#anyway her character is so important to me

[tamilhobbit]

Speaking as an Izzy hater - I found his character racist, homophobic and despicable in S1, did not see any appeal at all, and then copped a lot of shit from racist Izzy stans on Twitter (I used to enjoy fic that gave him a good arc, but those fandom experiences led me to start avoiding basically anything to do with him). Maybe the demographics are different on Tumblr, but Twitter was overwhelmingly pro-Izzy in a way that didn't acknowledge any of the bad he'd done and was hostile to anyone who disliked him.

I also thought his 'character growth' in S2 was too rushed. Him showing up in drag and singing felt more like Fandom Izzy. Canon Izzy had made a very very big leap there that, to me, didn't feel earned or justified. But I'll freely admit that my poor fandom experiences have soured me against him.

Otherwise, I agree with most of these points. I'm very much a Gentlebeard shipper and I still did not like the portrayal of their relationship this season. I have many of the same criticisms you expressed.

And it's gross that the 'talk it through as a crew' show refused to deal with everyone's PTSD, and even gave Lucius SA-related PTSD and played it off as a joke. Pete was horrifically cruel to him about it. That is one of my biggest issues with S2.

I think the writers suffered from being too involved with the fandom, to be honest. And it affected their own vision of their characters.

I've already said that to me, someone who is not an Izzy stan, the Izzy we got in S2 was much more like the Izzy I saw in fanfics and fandom than the Izzy we met in S1. Yes, Izzy could plausibly have become that person, but it takes a lot of work and growth that I feel they skipped over.

There was also just way too much going on. They crammed too much in and didn't have the time to treat any of it with the detail and respect it deserved. Given the show had to be cut down to 8 seasons, the writers desperately needed to be ruthless in cutting and editing. They needed to take out anything that didn't serve the plot or character growth, so they could focus on the important things.

They didn't.

Anne and Mary, for example. They don't actually add anything concrete to the storyline beyond being a backdrop for Stede and Ed! They serve as symbolism and foreshadowing, sure, but... of what? If we take them as foreshadowing of Stede and Ed, all it tells us is that this idyllic retirement that they end the show on won't actually be a happy ending for them. That they won't be happy with it. Which is a weird choice. Or do they serve as narrative foils of Stede and Ed, as a dark mirror? The narrative isn't very clear about that, to be honest.

The feeling I got was that that they were fanservice. Fans were clamouring for Anne Bonny and Mary Reed, so they gave us pirate lesbians, regardless of whether it was useful. The writers should have cut them and focused more on the plot, or made them relevant to the plot. They didn't.

Fans wanted Zheng Yi Sao, so we got her. Even though the plot ended up making her look a little foolish and incompetent by the end, in contrast to the first half.

Fans wanted Izzy to embrace his queerness, so we got that, even though it seemed like a rather abrupt shift.

Fans wanted more women and POC, so we got Archie. Who just shows up and isn't very well fleshed-out tbh, and ends up breaking up Jim and Olu. (Are they poly? It's only ever hinted at. And then Olu leaves for Zheng Yi Sao anyway. If they then become a polycule, it is entirely up to the fans.)

Fans wanted Stede to become competent and famous as a pirate, so we got that. Fans wanted Gentlebeard sex, so we got that. Fans discussed a soft shore retirement for Gentlebeard with Oluwande captaining the crew, so we got that.

This was some Monkey's Paw bullshit. We got a everything that we'd mused about on Twitter and Tumblr. It just wasn't executed well.

And yeah, even though I dislike Izzy, I do think his death was stupid. And in my opinion, a cop-out. It was like Shadow Weaver in She-Ra - you don't need character growth or redemption if you sacrifice yourself instead! With the double whammy that both Ed and Izzy have been toxic and awful to each other, and this narrative choice basically wriggles out of having to deal with that in any meaningful way.

Question: I enjoyed s1 OF OFMD, but for various reasons I never actually got around to watching s2 (pick up most of the plot from tumblr tho). What exactly went wrong in s2 that got so many people upset?

Oh, boy. Very long rant incoming.

So, for context, S2 had a significantly smaller budget, which necessitated moving the filming location to union-unfriendly New Zealand, reducing the number of actors/number of appearances of established actors, and cutting down the number of episodes from 10 to 8. In a show where each episode is only about half an hour long, that last one alone was enough to seriously hamper any character development or plot. I am very comfortable putting the vast majority of the blame on HBO because of these financial decisions.

The short version is that Jenkins et. al. needed to address and build on the problems left hanging in S1 while also getting the characters to the end of their character trajectories in case there was no S3 while also leaving room for additional episodes in case there was a S3, in a grand total of four hours, and failed.

The long version is that there were a bunch of what I'd consider small problems in isolation that came together and exploded in the S2 finale.

The reduced cast necessitated breaking up the crew (ex: having Swede marry Jackie and stay on land with her, so they don't need to pay Nat Faxon for all eight episodes) and not spending as much time on their relationships as S1 did.

The reduced time meant that the entire season was rushed (in contrast to S1, which takes place over at least several weeks if not months, most of S2 takes place in roughly five days), leading both to a lot of telling rather than showing (because they don't have time to show you), including vital character and relationship development.

This includes:

Having the Kraken half of the crew beat Ed to death after months of being abused by him – abuse that is clearly shown to have given them PTSD and a well-justified fear and hatred of him – only for them to be okay with him two in-universe days later;

On that note, having Stede dismiss the crew's concerns about Ed because he loves him and also we only have three more episodes left to fit in everything so we need to get over it really fast, even though Stede is supposed to be well-meaning and caring (even if he's not good at it all the time);

Resolving the issue of Stede abandoning Ed in one day, then having them "go slowly" in their relationship for two days and then have some spur-of-the-moment sex, and then the next afternoon have them break up over their diverging career aspirations, and then the day after that resolve that problem and retire on land while the rest of the crew sails off into the sunset;

Stede becoming a fantastic pirate captain over the course of one day, becoming wildly popular in the piracy world two days later, and then deciding the day after that to never be a captain again because he is retiring with Ed;

Having Ed and Stede decide to retire together as what is implied to be the end point of their relationship arc, when none of Stede's issues from S1, like his poor self-esteem, have been so much as mentioned by anyone, implying that he's either magically gotten over them or they don't matter all that much, actually, even though they were the catalyst for basically everything he did in S1;

Ed having two separate character crises – "I am an unlovable person" and "I want to do something with my life other than piracy" – not spending a lot of time on either one, having moments that clearly indicate he is still working on both problems and they have not been resolved, and then apparently having them both be resolved in the final episode despite nothing occurring to actually make that happen, and in regards to the latter, despite the story actively undermining it by repeatedly showing he can't do anything other than piracy;

Related to the above, Ed ending the series as allegedly being loved by the crew as a family (thus solving Crisis #1) despite this never actually being shown, demonstrated, or even fucking alluded to onscreen. If anything, it shows the exact opposite.

This last point is especially galling to me because of what is probably the most divisive issue in the fandom right now: killing off Izzy Hands after giving him seven episodes of character development.

The show begins with the Kraken crew clearly trying to use the skills they learned as part of Stede's crew to cope with their incredibly shitty situation and care for each other, which includes Izzy. Izzy, on his end, tries to protect the crew and speak up for them, which results in him being repeatedly hurt (both implicitly, as Ed at one point says "that's another toe" in response to Izzy advocating for the crew and we later see he's missing more than one toe already, and explicitly, as Ed shoots him in the fucking leg in front of the crew when he stands up for them).

This camaraderie is shown again and again and again. Frenchie, Jim, and Archie take care of Izzy while his leg is infected, at risk to their own lives. Izzy's misery over losing his leg is what unites the PTSD-ridden Kraken crew and the well-meaning-but-ignorant-of-PTSD marooned crew, who are initially at odds, to make him a new prosthetic leg. Izzy gives Lucius advice about forgiving Ed. Izzy is introduced to drag and opens up enough to sing at a crew party, and the whole crew is having fun together while Ed and Stede are in their cabin having sex for the first time. Izzy gives Stede pirate captain lessons and bonds with him when Ed leaves him. Izzy provokes the season's villain into focusing on him and then gives a big speech about how piracy is about belonging to something, giving the rest of the crew time to try to escape.

Recall that Season 1 had some pretty well-established universe rules, one of which was that it runs on Muppet physics/magical realism. People can jump off yardarms, hit the side on the way down, and be perfectly fine. People can get stabbed in the liver and it's totally okay because it's probably not that important, and even can stay pinned to a mast all night that way with only mild discomfort. Buttons can talk to birds and see long distances without a spyglass and put hexes on people. Good people can be hurt (Stede is stabbed repeatedly), bad people can die (the Badmintons, Geraldo), but no one we care about is ever killed.

This is repeated in Season 2: Ed is beaten into a coma with a cannonball and wakes up like Sleeping Beauty after a spirit journey, with no injuries to his face or body. Buttons turns into a seagull after spending an episode doing a magic ritual and is never seen again (because they couldn't keep paying Ewen Bremner due to the budget cuts). Jackie microdoses her husbands with poison to build up their immunity, so that she can later pull a Dread Pirate Westley and poison the British with shared drinks.

So: in the finale, the villain of the season is taken hostage by the pirates (for reasons? unclear how that fits in the plan), happens to have a gun on him (no one checked??), shoots Izzy on the right side and then leaves with no repercussions. The entire crew stands around silently doing nothing while Ed cries over Izzy and tells him that he's his only family.

And Izzy fucking Hands, the guy who just spent eight episodes bonding with and protecting everyone, uses his last words to reassure Ed that him becoming Blackbeard/the Kraken was Izzy's fault and that the crew is Ed's family and they all love him. No one else says anything to Izzy or tries to comfort him or help him in any way.

I repeat: in a show predicated on the idea that bullies and bigots die stupid deaths while queer people and POC are basically magic, a show that was praised for being kind to queer people by not making them worry about their faves suffering or dying, a show founded on the strength of the relationships between the characters, the guy who went through a season-long arc of learning to embrace his pirate found family and his own queerness is shot for stupid reasons on the side we're told isn't important and dies while everyone just stands there. His last words are about the whole crew loving Ed when the only person that the whole crew has loved all season is him.

Anyway, never mind all that, let's cut to Lucius and Pete getting married and Stede and Ed retiring!

Complicating all this is that people who liked Izzy (or even said anything insufficiently mean about Izzy) were harassed for months in between seasons with insults, slurs, and actual fucking death threats. Izzy's growth was kind of a vindication for liking him: it meant that, despite all the harassment, we were right to like him and care about him as a character. Even people who didn't like him initially started to like him during Season 2.

And then he dies, and now there's a bunch of people saying that Izzy fans are big whiny babies who can't handle fictional death, and actually his death was so meaningful and beautiful and the only logical end to his arc, and it can't be bad writing because people die in real life all the time, and also he admitted he fed Ed's darkness so actually he was a terrible person all along anyway and they were right to hate him (and his fans)!

So, yeah, there are a lot of reasons why it's so hated, and I'm probably only addressing the problems of the pro-Izzy people (from what I can tell, BlackBonnet shippers who don't like Izzy think Ed and Stede's relationship is fine and dandy, but I'm sure that there are other criticisms they have that I have not addressed). I'm not even addressing the issues with Jim and Oluwande's relationship this season (and whooo boy are there issues).

It wasn't a universally bad season. There were episodes I really loved and still do. But the finale was a train wreck, and because it was a train wreck, a lot of people are looking back at what happened before the wreck and realizing that, oh, the train lost its brakes and steering because of the budget cuts and the engineers kept throwing fuel in the engine to make it go faster, and huh, now that I think of it, that part earlier in the trip was really wobbly but I didn't pay much attention to it at the time because I was sure the engineers had everything covered.

[butchvamp]

okay i've played a bit more and i have a lot of thoughts about Taash and the way gender is being handled overall in this game...

first i will say the positives which is that i do really appreciate the attempt at incorporating trans characters both in the world as companions and allowing us to make those options in the cc. and as someone who also writes dark fantasy stories with trans characters i do understand how difficult it can be to incorporate these identities into a world that doesn't necessarily have the same language as we do; but overall the way they've approached this feels very... i've seen some people call it unpolished but i actually feel the opposite. it's almost clinical (therapy-speak in general has been a main criticism of this game) and it's way too polished, in my opinion, which is what makes it so jarring to see.

there has been a trans character established in game previously, there is already a precedent for these identities to exist in this world, and they have never used this language before. the way Iron Bull talked about Krem felt far more realistic and integrated into the world of Thedas comparatively. was it perfect? no, of course not, but i chafe at the idea that it needs to be perfect, anyways. this is another problem the game has; past characters have had their flaws completely ironed out (Isabela is now a paragon of friendship and returns cultural artifacts instead of looting them, Dorian has multiple codex entries wallowing about how he used to defend slavery, the Crows have suddenly become a big found family-- on and on and on) and while i have my criticisms of some of these flaws (Dorian's pro-slavery rant in inqusition still makes my eyes roll) i dislike the way they're handling these changes and just expecting us to ignore all of the lore and worldbuilding from previous games. and all of this "political correctness" only for the game to still be so racist.

which brings me back to Taash.... Taash is very strange character, lacking agency around both their gender and their culture. they are simply a mouthpiece for the writer. while yes, it should always be made undeniable that your character is trans or gay or xyz, Taash really does only exist to be nonbinary. and to be clear, a nonbinary character like them could be very interesting, if their writing wasnt so... white. we know that the Qun has different ideas about gender than Rivain (and elsewhere) and this could have been a very interesting exploration of that; however, it is obvious that the Qun (and Taash's mother) are meant to be depicted negatively, and ultimately it ends with the player (not Taash) choosing between their two cultures. their gender is clearly far more important to the writer and the only facet of their identity they seemed willing to explore, which makes me question why even make this character qunari to begin with...

Neve and Rook are also the two that spur Taash into exploring their gender. this, on the surface, is not a problem for me. i'm playing as a trans Rook and while the dialogue was again very overpolished and clunky i found it kind of endearing. but the way Neve is used as this "foil" for Taash really rubbed me the wrong way. this assumption that Neve has no complicated feelings about her gender or being a woman (which i highly doubt considering the world she lives in & how misogynistic it is) and the implication from Taash that she only dresses the way she does for her mother/other people (which Neve doesn't even get to challenge) is extremely narrow-minded. Taash is the Only character that acknowledges gender; so far, even when flirting with other characters, it's only been Taash that i've been allowed to specify with that my rook is trans, despite Taash already knowing that from our previous conversation (i hope that this changes once i lock in with a specific character so feel free to correct me if it does).

but no one else really seems to have an opinion except that Neve drags Taash around to meet Maevaris, and we get the very goofy note that's just a list of modern gender identities and their definitions. i do partly sympathize with the writers here; again i've had to find a way to incorporate lgbt identities in my own writing and it can be difficult depending on your audience. i understand wanting to be very clear and concise. but this is... just goofy. and this desperation to be so correct around gender while simultaneously writing such an offensively racist narrative is really frustrating.

there's also an inconsistency that comes from this with Taash's character-- they are portrayed as this rough but awkward character that is bossed around by their mother, they are bashful with flirting early on and are almost child-like in comparison to the other characters. and then suddenly you get a scene with them where they very directly ask if you want to have sex and suddenly pin you against the wall. this scene was so jarring to me i referred to it as a jumpscare because WHERE has this character been this entire time? i want to see more of this, more of this character who takes what they want and knows exactly who they are (which they even say multiple times when you first meet them... but then need Neve and Rook to hold their hand about it?)

i do really like Taash, i like the idea of them, of this very self-assured and almost cocky character who is also a little silly, this person who is so sure of who they are but has to deal with their mother undermining them while also navigating a culture they feel disconnected from, and i also like that the player can help them through it... but the execution is awful, shallow, and racist. the idea that someone can only choose One culture is so offensive and also a laughable conclusion when compared to their coming out as nonbinary. the writer clearly understands that people don't exist within these little boxes when it comes to gender, but can't wrap their head around it when it comes to someone's culture-- which is also a very important part of a person's identity and often contributes directly to their gender and how they feel about it. all of these different characters have different experiences, come from different places, Davrin and Bellara are Dalish and even have differing opinions on what that means for themselves, but the game doesn't touch on any of it. all we get is a lecture from the writer that is completely removed from the world it's presented in.

i wish i could understand what it was this character was meant to convey. i stand by saying that it doesn't need to be perfect; i know there are people that had problems with Krem in inquisition, but at least Krem was his own person. Taash doesn't even get that here... i harp a lot about character agency when i give writing advice on my other blog but it really is so so so important for marginalized characters-- both gay, trans, and especially characters of color-- to have their own agency around their identities that is completely separate from the player & player choice, that allows them to exist as their own person within the world you've created, and i think Taash's character and story is an unfortunate example of exactly what not to do.

[nightlyrequiem]

Basically when Valeria is getting questioned, she mocks Alejandro by bringing up the fact that right after she left the Mexican special forces, she took his girlfriend with her and made her into her wife. (A fem reader request with reader being the ex girlfriend of Alejandro who used to visit the base but ended up up getting charmed by Valeria and is now her wife.)

Oh I love this. Valeria would totally be able to steal his girl. She's just so suave

Might incorporate this idea into a future series. Or maybe just make a part two or something. I live for the drama tbh I want to write more of Alejandro being upset. I don't even hate his character but I've developed a dislike for him because people ship him with Valeria. That sounds a little pathetic though...

Tags/Warnings: Violence, Valeria and Alejandro Scuffle, TF141 Cameo, Reader Is Only mentioned

Under New Ownership

Phillip Graves keeps one firm hand on Valeria's shoulder as he leads her through Alejandro's base. So many memories flaring up at the familiar sights and smells. His touch is agitating her. Heavy, warm, masculine. She shrugs him off as she's sat in an uncomfortable wooden chair. The interrogation room is nothing more than a shipping container. The others join them. Men of Taskforce 141, and Alejandro and Rudolfo. Valeria regrets nothing. Not betraying and turning her back on her brothers in arms, and not all the damage she's done as El Sin Nombre. Valeria Garza is a woman with many achievements under her belt. Why should she apologize for being successful?

"Have a seat." The blond man says. He turns his attention to Alejandro, who is already glowering at her. "So, how do you two know each other?" He asks.

"Know is a strong word." Alejandro responds. Hatred frosting his voice. Just his voice is enough to alight Valeria's nerves with disgust.

"Strong words are important. Our word is our worth, right?" She taunts. using one of his past proverbs against him. That's all it takes to set him off. To send him storming towards her cursing in Spanish. The others are quick to intercept him. Grabbing ahold of him, like an out-of-control dog, Valeria thinks. Should put him down like one. She was always more of a cat person.

"Yeah? Yeah." Alejandro growls, pulling away and reigning in his temper. He turns back to Valeria, drowning her in his distaste. "Go on, tell them."

Valeria leans back and gets comfortable. As comfortable as a person can be while sitting on a hard chair surrounded by hostiles.

"We served together." She explains with boredom. Nothing but unimportant history. Files collecting dust in a backroom kind of history. "Same squads different units. You were the wild ones. Los Vaqueros." She sneers at him. "We had a common... interest."

Alejandro stiffens. It's barely enough to be perceived but Valeria perceives it nonetheless.

"What might that be?" Graves inquires. Raising a light brow. Valeria angles her head towards the man but keeps her gaze locked onto Alejandro's.

"We have... quite the similar taste in women." She remarks. Picturing your soft face. The angle of your eyebrows. The delicate lines of your lips. The column of your throat. Something once belonging to him now under her ownership.

You always used to visit the base. All soft angles and colours amongst the gray and violence. Valeria felt compelled by you the first time she saw you, a rare flower amidst the barren desert. Such a thing would wilt under Alejandro's possession. Valeria made haste in befriending you. An act she knew would grate on Alejandro, but she didn't care. He felt threatened by her.

"Don't bring her into this." Alejandro demands. Jabbing a thick, angry finger at her.

"This lovely little thing used to visit him every week." She continues anyway. "But he wasn't the only one she sought out. She always liked me better."

"Okay, enough of this." Price sighs. Trying to redirect the conversation. In due time. Alejandro scowls and breathes heavily like a bull.

"You poisoned her mind with lies." He says, voice cracking with hurt. "She's a good woman, she wouldn't have left if you hadn't fed her your bullshit about me."

Valeria laughs in his face. Mocking and cruel.

"I didn't have to do anything besides show her attention." She scoffs. "You were always so high-strung and busy because of work. You had something so beautiful within your grasp and you chose your little Vaqueros."

"Lying bitch." He barks. Taking an aggressive step forward. "Are you hurting her? Threatening her?" 

Valeria scowls at the accusation. She's wicked and vile but she'd never hurt you. Not even unintentionally like Alejandro has. "I haven't." She snaps. "She's at home - our home, probably curled up in bed. Maybe she's baking something." Valeria shrugs, putting on a show of casualty. "She loves to cook for me. After a long day I get to return home to a warm meal, not something you can relate to."

Rudolfo shakes his head. This isn't going where they want it to. Time is ticking, much like the three bombs she's sent to Chicago.

"I'm going to kill you." Alejandro promises. Eyes wide with anger. "After they've gotten their use out of you, I'm going to put a fucking bullet through your head, Valeria."

"Alejandro-"

"You're not a very good leader if you couldn't even keep your own girlfriend." Valeria sneers. Goading him on. She's not scared of him at all. She leans against her chair, lips curled into a smirk. "You weren't very good at leading in bed either." She coos. "You won't believe the sounds she makes, I have her screaming my name every fucking night-"

Faster than anyone can react Alejandro is on her. Not holding back as he punches her hard in the jaw. The force sends her and the chair toppling over. Blinding her with pain. Not enough for her to not fight back. She slams her fist into his nose, feeling a spray of blood and hearing a satisfying crunch. 

Valeria's blood is fizzing with adrenaline and excitement. Unfortunately, the fight is cut short as the two are pulled apart. Alejandro left struggling and yelling in the grips of Ghost and Rudolfo.

"You're over." Alejandro hisses viscerally. 'Do you hear me? I'm going to get you. I'm going to fucking get you."

Valeria can feel a bruise forming in her jaw. You'll ask what happened and kiss it better when you see it. Alejandro has no one to worry over his injuries but himself. Valeria wants to keep fighting until only one of them is left standing but that will have to come another day. She rubs her jaw. Another day.

"You hit like a pussy." She growls, angry and wound up. Valeria is forced back into the chair. The time for games is over. Valeria hands over the information they seek with as much contempt as she can produce in her five-foot-six body. A storm is steadily rumbling in the distance. Its growls audible through the walls. An omen of what's to come.

[zelda-of-hyrule-tloz]

Why the "Prime Energy?"

In Echoes of Wisdom, we encounter the Triforce for the first time in a long time (in its usual state, anyway). But something that stood out to me (and a lot of people, I'm sure) was the title it went by: The Prime Energy. It's not something we've heard before, so we have to wonder: why? I obviously can't give a "canon" answer, but I do have some ideas.

Energy in Echoes of Wisdom

Throughout EoW, we collect little blue crystalline shapes called "energy." This replenishes the gauge that allows Zelda to use her swordfighter form. These crystals are found throughout the Still World and appear tied to Might Crystals, which also appear from the rifts (but only when they close). We use them to upgrade the sword and bow themselves.

There are two safe assumptions we can make about Energy:

Might Crystals are the "purified" form of energy or something close to it (its resemblance to bismuth "crystals" seems to hammer in this implication).

"Energy" is the essence we see Null consume in Din's tale. It appears on its own even before land and sky are built around it. Because of this and the association to might and vitality, this essence must be that of life itself. (Perhaps Zelda's role as a Priestess is what allows her to use this energy in its raw form and gain that supernatural state, unlike Link?)

▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎

How may the Triforce relate to this idea of energy?

We know that Din, Nayru, and Farore go on to create the land of Hyrule (or what would become MANY Hyrules over time) to seal Null and prevent its destruction of all life. In A Link to the Past, Ocarina of Time, and Skyward Sword, we are told the Triforce is left behind in the wake of this world's creation (creation over the void, in the context of EoW).

We also know that the Triforce has dominion over said world and beyond, being able to shape realms by its wish-granting and power-giving abilities. Hence, the idea of "prime." And, in Lorule of A Link Between Worlds, we can see just how much the rest of the world depends on the Triforce's existence for its energy to be sustained.

The Triforce has the ability to judge those who use it (even going as far as to prevent deities from using it) and its essence speaks to Link in ALttP. Although it may not be "alive" in the same way most mortal characters are in the series, it has a will. This will knows not of good and evil, only of the traits each piece is meant to embody.

It's also worth noting that the Tris are tied to the idea of threes, and they are the idea of "existence" to Null's "nothingness." They reinforce the idea of the Triforce's embodiment of "being."

The "Prime Energy" is the Triforce's true name and original state - its intended title. "Then," You may ask, "Why have we called it the Triforce up until this point?"

▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎

Why the Triforce?

It is after the three leave that Hylia is brought into existence with the sole purpose of protecting the Prime Energy. But there's an important detail many overlook:

Hylia doesn't know the purpose of the Triforce.

Not fully, anyway.

Yes, Hylia knows how it works - her whole plan to defeat Demise revolves around it - but she still has questions. Even with all of her memories restored, the first Zelda states that she doesn't know why the Triforce was left behind. She guesses that it was to give the people of the world Hope (perhaps even against world-destroying entities like Null, should he break free...). Even then, it's only a guess.

Doesn't it stand to reason, then, that she wasn't even given its name? After all, she was only created to understand and protect the golden power; perhaps even as an "extension" of its being, given her often implied powers over light and time magic (but that's just a personal headcanon). Perhaps "Triforce" is simply what she took to calling it, as she still could recognize that it was something beyond the nature of the mortal world. (Also, I see it reasonable that she could see Tris - she probably saw them patching rifts and drew a connection between them, which influenced the name).

And, in the thousands of years to follow, wars become waged over the Prime Energy as it is understood only as a relic: a relic meant to give ultimate power to the one who touches it.

▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎

Conclusion

The Prime Energy is the true name of the Triforce, and it is the core to the many realms of Hyrule. Its nature has been misunderstood by many throughout its existence, but none of these ideas are truly false; it holds dominion over time and space while simultaneously keeping it together. It is an essence of the very concept of "life," and as such holds a sort of "will" of its own. It is the ultimate state of the Energy we see everywhere else in Echoes of Wisdom, and Hylia may not be far off - despite being a neutral force that begins and ends wars, it may just be personification of the idea that life will prevail. Although the worlds in this franchise may be scorched and healed, they are never meant to fade into nothingness like Lorule once verged. They are simply meant to be.

▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎▪︎

to those who may have scrolled to the bottom because this is unnecessarily long, it's basically just what its name was supposed to be when the three created it but then they just sort of forgot to tell hylia that or anything else lol. also it may just be a personification of existence like the fittingly-named tris.

I love love love solving little Zelda lore puzzles, I may do this again. :) I just HAD to lore dump when a friend asked me about it

[northlt03]

NEED TO RANT ABT THE SURGE IN BUCKTOMMYS!! No one I know irl watches this show so this is the only place I can talk about it. I see so many people hailing the queer ship and calling the breakup biphobic/ homophobic. MIND YOU THERE'S A HAPPY LESBIAN COUPLE WITH TWO KIDS IN THE SHOW!!!

Also, they never really addressed Tommy's problematic past and when asked about it in an interview, the actor said that Tommy (at the ripe young age of his 30s) was spewing sexism as a joke!!??? And didn't realize women could do the job (I saw this in a ss on a different post, excuse me if it's not real btw). Not to mention the racism when Hen and Chim first joined the 118.

I understand there are other characters who have done bad stuff, Buck cheating, Eddie cheating, Hen cheating, Bobby with the fire, but we had whole arcs of them being apologetic and guilty about it and realizing their mistake before ultimately working to be better people!!!

Tommy's past on the other hand is never even mentioned and in this episode they're trying to frame him as a queer hero.

MIND YOU he dated Abby in like 2015-ish and led her on for months if not years.

Am I disappointed in the episode? Not a lot, I love Eddie's dance, him being able to be happy, the talk with the priest, Eddie in a tank top, Madney being pregnant, Bobby Nash just existing and Maddie being an absolute icon as always.

What I don't like is Josh's speech. I'm sure he doesn't know about Tommy's past, but this was a conscious choice from the show runners to paint Tommy as a queer hero who's been through so much. Girl.

ALSO CALLING OLIVER STARK BIPHOBIC?? HAVE YALL LOST YOUR DAMN MINDS?

BUCK HAS FUCKED BEFORE!! HE USED TO BE A SLUT!!! OR DID YOU MORONS FORGET BUCK 1.0??? HIM BEING OPEN TO EXPLORE IS THE MOST IN CHARACTER THING.

#LETBUCKFUCK

He's just a bisexual who happens to be a slut!!! He's not perpetuating the "bisexuals cheat" thing.

ANYWAY i just needed to rant idk i don't like Tommy, he's always been weird, calling Buck "Evan" when he told his PARENTS to call him Buck because everyone important to him does so. The only time Tommy does call him Buck is when he's leaving (GOOD RIDDANCE).

Not to mention, how are you dating someone for half a year and don't know they don't like basketball????

They let him go too easy idk.

Kinda off topic and delusional, but I genuinely thought Buddie would kiss when Buck shows up at his place SDFGHJKL

[endless-ineffabilities]

be young, be dope, be proud

dynasty heir Aemond x heiress reader

a/n: randomly and carelessly drafted after a night out, so don't even ask me what this is. I feel like the setting here is an acquired taste. so, enjoy? 💁🏼‍♀️🤍

themes/warnings: spoiled rich assholes, New York/modern references, language, clichés galore, Targs are like the Kennedys if that whole family was pure evil and Rep, SMUT, angst between brats who clearly want each other, also—you're kind of a hypocrite

main masterlist

The estate reeks with old money: marble columns, ancestral portraits, and a long dining table loaded with crystal and silver. Chandeliers try to warm the place, but it's all cold opulence. Outside, the gardens are cut and tamed to show that even nature has a price.

Your father always brings the family along to stately dinners up there in Westchester, with the usual crowd in attendance—the Targaryens, the Velaryons, the Lannisters—the whole lot.

Between them, they could probably purchase every building in Manhattan without creating a single dent in the bank.

Hell, maybe they already have. Generational wealth truly is the gift that keeps on giving.

You've tried to distance yourself from it. From people whose words drip poisoned honey and condescension. Being waited on like new order royalty.

But who are you to talk, when your father's lineage traces back to the fucking Mayflower? You and them are one and the same—filthy rich and borderline insane.

It is nearly impossible to maintain a steady sense of self, to have ample room for personal growth, when everything, every single thing, is handed to you on a silver platter. There is no tension there, no struggle, no need to exert any effort.

Failed your courses? Your father donates a building to the university. Aemond gets several DUIs? His great-uncle is a Supreme Court Justice. Aegon nearly burns his friend's house down while throwing a bacchanal-themed party? Let's just say that friend is grounded. For a week. Oh, the horror. Their family had many other estates, in many other places anyway.

When there are no real repercussions to your actions, you will feel like you can do just about whatever you want.

Burn the world down, for all you care. You can just buy a new, better one.

Granted, not everyone in your circle is an entitled egotist. There's Helaena, who strangely enough, does not possess a single self-important bone in her body, unlike her aforementioned brothers. Jace, who spends most of his time getting involved in political activism, for the side that his magnate grandfather Viserys steadfastly opposes.

You'd always sit beside either of them in these dinners, for the sake of your sanity. Unfortunately, Aemond and Aegon are never far. Especially Aemond—who occassionally stares you down as he sits across the table. Aegon, seated to his left, whistles at you. "Hey. Hey so... are you still slumming it with the art crowd?"

"I'm sorry?" You narrow your eyes at him. He didn't even say hello or mind if I cut in? as Jace was telling you about attending the DNC rally.

Aemond watches you again, so closely it raises goosebumps along your arms. He's been stealing glances at you ever since you arrived with your family. And you've been openly shooting glares at him when you sense it. Him and that steely one-eyed gaze of his always gets under your skin.

Aegon sneers, and you think how it's so in character of him. "You still live in Brooklyn? Cosplaying as a normie?"

"Fuck off, Aegon."

You've been living in Brooklyn for the past year, trying to finish up your Masters from Barnard. You would never hear the end of how this is the most redundant and useless thing, especially from people like Aegon. It does seem contrived, daddy's little heiress playing at being a scholar at Columbia, but at least you are doing something.

Besides, you have no desire to take over your family's empire. If anything, you want to branch out, maybe take on Jace's proposal on starting a charity foundation together.

"Aegon! Do you know how messed up that sounds?" Jace comes to your rescue, but you know it'll be for nought. Aegon's brain is too warped, too silver-spoonfed, to recognise his folly. You used to feel sympathy for the guy—this life is all he's ever known, and it isn't as if the adults around him ever set a good example, so can you blame him?

Used to. Now, he just annoys you. You grew up the same, but you are not like him, aren't you? So did Hel and Jace. So did Aemond. And Aemond, while still an asshole, is at least someone you can tolerate. He's vicious when it comes to his ambition, but he's genuinely smart.

He's cold and aloof, but he is also capable of tenderness.

You would never readily admit to anyone how you know this about him.

And he's staring you down, once again. You immediately know it's him when you feel someone nudge your shin under the table.

You eye him warily. What do you want?

He raises his eyebrows. Nothing. Just missed you.

At least that's what you're picking up from him. Why wouldn't he miss you? You're probably the best thing in his life right now. He should be so grateful you're still giving him the time of day, especially after everything he's done.

Aemond nods ever so subtly, the gesture meant for only you. You already know what he's getting at, but you don't feel like caving just yet.

It's another long moment of tuning in and out of your conversation with Jace, but Aemond's unspoken question lingers. When you deign to look at him again, he tilts his head the side. Let's go.

He knows to leave first, and he stands and excuses himself from the table. Barely anyone gives him any mind, the adults debating passionately at the farther end.

You wait one whole minute, your heels tapping impatiently under the table. Then you follow suit.

"I need some air. Might have a smoke or something," you mumble to Jace. He wouldn't want to tag along, the scrunch of his face revealing how much he loathes the habit.

"Just the one," he tuts, raising a finger.

You roll your eyes fondly. "Okay, dad."

Aemond has just lit a cigarette when he hears you come in. The door to the private library lets out a tiny creak then shuts without a sound. He faces the window, his back to you. But he knows it's you. He can almost hear the derision in your exhale. A hint of your unmistakeable Guerlain scent is present in the room.

When you draw closer, he sees the ghost of your reflection on the glass, a mirage perched atop his shoulder. He thinks of the age-old visual of having an angel and a devil on either side. You would be the angel, and the devil... would probably be his own self.

The side he fights to keep buried. He knows you see it, and hate it, but you want him anyway. You let him have you anyway. And these stolen moments with you are the only times when he is truly free.

Without a word, he offers a cigarette to you, his hand moving with a smooth, practiced form that makes it feel like he's not just offering you a smoke but issuing a silent challenge. He lifts his lighter, an intricate, expensive thing engraved with his family crest, flicking it open with a soft metallic click, then holding the flame steady as you lean in.

He can't help but admire how beautiful you are as the glow illuminates your face.

"Do you ever get bored?" you sneer, folding your arms as you lean against a shelf. "Sitting there all night with that smug, 'yes, I agree with all of this' look while your family drones on about the 'sanctity of tradition.' Like a good little heir."

Aemond raises an eyebrow, barely looking up from his cigarette as he takes a drag. You sure have a habit of getting right down to business. "Funny," he replies smoothly. "For someone who 'hates' tradition, you play the part of Daddy's obedient little princess pretty well. I saw you batting your eyes at every gray-haired councilman at that table."

"Oh, please." You roll her eyes, heat flaring in your cheeks, though whether from anger or the way his gaze always seems to pin you in place, despite your best efforts, you can't say. "I'm not doing it because I like it. I don't sit there pretending I'm better than the rest of the world."

"You don't?" He cocks his head, his lips quirking into a wry, infuriating smirk. "Could’ve fooled me, princess. All I ever hear from you in these dinners 'Oh, absolutely' and 'Oh, that's so interesting'—like you'd just die if they didn't think you cared."

"Wow, okay, says the guy who spent twenty minutes nodding along while they debated the tax breaks for HNWIs. Planning to cut yourself some more slack there, hotshot?" You take a quick, sharp puff, the smoke billowing out of your lips as you continue your tirade. "You're a damn statue, Aemond. Most of the time, you don't even say a word, and yet somehow you sit there looking like everyone should be grateful you graced them with your presence."

He takes a step closer, and his voice drops. This is something only you can do—you get to him, you hit him where it matters. Or, you're the only one he allows the privilege of doing so. "And you hate it, don't you? You hate that I don't care what they think. That I'm not actually here to impress anyone."

Your laugh comes out bitter. "Please. You don't care because you're so convinced they already think you're perfect. You don't have to impress anyone because you're Aemond Targaryen, right? The perfect heir to a glowing legacy."

"Better that than playing the poor, tortured rebel." He's so close you can count the facets of the sapphire in his socket, a dangerous gleam flashing behind them—another outlandish, excessive thing only a billionaire's son would think to do. "At least I'm not pretending I want to burn it all down while running around in the same circles as everyone else. Tell me, do you actually care about the policies Jacaerys painstakingly explains to you? Or is it all just for show?"

"You don't know me, Aemond."

"Oh, but I do. In fact, I think I'm the only one who knows the real you."

You clench your jaw, craning your neck up to look at him. How ironic that he literally has to look down on you too. "Unlike you, I actually feel something about all this. You sit there like you're above it all, and it's pathetic."

"Pathetic?" He lets out a low, humorless laugh. "You want to talk about pathetic? The only thing pathetic is you standing there acting like a revolutionary when you're just like the rest of us."

"At least I want to get out. At least I want to make a goddamn difference and—"

"Then do it," he says, his tone mocking, as he leans in closer, his breath warm against your face. "Get out. Run off, make your big escape. Show everyone how different and special you are, princess."

"Oh, right," you shoot back, trying to regain some of your moxie after his unexpected retort. "And leave you to taint my image after then?"

He scoffs, the gesture dismissive, almost cruel. "You wouldn't be here if you actually had the guts to go through with it."

Aemond may be a pretentious asshole, but he's right, and you know it. "You know what, Aemond? What if... I tell you that I like it. The power, the status, all of it. Is that what you want to hear?"

He smirks. "You'd be adrift without it. You'd be lost without all this to complain about." His gaze drops to your mouth, as if he could already guess exactly how a rendezvous like this is going to end.

How it always ends.

You feel your breath hitch, your pulse racing even as you grit your teeth against the draw of him.

"Don't look at me like that," you snap, trying to keep the upper hand. You should leave. You know this, know you should storm out and leave him here with that damn arrogant smirk on his face.

Call it a truce, and do it all over again next time.

"What's wrong? Afraid you'll do something you'll regret?"

The challenge in his tone has you seething, heat blazing up your neck. "You're insufferable, you know that?” You try to sound as furious as you feel, but your voice wavers, and the corner of his mouth tilts in a dark, smug smile.

"Then leave, princess." His eyes flash, daring you, mocking you, yet he doesn't move back. "Go on. Show me that strength you keep talking about."

The words are meant to push you away, to test how much you can take, but they do something else instead. They push you over the edge, sending you surging forward before you even know what you're doing, fisting the front of his pristine shirt and yanking him down to you.

Your mouth meets his, all anger and fire, biting at his lips as he smirks against you, welcoming the aggression. His hands find your waist, pawing at your gown, pushing you back until you stumble against the bookshelf.

You try to hold onto the anger, to use it to keep yourself in control, but the way he kisses you—rough, possessive, familiar, with a hunger that seems to match yours—makes it impossible. His hands slip to your hips, fingers digging into you with a desire that you both pretend doesn't exist anywhere but here, in the dark corners of your little meeting places.

"Stop," you gasp for breath, pulling away for just a second, trying to steady yourself, but he follows, his mouth trailing down your jaw to your neck, biting down just enough to make you groan.

His fingers slip beneath the slit of your dress, finding bare skin. "Then tell me you don't want this."

Your head tilts back involuntarily, the blissed hitches in your breath becoming frequent. You should tell him to stop, but the words never come, not with his fingers tracing up your thigh, the pressure of his lean body against yours, the electric shiver that races through you as his mouth tongue dances with your own.

You give in, letting your anger melt into something messier, something that's been building between you both for so long you don't know how to unravel it. Your hands move to his white-blonde hair, pulling him closer. His hand slips higher, while the other is braced against the bookshelf behind you.

There's nothing careful about it—gone are the dynasty heirs who are unfailingly curated and perfect and genteel in the public eye. It's all frantic, hands grabbing, mouths clashing, neither of you willing to let the other take control but both of you giving in to the heat. He yanks your dress up, lifting you and positioning himself between your legs, his breathing rough as he makes quick work of his belt. Then he lets his trousers and underwear drop halfway down his thighs, and his cock springs free, pressing on the draped material of your gown, which you hurriedly bunch to the side.

It's like a sick power play when he takes two fingers and plunges them past your soaked entrance, right to his knuckles. All without breaking eye contact.

But neither has the upper hand. You and Aemond are one and the same.

"Seems like you're ready for me, princess."

"Mhmm, aghh—" He hooks his fingers inside you, hitting that damned spot. "Just fuck me already."

And when he does, his cock practically propping you up against the bookshelf, it's fast, chaotic, your movements nothing short of needy and desperate, as if you're both trying to prove something to the other. You don't care about the priceless first-edition books that rattle precariously behind you, nor about the way his fingers dig into your flesh that guarantee bruises that will show tomorrow. Right now, you're past caring, past pretending that you actually ever cared about anyone but yourself.

And maybe... Aemond.

His groans come out unrestrained against your neck, his tongue flicking over the droplets of sweat, as if he can't bear you being any less than perfect.

Only he can taint you, only he can see you broken in and fucked out like this, your lipstick smeared to the side of your mouth. That same shade of rouge littering his cheek, his jaw, the collar of his shirt.

No words are exchanged, as if they've been used up in your twisted version of foreplay from earlier.

All he offers is, "Fuck, baby, I'm close," as his hips continue in its assault, his hands buried in the softness of your arse, keeping you in place.

"So am I," you counter.

He falls apart inside you, his cock sputtering while lodged deep in your clenched walls. The near-animalistic growl he lets out brings you to your climax, your forehead falling against his as your entire body is rendered limp in his arms.

When you finally pull away, flushed, your heart still racing, he looks at you with that same arrogant smirk, and you can't help but feel the distaste rising back up.

"Still think I don't know you?" he murmurs, smug satisfaction written all over his face.

You glare at him, pulling your dress back down, refusing to let him have the last word even as his expression uncharacteristically softens as he gazes at you, making you want to pull him close and kiss him again. Gentler, this time.

"This can't happen again," you force out your usual lie.

"That's what you said last time, princess."

Vhagar taglist: @kravitzwhore @litchifaerie @g-cf2020 @notsurewhattocallthisblog8888 @noxytopy @fan-goddess @m00n5t0n3 @diannnnsss @nsr-15 @the-awkward-barbie @rockstwrsz @yellowstonebaby @urdeftonesgrrrl @eddieslut69 @callsigncrushx @starwarsdinosaur @qweq-6802 @tulips2715 @joyismm @just-mj-or-not @crystal-siren @all-for-aemond @alokaaaaa @vhwyrm @purpleskiesandroses @technicallystrangereview @jjkysnk @inesdiary96 @weirdblob21 @lonelyladyghost @tssf-imagines @nurtargaryen @paula-lkr @queenofshinigamis @breezyjin @empfm @amanda08319 @unrealwinchester @optimizche @seamaiden @spoffyos @subliiminals @believeinthefireflies95 @ex0tic-vgh @anukulee @mrsmunson-harrington @romyfe06

[ficandkaboodle]

Okay but after making my whole summary of Gonst character breakdowns, it’s got me wondering more than before: Would Copia have turned out any better if Sister had kept him and raised him herself?? (Warning: This post is long by way of me meandering)

I’m just talking rubber duck debugging-style here, I’m not expecting to or even necessarily hoping to come to any kind of fixed conclusion. But Cardi’s current tendencies are absolutely a product of how he grew up: He craves attention, he depends heavily on more decidedly childish activities and comforts, he is socially awkward as balls.

So obviously things would be different if he’d been brought up by Sister. But how different? And would that have been any better for Copia’s sense of self-worth or how he interacts with the world?

Personally, I think no. If anything, in a really sad and arguably disturbing way, how things turned out might’ve been the lesser of two evils. Still a fucked up evil, but the somewhat more survivable one.

In spite of everything she’s said and done, Sister Imperator did love Copia. She just expressed it in a way that wasn’t exactly conducive to his anxieties or just overall respect for him as an adult with needs, sensitivities, and the complexities that come with having the life he’d had. She loved him, but she loved him in a way that aligned with her mannerisms.

We don’t know Sister’s story. We likely never will, at least not in full. But it’s safe to assume that if Sister wasn’t born into the Church, she was definitely brought to it at a defining age and was either bred to or was deemed competent enough to lead it as Imperator. As a result, the Church and its goals became her mission. She might not have started it, but it was her first baby. The irony being that by dedicating herself as staunchly and one-track-minded as she did, she neglected to celebrate it as humanely as she could beyond perhaps just the lust-indulgence.

I will be the first to admit I know virtually nothing about Satanism. But…I dunno, most of the Emeriti (save Primo) seem to be on a similar page on how to interact with their faith: Secondo celebrates indulgence, Terzo embraces the importance of the self and being your own ruler while also being kind to others, and Copia would end rituals reminding people to do both. Sister stands out in that she’s more focused on all work, very little play. As a result, most of what we see of her comes off as very bureaucratic. Business-minded. She’s always thinking of how to keep the Church from fading into obscurity.

As a result of how many of her decisions seem to always have a thread tying back to the Church's well-being, I'd dare say this means more personal decisions tend to be a bit more . . . I wouldn't say "impulsive", but they certainly aren't running on all cylinders if you get what I'm saying.

At any rate, I wouldn't necessarily say the business-mindedness disrupts any maternal instinct in her per se. It could be. But honestly, I don’t think Sister is necessarily cut out for motherhood by nature. And that’s okay! Not every person is meant to be a parent, and AFAB women especially bear the brunt of criticism when they don’t display motherly affection or instinct. Even if she wanted to be more present, I don’t think her mindset would have allowed it to be as easy. And y’all, motherhood is hard enough on its own and under normal circumstances.

Bureaucracy suits Sister because she wants to be there.

What I find interesting is that Sister carried Copia and his twin to term when she didn't have to. So some part of her probably did want to have children. Or maybe she went into it recognizing the importance of having heirs: Legacy is a recurring theme in Ghost's characterization, even if some characters wind up misusing or misunderstanding it.

Ultimately, though, she gave them up and kept her distance except for in the one way she understood how to interact with people: Bureaucratically. And Copia responded to it well (probably because, I dunno, he didn't even know they were blood-related).

Regardless, I think that in a way, the fact this was met positively assured Sister that this was a proper way to go in a sense.

In a way, her giving Cardi the antipapacy is her trying to be a good mother and give him a gift. Yeah, it's a gift coming 50-something years late but the intention was there, I guess. However, it comes at the cost of having his brothers offed to assure no radicalism. Copia doesn’t seem to mind (or at least isn’t written to) but the fact still stands: That’s fucked up, Sister, you can’t go around killing your child’s half-brothers to get him the job.

So now this leads me back to the question I posited earlier: How would things have been different if Sister had decided to keep Copia? Well . . .

I think, had Sister raised Copia herself, Copia would've turned out . . . worse.

He would have likely been more “confident”, but it would’ve been horrifically twisted in and of itself. He’d grow up knowing he was part of the Imperator line (or simply known as Sister Imperator's son at the very least) and that would probably make him feel entitled. He’s essentially a little satanic prince, nobody can tell him no. Nobody who wants to live, anyway.

But he’d also be incredibly lonely. Like, more so than he already is. He may not have friends in the canon but he does have admirers who are drawn to him for his kindness and his willingness to be a bit of a goof. He'd probably be much more depressed than Canon Copia is implied to have familiarity with, and probably sucks even harder at dealing with it. He doesn't have anyone to confide in, and I think he'd never want anyone to know his vulnerabilities because he's the goddamn Imperator's son.

I think in the Copia Imperator timeline, he’d have “friends” but it’s mostly just for clout and/or fear. They're Yes Men he has orgies with essentially and carts around on the Ministry Black Card. He doesn’t have much appeal because he’s a manchild but in an extremely bratty way.

The charm we get from Canon Copia's childish tendencies are completely gone because Canon Copia's antics are the result of coping mechanisms mixed with a mother that coddles him because she doesn't trust him as an adult or see him as much beyond the baby she gave up. In the Copia Imperator timeline, he'd be enabled and probably not given very much reason to be a better person or mature.

Also, he’d probably be more down to kill. I know it's easy to assume this because bratty manchild with power frequently equals a lack of respect for life, but I also think him watching Mommy have people killed off for convenience would have put into his head that he can do the same. Only when Sister does it, it's for the "good" of the Church. If Copia does it, it's probably because he feels that person wronged him. Even if he still had some goofy traits, he’d be reluctant to display them and take anyone witnessing them as slights.

And given Sister’s penchant for putting work above all else, yeah, I think she’d hire nannies. Which wouldn’t likely be conducive to their relationship, so he becomes desperate for her attention and tries to be more like her. He still has Cardi’s mindset that if he does this thing right, he’ll be loved but I think in a weird way, he’d be more cutthroat about it. Probably because he witnessed his mother do the same up close (or as close as he can get from an emotionally and sometimes physically distant mother).

Which means there's probably a huge possibility that, in this timeline, he's more likely to be directly responsible for Papas 1-3s' deaths.

But I dunno, that's just my onion.

We don't know why Copia is as decent as he is, though. We can't say for sure if it's a nature vs nurture thing because as much as we can try and piece things together, we ultimately know nothing of his life growing up. We don't know if he'd been raised by or had a very kind adult in his life, or if he tried being mean and just frankly didn't like it. We don't know if anything from being raised as an orphan impacted his empathy or sympathy.

So obviously, this is all just what I puzzled together from traits of Sister's and how they might translate into motherhood as done by her, and what traits could therefore emerge in her child. How close to the mark I hit is subjective because that's fanon/speculation, baby.

(Though I think there's quite a few of you out there who would've probably loved to have seen Copia acting in this manner.)

Would Sister "raising" Copia have made for a more interesting storyline? Possibly. But as a person, Copia's probably better off this way. Which is depressing considering it's still left him spending most of his life not knowing who his parents were; likely developing a conviction that he's only as good as what he can succeed at; developing thanatophobia in connection to his need to be successful; and also having to recognize that his mother had his half-brothers killed off both to assure his ascendancy and to turn a profit.

Suffice it to say, no one is well. But at least he turned out cute, right?

TL;DR: Sister's focus on the Church and probable incompatibility with a particularly affectionate motherhood affects her relationship in the canon timeline. If she'd kept Copia, he might've turned out worse as a person -- and probably have left him to nannies anyway. This was probably the best possible outcome that could be made based on her poor communication and decision-making when it comes to things outside of her faith.

But that's just my opinion, I could very well be wrong lol

[thingsidrawgohere]

I just finished my first run of DA4 and let me say- I probably got my money's worth. If one wants to view the experience via a purely mercantile lens. I found many bits of cheese and touched the insides of many angry creatures. But if one wishes to frame the thing as Art- Hell, if one wants to solely discuss it as the Fourth in a series of lore-dense, narrative RPGs, then, Cousin, We've Got Problems. Three interconnected niggling ideas that kinda all lead to the conclusion- for me, at least- that modern design practices simply do not trust the player. News flash, right?

Anyways, I think I'm going to have some thoughts on this subject to avoid other thoughts, thank you.

Full-Throated Spoilers Beyond. And a lot of them. It's long.

Idea 1: DA2 is my favorite of the series. That's not the problem; it's the setup. I know what I'm about and it's interesting characters interacting over time. Flawed characters. Abrasive, opinionated, STUPID ASS ANDERS characters. The story was scaled well for a handful of total losers and it was political. The most humanly political of all the games, I think. That's a very low bar, particularly for AAA, but it felt better to stand in a street, to be personally effected by events, than to look at a literal map of icons and notes and distant decisions as in DA3. It's important, I think, for DA to be about Being, Getting Dirty. You aren't a king. You shouldn't be.

Side Note 1: DA2 is a fucking miracle. The old gag that FO New Vegas, blessed be, was made in 18 months is trotted out to display Can-Do Attitude and DEEPLY unethical labor practices. DA2 got less time, fewer reusable assets (due to a different art style), and had to rebuild most of the engine. A. Miracle.

DA4, on the other hand, has a series of supportive, well-adapted people who have all worked very hard on themselves in therapy and know all the fucking right words to say. They chat with one another with kindness and sober fondness. In the One Instance of interpersonal friction, it is resolved with grace and speed. I find this Horrid. They fucking forgot to give these people negative traits. It's likability slurry. They experience no hard growth, hold no horseshit ideas, suffer no lingering doubts. It's not only unnatural but it's lifeless. It becomes Written. I can see the fucking author waving at me. I've got a note from my run that reads 'Rook told the man who is forcibly living inside his head "Thank you sharing that" and I want to scream.'

And that would be bad enough except the ideas are there. You've got a reluctant father story. Someone trapped between two cultures. A older man, already terrified of aging, of death, taking a Much Younger lover. That's Fucking Meat. I can see the writers straining against something but what they deliver is still person-shaped missed opportunities that repeat, that repeat, that repeat. It's So Frustrating. There's flashes of Good Writing. Of good character beats. But Also- from my notes, a character had just held her brother as he died, inexplicably for a second time, and Rook gives her a little pep talk that ends with him asking "You good?"

And the fucking woman says "I'm good" in response. She seemed to mean it.

How does one- react to that as a viewer? I told a man who wanted to be a lich more than anything to Not and he was cool with it. He never brought up being a lich again. He wasn't even upset. I let a man's city die and he's like I Get It, Bro. No Harsh Vibes. It rings hollow.

Talking over Solas' memories, collectively pulling out the meaning behind them- that was some of the best characters-interacting writing in the whole thing. And it's HOURS into the game. A shame.

Side Note 2: A lot of a loved-one death as motivation in this old refrigerator. If you get a name and one line, Oh Boy Brother, you are prolly gonna die bad. Lazy.

If I'm going to talk about Emmrich, let's talk about his romance. I honestly thought it was bugged. I Am playing through another run as a comparative but Wow. Larian and BG3 absolutely reconfigured what's acceptable in these types of story beats. This particular romance felt regressive, in a sense. Like a last minute addition. The very definition of love coins. No charisma or honest affection between the characters. Nothing allowed to percolate (more on that in a second). Just- now you are ROMANCED. Which means on the Blue Moon instance he has anything to say regarding being in a relationship, the best you can get is a 'dearest' at the end of a sentence. I was Excited by the idea of Emmrich really struggling with a May/December situation but he Doesn't. He has a few lines implying that he Could but it leads nowhere.

And they fuck in a coffin (???) and it's not even hot (!!!). Unforgivable. Double Unforgivable. I heard there was spice in this game? This is baking soda.

Related, a few lines awkwardly dodged the question of Emmrich's previous relationships and I have an inkling, without experiencing the other romances, that this is the world's largest case of gun-shy after the backlash with DA3's non-playersexual romances. This man can not be confirmed to be Anything but Into Rook, whatever they might be. There was also a throwaway line with Taash how she prefers women and that's as much as I saw of explicit preferences. I don't envy anyone trying to address the rabidity of fandom but it feels like unnecessary acrobatics.

Side Oh No: It's so bad that I'm honestly thinking of doing a fixit fic regarding the romance/character writing. And God, I can't right now. I have to finish my other project first.

Idea 2: The pacing. That's what ruins so much. There was a scene of a gnarled, fucked-up gate, torn from its hinges. And my guy says "Something Big must have torn apart that gate" all ominous, building a sense of- Nope. The very big darkspawn is standing ten feet away on the other side. I hadn't even swung the camera around the hall to see it before my guy goes "That big darkspawn must have torn apart the gate!"

Yes, I know there's an issue in open world games these days wherein devs are allergic to a player's millisecond of not knowing where to go but this feels applicable across the whole game. A problem isn't allowed to fester. It is brought to attention and then swiftly dealt with. If there's a locked door, a difficult decision, a feeling beyond Protestant determination, it will be dealt with, Post Fucking Haste. It's like the game doesn't trust the player to hold tension.

This happens not just in barks or small set pieces. Whole arcs work this way. Like Harding's longterm personal quest. She gets a handful of lines about feeling vaguely angry or perhaps thinking she Should be More angry about Lore Dump Retcon and then at her culmination, she's fighting her own anger. A vicious, hot, searing thing- and it wasn't earned. At all. There was room to telegraph this theme, bury it in the dirt to let grow roots. They didn't. One Line was given about her people pleasing tendencies And she's not really shown to be people pleasing to her own detriment. This is Chekhov's Gun in running shoes. It doesn't work. It feels like it comes out of left field.

Hell, there was a mission that was like SURVIVE IF YOU CAN and it was like- literally a long hallway. The Pacing is all Off.

Idea 3: I don't like that I must do this but DA4 doesn't understand its own flavor. The One Thing you Cannot Do is have Minrathous, the city of slaves and blood mages, seem nice. Particularly in the poor parts of town. You Cannot have the Crows be a lovely dovey band of scamps. You Cannot have the Blight be reversible. You Cannot CANNOT say "elves have it pretty good" as my Elvish Rook said with his face flaps. No. NO. You Cannot side-step the politics of this setting. These are the bones on which these characters are hung. To lessen the world is to lessen, to decomplexify them.

You know what my elf didn't hear in the town that canonically trades in bodies that look his? Knife ear. Eh to fantasy slurs but my point is no one said a cross word to my guy. The Qunari living in the town that had been warring with the Qunari for Centuries seemed totes fine. There were no alienages. There were no proper templars- even from other regions. No Mage Circles. No mage issues at all. Hardly anything whatsoever regarding the Chantry or Andrastianism, even as the game takes place in the Super Anti-Pope town. I had a literal demon-possessed man in my party and the world did not react.

I had a friend describe this Thedas as feeling smoothed out and Yeah. It feels like all the nasty bumps have been deemed undesirable. I don't know what to make of it. Is this simply taking the world in a different direction? Is it a mandate to tone down the unpleasantness, for sales? A shift in design ethos? Is this a sign of a very troubled project as it was with Andromeda?

I don't know. Is this still a Dragon Age game without its politics? There's enough here for me to wonder if Bioware is even Bioware anymore. There's a TREMENDOUS amount of work, of skill in DA4. Just Absurd. The environments are thick, Thicc. But work alone is not a virtue. Have we ship of Theseus'd so far that the people- the real people, not the logos- who have interests aligned with what made DA1 special are no longer there? Something went wrong with this project, narratively. Something I don't know how to fix without addressing basement level assumptions I'm clearly not privy to. I hope they can.

Final Thoughts: Game development is a fucking hole into which one pours one's relationships, time, and health, physical, mental both. It gives satisfaction very rarely. They shipped. In that way, huge success. It's not even, fundamentally, a 'bad game'. But it is a victim of a modern philosophy of pre-chewed ideas and player distrust. VGs are ultimately a business and, in these last few years, there's been a unimaginable devastation to the workers in the industry- even as the money flows ever upward. The desire to sell well has morphed into a NEED to sell well, even among the 'kept' studios. Big studios, Grand Dame Studios sitting on top of past critical and financial successes, been killed by their overlords recently. No one is safe. It's suddenly quite dangerous for large studios to make anything remotely niche, remotely unclear and Bioware has both Andromeda And Anthem under its belt. They're probably feeling the pinch. They needed a hit and hits, these days, are increasingly smooth. And DA4 is very smooth.

That's just my feeling on the matter. I'll see what a second run yields.

Smaller thoughts:

I don't care about the combat but that was- odd. The illusion of depth with all the skill trees and types of damage and subsystems of attack- all boiling down to a one button push. It's odd. I played rogue on PC so perhaps it's different for other classes, on console. But I pressed the button at the man and when I got a halo, I pressed another button and then pressed the first button again. No matter where I was on the skill tree, it never changed, never felt different. I don't know. It felt. Odd?

There was a Honest To God "It's quiet- Too quiet" and it just Happened. I would have pulled out every one of my teeth to avoid that. I get the jokey-okey but fuck, man.

Where's the chest hair? WHERE? Body hair? ANYTHING? Davrin has plastic chest. It's freaky.

Gloom Howler Gloom Howler Gloom Howler. Frankly, that whole storyline had a large gulg of the farcical. I laughed my ass entirely off when, upon her defeat, the Gloom Howler said "I'm sorry" and took a nap so hard that the scene wiped to 'some time later'. That was insane editing. PACING. And- naming. Gloom Howler. Gloom. Howler.

Teeth. Dear God, the teeth.

The devs were in a real pickle here, no doubt. My great sympathies. There's an Overwhelming abundance of world states that DA3 could have left on the board and I understand the balancing act between acknowledging the events of older games and staying generic enough DA4 could apply to All of them. Is Cassandra the White Divine? Or is Leliana? It's a nightmare of choices. Any of the people that Could be Divine can not be mentioned without lore issues. Who's on the throne in Orlais? Ferelden? Where's beloved so-and-so? Dorian canonically did return to Minrathous so he can 'safely' appear in game- but he fucking can't talk about Iron Bull, who may or may not be alive. Isabela canonically goes back to piracy but she can't talk about events in Kirkwall because she may not have been there for them. Oof. That's not a lot you are Allowed to acknowledge. The Poor Bastards.

Watched a braid slip off a person's shoulder, organically, as they were talking. Started at the bottom and look where we're at, technologically. And speaking on the technical, a lot of textures didn't load right. For the entire game, my guy's left shoulder armour thing had a much lower rez texture than the rest. Three hard crashes, which isn't the worst. One Wonderful mission wherein Lucanis' hair and his knives were the only bits of him to render.

I'm not touching the non-binary storyline. It was clunky, for sure, but the greatest sin was using Our words. There is canonical words for NGC/NB people in fiction and to not use them shows a fundamental distrust towards the source material and the players both. It's the linguistic version of the quest marker or the barks telling you where to go.

I still don't know how I feel about the dead Varric twist. Feels goofball but he got to hang out in his little pajamas. I wish I was in little pajamas.

Solas was pretty fucking tight but I think a lot of that was due to his VA. Something about the voice direction, in general, felt- flat? But old Solas was doing it good.

Ending. God, I get it. People are tired and satisfying endings are hard. And DLC exists, more cynically. But Hells Bells, I'm getting to the point wherein even the slideshow is annoying. Give me a fucking Ending to the Choice Game. Don't you fucking 'Spider-Man Will Return' at me, you bastard. I'm a child of fucking god.

Yes, I got the secret ending. I know. That was Also bullshit.

I feel better getting that all out of my system. Thank you for sharing that.

[carcingeneticist]

am I insane enough to answer all of this? possibly, anyway!

1. It was few years ago in 1st grade of highschool

2. I used to have an motivation to join fandoms that were conciderd cringe or were weird in some way

3. Yes I was in Undertale fandom before so I heard they have refrences to each other. Also I knew it from some infamous events from fandom

4. idk it's hard to say. I love this series and all and I love it's characters and analysing it but overall I'm not sure?

5. Well honestly yeah. It got me into thinking that everything we do might just be pre-planned and we can't do anything about it, which is my main philosophy I'm currently going with. So in some way it kinda influenced my spiritual believe (which is kinda insane ik).

6. Probably reading it for first time. I sometimes want to go back to this timeframe when during summer I've done nothing but just read Homestuck whole day, not knowing things ik about now.

7. OKAY SO HERE'S FUN BACKSTORY THAT HAPPENED THIS YEAR; I was waiting for a class on corridor when suddenly I hear someone talking about "something doing Karkat cosplay" AND I WAS SO TAKEN ABACK BY THIS FACT BECAUSE HOMESTUCK IN YEAR OF OUR LORD 2024???? I didn't had time to catch up with them and instead as any sane person about something which I'm totally am about Homestuck, I made ig story about hearing someone talking about Homestuck and Karkat specifically (and that I'm only one who can cosplay him jk). and it turned out that one of my mutals from school actually knows this person and I thought oh shit that's kinda embarrassing... but like nothing really happened for a while UNTIL WEEK LATER where I wait on same corridor for same class when I see a paper note on one of locker that strangely seem to reassemble Karkat drawing. I thought 'oh shit is that for me?' so I go up there and OH SHIT THAT WAS FOR ME; there was my name on it (although it's more important f my ig handle but yk) and there was infact Karkat drawn there. So I take this note and not only they drew Karkat and Nepeta BUT THEY ALSO MADE A TROLL SONA FOR ME WHICH WAS SO FUCKING WHOLESOME. so I contacted them later through ig and we talked for some time and bonded over our hatred for Vriska lol. anyway I actually met them for first time today (the day I'm typing it) and they are really coo, I showed them where the artist with Homestuck merch was :33

8. I READ IT FULL 2 TIMES!! (well second one was let's read Homestuck but still lol) but it took a while to read it for first time, I remember that for like 3 weeks of summer I were doing nothing but reading Homestuck.

9. KARKAT, KARKAT AND ONCE AGAIN KARKAT. MY BIGGEST KIN AND BLORBO I LOVE THIS GUY TO DEATH

10. Cal. just cal.

11. probably Gamzee but that's a common take i fear

12. common opinion number 2: Dave (but all of beta kids are great and I love them)

13. common opinion number 3: Dirk, but honestly he and Roxy fight in my head for this spot bcs I love them both sm (I actually love all Alpha kids as a group, they have such a great dynamic)

14. common opinion number 4: Karkat obv

15. Porrim is only dancestor I like.

16. Sufferer definitely, I love Jesus analogy with him and Karkat (but I fucking hate kankri).

17. honestly probably John's dad in beta timeline since he was only one who actually cared about his kid, but if we count alpha Dave then him

18. MAYOR. Common opinion number 5

19. Calliope she's honestly such a sweetheart

20: FEFETA JUSTICE!!! >:(( but I also love davepeta^2

21: Idk really!!! I think like I would get along with most characters (except the ones I don't like) but maybe like Roxy or Dirk? or overall Alpha kids actually lol. Also Nepeta would be really fun as a friend!!!

23: I think Terezis one; I love Karkat's because I would actually use that one irl but Terezi's quirk is not only fitting her but also creative in a way you could still read that. also >:?

24: Cronus because it's just Eridans quirk but worse

25: "ATTENTION WORTHLESS HUMAN, THIS IS YOUR GOD SPEAKING"

26. Dirk: Unite Synchronization

27: Heir of Grief easily, my Spotify stat shows that

28: I've been recently constantly listening Sweet - Trickster!Jane song by Phemedic!!! i love how it shows the sugar high as if it was real drugs and it's both sweet but creepy

29. Moonlight Tsundere/ I'm still here/ Calignous Waltz (there's a lot of good ones okay???)

30: One for the money by ikimaru (BUT THERE'S SO MANY GOOD ONES IT'S SO HARD TO CHOOSE ONE AUGHH)

31: I don't rly have one ://

32: YES!!! Okay so I thought about this a lot but 30/90 from Tick tick boom is literally about John/Karkat's birthday

33: Love in time of Juggalos by sburbanite - I CAN'T RECOMMEND THIS FANFIC ENOUGH, PLEASE IF YOU LIKE DAVEKAT AND REINCARNATION AU'S THIS IS LITERALLY BEST THING EVER PLEASE READ IT.

34: IKIMARU, IKIMARU AND ONCE AGAIN IKIMARU, I know they aren't in Homestuck fandom anymore and that's valid but their Homestuck art is so good, it's the most accurate depiction of characters I ever saw I swear. I love their art sm and their artstyle feels so comfy.

35: BET!! So Let's say Davekat would be more of out of quadrant relationship because obv, so then Aradia <3 Sollux, Roxy <> Dirk, John <3< Terezi (only potential healthy kismetitude we were shown) and Karkat o8< Jade o3< Karkat (this is stupidest shit ever and I love it)

36: A few but the one in my mind that stuck in the most is (obv) Karkat goes to convention

37: I spent some time of my life watching analysis videos of Homestuck characters so yeah obv

38. based on the adding your month to date of birth it would be Vriska and honestly no. Just no.

39. Karkat............. And Dirk (who said that??)

40: I DID KARKAT FEW TIMES (I did him yesterday from time of writing this) but I also want to do in future: Dirk, Dave, Gamzee, John and probably more

41: I would want to be derse but sadly I'm too prospit....

42: I hate both but between two bads i would choose meat

43: Fuck felt, make me a member of the midnight crew

44. RARE OPINION I THINK?? But alpha!!!

45. Red because of course

46. Canon, I'm sorry but i'm lore kind of Homestuck reader

47. Knight of heart!!! apparently it's popular classpect but I chose it for myself so it's mine

48. Knights outfit is honestly one of better god tiers designs ( - condom hood) and heart color palette is also one of nicer tho if I could I would change pants and boots.

49. ohh that's actually really interesting! my Homestuck sona color is red and I think it would be same for me (or it could be also hot pink honestly) and for quirk I'm pretty sure it would be same as I type casually (a lot of abbreviation, using mostly lower case and using u instead of you.) but I could also totally go Karkat typing mode.

50: Again same as my sona's; a scythe (or maybe like a kitchen knife)

51: I DON'T HAVE ONE YET!!!! OKAY BUT I CAN THINK OF SOMETHING QUICKLY; CascaderGame? that's stupid but whatever I said I'm just thinking of it as I'm typing.

52: Okay so my first one is definitely Dirk and Nepeta (I just think they would get along great!) also on that note; Karkat and Dirk since I think they would have really fun dynamic. Also John & Karkat since we waited on that for so long. and more interactions between Alpha and Beta kids!!!!

53: As I said earlier yes!!! I have kid Sona Ryan :DD

54: YESS!!! I'm currently in middle of making a whole session with my fantrolls and kids!!!

55: well yes as I said earlier lol

56: Do you mean as in I immediately think of Homestuck or my fav one? the one I almost always think about Homestuck is Zodiac; for me it doesn't exist anymore as just a concept, it's only Homestuck. Also typing quirks are very THE Homestuck refrence.

57: Probably some plushie in my room, I think throwing in my Rainbow dash plushie could be fun

58: I WOULD ABSOLUTELY, GIVE ME THE COPY RN

59: YES!!!! ABSOLUTELY I'M WINNING THIS SHIT.

60: Mostly fragments of it since I don't really care that much ://

61: again just fragments

62: Yep!

63: Yep!

64: I started playing it but honestly got bored since I don't really care all that much about Hiveswap characters :// (sorry!!)

65: yep

66: Actually no and I don't really care about it.

67: no and I also don't care

68: YESS!!! AND I LOVE IT SM!!!

69: nope

70: YES AND I THINK THERE'S FEW!!! So first of all definitely the plot since it's a common knowledge a lot of fans have problems with understanding it first read (but I understood it completely first read!!!! >:)) and second the characters and dynamics between them (because some of you are really missing a lot of points in them.............)

71: I would love to know more about earth C if it wasn't such a pile of hot garbage. Also the lives of alpha Dave and Rose, and Beta trolls on Beforus (I ACTUALLY REALLY WANT TO KNOW THIS ONE, LIKE PLEASE.)

72: I love how creative it can get and how insane it sometime is!!! I love seeing the fanarts and fanfics written by us (especially if the description of fanfic is just insane and it ends up being golden). Also I love all the other works like fansongs, animatics, fancomics, lyricstuck ect!!!! everything you create is great!!!!

73: I don't like some treatment of certain characters in fandom :// also i don't like how a lot of people are easy to just hate on certain ships (like Davekat was recently very hated on). I absolutely understand not liking all ships because I also have a lot of ships I dislike but there's no reason to publically hate? like at least do it privately ig

74: I forced my one friend to read it, so yes :33

75: I HAVE SOME STICKERS AND PINS I GOT AT CON FROM ARTIST ALLEY!!!! (ALSO MY KARKAT PLUSH IS INCOMING SO I'M WAITING FOR HIM >:334

76: ......*inhale* JANE DID NOTHING WRONG IN HOMESTUCK ABD THEY HAD NO RIGHT TURNING HER FASCIST AND RACIST IN EPILOGUES. I LOVE JANE AND I WILL ALWAYS DEFEND HER!!!!!!! MY JANE IS NOT A FASCIST!!!!!!

77: I said my popular opinions before lol

78: I HATE MOST OF DANCESTORS, I DON'T THINK THEY SHOULD EXIST AND BRING SOMETHING TO THE PLOT, AND ARANEA BIT WAS A FUCKING JOKE

79: oh god just one thing........ uhh Karkat and Sollux were moirails on Alternia up to the Murderstuck. there. (or I would make bro into fanon version of him because I fucking lol him)

80: JANE BEING FUCKING FASICT IN EPILOGUES.

81: I was recently watching con-air (yes because of Homestuck lol) and it reminded me of all scenes were John was roleplaying this movie and I think they were very funny lol

82: Vriska has such a great fucking design, I'm so sad she's such a 8itch. Also a lot of dancestors has cool designs

83: Maybe Aradia? since I started liking her after she god tiered. but besides that I don't think so, I liked most characters from beginning (or from beginning hated them)

84: There's few that are kinda under the rule: we were shown in canon they wouldn't work, but the biggest offender for that for me is Karkat x Nepeta... Because Karkat said canonically he wouldn't want to date her and shipping them together feels weird for me :// ig I feel similar way about Karezi. Also Rose or Kanaya with any men.

85: I'm not really a fan of neither if I'm honest lol. I prefer ships that have sense canon wise

86: On earth C the main cast is treated like gods and they can walk in into and restaurant or shop they want and get everything for free, because they are gods, who's going to tell them to pay money? (my favorite kind of hcs is just ignoring epilogues and creating my own earth C LMAO)

87: All of the let's read Homestuck voices are canon to me actually (well the first ones because they changed some of the voices later and they don't fit that well ://)

88: Intermission. Okay let me tell you something to intermission fans who tell you, you have to read it to be real Homestuck fan, no tf you don't. You can skip entire intermission and loose nothing.

89: I made few arts and I wrote some fics (but I have plans for a longer ones!!!)

90: OFC!!! I'm even celebration 612 and 11/11!!! (which is really soon so HAPPY 11/11!!!!!!)

91: Only Karkat's and John's/Jane's (Rest of kids have really weird birthdays tho, like why don't they get their special date and instead they are stacked on top of each other?)

92: I think the og hussies one when they are blobs without necks, I think it looks really silly and fun

93: MAKES TEREZI LOCO, SHE WANTS TO KNOW THE SECRETS THAT SHE CAN'T TASTE IN MY PHOTO. DYING JUST TO KNOW THE FLAVOUR, I AIN'T DOING HER NO FAVOR-

94: yes dead media from 2012 Tumblr XDD no but srs I think it did because I really crave media similar to Homestuck

95: I can't explain it well but I think south park? mostly probably because of kid focus and a lot of pop culture refrences (or a space that feels very closed of, especially in first seasons of South Park)

96: Because I have freeze reaction everytime I see something I could connect slightly to Homestuck (I can connect everything to Homestuck, I'm master at that)

97: when they are a loser stuck at home

98: Liblo sign of inescapable but I don't really relate to being a Libra so I prefer to think I'm Canlo sign of the thespian (even the description fits me more!!!!)

99: none

100: I'm heart bound, of course it will!!!! It's actually in top of my interests and definitely one of my favorite things!!!! :333

wow I'm finally done with this

Ultimate Homestuck ask game! (100 questions)

1. When did you start reading Homestuck?

2. What made you want to check it out?

3. Had you heard about Homestuck prior to reading it?

4. What does Homestuck mean to you?

5. Has Homestuck influenced you in any way?

6. What's your fondest Homestuck memory?

7. Have you meet friends through Homestuck?

8. How long did it take you to read Homestuck? Have you read it in its entirety?

9. Fave character? (overall)

10. Least fave character? (overall)

11. Fave "problematic" character?

12.  Fave beta kid?

13. Fave alpha kid?

14. Fave beta troll?

15. Fave dancestor?

16. Fave ancestor?

17. Fave guardian?

18. Fave carapacian?

19. Fave cherub?

20. Fave sprite?

21. A character you'd be friends with?

22. A character you wouldn't be friends with?

23. Fave quirk?

24. Least fave quirk?

25. Fave pesterlog?

26. Fave flash?

27. Fave song/songs?

28. Fave fan song?

29. Fave Broadway Homestuck song?

30. Fave lyricstuck?

31. Fave Homestuck AU?

32. Are there any non Homestuck songs that make you think about Homestuck?

33. Fave fanfic?

34. Fave Homestuck writer/fan artist?

35. Fave ship? (alternatively: fave ship in each quadrant?)

36. Have you read any fan adventures?

37. Have you watched any Homestuck video essays?

38. Who's your patron troll? And do you identify with them in any way?

39. What characters are most like you?

40. If you do cosplay, which Homestuck characters have you done or would like to do?

41. Prospit or Derse?

42. Meat or Candy?

43.  The Felt or The Midnight Crew?

44. Beta kids or alpha kids?

45. Red team or Blue team?

46. Canon or fanon?

47. What's your classpect?

48. Do you like your god tier or would you modify it to better suit your taste?

49. If you were in Homestuck, what would your color and typing quirk be?

50. Your strife specibus?

51. If you have one, what's your chumhandle?

52. What character interactions would you have liked to see/see more of?

53. Do you have a kidsona or trollsona?

54. Have you ever made fan kids or fan trolls?

55. Do you have any Homestuck OCs?

56. What's THE Homestuck reference for you?

57. Quick! You gotta prototype your kernel sprite, what are you dropping in there?

58. Would you play SBURB?

59. Do you think you'd win SBURB?

60. Have you read The Epilogues?

61. Have you read/are you reading Homestuck^2?

62. Have you played Pesterquest?

63. Have you played Hiveswap?

64. Have you played Friendsim?

65. Have you read the Intermission?

66. Have you read Problem Sleuth?

67. Have you read Jailbreak?

68. Have you read Paradox Space?

69. Have you read any of Hussie's other works?

70. What's an aspect of Homestuck you feel you know more about than the average Homestuck fan?

71. What's an aspect of Homestuck you'd like to know more about?

72. What's something you like about the fandom?

73. What's something you dislike about the fandom?

74.  Would you recommend Homestuck to new readers/friends?

75. Do you have any Homestuck memorabilia/merch? (official or not?)

76. A hot take or hill you'd gladly die on?

77. What are your popular opinions?

78. What are your unpopular opinions?

79. If you could canonize one thing and one thing only, what would it be?

80. If you could uncanonize one thing and one thing only, what would it be?

81. Are there any panels you particularly remember or enjoy?

82. Is there any character you like aesthetically, but not personality wise?

83. Is there any character who's grown on you over time?

84. Is there a ship you don't particularly like/straight up hate?

85. Do you have any crackships or rare ships?

86. Any headcanons you'd like to share?

87. Do you have any voice claims for the cast?

88. Did you find any part of Homestuck boring?

89. If you're a creative, do you have any Homestuck related projects?

90. Do you celebrate 413?

91. Do you remember the characters' birthdays?

92. What's your favourite art style within Homestuck?

93.  Karkalicious definition?

94.  Has Homestuck influenced what you look for in fiction?

95. What's a non Homestuck thing that you think has strong Homestuck vibes?

96. Others could clock you as Homestuck fan because [blank].

97. You recognise fellow Homestuck fans because [blank].

98. What's your extended zodiac sign?

99. How normal are you about Homestuck?

100. Will Homestuck stay somewhere inside you forever and ever wherever you go?

[sentientsky]

Kristin Chang, "Churching"

on apotheosis. on rage that has nowhere to go

[autisticandroids]

FAMINE: That's one deep, dark nothing you've got there, Dean.

[youtube with closed captions]

dean and his father. dean and his family. dean and how bad it is.

(via @closetoyou1970)

[navree]

"rhaenys could have ended the war by dracarysing all the greens right there" yes because a distant relation to the throne deciding to barbecue an anointed and publicly positively hailed king and his entire family who is well loved within the city and in multiple other parts of the country for the sake of the succession of a far-away princess no one was ever on board with who hasn't been seen by the populace in literal years, her psycho husband, her three obvious bastards, and two toddlers from the psycho husband would go over super well with westeros and especially in king's landing where scores of the still-cheering population were killed for no reason by that same dragon who would do the barbecuing, because when targaryens act unilaterally without thinking of how the people would react there's never any problem, which is why the storming of the dragonpit and robert's rebellion were actually just collective delusions dreamed up by readers who hate rhaenyra and not key parts of the story and house targaryen's history that directly contributed to their demise and are intrinsic to the plot

truly team black stans are made up of only the most genius and media literate amongst us

[astaldis]

@first-of-her-nxme you still haven't explained why it matters so much with Triss but not with Sabrina. Sorry, but this difference I can only explain by the assumption that it is not truly about book accuracy but about the Triss's actress being a person of color while Sabrina's actress is blonde and white skinned. Her depiction of Triss, besides hair and skin color, seems to be more truthful to her character in the books than game Triss, too, isn't that more important than a little difference in hair and skin colour? And they changed the hair! She looks great in the show and the actress is doing a good job. But maybe it's really all about the boobs? But Triss explicitly does not wear dresses with plunging necklines anymore after Sodden according to the books. But there seems to be no problem here about the games having changed that important aspect of her looks and personality. Sorry, but I find the whole Triss discussion ridiculous and biased, and especially also the fact that even after 5 years it's still on. That is more than ridiculous imo.

By the way, this is what your source, the author of the novels, Andrzej Sapkowski himself said in an interview:

AS: “Creators of adaptations of literature works for other media have the right to be sovereign creators, with unrestricted right to creative freedom. However in the particular case of this adaptation, their ideas can be different than mine. And even when some of their ideas are different than mine, so what? My books are not the Bible.”

In another interview he said about skin colour:

Many viewers have an apparent issue with, for example, black Nilfgaardians and Northerners. Why do you think so few viewers pay attention to the black Zerrikanians (who were blonde in the book), but so many can’t get over a black elf?

As far as I remember, skin color isn’t discussed in detail in my books, so the adaptors can freely show their craft, everything is possible and everything is allowed, that’s how it could’ve been, after all. (I hope the translation is accurate, if it's not, let me know.)

Last but not least, your argument that "Red hair comes with pale skin and golden freckles" does not seem to be always true. It's a fantasy world anyway with unicorns, elves and dryads. Who says that the rules of our world must apply to it also? Sapkowski does not, on the contrary. And, honestly, does Henry Cavill as Geralt look book-accurate? In the beginning many people were of the opinion that he did not. And his fucks and hmms were not book accurate either, but were introduced by Henry Cavill, not the writers. Still, he is praised as the only Geralt and champion of book accuracy by many ...

They're still on about Triss' hair on reddit, can you believe it???

How can those people claim that game Triss looks more like book Triss than show Triss?

The English translation says her hair is chestnut:

This is the first definition that shows up when you goigle chestnut hair: Chestnut is a rich, dimensional shade of brown hair. It's typically a warm shade, with golden or red undertones. It's more of a subtle reddish-brown that looks redder in direct sunlight.

And these are the first pictures that pop up:

Does that look like game Triss? (besides the thing about Triss not wearing plunging necklines anymore after Sodden because of her scars according to the books)

But changing Sabrina's hair colour from black (books)/red (games) to blonde in the show does not seem to have caused a fraction of what criticism Triss's casting gets. But, of course, it has nothing at all to do with anything related to racism.

And in light of what Sapkowski himself said in an interview from 5 years back about race and skin colour in the Witcher, this is really ridiculous.

[beebfreeb]

Little things about Marcille make me so so so sick. Reading a book with the first character that's anything like you at all in even a somewhat respectable way and falling in love. She doesn't know anything about the food her mother grew up eating. She is subtly different from her peers and has never been sure where she fits in. AND despite those experiences she still falls victim to prejudiced thinking. She and Kabru should be besties who verbally fight like rabid dogs.

[welcometogrouchland]

Also I am. Constantly forgetting how fucking funny Hunter is. We never give him enough credit for how funny he is because his life is so fucked up but I swear 90% of his lines are just bit after bit after bit. He's not even trying either. Anytime he actively tries to make a joke it falls flat but if you just put him in a Scenario he'll find a way to be so over invested and yet out of touch/at odds with whatever's going on. He's so autistic

[daisy-mooon]

"I want Annabeth to be blonde :(" then pick up a PJO book and read it you dumb fuck