimes takes the form of Blurg when it goes around.

I staunchly maintain, for one thing, that Emp is a true neutral character. It will resort to nearly any means necessary to assure its survival and freedom - though, again, it does stop short of robbing Tav of their autonomy, which I think is significant. And really, all things considered, Emp's methods are some of the least insidious when compared with the behaviors of other notable characters in the game. Even its insistence that Orpheus must be kept imprisoned is driven more by fear and a lack of real alternatives than any kind of malice. And alignments aside, when you consider the attitudes people have about Illithids, it's suddenly not surprising that Emp resorts to things like lying to protect itself and convince others to ally with it.

This concept was something I had to explore in depth when I worked with a DM friend who helped me construct a playable Illithid character, and I was challenged to run with a party of adventurers without them discovering my true race. It is NOT EASY. Almost immediately, despite my best intentions, I realized I would likely need to resort to some questionable methods to maintain my character's secrecy. The Emperor is the same. I'll touch on this more when I get into Emp's dynamic with Stelmane.

Player Influence:

Maybe the most frustrating observation I've made is that The Emperor is one of the only characters players will typecast based on the worst potential dialogue outcomes. Tav's relationship with pretty much all of the characters can be either improved or totally soured by the dialogue options they select. In most cases players are able to make the distinction that their choices are what influence the attitudes of the characters they're interacting with. But in the case of The Emperor, players will refuse to believe that any positive interactions with it are genuine because there are dialogue paths that lead to negative outcomes. I have to wonder why this standard does not apply to companion characters who break up with Tav, treat Tav questionably, or leave the party altogether when the player selects negative dialogue options.

Because of the potential for the Emperor's attitude to sour and for it to turn away from the player, it is written off as an entirely disingenuous character. However, Emp repeatedly demonstrates a capacity for veracity and emotionality, and I believe that when you foster a positive relationship with it the feelings it shares are genuine, just like with any other character. I'm guessing it doesn't help that Emp can be very matter-of-fact and pragmatic even during positive interactions, where the companion characters are often downright poetic in their regard for Tav and willing to make sacrifices for Tav when their approval is high.

I can see how this would give the sense that Emp's feelings are lesser, because it brackets those feelings with discussions about things like whether Tav is embracing tadpole abilities. But 1) Emp stands to lose its freedom again if the conflict with the Elder Brain goes awry and is, I think very understandably, preoccupied with what it believes are the necessary steps to ensure victory, and it seems anxious to affirm that Tav is as dedicated to the best outcome as it is. And 2) if this kind of pragmatism is the barometer by which people are measuring their trust of a character's feelings about them, I'm honestly a little afraid to know how they feel about their interactions with very pragmatic people IRL. 👀

Some people just are less prone to emotional expressiveness, or will ease their discomfort around emotional expression by diverting conversation to more practical matters. That doesn't mean the feelings they express are not genuine. We see over and over that Tav has a way of awakening strong, unexpected feelings in the people they meet throughout the course of the game. There's every possibility that this is what happens with Emp, and that it is taken aback by its feelings and is steering the conversation back to the matter of the conflict with the Brain as a way of avoiding being caught up and losing the plot.

I think that because the game does such a good job of playing up the idea that Illithids are soulless and inherently manipulative and evil, players are overly willing to accept it as fact. However, the game does also give us opportunities to question that narrative, and I think we'd do well to seize those opportunities. Even in raw DnD Illithid lore has shifted toward the idea that Illithids are more than the vicious monsters they started as. I think it's far more compelling and creative to consider that Emp is being genuine when you pursue positive interactions with it.

Relationship with Stelmane:

This begs the question, then, of whether the Emperor is truly upset about Stelmane's death. It certainly seems to be, but when you begin to suspect that it was enthralling her and forcing her to do its bidding you begin to doubt that it really cared about her.

Honestly? I'm not sure whether it did or not. Perhaps what it's truly upset about is the realization that it no longer has the option to return to its previous life as a major player in the Knights of the Shield. Maybe aside from the enthrallment, it actually did respect and even like Stelmane. Perhaps they had a rapport at some point prior to her enthrallment, and it is nostalgic about that. I think its feelings in that moment are real, it's simply unclear as to what those feelings are about.

In any case, I am openly and unabashedly here to disabuse anyone of the notion that Stelmane was a good person. A lot of what we hear about her we hear from Wyll, who (like pretty much every other character) is an unreliable narrator. The truth is unfortunately not as nice as Wyll would like to believe. With as little information about her as we have, this seems a bold claim for me to make, but I make it confidently, and here is why: her membership in the Knights of the Shield precludes her from being a good person.

The Knights of the Shield is an organization dealing in political manipulation, information brokering, and financial gain for its members. At the very least, Belynne Stelmane was concerned with underhanded political maneuvering and the accumulation of wealth, and at worst she was a willing servant of Gargauth, the god of betrayal and political corruption. It's unclear what level of seniority she held in the organization, though Emp's decision to have her as its avatar implies that she held significant influence. Either way, at no point was it possible for her to be involved with the Knights of the Shield and still be a good person.

And, yes, the same can be said of The Emperor. To be clear, I am not claiming that Emp is a "good" aligned character. However, its motivations are inherently different to Stelmane's and the other members of the Knights of the Shield. Rather than being strictly financially or politically motivated, Emp's involvement with the Knights was most likely born as much out of necessity as any desire for power. The Knights were a viable cover, a way for it to remain hidden and still secure a life of relative freedom for itself. To be sure, it could have attempted to ally itself with another organization, such as the Society of Brilliance. However, the Society is comparatively smaller, less powerful, and less profitable. Emp also does not appear to have any interest in the sorts of experimentation and data collection as members of the Society of Brilliance.

Based on Emp's characterization, it is not suited to a life of exploration and travel. It does not have the same innate arcane ability as Omeluum, who is able to exist and still maintain its autonomy in regions where the influence of an Elder Brain is relatively strong. It's more likely that The Emperor's ability to maintain its autonomy is linked to its proximity, or lack thereof, to an Elder Brain. Likely, it chose to secure a life for itself in a single location far enough away from the reach of an Elder Brain that it could escape enthrallment, and allied itself with the Knights of the Shield because they were the most proximally convenient and had the best capacity for security.

At any rate, I think it's entirely reasonable to assume that if Stelmane had not been enthralled, she would have ripped the rug out from under The Emperor the moment she stood to gain from doing so. Emp stood its best chance of success by enthralling her, and while that is certainly a morally questionable thing for it to do, be assured that it was not taking advantage of some wholesome paragon of goodness. Likely as not, if the roles had been reversed, Stelmane would have subjected Emp to a similarly morally questionable form of subjugation until the moment came for her to discard it entirely.

As an aside, the game works pretty hard to give the impression that Stelmane’s enthrallment led to her illness and eventual passing, but it's also entirely possible that she truly did simply have a stroke. Or, perhaps more compellingly, her condition had nothing at all to do with The Emperor and was potentially infernal in origin, given the way that she allegedly stared unwaveringly at Wyll the last time he saw her, which was shortly before he was targeted by Mizora. She was already well into her illness at that point, and didn't seem cognizant of anyone else at the time, but Wyll was of particular interest to her. Maybe it's nothing, or maybe the game intentionally misled players into believing The Emperor was responsible for Stelmane's decline, when it was never Emp's fault in the first place.

The Emperor's "Betrayal" of Ansur:

Here is where my opinion diverges most significantly from the opinions of other players. Put plainly, The Emperor did not betray Ansur. That is an idea that is given by Ansur, and by the following passage, which can be found during the challenges in the Wyrmway:

The note preceding the author's writing gives the distinct impression that the author is - yes - an unreliable narrator. They are not only giving a secondhand account of the events, but they are dramatizing that account.

Then, after defeating Ansur, the player finds the following letter on Ansur's body:

We also have additional story from The Emperor itself about the events that led to Ansur's death.

The reality is that Ansur, motivated by his love for Balduran, saved The Emperor from its enthrallment by the Elder Brain in the hopes of restoring the Balduran he knew and loved. Despite being asked over and over to stop, despite The Emperor's insistence that it was content with its new form, Ansur doggedly searched for a way to return The Emperor to its previous form as Balduran. Rather than accept that Balduran's new form was permanent, rather than accepting him as The Emperor, rather than being happy enough that his loved one was no longer a slave and that the memories of their time together were still intact, Ansur was not satisfied. He could not look past Emp's Illithidness, he could not let go of the narrative that Illithids are monsters. His refusal to adjust his paradigm, his unwillingness to accept The Emperor as a valid friend or ally or lover, was a failing on Ansur's part, and it was incredibly selfish.

Emp's letter to Ansur is incredibly heartfelt, and focuses entirely on Ansur and his happiness. Emp clearly still values Ansur and wants him to be contented. Even as Emp draws its boundaries, it keeps the focus on Ansur's well-being. It is a really good letter, and nothing about it implies that Emp held any ill will toward Ansur. It simply wanted Ansur to give up the pursuit of reclaiming Balduran as he was. But Ansur was unwilling to do that. So unwilling, in fact, that he felt it would be better to kill The Emperor rather than accept its new form.

Therein is the true betrayal: attempting to kill your friend while they're sleeping because you can't make them fit your ideal of them is, put simply, super fucked up.

The idea that it's a betrayal for The Emperor to have killed Ansur in self-defense, but Ansur attempting to murder Emp in its sleep is somehow not a monumental betrayal, is absolutely wild to me. Ansur was the one who betrayed The Emperor, and his rage is as misguided as the hate players have for Emp. I think players are blinded by the heroic narrative around Ansur, and the narrative that Illithids - and, by proxy, The Emperor - can't be trusted undermines the explanation that The Emperor gives. Players want to believe Ansur despite the evidence that his feelings of betrayal are unfounded, because they're naturally more inclined to trust a heroic figure than an Illithid. Again, I think this was a place in the game where players were challenged to question accepted narratives.

Of course, it's entirely possible that Ansur's attempt to kill The Emperor was driven by something entirely separate from the story we're offered in the game. Maybe Ansur took issue with The Emperor's movements with the Knights of the Shield; though that would beg the question of why he would be so determined to eliminate Emp and not any of the other members. Or, maybe Emp killed Ansur unprompted in a bout of pure Illithid malice, which would be a betrayal indeed - though that seems highly unlikely after reading its letter to Ansur. Ultimately, however, without any indication otherwise, we have to take the story we're given at face value. As far as we know, Ansur was motivated to kill The Emperor as part of his cognitive dissonance around its change from Balduran to The Emperor, and that selfish, misguided act constitutes a betrayal of Emp by Ansur, not the other way around.

The Emperor's Return to the Netherbrain:

I saved this for last, because it's actually very simple. When you choose to free Orpheus, The Emperor declares its intention to return to the Brain, and true to its word it does exactly that, and fights against you during the final battle. Why, after fighting so hard to avoid the Brain, would Emp so willingly return to it?

Put simply, because it has no choice. Or, it has no choice in the context of the game as-is. What reason does Emp have to believe that Orpheus, an avid enemy of Illithids, having been subjugated by this Illithid, would be willing to extend his protection to it?

Emp knows that the moment Orpheus is free to give or take his psionic protection, he will refuse to protect it. The jig is up. The game is over. In its pragmatic way, The Emperor concedes defeat. Its anger is palpable, you have forfeit its hard-won freedom. But the cards are on the table, and it knows that without Orpheus' protection it is going to be enthralled whether it wants to be or not. So it goes willingly. At least it can make one more choice before it loses its autonomy.

Final Thoughts:

There is so much more to say about The Emperor and its feelings and motivations. Again, in no way is it a good-aligned character, and even with the best outcomes it's still clear that Emp is at least somewhat driven by a desire for greatness, whatever form that greatness takes. That was true even when it was Balduran. But I do think it's worth remembering that when you foster a positive connection with it and side with it for the endgame, it regards your parting with some sentimentality, and then just...leaves. It's all fairly benign. The player's choices go a long way in influencing how malicious The Emperor is, and I think that's important to remember.

I could go on for hours about this, it is absolutely one of my hills to die on, but I think this is enough for now lol. I just wish The Emperor were respected more as a complex, compelling character. I wish it were at least afforded the same defiant love some of the villains are given. I genuinely hate to see Emp flattened and written off when it's such an amazing character!

[sky-marbles]

So apparently some people have been hating on Ragatha after episode 3 and like???? For why???

I read their “reasons” and… oh. They don’t GET it. Like they don’t see what’s clearly in front of their god damn stupid ass faces.

That was mean, I’m sorry.

YA KNOW WHAT IM NOT FUCKIN SORRY

Ragatha is a people pleaser, which means she will do/say almost anything to please others so that there is a clear reason to like/want her around. Is this manipulative? I mean… I guess???? But also being nice to others is literally the least worst thing you could do to someone else??? “Oh but she doesn’t mean it” UM YEAH WHEN SHE TELLS POMNI “oh it’s ok that you left me for dead, twice🥲👍” she did NOT mean that it was ok. But what else was she gonna do? Say “hey wtf why’d you leave me to die?” Ragatha again RAGATHA, would never even consider that as an option because it would cause FRICTION. This is what Goose meant when she said that “Ragatha lies to others to avoid conflict” not that Ragatha lies to others to bend them to her evil will oooh scary~

And for the “she only ever worries about Pomni!” People, ITS BEEN 3 DAYS, POMNI HAS BEEN IN THIS DIGITAL HELL FOR ONLY 3 DAYS. I’m sure before she got there Ragatha worried over the other characters but after Pomni showed up, Ragatha focused all her attention to her since she FUCKIN NEEDS IT CLEARLY

People that dont like Ragatha (depending on their reasoning of course) says a few things to me about themselves, they either;

- don’t understand the pov or even concept of a chronic people pleaser

- lacking a concerning amount of media literacy

- the worst possibility…. both

I’m not saying you can’t hate Ragatha, you can obviously, but at least have the reasoning make sense. I have never before seen such a well written example of “people pleaser that clearly has self worth issues” in my life in any medium, especially in animation.

To those that ADORE Ragatha… I know why. It’s cause you’re probably a people pleaser, or you used to be. You see her way of thinking and go “oof I know that train of thought and it SUCKS” Maybe that’s me projecting cause I’m a people pleaser. To the point that I’ve put myself in literal life threatening situations merely because I didn’t want to be a bother to others. I wanted to be as likable as possible so ya know what I did? Exactly what we see Ragatha doing. And if you think that Ragatha is this awful person then you understand why I’m writing this.

Mwah! Goodnight everybody!

[churrochamp]

Let's talk about Merlin and lying. This isn't meant to be character bashing, but it might not be the most generous take either.

In All About Love, bel hooks writes: "In our culture privacy is often confused with secrecy. Open, honest, truth-telling individuals value privacy. We all need spaces where we can be alone with thoughts and feelings - where we can experience healthy psychological autonomy and can choose to share when we want to. Keeping secrets is usually about power, about hiding and concealing information."

(hooks has a lot more to say about the reasons why people lie in relationships, and our need for love and difficulty with love in general. Book is fantastic, highly recommend.)

The question is: was Merlin's years of lying about his magic, and all that he did in Arthur's defence, justified? Why'd he do it?

I've been trying to think through how the fandom generally interprets Merlin's character and choices in the show, and how this character makes me feel. It's really complicated and interesting (to me at least lol).

I often see the claim that Merlin lied about his magic for years out of fear for his safety, but it's never fully satisfied me as an explanation. Given that as a fandom we pretty much all agree that magic can be a metaphor for queerness, there's a natural alignment with the claim that queer people aren't ever obligated to come out, for any reason, but it's often said, especially if their physical safety might be jeopardized (which I agree with btw).

And it's true, given Camelot's genocidal laws, Merlin's life could be threatened if he revealed himself as a sorcerer. On the other hand, Merlin is basically all-powerful in the universe of the show, and I don't think the rest of Camelot could do much to him if he were prepared.

What's more convincing to me is the claim that Merlin's afraid of the potential emotional harm that could come from revealing himself. What if Arthur hates and rejects him? That's something his magic can't defend against.

I think Merlin's heart is in the right place. He believes all his work is done in service of Arthur and their joint destiny, which is the good of Albion. And he does save Arthur's life a whole dang lot.

The issue is, probably a good half of the show's major conflicts directly relate to Merlin's actions and inactions - usually, lies he's telling (Morgana, Mordred...). Conflicts that maybe could have been resolved with much less harm if Merlin, who often is the only one with crucial knowledge, had made different choices (and Gaius too oh my GOD). Dude is shooting himself in the foot. Merlin's lying isn't just about personal privacy and autonomy. It becomes a fundamental part, baked into his relationship with Arthur and his role in their prophecy (and the governing of a kingdom jeez).

In addition to plot SNAFUs, the way I see it, Merlin's lying has two major consequences for him:

His most important relationship, with Arthur, is deeply flawed and incomplete.

Merlin remains the most important, influential character in the show. His energies go to trying to keep the power for himself.

As bel hooks argues, there can't be true intimacy in a relationship if one or both parties withhold and deceive the other. This could look like lying to manipulate the other party to get what you want, or even lying to make the relationship go easier. Relationships built on untruth aren't fair to all parties - the deceived person can't make informed choices in the relationship, and the deceiving person robs themselves of the opportunity to be fully supported and loved for who they are. When Merlin lies to Arthur about magic, when he tells Arthur that magic is evil, even if it is for "his sake," he's taking choice away from Arthur often at crucial moments, for both their relationship and the well-being of the kingdom. Without knowledge of the truth about magic, and about Merlin, Arthur can't make fully informed choices as a king or a partner. Things go to shit, and it's terribly lonely for both of them, even if only one of them know about it. Merlin's reason for this might be fear of pain. However, when you don't give someone the opportunity to love or reject you for who you are, how can you feel held by that person? You deprive yourself of the chance.

Another reason to lie can be desire for power and control. By keeping the secret of his magic and their destiny, Merlin keeps all the responsibility and power to himself. This is the premise of the show: Merlin is the only person who can turn Arthur into a good king, save magic, secure Albion's future well-being--and he must do it all secretly. The show jokes about it, the characters joke about it. This premise is a kind of power-fantasy - being the secret power working from the shadows, using all your wit and guile to succeed despite the secrecy, risking life and limb for no recognition, but having the satisfaction of knowing that you are instrumental. It's very James Bond. Without the secrecy, what would be the point of Merlin? The secrecy might be part of what makes Merlin feel special, worthwhile.

As the years go by, the lies compound and the relationship becomes inseparable from them. The most significant on a personal level, probably Merlin's poisoning Morgana, Mordred, Ygraine, and Sophia.

Merlin can't control all the factors, he can't do it all by himself, he can't make Arthur into the ideal king and boyfriend of destiny, and from the start it's a doomed endeavour. Luckily Arthur loves him all on his own, and does get to see him at the very end, and they'll get a second chance.

So in summary, why does Merlin lie about his magic and his actions for so long? Fear, love, and power, is what I suggest. And ultimately it leads him and Arthur to ruin. It's not exactly exemplary behaviour, but it is very very human.

[mer-acle]

i hold all the power (evil laugh, evil laugh)

Give me...

The big athena hcs

I desire knowledge and inspiration (evil laugh, evil laugh)

Haha

You kinda put me on the spot there. Not bc I don't have big headcanons but bc I'm like how do I phrase this without being like "here's the plot of that fic I wrote" yk? And now I'm unsure what constitutes a big headcanon... so I'm just gonna give you some more random ones and maybe you can help me out with what you were thinking of? (O.O)

For Epic specifically: Her owl form is a dark barn owl, bc they're really pretty and rare and have ginger feathers that match her hair

She dislikes Poseidon so much because he's so much like her father but her perception of him isn't softened by the love she has for Zeus.

Prometheus really saved her after Pallas's death. He kinda filled the void that losing Triton as a paternal figure had left more so than that of Pallas herself, but he took her along for his little creation projects (like the humans whoops) and they really match each other's freak. Yk. Until Zeus takes Prometheus away and definitely forbids Athena from visiting. I will literally murder him one of these days.

Speaking of Zeus taking people away, Athena was STRUGGLING after Pallas. Unsurprisingly, but still. Nobody but Hephaestus knows her from when she was still pretty openly mourning, they're all too young, and he never really asked why, but my girl was so depressed and lonely. She spend IRL HOURS in Quick Thought rewatching that battle and trying to figure out the moment where she went wrong. She knows Zeus intervened, but it doesn't matter to her, it's her spear, it's her kill. He was all like "for a nymph?" when she asked to take Pallas's name. "well, if you think that is a title worthy of your status..." It was her most open rebellion against his wishes for a while.

Her favorite domain is wisdom, but it's followed by crafting, not war. Don't get me wrong, she enjoys a good fight, but if she had to choose and wasn't worried about Zeus's opinion, she would choose crafting over war any day. The reason in my hc is how the domains are assigned, she was basically born with Wisdom, her powers are all about thought, and Zeus later assigned her with warfare which her powers work well with, but weren't technically meant for it. Meanwhile crafting is her "Passion domain" meaning her power in it literally stems from her intense enjoyment for creating. Imagine "What else can I do" from Encanto, but it's her discovering making clothes for the first time. The angst factor of this obviously being "My life has one mission, create the greatest warrior" Why is that her one mission? Is it the crushing weight of who she has to be?

My favorite bigger concept has to be her relationship with truth. In other words, Athena lies and manipulates her way through life, she is smarter than her father but knows he holds the power, so her council is whatever works in the moment, if she knows it's hopeless, she'll tell him what he wants to hear. Life has become a game for her, a game where she sells her soul for approval, bc she's lost those who loved her unconditionally, and can't trust those around her bc they're all trapped in the game with her, she doesn't want to be the favorite, she needs to be the favorite, it's the only way to survive, the only way for some semblance of safety and control, and yes, she gets along with mortals better than gods because they hold no power over her, they can't threaten the position she's worked so hard to achieve. Until Odysseus compromises a part of her that she hadn't thought she still had. Attachment never felt like danger with Pallas, but it does now, because what does it matter if you're more powerful when you respect the other person too much not to honor their wishes, should they tell you to leave them alone? If asked, she will have to leave, and that's terrifying (None of that would be overly conscious before My goodbye but for me, that breakup deep down always will be Athena being scared of her own feelings and trying to stop it before it goes too far and being at least 15 years too late.)

Woah that got dark lol I just wrote the last section and was like 👀fuck I am projecting SO bad. Like... gods I am so not okay. Jokes on me I thought I had headcanons all I have is trauma lmao

Anyways lol

Hope you liked it, and do let me know if you had something else in mind, I'll do my best :3

[bobbin-buckley]

Cairo Sweet Comfort Headcanons

Cairo Sweet x Fem!Reader

Warnings: Angst, fluff, comfort, Cairo being manipulative, mentions of writing porn, R being sad, Mr. Miller

Requested

(This kinda became more of a Drabble than headcanons but it is a list of how she comforts reader)

~~~~~~~~~~~~

Cairo may have always been mean. Mean to anyone infact. But she never tries to be mean to you.

-For the longest time Cairo denied her feelings for you, saying they were wrong and that she was confused.

-Her feelings for you wouldn’t go away though, she pushed you away at a young age and you came back with a massive glow up. She fell even harder. Her new best friend Winnie tells her maybe you are the one instead of her professor, Mr. Miller.

-Ever since Mr. Miller brought up a madman’s love she’s been fascinated by how he described it. She felt things for him then. Winnie urged it on with how a older man’s pride is his sex, how he takes virginity well. It corrupted Cairo.

-You on the other hand, we’re jealous and disgusted at this. Irritated some old guy could manage to make her be so obsessed. You’re irritants caught Cairo’s eye, seeing how you’d challenge Miller during his lectures or how you’d send glares at him.

-Besides this. After all this, Cairo was certainly confused. She came to you, crying and claimed she wanted you. She needed you after Miller rejected her. Even if she lied to you and maybe even used you, you still took her back into your arms.

-Along the lines of becoming girlfriends, she’s been good about giving you the affection you should receive in a relationship. She tries to make you feel loved and cared for while you do the same for her

-There are moments where she just can’t take it anymore and bursts her anger out at you, calling you names, insulting you, making you feel bad about being with her

-It breaks your heart when she acts like this, though you let it slide most days when she does apologize. Which is rare…sadly

-As you being a wonderful girlfriend you’re always there for her. Giving her the chance to be in your open arms if she needs it, and she does come to you sometimes.

-She has a hard time opening up, too. She’s never really talked about herself, how she likes life, how she feels mentally and physically, or about her parents. Yet she’s opened that up to someone who didn’t even want her, Miller of all people. It made you rage.

-Although you gave Cairo time to talk to you, respected what was meant to be kept hidden. One thing that bothered you is that she’d always be in that journal of hers, writing god knows what. More porn? More fantasies with Miller? Talking shit about you? You never know and are afraid to ask

-Cairo is also a scary person. She’s always terrified you, even as a kid. Her threats always become real, she’s incredibly manipulative and can destroy you in a week. You prefer to keep off her bad side.

-One time you angered her so much she combusted and threatens she’d harm you. Physically too. It never happened luckily, that just says how much she cares for you without you even knowing it.

-And Cairo, could never ever ever harm you physically. Mentally, yeah probably. She can be selfish at times. But she never will hurt you physically, it would break her heart if she ever laid a hand on you.

-Let’s get into that category. If Cairo ever did harm you physically, wether it was a slap across the face, a shove or maybe even a punch. She’d have so much regret right after.

-There was a time she wasn’t having it. She slapped you, and dear god did it hurt. Left a red mark on your left cheek, making you hold back tears because you didn’t want to seem like a baby in front of her.

-“Wait, my love I didn’t mean it. I swear I didn’t mean it.” She’d say immediately after she’d regret it. Kissing you on the head if you let her, caressing the spot she smacked gently. She’s lay down with you and kiss you all over, explaining why she did that.

-She wouldn’t let harming you slide by her, ever.

-Now Mentally. It hurts, it honestly hurts worse being hurt on the inside rather than the outside sometimes. With Cairo having that ability to make someone so upset, it can hurt real bad. She broke Winnie’s heart, real bad. And if she did it to you it’d take time for her to regret it, depending on what you did or how she feels

-When you we’re both younger, she pushed you away because of her parents. They were strict, and when they had a fight with your parents they immediately blocked you out. But that didn’t stop you from seeing Cairo

-You went to her house, sneaking into her bedroom. She was found sobbing while trying to sleep, and it was late at night:

“Cairo?” You spoke above a whisper. She recognized your voice, sitting up as she looked over at you in shock. “What’re you doing here? My parents told you to stay away.” She cried, hiding her face. “And don’t look at me, I look awful.”

Cairo wasn’t an ugly crier at all, she just hated crying in front of people. “Cai, just because you’re parents push me away doesn’t mean I won’t stop seeing you.”

“Yeah well maybe that’s what’s best.”

Those words hit you like a truck going eighty miles per hour. Cairo never talked at you like that before, especially basically telling you to leave her. “But Cai, I can’t leave you. You’re my best friend, I love you.” You confessed. Though those words meant nothing to her then.

They do now

-Every time Cairo sees you with those glistening eyes, filled with tears she always thinks of that night. That night she told you to leave. To never come back. And it hurt her when you listened, but she never came to you when it hurt.

-Because that’s who she is, how she’s always been. She hated sharing her feelings, the only way she would share her feelings, is by making people suffer with her. That’s how she did it with Winnie, Mr. Miller. You.

“I don’t understand, why can’t you just talk to me?” You asked, standing in the middle of her bedroom.

“Because I don’t want you to know. It’s something I keep to myself.” She replied, her left hand holding her journal, and the other with a pen.

“But why? You can talk to me, if you don’t talk to me maybe counseling is better off to help you.” She scoffed at your words, she’d rather vent to a beetle than a therapist or a counselor.

“I write in my journal, that’s where my story goes.” Well that makes you relieved. She isn’t talking shit about you or writing about her fantasies with someone else.

“I understand, but I’m here for you. We’ve been together for six months, and I am still waiting to hear your voice even if it sounds broken when you speak.”

Cairo though to herself. She knew how much she was hurting you mentally by not talking to you, telling you she was either okay or not okay.

“If you can at least tell me if you are okay or not okay. That’s fine.” You pause, “I love you, Cairo. You’re the moon to my Saturn.” Tears were running down your face. “And it hurts, hurts knowing how I think I’m not good enough for you. If it’s my fault that you’re scared. I’m scared too, Cai.”

It was silent, but only for a moment.

“I’m sorry, Y/n.” Cairo sobbed, “I just don’t want to push you away. I love you too, I love you so much. And all the bad things I’ve done, have made me stop talking about them or my problems.”

-That very day Cairo opened up to you. You held her the entire time, comforting her, rubbing her back, kissing her tears away. Telling her it’s okay to not be okay. She talked to you slowly about things, only opening so much and you kept that respect.

-You gave her one big kiss after each session. You were her lover, her therapist, her best friend, her girlfriend, her future wife, her everything. She loves you. But sometimes love is hard to show when you’ve had a broken heart for quite some time.

-Most nights were kept peaceful, sad, private and loving. Wether it’d end with promise kisses or making love.

-Her comfort is nothing but a song that started as a melody and become stronger as you promise to be there for her. As well as she’d return it.

-Maybe replace that all with a madwoman’s love.

~~~~~~~~~~~~

I really hope this is good because I felt like I did fast, I even reread it over and over to make sure I got everything I could possibly put in 😭

But I was also emotional making this, I got way to into it

I also had more time than I thought I would lmao

@btbubuini

[theninth09]

people dont actually believe that theo killed his sister, do they?

like okay. the entire pack and probably theo himself think that hes responsible for her death, but the pack hates him and doesnt trust him for valid reasons and theo is traumatized and holds guilt over her death so hes probably convinced himself that he did kill her. i just dont believe thats true.

in s5b when hes with stiles in the tunnels (i forgot why they're down there but whatever) and stiles tells him "oh yeah, the guy that killed his own sister when he was nine?" and theo argues back "yeah. i was nine. i had no idea what was going on." and that he also still believed santa exists so obviously he believed the dread doctors when they told him she wanted him to have his heart.

first of all: this is s5b. hes long dropped his act and he has no reason to lie in this moment. he knows that stiles wont fall for his lies and hes stopped lying and transitioned into threatening and intimidating anyway. theres no good reason for theo to lie to stiles here: theres no actual benefit that would come from that.

and his behavior points towards him telling the truth. instead of deflecting or making a joke, or any of the stuff he usually does to get his way, he starts explaining and defending himself. he seems almost agitated that stiles claims that he did kill tara and argues why he didnt.

and ofc stiles doesnt believe him and tells him "i think you pushed her. i think you liked it." which is, sorry, utter bullshit. i understand why stiles says this (yk. theo killed his bffie and all that) but i think stiles is purposely turning everything that he knows about theo into something evil. he doesnt want to believe that theo was a victim of his circumstances, because that would make him human, that would explain why he became the person that he is. its easier to fall back onto the "hes just purely evil" argument, because then he can hate theo for what he did.

stiles is smart. thats his whole thing. thats his whole thing with theo, that he was "smart enough not to trust him" as theo says to the sheriff in s6a. stiles knows that theo was a child, that its likely that theo got manipulated and groomed by the dread doctors. but, i think, he decides not to care about that, to ignore that. he hates theo and he wants to hate theo, but if he starts looking at the reasons for why he did what he did, he'll begin to understand him. and while he'll still never forgive theo, that will reduce this fury he has for him because, newsflash, theo was a CHILD.

people argue that tw doesnt show us enough of his back story to back this up and yeah, i kinda agree. we dont get enough of his story because teen wolf ALWAYS does this. with every character. they insinuate something, they start something interesting that could give their characters depth and then they abandon it and its like the characters just forget about it. all this show has is small details for fans to focus on if you want to analyze anything, because this show is objectively not good enough to actually do that.

+ theo is a side character. he wasnt even meant to stay as long as he did and cody did his best to work with the material. if your argument is that theres missing context and only vaguely shown stuff, im sorry but thats so stupid. thats not a good argument for in canon. "oh but we never see theo do this or that" HES A SIDE CHARACTER. he wasnt even supposed to come back! and tw is not a very good show! obviously they added more depth to his character in s6 because cody came back. like yeah theres stuff that doesnt make sense (like the show saying he didnt have a heart condition), because his back story got added as an afterthought in s6. you cant only look at s5 and judge his character based on that. his depth comes from s6 and its not the characters fault that the show has bad writing.

and if you simply dont like theo, cool. i dont like a bunch of characters in tw. but i find this argument that hes actually evil and deserved getting tortured and whatever exhausting and annoying.

if you dont have empathy for his character in s6 bc you just hate him, fine. i dont care. but if you're talking about this in a more analytical way? fuck off. he was a child, the show points towards him getting groomed and abused by the dread doctors and guess what? even during his villain arc, hes still a child. yes he should take responsibility for what he did, im not excusing any of that stuff. but theres reasons for why he did all that.

and again, dumb tv logic reasons, but most of the villains getting away unscathed, fucking peter hale and deucalion being allowed to just kinda wander around while theo is in an eternal time loop of torture? like this technically erases the packs rule of not killing because i dont think its weird for me to argue that getting non-stop tortured without the ability to die is objectively worse than actually dying. and yeah, tv logic, but if you think that (in canon, not just bc you personally dont like theo) he deserved that, idk. weird. very weird.

[fazedlight]

Why am I obsessed with the rift?

From my first fic to the many many many many season 5 fics I've written, to the fic where the whole thing could've been averted in season 2, to my no-villain-era-for-Lena in season 3 (twice) and season 4 fics......... I seem to have developed a bit of a rift pattern.

A reasonable person might ask: Why?

There's something that itches in my mind: I think either woman would've been fully justified in walking away from their friendship, and yet they ultimately didn't.

It starts with Kara, who is ultimately a fractured person. She deeply values the truth, and yet she's forced to live with various lies, unable to be her full self.

Her identity is in the in-betweens. She feels adrift between two cultures, she knows her alien state while reaping the privilege of passing, she hides core aspects of herself on a daily basis. I'm sucked into the rift, in part, because of who she is and how she struggles to put it all together. I think her frustration will resonate with anyone who's stuck in the in-betweens.

Kara's struggle for identity plants the seed for the rift. The bigotry of society meant she had to have a secret identity in the first place, and keeping the secret from Lena was certainly reasonable for a time.

We can debate endlessly about when Kara should've told Lena - I think it's really hard to find the line between "too soon" and "too late" - but it ultimately doesn't matter. Because it's Kara's kneejerk reaction to Lena's kryptonite that forms the first sort of betrayal, not the secret itself.

Kara screws up - she says something she regrets, she doubles down when threatened and scared. These are common mistakes... but we have super-level circumstances, so we get super-level consequences. And the engine she has inside her that fears loss (which she's suffered to a level that is unimaginable to anyone on Earth) kicks in. She can't lose another person she loves.

But who is she holding onto?

In the series, and in flashbacks, we watch Lena's progression from idealistic techie to cynical recluse. While she's experienced loss and isolation, that's not the cause of her shift.

It's in experiencing her idol and protector become the madman who kidnaps her. It's in realizing her best friend has betrayed her by taking the one thing that could've saved her brother. It's in moving to a new city to start over, and meeting a mentor who uses her to start a global invasion. It's in her partner in scientific discovery being a pawn to her brother, colluding behind her back.

And then there's the final downfall. Her new best friend - her trusted confidant, her hero, the one who made her feel not so alone anymore - is the super who denigrated her, maligned her, spied on her. Lena had two important people in her life at that point, and she sacrificed one for the other... only to find out the other was a lie.

With betrayal after betrayal - Lex and Andrea and Rhea and Eve and Kara - she loses faith that anyone is above their worst impulses.

So she falls to her own.

How can good people do bad things?

There's a saying I heard around MIT sometimes: there are no technical solutions to social problems. It's easy to forget - when you're surrounded by people seeking to improve the world via science and engineering - that you can't solve humanity via technology or logic or rules. Lena forgot this.

Myriad marks a shift in the rift. Kara lied to Lena, antagonized her, spied on her - but her wrongs were directed towards Lena. Lena's initial response - the petty manipulation and the plan to out Kara - were directed back at Kara.

But then the rift fundamentally shifts.

At this point, Lena's wrongs are no longer just about Kara - she's trying to brainwash the world. She mindcontrolled Malefic and enslaved Eve. This went beyond the fallout between two friends.

It's clear that her intentions are still good here. She's not a megalomaniac like her brother, she's not forming an us-vs-them mentality like her stepmother. She's an anti-villain at this point in the story - desperate to find what's true, in a world full of lies.

It's a hard line to walk, acknowledging Lena's trauma and well-intentioned motivations while realizing she's still ultimately culpable for her own actions. But it's important to try to balance, because Lena is still redeemable.

But getting back to the relationship itself - Kara played a large role in pushing Lena to the edge of her trauma, which was entirely motivated by Kara's own trauma.

You hide things so you don’t lose people. I run from people who hide things. I guess we were bound to explode.

Lena says this in my first fic mentioned earlier, and it summarizes the rift as succinctly as I can put it. Their traumas were incompatible, and their relationship should've failed.

And yet.

Delving into how the CW screwed up the rift could be its own essay. They gave us a complex and layered situation, only to gut it with It's a Super Life (beloved/beloathed), the narrative retroactively justifying Kara instead of examining her foils, glossing over Lena instead of delving into her ethical blindspots. The rift was cancelled.

What does that leave us with?

Well, I guess it left me seeking the rift, over and over again. I'm certainly not the first author to do a rift fic, and I doubt I'll be the last. There seem to be a few different approaches:

Some authors delve into the nuance, having the two characters hash out what they've been through in a way that feels balanced and real. In particular, I love the @searidings fic with the birds i'll share this lonely view. I don't think I have the skill to pull off that type of story.

Some writers lean heavily on one "side" or the other, often with lots of grovelling. This never resonates with me, because at some point in a relationship there has to be the realization that it's "us vs. the problem", rather than "you vs. me". In my mind, these fics miss the layers of trauma that led to the rift.

Some authors make the rift not matter. If you put the characters through hell and back, the anger will lose its thrust, and they'll be left wanting to heal.

I fall into the last category.

There's a moment from permanence by @itllsetyoufree that I especially love, where - in the aftermath of season 6 - Eliza asks Lena why she forgave Kara. Lena can't answer.

We like to think we're logically driven. But in my experience, forgiveness - and a host of other emotions - never work that way. Sometimes "sorry" cuts it, sometimes it doesn't. A lot of times, forgiveness comes from the realization that someone genuinely wants to connect, and that the fallout was relatively unimportant in the grand scheme of things.

Of course, when your fallout includes extra levels of gaslighting and a bit of global brainwashing, making it relatively unimportant requires something drastic.

That's where I end up landing. Putting my blorbos in Situations helps them see the other in a new light - see the other's genuineness, the other's fears, the other's love. Often times, this comes with the simultaneous threat to someone's life (though that's not necessary, especially if it's earlier in Lena's breaking point cutoff).

I do assume - and sometimes imply - that they're also having those discussions, working things out in the background. Because of what I put them through in my fics, I don't think those end up being explosive discussions. It's about figuring out the practical aftermath of what the heart already knows at that point.

Whether I deliver on that is ultimately up to the reader, but that's my approach. Because at the end of the day, love is about cherishing and understanding the person in front of you - flaws and and traumas in all. These stories are driven by loving both characters, and trying to see them the way they see each other.

The rift is a story about love and connection - how those things can't happen without embracing someone else's trauma and without understanding one's own imperfection. Because that's what's at the root of all of us.

And that's why I write the rift.

[gaslightgatekeepgirlbosscombat]

Quarterfinals, Poll 4

Propaganda under the cut

John Gaius, The Emperor Undying, God

Gaslight: When he resurrected his best friends he took away all their memories and gave them new names. He never reveals to them that he was the one who killed everyone on earth in the first place. He really plays up the "benevolent God" act Gatekeep: As a God, everyone is vying for his Favour and he is the one who gets to decide who gets it. He also doesnt share his knowledge of how to become immortal without killing your best friend. Girlboss: Literally made himself God. Never strayed from his ten thousand year old plan of Revenge. Rules an entire solar system and is colonizing more.

Jod is a frequent gaslight and gatekeep, however he falls more under the girlflop the girlboss. All of his plans go wrong but goddamn if he's not trying. Horrible ideas from an even worse person. Whent above gasligting and just straight up wiped his friends memories. Gatekeeping the knowledge of the universe. Had a child he didn't know about for 18 years and only found out cause she showed up dead(she's fine now(mostly)), girlboss move. Had a threesome with two of the gaslit friends, this would be less gross if he wasn't middle-aged. Gatekeeping the planets(I cannot explain this one). Ressurected humanity but also killed a lot of cows(girlboss). Put the soul of the earth in a woman and then put her in prison(but not before killing half of the amigos). Anticaptalist, bisexual, father. He has babygirl energy

Killed entirety of humanity and the whole solar system save a handful of billionaires and their victims, then resurrected the sun and a select handful of humans, wiped their memories, and established a religion in which he is god for over ten thousand years. Also an ex-tumblrina (probably) and goth twitch streamer (definitely).

Killed almost all of humanity, the sun and the solar system and then resurrected some of them deliberately without their memories and didn’t tell them that he killed them in the first place, and also told them that he was god. Renamed his friends after killing and resurrecting them. Set up imbalanced and toxic power dynamics among his inner circle that led to half of them either killing themselves or being killed by the other in each pair in order for half the group to become immortal saints, something he didn’t tell them wasn’t actually necessary to reach that sort of state. Lied to the surviving friends about why the ghosts of the planets in the solar system were hunting them, he told them they were after all of them because of the way they’d become saints which meant they could never go home, but they were actually only ever after him. Also because of this lie he was able to manipulate them into fighting the ghosts and dying in the process, saying that they would kill him which would destroy the sun, when actually they couldn’t kill him and also the ghosts were after just him so everybody would be fine if they just stopped hanging out with him (this is true in a LOT of senses actually). When he decided to get new immortal saints he specifically asked for the heirs of the houses, who were mostly younger in the 16-22 range and therefore easy to manipulate especially after killing their best friend (again, he knows that isn’t necessary and is asking it of a group of teens/young adults). When one of the people who was successful appears to have done it wrong, he pretends to be a mentor or father figure to her face (knowing that that is something extremely important to her) while having one of his surviving original friends try to kill her without her knowing he was behind that. On the girlboss front, I think he kinda thinks he’s a girlboss more than he actually is one, but he’s so good at the gaslight bit he’ll have you believing that too.

Ianthe Tridentarius

She is trying so hard to be the main character by lying and manipulating her sister, her cavalier, her mentor, her ?love interests? (Spoiler???) And also god. Not sure how it's working out for her but she does love to lie and manipulate

Worstie Ianthe is the DEFINITION of gaslight, gatekeep, girlboss. She is one of a set of necromancer twins that are the heirs to their houses rule. Except wait, only she is a necromancer and she has spent their entire lives doing necromancy for the both of them. She is constantly mean to their cavalier, Naberius, who she occasionally nibbles on like a chew toy, before eventually killing and eating him to ascend to sainthood. She goes to gods spaceship with another woman who ascended to sainthood who she has a crush on, this other woman is like…. Both incredibly mentally unwell and also haunted by at least 211 ghosts. Ianthes method of flirting with her? Gaslighting her about the corpse that keeps moving around and hiding under her bed. For no real reason tbh. She is clearly plotting to overthrow god, and at the moment that consists of her manipulating him while he’s too sad about his long term partners betraying him and subsequently exploding to really care. She dresses in terrible outfits and makes soup by burning onions to the bottom of a pot, putting meat in and some vegetables and then it doesn’t taste like anything so she puts in a few teaspoons of salt so it tastes like a few teaspoons of salt. She had her crush amputate her arm and regrow her a new one out of bone and it’s one of the horniest things I’ve read in my life.

"Gaslight = told her lobotomized (she helped), schizophrenic girlobsession that there was no corpse under their bed, even tho there totally was. Gatekeep = girl did NOT share the secret to god-like ascension. She kept that shit to herself until it was time to eat her boytoy, and by then everyone knew already. Girlboss = she has a non-necromancer twin sister, and literally Everyone thinks they r both necromancers because Ianthe is so good at it. She reverse engineered ascending to the aforementioned ascension without even completing any of the supplementary tasks. She held her own in a fight against a 10k year old lyctor. She becomes the figurehead of her entire empire. "

She uses a man as a chewtoy in the first book, literally gaslights the protagonist of the second book about a corpse, and elder-abuses God when he gets depressed in the third book. Nobody is doing it like her.

Dives headfirst with no regrets while basically laughing and covered in blood into murdering her cavalier once she realizes what the gothic locked room mystery/competition leads to while everyone else is questioning it, helps perform lobotomy on harrow so she doesn't remember the person she loves, manipulates everyone to get to the top

idk just everything about her

her relationship with her sister is incredibly Bad, she fosters codependency and views Corona(the sister) as an extension of herself. This does not stop her from keeping up the con that Corona actually has magic (She doesn't, it was always just Ianthe) for 22ish years and every single person who interacts with them falls for it. She killed a man against his will (most dying for this purpose specifically go willingly) and she consumed him and she will be burning his soul for eternity. She's completely repulsive and still somehow incredibly hot.

she takes advantage of the fact that the main character is prone to hallucinations. at one point she gaslights the mc into believing that the corpse under her bed isn't real just because she can. she reverse engineered a set of very complex trials on her own without anyone realizing she had the skills to complete them normally. she's also babysat god through his drunk and pathetic era.

Artist: @midnightcrows

[justenjoythegossip]

THE ONE WHERE HE SAID HER NAME

For people who aren’t aware, Chris was just interviewed on Access Hollywood where he is promoting his dog food brand and talking about his wife’s connection and relationship with “their” beloved dog. Go Portugal! 

First remark, she will no longer be known as Voldemort as it’s the first time since the start of this shitshow that he has ever said her name. Good for her and shame on him. 

Second remark, his background has been blurred for more… privacy (sarcastic coughs).

Apart from those 2 new elements, it’s pretty much the same old stuff. Let’s dig. 

THE TIMING OF THE INTERVIEW

This interview takes place at a time where Chris is gaining a lot of momentum. He just made a very talked about cameo in a huge Marvel hit. As a positive sign, he is gaining followers again, which at least looks organic whether they are real or bots or a combination of both. He is working hard, doing stunts with ASP, in order to look deserving of the Spirit of Service award he is going to receive on September 11th which, by the way, coincides with the one-year anniversary of his wedding. 

This interview is about promoting his dog food brand and their partnership with a giant retail store. Because obviously why not ride this wave of publicity, make more bucks and get more attention? Especially after that planned story on his Insta about his Deadpool cameo and the variety article that suspiciously followed so quickly after it. 

Not coincidentally, this date was supposed to be the one when a BUA was to be announced, as Team PR blogs were insisting. (By the way, that fact alone should enrage Chris’ fans as his team clearly looks in cahoots with them, as many suspected.) 

TEAM PR AND THEIR LASTEST DECEPTION

Team PR blogs have been claiming the contract expired on July 26th, that the BUA was imminent and was to happen before the end of July.

They were clearly lying like they have been lying since the start of this shitshow. Particularly about the ending which was supposed to happen after the Ghosted premiere, after the Peter Holmes interview, after he came back to Insta, after theForbes article, after the papwalk in December… …during the shooting of the Materialists… 

The fact people actually gave credence to their most recent claims is not a testament to their “cunning” manipulation techniques or people’s gullibility but to how much this fandom wants this shitshow to be over. 

As you noticed, one key and vicious member of Team PR was explaining yesterday that Chris’ wearing the ring meant nothing and “was insignificant”. How hypocritical, isn’t it?  When Team PR, Team Real & Team Middle have all been talking & trolling about the precious for months. 

Notice how those Team PR blogs are now deflecting once more with silly diversions such as dog behavior or how allegedly his family will suffer for it (oh please), or play the victim card as they are allegedly receiving threats and hate messages. All of this is meant to distract from the fact that they lied once more. And they did it for several reasons, the most important being... 

ANOTHER CLASSIC BAIT & SWITCH FOR ADDED SHOCK VALUE

We have seen this movie before and repeatedly, haven’t we? The pattern is so similar to what we have witnessed in February with the ski trip. 

And even recently, with all the time she was seen spending in her home country without him (the concert, the birthday), her furnishing an apartment in Portugal, his wearing and hiding the ring every chance he got, and more importantly the stunt at the walk of fame of Kevin Feige where she was seen to be a no show so ostentatiously… Look at how staged that was, and you will realize what the purpose for it was. 

So, what they did was to try to breadcrumb a separation once again, to build up the fans’ anticipation before pulling the rug out from under them in order to add shock value. 

Well done! But FYI the aftereffect might prove very counterproductive for Chris, as his complicity looks more and more obvious and his playing the victim card looks more and more infuriating. 

CHRIS’ COMPLICITY

Chris claimed in his SMA interview how much he hates any forms of manipulation. He should have added that he was fine with it as long as he was the one doing the manipulating.  Indeed, his complicity is absolutely undeniable. 

I have written a post about this topic, if you want to check it out. 

Let’s add to this his recent shenanigans and more precisely what he did with the precious ring. I won’t go too far back and will just use 2 recent examples. 

Do people remember the Jinx commercial where he uses his pinkie to “hide” the ring as he gives food to Dodger? What he is actually doing here is to draw more attention to the ring and promote his relationship with Alba, he also looks ashamed to gain sympathy from his fans and manages to feed the discourse (real or not?) in the process. 

Isn’t it exactly what he did again for that walk of fame ceremony where he allegedly arrived without the ring (like he would forget to wear it) and then get photographed with it from every angle while his wife was a no-show?

Now let’s move on to the most interesting aspects of it all: the brand deal.

THE BRAND DEALS CONNECTED TO THIS SHITWHOW

First observation. You can see the similarity to the interview he did on The View sponsored by Jinx when he came back to Insta just in time for the Black Friday. 

I am not privy to any private information and haven’t seen the contracts but it’s safe to assume that certain businesses of his are directly connected to this shitshow for the simple reason that they have been getting an incommensurable amount of “free” publicity from many prestigious publications & media outlets. 

And by the way, it started before Alba even entered the scene. We can safely deduce Chris had already cashed in on those checks (“free” publicity) and this shitshow was also used as a payment for it. 

Because clearly, dog food and a civil engagement platform are not the “sexiest” businesses. And, the amount of media coverage those companies have been getting seems totally disproportionate compared to Chris’ status and the marketability of those businesses.

Compare this to the media coverage his fellow Avengers have been getting, like Jeremy Renner’s cigar and alcohol businesses, or Scarlett’s The Outset. 

Obviously, Chris gets to promote his businesses Jinx or ASP when he talks or breadcrumbs his relationship to Alba because this is far more selling and salacious for the media and the public. 

Sidenote, now observe the media coverage his commercial for a much “sexier” brand like Audi got, a commercial where he did not have to wear the ring by the way. 

So if you guys are enraged by this shitshow and how it is conducted, not looking at this train wreck won’t change a thing or the timeline but what might have an impact is to boycott the protagonists and the brands that are playing and manipulating you. 

THE ENDING OF THE SHITSHOW

Clearly this shitshow is long-term and won’t be ending anytime soon. And the reason for that is simple. The optics of this relationship aren’t great as he looks like her old uncle and the power imbalance is all over the place. He HAS to stay married to her for a while to give value to this relationship. 

Because clearly, he looks like another Hollywood cliché going through a midlife crisis. The only thing that could salvage a part of his public persona is to make this marriage last so that he doesn’t look like a “one-dollar Leo but without the talent”. 

In fact, it will likely last for much longer and might even escalate (DM is breadcrumbing baby rumors) because one thing appears crystal clear at this point: this marriage seems to be much more than a rebrand and a publicity stunt.

WHAT MIGHT BE COMING NEXT?

There is a rumor that Chris might be selling his LA home after he just sold his Concord house. Not so long ago it was the one in Vermont.

Like some Team PR blogs rightfully said, it was purposefully leaked to the fandom after the house had already been sold. It was a great and very smart PR move. Suddenly, Chris seemed like he was at a crossroads, like it was a new start where anything is possible. 

But as you guys noticed, the background was purposefully blurry for this interview, which gives the illusion he is private when he is really not, also puts emphasis on the crazy fan narrative (Chris has to hide to protect his family from his crazy fans) and more importantly helps to present any fabricated life he wants to the general public. It is a white canvas so to speak. 

[carrymelikeimcute]

As long as people aren't tagging their bad Izzy takes, I'm going to keep ripping at them. There's 'reading the character differently' and then there's...inventing stuff that just never happened.

Prior to Ed's arrival on the Spanish ship, we only see him talking to Izzy - this obviously means that Izzy is keeping other crew members away from him so he can isolate and manipulate him, which is emotional abuse.

OR there were no plot relevant reason to have a scene featuring other members of the QAR crew (only 2 of whom are named characters) so there is no scene.

OR! Ed (the captain) is in his quarters because he chooses to be, as he has lost interest in the day-to-day of the ship (canonically stated) and Izzy is reporting to him because that's literally his job.

Izzy lies to Stede about Ed to manufacture a 'truth' that he hopes will kill off Ed's interest in meeting him - which does the OPPOSITE and makes him more interested. So if Izzy is meant to have been 'manipulating' him for years, he's fucking terrible at it the first time we actually see him try, in canon.

In S1e10 Izzy is keeping the crew from seeing Ed - isolating him again so he can control him - until Ed makes him bring Lucius to him.

I might be bad at this but, surely the first step of isolating someone is, when they want to see someone, you say 'no'? But just to be clear, the first time we know of, that Ed asked to see someone, Izzy brought that person to him, and left Lucius alone with Ed, so he wasn't even watching or listening to their conversation?

Very controlling of him, all of that...following order and not being in the room that he did.

Like...

Izzy already did enough bad shit, making stuff up is just...why? To try and make him suck less than Ed 'off with your toes' Teach, because that's the only way you can feel good about still loving him? You can love characters who did bad things guys. You don't have to tear apart the fabric of time and logic to make them the good guy in every scenario.