#as a film and he is also known to be a movie enjoyer so he probably would not do that. he understands the monkees this is my truth
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jokerlennon · 5 months ago
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told my brother that you think the joker and john lennon would have much to discuss and he thoughtfully said "I'm not sure about that."
well to be entirely truthful with you my dear friend i do believe the joker would have more to discuss with any of the monkees than with john lennon. if we want to get serious and sincere about this (see the fact that he has seen everyone's favourite box office flop head 1968). but i am so incredibly obsessed with this image by my partner in crime @jokeryuri (and its inspiration too to be honest)
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they would have much to discuss
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essycogany · 4 months ago
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Small Things Can Make Big Differences 🩷
Hi, Fans Of Amy Rose!
This is my opinion and we don’t know what could happen between now and Sonic Movie 3. Anyone can disagree. I’m 100% fine with that and this isn’t going to tarnish my enjoyment of the film at all, but I’ve got to get this off my chest. I’d love to see Amy Rose in Sonic Movie 3 and would be disappointed if she wasn’t in it. Yeah, she’d probably not have a HUGE role or time to develop as much. I get it, but at the same time, I personally don’t think we should shy away from characters having small arcs.
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Tails had one in Sonic Movie 2 and I wouldn’t say the movie would’ve been better without him. I don’t think we should have to justify a main character like Amy who’s existed before KNUCKLES (and debatably Tails) being in a movie about her own franchise. We shouldn’t have to wait a whole year for it either. Stuff takes time sure, but other movies with Pokémon, the Avengers, Mario, My Little Pony G4, Teenage Mutant Ninja Turtles, and many others did it and did it well for the most part. Most of these have tons of characters that they wasn’t afraid to show in one movie. Characters with smaller roles still impacted the movies and in a memorable way too. We shouldn’t be so timid in bringing Sonic characters in Sonic movies. They’re just as marketable as these other franchises. The successes of the Sonic trilogies proved that.
Without Amy or other characters it doesn’t feel as full as it could be. Not saying we should’ve got all of them from the get go but a little more would be nice.
I’m saying this respectfully but that doesn’t make sense especially if we have enough time to flesh out the human core characters/side characters who aren’t even part of the main franchise and not the ones most audiences came to see in the first place. I’m neutral and understand both critiques and defenses so you can decide where to go to on that.
Back to before, you don’t need long drawn out character development in order to be written well. Tails turned out fine despite his small role. Heck, Amy’s roles in the GAMES were usually small but not less impactful because of it. Amy practically helped save the entire world with her “small roles” and one for an emotional and impactful moment with Shadow. Even small things can make big differences and that’s one lesson you can learn from Amy.
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Amy’s interactions with Gamma in SA1 impacted the robot to the point of him sacrificing himself to free a Bird he needed to stay alive.
Amy believed in Sonic when the whole world (or Silver) was against him in Sonic 06.
Amy showed kindness to Sonic as the Werehog and gave her closest friend encouragement. She still loved him regardless of how he looked.
There’s more examples, but these are the most well known. Do you notice how most of them were small actions or small moments of development in small roles. And still managed to make Amy a wonderful character while impacting the stories?
I’ll also just show this too.
Also, don’t worry about her stealing time from Shadow. The film’s called Sonic Movie 3 not Shadow The Hedgehog. He can share the spotlight. Knuckles did in SM2. There’s no excuse in my opinion.
The movie doesn’t have to have Amy and wouldn’t be worse without her, but I think we shouldn’t overlook her importance to the franchise even if what she does is small. Or feel bad for being more aware of what little we get in these movies. It’s okay to admit certain flaws. Nothing’s perfect and not above criticism as long as we’re respectful about it. And for the kiddies who would like to see a cartoony animal girl character for the first time in these films, Amy would be a fantastic way to start.
Amy debuting in Sonic 3 and interacting with the boys would be a lovely way of establishing that close connection between the core four of the franchise. They’d literally have the definition of love at their sides. Again, small changes can make big differences. That’s all I have to say. Now I’m going to continue to be excited for the 3rd Sonic movie.
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hsrockstargf · 11 months ago
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Object of Desire*
AN: this is my first time posting on here so please be gentle☺️
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summary: Honey Rose, one of the most sought after adult film actress, get picked to do a scene for director Harry Styes. What happens when she finds out that he will be the one doing the scene with her?
work count: 7.5k
tropes: pornstarry
warnings: 18+, language, explicit smut, fluff
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Lights, Camera, Action. 
I’ve always wanted to hear those words be uttered before a scene- to feel the adrenaline rush as I make the script come to life. As a little kid I would whisper them to myself before I would put on a short skit for my grandma, and it made me feel like I was a real movie star. Now at 26 years old- I am the furthest thing from a movie star, but I guess an actress could be the term for my job. 
The adrenaline that I love to feel rush through my veins is present as well as the nervousness that is making my hands sweat slightly. The possibilities of today swirl around my mind as I walk down the long corridor to meet the director of today’s shoot. 
I never thought this is what I would be doing to keep a roof over my head and food in my belly, but I can’t say I’m disappointed. What started out as occasionally posing for a lingerie company to help me get through school turned into signing up for an OnlyFans and making $7,000 a week. 
I never did anything too risque on my page, only posting pictures of me half naked without showing my face and occasionally taking a few requests from subscribers. My following grew exponentially and it continued until I didn’t know how to manage all of the content people were asking me to film. 
A few months ago, a manger reached out to me wanting to represent me. Although this was a far fetch from the job I’ve always wanted, I couldn’t turn it down. Having sex in front of a camera with a whole team watching you and a million more waiting to see it with a person you barely know is scary and intimidating- but I took the job anyway. I like the money and sometimes the sex is actually quite enjoyable when I can get out of my own head.  
This particular job came as a surprise to both me and my manager. Usually, my manager would reach out to a filming company, give them my head shots, and then wait to hear back if they wanted to use me for the scene they were wanting to film, but for this one the director himself reached out to my manager. Apparently, he had seen some of my work and wanted me to be one of the stars in his new video. 
Harry Styles- is the biggest name in the porn industry and someone you don’t say no to.  Not only is he one of the hottest and sought after pornstars, but he is also known for being a fantastic director. Every single one of his videos has at least a million views, if not more; they are hot and sensual, plucked right from all the fantasies that I’ve stored away in my brain. He started out just like everyone else, at the bottom of the totem pole, but he became so successful so fast that everyone in the industry wanted to work with him. Recently, he’s been focusing more on the directing side of his job, foregoing the acting part which many people have complained about, but of course he doesn't care. 
I’m not embarrassed to admit that I’ve gotten myself off multiple times from watching him. Just listening to his deep, slow, and raspy voice would make my cunt slick before reaching into my night stand to grab my purple bullet vibrator. I would press it to my clit and circle it around while I watched him kiss down the length of the random girl’s body before he would uncover her wet pussy and taste her for the first time. He would use both his tongue and fingers to get her off before fucking her into the matress, making her scream out in pleasure as he takes her from behind and slaping the plump flesh of her ass as she comes on his thick cock. He would fuck her through her orgasm, and the sound of both of their moans would make my stomach swirl with pleasure. I would always tease myself, not letting myself come until I knew he was about to orgasm. To not disturb my neighbors, I would flip around on my belly with my vibrator still pressed closely to my swollen clit and bite into my pillow as I listened to his deep moans as he came, finally finding my release alongside him. 
It’s gonna be hard for me to look him in the eye today and not picture him like that; to not think of the way his back muscles flex while hovering over his partner, thrusting into them as hard and fast as he can or the way the vein on his neck pops out when he tilts his head back in pleasure. I don’t even know if I’ll be able to focus on my costar as Harry directs us, only focusing on him and what he wants from me. 
“Honey?” A small woman stands in front of me, holding a clipboard and a pair of headphones hanging around her neck. “Honey Rose?” 
“Yeah, that’s me. Sorry, I guess I’m a little distracted.” I answer to my stage name, and laugh off my embarrassment. She giggles along with me, easing my nerves. 
With an extended hand she says, “Hi, I’m Jenny, Harry’s assistant.” I take her hand and offer her a smile. “I’ll be showing you around and then I’ll take you to meet him.” After we shake hands she pulls away and turns around. “Follow me and I’ll show you where you can put your stuff.” 
We make small talk while walking down the hallway towards an unknown destination. Jenny rattles off all the things she did this morning, preparing for the shoot and she also tells me how excited Harry is to meet me. 
My stomach once again flips at the thought of being in his presence, but I don’t get a chance to think about it more when Jenny stops in front of a door that says ‘Honey Rose.’ 
“I get my own dressing room?” 
Jenny looks at me with her eyebrows furrowed in confusion. “Of course you do. Have you never had one before?” She opens the door, stepping to the side to let me walk in the room first. “Harry always makes sure his stars are taken care of.” 
I shake my head while walking in the room. It’s nothing too extravagant, with a love seat couch tucked in the corner with a small coffee table in front of it and a vanity on the far left wall, but it’s nicer than anything I’ve gotten before. Usually I have to get undressed in front of all the crew before slipping into a robe, so having this space puts me at ease. 
At least I’ll have some privacy throughout this shoot. 
“If you just wanna set your stuff down I’ll take you to meet Harry. He’s just now finishing setting up the bedroom set.” I take my coat off and hang it over the back of the chair and then place my purse on the coffee table. “You ready?” 
“As I’ll ever be.” I stick my hands in my pockets to hide the fact that they are shaking and follow after Jenny. For being as tiny as she is she sure can walk fast and I find myself wishing she would slow down so I can prepare myself. 
The set is a normal looking bedroom. It’s cozy, warm, and inviting. The bed is dawned in white sheets, a white duvet, and a tan throw with brown pillows. The bedside tables are decorated with items to make it look like someone actually lives here and a mirror leans against the wall across from the bed. 
There aren't a lot of people in this room right now, some are setting up certain light fixtures and others are testing out the equipment, but I immediately know which one is Harry. Dressed in long black flared trousers and a matching black shirt, he stands next to the mirror, angling it so it perfectly aims at the head of the bed. 
He hasn’t noticed us yet, but when Jenny clears her throat he looks up in the mirror and immediately makes eye contact with me. “Harry, this is -”
“Honey Rose.” My fake name rolls off his lips and I find myself begging to hear him use my real name. “I know who she is, Jenny. Would be kind of hard not to know.” Harry stuffs one hand in his pocket and makes his way over to me. “I’m Harry.” He extends his hand out to me and it takes me a second before I do the same. 
“Hi, it’s nice to meet you, Harry.” I hope he doesn’t see the school girl blush on my cheeks, but I can’t help but find myself so taken with him. His hair falls perfectly in waves in a slight middle part that frames his face. There is a shadow of facial hair surrounding his jaw and around his lips, drawing attention to the pinkness of them. His eyes shine bright compared to the darkness of his hair; beautiful sea green staring straight at me. The tattoos on his arm stand out and I find myself looking over each and every one, but then I remember that I’m still holding onto his hand. I let go rather quickly and he chuckles at me. “I’m excited to work with you. I’ve heard nothing but great things.” 
“Well, I should hope so.” Two dimples pop out on the sides of his cheeks as he smiles while pushing his hair back and off his forward. “But I’m curious, are they talking about my directing skills or how I fuck?” 
I keep myself composed, even though all I want to do is tell him that my information is coming from the videos that I’ve watched of him. I gather up all the confidence in my body and say, “Both, but I guess I’ll only be seeing one of those talents today.” 
A confused look flashes across his face, but he doesn’t let it last. His lips perk up and he quietly says, “We’ll see about that.” Now it's my turn to be confused. I open my mouth to ask him what he means by that but he stops me. “Honey, would you mind joining me in my office? I just want to go over a few things with you, if that’s all right.” 
“Of course. Whatever you need.” Harry places his hand on my lower back and escorts us out of the room. His office isn’t too far away, but the walk is filled with a thick tension. He ushers me in, and tells me to sit on the couch like the one similar to mine in my dressing room. Harry takes a seat next to me, not sitting behind the desk which honestly makes me feel more equal to him. 
“As you may know, my videos are praised for how real and authentic they seem. I don’t do the corny pizza delivery guy bullshit or any of those cheesy porns that have terrible dialogue and even worse acting. I like to make everyone on set feel comfortable, so that they can actually feel the pleasure instead of faking it. Does that make sense?” He crosses one of his legs over the other, and the way his trousers move it showcases his thick thighs bulging under the surface of the fabric. 
“It makes perfect sense, and I really respect what you are doing here. Most of the time they just throw me in a room with a guy and just tell me to fuck him.” 
“I can promise you that’s not gonna be the case today, but I do need to ask you a few questions. You can answer whichever ones you want or not if you don’t want to.”  I nod my head at him, telling him I understand. That smirk reappears on his face, but this time I don’t get so flushed. The way he’s looking at me makes me want to sit on top of his desk and have his head be buried in my cunt. “I just need to know so I can fuck you just how you like it.” 
“Y-you’re gonna be the one fu- in the scene with me?” My heart rate picks up in anticipation and I hope I didn’t just hear him wrong. He hasn’t done a video in such a long time. Why would he start now? 
“That wasn’t the original plan.” Harry stands up, walking closer to me before crouching down in front of me. His knees touch mine and even through the fabric of both of our clothes I can feel his warm skin. “When I was looking for the girl for this shoot I came across one of your videos.” Harry’s fingertip grazes over my knee and he starts to draw circles on it. “It was just you, laying on a bed, with a vibrator on your pretty little pussy.” He looks up at me, and grabs a hold of my jaw. “You had beautiful moans coming from these lips. I just knew that I couldn’t sit there and watch someone fuck you, not when I could be the one doing it.” 
I turn my head, still keeping eye contact with him. His thumb that was on my jaw now rests against the skin of my lips. I puker them, softly kissing his thumb before taking it into my mouth for just a moment. “You want to fuck me, Harry?” His eyes are dark, lustfully watching as I kiss his thumb, suck on it, and then let it plop from between my lips. 
“Oh, honey.” Harry moves his hand away from my face, placing it on my knee again. With both hands, he pushes my thighs apart and situates himself between them. “You have no fucking clue.” I burn under his gaze. His touch is light and teasing, kneading the muscles of my thighs while he looks up at me. “I still need you to answer a few questions for me. Can you do that for me, honey?” 
“Please, call me Emma.” I don’t mind being called Honey. In fact it makes me feel confident and sexy, but right now I just want to feel real with him. 
“Okay, Emma. Are you okay with me warming you up before we shoot? I can do it right here, spread you out and make you come on my fingers so you're more sensitive while we film. You need to be warm, wet, and ready for me.” 
Harry kisses up the length on my pant leg, placing his lips right on top of the sem and stopping when he gets close to my center. “Yes, please make me come, Harry.” After I give him the okay, he doesn't waste a second before undoing the button on my pants and pulling them down my legs. He takes in the sight of my red lace thong and by the way the air creates a cool sensation on my panties, I know I’m wet for him; and he can see it. 
“I’m gonna ask you a few questions, but you have to promise me that you’ll answer them truthfully, okay?” 
Harry patiently awaits an answer, starting to slowly kiss up my thigh. He kisses both of my knees and continues to switch between both legs as he travels upwards until he reaches my midthigh and sits back up. “Yeah, I-I’ll answer them.”
“Let’s start with an easy one.” Harry drags his hands across my skin, nails scratching slightly. He finds my hips, tracing his thumb in the crease where my hip bends from sitting down. “Are you okay with me kissing you?” 
“Yes, I actually prefer it.” With the grip on my hip, he pulls me to the edge of the couch so I’m barely even sitting on it. He leans into me, pressing his chest against mine as he tucks himself into my neck. 
“Hmm,” His curls tickle my cheek, his sweet smell overpowers me, and his nose teases up my neck. “Is there anything that’s a hard no for you during sex?” I don’t want to do anything you’re not comfortable with.” 
The fact that he isn’t even asking me these questions puts me at ease. Though I haven’t had a lot, my costars never asked me what I was or wasn’t comfortable with. The directors never cared, only making sure every piece of dialogue and every cue on the script was hit. 
“You can do anything to me. If it’s you doing it, I know I’ll like it.” 
“You’re stroking my ego here, Em.” 
The tip of his nose grazes my jawline before it's replaced by his lips. He is still holding onto my hips and even though I love his hands there I wish he would touch me elsewhere. Just from him being this close to me, my cunt is slick and my clit is throbbing, waiting to be touched. 
“I’ve watched you before. I know how you fuck, so anything you want to do go right on ahead. I can take you, Harry.” 
“Oh, I have no doubts about that.” Placing a kiss on my cheek, he stands up and sits down next to me again. “Stand up.” Obeying, I stand up on shaking legs and turn to face him. Legs spread, arms stretched out along the back of the couch, and a smirk on his face, Harry sits there eyeing me up and down. “Strip for me. Let me see what’s mine for today.”
I cross my arms, grabbing the hem of my t-shirt and pulling it over my head. His eyes move to my chest, taking in the matching red lace bra. Harry takes one arm off the back of the couch to adjust himself in his pants as he continues to take me in. “You know, it’s not fair that I’m half naked and you’re still completely clothed.” 
Harry clears his throat and reaches out to grab my hips to turn me around. “This isn't about me.” His fingers find the band on my underwear and my breath hitches when he starts to slowly pull them down. In the wake of the fabric, he kisses where it once laid. “So sit down on my lap.” Pulling on my hips, he sits my naked bottom half on his fully clothed lap.  “Spread your legs.” I hook a leg over each one of his thighs and lean back onto his chest. “And let me make you come, so I can fuck you how I want later.” 
The rings on his fingers are cold on my blazing skin. Touching over the expanse of my stomach, my hips, my thighs and briefly the tops of my breasts he teases me with everything I want while simultaneously avoiding the place I need him most. 
My pussy is soaked with my arousal, dripping down and probably landing on his trousers, but at this moment I can’t find it in myself to care. 
“Do you want me to just rub your clit and get you off that way, or do you want me fingers? Stretch you out a little bit so I fit nice and snug in you?” 
I tilt my head to the side to find him already looking at me. Our lips are so close I fainting feel his skin, but we both don’t make the move to lean in; to fuel the fire we both feel growing. “Want your fingers. Please.”  
Harry looks down at my lips for a brief second before turning his head away from me. Out of the corner of my eye I see him looking at my body that’s spread out for him and the lust in his eyes is unmistakable. 
I take advantage of his head facing forward and tuck my face in the crook of his neck. He smells even better this close up. His smell is sweet, reminding me of walking into a bakery while also being smokey, like a fresh campfire on a fall evening. 
I repeat his actions from early, gliding my nose across his neck. When his fingers finally touch my cunt I whimper into his skin. I accidentally bite into his neck from the shock of finally feeling him. “Hey. You can’t mark me yet, Em. Wait until later and you can leave your marks anywhere you want.” 
The tips of his fingers trace over my entrance, gathering up all the wetness caused by him. He drags them up and uses my arousal to start slowly drawing circles on my clit. Instead of biting him I kiss down the side of his neck to try and quiet my cries of pleasure. 
“Maybe I didn’t even need to warm you up. You were soaked before I even touched you.” 
In my desire induced haze I accidentally say, “I always get so wet for you.” My cheeks heat up with embarrassment and if I could bury myself into his neck anymore I would. 
“Oh?” His fingers speed up, making me squirm in his lap. “Are you telling me you’ve watched my videos while rubbing this little clit of yours? You’ve came from watching me fuck someone else. Is that what you’re telling me?” 
From the bulge pressing into my ass, it’s obvious this is turning him on. I let my embarrassment slip away and just let myself be in the moment with him. “Yes, Harry. I’ve always wanted to fuck you.” 
“Well, it’s my lucky day isn't it, baby?” He doesn’t warn me before filling my pussy with his fingers. Long, thick, and ring clad, his fingers work against my g-spot. Combined with the teasing and his relentless strokes on my clit, my stomach begins to tingle and the muscles in my cunt squeeze around his fingers. 
“God, Harry. I’m so fucking close.” His movements are slow and skillful, not needing to go fast and hard to make me reach my end. 
“You’re a sensitive little thing, aren’t you?” His fingers stop fucking me, but he presses his fingertips up into my g-spot and massages the spot that makes me see stars. Somehow he’s lifted the hood of my clit so he’s directly on my nerves. “Can’t wait to get you underneath me, so I can fuck you into the sheets. Spread your pussy out and take you just like I fucking want.” 
I throw my head back on his shoulder, needing some fresh air. My lungs can hardly keep up with my shallow breaths and I’m so dizzy I feel like I could pass out. “Please, Harry. I need to cum.” 
“You don’t have to ask me. Just let go, honey. Make a mess of me.” 
And so I do. I feel myself clench around his fingers and my ears start to ring. The sound of his voice telling me how good I am filters through the noise, but for the most part I can’t focus on anything except the pure bliss running through my veins. Harry kisses my cheek, as he coaxes me through my orgasm. “Good girl, Em.” 
I fully relax into his chest as I come down from the high. He slips his fingers out from me and puts them up to my mouth. “I would love nothing more than to taste you right now, but I want to make sure the first time I do it’s caught on camera.” 
Harry drags my come across my bottom lip before slipping his fingers into my mouth. He lets me take my time cleaning his fingers up and he keeps eye contact with me the whole time. 
“What do we do now?” I ask after his fingers leave my mouth. 
“You are gonna go get a snack, get your hair and makeup done, and get dressed.” He pinches my bare hip which makes me yelp, but he just smiles at me. “But you gotta get off my lap so you can do that.” 
It’s crazy to see him go from this sexy dominant male to someone who is also playful. It makes my heart beat faster in my chest when he looks at me with a smile. 
I climb off him and go to grab a tissue from his desk to clean off the mess between my thighs. “Nope. None of that.” He snatches the tissue from my hand and puts it in his pocket. 
“I can’t clean myself up?” I cross my arms over my chest and for a second I forget I’m just in my bra, but I’m reminded when Harry’s eyes travel down to my tits. 
“No.” He walks over to my underwear that were haphazardly discarded and kneels before me. Tapping on the side of my ankle, he silently tells me to raise my foot so he can dress me. “While you are getting ready I want you to think about how wet you are. I want you to feel your come on your thighs and think about what we are gonna do. How I’m gonna fuck you. How I’m gonna make you come again.” He kisses my hip bone before standing up, dragging the fabric along with it. Harry makes sure it’s in place and snaps the band against my skin. “I’ll see you later, honey.” 
Throughout getting my hair and makeup done I shift unfavorably in my seat. My underwear is absolutely ruined from my orgasm, but now it's slick with my want for Harry. I can’t stop thinking about what we are about to do. 
In front of me lies my ‘script’. There isn’t much in it other than some lines I need to say. The premise of the whole video is a couple waking up tangled in the sheets together after being away from each other for a while. 
I think about what I plan on doing to him as the girls around me talk amongst themselves. Usually I would partake in these conversations and make friends with them, but right now my brain can only focus on one thing. 
They curl my hair, fluff it out and apply some light makeup to my face. I didn't want any foundation on because it will just get smudged anyway and I don’t want to look sloppy, so all I have on is some mascara and a light lip gloss. 
A silk black robe is wrapped around my body with my skin bare underneath and matching black slippers are on my feet. It was awkard taking my clothes off in front of the wardrobe person, especially considering the poor excuse of fabric that was my underwear. 
 The air is cold in the hallway as I walk towards the studio room and I know everyone that passes me can see my nipples through my robe. 
The room that was once filled with maybe five people now houses twelve. It’s hard to walk in the room with how many bodies there are and I barely see Harry through the crowd. I protectively shield my chest away from prying eyes and lower my head. 
Harry has changed from earlier, now wearing a black fitted t-shirt that shows off his muscles and a pair of grey sweatpants. I can tell by the bulge in his pants that he isn’t wearing any underwear and the sight instantly makes my mouth water. 
He finds my eyes across the room and at first he smirks at me, taking in my skimpy robe and the exposed skin on my thighs. He must see the apprehension in my eyes because he looks around the room and shakes his head. “Anyone who doesn’t absolutely need to be in here needs to get out.” 
Disapproving sighs are heard around the room, but they don’t hesitate to listen to him. Harry is known for being a sweet and caring guy but I’ve also heard that he isn’t afraid to put his foot down when he needs to. 
He waits until all unnecessary personnel exit the room, being left with the camera man and the sound lady. “Are you ready?” Harry kneels on the opposite side of the bed and puts his hands on his hips. 
“More than ready.” I pull the blanket back, ready to slip under the covers and Harry does the same. “Do you usually wear that to bed?” I say referring to his outfit. 
“I could ask you the same.” He grabs the sting that keeps my robe closed and tugs on it, not hard enough to open it, but just enough to pull me closer to him. 
“No. I usually sleep naked. Shouldn’t we make this as natural as possible?” I wink at him and pull his hands so the string gets loose. The silk moves against my skin as the front opens, but I only allow Harry to see me. 
His eyes drink me in, looking at every exposed piece of skin I have to offer. “Are you trying to be the director now? Trying to steal my job are you?” 
“Maybe.” I shrug. “I bet I could do a better job.” 
Harry reaches into my robe, pinches my hip and says, “Get that robe off and get under the covers.” The dimples that I’ve come to love poke out as I do as he says. 
Harry walks over to the two other people in the room and says something inaudible as I get myself comfortable. He must have told them to leave, because after they check the equipment they both turn around and leave. I’m used to people seeing me naked now and I’m not ashamed of having sex in front of people. In all actuality it turns me on knowing that people are watching me and my partner, but we are only focused on each other. 
“You didn’t have to kick them out. This isn’t my first rodeo.” I lay my head up against the headboard and watch as he starts to take his shirt off. No matter how many times I see his bare chest I still swoon every time. This is my first time seeing it in person and I can't wait to leave little love marks on him like he said I could earlier. 
“I know. I didn’t want them in here.” 
“Why?” 
“Just didn’t want them to be in here.” He bends down to take his sweats off, only leaving him in his underwear, before climbing into bed with me. 
“Won’t it be hard without them in here?” 
Harry turns towards me and leans on his elbow. “Those cameras over there are already filming and there are mics around the room to pick up your pretty noises that men are gonna drool over, so no, it won’t be.” He pulls the blanket down to expose my breasts. Leaning forward he takes my nipple in his mouth and lightly swirls his tongue around it. “Just lay down, act like you are asleep, and then wake your loving boyfriend up so he can fuck you senseless, okay?” 
“Whatever you say, director.” He chuckles at me and lays down. I press my naked body up against his half naked form and he groans. 
“Should have thought the whole naked thing through. I already need to be inside of you, so let’s hurry up.” I laugh into his chest and pretend like I’m peacefully sleeping on his chest for a while. 
Under the sheets, I discreetly sneak my hand from his tummy to the tops of his boxers. Being the professional he is, he doesn’t make any noise or give any indication that I’m close to touching him. 
I feel guilty because he got me worked up already and I haven't given him anything in return, so I pretend to wake up and lovingly look over at him. To portray the act of being his girlfriend, I caress his face, push back his hair, and take in the way he looks while he’s relaxing. 
I know he isn’t asleep, but he looks so cute and peaceful laying here like this with me. Throwing back the covers, I expose myself to the camera and run my hand along the top of his boxers. Harry stirs a little bit, trying to look like he’s waking up, but he keeps his eyes closed. 
“I’ve missed you, baby.” I whisper to him while dragging his underwear down his narrow hips. His cock is half hard, laying against his stomach. I take him into my hand, and his warm skin feels so nice against mine. I position myself between his legs while working my hand up and down his shaft. “Wake up, Harry. You’ve been gone for too long. I need you.” 
Once he’s fully hard, I put his tip in my mouth lightly sucking on it while my left hand reaches down to grab his balls and squeeze them. A little moan escapes him and he moves around more as he ‘wakes up.’ I take him further into my mouth, letting him tap the back of my throat before coming back up to lick at his tip. 
I hunch over him more, so I’m on my knees as I blow him. I continue to bob up and down, letting him stay in my throat for longer periods of time. His hands sneak into my hair and pushes it away from my face so he can watch me. “You just have to have my cock in your mouth first thing in the morning don’t ya, honey?” 
His dick pops out of my mouth and I replace it with my hand. I lay my head on his thigh, batting my eyelashes up at him while I jerk his dick in my hand. “I’ve just missed you, didn’t you miss me?” I pout my lip out at him slightly, playing into the needy and horny girlfriend role. Honestly, I don't have to even act that part. My pussy is a mess and I know the camera behind me is picking up on just how wet I am. 
“Of course I did.” He grabs the side of my head and hovers me over his wet dick. “Now, put my cock back in your mouth so I can show you just how much I missed you.” I don’t know why he asked me because he doesn’t wait for me to lower my mouth on him all the way before he’s thrusting into my mouth. 
Harry controls my head, fucking my throat while he lays under me. His moans are sinful, and make my cunt even more slick. I run my hands up and down his thigh, stopping over the tiger and scratching at it with my nails. “Fuck.” He moans at the pain and fucks my throat even harder. “Am I not fucking your mouth hard enough? Huh? You wanted me to go even harder?” 
I pinch his hip, telling him it’s okay to keep going and he does. Harry’s hips come off the bed while he pulls my head down over and over again. Tears leak from my eyes from the pressure, but I wouldn’t have it any other way. 
Throughout all my sexual experiences I don’t think any man has even been this vocal in bed with me. His voice is rough and raspy and his moans are deep and sultry. Every word he says drips off his tongue like honey. 
Harry suddenly pulls out of my mouth and forces my head to look up at him. “Get up here now. Need this little pussy in my tongue now, before I fuck you.” 
The thought of his mouth on me makes me squirm and I move fast at his words. I crawl over his body,  touching his chest and arms on my way up. “Can I get a kiss first, please?” 
“Don’t have to ask me, baby.” Harry grabs the back of my head and pulls me down to his warm lips. Kissing him feels exactly how I pictured. He’s soft but rough, fast but takes his time, and in control while making me feel like I hold the power. His tongue works against mine and I find myself loving the way he tastes. 
I pull back from his lips, knowing if I don’t stop we’ll  just kiss the entire time. If this was just for us, I would kiss him until my lips bruise and all the air evaporates from my lungs, but this isn’t just for us. Grabbing his cheeks, I open his mouth wide. “Stick your tongue out for me, baby. I need to make sure you’ll be wet enough to fuck my pussy with your tongue.” 
“Don’t think I’ll need it with how wet you get, but I’ll never pass up the opportunity.” Harry winks at me as I spit into his mouth. My mouth is sloppy from the kiss we shared and the way he was relentless fucking up into my mouth causing a string of I admire how it looks sitting on his tongue, ready to be used. 
Harry grabs my ass and pulls me until I’m straddling his head. He yanks my hips down, forcing me to fully sit on his face. His moan is unmistakable as he tastes me for the first time and I simultaneously moan at the feeling of his tongue on my clit. 
Grabbing onto his hair for stability and also rocking my hips against his tongue I utter, “Fuck, Harry.” My clit is so sensitive from my orgasm and I know it wouldn’t take me much to finish again. His tongue licks from my entrance to my clit where he sucks it into his mouth and shakes his head to stimulate it further. I sound like I just ran a marathon with how heavy I’m breathing, but I can’t even find the time to be embarrassed about it. 
It comes to a surprise to me when I feel his hand smack my ass once on each cheek, making my skin sting. Harry pulls away from my pussy just for a moment, “Can you not take me sucking on your little clit, baby? Does it feel too good?” He doesn’t wait for a response, just dives back into my cunt and sucks my clit into his mouth once again. As he shakes his head back and forth, his stubble on his cheeks rubs against the inside of my thigh creating a nice achy burn that I will feel tomorrow morning. 
When he smacks my ass again, I cry out and lean my head against the headboard. “Keep doing that, Harry. You’re gonna make me cum.”
“You like me smacking your ass that much, honey?” I nod my head and whimper. He does it again and I nearly come just from that. “You’re such a dirty little thing.” 
After a few more licks at my clit, I come all over his face and start shaking above him. My legs feel like jello and I don’t even know how I’m going to move from the position. “I could make you come on my face like that all fucking day, such a great thing to wake up to.” Harry realizes my weak legs and he runs his calloused hands over my hips and down my thighs. “You still want me to fuck you? Show you how much I’ve missed being deep in your little cunt?”  
“Yes. Please, I need you inside me.” Harry reaches up and wraps his hand around my throat. Before I can even comprehend the fact that his long fingers, that I came around earlier, are around my neck he pushes me off his chest and down to the bed beside him. 
Instinctively, my legs part for him and he gladly slides between them. His dick slides between my slick lips, tip lightly touching my still aching clit. “I can’t wait til I slip right into you.” Harry presses a light kiss to my lips, trailing them over to my cheek, across my jawline, and down my neck. As he goes further down, sucking light bruises into the skin of my breasts, he pinches my chin and turns my head until I’m watching us in the mirror. “But you gotta keep your eyes on me.” 
“But-” 
He climbs up my body, and whispers in my ear, “Listen to me, Em. Be a good girl and listen to me, okay?” 
“O-okay.” My body shivers, hearing him call me my name during sex is everything I didn’t think I needed, but now it’s all I want. Harry trails my body in kisses again and this time I keep my eyes on him in the mirror. He buries his face into my cleavage, licking, kissing, and sucking my skin, leaving his mark behind. His large hands take in both of my breasts when he starts giving my stomach the same attention. 
“Are you dripping yet for me? Do you think I could slip right in?” 
“I don’t know. I guess you could always find out.” I tease. Harry turns his head and looks at me in the mirror. He takes in the smirk on my face and shakes his head while biting his lip. 
“I love that mouth of yours,” Fingertips trace the outline of my lips, taunting me, “but I think I can find a different use for it.” Now fully hovering me, he grabs my hips and wraps my legs around his waist. “I want to hear those pretty little noises you make.” Sitting up on his knees, Harry holds my hip with one hand while lining his cock up to my entrance. “You think you can do that for me? Can you tell me how good I’m fucking you?” 
“Yes, Harry. Just please, fuck-” Before I finish my sentence, Harry is already pushing into me, stretching my pussy out just for him. We both moan out at the feeling, and my nails dig into his abs. Red angry marks are left over the ink of his butterfly tattoo and I wish I had the time to admire the marks I made. 
“Yeah, that’s good.” Harry finally sinks into me all the way and both of his hands are now gripping my hips with a fierce strength. “Mark me like that, baby. Mark me however you want.” 
When my nails dig into his biceps he hisses and starts fucking into my relentlessly. Harry thursts into me while also using his grip on me to fuck my cunt onto his cock. The sound of our skin slapping against each other and the pleasure we are giving each other fills the room. 
I find myself thankful that he kicked everyone out. Usually in these situations I find myself faking the moans, the pleasure, on my face, and the way my body is moving, but with him everything is natural. 
I look at us in the mirror, with Harry now hovering over me and whimpering my name over and over again in my ear. His back muscles bulge and claim my attention as he fucks into me, deep and slow. His pelvis stimulates my clit every time he pushes deeper in me and I reluctantly take my eyes off him to throw my head back in pleasure. 
“Takin’ me so good, Em.” He captures my lips in a kiss and our tongues clash. “I’m gonna need you again, but next time I want you all to myself.” Harry picks up in pace and I can barely hear him over the sound of my own moans. “Just for us, no one else.” 
“I-I think I like the sound of that.” I clench down around his dick that’s soaked in my arousal and I feel the ache in my  stomach, begging me for a release. 
“But you like getting fucked in front of people, don’t you? You like getting fucked like the slut that you are?” He’s so close to my ear that no one will be able to hear his words in the video, but I can and it’s making me drip past him and onto the bed sheets. 
If I answer him I know it would be loud, so all I do is nod. Harry slips out of me and I whimper at the empty feeling. It doesn’t last too long though, because Harry flips me around till I’m laying on my stomach and quickly fills me up again. 
“I wish I could fuck you in every position, but you feel too good squeezing me.” The tip of his dick massages directly into my g-spot with every thrust he gives me and I bite the pillow to subside my screams. “Nuh uh,” Harry wraps my hair around his hand and tugs my face to the side so I’m looking at the mirror.  “Need to see the pretty face as you come.” 
The grip on my hair is released and placed back on my hips to angle them upwards. I slip my hand between my legs and rub lazy circles into my clit. The small stimulation pushes me over the edge, and by the way Harry’s face scrunches up and the deep moans escaping him I know my own orgasm caused his. 
Breathlessly he falls forwards; forehead resting against the space between my shoulder blades. We stay like that for a while, catching our breaths and taking in each other. Harry kisses the skin of my back repeatedly as I sink into the sheets with him still inside me. 
“Well, Em. I think we made a good video.” 
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on-a-lucky-tide · 24 days ago
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Hello, I am once again annoying you with music+film recs
So, this is a song "Planes come first (and girls later)" from a 1945 soviet film Небесный тихоход (wiki says in English it's Heavenly slug, which is extremely cute)
The film is about three soviet pilots that swore not to fall in love with women, because planes come first, but obviously by the end it all changes. It's a very kind movie that tells about female pilots crew (I wonder if it/similar experience influenced Nikolai a little in his treatment of women as capable equals), but I thought about your headcanon that Nikolai is strictly gay. So I thought, maybe you can turn this scenario and song around, like it's not just a pilot's dedication to his craft that never let him seek a wife, but also, you know. The fact that he's never wanted a wife in the first place. And maybe Nik uses this song (and the title phrase that became a saying on its own) in day to day life, and then bam, there comes Price and suddenly it's not planes first.
And maybe a slight confusion about Nik's sexuality. I don't know how enjoyable such a story would be for you to write, but in any case, it's a good song from a good movie.
And also there's another masterpiece movie from 70s about soviet pilots, В бой идут одни "старики" (Only "old men" are going into battle), this one is legendary and I just highly recommend if you're interested. It is sad though (at least it was for me, but I watched it really young). There.
Have a nice week!!
Juju, I frickin' adore this, omg.
I still have your other ask for winter break so I can watch the film and formulate a proper response. It's like when you sit down at an expensive meal and the champagne costs three figures; new, requires savouring.
But becoming a workaholic to avoid uncomfortable truths about yourself? That's like Toby Carvery levels of comfort food familiarity.
Nik, who first heard that song and used it to explain away his lack of interest in women while his peers were all starry-eyed over the barrack bunnies. Perhaps he even jokingly refers to it when they rib him for his years' long dry spell. Young, fit pilot should be rolling in offers for dances and one night stands, but he isn't.
It's not that he doesn't love women. He does. His mum is his idol. He joined the air force instead of any other armed service because he read about the Night Witches (Hочные ведьмы, Nochnye Vedmy); he grew up as a young boy reading about Colonel Marina Raskova and Major Yevdokia Bershanskaya. Those are his damn heroes. (My headcanon that Nik has a special love of world war two aviators and even took the name "Nikolai" after two of them remains ironclad.) It's just... he doesn't really want to kiss one, or... yeah, planes. That's what he's on this earth for.
Nik becomes the best airborne operator there is because when you're striving to be the best, there's no room to reflect on why your eyes linger on your brothers in arms more than their pretty girlfriends.
No time to deal with the loneliness that roils in your chest every time a holiday rolls around, or another wedding invite drops on your desk, or your mother sends another long letter asking whether there is... anything in your life besides your planes. 'Life is short, little bear.'
Then. Price.
21 years old, freckled, serious blue eyes.
As driven and single-minded as Nik is, John arrives just at the point in Nik's life when it's falling apart around him. When Nik is realising he must make a choice and reforge himself separate from everything he's ever known and loved because he's about to betray it all.
And Price is beautiful. He is just so breathtakingly, ethereally stunning. How does no one else see it? How is everyone so normal around him? Nik is infatuated.
Right down to the damn smell of him, sweat and a cheap Dove aftershave when he's not on an op, the way his smile crinkles up his entire face because Price feels too strongly for his body to contain it. The way he bounces on his toes, squints at shit that pisses him off, has to touch fuckin' everything. Nik even loves John's temper, because when something ignites him, he wields that rage like he wields a gun; with ruthless, deadly precision.
Nik wants him every way; emotionally, mentally, physically. He has a whole body reaction to Price's touch; a simple hand on his shoulder leaves him reeling. It takes every ounce of self control not to grab that palm and press it to his face, to taste the salt on John's skin and trail kisses up his wrist to that lopsided grin...
But, Nik can't have that. He can't... engage with that part of himself. Certainly can't risk losing John for something as unimportant as his yearning heart. So he does what any good friend should do. He is unwaveringly loyal even in the face of almost certain death, putting his life on the line again and again, just for the chance to feel John's hand on his back, hear his chuckle down the Comms, share a cigar with him as the sun sets and the blood dries.
"I brought bags..."
"Heh heh, ya fink of ev'ryfin'."
And Nik's entire body curls with pleasure.
Nik is just so, so in love with John Price.
And John Price is in love with Nik. He just doesn't think Nik wants him, because after all these years, he woulda said, right?
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sundeathh · 1 year ago
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What about an imagine or hc about aizawa 'n s/o sharing their interests like what they like to do in their free time, books they loved to read etc something fluffy c: thx
I might have gone way beyond your request. But, hey, this is also self-indulgent! Anyway, I loved your request. I hope it fulfills what you had in mind. Sorry for the long delay, but it is done now.
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Head-canon  |  Masterlist 
Pairing: Aizawa × GN!reader | Words: 993
Fandom: BNHA | MHA  | Tags: Cute & fluffy
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In your rare moments of free time, Aizawa and his significant other would find solace in the simple pleasures of life, embracing their shared interests and creating a warm, loving heaven together.
As you are both avid bookworms, you would often cuddle up on the couch, each engrossed in your own novel. The room filled with the soft rustling of pages here and there, and every so often, you'd exchange a knowing glance, silently sharing the joy of a good story.
Cooking was another shared passion of yours. You would tackle intricate recipes, laughing at your culinary mishaps and celebrating your triumphs with soft cheers and known, loving glances.
Aizawa, surprisingly adept at chopping vegetables, would take charge of the savory dishes, while you would knack for baking meant a never-ending supply of delicious desserts.
Even mundane tasks like doing the laundry or cleaning the apartment became enjoyable when you did them together. You'd playfully argue about the most efficient way to fold laundry or who could scrub the dishes cleanest, all the while secretly reveling in the shared domesticity of it all.
Yet, beyond books and cooking, you found common ground in your love for stargazing. On clear nights, you'd lay a blanket on a rooftop, snuggling close under a blanket while tracing constellations and making up your own stories about the stars.
You also cherished the differences in your hobbies. While Aizawa might spend hours lost in a new mystery novel, you might be immersed in painting or sketching. you'd sit together, companionable in your silence, each respecting the other's passion.
Friday nights were designated movie nights. You'd take turns picking films and introducing each other to your favorite genres. Aizawa's penchant for action movies clashed amusingly with your love for romantic comedies, resulting in an eclectic movie list.
Sometimes, your most cherished moments were the ones where you merely sat in comfortable silence, the only sound the soft hum of your shared existence. You didn't need words to express your love; the presence alone was enough.
And as night would fall and the world would get quieter, you'd have heartfelt conversations about life, dreams, fears, and everything in between. Aizawa, usually a man of few words, found himself opening up more than he ever thought possible. And so did you.
You frequently surprised each other with little gestures of love. Aizawa might leave a cup of your favorite tea by your bedside when you had a rough day, while you would sneak love notes into Aizawa's attire pockets before he headed off to work.
You also respected each other's need for alone time. Aizawa might find solace in a quiet corner, lost in thought or grading papers, while you would pursue your artistic hobbies, creating your tranquil oasis.
On free weekends, sometimes you'd embark on nature walks, exploring the serene beauty of parks and local forests. Aizawa's observant nature meant he'd point out unusual flora and fauna while you captured the scenery through your camera lens.
You also compiled playlists of your favorite songs, making a blend of your music tastes. Whether it was Aizawa's preference for classic rock or your love for indie bands, your shared playlists were the soundtrack of your lives together.
Sometimes, you would also work out together. Staying healthy was an important goal for both of you. You'd engage in light workouts together, cheering each other on during yoga sessions or jogging through the neighborhood. Your laughter would echo through the air as you challenged each other to push harder, engaging in playful competition.
While you were both competitive, you always stuck to the playful part of it. You would indulge in board games on cozy evenings. Aizawa's strategic mind shone during chess matches while you reveled in the unpredictability of card games, creating delightful tension between you two.
Tending to the small garden you both had on the balcony became a joint project. Aizawa had a surprising green thumb, nurturing the plants with care while you added artistic touches with colorful flowers, painted vases, and other whimsical decorations.
Arts and crafts will always bring out your creative sides to life. You'd spend free afternoons painting, crafting, or even knitting, creating personalized gifts for each other or their friends, each piece a symbol of your shared love and content.
Occasionally, you'd embark on more spontaneous outdoor adventures. From impromptu picnics in the park to exploring nearby hiking trails, you savored the thrill of discovering new places hand in hand.
Late at night, you'd lie in bed, discussing your dreams and aspirations. Aizawa would share his goals with his students while you would talk about your artistic and work ambitions. In those quiet moments, you found inspiration in each other.
Random acts of kindness were a must between you two. From volunteering at local animal shelters to leaving surprise treats for your closest friends. Your shared altruism strengthened your bond even further and reminded you of the beauty in giving.
Sometimes, during quiet nights, you'd turn on some slow music and dance around your living room, shedding your accumulated stress and relying on each other's arms.
You often talked about your dream destinations and future travels. Aizawa, who had seen little of the world, would always listen with wonder to your travel stories, your shared excitement fueling your wanderlust.
Together, you planned your future, imagining a life filled with love, growth, and shared adventures. Your dreams intertwined, painting future moments where you continued to cherish each other, hand in hand.
In the tapestry of your shared lives, every moment was a thread that added depth and color to your relationship. You and Aizawa frequently cherished the uniqueness of your bond, celebrating your shared interests and the beautiful harmony you found in their differences.
Your love was a testament to the beauty of a life filled with shared moments and unwavering support, knowing that love wasn't just about grand gestures but the beauty of ordinary moments together.
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measlyfurball13 · 8 months ago
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Seeing as your one of the only people I know who is into Transformers, would you mind info dumping about it?
I know very little of anything about it besides the old "Micheal Bay!" Joke, and that it was initially made to sell toys, but that doesn't really mean anything.
So tell me, is there "more than meets the eye" to this franchise?
HOOOOOOOOO BOY
The single most important thing to know about Transformers is that there is no singular canon. Rather, there's a TON of different continuities, or basically alternate versions of the same universe. Transformers is a franchise that basically tells the same story over and over again, altering each time while keeping some very basic core themes and characters.
Optimus Prime is the leader of the Autobots. Megatron is the leader of the Decepticons. The Autobots are the good guys, the Decepticons are the bad guys, and they have been fighting a war for millions of years. It is rare for continuities to change these core facts. They might be modified, but they will never be unrecognizable.
In one continuity, Optimus might be a younger, more inexperienced leader. In another, he may be old, wise, and powerful. In some continuities, Optimus and Megatron have personal beef with each other through their backstories, making them almost lost brothers of a sort. In others, Megatron is a stranger and Optimus is an impersonal victim of his cruelty. Each time this story, the story of Transformers, is told, little details like this change.
Generally, continuities try to keep a certain "feel" to them. While sometimes a continuity will completely reinvent a character, most of the time it will try to keep a character within a few (arbitrarily chosen) character traits and/or role.
So, if this story has been told over and over again, and there's certain established expectations for characters, what was this all based on? The answer is the original 1984 animated cartoon! This cartoon is referred to as "Generation 1", or just "G1" for short. This is the cartoon made to sell toys. The animation quality is poor, the dialogue and music are cheesy, and I absolutely love it to pieces. I would highly, highly recommend that you watch the first three episodes, which basically acts as the pilot for the whole show. It really writes the characters at their most iconic and introduces the setting.
Now that you understand that G1 is the base, you can go from there and explore other continuities! Remember, continuities don't connect across different mediums (with the very distinct exception of one specific continuity, which I'll get to right after this) so feel free to find one that interests you. In general, each cartoon (or close series of cartoons) is a continuity. Allow me to list some of the more popular ones:
Transformers Beast Wars. This is arguably the continuity that follows the established G1 pattern the least, since this is the cartoon that followed right after it. In this one, the transformers turn into animals and battle on a prehistoric earth. This one is well-renowned for its surprisingly deep character writing, but the antique 3D animation is the biggest hurdle to enjoyment. It's kinda the continuity that's the most forgotten.
Transformers Armada, Energon, and Cybertron. Also known as the Unicron Trilogy (no, not "unicorn"!), this one was made in Japan and then dubbed and exported. They introduce a lot of anime-inspired features into the lore such as powerups and the like. Armada is regarded very highly with good writing, the other two not so much. The continuity between them is fairly loose. You could absolutely get away with watching just that one. Here's a link to Armada.
The Michael Bay films. You already know this one. These live action films are in a continuity of their own. In all absolutely fairness, the first movie is pretty good, barring Bay's more childish flairs. If you don't mind the U.S. military being portrayed as the absolute good guys, I think you'll genuinely like it.
The Bumblebee movie. Special shoutout to this one! This live action movie is in its own continuity that's really fun. This is an excellent movie and I love it so much, please watch it at some point.
Transformers Animated. This is one of the most widely beloved continuities in the entire franchise. People really, really like this show. It takes the franchise in a refreshing new direction, with the first season feeling almost a bit more like a superhero cartoon than a "traditional" transformers cartoon. The Autobots are the absolute underdogs in this one and it's hard not to root for them. Here's a link. This one's a good one to start with.
Transformers Cyberverse. This one is a web series that was focused for a younger audience for the first season, gets decent in the second but then gets absolutely and insanely fucking unhinged in season 3. I. . . don't recommend this one for any beginners? It's a trip. That first season is pretty unbearable. The second season starts out feeling like you missed something, and then gradually gets kinda better. Season 3 is insane. Look, just tackle this one after you've tackled the others. Don't start here.
Transformers Earthspark. The newest of the bunch, this one is releasing on Paramount Plus. I've really enjoyed what I've seen of it! It's a much more down-to-earth approach to the story. It changes some characters but in interesting ways. The new characters are excellent as well. You can definitely start with this one.
And finally, without further ado:
Transformers Prime.
I fucking LOVE this one.
This one is my favorite and was what really got me into the Transformers fandom. This cartoon takes the good innovations from the Michael Bay movies and then actually tells an amazingly competent story with it. It's the Transformers cartoon with the darkest tone by a long shot, and it really sells that this story is about a war. Characters die! The serialization is suuuuuuuper tight- one of my favorite examples is that injured characters have to spend time onscreen healing back up.
This cartoon also gives a significant amount of focus and exploration of the Decepticons as a faction as well, which is rare for the franchise. Both the Autobot and Decepticon characters will charm their way into your heart.
This show is equivalent in quality to Avatar the Last Airbender to me. I know that's probably overhyping it. You may not like it as much. But I really really really love it.
Here is a link to the first season.
But wait! There's more. Welcome to the Aligned Continuity!
Transformers Prime is actually part of the franchise's first attempt to really connect a story across media platforms. The result was. . . mostly successful? Definitely a lot of plot holes/errors, and some of the continuity is trash, but I want to highlight two videogames specifically:
Transformers: War for Cybertron. This game is a third-person shooter by High Moon studios. They do an absolutely stellar job with this one. Taking place on Cybertron, the home planet of the transformers, this one acts as the first part of an indirect prequel to Transformers Prime.
Transformers: Fall of Cybertron. If the first game is good, then this game is amazing. The devs layer on more amazing mechanics to those introduced in the first game, with some of my absolute most favorite moments in all of gaming happening in this one. It acts as a second part of the prequel to Transformers Prime.
The writing in both of these games is so amazing, and the gameplay is so much fun. I know you love videogames, so that's why I'm recommending these two you. HOWEVER, the cost is that these games are stupid difficult to get ahold of. You'll most likely have to sail the high seas, yo-ho-ho, if you catch my drift. I play these on my Xbox 360. Best of luck to you!
Anyways, there are other entries into the Aligned Continuity. There's a set of three novels that I've heard are stellar. If you're looking for a show for young kids but that is also fun for you to watch, you could always check out Transformers: Rescue Bots. That one has a small but devoted fanbase of older fans.
But do NOT touch the cartoon in this continuity called Robots in Disguise. Do not. It's marketed as a sequel to Transformers Prime. It is not. Not really. It's like the Halo 5 of Transformers. Every day I am reminded that it exists I am in pain.
---
And there lies the end of my introduction! If you actually did read all of this, congrats to you. Ironically, I'm not sure that you've really ended up more knowledgeable than you started. I didn't really go over anything specific about characters or plot or lore or anything. But I hope I've illustrated my point that to do so would be fruitless- this story exists in so many different iterations that you just have to go out and find the one that resonates the most with you, y'know?
My recommendation for getting acquainted with the franchise is to start with those first three G1 episodes, then move on to either Animated or Prime. You could also pick Beast Wars if you're looking for something with a more retro 90s charm, which I know you like from Marathon.
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goodluckclove · 4 months ago
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A Very Very Muppet Christmas Movie Deserves All the Hate it Gets, and Maybe More Actually
Okay so someone said I can talk about this so I'm going to talk about it. Spoilers I guess? For a shitty Muppets movie?
This got long. Fuck.
I have seen, at this point, every Muppets movie aside from Muppets Oz. I couldn't really rate them in order of best to worst like other online sites do. I like The Muppets. Even the movies that didn't touch my heart like Muppets Treasure Island I still found fun and enjoyable. My favorite will always be the original movie from 1979, but I found all of them to be comforting and enjoyable.
Until this one. This one is bad. A Very Very Muppets Christmas Movie was so immediately bad on every level. It is the first movie I've seen in some time that actually made me angry.
A little context for those who haven't seen the movies. Muppets movies fall into two categories that I'll call Muppets Lore and Muppets Theatre. In Muppets Theatre you get a loose retelling of some classic story where the cast is primarily Weird Felt Perverts - think Christmas Carol, Treasure Island, Wizard of Oz. The Great Muppets Caper isn't technically based on source material but I'd put it in this category since they're playing characters.
On the other hand, the Muppets Lore movies focus on the origins/misadventures of the Muppets as an ensemble. Think the original movie, as well as Muppets Take Manhattan, Muppets in Space, and the two reboot films.
Muppets Haunted Mansion is technically both a Muppets Lore and Muppets Theatre film. It's also. I wouldn't say bad, but it - it's weird to talk about. It does canonize that Gonzo's worst fear is dying alone - which, like, yeah. That tracks.
Anyways, A Very Muppet Christmas (I refuse to keep using the full title), though it does heavily draw from It's a Wonderful Life (but badly), is primarily a Muppets Lore movie. The basic plot is that the Muppets, who by now are well-known for producing shows out of their own Muppet Theater, lose their venue. This devastates Kermit, driving him to believe that the lives of his friends would be better if he was never born. He gets to see this alternate reality, realizes it's apparently way worse, and begs to go back. He does, the theater is saved through randomly being declared a historical site, and everyone's happy forever.
I don't know where to start with this. Let me break it up.
They Had The Same Message For a Like 30 Years At This Point How Did You Fuck it Up This Badly
So a majority of the Muppets Lore movie focuses on the central theme of chasing your dreams. The main cast are all performers (barring Scooter, who seems to be the entirety of their tech crew. Kermit also directs and writes. I think Doctor Honeydew is a war criminal but no one talks about that.) with aspirations of making a living doing what they love. They make mentions of fame but are pretty loose with what that means. Miss Piggy is the only cast member who explicitly wants mass amounts of stardom.
The rest appear content with being career artists. Rowlf is chill wherever there's a piano. The Electric Mayhem prefer their jam rock but seem fine playing any gig with an audience and also probably a plug for hard drugs. In a lot of Gonzo origin appearances he's actually working a separate day job and just shoots himself out of cannon as a hobby. The major draw in the original depiction of their dreams (for me at least) is that it really does paint them all as people who would be doing their art anyway regardless of whether or not they Hit it Big. They push for fame, they try again and again to find an audience that appreciates them even when most of them don't, and it works out in the end. They get rewarded for the effort their dreams push them commit to - what Real Life, Non-Muppet Artist wouldn't at least acknowledge how that's cool to see?
I think this is why a Lore Muppet movie doesn't really work when it depicts The Muppets already being successful. The reboot worked for me because it took place when they were all major celebrity figures past their prime and mostly forgotten (except for Rowlf who I think was on so much Oxy that he didn't realize they were famous). When the movie focuses on their career the fame is a better goal than a starting point.
It really does make A Muppet Christmas fall apart immediately. They run the risk of losing their theater if they don't make the money to pay rent? They're famous. They're on talk shows. There's a statue dedicated to the joy Kermit brings to the world. I do not accept this to be a universe where they can't get another venue immediately. I wouldn't be able to accept this as a universe where they're both successful performers who sell out every show and also almost broke, if not for the fact that I can think of like four Muppets off the top of my head who probably generate a new court case against them every year. Legal fees.
They had one scene where Kermit calls a bunch of mid 2000s celebrities and none of them want to guest for the Christmas show. That works in the reboot where Kermit does the same thing only to find that most of his old contacts are either retired or dead. In this one? It's nonsense.
No, Really, You Fucked it So Bad
In every Muppet movie that focuses on following your dreams, that message is paired with maddening levels of determination. The Muppets, mainly Kermit, do not give up. All his friends ditch him while he's trying to get their musical produced on stage? He's gonna work a minimum wage job and keep looking for producers so he can get that venue and perform with his friends. His career is kind of over but he runs the risk of losing the studio that served as a landmark for the legacy he made with the people he loves? Fuck it, cross-country road trip to get the band back together.
He's trying to make a name for himself but there's a entrepreneur who runs a frog legs restaurant and, after being unable to hire him as a spokesperson, sends a paid assassin to kill him? That's less important than making the Big Audition in Hollywood!
So when being faced with losing the Muppet Theater in A Muppet Christmas, Kermit stays true to his character by giving up immediately and abandoning his friends to die alone in the snow.
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Like I get it, you're doing the It's A Wonderful Life thing but you can't make Kermit do an explicit suicide attempt. But the film establishes he is fully frozen and unresponsive when his Religiously Unspecified Celestial Guardian finds him, and that is WAY more disturbing than having him jump off a bridge in my mind. It's just so bleak holy fuck. And this happens immediately. First fifteen minutes of a movie that inexplicably starts in the middle and Kermit slinks off to die.
It's not earned at all. He didn't fuck up to the extent for this to make sense. We find out later that the money was lost because he gave it to Fozzie to give to the bank and Fozzie loses it. Kermit then becomes convinced that he ruined all of his friends lives because of this.
Like it's a common thread to depict Kermit being the lynchpin that moves the ensemble forward. He's the guy with the plan, so it makes sense story wise to take that character and get him to a point where he's out of ideas. Only we never see him really try anything? He makes no attempts that fail before he falls into despair. He sits on the sideline and when things don't go well he's like "I fucked it" and loses his will to live. When people say Kermit is a boring buzz kill this is the Kermit they must be imagining.
All the Characters are Bad Here
The major crux of the film is seeing how the ensemble would live without Kermit, who inexplicably thinks he ruined their lives in a way I still don't understand (Did he take out a bunch of loans in their name? What happened???). The intention is to show that their lives are better for having him in them. This, for some reason, looks like the following:
Gonzo: talented street singer/musician, maybe implied to be homeless?
Fozzie: pickpocket, apparently. Why? Bullshit
The Electric Mayhem: Irish step dancers I guess
Scooter: go go dancer. Living his best life.
Sam the Eagle: nightclub enthusiast. Seems fine.
Statler and Waldorf: I could be wrong but it did really look like they were depicted as a gay couple
Rizzo: I - actual rat? Rat actor? Non-sentient rat? I don't really understand what was happening there.
Miss Piggy: I thought they were going the path of having her give up on acting and become a crazy cat lady (not good but fits the era) but apparently she's a phone psychic who uses a Jamaican accent and wig. I guess Kermit is the only person keeping her from race baiting - which I can believe.
So my issue with this is that it's fully inconsistent to all of their characters. If you wanted to show how their lives would be worse without Kermit, it's very easy to do so using the aspects of their personality depicted in like 40 years of media. I think the issue comes in the fact that the obvious downfalls aren't really fitting for a kids movie, which is probably why Jim Henson didn't go there. But I will right now! Here is my take:
Fozzie: super bigoted comedian. He doesn't realize his audience are racists and he doesn't really get the jokes but he's happy people are finally laughing
Gonzo: drug mule
Miss Piggy: probably got famous but not though acting and she's trying to pretend like that's just as good
Rizzo: pays Gonzo be his drug mule
The Electric Mayhem: long dead. Either OD or murder-suicide. Maybe Animal lived but he's absolutely in prison.
Statler and Waldorf: divorced because they never got to bond over their mutual hatred of live theater
Scooter: still in technical theater but he gets treated like shit and probably has a drinking problem
Sam the Eagle: full-on Nazi. Obviously.
There's a plot there in showing what the muppet ensemble would be like without their director and biggest cheerleader. It's just that the depiction in the movie we got was so far removed from what they were like in the present reality that it didn't - like, without Kermit, Gonzo would've learned how to play the guitar? Huh? The only thing that's keeping Fozzie Bear from doing petty crime is making vaudeville theater? Fucking how? Based on what?
It doesn't work as a Muppets story and it doesn't work as a Wonderful Life reference because there's really not anything real that proves that Kermit is the thing that kept this from happening. Except for Piggy doing phone blackface. I can see him having to have that conversation with her a lot.
Anyways, it sucks. The framing is bad, the guest stars are weird (Joe Rogan and Matthew Lillard?), and the one song for the film is awful. Kermit's emotional arc is nonsense and the film fails to see that the point of the ensemble is that they're better and happier together, not that they're all useless and miserable without their leader.
Brian Henson did an important thing taking over for The Muppets after his dad died. He did a lot for the way the movies he wasn't involved in production wise - he worked on the rig that allowed Muppets to appear to ride bikes. This is his life and his dads legacy and it's clear - at least at one point - he valued continuing it.
But yeah this movie was awful. Near incoherent. It's like fanfic from someone who's only research was doing a Google image search of The Muppets. Christ.
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dg-outlaw · 1 year ago
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Blue Beetle - Movie Review
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Finally got to see this on HBO Max... yes, "MAX" we still think of you as HBO just as Grogu is still Baby Yoda. Deal with it.
So, back to 'Blue Beetle'.
Long review, short, I thoroughly enjoyed this movie and think it's one of DC's best in their quasi-DCEU/not DCEU or whatever is going on with WB and the DC movies these days. From what I understand, James Gunn/WB is not scrapping everything from the Snyder-verse/DCEU, but changes are coming and there's rumor that this iteration of Jaime Reyes/Blue Beetle will stick around and I really hope so. I also think it helps that there were no character cameos in the film, only mentions of heroes like Superman, Batman, etc. so this Blue Beetle could easily be folded into the upcoming Gunn-verse.
As a latino I'm both ashamed to say I don't know much about Jaime Reyes' Blue Beetle outside of his appearances on the 'Young Justice' animated series, but I was also excited to see him on the big screen (metaphorically) and plan to go back and check out his comics.
I won't do a random synopsis as you can easily hit up a Youtube trailer or read an IMDb blurb to get that info, but I will talk about some of things I really enjoyed about this film. Warning: Slight Spoiler's ahead.
First off, this was overall a well-polished, well-written, directed, acted, and enjoyable film. The CGI was CGI, but it never felt janky and I could see the attention to detail in a lot of the VFX work, even with Jaime's practical Blue Beetle suit. I also truly appreciated that this film took risks and didn't shy away from taking those risks, creating stakes and sometimes following through, and addressing certain cultural and socio-economic subject matter without being preachy. In some ways I compare it to the MCU's 'Black Panther' in tackling the cultural and socio-economic things that mainstream, especially Disney, often tries to shy away from.
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While 'Blue Beetle' isn't as serious in tone as 'Black Panther' there were several moments in the film where you knew that the writer and director had some creative leeway as opposed to having lots of studio oversight, just as Ryan Coogler had in the first 'Black Panther' film. I'm not sure if this is because WB wasn't paying attention because the DCEU was dying off or if they were somehow convinced to let the creators do their thing.
There were also so many moments where my Hollywood Blockbuster/MCU-trained brain said, "now is where they pull away from the hard moment, make a joke to pull away from a real emotion, or water down the stakes", but that didn't happen in this film. Yes, it was funny throughout, and jokes were made to lighten the mood where appropriate, but it was never at a disservice to the story or the characters. There were no moments where I felt like some director/screenwriter/studio-exec was getting embarrassed because it's a superhero movie so [insert Whedon-esque quip here] to avoid showing feelings.
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Plus, you had George Lopez bringing his well-known loud, wild humor as the conspiracy theory spouting, 1% hating, mad-scientist Uncle Rudy, but if anything I think he was needed to give light to a story that potential to be really dark and sad at times. This is not to say there weren't moments that tugged at your heartstrings and made you feel or think. This movie went there because yes, we can think it's cheesy because it's just a superhero movie, but in-universe these events are reality for the characters and I think other superhero movies need to remember that. This was really well done in the first transformation scene of Jaime into the Blue Beetle as it started with light humor and slowly morphed into an almost horror-film like scene. There was no gore, but you felt the terror that Jaime and his family were feeling by watching things unfold. We, as the audience know what's going on, but for him and the family, the shit was hitting the fan and they didn't know what was going on.
Honestly, I didn't know what to expect from this film. Having recently watched Shazam 2, which I thought was really funny and better than the first, but also forgettable and the Flash movie (which I also thought was fun but forgettable), I just expected more popcorn fun--the last sugary drops of the DCEU slushie before the Gunn-verse got underway. What I recalled about the trailers and vague reviews about this film was that it was a fun superhero movie that focused heavily on family.
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But unlike the popcorn, turn your brain off and enjoy chaos of the Fast franchise, it didn't require Vin Diesel, 30 movies, and an endless string of memes to drill that concept into your head. Yes, Jaime Reyes is the hero in the film, but it's the collective efforts and support of his family that ends up helping him win in the end and it's what gave the movie heart.
This is also not meant to take away from Xolo Maridueña's performance as Jaime Reyes as the hero, an actor I've enjoyed since first seeing him on the Netflix series 'Cobra Kai'. Just like in 'Cobra Kai', I continue to enjoy his almost innocent boyish charm, shyness, and vulnerability he exudes on-screen. In some ways his character and performance remind me of Tom Holland's Spider-Man as just this kid trying to do the right thing, but is totally in over his head as a teen superhero (even though Jaime is a recent college grad from Gotham U). And just like Peter Park, Jaime didn't ask to be a hero and had no real aspirations for being a hero, other than to his family, but in the end he stepped up. This was not for cool points, though Jaime eventually learned to embrace the scarab's many cool powers, but because he knew it was the right thing to do. And yes, Mr. Vin Diesel, because of family.
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I could go on and on about all the cultural moments and subject matter addressed in this film that I thought was really brave and refreshing in a superhero movie, but I won't as that's a giant article in it of itself. But I honestly think Disney/Marvel could take some pointers here as they often pull away just as they are about to get there. Also, no hate on MCU. There are many of the MCU films I enjoy, but the overall formula hasn't gotten tired and needs a revamp. Again, another post for another day, but just putting in a BIPOC, female, or LGBTQ character in a movie doesn't make it good and marketable. And no, we don't need PSA sob-story movies beaten into our heads, but what does it mean to be part of a marginalized community and be a hero? What does that look like? What different perspective does that character bring to the table?
In the end, yes, enjoy 'Blue Beetle' as a superhero movie, but also keep an eye out for the smaller messages and heart of this film as it was a delightful surprise for me. I hope we get to see more Blue Beetle in the future of DC films and I'd even be down for a live-action adaptation of 'Young Justice', with Jaime on the team.
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i-have-no-braincells · 9 months ago
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okay miscellaneous unova elite four headcanons let’s go:
-grimsley is always bisexual to me. however i vibe with both him being cis and him being trans headcanons. either way he’s always gnc to me though.
-caitlin is trans (mtf) and uses she/they pronouns. she and shauntal are also both lesbians to me <3
-marshal is panromantic asexual and i really like the idea of him being trans (ftm).
-grimsley enjoys classic horror films from the 80s-90s. yk the really cheesy horror films where some of them could barely be considered horror. i also think he enjoys musicals, but specifically musicals like phantom of the opera, jekyll and hyde, little shop of horrors, sweeney todd, the beetlejuice musical. he enjoys some recent horror films as well, but he thoroughly enjoys the cheesy, old classics.
-shauntal, on the other hand, loves the fucked up horror movies. she appreciates well done gore. she likes the stuff that would make most people cringe or look away. she’s a little freak who finds that shit incredibly fascinating. plus, it’s wonderful inspiration for her books!!
-caitlin is not a big movie watcher. she will watch whatever anyone else wants to watch because they will be falling asleep during said movie.
-marshal loves his classic karate and martial arts films. he’s a big nerd for them and owns several posters of said movies. however, you could also catch him watching a stupid rom-com… just don’t tell anyone!!
-shauntal has dabbled in a wide variety of genres when it comes to her writing. she specializes mostly in horror, romance, or a mix of the two. but no matter what genre she’s writing for, there’s always certain aspects and nuance to it that defies the stereotypes of the genre at hand. she also is a common author to see featured in the LGBT section!!
-grimsley collects playing cards. it’s not a very special or unique headcanon, but he has a wide variety of playing cards all from different places or themed around things he enjoys.
-caitlin has narcolepsy. i think this is a fairly common hc as well. since she’s often falling asleep and experiencing dreams, her dreams are prophetic more often than not. their psychic specialty is prophecy and interpreting prophetic dreams, however i believe she has the ability to do basically any psychic power one could think of. i like to think she’s a very powerful psychic.
-marshal and grimsley have a very unique rivalry to me. they’re best friends for sure, and honestly marshal is not as competitive as grimsley is. but those two fuel each other’s competitiveness to all hell. they have a running tally on how many times each other have won during sparring matches. they would also die for each other.
-speaking of which, marshal is very much the braincell of the elite four. i do think he’s a bit of a himbo, but he is actually the most responsible of the four and has the best coping mechanisms and self control (as a martial artist should have). he loves helping his friends and finds enjoyment in such.
-grimsley is likely the least responsible. he is by no means a bad friend, and he’s obviously very clever and smart. but he has a knack for disappearing without saying anything only to show up hours later. of course no one trusts him with financial advice. and he absolutely loves messing with and playing pranks on the others.
-shauntal is very caring and a bit of an older sister figure to marshal and grim. she’s also the oldest of the group. this doesn’t mean she doesn’t also like getting into mischief with grimsley, the two are partners in crime for sure. shauntal also has a bad habit of getting too focused on her writing and becoming a temporary shut-in.
-caitlin is reliable and trustworthy when she can be. the others are very aware of her narcolepsy and obviously don’t treat her like they’re helpless, but they do understand she won’t always be present. and they’re okay with that. they’ve known caitlin for ages now and so they know how to help, assist, and work with caitlin’s diagnosis.
-speaking of caitlin, she has autism. i see a lot of people depict her as very bubbly, but i see her as more blunt and monotone. along with her constant tiredness, she doesn’t have the energy to keep up verbal appearances, and so sometimes she comes off as rude or apathetic. she also has a very sarcastic sense of humor, which grimsley finds extremely hilarious. she makes him laugh all the time.
-caitlin’s style is very pink and bubbly and has the black cat personality, while shauntal has the black cat style and the bubbly personality. they are gay <3
UH I SHOULD PROBABLY STOP THERE BUT YEAH-
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angstics · 1 month ago
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more about shadow of a doubt
shaken to the core by the way cotton looks at his teresa wright
"sing at the table youll marry a crazy husband" superstition from the little kid when young charlie hums the merry widow tune. okay
charlie & uncle charlie being actually psychically linked because she was unknowingly humming the Merry Widow waltz before she knew a thing about the Merry Widow killings. he looks so weirded out
oh my gosh the fact the only time we hear the waltz theme before charlie hums it is NON DIGETICALLY in that weird non diegetic cut to the waltzing people. the way we're being embedded so completely and Implicitly in uncle charlie's mind
heavy heavy criticism of the "typical american family". "we arent a typical american family" straight from the matriarch (who btw is also uncle charlie's matriarch since they have no other relatives)
another part of the subtext of these movies is that the ugliness of sex is never a part of these conversations (when they are a big part of same-sex, incest, pedophilic, any sort of taboo relationship) (not to say same-sex relationships are predatory, but they are certainly seen that way). with the absence of sex comes the presence of an undirected threat. which translates to murder or betrayal or even partner switching (like in red river) or what haves you
this thought comes from the fact i would probably not like this as much if the incestual relationship was sexual. even this requires a level of indulgence and suspension of disbelief. i would be way too sad about charlie's mother's horror. it's something that she never sees her experience w her brother reflected in her daughter. sorry for being a fake enjoyer
also one of my favorite things to pay attention to in films is what character the camera chooses to focus on during dialogue... and what character it chooses to leave on focused or excluded. IE rn loving this dead stare joe cotton has in the blurry foreground as his sister speaks
charlie and her mom are really so terrified and surprised by uncle charlie's outbursts of anger and violence. it's an abuse story
charlie's friends checking out her uncle, and her being real glad about it lol. "Bet they wonder who you are. Oh, Uncle Charlie, I love to walk with you. I want everybody to see you." <- thats crazy
this movie has really great distinctive hair
a real thriller. this great sense of dread, the inevitable end. there is no twist. what has always been true becomes known.
This Fantastic "to the library" scene. the music, the stop guard motif, charlie dead center and crying. charlie needing to know that second, even though she couldve gone the next morning with no consequence
charlie's uncle being her twin, her second dove. if uncle charlie is rotten and evil, what is she? both adam and eve were cast out of eden!
THE MUSIC WHEN SHE SEES THE PAPER!!!!!!!!!!!!! 😫😫😫😫😫😫😫😫😫
the game when uncle charlie realizes charlies knows 😁 now another element of "knowing" is introduced, a game the characters textually also know
CU TO EXTREME CLOSE UP DURING THE BIG MOTIVE SPEECH! WOOHOO!!! and then he turns to the camera when charlie yells, 'theyre human beings!' and he says, 'are they?'
this lurid conversation in a lurid bar. "i didnt think id ever see you here charlie"
love how u can easily transplant homosexuality into this guy being a MURDERER. how we used to run with homophobia
on that, i love his complete honest shame at having "revealed" his strangling habit via the tissue. she wasnt passing!
him suicide baiting her literally all men are the same
HE CANT STOP TOUCHING HERRR she even tells him to stop. then him bringing back her words "we're no ordinary uncle and niece". okay. why
i love the very real horror charlie experiences in this scene. sure her uncle is a murderer. but paired with that revelation is that reveal that he's violent, woman-hating, untruthful, foul mouthed, predatory. and then she watches him from outside her home, framed by the restricted door, uncle charlie the family man once more. a mask that she now sees in all its deformities. Who among us
and uncle charlie doesnt go to church
the phallic cigar while the charlie's play their game #yes
the double hit of uncle charlie being threatened by the detective as both Detective and romantic pursuer of charlie -- the thrilling music becoming romantic while uncle charlie spies on them
also the DUTCH angle framing uncle charlie (the lines of his neice's room), while young charlie is framed by straight perpendicular lines (the lines of the street, society, rules). that straight and narrow
THEN HE TRIES TO KILL HER IN THE (DARK HIDDEN) ROOM WHERE SHE WAS PROPOSED TOOOO
i love the story beat of charlie trying to forget it all
i understand why truffaut didnt like this detective actor, but 1 thing i like about him is that he looks 23
his disgusting pleased look at the detective turning his sights to young charlie. 'she's a fine girl, i love her more than anything in the world' then grabbing her face like fucking cattle. what the hell....
the way he turns to look up at her as she goes down the stairs
the wayyyyyyyy his acting is getting weak
the wayyyyyy he keeps volunteering to touch her
the wayyyy her mother never sees it
i think part of emmy's (that's charlie's mother and sister -- isnt that a peculiar bit of word play) emmy's connection to charlie is that they have lost all relatives, grandparents, parents, aunt & uncles, cousins, and even seemingly their other siblings (he's the little brother as opposed to the big brother). so she is completely alone except for her family and charlie. of course she treats him like king. he's her whole past. he's the only living reminder. the photos they have (which they both hid from each other in some sense, charlie from his own photo, emmy from her parent's) speak to this heartbreak.
i really love emmy's performance. her joy and confusion and devastation.
adore the sequence of charlie going down the stairs, uncle charlie grinning, then seeing the ring on her finger (extreme close up zoom)
young charlie crying while her mother cries 😫 about fuckass UNCLE CHARLIE!!
insane bit of dialogue from emmy. "we were so close growing up but then he ran away and i got married... you know how it is. you forget you're you. you're your husband's wife..." WHAT!!!!!!!
charles's goodbye: emmy in good wedding white, charlie in bad funeral black.
also the ring as confession of both Murder and Incest. #Yes
the way he's talking to her after he TRIED TO KILL HER. "youre right i shouldnt kill you it would kill my sister" WHAT?
oh my god the way he turned the "we should get uncle charlie out of town to relieve my mother" on her. Okay this script is so insane....
your hands uncle charlie!!
THIS INSANE TRANSITION WALTZ RETURNS
divine ending contrasting her uncle's upstanding chrisitian service (WHO DID NOT GO TO CHURCH) -- a lie, to charlie's truthful and difficult and extremely sympathetic assessment of who her uncle was.
actually the failure of the #authority #figure is also a big part of rebel without a cause, a film that would come out 12 yrs later. this film has a teenage spirit to it
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foxilayde · 1 year ago
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Last night I watched the film The Mist because IMDb said Morgan Spector is known for such roles as The Mist.
Watched the whole fukin movie and spoiler alert, he’s not in it.
He is in a tv series by the same name tho. So that’s on me.
Also, turns out, The Mist? Pretty good movie.
Probably even more enjoyable if you’re not waiting for your favorite robber baron to arrive.
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watching-pictures-move · 7 months ago
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Movie Review | The Hot Nights of Linda (Franco, 1975)
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I don’t watch Jess Franco’s films for things like tight plotting, but this one feels especially disjointed even by his standards. This has all the stuff you normally get with his movies, like naked ladies, cool visuals, vaguely perverted goings on, but the assembly feels half haphazard. Franco was known for shooting multiple movies at the same time, and without doing any research into this one specifically, I’d wager this was a bunch of scenes he shot and only figured out how to put it together in the editing room with the help of clumsier than usual dubbed dialogue. The fact that this abruptly piles on the killings at the end and wheels out the lamest narrative device at the very end leads me to suspect this was the case.
To be clear, this is not entirely a knock on the movie, as there are plenty of things to enjoy. For example, like many a Franco flick, this has Lina Romay, and no movie starring her is entirely bereft of enjoyment. Romay plays the sex obsessed daughter or niece of a messed up family, who may or may not have seen her uncle or father Paul Muller murder his wife Monica Swinn after finding her in the arms of a lover. Romay insists to our heroine Alice Arno, who Franco frequently shoots to have her hair glimmer like gold in the sunlight, that she’s a virgin. "I only make love by myself. I do it often." But let us say that that statement no longer holds soon after she says it. And she doesn’t seem to respect boundaries, like when she barges in on Arno taking a shower and starts chatting her up while leaving the front of her sweater vest open. Anyway if you wanna see her suggestively eat a banana like on the poster, you’ll have to wait for an hour. There is also a “hard banana” version where I assume the banana goes places it’s not meant to, even if it may be “shaped to fit”, to take a phrase from online clothes shopping. That version appears to only exist in a horrible VHS rip, so I’m not sure how much you’d see anyway.
Other than that, there is some tenderness between Veronica Llimera as Romay’s childlike sister or cousin and the family’s mute servant played by Pierre Taylou. (I half suspect the character was made mute through the dub.) And Franco produces some stylish imagery, with some nice coastal atmosphere in the outdoor scenes and a sensual zoom from Romay caressing Llimera’s nude body to the same thing seen in a mirror. And while whipping scenes in Franco’s films normally involves ladies, this was one where Muller whips Taylou, so he’s broadening his horizons. Anyway, I’m not sure how well this all comes together, but it’s worth noting that Romay is seen not just in varying states of undress but also in a green robe, which automatically makes this a good movie.
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matt00794 · 2 years ago
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Just watched Astroid City and most importantly it’s really good some might even say great. I’m not sure if I would put it in that great category yet but it’s definitely really good. I found myself more in love after first viewings of Grand Budapest, Life Aquatic, and French Dispatch than I was of this movie but there was a lot to love about the movie and I still find Wes’s films to be more enjoyable on rewatch. 
I’m not really interested in talking about quality at this point but on the reception of this film and even more so on the recent ai representation of his art and parody’s of it in tik tok videos. There was a tweet I saw last week where this girl was saying Wes must be so mad that he put so much time and effort into making this style to be praised for just for tik tokers to be able to replicate it and in her mind even sometimes better than he could. Takes like this and others just like it, and even some reactions of this new movie being emotionless proves just how little people actually watch Wes Anderson movies but fell in love with the style and music over the films themselves. 
His films are full of emotion but they are said out right not felt. the theatrics are all in the set design, music, costuming and cinematography not the acting. The acting is important but it’s a way to express the emotion not give performances. This is not to say that you can’t dislike or hate the movie or any videos or ai was made by fake fans but it’s to say that you should also enjoy the original work as well. Give this a watch and really watch it not have hopes for something it isn’t. 
We have so few auteurs working today and it would be a shame if Wes’s work is only known for this style without all the creativity he put’s into it. The pretty colors and camera moves are so much more than just style. 
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dahgraz · 1 year ago
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“Nine People you want to know better” tag game
Yippee!! I got tagged by @njikeartist for this. ty ty
Last song: That Mio Honda - Step song that I just saw and heard because it was on a tumblr post of green screened Jerma running away from her on a TF2 map. I have not heard of that song before nor known its like... history(?) but it is catchy. Though the last song that I knew about and have actively searched up for the express purpose of listening would be You Don't Know Me from Fortnite. I think it's like a pavlovian response to repeatedly seeing the hot tiger man dance with that song's respective emote. (I can't believe he's the reason for me to finally start playing Fortnite)
Favorite color: Some form of sky blue. It's nice to look up and see something so vast and endless.
Last movie/TV show: Bad Cat, a 2016 Turkish animated film about a bad cat. I had a watch party just last week with a couple of my buds. It was enjoyable, but it is not something that I would have watched it on my own.
Sweet/spicy/savory: Savory. Give me something meaty.
Relationship status: Single (1)
Current obsession: Don't know if I can call it an obsession right now, but after I had watched Godzilla Minus One (a great film btw, if it's still showing where y'all're at, go gogo go see it), I had looked up reviews of lots of different Godzilla related figures. In fact, I had even pre-ordered one in the middle of December and it just arrived yesterday :D
Last book: Sorry, I don't really read books unless I have to... There was the manga of Ramen Wolf and Curry Tiger vol. 2. (Also, looking it up, apparently there is now a vol. 3 slated for release 2025 wow)
Looking forward to: Ramen Wolf and Curry Tiger vol. 3 lol. There's also the Paper Mario: The Thousand-Year Door remake coming out this year. Really looking forward to that.
The nine or so people I'll tag are: @majimjam @sukko-reblogs-funnies @babanasaur @megabyste @prionace @luzzytheray @nimthecryptid @frootsnak @dorihey and viewers like you 🫵 (if you can't see the emoji, it's the finger pointing at the screen one)
Do it if y'all want.
Blank version under cut:
Last song:
Favorite color:
Last movie/TV show:
Sweet/spicy/savory:
Relationship status:
Current obsession:
Last book:
Looking forward to:
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meljwrites · 7 months ago
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For Hollyoaks 3, 17 for both Dillion and Lucas
3. NOTP?
Tbh there are so many, like excluding abusive relationships like Frankie and JJ, I guess John Paul and Carter, like that is one I see a lot of people shipping but as someone who experienced Lucas's storyline before their relationship, and obviously after Carter losing his mind, I feel like John Paul should have known better. Like the scene where he's like, something suspicious is going on between my ex who has tried to practice conversion therapy on me and one of the teenage boys who seems to be struggling with his queerness. guess I'll make out with him.
But also I get that was kind of the point, and then there was the scene in the pub where everyone was like john paul you have to be joking you were doing what with that guy???
I'd be curious to know what other ships people have spicy opinions of 👀
17. What's a book, movie, or show you think Dillon and Lucas would like?
Oooooh good question. I feel like Lucas would enjoy the scott pilgrim comics/movie/show, that's like one of the only things I could picture him reading. He would also enjoy gritty fantasy like six of crows, daughter of smoke and bone, cemetery boys, and the starless sea, but he is also very much the brand of teenage boy who calls reading lame, so maybe when he's older/dillon influences him into being a better person.
He'd also love other edgar wright films, like cornetto trilogy.
I feel like Dillon would like Holly Black books, like he would eat up coldest girl in coldtown and cruel prince. Also Casey McQuiston, like One Last Stop would be one he rereads a lot. He's also definitely a heartstopper enjoyer. And the graphic novel Laura Dean Keeps Breaking up with me.
Dillon seems like the type to enjoy sappy romances like Notting Hill and Red White and Royal Blue and probably a bunch of obscure indie films like Jongens, and he'd show Lucas and Lucas would end up sobbing. Also Dillon likes anime, like look at him you know I'm right.
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metawatts · 2 years ago
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Justice League x RWBY: Super Heroes and Huntsmen Part One
I've been workshopping this review for a week it is 9 fucking pages but anyway: It's dangerous to go alone! Take this!
Table of Contents
#1. Introduction: Not for DC Fans
#2. Starting off: “The Good-
#3. Propping Up RWBY over the Justice League
#4. The Texas Character Massacre
#5. Oh boy lets talk about the writing
#6. Other General Notes: -The Bad, and The Ugly”
#7. Final Scores!!
TL:DR- They better not make the 'part 2'. Let's get into it.
#1. Introduction: Not for DC Fans
Let’s get this out of the way: this is a movie made for RWBY fans. It’s made for people who are familiar with RWBY, with the characters, with the worldbuilding, and it’s made with the idea that the people watching are RWBY fans, with DC fans as the backburner. The first reason why I think this? The DC characters get a lot more exposition on who and what they are, while the RWBY characters get to exist and be ‘cool’.
The second reason? This movie is, lets face it, mean-spirited towards DC. And yeah whatever, a DC comic writer wrote this, but to be fair with the state of comics nowadays that says absolutely nothing about respect given to the characters that are popular and well-known (hint: it’s not RWBY). This movie is drenched in schoolyard meanness. It’s all about pointing and laughing at the DC characters. Our introductory scene to this film involves Superman being systematically humiliated in his first scene (unable to use his powers, having his hero codename be mocked, etc.), and that sets the tone.
Meanwhile, the RWBY characters are introduced with action set pieces and knowing about the world they are in. The DC characters are the ones who are comedic relief, who need to be ‘taken down a peg’, who must struggle and prove themselves to RWBY to get the ‘honour’ of working with them, while RWBY doesn’t have to struggle and instead gets to just be ‘cool’. And that’s detrimental to the RWBY characters as well too, by the way, so don’t think I’m being unfair. No one in this film has a character arc, except Jessica, supposedly, and Batman, unfortunately, and you would think that coming off the back of volume 9, often called the ‘character development’ volume, people would be complaining that RWBY and JNR are quite flat, in how they progress through the film.
Basically: The RWBY characters are set dressing; the Justice League are punching bags. With that as our thesis, let’s review this movie. (warning for spoilers)
#2. Starting Off: “The Good-
Now, I won’t pretend this movie was enjoyable for me by any means, but I’m not unreasonable, it had its positives. Four, specifically.
The first one is obvious: the Spectacle Fight Scenes. This movie had a bunch of fights packed away in it, and the overall quality of them was on the whole, in the higher tier of rwby’s Maya fight scenes. Bar a few bits of wonkiness and the general writing surrounding the fights, they were fun. A particular shout-out to my favourite one at the end, Hacked!Flash vs Everyone, that one was fun and fast and highly enjoyable.
Number 2: Batman’s semblance. I’ll fully admit that I’m pretty sure my enjoyment of this power implementation was purely because I like Batman: Arkham Asylum, and this is literally just ripped right from that down to the aesthetics, but, well- I like Batman: Arkham Asylum, and therefore I like Bruce’s Detective Vision semblance and how it was used pretty creatively compared to most other semblances.
Third times the charm: Superman was my shining light, my beacon of hope in this film. He was kind, he was polite, he was supportive and brave and friendly and also, surprisingly for RWBY, managed to do all this without being spineless, he was willing to stand up for himself when he thought he was being treated unfairly (at least, 80% of the time). I wouldn’t even normally consider myself a massive Superman fan, I like when he’s well-written and I notice when he isn’t, but this movie had me actively rooting for any time where he was on screen, he was my absolute highlight in this film, love him even if his fit is fuckin ATROCIOUS. (and his voice acting was, by and large, one of the strongest performances, beyond Kilg%re and Hacked!Barry, who were just clearly having a delightful time villain monologuing)
Number four: the idea of Grimm absorbing dust. It’s a brilliant idea that really ups the stakes in RWBY fights, considering dust is their go-to offensive weapon and literally powers all their bullets, and, amazingly, it was also a cool idea that was carried throughout most of the film. Every Grimm in this film had the ability, more or less, and they used it often and to great effect. Very nicely implemented.
(Final tiny shout-out: the Justice League’s superhero outfits in their own world, that we regrettably only see in a few flashback images, looked GOOD. I wish they kept them instead of getting the outfits in the film proper)
But alas, this film really did have a lot more negatives than positives, so lets get into the first big flaw, and the one I would consider the movie’s biggest failing:
#3. Propping Up RWBY over the Justice League
I mentioned it in the intro, but this movie is consistent in how it utterly devalues the Justice League characters and does everything in its power to showcase RWBY and JNR as ‘better’ in every way. Now, the argument is that this is intentional, seeing as the villain deliberately nerfed the JL characters into being teenagers to weaken them. To which case I point at probably what is probably the most referenced episode of the Justice League cartoon in regards to this movie, the one where they’re turned into literal children, appropriately named ‘Kid Stuff’, and I’ll also point out the lesser known episode of Justice League Action called ‘Trick or Threat’, which had the added bonus of wiping the JL character’s memories of being superheroes.
Now, why am I bringing these up? Its because both of these episodes had the same villain idea as this movie: de-age the Justice League to weaken them, and both of these episodes also did something that the movie failed to do: keep the characters in-character and acting their age, and treat them with respect. I’ll get to the character issues in the next section, but the idea of treating characters respectfully is not done in this film.
Superman, as stated prior, is nerfed, his name is made fun of, he’s talked down to constantly, he’s insulted, he’s distrusted, and not just by team RWBY. But he is not the only one. Wonder Woman has a mishap when trying to get the hang of her new abilities and Blake and Yang laugh at her. Flash, Vixen, Cyborg, and Green Lantern spar against JNR and despite still maintaining most of their adult memories beyond the immediate, and supposedly their skills minus powers, end up on the defensive. Against JNR, not even against the main team RWBY or against Pyrrha. They are outclassed by the side-character team. Batman, the hand-to-hand specialist, is outclassed by Weiss in close-quarters and then a few random SDC guards, Wonder Woman and Superman mostly escape unscathed, beyond the new drawbacks of their semblances, but it’s telling that most of the fight scenes are more focused on the cool things RWBY and JNR do instead of the JL characters (bar the Big Three). Cyborg’s biggest combat moment that’s given any narrative weight is him powering up Nora. Vixen doesn’t even get a moment, and Flash’s only moments come when he’s being the Villain and not Flash. The JL characters are supporting characters in a movie that’s supposed to be about teamwork.
Second point: they really hype Grimm up as scary, even stating ‘Grimm aren’t like your normal monsters, they’re soulless beings that only care about destroying and killing’. And it’s treated as a big moment of internal revelation and horror for the Justice League. Let me say that again, the fact that monsters only care about destroying things, is played as horrifying. For the Justice League. The guys who faced down, canonically in this film: Vandal Savage, an immortal sadistic genius who literally just wants to destroy the world consistently, and Brainiac, a hyper-intelligent alien android who’s goals range from ‘destroyed krypton in some continuities’ to ‘hobbies include horrifically mind controlling people to do evil and shrinking Actual Cities for his snow-globe collection’.
But yes. Grimm are scary now. These are the same Grimm that basically act as cannon fodder in all of RWBY’s actual run time, bar one-offs, and exist just to give the protagonists something they can guilt-free rip their way through to show off. Those Grimm. Those are the scary ones now, supposedly. Despite this artificial attempt to make RWBY seem more badass then the league for fighting monsters, the Grimm are still cannon fodder, the movie doesn’t stray that far from RWBY’s conventions.
Finally, there’s a consistent running theme that ties into the leadership qualities of Ruby vs Clark, but mostly ends up as ‘the Justice League try to come up with ideas and plans, and team RWBY and JNR yell at them for daring to tell them what to do’. Most particularly, it’s Wonder Woman, Superman, and Batman who actually spark Team RWBY into realising that there’s a problem that needs solving. It’s them that comes up with 90% of the plans, and its them that put their money where their mouth is on being not only a good team and smart heroes, but also as friends (more on that later). But instead, whenever they come up with good ideas, it’s shut down, mostly by Nora, and also Yang, as ‘I’m not going to listen to you/don’t tell us what to do/you’re not the boss of me’.
There’s a very big sense of undeserved ego there, especially since the RWBY characters haven’t actually given a reason why they shouldn’t listen beyond general contrariness. But also, it’s a sentiment that does not work on a battlefield, and it does not work in a movie that tries to have a theme of ‘coming together’. Mostly because in a standard plotline about ‘working together’, the disagreements usually require resolving, or meeting in the middle. There is none of that here. The Justice League just bends the knee and goes with being mistreated by teenagers who have not shown their chops as heroes, but it’s still given the ending of ‘we’re all friends now’. The first of many character assassinations throughout this film.
#4. The Texas Character Massacre
This one’s a doozy. No one escapes. Not even Superman, who is almost entirely spared, even he gets a dose of a ‘RWBY Heroic Speech that is just Empty Token Hero Stuff’ (AKA the thing that’s been plaguing Ruby since vol4). But I’ve used Superman already a lot, and he’s probably the least egregious of what happens here, so let’s get into the meat of this topic.
Everyone and their mom on twitter has been commenting about how Batman does not feel like Batman in this. And it’s true. Batman, the self-admitted ‘I haven’t been a kid since I was eight’, the man who is so obsessed with Gotham City it will one day kill him, the man who, even if in this continuity is not a father of 4-8+ adopted children, still has Alfred who he would die for and would die for him, the man who in the current comics run of RWBY in the DC universe says with his mouth ‘I don’t want this semblance, relying on it is detrimental in the long-term’. This Batman. Wants to ditch Gotham because he has wings and powers now.
‘Batman getting powers’ is not new ground, by the way, but the absolute moping this version of Batman does is not only annoying and actively unlikable, it also makes no sense. In the span of ten seconds, in the same conversation, he goes from ‘I want to go home’ to ‘I want to stay where I have powers’. This isn’t presented as a conflict of interest either, by the way. He just completely switches his mind because Weiss said ‘hey stay here’. There’s no consistency, there’s no internal character motivation, it felt like they just wanted to have one character conflicted about leaving HoloRemnant and decided just to throw a dart at a board without caring who it fit. So yes, Batman? Massacred.
Wonder Woman also got severely screwed over too. I had this in my notes that Wonder Woman only acted in character when she was reuniting with the rest of the Justice League and was allowed to show kindness and compassion. The rest of the time, Wonder Woman, a character defined by her love for the world (and was created to showcase feminine power, btw), is a Strong Female Character, and I do mean that in the Negative Way. She’s literally got a Batman Growl on her voice for 99% of her lines, she talks about how tough she is, about the ‘warrior’s life’, and she’s the first character to get violent in a situation. Yes, even beating out Yang ‘punch first, talk later’ Xiao Long. This feels like a parody of Wonder Woman written by someone who read the Whedon Wonder Woman script and took ‘some crazy strong bitch in a tiara’ as their entire central concept for the character. It’s not a Wonder Woman who believes in anything, she’s just a sidekick for the bees to prop themselves up with as ‘warriors’. I could write a million thinkpieces on what makes Wonder Woman an excellent hero character, but all I’ll say is this film’s Wonder Woman would not count.
Green Lantern will get her own post on how this movie handled her so fucking badly because that would balloon this review to a massive size when it’s already a Longk Boi, but suffice to say: she was whitewashed, her anxiety was mishandled, and fucking HELL I miss Simon Baz, why are we erasing Jessica’s friendship with Simon for some screentime-sucking white boy. (Racism and islamophobia, the answer is racism and islamophobia)
Cyborg, Flash, and Vixen all aren’t really characters in this movie as much as they are there to fill out the cast, but suffice to say, they were handled badly. Flash was at his most interesting when being visibly possessed by the villain because beyond that he was just entirely forgettable to the point that you will not notice he has been written out of a fight scene until Vixen goes ‘where’s Flash’. Vixen herself literally is the most sidelined of all the characters in this film, she doesn’t even get a Cool Action Moment, and has just two character traits: Sassy and Vaguely Animalistic Sometimes, not just because she’s a faunus, but her first scene we’re introduced to her sniffing a paper plane for what is literally the only ‘plot point’ she’s involved in, namely, that Flash ‘smells wrong’. And Cyborg. Man, Cyborg. They literally handed the hacking plotline to Weiss with the excuse of ‘the tech here is weird’ and instead shoved Cyborg into some weird jealousy triangle where he was so disrespected by Ren and Nora that even his goodbye to them is met with disdain. Cyborg and Vixen deserve so much better, guys.
Now, onto team RWBY and JNR. Remember how I said they were flat characters? Yeah, this bit’s gonna be a bit shorter. Ruby had probably the most ‘characterisation’ in the film, in that they literally just took volume 9’s idea of ‘Ruby has self-doubts’, slapped it on her, explored nothing, and then Clark gave her a quick Friendship Speech and she’s all smiley again. Weiss has a bit of flirting with Batman, suddenly gained hacking abilities out of nowhere, and is mainly the ‘nice but snobby’ archetype she’s been in main RWBY for ages. Actually, Weiss, Blake, Yang, and Jaune all mainly exist to serve plot points in some way. Weiss and her little storyline with Batman is just designed to reveal the villain, Jaune is there to push Jessica’s storyline of getting her powers back by Literally Curing Her Panic Attacks, and Blake and Yang? Well, they get Wonder Woman to the places she needs to visit, first Beacon, then Atlas, and then Vale again. Oh, and they have Moments. Your mileage may vary on if that’s good or not, it’s mainly superfluous to the film overall. Ren and Nora don’t actually contribute anything, beyond Ren being jealous of Cyborg and Nora, and Nora getting mad at both of them for being overly protective (I think it’s meant to be pushback against misogyny but. It’s poorly handled).
Actually, I lie. Blake does have at least one big thing of characterisation. But I’m going to put it in the next section, because it’s more of a writing problem. The final other characters in the film are Kilg%re, our villain, who is laughable, and the simulated versions of Glynda, Kali, Jacques, Ozpin/Oscar, and Pyrrha. All of whom are there just to… show that it’s a simulation, or something. They don’t do anything beyond Pyrrha being so obviously a trap for Jaune and Jessica that of course only Jaune ignoring Jessica’s common sense could have made it worse. Now, Onwards!!
#5. Oh boy lets talk about the writing
So. The Faunus racism plotline. Listen. It’s bad. We all know its bad. I’m not going into it because there are a million people smarter then me who already have done elaborate and well-thought analyses on why its bad. Can we just accept the Faunus plotline is horrendous and go from there? Okay? Okay.
So: Blake introduces the concept of faunus by describing her own race as ‘humans with ears or a tail’. As I saw someone else put it when the movie dropped, ‘people don’t describe themselves as a white person with darker skin’. Anyway, the faunus plotline. It’s not really touched on in this film beyond Jacques being racist towards Bruce and Blake being generally weird about it, and the idea that ‘the animal-themed superheroes are faunus now’, but it’s a plotline that RWBY will never escape and therefore must be mentioned as having some impact.
So lets talk about the actual racism in the movie and mention how the black woman is a Sassy Side Character, the two men of colour are shoved into a jealousy plotline over a white girl (again, reiterating: Weiss and Bruce have the hacking plotline), and the Latina girl has a white boy solve her mental illness for her after her character design was whitewashed. While I don’t think it’s intentionally racist, it is a bit of a pattern for all of RWBY’s stuff that characters of colour are either written off, villainised, or sidelined. I also want to mention: Oscar shows up in this literally just to get slammed hard into a pillar by Wonder Woman. They really can’t go five minutes without beating up this kid). This movie is not kind to the characters of colour, whether its by Actively Fucking Whitewashing Them or by just making them non-characters, and it’s just, unfortunately, exactly what was expected from a piece of RWBY media.
The mention of Oscar above reminded me: the simulation characters are… handled oddly. Ozpin is the most obviously fake, even before he starts glitching between his old self and Ozpin. But what’s strange is that out of all the simulations, Jacques of all characters has the most personality of them. Kali was always a side character, Glynda just creates exposition and sets up a fight scene, Ozpin isn’t even given a character he’s just Creepy Hologram, and Pyrrha has about one minute of ‘no wait its totally me’ before she goes The Most Evil (sidenote, they keep bringing Pyrrha back just to be evil, I hope that’s not another pattern). It’s just… strange. The way the whole villain thing in this film works is strange. Which leads me to:
Kilg%re. When I found out who the villain of this film was I went on the mother of all rants on discord. And I will post it here for posterity, just so you know exactly what the gut reaction was.
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As for why this reveal sucks: well. I mean, first of all, if you introduce the concept of your surprise villain as a joke earlier in the film, which they did, then it doesn’t really make them feel all that villainous. Sure enough, it gave Kilg%re a chip on the shoulder in his villain monologue, where he was whining about being ‘the one who finally trapped the Justice League’ (bestie they’re a superhero team from comics, they get trapped once a week and twice on Sundays, you’re not special, babe, sorry). And a character desperately yelling at the screen that ‘no I’m really cool trust me’ is not… fun. It’s just sort of awkward. Sorry, Kilg%re, they treated you badly. Also, they didn’t reveal the second villain on Remnant’s side beyond saying ‘he’, even when setting this during the Vol7 Montage, so I guess that’s a mystery for the next movie, if it’s ever made (personally I’m hoping for Dr Merlot, why not).
On the flipside of villains being written badly, this film also has romance written badly. It’s just jealousy and love triangles, jealousy and love triangles. Not even interesting love triangles either, just ‘character A shows interest in character B, which makes character C get really possessive and (in all but one case) mean to B’. The As: Cyborg, Yang, Bruce. The Bs: Nora, Diana, Weiss. The Cs: Ren, Blake, Diana (again). It’s not cute, and it’s especially not cute when it’s repeated three times in the same film. It’s just boring.
Finally: and this is the thing that truly, genuinely, made me want to write this whole thing because of how rage inducing it is, is this monologue given to us by Blake:
"They sound lucky. They've never had to worry they were gonna die just from going to school. To train like your life, or worse, your friends' lives depend on it. To have to live with the fact that there's a real chance you're gonna lose them. They had a childhood."
Lets count it down, people!!
Superman: literally an allegory for illegal immigrants, refugee orphans (an alien who was adopted and raised in America after his home was made unsafe) and in many case Jewish people, what with all the Moses Allegory. Had to hide the fact that he was an alien all his life, starting from childhood.
Batman: watched his parents get gunned down in front of him at age 8. This is so integral an event that it is a fulcrum point not only of his character, but also of most of the main Dc Universe that Bruce’s Parents Die.
Flash: his mother was murdered in front of him by a time-travelling speedster and his father was arrested for it. Barry grew up with the stigma of having a murderer for a father who he is generally seen as visiting constantly in jail.
Cyborg: he is a disabled black man whose father fused him with alien technology to keep him alive after a near-death experience that also completely replaced 90% of his body and meant he had to give up on his dreams of being a sports star. Usually also has a dead mom around there too.
Green Lantern: a Latina woman who had a decent childhood by most accounts in the comics, but had the unfortunate luck of witnessing gangsters hiding a body while out hiking with her friends. Watched her friends get gunned down around her, spent the next four years extremely agoraphobic to the point of never leaving her apartment because of her trauma and the fear that the gangsters would finish the job. Family’s alive, but that was only the start of the ‘Jessica Has A Bad Time’ train.
Vixen: Mari’s backstory is a bit more nebulous as long as the main points of ‘was born in an African village, got the tantu totem, moved to America and became a superhero and usually also a model’ is met, but she also tends to have a dead mom or dead parents floating around too most of the time, whether that’s by poachers, warlords, or some other awful human-caused tragedy.
Wonder Woman: raised on an island that was in comics literally called 'Paradise Island' by her loving mother, trained with all her Amazon family to become a warrior, the island is explicitly protected from all of the evil of Man’s World by magic, and willingly chose to leave to go do good and protect people.
So we have one princess raised on a paradisal island ethnostate with loving, caring parents telling another princess raised on a paradisal island ethnostate with loving caring parents that ‘yeah your friends have horrific backstories, but they were lucky because they didn’t do what we did and WILLINGLY sign up for a job as a monster killer where we get four years of training and preparation and also are paid well for our actions instead of freelance vigilante work for charity, so if you think about it, us RWBY kids are the real victims/warriors here’.
Just in case anyone was wondering why I think Wonder Woman’s OOC in this film.
Oh also this monologue is an allegory for gun violence and school shootings, as confirmed by the writer in this article and I am including the quote for posterity and also so people can’t say I made it up: https://animemojo.com/other/exclusive-interview-with-justice-league-x-rwby-super-heroes-huntsmen-writer-meghan-fitzmartin-a14773#gs.w1iou8
“These kids are warriors and these RWBY kids are a really good look at what we’re putting a lot of kids through today. There’s a statistic I saw recently that said 1-in-5 kids will die in gun violence in America. That sucks. That’s the level of warrior stuff we’re putting our kids through and it’s a good example of what’s happening to this current generation. I wanted to make a point of saying, ‘What does that do to us?’ Looking into the leadership or what these characters go through, it’s interesting to see what they have to give up to give future generations a chance. I think that resonates a lot with kids today.” - Meghan Fitzmartin
Just. In case anyone else wants to be angry about this with me. Hey, RWBY, you can’t have the actual tagline of your show be ‘it’s also a gun’ and then go ‘gun violence is bad tho’ because oh man then your main characters look like real monsters for all the times they pull guns on people (such as all the unarmed civilians or people who they pulled guns on first who then pulled out their own guns in self-defence). Also, if this is one of the themes of the movie, then this is also the only time it’s touched on. The concept of ‘being a warrior’ becomes instantly watered down to mean ‘badass fighter’ and not ‘person carrying constant fear of death by rising gun violence’, so it’s also a really shallow use of an actually serious theme, which is par for the course with RWBY but is also still very annoying when it happens.
#6. Other General Notes: - the Bad, and the Ugly”
The music in this film was very weak. No hate to the composer but it’s barely noticeable and doesn’t really have anything of note. Normally I find a lot of DC stuff has decent music and RWBY in particular is praised for it. This was disappointing, audio-wise
The designs: Listen, RWY and JNR were fine, the Beacon designs are serviceable even if they aren’t my favourites overall. But anyway, lets rank the Justice League, best to worst!
#1. Vixen: even, somehow, in the world that is RWBY modelling, Vixen slays. She simply cannot look bad, ever. The focus on black and orange contrast instead of a million eye-searing colours, the sleekness of the jumpsuit, the fact that it’s not overly complicated, and that she actually has hair with curls in it? If not for the tail and the fact that it is literally just Harriet’s model, top points. You cannot keep a bad bitch down.
#2. Cyborg: Listen. It could have been worse. It could have been. So much worse.
#3. Wonder Woman: girlypop’s gonna cut someone on that chin, and her arm muscles look like braided bread. The ponytail would be passable if not for the way they modelled her hair tendrils, and the outfit… also could have been worse.
#4. Superman: The babyface and the way his hair is plastered to his head does not work, but I like how expressive his eyes are. The outfit is an atrocity to god but they all are from this point so at least his boots are cute and the whole denim jeans and denim jacket would work if they didn’t have that massive gold S on the shirt or the Fake Cape.
#5. Batman: ugly as sin. He has No Hood, Cowl, or Mask, his hair is bad, the scar on the eyebrow is the one cool thing, his outfit is awful, and when it’s folded up it looks like Weiss is swinging around an empty pizza box. Gotta say, at least the ears in the comic were kinda cute, the bat wings are just bland in comparison.
#6. Flash: Sir your zipper is in the shape of a zigzag and it’s very cringefail of you. The one redeeming feature is the visor but like, the hair? No. The scarf? No. The way they placed the colours on his outfit? Yikes. Throw the whole man out, Kilg%re did.
#7. Green Lantern: they put her in a blender with Ben 10 and hit ‘emulsify’ (this is insulting to Ben 10 which I am very sorry for, Ben 10 didn’t deserve this but then again neither did Jess). Her long curly hair is gone, her melanin is gone, her cute jumpsuit is gone, her brown eyes are GONE like I had my issues with the comic designs but at least it was a design and not just Ugly Bad Wrong.  
Final note: they really want us to believe that Batman beat up a guy and stole his tuxedo to blend in but during the entire time he was changing out of his hero costume and into a suit he somehow didn’t notice a pair of big honking WINGS on his back. Yeah right.
#7. Final Scores!!!
Plot: 2/10
Characters: -100/10
Spectacle Fights: 4/10
Themes: 1/10
Overall score, not including the points for ‘characters’: 2.5/10
Do NOT make another fucking movie with this premise. (I will write up Jessica's personal meta in the future, keep an eye out).
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