#another fave! this set is so important!

[yangjeongin]

HYUNJIN BIRTHDAY COUNTDOWN (2024): hyunjin in every letter... ↘ D-20 | KKAMI

[todayisafridaynight]

plane scene is so funny cause why is mine a sleeper agent that wakes up whenever daigo is mentioned

can’t wait to see it in dragon engine :3

mine has been the winner for Funniest Character Imaginable for 15 consecutive years and i have yet to see anyone come close i fear

[gor3-hound]

GIVE ME LOVE // NAOYA ZENIN

ft. brother!naoya x sister!reader

a/n: art by @/sakurai_itachi on twitter/x !! another commission for my fave @nexysworld ♡ more naoya... i feel like i'm single handedly populating the naoya x reader tag atp 😭😭😭 as always, feedback and reblogs super appreciated !!

cw: 18+ content, brother/sister incest, breeding, misogyny, kinda dub-con but very barely, spit, kissing, p in v, creampie, biting, tinyyyy amount of blood, naoya has feelings that he doesn't know how to handle, cockwarming

word count: 1.9k words

Growing up in the Zen'in clan taught you one important lesson - women would always be seen as inferior to men. It did not matter how hard you worked to prove yourself to the Elders in the clan. You were a woman, and that was crime enough.

More than anyone, Naoya had every right to resent you. Your mere existence was an inconvenience to him, but more than that, your birth dishonoured him. He already had to fight harder than your brothers to climb to the top and become the head of the clan, but sharing a womb with a woman was unforgivable. He was constantly ridiculed for having a female twin, and in turn, you were treated as a stain on the Zen'in name for bringing shame to a Zen'in heir.

Despite everything, Naoya could not bring himself to hate you. You were nothing but a woman, a thing. But he could not see his own twin as such. You were close when the two of you were younger, but as the years went on, you grew more and more distant. Now, with both of you past the age of adulthood and his claim to the clan stronger than before, you've been completely avoiding him.

If anyone asked why he was so obsessed with your absence, he would lie and say that his ego would not allow a mere woman to disrespect him so heavily by thinking she could be the one to ignore him, but the truth of the matter was that he missed you. Dearly. The thought alone had him burning red with embarrassment. He was meant to be better than this, and yet he was letting his emotions get the better of him over a stupid girl.

He strolls to your room late at night when he's sure he won't be caught. He doesn't want to explain to any of the assholes in his clan that he was about to grovel to his sister because he missed her company. He'd never recover. In fact, Naoya would rather die on the spot than be caught being so soft around you.

Naoya takes a deep breath before he pushes open the door to your room, eyes falling on your form sitting at the edge of your bed, bent over a book. He runs a hand through his hair before rapping his knuckles against the open doorway to get your attention.

“Hey.” He murmurs, shifting awkwardly between his feet, clearing his throat when you look up at him. “I piss you off or something? No need to be a bitch about it. Can't do anything if you don't tell me.”

He inwardly cringes at his words. He doesn't know how to do this, but he was willing to apologise if he upset you. He shuts his eyes for a moment sighing before speaking up again. “You've been avoidin’ me. Don't let what the old bastard said at dinner the other night get to you. I know you're a woman, but you're still a Zen'in. No need to be so sensitive.”

“I haven't been avoiding you.” You say in response, brows knitting together. Both of you know it's a lie - you'd always been an awful liar. Naoya scoffs, raising a brow at you. “And it had nothing to do with father. I've gotten used to him over the course of over two decades being his daughter.”

“You are avoiding me.” He huffs, stepping into the room and kicking the door shut behind him. “Don't bullshit me. You're a fuckin’ awful liar.”

Your jaw tenses for a moment as you close your book, setting it on the bedside table. Your eyes flick up, meeting him as he sits at the head of your bed, leaning back against the pillows.

“Father has not bothered me.” You repeat, running a hand over your face. “But our eldest brother has spoken of marrying the girl he's seeing. You spend too much time with me. We aren't kids anymore. My presence isn't helping your reputation. If we were seen less together, you could have more luck producing and heir to solidify your claim to-”

He should hate you, really. You'd ruined his chances at the life he wanted - the life he deserved a chance at by birth. He wasn't used to this tightness in his chest. Why was he so upset by you acting as if you were the reason he was seen as lesser by the clan if it was the truth?

“Are you fuckin' kiddin’ me?” Naoya hisses, eyes narrowing in disbelief. “We both know my claim was practically non-existent the moment your gender was revealed at birth. Not spendin’ time together isn't gonna do shit.”

He pauses for a moment, his eyes dropping to flicker over your body in a way that makes you tense. You can feel his gaze burning through you, a knot twisting your stomach. His expression darkens as he meets your eyes once more - he's made up his mind.

“You can fix this, y'know.” He murmurs, shifting closer to you in the bed. He chuckles as you back up, grin spreading across his face when you're pressed back against the headboard with nowhere to go. Naoya let's his head dip forward, nosing at the crook of your neck.

“So worried about my reputation. It isn't your place as a woman to worry about me.” He growls against your neck, continuing the trail of heated kisses along your skin, tongue darting out to taste you. He bites down before pulling back to meet your eyes. “If father needs an heir to legitimise me, we'll give him one.”

“Naoya, we can't. You're my brother-”

He cuts you off with a laugh, running his tongue along his teeth before he continues sucking marks along the length of your throat. “And? Our cousin did it, and he's on a vacation in Venice with his sister. As long as it's not a servant girl, our dear father doesn't give a shit.”

“You're nothing.” He hisses against your skin. To him, it isn't an insult. It's a mere fact. His breath is hot against the skin of your neck as he pulls back just enough to gaze at your body, hands moving to gently pull open your robes. “I can make you something. Give you some power in the clan. Just need you to go along with this, yeah?”

He kisses you to silence any protests that might bubble up, pushing the fabric away from your body as he works on undressing himself. He kisses you like he wants to possess you, teeth pulling at your lower lip, hands grasping your waist tight enough to bruise as soon as they're free. Naoya slips his tongue into your mouth with a groan, tasting you, claiming you. 

You break the kiss when you feel his fingers hook themselves in the waistband of your panties, eyes shooting open. “Naoya, wait-” 

“Shut up.” He hisses, but there's no real bite behind his words. He lines himself up with your entrance, chest rising and falling more rapidly than usual as he struggles to calm his breathing. “This is your duty. You ruined me. You can… you can fix this. You said you wished to help me solidify my claim, yeah? That's why you're avoidin’ me? This is how you can make up for all the years of ridicule I was subjected to.”

He presses forward slightly, just enough that you can feel the pressure of his cock trying to break through the tight ring of muscle. You take a deep breath, waiting for movement that doesn't come. He's just staring at you - waiting for some kind of agreement, you realise. With a shaky breath, you push back against him, nails digging into his arms as he presses forward, slowly sinking into you until he's buried to the hilt.

Naoya knows you're a virgin - not only because you're his sister, and he knows you enough to know you wouldn't destroy your honour before marriage - but also because of how fucking tight you're squeezing around him. He's warring with his body, trying to bring himself to go slow, to ease you into it.

But he's selfish. Even when it comes to you. He can't stop himself. He fucks into you roughly, shushing you gently as you make soft, pained noises. He grunts words of praise under his breath - so tight, so good for me, doing so well. Anything he can think of to soothe you.

“Gonna stuff you so full… gonna have you dripping me for weeks.” He groans, bracing himself with his arms either side of your head, holding his weight up as he fucks into you harshly, each thrust making the bed frame creak. The sight of your lips parted makes him feel a little dizzy, the pleasured little gasps spilling from them making his cock twitch. Drool pools on his tongue as he leans over you, and he opens his mouth to let the spit trickle onto your own before he leans down to press his lips against yours. The movement of his hips grows sloppy as he licks into your mouth, tongue exploring you forcefully, like he's attempting to claim every inch of you.

He bites your lip when he pulls back, drawing blood. His gaze is hooded with lust as he fucks into you, tongue darting out to lick the blood clean off your lip. He grins as he straightens back up, his hands grasping your hips as he begins to fuck into you with slow, deep thrusts, grunting as your cunt clings to him every time he starts to pull back.

“Milkin’ me dry, huh? Clenchin’ around your own brother's cock, don't even want me to pull out…” He punctuates his words with a particularly harsh thrust, pulling you back against him. “Gonna cum… gonna fuckin’ cum, shit. Cum first, baby. Wanna feel that cunt grippin’ me before I fill you up.”

It doesn't take much more than that to have you seize up, body tensing as your release rushes over you in waves. He fucks you through it, drawing out your pleasure until he stills inside of you, choking out a moan as he shoots his load deep inside of you. He stays there for a moment, just taking in the feeling of you wrapped around him.

His gaze flutters down to you, and he collapses on top of you with a sigh before flipping the both of you over so you're lying on top of him without pulling out. His arms snake around your waist, your head resting against him.

“Didn't take you for a cuddler.” You tease after a moment, practically going up.

“Shut up. Fuckin’ brat.” He huffs, a hand coming up to the back of your head to press your face into his neck. “S'not cuddlin’. I'm making sure it takes. Gotta keep you plugged, yeah?”

You both know that's not the whole truth, but you say nothing as you settle against him, shutting your eyes as you relax in his arms. You'd deal with whatever this leads to in the morning, but for now, you were content to fall asleep with your brother.

[violetwolfraven]

Wait wait wait remember that post about how Team Starkid/the Lang brothers are going to be comparable to Shakespeare 500 years from now and it was mostly played for laughs like yeah lol you’ll need a paragraph of footnotes to explain the zefron poster but like

I don’t think that’s actually far off from how Starkid’s place in theatre history might play out and here’s why. Just hear me out

Why is Shakespeare so popular today when he definitely wasn’t the only playwright from that era? When he’s not even the only playwright from that era from England that we have surviving works from?

Two main reasons:

1) Shakespeare’s work is (relatively) universally relatable. The characters do things that are so fundamentally human. They make jokes at their friends’ expense. They complain about being awkward in front of their crush. They have daddy issues. The plot lines of the plays aren’t too complicated. The dick jokes land whether you’re watching in 1611 or 2024, and they probably still will in 2637. Shakespeare’s works are timeless because he didn’t try to outsmart his audience. He wrote about things everyone could relate to rather than trying too hard to peacock his intellect in front of the nobility. This is not true of every playwright.

2) Shakespeare was really popular right around the time England started colonizing everything in sight. Copies of his work got shipped all around the world, translated into dozens of languages, performed probably thousands of times. Setting aside the moral implications of this, the important thing to note is that Shakespeare was about the most easily accessible English playwright during a time of rapid, intense globalization.

Meanwhile, Starkid:

1) Invests hard in meaningful, relatable character arcs instead of spectacle and expensive sets or costumes. Also, lowbrow, immature humor and dick jokes that make A Very Potter Sequel funny and enjoyable regardless of if you’ve ever seen any other Harry Potter media in your life.

2) Posts professional recordings of their musicals to YouTube FOR FREE, making their shows about the easiest, best quality musical theatre you can get pretty much anywhere in the world, regardless of if your area has an active theatre scene. Proshots from other companies are rare and usually not free. Bootlegs are all well and good, but even if the video quality is alright (and that’s a big if) the audio is usually garbage. Starkid has been posting the best quality free recordings they can afford since 2009, shortly after the birth of social media, another time of rapid, intense globalization.

In short, I’m not saying that theatre historians in 500 years won’t remember any our current Broadway faves, but I am saying that in my opinion, Team Starkid is probably going to be more accessible for the general public. If you’re a 26th century English teacher trying to teach your class about narrative structure in 21st century theatre, what are you going to show your students? A bootleg of Hadestown with blurry video and garbage audio? Or the professional recording of Twisted, parts of which they will probably even enjoy, because even long after no one remembers Disney’s Aladdin anymore, your class of 26th century 16-year-olds are still going to laugh at “No One Remembers Achmed.”

[leovenuslatina]

𝓓𝓞 𝓜𝓔 ୧ ‧₊˚ ☁️⋅♡ PT.3

♡

♡ THIS READING IS 18+ MDNI !!!!! ♡

˗ˋˏ ♡ ˎˊ˗

this reading is about your FS fave position in the bedroom 😉

˗ˋˏ ♡ ˎˊ˗

this is the last in the series 😩 thank you so so much for all your support and after this there will be an ASK GAME YAYYYY !!

˗ˋˏ ♡ ˎˊ˗

₊˚⊹ ᰔ౨ৎ₊this is just a reminder that tarot isn’t permanent or set in stone YOU decide how your life goes no one or nothing else now take a deep breath and choose the pile that calls to you ₊˚⊹ ᰔ౨ৎ₊˚⊹

tip your favorite tarot reader 💋

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pile one - the emperor & 7 of wands

☯️

pile one i think the two of you would be the type to change positions like every five seconds. like he doesn’t have just one position they may be super strong or maybe you’re just very petite and small he likes proving how strong he is by tossing you around. i think your FS will have lots of fun exploring different kinks and fetishes and want to try a whole lot of different fun things in your bedroom. Your FS is a very dominant person they may even like being called daddy and so i’m seeing they love being the top in the bedroom even if he’s not always actually on top. Your FS also really really like when you give him neck. He loves looking down on you and the praises that leave his mouth are just endless. Your FS will not hold back in the bedroom he’ll ravish you. overall your FS favorite position is anything that proves their strength by lifting you up and throwing you around.

☯️

extra messages- authority, masculine, rational, stable, stable, move forward, coping, courage, long term success, strong, overcoming obstacles

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pile two - king of swords & 6 of wands

⚔️

your FS favorite position in the bedroom is anyone that lets them see you on his eggplant 🍆 weather doggy or reverse cowgirl 🤠 he loves watching himself slip and slide out of you it’s addictive to him like the worst drug ever. like pile 1 your FS IS VERY dominant and like pinning you down ~with consent only of course~ Your FS is oh so happy to split you in half on him it’s his my favorite thing to do. He’s the type of man that gets pleasure from seeing the pleasure he gives you. because of him and his love for you. He’s also the type to teach you and guide you he’ll show you exactly how and what makes you feel good and comfortable. Another one is his favorite positions is him sitting down and you bouncing around in his lap he goes absolutely nuts for that. i think it’s just the act of being in full control or you (only in a sexy way) and your body being at his mercy for him.

⚔️

extra messages- mature man. assertive, authoritarian, leadership, legal, completion, good news, success, winning, motivatio

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pile three - 8 of wands & The Hierophant

🗼

Pile 3 your FS favorite position is anything where they’re on top of you maybe even caging your body underneath them. They like folding your body like some fucking laundry he’s obsessed with giving the most beautiful experience he can manage. Your FS is also into very intense and fast paced love making sessions he’s in there like a damn jack hammer with exceptional stamina. Speaking of stamina they’re also the type to love going all night long over and over again so definitely get used to that lol. It’s important to your Fs to hear you: your moans your whimpers and groans.

🗼

extra messages~fast action, flight, motion, end of delay, approval, conformity, good advice, consent, marriage/union

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[fallingdownhell]

Hello, could you maybe do one shots of Xiao and whoever else you like saying “who hurt you”? I love the work you put out so far, and I’m really curious to see what you right. 😁

A price to be paid

Characters Included: Xiao, Wanderer/Scaramouche, Kazuha, Tighnari

Summary: When they notice you being hurt, no matter if physically or emotionally, they will stop at nothing, to make you smile again..

Content: established relationship; gender neutral reader; swearing; Scara is being refered to as Kunikuzushi/Kuni; talk about violence; physical and emotional wounds; not proof read yet

Word count: 2.1k words

Well... I said I wouldn't be taking any requests for the time being, and I still stand by that, I am NOT taking requests as of now. Maybe in the future, if work stuff calms down a little. But, with that being said, I read that comment and instantly had some ideas in my head, so I decided to write it anyway.

Since you didn't specify any other characters except for Xiao, I just went with some of my faves, who just so happen to be most of the anemo boys😂

I tried to keep it short and simple this time around, it worked more or less. And as always, I hope you enjoy reading!

Xiao

One of the most protective boys in my opinion

I mean, it's basically 90% of his personality (I say this in a loving way)

Sure, he is devoted to Liyue and Rex Lapis, but you? That's a whole nother story

Would go to the end of the world and back for you of you wanted him to

Absolutely nothing he wouldn't do

So, when someone dares to harm you, in whatever way, his inital instinct would be to seek out that person to... "talk" to them

Don't worry, he won't kill them. He swore to never kill another human (but that doesn't mean he can't hurt or scare them)

You'll have to talk Xiao out of going after them (depending on what they did to you)

Please try to understand him though, he just wants to make sure that you are fine, he couldn't handle to loose another loved one

Very awkward and unsure in how to give you comfort. He never really had to deal with these kinds of emotions

Will ask you what you need from him and he will do that for you

It was like second nature for Xiao to keep a watchful eye on you at all times. Not in a stalker-type of way. He knew when to keep his distance and he had other things to do as well. But he still watched out for you, to make sure that you were safe.

You were one of the only good things in his life, after all. What good would he be if he couldn't even protect you, the one most dear in his heart, though he still had his troubles showing and expressing that fact from time to time.

But his worry and devotion to you became all the more clear to you when one day, he returned to Wangshuu Inn, finding you there on the balcony while you cried your heart out.

Xiao's inital shock quickly faded as he ran over to you, carefully picked you up from the floor and brought you over to a room that Verr Goldet has granted him a while ago but he rarely used for himself.

You continued to cry into his shoulder, dampening his shirt, but he didn't care. Right now, you were his number one priority.

Unsure of what to do, he opted to slowly putting his hand on your head. He silently let you cry it all out until you finally calmed down a little bit.

Once you did, he slowly pushed you away just a little bit, gently putting his hands on your cheeks as he looked at you with a stern expression.

"Who did that to you? Who hurt you?"

But you just shook your head in response. "That's not important right now. I just... Can you stay with me? Please..?"

So he did. He stayed close by your side, the entire night and in the morning, he was still there right by you. Although he did want to set out and find whoever was responsible for making you feel that way, you always came first.

And, just to give you a little bit of extra comfort, he held you just a little bit closer than he usually would, just so you would feel safe and cared for.

Scaramouche/Wanderer

That person better start running

He would NOT go easy on them

If he sees you hurt in whatever way, shape or form, he will make the person responsible for this, pay

Although he left his life as Scaramouche, the Sixth of the Fatui Harbingers, behind him, didn't mean that he was a total good guy all of a sudden

No, there were still some traces of that life in him, and sometimes, with a good reason of course, it felt good to act on those thoughts and feelings every once in a while

However, he will make sure that you are taken care of first before he sets out to seek revenge in your name

The Wanderer was in the comfort of your shared home, awaiting your return from the last of your commissions. He was looking forward to a relaxed evening with you in his arms and no one to disrupt.

However, as the door to your home swung open more violently than it usually did, he already had a strange gut feeling that something was off.

Nonetheless, he still went to check it out, only to be frozen in place when he saw you standing in the doorway, one hand holding onto your stomach, while blood seeped through your clothing.

"K-kuni..", you managed to whisper, before your knees gave out. He quickly rushed to your side, catching you before you could crash to the floor. Aftee that, he scooped you up and ran like the devil himself was after him. He needed to get you help.

But first...

"Y/N, I need to know... who hurt you?"

You looked up at him, seeing the always focused and serious expression on his face. But if you listened closely, you could hear the faintest tremble in his voice. Like he was scared of losing you (which he was, he just never would admit to it out loud).

You were able to mumble the name of your attacker before you couldn't hold on anymore and fell into unconsciousness. But that was enough for him.

As soon as he dropped you of at the Bimarsthan and made sure the doctors and nurses there were caring for you, the mask quickly fell of his face, as his gaze turned darker and more sinister than it has in a while.

He left Sumeru City within the hour to track down the person responsible. Preparations weren't necessary for him. For the worst that he could do to that person, he was able to do with his bare hands..

..

It took the Wanderer two days to find your attacker, but he managed it. Archons, how pathetic they sounded when they begged him for their life.

He did spare them (he swore to never go back to his old ways after all) but that didn't mean that he couldn't fuck them up a little bit. And he did. They may have wished they were dead by the end of it, but the Wanderer would not grant them that wish.

..

After returning to Sumeru City, he immediatly went to the Bimarsthan, to check on your condition.

The doctors informed him that you were doing good, but you were still weak and sleeping most of the time.

He stayed by your bedside the entire time you were there, drifting in and out if sleep. He never let you out of his sight, watching over you and making sure you woulh heal well.

Often times, when you were fast asleep, he would press light kisses on the back of your hand, mostly to reassure himself that you were fine and not going to leave him behind anytime soon.

Kazuha

Kazuha is a compassionate guy and it shows in the way he cares for you

He always puts your comfort before his own, no matter the circumstances

Didn't like how crowded the place got? Don't worry, he will get you out of there in no time

Bored? He will always have a poem or a soft tune ready for you to listens to

You have an activity you want to do with him? Best believe he is more than excited to follow your lead and share another beautiful moment with you

Kazuha knows how to handle his words and actions. He is a controlled guy, it's very hard to get him upset or something of the sort

You are, and will always be, his number one priority. Nothing could be more important to him, than you

When Kazuha found you in the room that you two had rented for the time you were Staying in Liyue Harbor, he could already hear your quiet sniffling.

He knew youbwere trying to keep yourself silent, so he wouldn't notice and worry too much about you.

But you must have forgotten that he was your boyfriend for a reason. It was quite literally his job to worry and care for you. So for you to try and hide how you felt, he felt a little insulted himself.

But alas, it wasn't about him right now.

He slowly opened the bedroom door, only a few lights iluminating your figure sitting on the bed. You heard the door opening and instantly froze, frantically trying to wipe your tears, but they only kept coming.

And before you knew it, your wrists were held in the hands of your lover, who sat down next to you, quielty looking at you.

"My dear.. What happened to you? Who hurt you?", he asked, his voice sounding as gentle and calm as always.

"No one important", you muttered. "Just some random guy.. he was making some comments and.. some of them really hurt.."

As you explained the situation to Kazuha, tears started to form again as you recalled the interaction. You didn't want to cry over some stupid shit like that, but your body seemed to think different about it.

"Shhh, it's alright, my love.", Kazuha said as he pulled you closer to him, placing your head onto his neck, while he slowly played with your hair.

"You are safe here. Let it all out, it's going to be okay. I'm here for you." He continued to whisper sweet little things into your ear as you cried until you felt better about it.

Kazuha kept stroking your hair and your back, soothing you while also silently reassuring you of his presence and that he wasn't gonna leave you alone, ever.

Tighnari

I feel like in Tighnari's case, if you are his partner or even his mate, his more primal instincts would want to take over

If he sees you hurt in any way, he would have to hold himself back to not just attack the first person he sees

Tries to stay calm and rational but is extremely worried about you

Once he's sure that it's nothing life threatening, he's more calm and able to listen to what has happened

Will treat you like you're made of glass for the next few days

It can be annoying, but please bear with him. He just wants to make sure that you will be fine

Depending on what happened, he might go on a little bit of a rant on how to be more careful and avoid such a situation the next time

Will cuddle uo to you and hold you tightly every chance he gets after this incident

"Master Tighnari, we need your help in the infirmary. Someone got hurt while out on patrol in the forest."

The forest watcher couldn't help but sigh as he was dragged away from his own work. Didn't they know how to take care of injured people? He did teach most of them, so why did they need him? Maybe he should hold another course, so that they can learn and do this stuff themselves.

But once he entered the hut, he realised why they went to get him.

There you were, sitting on the bed, an open wound on your left arm. Collei was by your side, trying to clean it, while the pain of it was obvious on your face.

The other forest rangers left the hut as soon as Tighnari entered, but he didn't care for them. He quickly rushed to your side and fell to his knees on the ground, his ears slightly dropped downwards.

"My flower.. what happened to you? Who did that?", he asked, almost impatient to hear your answer.

"Relax, Nari. It's not that big of a deal. I got surprised by a grouo of fungi, but they have been dealt with.", you told him.

Hearing that, his tense state relaxed a bit, bjt his worry was still very much present in the way he looked at you.

"Collei, I'll be taking over from here. Thanks for your work. Could you go to my cottage and grab me the stuff from my desk?"

"Of course, Master!", the young forest ranger said as she hurriedly walked out, leaving you two alone. As he said, Tighnari took over in cleaning the rest of the wound and bandaging it up nicely.

While doing so, he often glanced up to you and you reassured him every time that you were alright, except for the pain in your arm.

He may be quiet now, but you better expect some form of lecture or rant at the end of the day about the hidden dangers in fungi or something of the sort...

[rocknrollflames]

Day Twenty-two: Your Favorite Picture of Your Favorite Band

30 Day Band Challenge

This was like pulling teeth. I am seriously behind on the 30 Day Band Challenge because I've been stuck on this one. I finally decided I would select one picture for every album they released. That was going to be ... six in total. One for AFD, LIES, UYI 1, UYI 2, SPA, CD. Then I decided that I would also allow another photo for Live Like a Suicide (I know and don't care that it was an EP and that those songs were later released on LIES - it's still their first release and that matters). Then I wondered if it was okay to add another photo for The Greatest Hits. But wait - Live Era is far more important than that! Hmm ... Live at the Marquee ... Does that mean I should add one for Locked and Loaded? The AFD Box Set? And the UYI Box Set too? There are tons of bootlegs ... lol.

(I finally just settled on these. I have included one photo for: Live Like a Suicide - their first release, Appetite for Destruction - their first LP, GNR Lies - second LP (Don't try and tell me that it isn't an LP because it is. Any album longer than five songs is long play - five songs or less is extended play.), Use Your Illusion I - third LP, Use Your Illusion II - fourth LP, Spaghetti Incident - fifth LP, GNR Live Era 87 - 93, The Greatest Hits, Chinese Democracy - sixth LP, Locked N' Loaded: The Appetite for Destruction Box Set, and The Use Your Illusion Box Set!)

But I of course have so many more faves, lol. My mouth ...

Your favorite picture of your favorite band ... yeah, right.

Edit: I had to. I added one more photo. I had to. So, let's just say it's in honor of the album, Live at the Marquee, lol.

[anotherfcknschlattsimp]

Kinktober Day 13

blackmail

cw: dubcon on everything, incest

let's go

schlatt -

takes a video of you going down on him in his office

threatens to send it to all the businesses nearby so you cant find another job

he needs you to need this job

there’s no other reason you would hang out with him

“don’t even think about telling anyone or trying to stop me, toots”

if you ever act up, he takes out his phone and gestures that he was gonna send it

shuts you up real fast

has the email ready to be sent (he doesnt but he tells you he does)

has you send him nudes from the company bathroom in the middle of the day

has a stash of your stolen panties in the same safe he keeps pictures of you in

lingerie under dresses for work parties, covered in his cum after a lunch break session, your hole leaking his cum on his desk, that time he made you squirt so hard it ruined some of his paperwork (that's one of his faves)

love love LOVES being reminded that he's kinda sorta Your Boss

fucks you over the copymachine when you're the last two in the office and he didnt have a chance to use you before during the day

WILL send that shit out if you think about quitting though :]

ted -

you're a streamer, yes, but you were a camgirl/boy first

ted's been your biggest fan in both areas but he didnt realize you (streamer) were you (hottest person he's ever seen)

until he comes across a really old video he saved where he got a glimpse of your face

he takes this as a chance to make a move

sends you the video with the caption “come to my place or i'll leak it :)”

you RUN

KNOCK KNOCK KNOCK

he has a table decked out, white cloth, two flutes of champagne, a rose on top of a file

“oh you wanna know about the file? it's screenshots from your cam days :]” he says innocently

like he's not capable of ruining your life in a couple clicks

“sit, drink!” he exclaims and gestures at the other chair and glass, “i need you nice and tipsy for the rest of my plans~” he mumbles

once he thinks you're sufficiently inebriated he sets his plan in motion

asks you if you're open to a “mutually beneficial pact”

one where he gets to call on you whenever wherever for whatever reason and you dont get your pornos leaked :] win-win!

you, tipsy and not fully understanding the implications, accept

it's a week before ted calls you up and asks you to come to dinner with him

he tells you to dress nicely, it's an upscale place

another week and he asks to go to a movie

innocent things to start

a couple days since the movie he texts you, asking to come to your place

you were expecting another game night or movie or something, just like he had hoped

but he made his intentions clear by pulling down his sweats and boxers to release his length

“you caused this.. been imaginin it was you for years babe~”

he did the stereotypical smack against your cheek

“now you get to take care of it, babe :] it's your fault afterall”

charlie - bro!charlie, im sorry, moistclitikal has ruined my brain /pos

“oh god,, please please please-” you hear charlie sound almost pained from his room

you finally decide to go check it out when you catch your name

you dont bother knocking, this seemed important

you stop in your tracks with the door half open

charlie had his headphones on and was staring at his phone

hand pumping up and down under the covers

it was hot and you had to save it for later that night

so you took out your phone and started recording

he still hasnt noticed

when you're done with your fun and catch a couple slips of your name on the video, you giggle

he snaps his hand away from his device to throw his headphones off

but the sudden motion throws the blanket off his lap, revealing a pretty pink pair of panties wrapped around his cock

*your* panties

that had been missing all week

soaked and soiled but still so recognizably yours

“PLEASEPLEASEPLEASE IT'S NOT WHAT IT LOOKS LIKE” as he scrambles to cover himself again

“oh really? cause it looks like you're being a little perv and jacking off into your big sib's panties :( i even have a video of it! maybe i need to send it to your friends for a second opinion?”

his heart SINKS

rushed “PLEASE DONT ILL DO ANYTHING!! ANYTHING!! PLEASE”

you step further into the room and begin taking off your shorts and panties

he's frozen in shock, so so so confused about what you were doing

you begin taking off your (his) shirt

you can almost hear the awooga going off in his brain as he's stuck staring at your boobs

his eyes follow you as you move to straddle him, pushing the covers off of his bottom half

“o-oh good god- wh-wha-” he stammered out, completely lagged “w-we can't, we're related??”

“oh, so now you dont want this?” you tease as you rub yourself along his length

lets out the cutest and hottest nerd moans ever

you make sure to remind him of the video everytime he starts acting up

and everytime you need a nerd to fuck into next week

[callmearcturus]

The Video Gaming Major Arcana

The latest patron episode of Into The Aether/@intothecast asked the boys to decide a video game for every Major Arcana card. They ran out of time on it and only got 2/3s thru

my ass was like "Challenge Accepted"

0 - The Fool - Dragon Quest (The Fool is infinite potential and is at the start of a long journey. DQ as a series is a long-running, is a bedrock of the medium, and has done its own takes on everything from pokemon to minecraft, and it either did it first or did it better.)

1 - The Magician - Metroid and Zelda (The Magician is the first person the Fool meets and is a guide for the journey. The Magician is associated strongly with teaching and with tools. Metroid and Zelda both are foundational works and they revolve around gating player process through tools.)

2 - The High Priestess - FEZ (The High Priestess is another guide, but sits before the veil, keeping guard over arcane, hidden knowledge and deciding when to share the secrets of the universe. FEZ is one of the Big Games that hide under layers and layers of mystery.)

3 - The Empress - Stardew Valley (The Empress presides over growth and cultivation of her kingdom, sitting in a field with wheat in hand. SDV is chiefly about taking care of your own domain, the farm and the wider village.)

4 - The Emperor - Civilization (The Emperor is the firm hand of government and can be an important navigator in chaos but also is angered by lack of obedience and losing control. Civ is all about steering every aspect of a nation and protecting it viciously.)

5 - The Hierophant - Pokemon (The Hierophant is a cultural, societal leader that gains power from people who believe similarly but subsequently is very set in their ways. Pokemon is a huge phenomenon that unites people of all ages, but also struggles heavily with innovation and progress.)

6 - The Lovers - Journey (The Lovers aren't necessarily smoochy-smoochy, but represent a Decision, joining hands with another person and striding into the future together. It's Journey. If you know, you know.)

7 - The Chariot - Bethesda's Catalog (The Chariot is a tumultuous, potent card. They hold onto the reins of powerful beasts and drive forward, blazing a new path. But if they lose grip, everything goes to hell. Bethesda's works tend to have this incredible ambition to them, and when they hit, they HIT, but when they miss, it's dramatic.)

8 - Justice - Dark Souls (Justice is the system and its enforcement of its rules, whether they feel fair or arbitrary. I feel DS fits it well-- it relentlessly follows its own rules and is firm in them, which can either draw players in or seem cruel and unwelcoming.)

9 - The Hermit - Immortality (The Hermit is a wise person who gained specialized knowledge but through great personal sacrifice. They find it difficult to share their knowledge because they essentially traded that ability to communicate easily for the wisdom. Immortality has some deeply complicated concepts to communicate, but its methods and the basic mechanics it uses are to some people impossible to understand.)

10 - (Wheel of) Fortune - Spelunky (Fortune is the card of pure luck and the whims of fate and how you survive being caught in its spokes. Spelunky is a pure Rogue-like as opposed to a Rogue-lite and there is no knowing what the procgen will give you.)

11 - Strength - Undertale (Strength is specifically about emotional control and fortitude. It's not about slaying the lion, but holding it, keeping it from lashing out. Undertale is a game that asks the player to endure emotional struggles both against the mechanics and against their own inclinations.)

12 - The Hanged Man - Signalis (OH BOY ITS MY FAVE CARD. The thing about the Hanged Man is that it's a test, a gamble, a deal. The Hanged Man is not hung from the neck, this is not an execution, they are inverted. They choose to be inverted in the hopes of gaining some Insight into the universe, but in doing so risk madness or obsession or doom. Signalis is both a game about a protagonist going through this and also a game that will put the player through this if they aren't careful.)

13 - The Nameless Arcana - Braid (I'm not even personally a fan of Braid, but I believe it is one of the handful of Original Indie Games. The very existence and popularity of Braid and its contemporaries showed that games outside the big studios could hit big. Braid (or Cave Story for the PC crowd) altered the landscape.

14 - Temperance - Yakuza (Temperance is the melding of disparate elements that should not go together into something grand and new, and maintaining that balance. Yakuza manages to be genuine and profound not in spite of its strange mixture of tones and mechanics but because of them.)

15 - The Devil - Genshin Impact (I don't feel the need to elaborate on this one.)

16 - The Tower - Shenmue (The Tower is total upheaval and where it all comes crashing down, where ambition crumbles and brings an institution down with it. Shenmue is not solely to blame for the failure of the Dreamcast and Sega's exit from the console arena, but it contributed to it and is emblematic of that seachange.)

17 - The Star - Mass Effect (The Star is a beacon in the darkness, a distant light that indicates not so much a goal, but that the journey will continue. Mass Effect is a landmark title that maybe didn't execute on half the things it tried, strangled by its own scope, but it still showed what games could do, broadening the possibility space. It is hope for greater experiences and art.)

18 - The Moon - Metal Gear (The Moon illuminates the path through the darkness, but creates illusions in the reflections, demanding the querent move forward with care or they will go astray, go mad. Is Metal Gear really deep? Is it the closest triple-A games get to arthouse? Does it have meaning? Or is it a mess? Is it too Problematique to justify it's big ideas? Is it all just really, really stupid? Or is it genius?)

19 - The Sun - Tetris Effect (The Sun comes at the end of a long, arduous journey. It is the sigh of relief, the tears of release, the light to finally see how far you've come. Tetris Effect is the latest iteration of one of the oldest formulas ever, and it's brilliant and celebratory and invites everyone to take part in its joy.)

20 - Judgement - Pathologic (Judgement is all-seeing and all-knowing, the final tally and the reckoning. So is Pathologic. Few experiences demand so much from the player, and few games are so brutally honest in answering the player's decisions. In Pathologic, you will get what you deserve.)

21 - The World - The Outer Wilds (The beginning is the end is the beginning. Completion and totality and holistic understanding of Everything. It's gotta be Outer Wilds.)

[another-lost-mc]

Hi Jes!!! Happy Sunday!!!

I’m curious; what do weekends usually look like with some of your obey me faves? Do you tend to just relax at home, or is your social calendar packed full? 😋

➤ sunday routines

characters: leviathan, asmodeus, barbatos, solomon & simeon, mephistopheles

content: sfw. established relationships with gn!reader implied. implied polyship with solomon and simeon. mostly domestic fluff/slice of life (slightly suggestive in solomon/simeon and mephisto's sections). wc: 0.7k.

a/n: thank you for the ask, andy! also my fav bias is showing.

Leviathan is dreading another long week of RAD classes. He invites you to watch TV in his room and if he gets the sense that you're anxious or just not in a great mood, he'll suggest that you pick what you both should watch. He won't complain even if it's some random movie or series he hasn't heard of or doesn't like. He plays his handheld with his head in your lap and every now and then he follows you to the kitchen for drink and snack refills.

Asmodeus meets you in the laundry room with his hamper full to the brim with clothes from the past week. He reminds you how to sort things to preserve their colours and the delicate fabrics. He even has his own special brand of laundry soap that just happens to be scented exactly to your liking. He's gotten angry at his brothers in the past for using it without permission, but he has no reservations about adding it to your own laundry. Usually he takes you to his room while you wait for the wash cycle to finish so you can relax. When it's time to fold and put the laundry away, he follows you to your room and helps if you'll let him (he insists you can take it easy on his bed or at his vanity while he puts away his own clothes). Afterwards, he takes your hands in his and examines your nails when he notices some of last week’s polish is chipped. He gives you a manicure, complete with a hand massage, before painting your nails with a fresh coat of polish for the week ahead.

Barbatos gets up early as usual and visits the street market. He already has his young master's dinner planned out and the ingredients on a list in his pocket, but he browses the daily offerings of fresh vegetables and imported foods while he debates what he wants to make for you. Sundays at the Demon Lord's Castle are usually more relaxed while the staff finish cleaning up from any gatherings the evening before. It'll give him enough time in his surprisingly flexible schedule to make lunch for both of you and it's the highlight of Sunday afternoons for both of you.

Solomon and Simeon invite you to Purgatory Hall to catch up on any last-minute homework you might've neglected or forgotten about. They're both extremely knowledgeable and kind when they explain concepts you might still struggle with, and you're glad you don't always have to bother Satan for his help. Solomon wants to charm you with a home cooked Sunday dinner, and he tries to sneak away from the table when he thinks Simeon is too focused on his work (and you) to notice. The best way to avoid culinary chaos is to offer to help both of them with dinner, and they're glad for your company. Sometimes they find your presence a little too distracting because they're hungry in more ways than one, but perhaps a break in one of their rooms can help.

Mephistopheles has a busy schedule and it's hard to predict what he'll be doing on any given Sunday. Sometimes he's helping his parents with errands related to their duties as high-ranking nobles in their community. Sometimes he's helping his younger brother with homework or they're playing games together. If he has no other obligations, he rides one of his favourite horses through the wooded trails behind his family's estate and lets you know when he's returned (he rushes to shower and dress before you arrive). He's more than happy to send a car to pick you up so you can have dinner with his family, or sometimes he's particularly greedy and sets up a private dining table in the lounge connected to his bedroom for the two of you. It's only when you're interrupted by the incessant vibrations of your D.D.D. later that night, and when he groans his frustrations into the crook of your neck, that you realize you lost track of time. Lucifer means well, but his timing is terrible. Some Sunday evenings, Mephisto accompanies you back to the House of Lamentation after instructing the driver discreetly to take the scenic route. Other times, you're glad you thought to bring an overnight bag with you and send Lucifer a hasty goodnight text before turning off your phone. You happily focus your attention back on the demon who pulls you onto his lap and eagerly picks up where he left off.

read more: obey me masterlist

[fairymousse]

Selia, Radahn and Miquella - My complete theory for the Vow

Spoilers and Warning: Long Post

Previous Theories

I do not think that Radahn initially refused Miquella's offer. I think he accepted it, and what he got out of it was important. I think that Miquella and Radahn were allies, for a time.

My main evidence for this is Radahn's remembrance swords, which are enchanted with Miquella's light, and are placed as being given to him before the Starscourge Conflict. This is emphasised by the Haligtree sigil on the back of Radahn's cloak in the Young Lions Set. These people were clearly allies. But, that didn't last.

I think Miquella was still willing to be a God under the Greater Will, when he was chosen as an Empyrean, and wanted Radahn to be his lord. This would make sense why he would wish to have a very strong ally as a lord, he would be able to admire his kindness, when he was still a Fundamentalist.

But Selia is when Radahn replaces his swords, and I think this is when Radahn refused to honour the vow. Radahn affirmed his allegiance to the current age, and sealed the fate in the night sky. This ideological difference causing fractures, due to Miquella's doubts in the Golden Order.

This, I think, is why Malenia tried to kill Radahn, as he had refused in life, but wouldn't refuse in death. Another reason for this is Gowry's dialogue about the Scarlet Rot being enhanced by betrayal. This is Malenia's first bloom, fighting a former ally. So, when we finally kill Radahn, his soul washes up in the Land of Shadow, and Miquella brings him back, to honour the vow. This is further emphasised by Miquella helping Radahn's wounded, most notably Frejya. I think Radahn then agrees to honour the vow, maybe charmed, maybe not

This is further accentuated through the narrative's framing. We do not fight Miquella alongside a vengeful Frejya, trying to preserve her lords dignity. We fight with Ansbach, fighting for Mohg's, a massive victim of Miquella's thoughtlessness, and Thiolier, fighting for St Trina, the remorse, doubts and kindness of the former Miquella, against a broken dream of a better world treading the path of so much cruelty of the old order. Radahn is the old order.

But, for many, it is more comfortable to assume that Miquella just manipulated everyone, no-one really loved him, he never really loved anyone, and "Chadahn" did nothing wrong. Which, as well as being thematically nonsense, is just a bit boring. Like, everyone is nuanced guys, even your fave.

[prettieinpink]

hey! do u have any advice on how to stop feeling guilty during self care? i was taking care of myself by watching my fave show in bed, and I genuinely felt rested. Until I remembered that I used to do the same thing during my lowest/lazy era. but at the same time, it’s like I was in bed to take care of myself, not to be lazy. so how do I get rid of the sort of unproductive feeling? I also feel like im wasting my time doing self care like that while other people are out doing more :(

REMINDER, SELF-CARE IS NOT BEAUTY OR CONSUMPTION. This is a reminder for everyone, that self-care is not beauty practices or purchasing items. 

ACKNOWLEDGE THAT SELF-CARE IS ESSENTIAL. Self-care is vital to maximize our productivity. You have to separate the negative connotation of watching TV as laziness. It’s a way for you to rest your mind and body. 

If you feel lazy while doing this self-care activity, pair it with another low-energy productive activity. For example, while watching TV, you can make any important list like a to-do list, groceries, or project ideas. 

REFRAME YOUR MINDSET. Instead of saying to yourself ‘I feel like I’m wasting my time’, write down a reminder on your device saying that ‘self-care is a time for me to regenerate my energy’. Every time you get this thought, refer back to that note. 

ASSOCIATED WITH INDULGENCE. The most common self-care practices we see, are typically the behaviours of people who tend to be over-indulgent or lazy. True self-care requires intention and mindfulness, and not mindless consumption. 

As long as you intend to rest, and you’re doing it in a mindful manner that allows your mind to slow down, is not laziness. 

MAKE TIME DAILY. Self-care is not a treat, it’s a daily need that both of our physical and mental selves need to rejuvenate for tasks that require energy. So, it’s easy to feel guilty if we’re not practicing self-care every day. 

This time can be used whenever in your day, but it’s most effective when your energy levels are the lowest. When you make it a habit, you’re going to feel less guilty over time as you get used to the feeling of self-care. 

SET BOUNDARIES. It’s easy for intentional time for ourselves to turn into mindless indulgence. So, you may also feel like you’re neglecting your responsibilities or tasks that you need to do. Most of the time it’s just a feeling, but it can happen.  If you feel like you need to set boundaries for yourself, go for it. Set a timer for an hour before you get back to your to-do list, make a list of non-negotiables before self-care time, and be realistic about what self-care means to you.

[vintagerpg]

While I have a special affection for Jason Eckhardt’s work, it would be unfair to look at Necronomicon Press and not give some love to their other prolific house artist, Robert H. Knox. As luck would have it, he did all the art on the Clark Ashton Smith chapbooks — some of my all time Necropress faves.

Again, these feel important for their time. When I was getting into weird fiction in the early '90s, I had easy access to most of the important authors. The exception? Clark Ashton Smith. His dedicated collections were all out of print and scarce and a serious effort at definitive collection of his work didn’t get underway until the five-volume set from Nightshade, begun in 2007. Until then, it was the occasional anthologized story, or Necropress chapbooks.

Most of these represent efforts by series editor Steve Behrends to issue corrected texts of stories that better reflect CAS’ intentions. Xeethra (1988) is a melancholy Zothique story that weird tales deemed too poetic. Mother of Toads (1993), an Averoigne story, was too erotic. The Vaults of Yoh-Vombis (1993) is a tale of Mars that was heavily revised for print, which CAS was unhappy about. Another Martian tale, The Dweller in the Gulf (1993) was so tampered with that CAS stopped writing fiction for a time. The Hashish-Eater (1989) is a lengthy, cosmic poem, unbothered by editors during its author’s lifetime.

Knox’s covers are fantastic, but holy wow those interior illustrations for The Hashish-Eater are something else. Dripping, psychedelic vistas fit for Troika. I’ve loved flipping through this one for over three decades.

[matan4il]

911 ep 706 first watch reactions

Buck and Eddie setting up the bachelor party are so funny. They're married to a degree that the bride and groom can only aspire to one day achieve. And Madney are raising a kid together! Then again, so are Buddie, and have been since day 2... (day 1 is forever Buck ogling Eddie at the station, and Eddie strutting his stuff for him, with Buck's now canonically jealou-traction being the, ummm, lubricant)

Oh, Tommy just arrived, Buck and him have done nothing but hug, and Eddie's already bringing on the jealousy jealou-traction. IDK what is the etiquette about bringing your date to a bachelor party, but what's the rule about bringing your hubby who's jealous of your bf?

Oh, and an extra jab at Buck bringing Tommy officially as his date to the wedding. I love me a jealous Eddie. My dude, your closet is shaking so hard, it's about to push you out of itself if you don't make the move already.

Okay, in all seriousness, Tommy not dressing like the 80's, Buck showing that he really cared about that silly party theme, Eddie rolling with it, the two of them being dressed more as a couple than the actual guys dating, Buddie seeing things so much in the same way (down to both seeing themselves as the same character from Miami Vice) while Buck and Tommy are totally out of sync... I love that Tommy is there to help Buck figure himself out, but also, this is the stuff that will forever keep me shipping Buddie.

I know the flashback is mainly to show that the bachelor party is Buck's idea, and goes against Chim's wishes, but Eddie suggests the couple costume? And Buck was so readily on board? Even when he knew Tommy would also be invited? This is my house catching fire, while I sit here, mumbling to myself how fine it all is...

Okay, everyone leaving the bachelor party, even the guy Buck is dating, while Eddie stays, sure is something. And by "something" I mean "a couple." That's a couple. That's Buck's partner in everything, even dumb ass 80's costumes and failed bachelor parties, he's the one who jumps in whatever stupid plan Buck comes up with, and stays to deal with the mess.

LOL And then we got some REAL mess. Again, dumb Buck idea, and Eddie just rolling with it. Making it worse even, by suggesting how to take the party (made up of people who don't even know the groom) to Chimney. These two deserve each other. XD

Buck was behind Eddie while his shirt was being torn? Presumably helping with the tearing? That's it, 911 does not want me to make it to the end of the season with my sanity intact. I guess it's good that I'm not even trying...

I'm glad there was a representation of Chim and Kevin, and a Korean tradition, I just hope it was a truthful one. (do we have Korean viewers in our midst to chime in on this?)

Maddie using her 911 skills to find and help Chim is pretty badass (and a nice gender reversal of the 'damsel in distress needing to be saved a sec before her wedding' tale). Love it!

Maddie and Chim looked so happy during their wedding. Honestly, at the end of the day, my little hopelessly romantic heart doesn't need more than that. <3

Awwww, the Buck and Tommy kiss was nice. I think the most important part of it is we got to see Buck for the first time daring to kiss another guy, rather than wait to be kissed. I may bbe a Buddie shipper, but I think this r/s is important to Buck as well, to his ability to find what he wants, to not be scared of it, to not wait for others to want him as was the case with all the women he'd dated, but rather figure out what he wants in a certain moment, and that it's okay for him to go get it.

(I still don't think Tommy is Buck's endgame, though. Much as his probably my fave Buck r/s so far other than Eddie. Tommy not being there for Buck when the bachelor party flunked, him not being there at the wedding itself, to share this significant moment with Buck, being almost incidental to Buck's coming out to his colleagues and parents, other than being a gay that was obviously kissed by Buck just a short while ago... Again, just not the stuff great love stories are made of)

Hen going, "Finally!" to Karen was funny and cute. Everyone (almost) just smiling at Buck's coming out was nice. But the way his mom reacted in particular felt more realistic, and made me wish that at least with his parents, who we know he has a strained r/s with, the should would have allowed this to be more explored. Hopefully in a future ep if not now.

Thank you for reading! If you're looking for more, you can find my s7 reactions tag here, and more of my Buddie meta and content in my pinned post. xoxox

[verxsyon]

·:*¨༺ ❝ 𝐅𝐋𝐎𝐖 (𝐈𝐈) ❞

with your auto workshop at risk of closing down, your best friend offers to introduce you to people who are definitely in need of your high quality services: underground street racers of blue lock, whose obsessions are winning the races. however, your arrival at the track makes them think otherwise.

✧ 𝐩𝐚𝐢𝐫𝐢𝐧𝐠. yukimiya kenyu, otoya eita, karasu tabito, shidou ryusei, itoshi rin, itoshi sae, oliver aiku, alexis ness, & michael kaiser x gn!reader

✧ 𝐟𝐨𝐫𝐦𝐚𝐭. headcanon (written) ; 1.1k

✧ 𝐠𝐞𝐧𝐫𝐞. e2l au, f2l au, street racer au ; fluff

✧ 𝐰𝐚𝐫𝐧𝐢𝐧𝐠𝐬. allusions to violence (shidou & rin)

✧ 𝐯𝐞𝐫𝐚. here’s the second part containing characters who are more egoistic than the last batch… nah, that’s debatable lol. did i actually spend the entire day working on this? yes, i was a roll; love it here. anyways, my other fave, yukki, is here! i didn’t mention it last time: this au was originally written for another fandom years ago, moved to genshin but that didn’t happen, and then here! egoistic soccer boys as street racers? yes, please.

[ 𝐅𝐋𝐎𝐖 (𝐈) ]

𝐲𝐮𝐤𝐢𝐦𝐢𝐲𝐚 𝐤𝐞𝐧𝐲𝐮. the model. he’s a member of the neo egoists and is ranked fifth of the top six racers in blue lock. his charm is the focal point of his character, driving the audience nuts. curious by nature, he wonders what important qualities you possess other than being “kira ryosuke’s date”. he also wonders how you managed to get the likes of barou, who treats everyone like trash, and nagi, who thinks of only going home, wrapped around your finger. seeing you teach nagi about car anatomy gives him the chance to introduce himself. he thinks there’s something special about you, which he intends to find out, but a teammate of his believes so otherwise.

𝐨𝐭𝐨𝐲𝐚 𝐞𝐢𝐭𝐚. the ninja. he’s a member of the neo egoists and is ranked fourth of the top six racers in blue lock. he claims to be not like his fellow racers and teammates and prefers to operate in the shadows. unlike them, he doesn’t see you as an angel who was sent by god in the form of a mechanic to fix their cars. he fails to see why they’re smitten by you, therefore not interested in interacting with you at all. that turns out to be a lie when yukki gives you a tour of the turf of the neo egoists. it’ll be rude not to make you feel welcome, so he wants to give you a chance. a crow-themed racer laughs at him for fooling himself that he doesn’t find you attractive one bit.

𝐤𝐚𝐫𝐚𝐬𝐮 𝐭𝐚𝐛𝐢𝐭𝐨. the assassin. he’s a member of the neo egoists and is ranked third of the top six racers in blue lock. all about good vibes and having a good time, he doesn’t want his team to act “mediocre” around you. most newcomers are notorious for never setting foot in this place again. he’s so relieved to hear that you came at your own volition thanks to ryosuke’s persuasion, and everyone you’ve met is nice to you… sans certain others, so he doesn’t need to worry about making an impromptu spiel of why blue lock, aka his team dare you add, is great. if you think he’s too friendly for your taste, let’s see if the next guy who’s stalking you right now takes the top of your list.

𝐬𝐡𝐢𝐝𝐨𝐮 𝐫𝐲𝐮𝐬𝐞𝐢. the joker. he’s ranked second of the top six racers in blue lock. unrestrained both in words and action, he goes about his day and does everything as he pleases. judging by how karasu and the rest of the neo egoists are quick to stand either by or in front of you, he’s bad news. the altercation got team z’s attention, especially kunigami who he has massive beef with. you being “ryosuke’s date” doesn’t phase him, nor your best friend going for his head for being near you. ever since the older itoshi brother joined forces with u20 and chose him to be at this side, he’s been “behaving”. the younger itoshi brother isn’t amused, as if he didn’t break his nose last race .

𝐢𝐭𝐨𝐬𝐡𝐢 𝐫𝐢𝐧. the puppeteer. he’s the unofficial leader of the neo egoists and is ranked first of the top six racers in blue lock. the youngest of the itoshi brothers, has a score to settle with his older brother, sae, who’s participating in the upcoming race as a member of u20 along with his personal choice shidou. it’s already bad enough for racers to use physical violence to settle arguments, but it’s even worse for him to be involved in another fight with shidou, especially before a race that determines his fate and prove to sae that he’s the best of the best. he doesn’t spare a glance at you or ask if you’re alright, as sae walks into the neo egoists’ garage to check out the commotion.

𝐢𝐭𝐨𝐬𝐡𝐢 𝐬𝐚𝐞. the prodigy. he’s one of the new generation world 11, the best eleven racers in the streets and a member of royale. as he’ll be the only one representing his team in the upcoming race, he joined forces with u20 since they’re short by two members and personally chose shidou to fill in the other spot. even if it’s not obvious at face value, everyone can tell there’s bad blood between the brothers by the intense atmosphere created from their staring contest. sighing, he breaks contact first to search where you are, then looks at rin to scoff at his lack of concern for you when shidou approaches you. in the distance, claps are heard from a man with “u20” on his jacket.

𝐨𝐥𝐢𝐯𝐞𝐫 𝐚𝐢𝐤𝐮. the player. he’s the captain of u20, the name of the team you’ve heard from literally everyone who won’t shut up about them for the past several hours. he’s highly respected among his team for his patience; dealing with sae and shidou, the most difficult people to work with on earth, is like a drive around the neighborhood. he intrudes with a reminder that the streets don’t approve of violence and that they’re going to race soon. in addition, a blue lock racer by the name of kira ryosuke has a special guest and they should be on their best behavior. yet he’s a hypocrite, flirting with you in front of his current date and promising you an autograph when he wins.

𝐚𝐥𝐞𝐱𝐢𝐬 𝐧𝐞𝐬𝐬. the magician. he’s the mechanic of bastard münchen. he understands your position as the center of attention, claiming to be just like you — having a partner for an adrenaline junkie and being the “fixer” to clean up your mess. he invites you to see his partner’s car at the special garage as he’s on his way their to fix its engine, to which you happily accept as there’s finally someone with the same job who you can geek about car anatomy and share techniques. the way he repairs the engine is like clockwork, fluid and in tempo. he really is on a different level. you hear a chuckle behind you, asking if you’re fascinated by his work.

𝐦𝐢𝐜𝐡𝐚𝐞𝐥 𝐤𝐚𝐢𝐬𝐞𝐫. the thorn. he’s one of the new generation world 11, the best eleven racers in the streets and one of the major forces of bastard münchen. he puts in so much faith and trust in his partner, ness, the “fixer” of his messes. also known as “blue rose” in his turf, he’s shrouded in mystery and seems like the type who can turn the impossible to infinite possibilities. but in reality, he’s a pain in the ass. within minutes of your encounter, he keeps bragging about his abilities and declaring that his victory will lead to the disbandment of blue lock, so they won’t get in his way of his career. the race’s up, and you’re hoping that a blue lock racer wins to shut his mouth.

✧ 𝐭𝐚𝐠𝐬. if your url is in bold, that means i can’t tag you!

@2018-01-20 ; @astranne ; @kamiiyaka ; @keqism ; @lilikags​ ; @thetruepair​ ; @wanderersbell ; @venexus​

[lizzybeth1986]

Hana and Madeleine: When You Reward Your Favourite Bully with One of Her Victims

Series - TRR's Alternative LIs: The "Romances" That Didn't Happen

Previous - Maxwell and Penelope: When You Like the Side Character So Much, You Gift Her A Shiny New LI

A/N1: Apologies, again, for the length of this. There was so much damn retconning to wade through that it felt like a rollercoaster to write. There is also not going to be a lot of Hana in this, as I needed to unravel so many inconsistencies in Madeleine's writing. I also didn't want this to become a repeat of my essay series on Hana (which you can read here).

CW: Descriptions of bullying and intimidation, as well as dismissiveness of the same both in canon and from fandom. A mention of the 'infertility' plotline written for Hana in TRH1. Mentions of parental abuse and neglect.

In every other essay in this series, it's been important for me to analyse the potential of the pairings TRR went for. No matter how badly PB handled them later on, one could find promise in the possibilities of these pairings, and if written well they could result in a sweet, happy ending for the LIs we didn't marry. With a better sense of balance from the writers and less vitriol and double standards (in some cases) from the fandom, they could have worked.

Not so for this pairing.

In the case of Hana and Madeleine,it would have been far far better if this pairing had never happened at all. The problem wasn't just in the development; the roots of such a pairing itself were rotten.

(White) Female Antagonists

Before I delve into the characters involved in this pairing, it's important we take another deep dive into a narrative practice we often see with PB. Their blatant favouring of specifically white female antagonists.

Now, it's not as if white men in antagonistic roles don't get favourable writing from their teams and adulation from sections of the fandom (one has to only look at some of the posts Gaius Augustine of BB, Caleb of Hero, and Kane of TE got - just to name a few). But we also often see fans of such white women decry the (very little compared to their black counterparts) condemnation that their faves get for their actions in comparison to both antagonistic and romanceable white men. Such readers often neglect to acknowledge exactly how much the narrative bends over backwards to accomodate them, in a way that they never have done for even mildly hostile/wary black and brown women. And often this is with ample support and encouragement within the fandom itself.

One cannot even pretend this is a recent development. The early books had their fair share of white-woman-adulation and you can see some of the patterns that would solidify in PB discourse already take shape in their early books.

One excellent example of this is TCaTF. Compare the treatment that white women like Helene Leventis, Hex and Zenobia Nevrakis are given, to what Rowan Thorn - a black woman - gets. Helene is allowed to escape never to return, or join Kenna, despite being the woman who killed her mentor and close friend Gabriel. Hex is well known in the series for her sadistic torture devices and for destroying an extremely prosperous kingdom. Yet, she is captured - alive - and there are two options that allow her a bit more mercy, and only one that recommends the harshest of punishments. Rowan in the meantime only betrays Kenna if the latter is an absolute tyrant to her, and letting her go if she betrays her is touted as a failure. Her loyalty doesn't ensure she will live like Diavolos' does - you can in fact leave her to die if you don't have enough diamonds/prestige points.

The Freshman was an improvement on this: even if Becca Davenport started out as a classic college mean girl, her redemption arc involved her needing to work to regain trust with the group and her best friend Madison, regardless of the MC's fondness of her. Her housemates immediately set her straight when she lashes out at them at the beginning of TS, and Becca has to plan for almost a-book-and-a-half to get her friendship with Madison back to normal again.

Sadly, this is something that rarely ever happened again. Discrepancies in character treatment became more and more obvious as the years passed. Books where black and brown women behaved even mildly unimpressed or catty with the MC, showed them either suffering grievous fates or written out of the narrative (eg. Scarlett not even getting a proper future in the VoS bonus scene) or being mistrusted and misunderstood constantly by the MC and their friends (Aurora). Books where white women could cause grievous harm depicted them being let off without so much as a slap on the wrist (eg. Aunt Mallory of RoE being rewarded with a happy life, a man and reconciliation with the niece she tried to kill and the daughter she emotionally abused).

(Screenshots from SavageLordBarlow's YouTube channel)

Perhaps the worst and most obvious case to date was that of Vanessa Blackwood of MoTY, who called a young child "guttersnipe" within minutes of encountering her, outed a lesbian teacher, encouraged her son's bullying, provided legal counsel to the MC's ex husband just to see the woman suffer, and engineered a plot to frame the MC for theft so she could lose her job. Once Vanessa had crossed her limits, PB ensured they laid on the sympathy narrative thick, having her show sad faces when the MC scolded her in a paywall scene, punishing only her brown lackey (both the white people involved - Vanessa and Guy - are never named when Tallulah is exposed, even though she literally stole jewellery and framed the MC for them). In the series finale, Vanessa was rewarded with a cushy diamond scene where the MC can choose (in what is the understatement of the century) to call her "classist and a little bit racist" - all she is given at the end of the book is an extremely softball form of criticism.

Compare this to Xanthe of ACOR, who had far less power, who was repeatedly slut shamed by the MC and others for doing her job, and whose end was met in a "comical" scene that implied she'd been sold into sexual slavery while two black members of her scholae gloated over her plight (in a manner so uncharacteristic of them that even players who didn't necessarily like Xanthe were shocked. I would highly recommend you read @cassiopeiacorvus' excellent essay on her, "Xanthe: Courtesan, Rival, Pawn").

In an essay I'd written years ago, I'd noted the following:

"Check out who the narrative rewards you for treating well, as opposed to who will be made to support you either way.

You're allowed to show basic decency to a black or brown woman. But you're expected to show kindness, understanding and empathy to a white woman, and richly rewarded if you do. In some cases you will also face consequences if you don't. (Fandom - take note of the difference, and be sure not to forget it)."

Madeleine Amaranath is probably one of the best examples of this - with blatant retcons, unfounded adulation and obvious pandering lasting over five books.

Rules of Engagement

When we look at the full cast of TRR, we find at least six characters who are callbacks to its sister series, Rules of Engagement. Leo, Constantine, Regina, Bastien, Madeleine and Rashad (the last one was an addition from TRR2 onwards). Part of TRR's appeal as a series was its ability to reference the earlier one through these characters, but this time from the PoV of Leo's younger brother instead.

Madeleine appeared in only 2 chapters in RoE. She was Leo's fiancée, in an arranged match that not only their parents but their citizens expected, unfazed by the "commoners" Leo brought to his bed and secure in the knowledge that no matter who he slept with she would eventually become his Queen. Leo dashes these expectations, however, by abdicating his claim to the throne - whether the RoE MC chooses him or not.

At this point - when TRR was barely even a concept - Leo was a clear fan favourite. Players liked the idea of romancing a rogue prince from a fictional European country; it meant they could revel in the luxury of touching royalty, while being away from all the hard, unsavoury parts. The Madeleine angle provided them with a rival to fight off, and at the time that was all that mattered.

Was Leo's behaviour in RoE, towards both the RoE MC and Madeleine, dishonest? Definitely, but not many seemed to care much at the time and it hardly created a dent in his fanbase (most of the criticisms against him and his cheating ways and irresponsibility would emerge later - when the Leo stans became Drake stans, and it was more convenient to badmouth Liam's family).

Jeffrey Herdman, a Junior Game Writer with Pixelberry for over 7 years, was a part of both the RoE and TRR teams, and proudly admitted in the TRR2 pre-release interview, to being the one in charge of writing Madeleine:

Q: Very funny. (Just so we're clear, Jeffrey is joking. Sort of.) Out of curiosity, who's your favorite character to write in The Royal Romance?

Jeffrey: Madeleine. It's fun to write someone who's constantly trying to spin a situation to their benefit, and making power plays along the way. I've actually been writing for Madeleine since her appearance in Rules of Engagement: Book 2, so we're practically besties.

Excerpt from The Royal Romance: Book 2 Interview

(If we were to compare this adulation of the character from Jeffrey, to the person who wrote Hana - head writer Jennifer Young, you'd find a surprising difference. In this very interview Jennifer talks about enjoying the process of writing Hana, but pointed to Drake as her favourite LI - "In my personal game, my love interest is definitely Drake, and I totally make Kara write him just so I can read his scenes and enjoy the romance. =)".

Perhaps if Jennifer had spent less time fawning over Drake, and more time doing Hana's story justice, that LI wouldn't be stuck in a situation where the team constantly erased her experiences and history to benefit their favourites)

When you look at Jeffrey's open admiration of Madeleine, and trace her fairly choppy and largely incoherent narrative journey through the books...a lot of things begin to make sense.

TRR1 - Would a TRR1 Madeleine Have Been A Better Fit for Hana?

When you look at the first book, you can tell that the possibility of any of the other alternative pairings besides Liam and Olivia wasn't really entertained. There is no buildup at all for Maxwell x Penelope, Drake x Kiara - and not even a single direct interaction between fellow competitors Hana and Madeleine. In fact, TRR2 often had to cover up for the lack of interaction in certain cases by making the alternative LI come up with justifications for why they weren't approaching the LI before.

There is maybe one implied interaction between Hana and Madeleine, that I don't think even the writers paid much attention to at the time. In the pie baking scene in Applewood, Hana is assigned to Madeleine's team if the MC doesn't take her along. Whichever group Hana is in, she is in charge of the pie design.

In the diamond scene, she takes the MC's suggestions and gives her advice on the amount of apples required for the filling. Given that she gives credit to the MC (in front of Queen Regina) in this option, and doesn't not do the same for Madeleine, it is likely that she was allowed to decorate for the other team, but not with much input from the captain.

This pie has a rose design, which is beautiful but lacks the intricacy and the challenge of the Cordonian Royal Seal, which the MC can suggest in the diamond scene. It's possible that by default, Madeleine handled the baking herself (since Penelope couldn't even boil water and in fact is so distracted she unwittingly helps sabotage the pie), and Hana was assigned strictly decoration duties. But even these possibilities rely on conjecture and guesswork, with no real dialogue or interaction shown.

There are no other scenes where the two women talk or do anything together. Hana may be present in one or two scenes where Madeleine is speaking (such as the dining scene in Ch 17 where Madeleine tells the court ladies about the upcoming Engagement Tour), but the two never directly engage with each other. It's more likely that (like Maxwell and Penelope, or Drake and Kiara), the writers may have thought of Hana and Madeleine only in the second or third book - more likely the third, but there are possible hints in TRR2 if you squint.

Hana is an interesting anomaly among the cast of TRR. She is both Cordonian and foreigner; the ways of the Cordonian court are, in equal parts, both familiar and confusing to her. This serves as an double-edged advantage to the MC - Hana is both skilled and knowledgeable enough to ease her into the culture, and isolated and vulnerable enough for the MC to step up as a hero on occasion. We also find out in Lythikos (TRR1 Ch 7) that she was so deep in the closet that she couldn't fully articulate her struggle to love the romantic English noble who wanted to marry her, in the presence of the woman she was slowly beginning to love. Within the competition itself, Hana is shown having a hard time finding people who will associate with her, often shown left out of events and her yacht party abandoned during the Regatta. The broken engagement could have a hand in making her appear to be struggling in the competition, but tbh Olivia is the only one who brings it up. Overall, she does well in the competition, but gets little credit for the same.

Madeleine is the polar opposite of this. Even though the ladies of the court initially view her with a mixture of pity and respect (due to her broken engagement with Leo, and her position as a Countess and winner of the previous season), their views on Madeleine once she enters the competition range from anger (Olivia), to speculation (Kiara and Penelope), to indifference and later suspicion (the MC).

Madeleine comes into the social season with several advantages: her pedigree and her years of experience at court. Both Bertrand and the MC note that Madeleine hails from a "powerful family" and "is immersed in the intrigues and maneuverings of courtly life", and therefore the MC is cautioned by Applewood to pay more attention to her than to Olivia. If the MC fails to win court favour, both Penelope and Kiara show allegiance to Madeleine. Where Hana is shown to be vulnerable despite her skills, charm and intelligence, Madeleine is meant to be viewed with respect even by her peers - and expected not to return that respect to others unless they're the king and queen.

I often view the Madeleine of Book 1 (and early TRR2), and the Madeleine of the latter half of Book 2, as two separate people (more on that in the next section). Early Madeleine was depicted as a clear threat. While she does nothing too out-of-pocket during the competition, her threats to the MC once she is (optionally) the favourite frontrunner, her singular focus on only the king and queen (and largely ignoring the Prince), and inability to respectfully lose, ensure that the reader registers her as a figure of danger early on. The first time she (optionally) faces an obvious loss and sees the MC crowned as Apple Queen, Madeleine tells her to "savour these moments. You may never hear the phrase again".

Her very extreme attempts to belatedly win Liam's favour after ignoring him the entire season (we later find out that she barged into his sleeping quarters the previous night and suggested the arrangement that Liam speaks about in TRR2), earns her speculative looks from the MC and wariness from Liam himself. Given that the outcome was so different in TRR2 but the buildup to said outcome was so rushed and chaotic, there is a 70/30 chance that Madeleine's buildup in Book 1 was meant to highlight her as someone with the capability to harm the MC, rather than just as a red herring. At the very most, Book 1 would highlight her as powerful, with the intention that Book 2 would follow through with showing her as a cog in a very vicious machine.

But because Madeleine's actions in TRR1 don't result in any direct harm, it's honestly hard to envision her as dangerous beyond the subtle threats (that people could brush off as basic rivalry) and rank classism.

Would Hana's pairing with the Madeleine of TRR1 have worked? It's equally hard to say. If we take only Book 1 into account, and ignore the very real possibility of a threat that Madeleine represents, there's a sliver of a chance that such a pairing could work...if Madeleine works on herself. At this point she hasn't manifested as a direct threat to Hana in a way that, say, Olivia has - and all the MC has at this point are theories and speculation. You'd have to probably change half of Madeleine's characterization, but it could be workable if the foundation for such a pairing was mutual respect from the start.

Still, when you take into consideration that Madeleine being involved in the plot against the MC was a very legitimate possibility, it's hard to see any opening for this pairing. Even Penelope - whose coddling from the narrative knew no limits - was no longer entertained as a potential alternative romance for an LI the moment her role in the plot was uncovered. If any harm was done to the MC, and Madeleine was found to be behind it, there is no way Hana would even be allowed to entertain the thought of her as an alternative LI at all.

You see - hurting Hana is no big deal. But hurting the MC and still getting an LI to show interest in you? Now that would be beyond the pale!

Madeleine: A Red Herring...Or A Villain Retconned?

As I have mentioned earlier, there is one writer - who has seniority in the company because of his many years there, who has always been in charge of Madeleine's writing, and who has always loved writing her. On close inspection one can say for certain that Jeffrey Herdman had a fair bit of sway in the team itself, especially from the fact that one of his weirdest writing suggestions - the MC's supposed obsession with hats - was retained in the books as a gag for a very, very long time (TRF finale livestream interview). When you take both Jeffrey's sway in the team, and the writing of Madeleine in TRR2 and 3 (and beyond), one can make several educated guesses about what Madeleine was built up to be, and how that changed midway.

Plenty of fan posts written in the gap between TRR1's finale and TRR2's release, took for granted that Madeleine would have some role to play in the plot against the MC. While one may assume this was due to "jealousy" from players or "hate for a bitchy character", there were enough signs in TRR1 and 2 that this was the route the narrative was initially planning to take with her.

The MC does voice suspicions of Madeleine in the first book - mostly after Madeleine herself voices threats to the MC during the Apple Queen ceremony. Madeleine also looks apprehensive at the (optional) public support Liam shows towards the MC at the Beaumont estate, and even shows him a suspiciously huge amount of attention at the Coronation. The MC even confronts Madeleine during the Coronation festivities when she gets a note threatening her to withdraw from the competition, believing it was sent by the latter. But beyond this, Madeleine's own words in TRR1 often sound ominous and laced with subtle threats. Still - going by just TRR1's evidence, Madeleine could still work as a good red herring, since she's not exactly crossed a clear line with anyone yet.

TRR2 seems to go in one direction when it comes to Madeleine's arc, then makes a sharp pivot in the opposite direction post Chs 7 and 8. The first half of the book has both the MC and Liam regard her with doubt and suspicion, especially when the MC learns that Madeleine had come to Liam's rooms the night before the Coronation, and insisted he continue the relationship with the MC on the sly while making her the queen. The book presents several contrasts between Madeleine and the MC, presenting their possible ruling styles and envisioning how each woman would fare as a future queen.

In a diamond scene in TRR2 Ch 4, Liam asks the MC how she would handle a plate of curry chicken falling on someone - an incident that has already occurred in some playthroughs to Madeleine (who got recognizably frustrated and called the whole episode "a disaster"). In contrast, the MC can claim she would either defuse the situation with humour or help clear the mess - both of which establish that unlike Madeleine the MC knows how to adapt to different situations, and prefers to find a solution rather than take her frustrations out on everyone else. Liam points out the differences between the two women as the MC "having perspective... every gaffe isn't a disaster".

Multiple scenes in the story focus on Madeleine's rigidity, her inability to adapt, her hunger for power, her belief that becoming queen gives her a free pass to be a tyrant, her hubris that allows her to outright harm some of her ladies in waiting and believe she will never face consequences, and her overall lack of real impact during her own engagement tour (only if the MC fails miserably does the Italian statesman Francesco even mention Madeleine). A lot of this buildup indicates that she won't be as effective a queen as other characters claim she will be.

Her overall behaviour in the first half of TRR2 seems to highlight overconfidence, and a willingness to overstep every possible boundary in the belief that nothing will now prevent her from getting what she wants ("the best part about being Queen is that I don't have to explain myself to anyone. Including you."). Even though she isn't queen yet, both Madeleine and everyone around her behave as if she has already been crowned! That kind of overconfidence - especially from someone who should know better than anyone that winning the competition doesn't necessarily mean she'll be crowned - makes more sense when she is aware that there are powerful people (like the former king and her aunt, the former queen) to back her.

There is also the fact that Penelope's involvement in the plot never got any proper buildup. There is just one scene, in TRR2 Ch 6, where she speaks about feeling uncomfortable at parties and balls, and how much she hates crowds. The reveal of her being the culprit is in Ch 7; the reveal of her social anxiety is in Ch 8. Before this, you have zero indicators of her being involved in this level of deception - even though her history of "social anxiety" should have ideally made that kind of subterfuge difficult, and she should have been able to leave a few tells, signalling her guilt. It is very clear on rereads that Penelope's involvement in the plot was a last-minute narrative decision.

But perhaps the strongest evidence that TRR2 was originally meant to establish Madeleine as part of the plot against the MC, is a line from the very first scene of the book. When a confused MC asks Bertrand how it's possible for Liam to break his engagement, Bertrand mentions a constitutional provision:

"The king is able to change his selection in specific cases for the good of the nation". The MC being proven as framed and unfairly disgraced achieves very little in this context, because the focus is clearly on the king's final choice. This means that the engagement cannot be voided on the basis of the MC being innocent, but on the basis of Madeleine being unfit for the role.

What happens to this "constitutional clause" once Penelope is declared the culprit among the court ladies rather than Madeleine? It disappears completely. If she was really meant to be a red herring from the start, the team would never have added this line in the first place. Nor would they have left the "buildup" for Penelope's anxiety till Ch 6, just one chapter before her reveal. If Madeleine was really meant to be a mere red herring from the start, there would have been more than just one crumb presented for that trail.

It is highly possible that the team had plans for Madeleine to be involved in the plot, or in something shady enough to justify breaking the engagement. It is just as highly possible that Jeffrey, the writer in charge of her character, allowed his favouritism for that character to dictate his writing of her, and convinced the team to change the trajectory of the story to benefit her.

Hana and Madeleine - The First Half of TRR2

Most of the interactions between Hana and Madeleine in TRR2 are overshadowed by one incident in Ch 7 - the one most popularly known as "the chocolate incident". Madeleine was already not too popular as a character when this scene came out, but her admission that she wanted to break Hana crossed enough of a line that a number of players would bring it up as a reason for why they couldn't ever like her, no matter how often she was retconned in canon.

A common misconception made about the "chocolate incident" from Madeleine lovers and haters alike, is that it's viewed as a singular episode rather than as an escalation in an ongoing pattern of threats that Madeleine was already making to Hana.

Viewing it as an isolated incident is precisely what allowed both Madeleine stans, and the canon narrative itself, to severely downplay what Madeleine did, and what she openly declared she would continue doing to Hana. Therefore, it is essential to look into Hana and Madeleine's interactions before Ch 7, as well as the context behind Hana's return to court and the very real and grave threat that Madeleine represents to Hana specifically.

To do this, we must first look into how Hana's return to court (after her parents forced her to leave post Coronation) is depicted. There are two versions of this story - Madeleine's version...and the truth.

Madeleine's Version: "If it wasn't for me, she'd still be on the other side of the world. I've heard dogs remember those who feed them. I hope you'll keep this in mind and remember that dear Hana is here by my personal invitation". This is a half-truth at best and ironically, this is the version Hana sticks to. She is never allowed to tell us differently.

The truth, as said by Liam to Hana post Coronation: "I am the King of Cordonia. I'm sure Lady Madeleine knows that if she wants to keep our engagement, she'll have to give me something. Perhaps I can convince her to make you part of her court". Hana never gets to tell us this. That honour is given to Drake!

Even after the MC (optionally) gets to know this truth, she never talks to Hana about it, and Hana is never allowed to veer from Madeleine's narrative even in private. In the process, Madeleine gets to use her half-truth as a form of blackmail - threatening Hana at least twice to send her back to China if she paces even one toe out of Madeleine's arbitrary line.

In TRR2 Ch 4, Madeleine is shown antagonizing her entire court (ordering Penelope to get lemonade and comparing her to dogs, telling Kiara to exoticize herself by not speaking in English [which itself has colonial/Orientalist connotations]). But none is more ominous and disturbing than her subtle threat to Hana before introducing her to the two suitors:

Being sent back to her parents is a terrifying prospect for Hana...for two reasons. For one, Hana is committed to being there for the MC, to contributing to her investigation (and she does! Massively. Perhaps more than anyone else in the group). For another, she is just beginning to realize what a damaging environment her parents' house is, and she also knows they are already growing suspicious that she hasn't found another suitor yet. By the end of this conversation, Hana is visibly distraught... to the point of needing moral support (something she rarely asks for herself).

Remember - this is an arbitrary rule Madeleine comes up with, that applies only to Hana. In the same conversation, neither Kiara nor Penelope are placed under this kind of pressure. Though Penelope claims in Ch 6 that her parents won't allow her to come home if she doesn't get a suitor, Madeleine doesn't levy any other threats of this nature on her (she harms Penelope in other ways).

Madeleine is aware that Liam was the one responsible for Hana's return. It is implied that she is also aware that neither Liam nor Hana can say this in public. By this coin, she'd know that she shouldn't be the one who can take a call on sending Hana back - Liam is. Yet she issues this sort of a threat, and worse still...is allowed to get away with it through Hana and the MC's silence, both in private and in public.

Unlike the MC and Olivia, the other three ladies of the court are present in official positions to the future Queen, and are expected to publicly pledge loyalty to her. The narrative of TRR2 alone seems to give the King's fiancèe powers and influences similar to an actual Queen Consort's. And Hana, Kiara and Penelope aren't just random "court members" - they are Madeleine's ladies-in-waiting. They cannot even speak to certain people unless she approves of it (Ch 1), she orders them around with the disrespect that many in that nobility reserve for their servants (Penelope in Ch 4), she publicly humiliates and insults them if they make a single mistake (eg. Penelope not getting a metallic dress in time for the bachelorette), and she can get away with causing them grievous harm (Hana). There is no actual point to any of this behaviour - it achieves nothing and (by the narrative parameters of the third book) is actually foolish, because Madeleine's actions could cost the royal family their relationship with the Great Houses. Neither the MC nor Liam (the actual monarch), would be allowed by the narrative later to abuse their power the way Madeleine can, in a position that isn't even hers yet!

It is easy to view Madeleine's interactions with Hana and Penelope especially, as just some regular mean-girls shit, with all the excuses, justifications and crocodile tears that the fandom can shower on said white/white-passing mean girls. Canon itself encourages this reading when they use the word "hazing" to describe what Madeleine put Hana through. But when we speak of Madeleine's behaviour in her engagement tour that way, we miss a very important aspect of her dynamic with these two women. They are no longer competitors or mere allies. They are not just people she knows in court.

They are not Madeleine's equals. They are her employees. She is directly in a position of immense, unquestioned and unchecked power over them. Publicly, she has the authority to invite them into her court, and to throw them out of their jobs. It is from that lens, that we must view her behaviour, especially in Ch 7.

The "Chocolate Incident" and Its Aftermath

Another reason to believe Jeffrey's favouritism for Madeleine allowed for an actual change in the story, is the way this above scene - and the ones preceding it - were handled immediately in both the immediate and long-term aftermath.

Often dubbed "the chocolate incident", this scene takes place in Italy (the first stop of the engagement tour) during Madeleine's bachelorette. For anyone who has forgotten the incident, Madeleine's ladies-in-waiting are supposed to organize different fun activities for her bachelorette, and the MC uses each event as both a PR exercise and an opportunity to check the credit cards of the ladies.

The final activity is Hana's, an intricately-planned chocolate fondue party complete with chocolate-themed games and treats. If one reads too much between the lines, one could maybe notice the tiniest sliver of a romantic hint in Hana's conversation with the MC over her confusing an actual bachelorette party with the show The Bachelorette (It is just as possible tho - if not more - that this is a comic aside pointing to Hana's lack of exposure to modern media).

However, things take a turn for the worst at this juncture. Madeleine heavily berates Hana for not knowing that she is "allergic to chocolate", accusing her of an attempt to murder and even threatening to remove her from her position in court. This leaves Hana so distraught that she ruins her own dress in the process, and is damn near inconsolable. The MC can - if she chooses - comfort Hana along with their friends. At the end of the night, a heavily drunk Madeleine gleefully admits she lied about the allergy and gloats about wanting to keep hurting Hana till she breaks, because she "wants to have a little fun".

She claims, when asked why, that it's because "everyone wants something, but the nice ones like Hana don't even have the decency to act like it". Which sounds like the sort of sick logic that fandom often happily accepts from their favourite white antagonists, where they can project whatever sob story they want to make such a reasoning palatable. Such attempts ignore the fact that Madeleine is torturing someone for supposed "duplicity" when she is herself well-known for being insincere.

Later, when it was convenient for the fandom to hate on Hana, she would be either blamed for the torture Madeleine put her through (because she was "weak" or "too nice", or that she was "spineless and deserved this treatment". I even saw posts that claimed it "wasn't that bad" (in the case of one particularly memorable instance, a Madeleine stan went so far as to say, agreeing with a post expressing a fondness for Madeleine: "...before anyone mentions the chocolate prank: Did Hana die, tho?"). Some also tried to reason that it was fair for Madeleine to target Hana, either to showcase her "wiles" or because of her sad sad childhood.

As I pointed out earlier, every single one of these takes tend to downplay Madeleine's bullying/abuse so that it sounds more like a schoolyard squabble that happened only once, rather than a person in power consistently placing their employee's job under threat, with the stated intention of harming them mentally and emotionally on a regular basis, until they experienced a breakdown. The center of this conflict isn't about different people with different approaches. Nor is it about court maneuvering or wiles because honestly, nothing worthwhile was achieved through Madeleine's abuse, and she had no purpose for doing those things beyond deriving a sick pleasure from other people's suffering.

It isn't about nice vs tough, nor ambitious vs generous, nor "naive" vs "jaded". It is about a gross power imbalance. An imbalance that results in the exploitation of the more vulnerable party...which is later brushed aside by the one who claims to be the latter's "friend" like it means nothing.

Structure wise, one can see striking similarities between this chapter, and TRR1's Ch 7, where the MC can view Olivia in a new light in the first half of the chapter, but be disturbed by her vindictive nature by the end of it. Here too, the MC comes into the investigation of the credit cards fully expecting to see Madeleine as the culprit. Over the course of the evening she finds Madeleine treating her ladies-in-waiting badly, but also calling out the press for targeting only the MC but staying silent on Tariq's involvement (ironically, Madeleine herself didn't exactly believe the MC if she tells her she was set up). She is also shocked when she realises Madeleine isn't the culprit at the club. Still, the court is given a rude shock when Hana is accused of putting Madeleine's life in danger.

Clearly the aim of such a chapter was to make the MC soften a little towards Madeleine, while still keeping some of the antagonistic tension. However, the more direct impact of Madeleine's huge ego trip on Hana made the harm far more visible than Olivia's jibes towards a woman who was far away...plus the scenes that followed in the former sequence centered Drake, far more than the ones in the latter that involved comforting Hana.

Madeleine's bullying also clashes - quite conveniently - with the reveal of Penelope's betrayal, so that the latter overshadows what Hana went through altogether.

It is important to note at this point that the MC is the only person not directly tied in an alliance to Madeleine (besides Olivia and Maxwell, who are then missing at the fashion show backstage scene in Paris) who knows Madeleine's intentions towards Hana. She is the only person present at the event in Paris, who knows that Madeleine intended to continue harassing her until she broke. Hana herself is never made fully aware of this, and if she is left in a vulnerable, dangerous position while on her mission to support the MC's investigation - then the fault lies to a large extent with the MC for keeping silent, rather than protecting her friend from someone who fully intended to hurt her.

I say this because in France (Ch 8), the MC's exposing of Madeleine is by choice, rather than default (this essay has a full breakdown of said scene). Moreover, the option where the MC can "expose" her will result in Madeleine lying about the act being an "official hazing" she does for all her ladies-in-waiting. Not only does the MC neglect to contest Madeleine's claims (or even tell Hana the full truth in secret), she also parrots Madeleine's lie in a conversation with Adeleide in NY, as if it were the truth (Ch 14).

Remember how I mentioned Jeffrey - the writer who was in charge of Madeleine's scenes and sang her praises in TRR2's pre-release interview? His influence here is obvious in the way the narrative sharply pivots away from Madeleine's characterization so far, to engage in a full-blown pity party.

The abuses of her power (towards Hana and Penelope in particular) stop. The parallels that canon makes between Madeleine and the MC as future Queens, stop. No reference, ever, is made of her actions before Ch 8.

For over seven chapters, Madeleine largely fades into the background - sometimes there will be scenes where she is present, but without any dialogue or actions. Sometimes she may make a catty move like getting the MC to pick up her wedding ring, but from a safe distance. Because she doesn't openly antagonize anyone or show up much in Chs 9-15, the sense of distance could allow some to soften in their memories of her. Especially when the only strong reminders of Madeleine in these chapters come from Adeleide, her mother.

Adeleide is an important cog in the machinery that resulted in the retconning of Madeleine's character in TRR2. Without her, Patriotic!Madeleine wouldn't have become canon. Adeleide sets the stage for this extremely inaccurate reading of her, with complaints on two occasions about how Madeleine is "putting too much pressure on herself" and working too hard. Which contradicts her very real actions in Applewood and Italy, where she regularly antagonized her entire court and where she doesn't get much notable approval from foreign dignitaries (Signor Francesco) unless the MC is that bad.

The narrative, at this point, expects us to view her with sympathy, as someone who could have been "an excellent queen" (Adeleide's words, not mine). The stage is clearly set so that we pity her when Liam calls off the engagement and she loses this position, that we can see her loss as "unfair". It ensures that there is an overflow of sympathy for Madeleine's plight, especially since she had already lost her chance to become Queen once before with Leo. By this point, many readers had actually forgotten the "chocolate incident" altogether, and were more than willing to view Madeleine as a patriot who wasn't given her due. A description that, ironically, more accurately fits Hana.

Is Hana Really Just A Nice Girl who Never Fights Back?

As I mentioned before, Hana's "niceness" and "weakness" were sometimes presented in fandom as justifications/reasons for Madeleine's bullying of her, often in an attempt to shift blame or make it sound like Madeleine's stated "reasons" (in TRR2 Ch 7) to hurt her were legitimate. Almost as if to say that Hana was targeted because she presents herself as an easy target.

To be clear, I don't subscribe to such a train of thought myself. Different people react to bullies and abusers in different ways - and not being able to push back aggressively in tense situations doesn't make anyone a lesser person. In fact, canon itself doesn't mind providing a "weaker" person protection against someone like Madeleine...as long as that person is Penelope. So we cannot even claim that Hana's "weakness" is why Madeleine targets her, or why the MC shouldn't have to protect Hana better.

Canon also doesn't help much in this respect, especially with their preferences for the meaner white women. In fact the narrative doesn't even allow Hana the chance to speak up in private against Madeleine's half-truths about her return, and she is made to easily accept Madeleine's "hazing" excuse. Let's not even get into how she speaks about Madeleine in TRR3. Additionally, no one in Hana's own friend group provides adequate protection or support - they stay silent where it counts.

But is Hana really that incapable of fighting for herself? According to the finale of TRR1, no.

Even though the scene is hidden behind a paywall, Hana's pushback against Olivia's treatment of her during the social season is strong, decisive and done entirely on her own initiative, with no prompting or involvement from the MC. She is honest about the ways in which Olivia has hurt her, but also makes it clear that Olivia's opinions and vitriol no longer matter - effectively reclaiming her own power in the process.

Such a scene is a clear indicator that Hana is capable of pushing back, and isn't afraid to speak truth to power - as early as TRR1. While one could say that as a diamond scene, it is possible that it can't be fully shown as canon - there are ways the writers know how to incorporate such things. Often, they have managed to write in similar scenes or the same information into free scenes later on (eg. the selling of Liam's bachelor party photos, which wasn't even that important to the story of TRR2). Hana could have had a free pushback scene with Olivia if the writers really wanted to give her one.

That aside, it's safe to say that there is a precedent for Hana being able to fight back before TRR2, and canon could have found ways to ensure that she could safely do so with Madeleine too. Or at least have more protection and care from her friend group, if her position as lady-in-waiting prevented her from speaking out. Penelope got to demand protection later on, after all - and she wasn't even our friend.

We must also take into account the positions of power that Madeleine, Olivia and later even the MC hold. Madeleine is a countess in line to become queen in TRR2. Olivia is a duchess, and the MC herself is given this honour in Book 2. Hana - despite her skills, knowledge and charm - never gets lands, nor a title unless she marries the MC. Hana's experience in Cordonia isn't just about "other women" being mean to her with the MC being "not like other girls" - all three of the above women are in positions of power over her, and even the nicest of them uses her more often than she helps.

TRR2 doesn't exactly build Hana and Madeleine as a pair. In hindsight one can read romantic hints into Madeleine's mocking usage of the word "darling" around Hana, Hana's attempt to replicate The Bachelorette for Madeleine's bachelorette party, and read parallels into both their toxic family histories (particularly Hana with her mother and Madeleine with her father). But there is no actual romantic content there that one could find with the other three pairs, which leads me to believe that Hana and Madeleine was only taken seriously as a romantic prospect in TRR3.

How did Madeleine become the final romantic choice for Hana, and no one else? Because the relationship was never made Hana's benefit - it was for Madeleine's. Given all the evidence laid out about TRR1!Madeleine, TRR2!Madeleine and including hints that she may have actually been written as the villain at some point, it's more likely that Madeleine's main writer ensured some changes in the writing of his favourite character midway into the story, resulting in her staying longer in court and several retcons that painted her as a tragic heroine and completely erased any actions that contradicted such a narrative.

This specific narrative also seems to draw upon a narrative trope that is seen sometimes in certain stories featuring queer couples - the Armoured Closted Gay. It is employed often enough, mostly to show the pervasiveness and immense pressure heteronormativity can have on some queer people - that sometimes, they hate themselves for not adhering to the norm and therefore project that self-hatred onto people like them. PB had done a similar kind of story in TF and ILITW - with Zig and an aggressive teammate Manny (but with discussions on sexual harassment and about being closeted) and with Lily Oritz and her crush Britney. Unlike Zig's and Lily's cases though, this sort of narrative hardly centers on Hana.

Hana is hardly treated as a person in her own right in this narrative. She is treated as a "consolation prize" for Madeleine's "good behaviour" and "hard work". Which is still a really, really hard story to sell when one of the characters states outright that they'd abuse their power over the other till she breaks.

So how does PB get back from that kind of cruelty, and convert it into an actual romance?

Madeleine in TRR3 - The Royal Retcon

(In order: MC complimenting Madeleine to Godfrey (Ch 3), response to Madeleine's "send my regards to Hana (Ch 9), Madeleine asking for a dance (Ch 16), Optional response about memories of Madeleine's bachelorette in Hana's Vegas diamond scene (Ch 16))

By gaslighting an entire fandom, of course.

TRR3 requires us at the very start to do two things - to recruit Madeleine into replacing Justin as our press secretary, and to convince her family to join the Unity Tour so that Cordonia knows its nobility stands with the Crown. Until this point, we've only had hints of Madeleine's so-called "patriotism", mostly from Adeleide. TRR3 Ch 3 goes full force on this reading: having Madeleine claim (in the most positive option) that all her efforts to become queen was "for my people...it was always for Cordonia", having Hana claim that Madeleine "would mostly likely take a bullet for Liam... because you'd never leave Cordonia without a King". Coupled with Godfrey and Adeleide's toxic family dynamics, the story is set to push forward a narrative where we are meant to sympathize with her and preferably downplay her behaviour from the previous book.

Throughout Madeleine's tenure as press sec, we are expected to laud her "work" - even though the truth is that she makes our work harder by giving us heavy folders and 100 note cards of materials just minutes before our meetings, and leaving out important information (like Zeke) for us to scramble about and find. Where during her time as future queen, her ladies-in-waiting were expected to have every detail perfect as per her desires otherwise face her wrath - as our employee, we are expected to appreciate efforts alone, and be lenient when she doesn't follow our rules (eg. wearing gold for our bachelorette when she was supposed to wear muted colours, trying to sneak in a white dress to our wedding). Most of our responses to her "work" involve fulsome praise, or at most a very light criticism that still claims she's good at her job (she isn't). And it isn't just the MC - even Justin (who recommended her) and Hana are made to sing her praises.

Having canon claim Madeleine does a good job when she actually doesn't is... frustrating, but not as awful as the retconning they do for her past behaviour. But it is part of a pattern that whitewashes Madeleine altogether so the readers can consider her deserving of the rewards that the narrative so badly wants to give her, whether her actual conduct matches up to these fulsome praises or not.

One clear tactic that is used to achieve this, was to have the person she harmed the most, speak of her in glowing terms. In TRR3 Ch 3, you have at least two instances during the "Cordonia's Most" game where Hana uses the game to compliment Madeleine. Here, she compliments Madeleine on knowing how to "charm a crowd...her confidence and poise", and claims her to be very patriotic. If the MC refuses to coddle Madeleine during their private conversation, the onus to be kind to her rests solely on Hana's shoulders, where she is required to say, "maybe it's time to see if you can catch more flies with honey". Hana is also shown wanting to include Madeleine in group activities (TRR3 Ch 6, before going to the spa), in the same way she tried to include Olivia in TRR2. When we're shown a Hana who is not only willing but enthusiastic to speak to Madeleine, it further encourages the reader to befriend her - almost as if to say, "if Hana doesn't mind being friendly with her, why should you?".

And this wouldn't be possible at all if canon was honest about Madeleine's conduct in TRR2. So much about Madeleine's advice to us in TRR3 directly contradicts her own behaviour as future queen in TRR2 ("having an entourage isn't about vanity...it's about support"). Had canon actually been honest about her conduct, this statement would be viewed as extremely ironic, a huge portion of the blame for Penelope's reluctance to return to court would be (rightly) placed on Madeleine's shoulders and we would be able to call her out specifically on her tyrannical behaviour as future queen, as well as her inability to adjust her work to suit her client now. We would not be placing Madeleine on a pedestal ad nauseum, or paying much attention to her childish complaints that her "efforts" are going unappreciated.

Whenever the early part of the engagement tour is referenced, it is spoken of in the vaguest, most milquetoast terms. The narrative will speak vaguely of "meanness", but never actually specify what Madeleine did. The closest we get to any sort of confirmation of this is in the Costume Gala (Ch 9) if the MC warns Madeleine to stay away from Hana...and even there, the MC just says she did "mean things". Which is the mildest possible way I have seen of someone describing a person who gloated about breaking Hana. Like the word "hazing" from the previous book, all these vague references leave it to the readers' faint memories, or imagination, to figure out what Madeleine did.

But all of these are just hints at best, and most of what we could assume of the writers' intentions came largely from guesswork. There was constantly a sense of something not being right, but many of us at the time couldn't completely articulate it. That is, until Ch 16, and only if we pressed a specific option in the Vegas diamond scene, in just Hana's playthrough:

Unlike the previous scenes - which were mostly attempts to obfuscate the events of the previous book - this scene replaces what actually happened with blatant lies. Not only does it wipe out entirely what Madeleine did, replacing it with a casual comment from Hana about her "fun side", it also smears Kiara for something she didn't do at all during the bachelorette (for clarity, Kiara found out she was a great dancer, and looked quite annoyed if the MC chose a wrong dialogue option as an excuse to see her card. The MC never saw her lashing out at Penelope during this event). Even if the MC and Hana were so drunk that night that they wouldn't remember events clearly (which isn't how they're depicted at all when the "chocolate incident" took place), it wouldn't be replaced with things that never actually happened. The writers were more than ready to throw Kiara under the bus to make Madeleine look better, and have those lies come out of Hana's mouth (and mind you, Hana liked Kiara so much she chose her to be her MoH in Ch 18 of her playthrough, so it can't even have been spite towards Kiara on her part).

In contrast, Penelope is allowed to be open about Madeleine's mistreatment of her. In fact she cites it as the main reason for her reluctance to return to court, and even complains at the MC if the latter asks her if she didn't get the memo on the bachelorette dress code in TRR3 Ch 16 ("oh no, no, it's like Madeleine all over again!"). The group is required to protect her from Madeleine; in Ch 4, when Penelope is upset at the very sight of Madeleine, Drake comes to her rescue and reassures her ("She's with us, Penelope. We won't let her bite."). While Madeleine herself is protected from any consequences for what she did to Penelope (besides an optional tiny jibe in Ch 4), the MC and her group are required to reassure her that they will never allow it to happen again. In a very disgusting contrast, the narrative pushes Hana at the forefront of the diamond scene with Madeleine, without ever considering her comfort or safety around the person who wanted to break her. Not only does the group involve her without ever asking her if she wants to be part of it - Drake and Maxwell safely distance themselves when the time comes for Madeleine to speak personally about her troubles, and the MC can choose not to be sympathetic in certain dialogue options. Which means that the onus to comfort and persuade her is largely on Hana's shoulders. We must also remember that, unlike Penelope, Hana is deprived of the full truth of Madeleine's intentions in the last book too.

Where the writers were ready to at least admit that Madeleine's behaviour affected Penelope deeply, they went to the extent of completely rewriting the narrative of her TRR2 bachelorette to erase what she put Hana through.

The "Romance" in TRR3

(First four screenshots from my playthroughs, next four from the Adventure...Romance...Thrills YouTube Channel, and the final row's screenshots from the Annabelle Lee YouTube channel and the Skylia YouTube channel)

The Hana and Madeleine "romance" is hinted at in 5 scenes (4 in other playthroughs, and just one in Hana's own). As with most of the other romances, Madeleine's feelings are the most prominent. To the more romance-coded overtures, Hana's reaction is usually shock and disbelief, with a small suspicion over whether Madeleine is doing this to trick her into humiliation later. But the narrative gives her very little opportunity to even talk about anything related to Madeleine, especially anything negative. You do have a scene at the finale that is meant to provide closure, but not in a romantic way. This scene is very different from the others, and in some ways puts an end to the possibility of this relationship happening anytime soon.

How did we get from those scenes to this final one in Ch 22? It would be useful to look at the scenes, within the timeline of TRR3's release and with the context of fandom reactions.

1. The "Cordonia's Most" Scene (Ch 3)

This diamond scene is written to give the MC/reader a bit of background on Madeleine's past and family, which will prove useful later when she has to convince the Amaranths to fix their relationship with each other. It is set against the background of a drinking game where an asker can quiz everyone else about who would be the most likely to do a particular action. Hana references Madeleine twice in the game (in a very complimentary manner), and Madeleine references Hana once. It was her comment about Hana being "stupidly sweet and perfect" that caught the attention of some readers and made them wonder if that was the route PB was planning to take with Hana. This dialogue shows up in Hana's route as well.

In later chapters, we see instances of Hana trying to include Madeleine in group activities...such as in Ch 6 where she invites the latter to come with them to the spa after the football match with Jiro and Camellia.

2 and 3. Cross-Referencing Each Other at Costume Gala (Ch 9)

This is a very interesting development, at an equally interesting time. Around the time Ch 9 released (end-April 2018), PB announced that TRR's team would be taking a hiatus, mostly to work on "some exciting stuff" during that break. It also gave them the time to work on certain things the fandom was demanding, and do away with others due to stan vitriol (Kiara's attraction towards Drake being one of them). The next chapter would only appear a month and a half later (mid-June).

Ch 9 sneaked in a scene that hinted at Hana and Madeleine as a romance option, but in a way that made it very hard for players to notice on a casual read. The scene is split in two parts: the MC can choose to speak to either Hana and Olivia, or Maxwell, Justin and Madeleine. Hana and Olivia's scene shows the two commenting on Gala outfits, which kickstarts a conversation about diplomacy vs bluntness. The latter option explores a variety of topics, mostly revolving around an appreciation for Madeleine's "great work".

Both Hana and Madeleine reference each other in their scenes. Hana's dialogue depends on whether the MC is her fiancèe or not; in other playthroughs, she admires Madeleine's costume, the compliment on her good looks very personal. In her own playthrough, she compliments Kiara's outfit but in a more distant fashion ("subtle and clever, just like her...very well-chosen"). In Madeleine's scene (which is the same across playthroughs), the ending involves her telling the MC to "send my regards to Hana", in response to which she can choose a line of questioning (which ranges from "protective towards Hana" to largely indifferent. In all three options, thankfully, the MC can close with "don't let me catch you antagonizing her", but that really is one small mercy in a pile of blatant retconning.

What marks Hana's dialogue about Madeleine as an LI-specific option, is that she says something entirely different if the MC is getting married to her. This is an indication that the dialogue was intended to be read as romantic, and that it couldn't be said by an LI who was already in love and ready to marry the MC. Pretty much in the same way that Olivia in Liam's playthrough cannot hold his hand in Applewood or dance with him in Vegas.

I wrote an essay on this at the time - both on the possibility of the pairing and why it was a bad idea - and the overall response I received at the time was mixed. Those who remembered exactly what went down at Madeleine's bachelorette and weren't her fans hated the prospect, but some weren't as convinced and some refused to believe it would happen. So there was some pushback for it, citing Madeleine's "chocolate incident" (thankfully, since there were players who had forgotten about it), but it was very low-key and didn't gain much traction.

4. An Offer to Dance in Vegas (Ch 16)

The most obvious indication of Hana and Madeleine being a romantic possibility was in the Vegas chapter. It was impossible to miss for people who didn't romance Hana. This scene, again, featured only in playthroughs where Hana wasn't getting married - which meant that many Hana-romancers didn't get to know of this pairing unless they were told by a friend or saw any such posts on their dash (some even found out years later, to their shock and dismay).

The mild pushback from Ch 9 resulted in a scene where the writers could be emboldened to continue writing this pairing, but confirm (in the vaguest possible way) that Madeleine treated Hana badly. Madeleine's non-apology "apology" really reads more like an attempt to get into Hana's pants than actual regret, and is followed by a reaction from Hana that is confusing in its mildness. Hana is surprised at the offer to dance, asking Madeleine whether she's trying to trick her. While the mild suspicion is a slight improvement from Hana's fulsome praise and enthusiastic attempts to involve Madeleine in group stuff in previous chapters, it still downplays what Hana suffered at Madeleine's hands by making her present the weakest, most milquetoast examples of "fooling someone", examples that pale miserably in comparison to what Madeleine actually put Hana through.

With both the "stupidly sweet and perfect" dialogue and this scene, you'll notice that Madeleine is not only the one who initiates the conversation, but is also the only one with an actual voice in these exchanges. Forget having an opinion on whether she wants to have anything to do with Madeleine or not - the narrative doesn't even give poor Hana the opportunity to properly react beyond mere shock.

There was a stronger reaction to this scene than to the Ch 9 one, because it was way more visible (though you could avoid it just by letting Madeleine stay in her hotel) with Madeleine's romantic intentions on full display. Her asking Hana for a dance immediately after the no apology made it pretty obvious. Players who didn't see the Ch 9 scenes or who didn't believe the divergences meant anything, now couldn't deny that this was positioned as an alternative romance. Additionally by this time, those who forgot about the "chocolate incident" did get reminded of the exact scene, so the vagueness with which Madeleine "addressed" her actions in TRR2 felt criminally inadequate for a number of readers.

Most of us, however, didn't know about the retcon in Hana's Vegas scene, until years later. Those who didn't do Hana's playthrough would have had no idea, and those who did more likely chose the more romantic options.

5. "Jealous?" (Ch 20)

This scene is unique in that the option shows up across all playthroughs, but the specific reaction only shows up in two of them. It's understandable that Hana stans would have missed this - the dialogue is an option, the response is very fleeting and you would have to look through the same option in other playthroughs to recognise the variations.

In the cases of both Drake and Maxwell, Madeleine's response to this jibe from the MC is "ugh, please". Dismissive, almost mocking the idea that she would have any interest in them. In Liam's and Hana's cases, she appears shocked for a minute, then composes herself and gives a more neutral response ("I...I refuse to dignify such a ridiculous question with a response"). In Liam's case, one can safely assume that even though she had no romantic interest in him, she was still on the verge of marrying Liam and that alone would make the situation awkward. In Hana's case there is really no other reason for her to feel that awkward besides having lingering feelings that she cannot suppress.

While this version of the scene doesn't feature in playthroughs where she is single at all, it's still a very strong indicator of authorial intent. Even in the face of backlash against the pairing, the writers clearly wanted to continue hinting at the possibility, if they were slipping in hints of Madeleine's feelings for Hana as late as Ch 20 (just two chapters before the finale). The most plausible theory for this inclusion would be that the backlash was a lot more than it was after Ch 9, but not entirely enough to do away without the pairing completely...yet.

6. "I Wanted To Break You" (Ch 22)

No one knows what happened between Chs 20 and 22, and there's little I can think of that would account for such a quick change in such a short span of time. The finale has a scene featuring Hana and Madeleine, that begins by drawing more obvious parallels between the two women and their families (until now, the parallels were not as pronounced. It's not exactly a great parallel to begin with, since Madeleine has at least one supportive parent and doesn't get punished to the extent that Hana has been, if she openly protests against her parents' methods. But in TRR3 the narrative sometimes does use Hana's toxic parental situation as a parallel to garner sympathy for Madeleine's).

However, once the parents are out of the picture, the attention then turns to Hana and Madeleine, setting the stage for either a romantic confession or a full apology. This time, canon opts to go for the latter.

Unlike all the others, this scene is bluntly specific not just about what Madeleine did but what exactly her intentions were. It has her use the word "break"; it has her actually say the word "sorry". It allowed Hana, for the first time, to fully hear the truth about the harm Madeleine planned to wreck on her. And most importantly, it also allowed Hana her own voice in response to Madeleine's revelations, making it very clear to her that her forgiveness needed to be earned, over a period of time.

The dialogues used to talk about Madeleine's bachelorette in the finale are poles apart from the language they'd used earlier ("hazing", "put my ladies through their paces", "mean things", "refuse to coddle", "wronged"). The finale scene was a more accurate return to the original language and purpose of that bachelorette scene. In fact it sounds less like what canon had been attempting to gaslight their readers into believing thus far, and even seemed to borrow verbatim from the language of the readers who closely followed this issue.

One could call it a good closure scene on the surface level...but there are many, many problems with it.

One was the reaction of the MC. Her angry "excuse me?" in response to Madeleine's confession is still a very obvious retcon. It may have been done to preserve the myth that the MC is a good friend/wife to Hana, but reads as extremely dishonest when you remember that canonically, the MC knew the truth about Madeleine's intentions the whole time and just chose to leave Hana in the dark. It's an attempt to make the MC seem protective that ultimately rings false.

Another is the excuse Madeleine gives for why she targeted Hana. "I wanted to push Hana too far, and for her to drop the nice-girl act once and for all! Only, it isn't an act, is it?" My response when I first read this was "if Hana was faking it...so what. So fucking what. Who was she harming". Coming from the reigning queen of duplicity herself, Madeleine is really not in a position to be judging anyone for putting up a front. This also ties into the hollowness of the motives PB tried to belatedly cook up for TRR2 Madeleine's bullying - no matter what canon says to whitewash her actions, her attempts achieved nothing, did no good for Cordonia, and would likely have led to a very fractured court if the Unity Tour was held while she was queen.

Ultimately, the possibility of this pairing becoming canon was laid to rest in the final chapter. One could interpret Madeleine's promise of a starting gesture ("know that if anyone at court gives you trouble, I can make them regret it") as a possible opening to something more, but considering the earlier backlash, that was unlikely.

TRH - Madeleine Gets The Penelope Treatment, Hana Gets Her Entire Childhood History Retconned.

An interesting development that came up when TRH dropped was the departure of Jeffrey Herdman from the team, most likely because he was heavily involved in the writing of its Renaissance-era spin-off The Royal Masquerade. He would return, by TRF (he is part of their finale livestream), but by then his pet favourite character was likely gone.

TRH has a different set of circumstances, and different power dynamics. The MC is settled into marriage and trying for a child, the LIs are working in the council, Olivia is upgraded to cosplaying spymaster and the side characters go on with their lives. The first book of TRH seemed to do a surface-level recognition of some of the complaints certain readers had in previous books, but their favourites and the people who wouldn't get much attention or appreciation, remained the same.

TRH1 was a time when the writers praised Hana and claimed in a livestream that she was the kind of LI they would love to marry, but also where they gave her a condition that (inaccurately) made her unable to safely carry children (just for the MC to be the mother of the heir) and forced her to be immediately okay with that fate. As the sequel series progressed over the course of 4 books, the erasure of all that Hana was in the past was subtle and insidious - the narrative often compared her to Olivia and found her lesser, she was never allowed to even mention her home place China and worst of all - the writing completely retconned the emotional abuse she suffered at home by claiming it emerged from loving protection, from wanting to keep their daughter away from a cult. And even though Hana's discovery of her sexuality was described by Kara as a "journey that she's still on", no attempts were ever made to show her exploring what she likes romantically, or to show her dating. We don't know if she's involved with anyone, we don't know where she lives, we learn very little of her interests beyond what benefits the MC at any given moment, and the narrative never fails to remind us that they like Olivia more than they like her. Hell, they still encourage Olivia to keep insulting and degrading Hana! Hardly the behaviour of writers who love a character so much they would marry them irl, honestly.

On the other hand, Madeleine wasn't very prominent in TRH1, but gained notoriety in the next two books. The first book has her occasionally engage in inappropriate, invasive badgering of the MC to get pregnant quickly, and she continues to pretend that her doing whatever she likes without ever consulting the person in charge is professional behaviour (eg. Setting up the presscon about the MC's pregnancy announcement. She never even considers whether the MC would be comfortable announcing this pregnancy or not at this time). She gets to deliver a small bit of foreshadowing in the second half of the book (an early hint about Queen Eleanor's pregnancy, though Madeleine's awareness of it hardly makes sense when you look at the entire TRH series, and it never comes up as a point again). Her father being exposed as the traitor who poisoned the former queen builds up to a storyline that benefits her the most in the long run.

Hana is given one chapter where she can call Madeleine out on her entitlement (Savannah's bachelorette). She doesn't insult or berate Madeleine in TRH1 Ch 7, but is refreshingly no-nonsense and will not put up with Madeleine's constant whining about an event she had invited herself to. It's a small, cold comfort, since Hana's actions here are tied to making Savannah's bachelorette a success rather than for herself - but it's still gratifying to see Hana in a position where she can call people out without having to worry about the repercussions. Especially when the narrative disrespects Hana in so, so many other ways for the rest of the series.

In the same chapter, the ladies of the court are given an opportunity to talk about their love lives. Of the four, two women can speak about the people they like (Penelope about Ezekiel by default, and Olivia about Liam if you choose), and one only mentions him by name if the MC is married to someone else (Kiara, about Drake, if you choose to ask her over Madeleine). Madeleine doesn't mention anyone at all, insisting that marriage is something she will only consider for the benefit of her country or estate. This was a relief to players who feared that PB might attempt to push the possibility of romance between Madeleine and Hana again.

Though Madeleine doesn't get the romance that PB so desperately wanted to gift her in the last series, and she isn't given any further romances...the narrative clearly wasn't done pandering to her, even though Jeffrey was not officially a part of the team.

Remember how in the previous essay, we explored the levels to which PB encouraged players to coddle Penelope? Entire chapters would be spent just making her feel comfortable and safe, in encouraging her to help us. No actual initiative or enthusiasm from her end, even if her actions caused the problem or there were lives and reputations at stake. No, Penelope's comfort and happiness should be front and center.

Now think of that treatment, but on steroids and lasting for two whole books. That's what Madeleine's story - starting from TRH2 - looks like.

TRH1 ends with the reveal that Madeleine's father, Godfrey, was involved in the assassination of Liam's mother Eleanor. So a certain amount of narrative focus on Madeleine was expected, perhaps. But the second book doesn't stop at just that.

We are not merely asked to be kind to Madeleine. No, kindness towards Madeleine is expected of us. The warning issued in TRH2 Ch 4 promises "consequences", which means we know straight off the bat that we will be punished if we're not nice enough. It insists we take note of her "fragile state", and give her the mercy and compassion she had never given to anyone in her court.

To give Madeleine the smallest of credits, she acknowledges this just two chapters prior to the oath ("in the past, our positions were once reversed and I was...unkind to you. I had no reason to expect any kindness from you..."). However, this admission does sound disingenuous in the face of the narrative's implicit demand that we treat her nicely. Because if she did recognise her own past behaviour in TRR2 esp as hurtful, and herself as not exactly deserving of kindness, then it makes no sense for her to judge people for behaving exactly as she expected. A genuine redemption arc would have been one where she understood no one owed her kindness after what she'd done, and still determinedly forged ahead to do good for her country. After all, the narrative wanted us so badly to believe this woman was patriotic, right? If her "patriotic spirit" was so tied to her ego that you needed to pamper and praise her every five minutes, just for her to not support such an obviously-foolish tyrant as Bartie Sr, then it can't have been as strong as canon so vehemently claimed.

TRH tracks our "treatment" of Madeleine over 2 books and 10 distinct scenes. Of these, 6 scenes allow us to choose between kind responses and unkind ones, 2 others require the player to choose one among multiple options of people, and 2 scenes are check-in dialogues rather than actual choices (which means that the player doesn't choose an option, they just find out through such scenes whether they are winning Madeleine's favour or not). I imagine that the first category is the most important, with the second being options that you don't necessarily need to choose Madeleine for if you want to go for one of the others, as long as you pressed enough "kind" options.

To elaborate, here's the breakdown:

Kind/Unkind Responses

- House Amaranth's pledge (TRH2 Ch 4). Notably, the "most hurtful" one doesn't even accuse her of anything - it just tells her that the family needs to earn back the Crown's trust. Compare that to Madeleine's accusations to Hana that she was trying to kill her and deserved to lose her position in court. You know, the cruel treatment that some Madeleine stans claimed "wasn't that bad".

- Carrying the Heir's train at Anointing Ball or not (Ch 5)

- Deciphering Madeleine's conversation with Godfrey on his boat (ie whether she is betraying or helping the MC) (Ch 6)

- Acknowledging Madeleine's help in capturing Godfrey, at the Gratitude Ball (Ch 7)

- Gently encouraging Madeleine into being Penelope's bridal attendant, rather than mocking her (TRH3 Ch 2). There is no longer any need to acknowledge Penelope's earlier fear of Madeleine - we are expected to forget entirely that she was the main reason why Penelope didn't want to return to court in TRR3.

- Trusting Madeleine to help with investigations at Fydelia (Ch 6)

Choosing Among Multiple People:

- Speaking about loyalty before making a pledge to the Heir. Other ladies of the house are also presented as choices (TRH 2 Ch 14)

- Babysitting the Heir during Fox Hunt. Other choices are Regina and Savannah (TRH3 Ch 10)

Relationship Check-in:

- The way Madeleine greets you at Fydelia (Warm Welcome/Cold Front) (TRH3 Ch 6)

- Whether Madeleine helps you escape with the Heir in Ch 13, or allows the child to get kidnapped by Godfrey in Ch 15 (Desparate Times/What Goes Around)

The ending of TRH3 has Madeleine either thriving and inheriting her mother's estate, or being merely fired from her job in Royal Communications (a better punishment would have been to strip the entire Amaranth family of their lands, but I digress). She is notably absent in TRF, possibly because she wasn't entirely very popular to start with and two whole books of coddling her didn't exactly help matters either. As one of the junior writers in the TRF team said, "some people exiled her so..."

The first few opportunities to win her over, notably emerge from attempts Madeleine makes to assure the Crown/MC of House Amaranth's loyalty, and you will find that even at an early stage she expects to be included in sensitive discussions that call for discretion, and to be constantly praised for her efforts. Let me give a reminder, again, that she hardly ever gave any praise to the women working for her, and in fact punished them just to keep them constantly in fear of her.

I know it sounds like I'm labouring too much on this point, but it's important to understand just how much effort the narrative had put into coddling this one woman. Chapters and chapters of branch coding, writing two routes, title cards, dialogues, rewards and consequences.

This is similar to the way the narrative encouraged kindness and sympathy towards Penelope, but it's now over a lengthier period of time and with more drastic consequences. We were required to coddle Penelope over a chapter each in three specific books, or be deprived of her support/help. We are required to constantly shower Madeleine with praise and sweet words over the course of 31 chapters, or she will help an unscrupulous Regent-Elect kidnap our child. She will even openly accept that the only reason she put a mere child through that, was because we weren't nice to her ("Wouldn't you have done the same to me? You've made it abundantly clear you see me as the enemy").

But if the MC deserved a punishment this cruel for just mocking Madeleine at every turn, then what punishments should Madeleine get for what she put her own ladies-in-waiting through? What should she get for planning to "break" one of her courtiers? A second broken engagement doesn't seem entirely enough by such parameters.

Then again - as I said before, the narrative deliberately shifted the goal posts for what a potential royal could and couldn't get away with, in the time between Madeleine's engagement tour and the MC's marriage, for this very reason. So that Madeleine would never have to face the kind of constant censure the MC and Liam would face regularly. Among characters in canon, or among largely biased stans in the fandom. Speaking of which...

Fandom

Madeleine's popularity has always been a mixed bag, ever since TRR2. By TRR2, there were people who loved her for what they thought were her craftiness and wiles, some who suspected her to be involved in the plot against the MC, and a number of Liam stans had reactions that ranged from stanning, to indifferent (after all, both Liam and Madeleine showed a mutual disinterest towards each other), to slightly jealous (after all, she was still his fiancée).

But it was Madeleine's treatment of Hana in Ch 7 that definitely crossed a line for quite a few. It was so unwarranted, and her justification for this act so inarguably cruel, that it turned several people off her immediately. The way canon dealt with this was to make her feature less in the story until the memory of the "chocolate incident" was faded and almost forgotten, and then encourage fans to sympathize with her.

The gamble definitely worked, with plenty of help from hardcore Madeleine stans who often downplayed what happened to Hana ("a prank", "making Hana cry just once" were some of the terms used to describe it). By TRR3, I recall having to remind some of my mutuals what actually happened in this scene - their own recollections of it were that vague. The Hana and Madeleine ship would have died a far quicker death if more people remembered this incident as it was shown, and not as narrative wanted us to remember it (and also, if more people cared that it was Hana being hurt, rather than their fave white girl/boy).

Madeleine gained some popularity among the wlw crowd - a couple of them did have a soft spot for stoic, aggressive or women often labelled as "bitchy" (I know a few who also showed a similar amount of love for ACOR's Xanthe or BB's Priya, to be fair...but the adulation for the white female antagonists was a lot more), and Madeleine clearly fit that bill.

A point that often came up from Madeleine stans who were wlw (and reiterated with other mean-girl characters) was that grey-shaded and villanous male characters weren't subject to as much censure as their favourites were. While there is truth to such an argument, it fails to take into account the role race often plays in the way some "mean" women are loved and certain others are scorned. Madeleine clearly did not have the scale of hate that a Xanthe or even a Kiara (who isn't even on the same level) got. In fact when it suited them, many in the fandom were more than ready to view Madeleine as a victim when Liam broke his engagement with her.

Madeleine's "patriotism" - as I've now clearly established - was a retcon made to erase the worst aspects of her characterization. Sometimes it was used to make people feel sorry for her losses, other times it was made to cover up her actual behaviour in TRR2. But there were very few readers who didn't consider it an undeniable fact. Even among those who were indifferent towards her. For instance, in an anon ask that compared Madeleine and QB's Poppy, a poster responded that "the difference between the two was that Madeleine had a sense of duty, and Poppy was just petty". In TRH3, players who claimed that "we can all agree Madeleine is fully redeemed" when she worked with the MC to protect the child from Bartie Sr, stayed mysteriously silent when the other consequence (her helping in the child's kidnapping because she didn't like the MC's pettiness) showed up.

And while these responses could be attributed to the way canon gassed Madeleine up in TRR2 and 3, some of these players had no problem nitpicking the political savvy or work of certain other (CoC) characters, esp Liam (often bashing them for "throwing parties every day", even though the general populace was depicted as being happy with their rule and influence. Mind you, no prompting from PB was necessary to bash these characters). So why were these parameters never applied to Madeleine? Why was practically no one asking what the political relevance of her bullying (as future Queen) was, or why we were expected to sing her praises for poor time management or terrible work ethics towards her boss, or ask what work she actually did in canon as Royal Comms Director? (There is a reference or two to the position, but you aren't shown that many instances of her doing much work). For quite a few, the fact that she walked around with a job title in TRH was more than enough (somehow Kiara never got this kind of fandom treatment despite being part of the Diplomatic Liaisons department).

How does this adulation for such a heavily retconned character, affect the way the Hana and Madeleine ship was viewed? For one, it meant that readers bought into the retcons easily enough that Hana's pairing with her was seen as an extension of her "redemption arc" by some.

Take the example of the various posts that argue in favour of this pairing, or fic that features them as a couple - a lot of them center Madeleine: her pain, her history, her reasons, the correctness of giving her a reward. Hana is barely mentioned or given much attention in these arguments - and often when she has any sort of voice, it is only there to humanize Madeleine. Supporters of this pair often took stances that were either ready to throw Hana under the bus, act like she hardly mattered, or treat her like some sort of blank slate to scribble their adulation for Madeleine over.

Hana is often viewed as less worthy of a focus - she is often the benevolent saint who forgives Madeleine because she "worked so hard to be better". Often it never matters to get into detail why Hana thought Madeleine earned her forgiveness, what Hana's perspective was, what journey she went through to get such a point. Because if Hana's journey really mattered in such a ship, the most pressing questions would revolve around why Hana should ever trust a person who wanted to break her in the first place. Why she should feel safe around such a person. Why her own friend group wouldn't want to protect her from such a person.

Some readers would bring up their parallels as daughters brought up in families that didn't value them, but neglect to take into account the nuances of those dynamics (Madeleine's mother at least wanted to be supportive, and no matter how bad things got, Madeleine was never in danger of being disowned. Hana was, repeatedly). Nor is it fully honest about how Madeleine was comfortable being a perpetrator of abuse, in contrast to Hana's own deep discomfort with the idea of controlling her partner.

In certain cases, I can maybe see this attitude in fandom emerging from an acceptance of the narrative's retcons as truth. But I also think there were as many readers who were just inclined to liking the mean white girl, and finding justifications and excuses for her behaviour.

Fandom's attitudes towards Hana herself often played a small role in how Hana's end of this story was ignored too. When TRR3 fucked up her arc phenomenally (by rushing her parents' turnaround from disowning her to supporting her in Ch 15), it became popular to view Hana as a lesser character, and the "meaner" white women as better. People who wanted other options for female LI often took their frustrations out on her, calling her "weak", servile and submissive, dismissing her honest accounts of the treatment she faced even from her own parents as "whining". If that was the way people preferred to view her emotionally abusive childhood...then what can one expect from such a fandom when she was being outright bullied?

Fandom was already comfortable with the idea of erasing Hana in their content, or replacing her with either their fave white girl (or an equally white OC esp in their fanfic - but more on that in a future Hana essay). So neglecting to center her in what would have been her only canonical alternative romance wouldn't be too difficult for some people.

Which merits the question...is there a way to write about (or write fic for) such a pairing, in a way that centers Hana, respects her story, makes it clear that she has the right to never forgive Madeleine no matter what she does to "earn" it - if that was what she wanted? I highly doubt it. You'd have to completely change Madeleine for that to happen, and that would more likely result in a situation where you were too busy working on her as a character, to give Hana the attention and focus she deserved.

And that's a real pity, because there's plenty to explore about Hana if you actually take the effort to look.

Conclusion

In a lot of ways, once the team had decided upon making Madeleine into a more positive character, they tried to draw a little from Olivia's arc to replicate its success. You can see some of these parallels in the way TRR2 structured the bachelorette as a semi-callback to the childhood- reveal-mocking-Savannah sequences in TRR1 Ch 7. Both chapters gave you reasons to start seeing these women in a different light, while still feeling free to dislike them. In both chapters they also targeted LIs - the only difference was that Drake's diamond scene post that confrontation centered him, and Hana's parallel diamond scene a book later...centered everyone else.

That attempt in TRR2 didn't work for several reasons - the timing wasn't right, Madeleine's cruelty had gone too far for some, the retconning hoodwinked quite a few people but not enough.

So when they tried to pair her up with the victim of her bullying, and twisted canon to make it happen - enough readers emerged to call it out, enough people pushed back by Ch 16, and the possibility of this alternative pairing garnered enough dislike that not only did the writers have to backtrack, but they also had to wipe away their past retcons and write in a scene where Madeleine gave Hana the full, unvarnished truth about the "chocolate incident". Hana was, thankfully, given a chance to give Madeleine her most polite "no".

And although that ship would never be brought up again, the team (even without Madeleine's top writer Jeffrey) still attempted to make pampering and uncritically praising her a narrative priority. She gained a bit more popularity during this time period - quite a few were inclined to feel sorry for her (especially considering the way her father's crimes affected her social standing) and saw only what happened if you were consistently nice to her.

But there was also a significant section of people who were tired of the constant coddling, and who didn't like that it was demanded of the player (when there were far more deserving WOC in the same book, who didn't get this level of kindness). It was significant enough that Madeleine wasn't given any scenes in the final book, and the writers cited her lack of popularity as a reason why.

As a Hana fan myself, it was a relief to see Hana not be paired up with her bully. But it was also immensely disheartening for me to see that "ship" get as far as it did, and to see the narrative do so much more work for Madeleine, than they did for Hana even in the follow up series. It was even more disheartening to see so many in fandom follow suit.

--

By now, we have explored 3 out of the 4 alternative pairings that TRR put forward for the LIs. They all vary in terms of buildup, attention, and payoff. But there are several things that are common about them. They all have either significant histories with the LI, or the narrative thinks they share something in common. The moment an "alternative" option ends up harming the MC, they are no longer suitable as an option because of the LI's loyalty towards her.

But perhaps the most common factor among the three women we have explored so far is how the LI is expected to treat the alternate, no matter how jealous the MC is allowed to get, no matter what the alternate themselves may have done in the past. The alternate is supposed to be treated well. With respect, with kindness, with compassion.

Betrayal doesn't allow an LI to treat their alternate badly. Bad behaviour doesn't allow an LI to treat their alternate badly. Disregarding consent doesn't allow an LI to treat their alternate badly. Classism doesn't allow an LI to treat their alternate badly. Not loving them back doesn't allow it either. Not even extreme levels of bullying...allows an LI to disrespect them.

In the next essay, we will see if any of these rules apply to our last alternative LI - Kiara.

Next: Drake and Kiara.