#anyway her character is so important to me

[mabbbish]

s9 noodles and leftovers

[sgiandubh]

Heughan’s voice is as smooth as his whisky. His latest venture is his multi-award-winning whisky and gin, ‘The Sassenach’, the Gaelic word for ‘outsider’. He feels he is an outsider to the industry, but the idea behind the name seems to have emerged from his mother, who is an English artist and was called ‘Sassenach’ when she arrived in New Galloway, and in Outlander, Jamie Fraser calls his wife Sassenach as s term of endearment. “The name is very special to me,” he tells me.

Perhaps the video he recorded at Everest Base Camp was for his mother ?She's on IG too and we know Sam loves her so much and sometimes doesn't call her Mum but Chrissie. Cait is not a Sassenach because she's Irish. Sam calling her the Original Sassenach it's because of her character, Claire and he recently stated Caitriona is nothing like Claire (SheKnows interview). Either way it's not a big deal so don't blame me. It's just a thought and cute anyway .

Dear Sassenach Anon,

Let me count the ways. Quoting from memory first we had ' She [C] is the original Sassenach' (at one of the seasons' premieres in London, where he brought a bottle and waxed lyrical to the press over it). Then, we had 'Sassenach means foreigner in Scots Gaelic and it's a term of endearment of Jamie Fraser, the character I am playing in OL, for his wife' (numerous times for various media outlets). Then, 'I am the Sassenach, I always felt as an outsider, but also Jamie Fraser's term of endearment for his wife, Claire' (ditto). And then 'the name emerged from his mother who is an English artist and was called ‘Sassenach’ when she arrived in New Galloway, and in Outlander, Jamie Fraser calls his wife Sassenach as s term of endearment.'

The Arbuturian is a well regarded online magazine, founded in 2009 and based in London. It looks and reads to me as The New Yorker's slightly more plebeian, younger cousin of sorts - check their masthead mascot...

... and remember (ROFLMAO) The New Yorker's Eustace Tilley, its illustrious inspiration:

By the way, Eustace Tilley, one of my favorite dandies, was itself inspired by an engraving of the French count Alfred d'Orsay, by a certain... James Fraser, sometime around 1830. I kid you not and yes, totally Clan Fraser, born near Inverness:

Can't make this shite up, even if you wanted, huh?

Anyways, back to your question and this little media outlet that could. Its targeted audience is, according to Wikipedia:

In sociological lingo, AB means an educated mid-to high level management audience, with a hefty disposable income to boot (usually more than 1 million £/year net revenue). All it takes is a short stroll through their Lifestyle pages: according to them, among this year's most sought after Xmas gifts gimmicks are a Turnbull & Asser silk pocket square (£75) for him or a £200 voucher for Fairmont Windsor Park’s Ultimate Diamond Facial, for her.

This interview's one and only raison d'être was to sound appealing to this particular dinkie (double income, no kids) Generation X audience, especially as far as his booze was concerned. For he was on booze promo mode here and he obviously twisted a bit whatever (I repeat: whatever) his real motivation behind the brand name might have been to the least controversial possible version. It's hard to question or throw shite at this mum version, let alone at a version involving a heroic single parent as Chrissie H, let alone at Christmas time. This allowed him, at the same time, to elegantly keep his personal life away and separate between business and private: something he should have been doing since the very start. But S is a sentimental man and a people pleaser - we all know that, don't we?

It was important for S to be featured in this London online magazine, read by the same people he was once serving drinks to, at parties. It's all about aspirations, social climbing and being a part of that crowd. Finally!

And you, darling, are a troll, despite your protesting. I nevertheless hope this answered your very transparently targeted question, in the spirit of Christmas. Otherwise, it would have landed in the bin, where it probably belongs.

PS: Caitriona is Caitriona, probably nothing like Claire, indeed and thank God! Being 'like Claire Fraser' was certainly not what prompted the coup de foudre - I daresay, quite the contrary. Sorry, darling, to pop your bubble, but this is not exactly how the real world works.

Later edit: if the entire Everest trek was something 'just for himself', then the recorded video was also 'just for himself'. The reason he posted it on Instagram was to probably childishly rejoice/brag he finally made it and damn the consequences. Use a bit of logic.

[macknshift]

THE ONE WHERE . . . I INTRODUCE Y'ALL TO LEO!

SOOOO…i have mentioned leo in like, 90 different posts atp and never actually made a "leo intro" (mainly bc i have weird feelings ab sharing him heavily to the rest of the world lol) but! i figured now would be the best time to get into explaining him to y'all.

LEO , commonly given the last name SCOTT (depends on the dr!) is actually originally the main character's love interest in a hockey romance book i've been in the process of writing. after getting #sickandtired of annoying ass book men i gave up and began drafting one of my own. the main character is literally me (i mean, for christ's sake her name is sloane mackintosh,) and eventually, i began thinking of him in other "au"s (i used to do this a lot on wattpad - i mean DRs but the term AU is usually more digestible to ppl that may not be aware of reality shifting. Anyways.) and began kind of placing him in everything. a list of the drs he is my love interest in is follows;

BETTER CR : (fc silasj2004*) the hockey romance book pretty much as a dr. small changes occur but basically he's the exact same as leo in the book lol

PARENT DR : (fc jack schlossberg. yes. i am one of those girlies. i am not ashamed! at least he has morals + a backbone y'all this could be much worse) the "backstory" is my better cr dr. i'm now a mother of 3 (amelia or mimi, aged 5, giselle or gigi, aged 4 and i'm pregnant with vincenzo, our final kid,) and it follows our life after what would be the events of the book. i sort-of made it also as like a WAG dr in a sense bc leo is a professional hockey player! (but he retires 2 years before this point in time so idk where my thought process is w this lol)

FORMULA 1 DRIVER DR : (fc pato o'ward MY!!!! mclaren man ln4 U ARE NOTHINGGGGGGG) leonardo dempsey, son of actor patrick dempsey (my forever celebrity crush ugh he's so fine) and driver for aston martin aramco f1 team under #99. i essentially took l*nce str*ll's daddy's boy backstory and gave it to leo bc he is indeed a daddy's boy. the only dr leo and i are enemies to lovers bc i'm too obsessed w him otherwise LMFAO

MARVEL DR : (fc marcello hernandez (MY MAAANNNN)) leo scott, secretly the speedster superhero 'comet'. hired by my dad as essentially a bodyguard (leo's not intimidating AT ALL idek how the hell this is supposed to work LMFAO) as comet and knows me out of costume as his sister's roommate (mj is also in every dr ever and actually is here in this cr. i can never leave her out i love her DOWN) basically marichat vibes (god i miss marichat)

POP STAR DR : (fc marcello hernandez, again) leo sinatra, nepo baby great-grandson of frank sinatra (there's a whole, incredibly large bit of lore ab this LMFAO + he's also a great-grandson in my better cr dr too bc i need my man RICH!) and Saturday Night Live cast member. basically i go on snl and immediately fall in love. i've stolen the 'unlikely couple' weekend update sketch for us & he does domingo, which is my song lol we're funny for it idk

THE FCS, in color photos:

i'm missing like, 18 other drs that i can think of but some important info about him;

he's half oaxacan mexican. i've tried my damnedness to find a way to make it obvious but when i was 'designing' him (aka drawing him out) i used jack, silas (*NOTE: he is leo's typical fc if i don't have an designated one for him) and marcello as references to make him look the most like him as i can. the fcs are kind of loose for him but i need a way to like fully visualize him. so. yeah. his 'color palette' (weird way to put it but idk how else) makes him tanner than all three of them i fear. all of the fcs i use (other than jack schlossberg but like. idk his main celebrity lookalike in the better cr is him so i kind of had to) are latino, but i feel like it never ever properly translates when i talk about him bc his name is fucking leopold scott. like. huh.

he's also tall AS FUCK lol and built like a tank lowkey (think tom welling clark kent GOOD GOOGLY MOOGLY) but it's mainly bc he's a hockey player. in every vers he's like. 6'3. shortest he is is w marcello as his fc and even then he's 5'11. (note in pop star dr he gets a lot of comparisons to jacob elordi for some reason??? idk my fans are weird)

he's got big brown baby cow eyes. every. single. time. like that is this man's defining trait and you know what? i would not change that for the world lol

his position in hockey is a goalie! he uses the number #29 and plays for our college and later for the new jersey devils before being traded to the anaheim ducks. after he retires he becomes a firefighter!!!! (which is sooo hot btw)

[asarigg]

Inside the Character's Mind: Part 1

mentions of physical, psychological and sexual abuse towards both Koujaku and his mother

SELF DESTRUCTIVE BEHAVIOR

Let’s go back to the beginning. Or rather, what Koujaku tells us. He also talks about himself, of course, but usually when he talks about his past, most of the time he talks about his mother: because that’s what hurts him the most. He barely mentions the abuse towards him other than the tattoo and that one time his father punched him. But he always talks about all the hardships that his family put his mother through. And I’m sure you’ll agree with me that it is hard to believe that was it.

Koujaku’s father has proven to be an extremely violent piece of shit and a zero-empathetic person. I don’t doubt that Koujaku’s mother, because of her nature, was his favorite toy. What’s more, he did every cruel thing he could think of to her, his wife too, she had fresh wounds every day and she couldn’t even eat, and although it isn’t said nor implied I wouldn’t be surprised if Koujaku was a product of rape. I mean… most likely. We hardly know anything about his mother, not her appearance, not her name, not what she liked, not how the hell she ended up in that place, if there was any love involved in it or if it was something about debt, we only know that she was the perfect victim.

She was always saying sorry to her son, for everything Koujaku’s been witnessing, she feels guilty and responsible because he tries to stand up for her, and because she has brought him to a world where the one that decides for them is a criminal. She keeps a deep pain inside for everything that’s happening and she tries to hide it, especially from Koujaku, and seeing her son suffer doesn’t help. Smiling to him so he doesn’t worry, and saying sorry to try to comfort him. That’s why the last thing she repeats over and over to her son when she’s lethally wounded is “I’m sorry”, feeling sorry that it’s because of her that he has lived like this, because she wasn’t able to protect him, to give him a proper life.

Obviously all his father did was also psychological abuse towards Koujaku, even blackmailing him with hurting his mother. But I sincerely believe that his father would use physical abuse to teach the boy a lesson, nothing could stop him anyway, because Koujaku as a child complained and rebelled, he didn’t care if his father hit him, he would defend his mother regardless. This is why I sometimes give Koujaku more scars to his body, and besides defensive cuts I also give him cigarette burn marks. Lore expansion better known as adding trauma.

I think he just doesn’t talk about it that much because the abuse towards him isn’t what has hurt him the most. We ourselves often don’t give it much importance if someone tries to insult us, but maybe if it’s someone close to us, that does piss us off, some logic like that. Moreover, throughout the game Koujaku’s personality is just like that, always worrying about others and giving little importance to himself, to the point of being tremendously negative for him.

Don’t you think those scars would make him look more masculine, intimidating, as if he’s survived dozens of dangerous, tough fights? It seems the perfect image for an environment like organized crime.

Despite all of Koujaku’s feminine traits, the perception of him both in canon and in fandom (usually) is that of a stereotypically masculine, super straight man who fucks a different woman every night, always joking with “no homo, bro” (which, mind you, I’m not saying I don’t like these jokes, I make them myself too). But in reality that couldn't be further from the truth.

With that image that we have of him, sometimes it would seem that he is someone with prejudices or that he really had a hard time accepting that he’s not straight, specially when in the scene where he confesses to Aoba he says the following:

The reasons he tries to hide his feelings is a mix between the fact that they are friends and he doesn’t want to ruin the friendship they already have, that he wants to hide his past and that he doesn’t want to be a burden on Aoba, so he keeps all those things to himself. (And he’s also been educated a certain way and has always seen things one way, never gave it much thought so when it crosses his mind, of course he’s confused)

When he first met Aoba he thought he was a girl because he had really long hair, and after all, when we’re kids we don’t have very developed features anyway, it’s a pretty androgynous state. When Aoba corrects him and tells him he’s a boy his behavior is exactly the same, nothing changes. He corrects himself and never treats him as a girl.

He is someone who has no problem showing his affection for Aoba, neither in private nor in public, he’s very comfortable with his bisexuality, the only one who is reluctant to do so, either out of shame or fear, is Aoba.

What I’m trying to get at with all this is that all that “gentleman” facade and the “always accepting women who want to have something with him” that makes him look so stereotypical in a first impression has a much darker origin, although underneath all that there’s a much more sentimental, vulnerable and open Koujaku about his true feelings, expressing them even if he feels embarrassed, as we see on some occasions (touching his hair nervously when he confesses, of when he explains why Aoba's hair is so important to him).

The relationship he has with his mother is the most direct connection, or course. Being the son of an abused woman has made him hyper-aware of his position as a man (so much that sexism in this game almost goes full circle like the Bourbon family tree, but this is NC’s problem and it happens everywhere, it’s so obvious it’s a writers problem and it’s a shame it affects Koujaku so much because he’s basically the only one who isn’t scared of a bad bitch). We’ll talk about this in particular some more later, but let’s focus on what concerns his father for now.

Being the family of criminals that they are, abusers and… almost slavers, the most logical thing to assume is that they are specially conservative. It could very well be that his father, once he decided to make him his heir, wanted the image of his kid to be as intimidating and masculine as possible. A criminal, a murderer who could run his business in a world like this.

We know that the tattoo is an experiment by Toue, and it wouldn’t be strange if his father knew what was behind it, because after all it would also be beneficial for him to have a way to control him, to mold him to his liking and to make him obedient, unlike he had been behaving, refusing to be his heir and trying to defend his mother. The image of an effeminate, soft, sissy man was not exactly ideal for the future leader. For me, Koujaku’s father either already intended to name him heir before agreeing to the tattoo being an experiment with Toue and Ryuuhou, or he ended up deciding to name him the heir precisely because they had already talked about the tattoo and its possibilities beforehand.

His father would want to break him, drive him to despair so that he would stop resisting, take away his will and, although this is mostly headcanon, “make him a man”. Be a man, be strong, tenacious, learn to fight and find a woman to continue the family with, etc. So it is not surprising that at first he didn’t even reconsider his sexuality and thought that the affection he had for Aoba was just friendship, which over time, with such strong feelings, he realized was not the case. I sincerely love that he is shown to be so nervous and that he confesses to be kinda confused about it and in a state of denial, without having any external reference and too busy hating his father and Ryuuhou to even think about it, it’s normal that it took him so long.

He was trained to be a gangster, while his father insulted him, hit him and threatened him using his mother, on whom he took it out. This training also implies not only fighting but also for doing business, how to talk to be well-received, how to negotiate, how to give the best impression of himself at any given situation. This pack of skills seem to resonate with those that he uses to flirt and run his own business, even if he does it on an unconscious level, he just knows what to say to strike the person he’s talking to in their weak spots. His father’s physical treatment would not only be a punishment, but also to teach him a lesson, to learn to endure the pain, just like he endured the pain of the tattoo. If he cried, it would be shameful, he would be punished. He had to hide his pain, his feelings, his thoughts, for the sake of his mother’s safety and his own. Practically becoming a puppet, thus evolving into the life he carries in Midorijima as an adult.

Him not wanting to open up to Aoba wouldn’t be just an “oh he’s going to hate me”. It’s also what he learned would be the best, having a charismatic appearance that everyone likes. After all wouldn’t it be logical to not want any confrontation with anyone after all that? A tough guy, with people around him who admire him, who never gets tired or cries, because nothing’s wrong. In a way it’s also a shield, a protection, a defense mechanism. To be a man.

Now, the way he behaves that almost everyone without exception associates with his mother. And this, for sure, is the intention, his desire to protect his mother and therefore take care of the women he meets. But it’s also him actively wanting to be the opposite of his father.

What kind of relationship does he have with women? The contact he has with them is mostly through all his female fans, who are crazy to say the least. We’re not going to get much into the subject of sexism but first of all it’s a huge mistake that his fans are only young women or the way they make them all act.

Koujaku spends all his time building a character that he considers perfect, someone gentle, who never says no to a woman and is always available to entertain them, it would never occur to him to deny anything to any of them, as his mother was denied so many things. Unlike that hard and tenacious masculinity that he was taught to have in order to take on his role as the heir or the bestiality of his tattoo, he presents a gentle and chivalrous masculinity on the outside. What he does is pamper them and give them everything they ask for (almost, because has never really had serious relationships. Which makes sense because he would be telling them pretty big lies, right? That wouldn’t fit with his own code). He doesn’t think very highly of himself, he has a low self-esteem as he thinks he is nothing better than a worthless monster that should have probably died a long time ago.

Sometimes people who are abused go through abuse again, in a cycle. I think saying that Koujaku is a playboy is incorrect. (He acts flirty and likes playing around, sure, but there’s something deeper). That perception of him is natural, of course, because the way he behaves and how he is presented to you, is the image they want to give of him after all, in a basic and cliche way, so artificial that it is unsettling. I could believe that it sounds artificial on purpose, referring to that shell of how a confident and strong man should talk, if it weren’t for the fact that they do this kind of cliche and artificial situations quite often with other characters as well, and it makes it kinda hard to remain immersed. I honestly think that the foreshadowing could have been done a little better, but it still serves the narrative. Also this is practically almost all you see of his character the two first interactions he has with Aoba. Considering the structure of the game and how rushed everything is, it’s not very positive, but for the sake of your mental health it's better not to think too much about it.

In short, Koujaku is a very accommodating and attentive person. He listens and encourages others with their problems but doesn’t let anyone worry about him with his own, taking on everything himself. He even ironically tells Aoba that if he’s worried about what happened with Mizuki, he can blame him, and that he can always count on him to tell him anything. It’s a very lonely way to live, even though he has so many people around him.

Knowing this, it’s more than reasonable to think that more than him flirting with women, it’s simply him agreeing to give what those women ask of him. They come looking for something and he gives it to them. He’s a toy. It’s often joked that he’s practically a prostitute, and pretty much that’s what it is. And it’s in the balcony scene where we see a more personal side of him, where we can observe that in reality all this burden tires him, it’s not natural. It’s not like his character isn’t extroverted and charismatic, but that’s not everything, and in public he doesn’t allow himself to be “less”, so in private and in confidence is when he can afford to relax, with Aoba or in his own house.

Somehow, even though he is no longer with his family, the way he interacts with other people, or how he lets himself be used, be it consciously or not, even if there is a different intention behind, is not that different from before, people still use him.

ERHM... SOMETHING

I’ve sometimes wondered if there was some sort of sexual abuse on Ryuuhou’s part towards Koujaku. Nothing is implied canonically, at least physically, but the erotic connotations of the story of the tattoo artist he’s based on, the sadism, and his constant references to love make me think of it happening on a symbolic level.

I think it’s obvious that Ryuuhou loves Koujaku, in his own way, as his creation, and he’s referencing love at first sight and Koujaku’s abuse of Aoba. In a metaphorical way that abuse certainly happened, ever since he was tattooed, his body did not belong to him anymore. There are people who can’t stand the idea of having sex, and others who often seek it out to ease the pain. Ryuuhou made sure to mark his body and mind so that he could never forget him. His tattoos are his shame, his filth and sin. When Aoba touches his tattoos Koujaku practically jumps at contact.

[dammit-tazmuir]

@grievingbovine I am always happy to gush about Paul ;w;

Also I feel like... I'm not sure if it's more "codependency isn't always bad" or "codependency is a term we've grown to use too liberally when what should actually be the defining factor isn't the behaviors involved but whether or not those are actually hurting the people involved" or something in between or adjacent to that. It also feels like there might be kinda two definitions people use interchangeably? One being the more medical term and the other a looser thing of like, deeply dependent on each other.

But semantics aside I know what you mean, and yeah.

It is, generally speaking, unhealthy to be SO dependent on a SPECIFIC person that you can't live without them. Cam and Pal post-explosion had a very unique situation, whereas for most cases in real life, it's better to at least like... need SOMEONE, a purpose, a cause, but also be capable of seeking a new one if you lose that, after time to process and grief. A Camilla whose whole life revolved around Palamedes but didn't get him back learning to live again for Nona, as a hypothetical, or Harrow who would not let herself survive alone but can live for God and for Gideon and for Alecto and for the memory of those lost to conceive her and who may find other purposes still. Ofc no one is arguing Harrow is healthy about that, but like, if you CAN'T find an internal sense of worth, a purely external one is still infinitely better and healthier than none!

It feels very silly but a straight up life-changing thing for me as someone who does the same shit was the anime Gurren Lagann throwing around the phrase, "believe in the me who believes in you." Over time it morphed into "believe in the you that I believe in", and ultimately into having genuinely self-assurance, but taking even one or two of those steps is like... YEAH? Yeah! You know? External validation can be so meaningful and powerful, and isn't antithetical to internal by any means. If you can find it in even a handful of different sources, even better. A thing I try to tell people a lot when it comes to mental health too is you don't have to Get Better to get BETTER. It's not "you're unhealthy and must be fixed" or "you're 100% healthy in all ways". Less unhealthy and more functional than you were is amazing and to be celebrated actually!!!

But at the same time?

Ya know, no, I agree, I DON'T think it's a bad thing to need to NOT be ALONE. I understand the importance of being capable of surviving alone, at least long enough to seek new connections. And living for a person or cause is always easier than dying for them ("you could have lived for her, but you didn't know how"...), especially if you're living for their memory after they're gone, but people should try to do it anyway! But to just..... want to be devoted to someone? To thrive on supporting or caring for other people???

That's not what I'd call "toxic codependency", that's humans being a social species. Hell, that's looking at stories and seeing how many supporting characters are vital to helping a hero succeed and deciding "that sounds awesome actually! Not everyone needs to be the hero, I would love to be a supporting character!" Especially when you're not losing sight of your own needs in the process.

Like... Sacrifice and martyr mentality can be horrible destructive things that do more harm than good, but sacrifice is also objectively a major way people show love. Parents doing without a little more to make sure their kids get something nice, someone doing a chore they don't like because they know their partner hates it more, etc. The difference between "my needs aren't important, I'm not important, I'll always prioritize others because I don't take care of myself in general" and "I have weighed the pros and cons and decided that I can handle this and wish to put someone else first in this situation" is not always apparent from the outside but it's an extremely important distinction. There's a difference between being needlessly reckless and hard on yourself versus making a decision to achieve an end you want even though it costs you something.

Cam trying to hide how rough carrying Pal was on her wasn't her being needlessly reckless, it was her being a stubborn bitch who knows she's tough as hell. If anything people have more grounds to criticize her going against Pal's interests and wishes by not giving him information he needed to make properly informed decisions! To think that he was in any way taking advantage of her when she'd have found a way to kick his ass if he'd tried to force her to stop is wild lmao. (Not to mention Pal literally killing himself— he was still Around but objectively dead all the same!— in the "dying for someone is the cruelest thing you could do to them" book. Like he ain't making big sacrifices fueled by his love for and trust in her too smh.)

And honestly? Yeah that does sound like the kind of thing that could save the world. Our world would be a better place with less people striving to be main characters and more people eager to support each other. More people should be saying "No you will let me help you, you son of a bitch. Don't you dare tell me it's Too Much." >:( So many people are afraid of Being A Burden but more people need to understand— from the perspective of the person with that fear and as friends wishing to help someone who has that fear— that only the person offering help can decide what is A Burden to them! It's not the other person's decision to make!

Palamades didn't have a right to tell Camilla not to push herself to keep him around when that was her choice, and anyone fearing their loved ones sacrifice too much for them don't have a right to tell them to love them less, either. Sometimes— often, really— the alternative is worse. And part of me has to wonder if some people are averse to acknowledging that because if they did, then they'd have to acknowledge that letting someone else help you can be actively beneficial to them, and constantly refusing to ask for or accept help is in turn actively depriving them of something that would help them too. <.< Too bad everyone, gotta let people love you.

Locked tomb hot takes:

Insisting that the birth of Paul is only a tragedy because of the uneven power dynamics between Palamedes and Camilla as Necro and Cav invalidates Camillas autonomy and undermines her as a character capable of making her own decisions. It also undermines Palamedes constantly checking for consent. He understands more than most that there is an uneven power dynamic and actively works to respect her autonomy as much as he can while also respecting their bond/positions as necro and cav.

In a world where those who identify as men have no natural power over those who identify as women or neither, we can not apply the same cisheteronormative expectations of male behavior to male characters.

Camilla made every. Single. Choice. Willingly. She had reasons for it, and Palamedes respected that more than readers seem to. We get plenty of examples.

"What would you do if you discovered Camilla was a murderer?”

“Help her bury the body,” said Palamedes promptly.

“Sextus.”

“I mean it. If Camilla wants someone dead,” he said, “then far be it from me to stand in her way. All I can do at that point is watch the bloodshed and look for a mop. One flesh, one end, and all that.”

GtN chapter 30

NtN chapter 17

The relationship between these two may be codependent, but it's predicated on trust and consent. The whole way through. This is the life Cam wants to live. Becoming Paul was what *she wanted*.

I find it strange that some people think they know what's best for her more than she does, just because she's a cavalier.

[enbyfvcker]

["Merry Christmas, Honey Badger!"]

𝙒𝙖𝙙𝙚 𝙒𝙞𝙡𝙨𝙤𝙣 𝙭 𝙇𝙤𝙜𝙖𝙣 (𝙬𝙤𝙧𝙨𝙩!𝙬𝙤𝙡𝙫𝙚𝙧𝙞𝙣𝙚)

𝙒𝙤𝙧𝙙 𝙘𝙤𝙪𝙣𝙩: 0.6k

𝙎𝙪𝙢𝙢𝙖𝙧𝙮/𝙥𝙧𝙤𝙢𝙥𝙩: Wade sets a Christmas Party.

𝙏𝙖𝙜𝙨: Fluff, comfort, just them being all cute and domestic and Logan not being used to affection.

Wade always made a point to decorate the apartment on holidays and celebrate them properly. He didn't had that on his fucked up childhood, so it's important to him. Althea told Logan that, so he was playing along even though he didn't really care about those things. He cares about Wade.

Wade gave him really cheesy matching Christmas sweaters with their faces on them, and he hated them. But he wore it anyway. Logan wearing the one with a little Deadpool and Wade wearing one with a little Wolverine.

It was stupid, but it made Wade happy. Logan liked him smiling, even if he wouldn't admit it.

"We look so cute, peanut! Don't you think, Al? Oh, right, you can't see."

"Fuck off, jerk." The old lady spat.

"Well, I wish you could smell how adorable we look right now."

Logan grinned and shook his head. He was doing this more often, he realized. Smiling.

Mary Puppins walks in with her tongue out and Wade quickly scoops her up, the dog licking his face excitedly.

"Come to daddy, baby!"

"Oh, god. You got one for the dog, too?" Logan scowl when he sees dogpool wearing a little Christmas sweater just like them.

"Of course I did! She's our daughter!" The merc replies, holding Mary Puppins up as she wiggles. "Aren't you the cuttest little thing? Yes, you are!"

...

Wade invited the whole gang over: Laura, Yukio, Ellie, Peter... other side characters who didn't have any lines... And he may have cooked a feast - wearing his little "Kiss the cook" apron - and got gifts for everyone. He's cheesy like that. He's got a family now, and he doesn't take them for granted.

It was opening gifts time, and everyone was exchanging presents and there were a lot of "thank you's" and hugs.

It was still all foreign to Logan. He lived the past years all alone, and holidays like this used to be all the same to regular days where he would just drown himself in bottles of whiskey and be miserable.

But this family was nice. He felt like if Wade did, then he could belong, too.

Maybe he wasn't the Wolverine he should be, but Laura still seemed to like him and wanted to bond with him despite how fucked up he is. Wade adored him, and his friends were all kind to him.

Maybe he didn't have to be miserable forever. Maybe he could put his past behind and make a future in this new universe.

"For you." Wade announced, holding out a small wrapped box in front of Logan who was sitting on the couch. "Open."

Logan took the box and Wade sits beside him, tapping his fingers excitedly on his knees.

He unwraps it and when he opens it he sees dog tags that looked very alike the ones he had. He lost them in his universe while he was black out drunk.

But as he grabbed to examine them, he noticed this one's different.

On one side, it read: 𝙇𝙤𝙜𝙖𝙣, and when he turned it around, it read:

"𝘽𝙚𝙨𝙩 𝙒𝙤𝙡𝙫𝙚𝙧𝙞𝙣𝙚"

He could feel his heart aching as he grabbed the tags tight.

"Did you make this?"

"Yeah! I didn't really know what to get you, so I- Oh my god- Are you crying?!"

"No." Logan lied, fighting back an insistent tear.

"Oh god, I can't believe I made Wolverine cry!"

"Shut up."

"Come here, honey badger." Wade coos, hugging Logan in a soft embrace.

Logan doesn't hug back, but he also doesn't pull away. He wouldn't admit, but he needed it a bit. So he just sniffed as he let Wade hold him.

And he may hide it under his shirts, but after that, he never took the tags off. Rubbing them affectionately like he used to do with his old ones. Except these were so more meaningful.

[End.]

Hope you liked it! I wanted to make a cute poolverine holiday fic, so he ya go! Them being all cute and domestic it's so important to me.

[burning-sol]

You know what? I realise why the Sinsmas episode is pissing me off so much, it's because it's juggling so many different ideas that it doesn't spend enough time committed to a single one. Let me just break it down the way I see it...

The first idea we're introduced to is one about Stolas' depression but then when he sits down with Blitz we're introduced to the idea of Stolas' poverty.

The previous ideas are what you think that the episode might focus on until you get hit with the Octavia B-Plot. Okay! A-Plot is about depression and poverty, B-Plot is about Stolas not being able to contact Octavia... (I might be using those terms incorrectly, but you get the idea,)

But THEN you get Sinsmas introduced which is about the idea of indulging in your sins, which is shown to be important to the audience because it's expressed in dialogue, right? Wait, no, it's about Stolas's depression/poverty, okay then....

But THEN you cut to the office and we get a Millie and Moxxie bonding scene, so you think, "wait, is there going to be another DIFFERENT plotline introduced into this episode about their relationship??" AND YOU GET MORE ABOUT SINSMAS, multiple shots about the holiday and the idea of indulging in your sins!! So wait, the idea of Sinsmas IS an individual idea from the depression/poverty point? Or isn't it??

Stolas sobs on the phone, there's a very obvious depression/poverty breakdown, but then we get MORE NEW SHIT introduced because it's about Stolas' cheating. And I understand that that's meant to tie into Octavia's B-plot, but there's a subtle difference between that and THIS that adds another layer of shit on top (elaborated on later).

Which, BTW, I just wanna point out how this idea is contradictory to the Sinsmas idea since CHEATING is about INDULGING in LUST - as is established in your PREVIOUS. IMPORTANT. SEASON ONE FINALE... So WHY would you make a character shame a sin that's meant to be in the process of being celebrated which confuses the Sinsmas idea and was also the CORE of the Stolitz will-they-won't-they before now?? If it was to trigger Stolas' breakdown you already HAD the poverty story beat, this is just needless and confusing redundancy??

So then we actually get to Octavia and we get a scene about the idea of Stolas and Octavia not being able to get in contact with each other - the B-Plot - and followed by her introspective song and the discovery of Stolas' pills. And now we suddenly feel like we're back to where we were MEANT to be, with the Octavia B-Plot taking a pause to cut back to the Depression A-Plot. This builds up tension as we naturally feel the two characters drawn together.

And theeeen it cuts to the I.M.Ps and I'm banging my head against the wall because you're like, "Oh! The Millie and Moxxie relationship idea! This is going to be about them!"

But then OH MY GOD a NEW idea is introduced about Blitz wanting a FAMILY WITH STOLAS. I want to shoot someone because the cheating was a set up for Blitz to fantasise about wanting a family??? Is this meant to be a parallel to episode 1??? Am I meant to feel like Blitz has developed as a character?? In an episode that has been about every character OTHER than Blitz???

And then it's meant to be likeee like about Millie's pregnancy because she wants to kill the family instead of leaving them be, but it's also about Moxxie's relationship with her, but it's ALSO about being "demon enough" (WHATEVER THAT IS, IT'S NEVER ELABORATED ON), but it's also ALSO about Sinsmas.

Okay! Okay, back to the REAL plot except- Wait, Octavia walked in??? Wait, so this plot is now about Blitz wanting a family and he's going to bond with Octavia?? No! NO because they don't have any emotional connection and so there is no reason for this scene to exist if either way Blitz was going to know where Stolas went and Octavia was going to end up there as well anyways.

And can you tell I'm tired of writing at this point? Cus I'm losing my mind. FINALLY the A-plot and B-plot that should have been the center of the episode all along gets a fuck ton of screentime and it's beautiful and it's the peak of the episode.

And theeen it's back to Millie and you think, "Okay, so a big part of the pregnancy plot is clearly meant to be about Millie and Moxxie's relationship based on all the scenes we've gotten between them! That means that Millie and Moxxie are going to have some sort of important dialogue-" And then she WALKS OUT on him and she has her emotional moment with her sister! Which isn't a bad thing but need I remind you she isn't even in the center a FULL LENGTH episode, she's from a SHORT... WHY would you NOT integrate Sallie into a proper episode if she's going to be key to a future INCREDIBLY important plotline??

The episode ends with Blitz and Stolas and the credits roll blah blah blah...

This post is basically expands on some of the points of my post about my first impressions, because I just wanted to give a run down of the structure properly so you can understand why this episode is making me feel like I'm losing it. And I get it, if you put in the effort you can get an idea of how all the ideas were meant to tie together... But it doesn't! It's badly written! It makes me want to rip my hair out!

Ideas are established and then sit there uncomfortably without resolutions to them! Like even the shit. That was meant to be the main shit. The poverty and depression stuff? NO conclusion. Stolas says, "you don't have to refer to me as your highness" I guess?? But like, nothing to show him settling in with everyone else in the celebration to show he's like. Poor? And okay with it? By partaking in the holiday of those that are meant to be "beneath" him? No mention of his medication???

Just!! Okay. To understand the way shit in the writing could have been better, let me list some ways you could change the episode to be more coherent or cut down on redundancy if my points have so far not landed.

Establish Sallie towards the BEGINNING of the episode and her dynamic with Millie, and show how that compares to her relationship with Moxxie, and show WHY she would call Sally instead of talking with Moxxie first. If you're going to make the episode about family btw, this would be the point where Millie could bring up HER family and how much she values them or something in order to establish that as being important. Also, use this to explore what Millie and Moxxie's feelings on having a baby WOULD be, so that if there's conflict there then you have more understanding of why Millie made the decision she did.

Use the actual environment in the background of the montage to show the passage of time instead of it suddenly being Sinsmas. Have demons setting up holiday decorations, in the stores put up discount signs about a "Sinsmas sale!" This makes the story flow more naturally, as well as adds characterisation and makes Stolas' depression more real as he's shown to be so absorbed in his own world he doesn't even realise it's the holiday until Blitz brings it up.

Octavia's phone and the device she listens to music on is the same (I checked S1E2 to confirm it), which causes a sloppy writing issue. Like. If the episode is meant to show Stella is controlling and it's not Octavia's choice not to get in contact with Stolas, then you need to explain why she hasn't called him despite having access to her phone when Stella isn't around. If it were me, I would have had Stella lock it in a drawer that Octavia picks the lock on so she can listen to her music. THEN you can keep the original scene, OR (this is what I would have done) have her check her phone logs so you can see not only how many times Stolas has called but how much time has passed. Maybe this could also be used as another reason to drive her towards the closet as she hides from Stella and Andrealphus. Maybe this could be used as an interesting metaphor about her desire to leave but she doesn't know what she's going to do once she picks the lock on the door... Like how she could call her Dad now that she has her phone but she doesn't know what she'll do when she does... Something like that.

DON'T have Blitz and Via meet up if they're not going to interact. That entire scene is fucking pointless as is and I hate it. Either dedicate a PROPER amount of time and dialogue into making Blitz want to and try to connect with Via, or have them not talk at all. Cut out the whole thing about Blitz wanting a family with Stolas honestly, it's just not well explored enough.

Again with the sloppy writing, the gang did NOT need to stumble into a room of weapons to have weapons. That's pointless. They're assassins, they've been established to bring a stash of weapons with them to fights before. I can think of something much funnier where Moxxie is surprised by Loona's transformation and there's a joke made about her being a noble steed and Moxxie pulls out a sword only for Millie to be like, "Why did you bring that?" And Moxxie says something about how it's a posh weapon cus that's his thing. OR you could have some badass impromptu weapons the gang makes from the ice or they use Sinsmas decorations scattered around. IDK.

Already made my point about Stolas and the poverty idea. Show him settling in with the others during the celebration and him opening up to the idea that he's no longer rich or well respected. The "you don't have to refer to me as your highness" would work if the text bothered to show his mental state properly, instead of him just looking depressed and like he kind of hates everyone there.

Have Blitz PLEASE react to Stolas' depression. Like. Acknowledge it. And share his feelings about it. AND GIVE STOLAS HIS MEDICATION FFS he clearly has clinical depression!! Blitz is sooo head empty in this episode, PLEASE give him more internal thoughts other than :) I'm holding my head in my hands.

And I'm so tired of writing at this point I'm going to stop it there but I hope that was thorough enough to get across my points. And if not then I guess that speaks to how loopy this episode made me that I can't even articulate myself 100% because dear god.

[elderwisp]

My 𝐓𝐨𝐩 24 𝐒𝐜𝐫𝐞𝐞𝐧𝐬𝐡𝐨𝐭𝐬 from 2024 ⋆ ˚｡⋆୨୧˚

I was tagged by @mikachusblog @aurorangen and @moonwoodhollow however I put together a recap earlier this month! Instead I'll pick about ten story moments I enjoyed from this year under the cut as well as a very special screenshot. I did want to make sure I tagged some people as well! :D

I tag: @acidheaddd @likelyamused @pink-chevalier @changingplumbob @salemssimblr

@matchalovertrait @lre333 @swiftviolets @sirianasims @lynzishell

1. January 8th: Kai shares a secret

⋆ This was a really fun flashback scene! We got to see Kai, Frances, Dan and Atlas in the earlier years of high school as well as learn that Kai has romantic feelings towards Atlas, who happens to be his first kiss! This is also where his arc officially begins in my mind!

2. March 6th: Taryn's skepticism

⋆ I remember being so proud of this scene because it was one of the first scenes I fully posed the conversation. I really enjoyed of Atlas and Taryn's mannerisms peaked through. I think this conversation while it focuses on a different subject, the nature of it shows their personalities. Taryn struggling with self confidence while Atlas's facade starts to unveil just a bit.

3. March 12th: Frances's solo

⋆ I was really proud of these poses as well as the shots. The shots of Icarus and Frances while romantic do say a lot about how each views each other. Your greatest heartbreak being how Frances feels and the deepest regret being how Icarus feels. For the cello poses, I did reference through watching performances but also real life so it was neat combining the two. I am excited for Frances's future in De Sol Valley especially when new faces are introduced to the cast. It might be similar to Atlas's prologue where Frances is the focus but just in a shorter interval.

4. March 9th: A rose and it's bumblebee

⋆ March was a good month. Maybe not for the characters, but a good month creatively for me ! I'm gonna sound so toxic but I love the tension between these two so much like hold out a bit longer please JUSTKIDDINGPFFTorami? anyways structuring taryn's monologue came out of order. the frames where she says "A stubbed toe. A scraped knee. A fall." came first. Everything else was built around those three sentences. The scene following that was fun to put together because Atlas really does struggle to apologize and take ownership over his fuck up that he tries to smooth things over by being charming but Taryn, getting more comfortable, shows her newfound skill of setting boundaries (courtesy of Atlas LMAO) and calls him out on the bullshit.

5. August 9th: Theo's official introduction

⋆ Much of Theo's life is hush hush as following after the WR arc we dive more into their lives but I do want to talk more about them. I liked following their life throughout the day and the general reclusiveness they have in a new city. Their only friend at the time is Gabriel and with no goals of going back to their old life, the only way forward is through. I will say, something about the city has a way of helping people find themselves.

6. August 8th: Of course I had to freaking include this scene

⋆ Gonna be so real right now but I was terrified to post this. Terrified. We see the chaos of Atlas's vices revealing a very important detail, one Rowan reminded us all and that is, Atlas seeks out trouble. The most curious and pressing part is why and how does it end? Any scene with Atlas is scary for me because he leaves a lot of subtle little hints but the extent of his nature is like slowly pulling off a band aid. Are people gonna like what's underneath? I'm never really sure but I do enjoy exploring his character quite a bit.

7. September 3rd: Ojitos lindos

⋆ First, I love Jules. Dude was literally supposed to only be in the one scene and... He wiggled himself into a handful. Second, was very proud of how the dance came out, with Taryn teasing Jules and Jules chasing every second of it until the kiss. OUGH! The little fiend in me blurred out "tu y yo" in the kiss scene to sorta symbolize Taryn beginning to move on from Atlas but as we see later, that was short lived. Taryn's monologue was the easiest to write and it comes from a person struggling with the bitter emotions of heartbreak.

8. October 8th: A formal introduction to Ares's life

⋆ Little lore drop but the Langs have been longtime characters of mine. In fact, longer than everyone else. Chase, Ares's father, was a main character of a youtube series I made long ago over the summers of my school days LMAO! So to revisit and restructure them as has been... WOW ! I wanted everyone to feel like they were a plant on a shelf observing the dynamics of specifically the women in Ares's life as well as the structure of his home. It felt subtle but good :)

9. October 18th: Kai's revelation

⋆ I think I have one more scene left for Kai's arc. I specifically wanted to focus on the concepts of jealousy, cognitive dissonance and religion coupled with Kai being a closeted man. I will say in the beginning, I did struggle to connect with this character. While some elements I can totally relate to, writing about it is different. Envy can be classified as an ugly feeling. It isn't palatable to most and is quickly shood away but because of that, we don't talk about it enough. So I wanted to go into this really humanizing this common emotion but not making it as some caricature of an emotion. I do love Kai's growth, I wanted to make sure he earned it and it sure feels like it.

10. November 23: The freaking arts festival

⋆ There's still like four-ish more posts to go. Those will be a bit less crash-out packed but I think it ends on a high note. There's a lot in these six posts. Some of it slightly nudging certain characters arcs, other parts deepening your knowledge of other oc's. I wanted to start out on the disappointment that Atlas faces seeing that the only person supporting him there is Daniela and how he copes in the only way he knows how. The arts festival is something he helped put together but it seems to be a reoccurring theme that any accomplishment he ever has is always overshadowed. It's always something. Each frame, every detail, to the dialogue in these two posts are intentional. The following scenes after that have some really cool conversations. I think the last post also has some unique dialogue as well but we'll pick back up on January 2nd! :)

Also a bonus! I wanted to show one of these first photos of Tessellate. It's no longer on my blog after the reboot but I wanted to show how much has changed in two years.

[mrmanbat]

Saw that you reread Red Robin and wanted to ask abt ur thoughts on it all :3 that whole series is some of my fav comics ever- plus I own the full set lol. Favorite part? Something you didnt like? Thoughts about Tim's development and character throughout? Thoughts on the whole Ra's situation? Tim being passively suicidal lol. Or how Tim gets. Just so many bitches. All the bitches. Tim Drake canonically gets bitches. They really look at his failboy swag and go "Yeah I'd hit that" 😭 wheezing.

Anyway yeah, they're like my fav comics so what are your thoughts on them?

And Happy Christmas! Or Happy Holidays if you do not celebrate. Merry ChristmaHannuKwanzaa!

Happy Holidays! (sorry if this does sound cohesive- I wrote right after finishing a 17-page essay, and my brain is actually fried)

The RR comics are so nostalgic to me; they were literally the reason I even picked up a comic in the first place.

The comedy in them gets me every time like Damian accusing Steph of stuffing her bra, gold. And the unintentional stuff like giving Tim an ungodly amount of rizz is just so funny, I can't. Bros is literally a Casanova but can't enjoy it bc, yk, he's busy trying to bring his father back from what is essentially death.

He's just in a long downhill spiral, yk? And he just progressively gets worse throughout his run as RR. The scene where Tims accepts death but Dick swoops in to catch him, and Tim has to lie his ass off, saying that he "knew his brother would catch him," just really brings that point home.

It started off as "No one believes me about Bruce, I'll just have to take. things into my own hands," then it goes to "I barely believe myself about Bruce, but it's too late to turn back now," to "Fuck this, if I die I die- womp womp, too bad I won't be able to tell Dick 'i-told-you-so"'

Tim is self-aware of his self-destructive nature; he knows that all his friends and family are trying to get him to seek help, but he just doesn't care. To him, the mission is more important- batman is more important.

(Side note- Dick trying to get Tim to see a therapist is a lot more impactful than how Fanon twisted it into Dick-trying-to-send-time-to-Akham.)

I'm split on the Ra's thing. I love the concept; I think he was a good choice for the main 'villain,' and I think there was so much potential with Tim reluctantly having to work with Ra's. I just don't think it was done all too well by the writers. A good chunch of Ra's motivation didn't align with his character- at least, I don't think so. And the whole thing with his sister just feels so unnecessary and gross.

Overall, though, I flipping love these comics. They would be better if DC didn't, yk, undo all the cherecter development by making Tim Robin again, but whatever. You win some, you lose some.

[calledbyflowers]

“taylor has a fleeting crush on brian” excuse me? taylor is insane about that boy. like ultimately im a wolfspider girlie in the same way that like ultimately im not a shinji-kaworu shipper cuz i think its a relationship which will not be the most conducive to the characters breaking out of their respective shells and learning to let themselves be vulnerable and let go of control/take control in a healthy way, respectively

but like i mean our girl tay she had some weird ass vaguely tradwife sexual fantasies abt him like really leaning into gender stereotypes fucking insane shit. and like while i think the yuri would be better for her and helping her escape the drama of herself like it is a fact that she is so crazy about him. but like in a way thats not good for either of them.

cuz like brians problem is that hes unable to take off the mask hes so bottled up, he cant feel. he needs to acknowledge his own needs and learn to live for himself instead of always acting in service of others. and like hes classic romance fodder a tragic hot figure who lives through fates worse than death and ends up broken and like thats fucking catnip. but like ultimately tay is slotting him into her fantasy she never really loses control of the situation and brian is such a.... yknow its a bit like shinji-asuka in a way? like brian is kind of a shinji and asuka is kind of a taylor? does that make sense?

who can say? but like ultimately what i mean is even if its a toxic ship i do think it is a textual ship like i think our girl tay is a bisexual queen and she both has a deep sexual and romantic tension with bitch and lisa tattletale which must go unackownledged due to the constraints of tehir World, the Absence of whcih suffuses the work, and also she is incredibly horny for this boy like: imago 21.5,

i like boys too i like i recognize this feeling this girl is fucking horny. its all so fucking corny unless ur feeling it and then its like "fuck... its so fucking corny but.... fuck... i am wet"

imago 21.4,

this is literally edward from twilight. perhaps u disagree to interpret the first person narrative as suggesting that worm is supposed to be more or less a description of tays story as she lived it and the fact that brian is described like a sexy batman whos kind of a daddy?

shes literally insane about him

and shes got some weird repressed tradwife shit probably something to do with her mom being a former lesbian seperatist which i feel like that could complicate taylors relationship to her own gender in some way her seeming lack of any genetic consciousness regarding it no thought of where gender comes from or how it is produced it is simply a given in her World and maybe that has smthn to do w her mom maybe adopting an attitude not of anti-femininism per se but of a seeming apathy and indifference to gender? such that her daughter seems to have little sense of gender as something that can be put into question. or like even more liekly taylors mom continued to be a terf without being a lesbian seperatist. and all thats gonna inform her relationship to what it means to be a woman and how she negotiates that.

and so like being a good liberal who believes in atomic selves she always needs to be in control thats the only way to make her existence livable is that she needs to have as much ability to finetune others as possible since then she can escape the hedgehogs dilemma and also shes just smarter and better than them and owuld be able to use their powers so much better than them? and i luv that for her. tay is so important to me.

and anyway i feel like saying tay has a "fleeting crush" is kinda understating it. and its corny and dumb and like its almost twilight energy and im so here for it i luv this shit but ultimately i think letting rachel dom her would be so much better for taylors spiritual development than being fucked by the boy who allows her to inhabit a kind of idealized domestic fantasy.

You know looking back at worm now that WB has come out as ARO is pretty funny. Can just imagine him in 2012 being like "what do you mean everyone doesn't just partner up with someone they somewhat like and have sex like it's scratching an itch? Just me?"

Everyone in worm is either ace or a predator like Sabah's stalker or Krouse. Taylor has a fleeting crush on Brian but that's about the end of the romance in the book.

[sentientsky]

Kristin Chang, "Churching"

on apotheosis. on rage that has nowhere to go

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[jacketpotatoo]

I'm stealing this from my lit teacher but he posed that something certain characters in arcane s2 missed were 'Zuko Alone' moments. Moments where characters took an extended amount of time to introspect, face the consequences of their actions, and connect with the wider world. This, to me, is why Caitlyn's arc wasn't as effective as it could've been. After a switch-up, after a big 180 like hers, it is simply necessary to track the progression of her arc. It's easy to say "In hating you, I've hated myself" and "no amount of good deeds can undo our crimes" but when you don't see her face the Zaunites or acknowledge the class-privileges she exploited, it all rings a little hollow. Arcane usually does a good job of tying the personal with the political and I think that's hidden in Cait's arc. She works as a character when you're understanding her actions in relation to her love for Vi and forgiveness of Jinx. She doesn't if you think of it on a wider socio-political scale. It's just a little odd when the show is such an arbiter of 'show don't tell'. That line has to do alot of heavy lifting. Alas, what time restraints does to an arc.

[crookedfivefingers]

3.13 | ᴛʜᴇ ʟᴀꜱᴛ ᴏꜰ ᴛʜᴇ ᴛɪᴍᴇ ʟᴏʀᴅꜱ

link to the post I accidentally wound up prattling endlessly about in the tags 💀

[beebfreeb]

Little things about Marcille make me so so so sick. Reading a book with the first character that's anything like you at all in even a somewhat respectable way and falling in love. She doesn't know anything about the food her mother grew up eating. She is subtly different from her peers and has never been sure where she fits in. AND despite those experiences she still falls victim to prejudiced thinking. She and Kabru should be besties who verbally fight like rabid dogs.