theoutcastrogue

[theoutcastrogue]

Agreed. I like it!

Don't cast this on whisky-drinking detectives when it's rainy outside. It only makes them stronger.

[theoutcastrogue]

Can I be so 100% honest rn every time I see someone like freaking out scandalized by sexual elements in horror I'm kind of just sitting here like Yeah dude I love combining the erotic and grotesque it's my favorite pastime. What do you mean "the writer's barely disguised fetish" are we supposed to be disguising it? I think the throat-fuck guy is perfect for directing the new alien movie. Get with it

[theoutcastrogue]

give her a break guys :(

[theoutcastrogue]

The Princess Bride is such a funny book to read after ONLY seeing the movie. Like Goldman made up a fake author from a fake country and proceeded to write the book as an abridged version of what the fake author wrote... and then he proceeds to add in notes to the "abridged version" mentioning all the boring world building stuff he skipped because it was boring.

Like shout out to William Goldman, man really did make an entire book that is just "the cool scenes you thought of in your head" and then made up a fake author to abridge so he doesn't have to connect them.

And it slaps

[theoutcastrogue]

A handful of people in Pompeii that were killed by the devastating eruption of Mount Vesuvius in 79 are not who experts thought they were, according to a team of researchers that recently collected DNA from the individuals’ remains. The team’s findings—published today in Current Biology—spotlight previous incorrect conclusions about relationships between the residents of Pompeii and reveals new insights about the demographics of the Ancient Roman port city. “We show that the large genetic diversity with significant influences from the Eastern Mediterranean was not only a phenomenon in the metropolis of Rome during Imperial times but extends to the much smaller city of Pompeii, which underscores the cosmopolitan and multi-ethnic nature of Roman society,” said Alissa Mittnik, an archaeogeneticist at the Max Planck Institute for Evolutionary Anthropology and Harvard University, and co-author of the study [...] Demographically, the team found that five individuals in Pompeii weren’t so genetically associated with modern-day Italians and Imperial-period Etruscans as they were to groups from the eastern Mediterranean, the Levant, and North Africa—specifically North African Jewish populations. Pompeii was an important port in first-century Rome, so it’s not a huge surprise that it had representation from across the Mediterranean—but the genetic stories of the studied individuals verifies it. [...] “This study illustrates how unreliable narratives based on limited evidence can be, often reflecting the worldview of the researchers at the time.” One particularly famous set of remains revisited by the team is that of an adult with a golden bracelet and a child—the child being on the adult’s lap. Long interpreted as a mother and child, the remains actually belong to an unrelated male and a child.

"Unrelated." This gutted me, for some reason. Reminded me of Watchmen and what I think are some of the most memorable panels in the history of comics.

There's a catastrophe, a colossal explosion, a disaster that we know claims the lives of millions. We know it's happening, we know there's a "psychic shockwave" involved. And there's two people we've been casually following from the start of the story, ordinary people in the street, unlike all those costumed heroes running around. They're not very good and they're not very bad. They're just people. One is an old man running a news-stand, the other is a young kid who reads pirate comics. They don't like each other. They're rude to each other, generation gap and all. Two minutes ago they learned they share a name, and managed to share an almost kind word, and they're about to start fighting again. They're just people, right? And then the disaster happens. We don't see it yet. The blood and gore will be witnessed in the next issue. For now, the background fades to white, and we only see them.

They drop what they're holding, they hug, the old man puts his arms protectively around the young kid, and they fade. They fade into the shape of the Watchmen logo, ubiquitous throughout the comic, and then they fade out. White panel. There's nothing left. And off-panel, the Ozymandias quote.

Watchmen primarily aimed to evoke nuclear war, and the "psychic shockwave" clearly stands for the blast of a thermonuclear explosion. What makes the sequence gut-wrenching is the hug (so tender and so futile), the fade-to-white (a negative space so understated and so enormous), and the penultimate panel: an after-image frozen in time, declaring forever "once there were people here". Just like the plaster casts of Pompeii, just like the stones of Hiroshima.

Hiroshima, August 6th, 1945: the shadow of a person who was disintegrated at the moment of the blast. The steps and the wall were burned white, except the portion that was shielded by the person's body. (These steps were cut out and are now inside the Hiroshima Peace Park museum.) Photo by Yoshito Matsushige, whose films were confiscated and didn't get printed until the U.S. occupation ended in Japan in April 1952.

[theoutcastrogue]

Ballade of the Hanged Men

According to legend, François Villon wrote his iconic Ballade des pendus ("Ballad of the Hanged", c.1489) in prison, waiting for his own execution. Not true. Fittingly for a rogue, Villon disappeared from Paris and from history, and his ultimate fate will forever remain unknown.

This 2013 translation by David Georgi does not retain the poem's rhyme, but I think it perfectly captures the mood. Original Middle French after the cut, for modern French spelling and a literal English translation see wikipedia.

Brothers, humans, who live on after us, don’t harden your hearts and turn away, for if you take pity on wretches like us, the sooner will God have mercy on you. You see us strung up here, five, six in a row; as for our flesh, which we nourished too well, it has fallen away, devoured or rotted, and we, the bones, will soon be ash and dust. Let no one mock at our pitiful state, but pray to God that he absolve us all.

If we dare to call you brother, do not disdain us, though the law saw fit to kill us in the name of justice; for you know not all are blessed alike with sense and reason. Therefore go with quiet heart and intercede for us with the Son of the Virgin Mary; ask that his grace toward us may not run dry and let him save us from the firestorms of hell. We are dead; let no one harm us further, but pray to God that he absolve us all.

The rain has soaked us through and washed us clean and the sun has dried and blackened us. Magpies and crows have cored out our eyes, trimmed our beards and plucked our eyebrows. We never get a moment to rest: this way and that as the wind shifts direction, it swings us at its whim continually, more needled by birds than a darning thimble. No, ours is a club you should not rush to join, but pray to God that he absolve us all.

Jesus, our Prince, who reigns over us all, let hell have no hold over us sinners, let us owe it no debt or allegiance. Fellow men, don’t laugh at our fate, but pray to God that he absolve us all.

Ballade des pendus

Freres humains qui aprés nous vivez, N’ayez les cueurs contre nous endurciz, Car se pitié de nous povres avez, Dieu en aura plus tost de vous mercis. Vous nous voiez cy atachés, cinq, six; Quant de la chair, que trop avons nourrie, Elle est pieça, devoree et pourrie, Et nous, les os, devenons scendre et pouldre. De nostre mal personne ne s’en rie, Mais priez Dieu que tous nous vueille absouldre.

Se vous clamons freres, pas n’en devez Avoir desdain, quoy que fusmes occis Par justice; toutesfoiz vous savez Que tous hommes n’ont pas bon sens rassis. Intercedez doncques de cueur assis, Envers le filz de la Vierge Marie, Que sa grace pour nous ne soit tarie, Nous preservant de l’infernale fouldre. Nous sommes mors, ame ne nous harie, Mais priez Dieu que tous nous vueille absouldre.

La pluye nous a debuez et lavez Et le souleil decechez et noirciz. Pies, corbeaux nous ont les yeulx cavez Et araché la barbe et les sourcilz. Jamais nul temps nous ne sommez assis: Puis ça, puis la, comme le vent varie, A son plaisir sans cesse nous charie, Plus becquetés d’oiseaux que dez a couldre. Ne soiez donc de nostre confrairie, Mais priez Dieu que tous nous vueille absouldre.

Prince Jhesus, qui sur tous a maistrie Garde qu’enfer de nous n’ait seigneurie; A luy n’ayons que faire ne que souldre! Hommes, ycy n’a point de mocquerie, Mais priez Dieu que tous nous vueille absouldre.

@tuulikki

[theoutcastrogue]

Arcane Season 2 | Nothing to Lose | Official Clip | Geeked Week | Netflix “We all see Vi as a protector,” she said, “and we wanted to ask, who Vi would be if she had no one left to protect?” — Amanda Overton, Arcane series writer

[theoutcastrogue]

[theoutcastrogue]

Fantasyland, from Diana Wynne Jones' excellent Tough Guide to Fantasyland.

[theoutcastrogue]

Indexed: He just left one day, and left no forwarding address.

[theoutcastrogue]

🌟The Five of Cups🌟

“Instead of moving towards a more positive perspective, this card seems to say that you are dwelling in the past, inducing feelings of self-pity and regret.”

ARCANE TAROTS 1/?

[theoutcastrogue]

“Yet do I fear thy nature; It is too full o' the milk of human kindness”

Since we are theorizing about the Macbeth references on arcane, I started this drawing since september but until now finished it.

Salve Caitvi

[theoutcastrogue]

Arcane Season 2 | Nothing to Lose | Official Clip | Geeked Week | Netflix Anime ↳ A new fighter has entered the ring. Experience Vi's journey in the final chapter of Arcane when ACT 1 drops on November 9th, Act 2 drops on November 16th and Act 3 drops on November 23rd only on Netflix.

[theoutcastrogue]

Nah caitlyn fumbled hard 🛐

Time-lapse is on my tiktok 🍪

[theoutcastrogue]

DON’T YOU REALIZE OUR BODIES COULD FALL APART AT ANY SECOND?

[theoutcastrogue]

Come back with a warrant.

[theoutcastrogue]

Pyrite, often called "fool's gold," and real gold are frequently mistaken for each other due to their similar color and metallic luster. However, they differ significantly in composition, physical properties