#and yeah my first thought about the name was also

[all-purpose-dish-soap]

64 / 4.1k / soap soulmate au, final part

...

"You doing okay?"

Hearing Graves’ voice knocks what little breath you had out of your lungs. It's been months, but that's him. Your old boss. You never thought you'd hear his voice again.

"I've been better," you say finally. "Been awhile."

"Yeah, it has," he says. "Wish you'd've called me to catch up sometime, rather than under the circumstances. You don't sound too banged up. They treat you alright?"

"I'm fine."

"I didn't ask how you feel. I asked if they roughed you up."

You feel your own temper shorten in response. "I need you to call KorTac off."

There's a pause. You can imagine his frowning face, the way he's thinking that one over. "I'll take that under advisement," he finally says, but you can tell he's not going to do what you ask of him. "Puttin' me in a predicament here, kid. You're giving those boys a hard time, and here I thought I was helping you out. Paying your bail, so to speak."

"It’s more complicated than that."

"Always is. Let’s just have you dropped off back on base with us. You can clean yourself up and we’ll talk."

He waits for your crisp yes, sir, but it never comes.

He speaks again. "You got somewhere else to be?"

"I can't go back."

"Can't or won't? You got something you ain't tellin me, soldier?"

"I said I can't go back. And I'm not your soldier anymore. You're not my boss. I don't work for you."

"You know Shadows don't leave one of our own behind. Not to rot in some CIA prison cell. So lose the attitude," he says, voice like iron. "This ain't a good time to play games, kid. You're comin' back with me because I spent a pretty penny on you. You owe me. You have your personal business, fine. Come on back to base and let's talk this out face to face before you go makin' any hasty decisions."

You're so frustrated it's hard to form words. You should be grateful. You know that. Graves doesn’t pretend to care about his men. He cares enough to lead from the front. But you met your soulmate, and you can’t act like it didn't change you. You need to make things right. You also can’t exactly tell Graves you kind of sold him out.

"Hey. Focus up." He doesn't raise his voice to a command. Still, the order is in his voice, and you have been long trained to follow your commander's orders. Then he sighs. "What happened to you, kid?"

"You betrayed the 141. You killed innocent people in Las Almas, looking for them."

You can almost hear his jaw working behind his clenched teeth, the muscles in his face tight. He does not allow this kind of disrespect. "You think I like what I had to do? General Shepherd's orders were clear. We followed them. 141 did not." He huffs out a sigh. "I didn't enjoy it. But that's the job. You of all people know that."

You swallow. "You told us they were our brothers. You killed innocent people, Commander. Johnny said he saw you do it--"

"Johnny?" Grave's voice rises. "You on a first name basis with Soap now?"

"We all know what happened in Las Almas," you retort. Your skin goes hot at the way he says Johnny's name. "I won't work for Shepherd anymore after that. I won't fucking do it."

"Don't pull that with me." The warning is written in his voice. This isn't like you. To the Shadows, you’re calm. Cold. You don't lose your temper. You don't talk back. Especially not to Graves. "You think you can walk away at the drop of a hat just because you don't agree with an order? It doesn't work like that. You follow an order, even if you don't like it, even if it pisses you off. You don't get to decide what you think is right or wrong to carry out. When I give you an order, you follow it. That's your job. Your loyalty is with me. Not with the 141."

"I did my job."

"Then act like it," he snaps. "Stop acting like I'm some evil bastard out here. I made the only choice I could. Task Force 141 was not supposed to be there. They knew my orders, and what did they do? They came after my men, went behind my back, screwed us over. We did what we had to. You wanna be pissed at someone? Be pissed at them."

You glare down at the ice, but say nothing.

"You know I'm right." He knows you. He's getting to you. "And you know what else I find interesting? You don't seem a bit surprised to hear me alive." His voice is too casual and sharp as a knife. "Didn't you get the memo? Did no one forward you my obituary, soldier?"

You stiffen. You're not supposed to know he's alive.

"You're an awful liar. Always have been." He pauses for a long moment. "It ain't easy, surviving against the 141 if they want you dead. You know how I managed it, soldier?"

Yes. "No,” you retort. “And stop calling me that. I'm not your soldier. I don't work for you anymore."

"The hell you aren't. Maybe you're not on the payroll anymore, and maybe you're no longer under my command, but once a Shadow, always a Shadow. That makes you my responsibility. And my goddamn headache." Something shuffles on the other end of the line. "You know exactly what I'm willing to do to keep one of my Shadows safe. But if you're so keen on turning yourself in, fine. I'll have you in front of Shepherd's desk first thing tomorrow. Is that what you want? You know Soap and Ghost put Shadows in the ground that night in Las Almas."

"Shadows tried to put Johnny and Ghost in the ground first."

"This isn't about who shot first. This is about you." His voice is dangerously low, but he keeps his temper in check. Then he huffs a laugh. "You keep callin’ him Johnny. Makes my brain itch." Johnny MacTavish. John MacTavish. Yeah, that's it. "I'll be damned," he mutters.

You touch your exposed soulmark compulsively as if to hide it. Most soldiers hide theirs, but yours has always been tough to cover up. He's seen it more than a few times.

"Got you right out from under my fuckin' nose."

Your stomach tightens. You feel too exposed, like suddenly he’s putting the story together--how 141 got in.

"Shoulda known. Shoulda known. You know the military has a registry for this shit. There are rules. What's wrong with you?"

"I made a mistake," you mutter.

That might be the funniest thing he ever heard. And he's heard some good jokes. "You don't make mistakes, kiddo. You never have. That's not how I trained you." He's right, and you know it. "But hey. Guess it's true what they say about it."

"What?"

"Soulbonds. Make you take your best-laid plans and raze ‘em. Full scorched earth.”

“This isn’t about that. I’m making this decision on my own.”

“You think?” He takes a puff on his cigarette. “I don’t. I don't blame you, either. You sure as hell fought it as best you could. Didn't give in to save your own life. If that's not the soulbond making your decision for you, soldier, I don't know what is."

You look up at the sky. For all the time you spent working with Graves, that past version of you might as well be dead. Maybe that’s the grave you’ve been digging. "I can't work for Shepherd anymore. I won't do it."

"You're a good soldier, 86. You were loyal. I still think you're loyal, even if I'm not who you're loyal to," he finally says. His voice is still calm. It doesn't make you feel any better. "You know if you choose to walk away from this, the next time we meet might well be as enemies."

"Then I guess we won't meet again, sir."

He says nothing. Then he lets out a long huff. You really are going to do him dirty. You can hear his scowl. "That's a damn shame, kid. But you have more of a spine than I gave you credit for," he says. There's a tone of reluctant respect to it. That's as close as you're going to get to a compliment from him now. "You're a loose end, then. You'd best stay well out of the way. Mine and Shepherd's. I hope you're not making the wrong choice, 86," he says quietly. "I really hope you're not."

"It’s out of your hands now. And pay KorTac," you add. "Pay my squad. They did their job."

That makes him scoff. "Now why would I do that? You might be a traitor, but you're still my investment. You were worth more on my payroll than theirs, and that’s a fact I intend to maintain."

"You owe me," you remind him.

"Don't push your luck," he warns. "You're an asset. You don’t get the privileges of rank anymore. But, well..." He sighs. You imagine him with his heels kicked back on his desk, cigarette in hand. "I’ll tell you what. I’m in a charitable mood. I'll pay them off. I'm a man of my word when the time comes to pay off my debts. Hell, I’ll even throw in a tip for a job well done." Despite the annoyance in his voice, you don't doubt he'll do just that. "But that doesn’t mean I trust you anymore. I trusted you once, and you went rogue. I let you go now, that means I expect you to keep my secrets. Don't you go singing if Shepherd puts you in a chair. You got that?"

You glance up out of the corner of your eye at Soap, whose hands are still clenched in tight fists at his sides. "If Shepherd puts me in a chair, he's the one who's gonna sing. Not me."

Graves chuckles. "You're a good soldier, 86, but you can't take on an old war dog like Shepherd. Leave that to someone more qualified."

"Like who? You?"

"As I said, you best steer clear. I don't want to hear your name again." His voice hardens, and you hear your old commander again. "Good luck, kid. You'll need it. And give Soap hell."

You toss the phone back to Horangi. He listens to what Graves has to say. Then, eyes meeting yours for a moment, he wordlessly moves out away from the river, leaving you weary with relief. It's over. Finally.

Soap watches him disappear into the trees. Then, he looks back at you, alone and shivering on the ice. You look half-dead, bleeding, and your lips are near blue. He wants to make his way to you, but the ice is scarcely holding you. It won't hold him, too.

"Oi," Soap calls. His voice is rough with anxiety. "Get over here. You're gonnae freeze to death even if you don't fall through."

You blink up at him. Standing in the rising sun the way he is now, he looks like someone’s guardian angel. Yours? You'd like very much to be wrapped in his wings.

You make your way over to the bank, but the rocky ledge up is slippery and icy. Behind you, between the ice where you're standing and the bank, there's a yawning gap. To your left, there's a bridge, but snow has already melted off the surface of the ice, and it looks thin. "There's no way up," you call. "But downriver..."

"No’ a chance in hell I’m going to let you try to cross that," Soap says as he approaches the edge. "You'll be swept away and drown, hen. You're not in any condition to swim, and even if you were, that river's too bloody fast to risk it."

"Then what do you suggest?"

His eyes sweep over the river once more. It's wide; too wide to attempt a jump across. The ice has fallen in, leaving it almost impossible to make it to the bank. It isn't safe. The longer you stand there, the more the ice cracks under you. He admires your guts for putting yourself on the line like that to get back to him, but damn you. His blood pressure has never been higher.

Soap throws off his pack and slings his gear onto the bank. "I'll pull you up."

"But..."

"But nothing." With the adrenaline still pumping through his system, Soap thinks nothing of the risk of the bank collapsing under you both with his added weight. The only thing on his mind is getting you back in one piece. "We both know damn well, if I was the one on the ice now, you'd already be down there trying to help me, so for once, just shut up and let me help you."

Can't argue with that.

He pulls out an ice hook--mountaineering equipment; he was prepared to climb this mission, luckily--and offers it to you.

You toss the grenade as far as you can in the opposite direction. Then you raise your hands to grasp the rope. He's holding the sharp end and giving you the handle. You try to keep hold, but as he lifts, your bloodied hands slip just as the grenade explodes nearby, too close, spiderwebbing the ice with a final crack.

You land hard, break through, and disappear under the freezing water.

Soap has never known panic faster than when he sees you go under.

He dives after you. He has to get you back to the surface before whatever air you had in your lungs gives out. Your survival is his survival.

He finds you in the rushing black abyss when your fingers hook around his sleeve. Wrapping his hands around your arms, Soap anchors you to his chest.

You come to in his arms. You're colder than you ever have been in your life. Your fingertips tingle in pain and numbness. He's carrying you ashore somehow--far downriver, thinner ice--and he ducks into an old cabin with you in his arms.

Soap kicks the door shut behind him and moves into the cabin to set you on the floor, propping your back against the wall. His hands work fast as he pulls out his knife to cut away your soaked thermal clothes and gear. You dip in and out of consciousness until he wads up a fistful of gauze and packs it into your side wound. The sudden pain chokes you. Then a wave of nausea washes over you. You’d like nothing more than to tell him where precisely he can shove that gauze, but you’re too lightheaded.

"You with me, hen?" His gruff voice wavers. "I need you to stay awake."

He gathers you up in his arms and lifts you into his lap. It's a tight fit, wedged underneath the frosty window and between a table and an upturned stool. You register the warmth of his skin on yours and dimly realize he's stripped both of you almost bare, huddling around you to prevent hypothermia.

You soak up Soap’s body heat instantly. He's a furnace, and he needs to be, given the state you're in. He tucks you as close as he can. You're both shivering, but he doesn't care. He can be cold as long as you're warm. His broad body shields you from the drafts leaking into the decrepit cabin.

"No, no, eyes open." He tilts your face up as your eyes flutter. "Don't go passin' out on me."

You gaze up at him in your stupor. Maybe it's the blood loss, but even through your own pain and frustration, he's the most gorgeous thing you've ever seen.

"You have really odd eyes," you mutter. "Like blueberry soft serve."

Oh, you're definitely delirious. Maybe concussed.

But he can't deny the look you're giving him right now makes his stomach flip. The sight of you in his lap, your frost-scorched fingers wrapped idly around his ID tag and staring up at him like he's just pulled the moon out of the sky for you... it's the first time he’s seen you with your guard down.

He swallows and keeps you pressed against his skin. There’s a lot of blood. He can’t tell what’s yours and what isn’t. "You're in no shape to flatter me."

You hum, your fingers dabbing idly at a smear of blood on his chest.

He doesn't move to stop you. Instead, his eyes flick down to your hand. Your fingers leave a trail of sparks over everywhere you touch.

With a soft sigh, Soap catches your wrist. "Quit it, hen."

"Quit what?"

"Teasin'. Makin' me wish you'd put those hands to other uses," he says, voice quiet and rough. It's just you and him in the little cabin. The world is far away. His thumb rubs against the inside of your wrist, trying to bring some warmth back into your skin. "You're in no shape to be feelin' me up, either."

Your head lolls against his shoulder. "Maybe it's the perfect time. Maybe we won't get another time."

Hearing you say that twists his insides into knots. He leans down to rest his forehead against yours. "Maybe you just need to shut up and let me take care of you. Don't talk like that." His voice leaves no room for argument. He tightens his grip on you, pressing you closer as if he can somehow press that into your skin by sheer will alone. "There'll be plenty of times for you to get your hands on me."

"Mm." You tuck into him tighter. You'd be mortified with yourself if you weren't half-dead from blood loss. "Sorry."

He exhales into your hair, pressing chaste kisses there.

You're practically in his lap, the two of you tangled into each other from head to foot in the space under the window. He's surrounded by the smell of you. It's a soothing presence in all that surrounds him.

He shouldn't want to touch you, shouldn't want to take advantage of your weakness--but the thought of having you so open and wanting, of you willingly in his arms, makes something in him ache. Makes the selfish parts of him scream.

"You're a pain in my arse," he says. He focuses on taking inventory of your wounds, brushing over your arms with his touch to assess the damage. "You gonnae bleed out on me?"

You shiver a little as he drags you closer by your bare thigh. "Wouldn't be the worst way to go."

"Oi," he snaps in warning. He slides his hand up your side, checking for bleeding. It’s just as much a caress over your bare skin. He has to ignore how his skin tingles every time the curve of your body slides against his in that tantalizing way. Something in his lower belly tightens. "You don't get to tap out after makin' me go through all this trouble for you. You're livin' through tonight or else."

"Or else what?"

"Or else." He moves his hand up to the base of your throat, his large, calloused fingers wrapping around your neck and tilting your chin up to look at him. He fixes his blue eyes on yours to take in the dazed expression on your face. "I'll drag your arse out of hell and tan it until you can't sit right."

You're too weary to laugh, but you rest your scuffed cheek on his thumb, and it pushes your lips into a smirk. "All for me?"

"Aye. Hell of a lot more trouble than your pretty face should be worth."

You pull free and rest your head on his shoulder again. "Where do you live?"

"Glasgow," he says. "Not sure I should be tellin' you that."

You trace his chest around the chain of his ID tag. So many muscles. "Probably not."

"And what about you? Do I get to know?"

"No. Maybe. If we get out of here."

"Yeah? Well, you're not goin' anywhere with this wound. Bleedin' out, nearly froze to death, and still mouthin' off. No idea how to shut up and be good." He looks down at the injury, assessing how bad it really is in the dim light of the cabin. "You lost a lot of blood. I bet you feel tired." He brushes your hair off your face. "Stay awake a bit longer. The boys'll be here soon."

"I shouldn't," you mutter.

Soap doesn't miss the slurring of your words. He knew the blood loss would affect you, but he was hoping for more time before he had to really worry. "Shouldn't stay? Too late to get away from me now," he says, trying to keep his tone casual. Your skin is too cold for comfort. The gauze in your wound soaking through with blood can't mean anything good. "I don’t trust you as far as I can throw you. Sure as hell not letting you out of my sight. You've got a lot to repay me for."

You try to keep your eyes open. Every blink is more sluggish than the last. "Like what?"

"Runnin' away and makin' me chase after you, for one. Puttin' yourself in the line of fire for me, second. Takin' a swim in a frozen river. Scared me to death." He presses his lips to the crown of your head, a gentle, chaste touch at odds with the possessive, dominating instinct he can feel creeping into his thoughts. You're vulnerable right now, something he should never want, but part of him wonders if he’d ever have caught up with you without this. "Aye, you owe me. First thing we do once you're patched up? We have a long talk. We have a whole hell of a lot we need to say to one another. And you'll answer every question I ask you."

"I dunno if you'll like the stuff I say," you mutter.

"Hardly matters. You’re plenty keen on spittin’ fire at me as it is. No reason you can’t keep tellin’ me everything I don’t want tae hear."

Another shiver wracks your body.

Soap rubs your arms. "You gotta give your word you stay awake for me, aye? Stay here."

His radio beeps nearby. You huff. "Fine."

"Fine." He leans over to grab his radio and tries to keep an arm around your shoulders to keep you warm as he does. He keeps you cradled against his chest as he responds to Price.

"Soap here."

You don't hear the conversation. Instead, you listen to Soap's voice vibrate through his chest. He speaks to Price in hushed tones, talking about your condition and the team's ETA.

Price has a laundry list of questions, but Soap manages to wrangle them into holding off until they have everyone back on base. No sense exhausting you on a mission that's already been a shitshow. Finally, they're done. Soap lets the radio go to focus entirely on you again. "Still with me?"

"How long do we have?"

"Shouldn't be too much longer," he says. He checks your side again. The coldness of the air has soaked into the wet gauze. You shiver again. It makes something in him ache. "ETA's about ten minutes out."

You pull his lips down to yours and kiss him.

He's surprised, but he doesn't pull back--not from you. He lets you kiss him. Your taste seeps into his brain and turns all rational thought to white noise. One hand cups your jaw with a surprising gentleness, and the other slides behind your waist to keep you against his body. He's gentle--you need to be handled with care right now.

He pulls back before he loses himself in the desire to deepen the kiss. His eyes search your face, his forehead pressed against yours, his breath hot against your lips.

"You're lucky you're injured," he murmurs. "Or you'd be in a very different kind of trouble right now."

You shiver, but not with the cold. Just that one kiss has you feeling much warmer. You touch your name where it's written on his arm. Then you curl your fingers around the back of his neck and pull yourself closer. "Hold onto that thought for later," you murmur. "Give me something to wait for."

Then you kiss him again.

...

← previous part / [part 13] / epilogue →

part 1 / more Soap / masterlist

thank you <3

[demonic0angel]

OWO, you take prompts? How about this?

Danny was born a premature and with a heart defect. The Fenton's try to make a clone so they can get his heart transplanted without fear of organ rejection. But they end up making a full on baby and don't have it in them to kill another version of their son just to save their original boy. Danny ends up pulling through and the clone gets filed as a twin that no one noticed was still in when Maddie was in the hospital. So Maddie "had him at home" and went back so he could be medically examined. The new parents feel ashamed of what they initially were going to do and give the child to a cousin who couldn't conceive.

Tim Drake doesn't know he's adopted until a DNA test reveals that the 'Meta' running around Gotham is his 'twin brother'. And the babies he has, that he does babysitting gigs with, are his twin's 'children'.

(I don’t exactly take prompts, but I don’t mind if you send them. Also, I’m going to assume that the twin’s “children” are Dan and Dani, since that seems to be what people prefer.)

“… are you serious?” Tim asked through the phone.

“Yep,” Dick said, sounding like a mixture of amusement and concern, “How do you feel about it?”

Tim thought about it and then responded, “I guess it makes sense why my parents neglected me so much, since I’m adopted.”

“Awww, baby bird…”

“I’m fine, Dick,” Tim said. He picked Dante and set him on a baby chair. Said child stared at him with electric blue eyes, scowling with his pudgy cheeks as if he wanted to tear Tim apart with his nonexistent teeth. Tim rubbed his chubby cheek with a finger before moving away, still holding the phone to his ear as he picked up the other baby.

Dick continued, “Yeah… also, Bruce says that he’s sorry that he checked your blood without telling you.”

Tim snorted, “No, he didn’t.” Bruce was never sorry for that kind of stuff.

Dick sighed. “Yeah, I lied. Sorry. But he did look guilty! He didn’t want to tell you at first, but Jason convinced him so I’m the one telling you right now.”

Tim hummed, picking up little Ella, who was stubbornly holding onto a small cardboard box. Tim let her hold it and placed her onto the baby chair next to her brother, who immediately reached out for her. It was kinda funny seeing how clingy he was compared to his sister.

“We have more information too. We tracked down the new meta and we’ve been looking into his routes. We suspect that he’s living around here, in Bristol,” Dick said. “We think he’s living in an apartment, at XXX on XXXX street, possibly with a roommate named Jazz.”

Tim paused, suddenly hyper aware of the fact that he was in the same building, babysitting a bunch of kids on the same street, who also lived with another woman named Jazz. “Uhh. What else?”

“We think he lives on the third floor and possibly also works at a pizza delivery place? Or maybe a fast food restaurant? He’s been flying back and forth between two places besides the apartment.”

Tim began to sweat. “Uh… anything else?”

“There’s a high chance that his name is Danny Nightingale, and Jasmine Nightingale is in on the fact that he’s a meta.”

Fuck.

Tim looked at his niece and nephew with a new light, eyes wide. Ella beamed at him, giggling while Dante just glared.

Welp. At least Bruce would be happy to be a grandfather now. Even if it was to Tim’s secret meta twin brother.

[runnning-outof-time]

“You Came.” “You Called.” | Tommy Shelby x Reader

Request: yes by anonymous

Pairing: Tommy Shelby x fem!Solomons Sister!Reader

Summary: Tommy Shelby and (Y/N) Solomons despise each other…….or do they?

Warnings: language, slight sexual situations, weapons, threats

Word Count: 1304

A/N: I’m sorry this isn’t as long as the others have been. I need to get these requests finished and this is what I was able to come out with. I hope you’ll still enjoy! Also I’ve tried something a little different at the end - hopefully you’ll participate and not be too mad at me for it! :)

A/N 2: Oh and this is the story where the Solomons!Sister won the poll — I’m not sure if it’s angsty enough…I tried my best with it. Also I’m sorry if Alfie seems ooc here…it’s been a bit since I’ve written him and I’m rusty.

COMMENTS & REBLOGS ARE APPRECIATED! — I’D LOVE TO KNOW WHAT YOU THOUGHT OF THE STORY!

comment/message me if you’d like to be tagged!

"You came," she sounded surprised.

"You called," his response was nonchalant.

"Yeah, but I didn't call you."

The story of Tommy Shelby and (Y/N) Solomons is a long, complicated one.

To give a quick summary: they first met the day that Tommy showed up at Alfie's 'bakery. She was the first to greet him and instantly was able to realize that there was more to his motives than what he was letting on.

She was cautious when dealing with him at first, but his charm soon enough chipped away that hesitant exterior she'd put up.

Neither could help but cross the line one late evening after a successful business dinner.

She thought that that would be the end of Tommy Shelby. But now he'd shown up at her door...when she was expecting her brother.

"Where's my brother?" (Y/N) asked, looking to either side of the doorway, hoping that Alfie would be close by.

He wasn't.

"He's busy," Tommy answered.

"So he sent you?" she asked, her brows furrowed.

"Not exactly," he shook his head.

"I'm not understanding what you're saying. Ollie told me that he'd take a note down for Alfie and that he'd inform him as soon as he became available." (Y/N) was confused now.

"I saw the note," he began, "took it upon myself to see what was needed to be discussed."

(Y/N)'s jaw just about dropped. "Tommy, why did you...would you, you shouldn't, you..."

"My name was on the note, love," he cut off her attempt to string words together.

"Just because it was on the note does not mean you were to be involved!" she couldn't stop her voice from raising, her eyes widening as she spoke. Now she was wondering how Ollie had phrased his note to Alfie. A few beats passed before a sigh escaped her lips. She ran a frustrated hand across her face before asking, "what...what did the note say?" Her thoughts had gotten the best of her.

"It said that you needed to speak about Shelby...had some information you wanted to be made known," he answered her, his eyes boring into hers. (Y/N) opened her mouth to say something but he didn't let her, taking a step inside, making her back up in the process. "What is it you wanted to tell him, hmm?"

His close proximity made her heartrate increase. She was quickly losing her ability to think. "Tommy, I..."

"What really was your goal last night, (Y/N)?" he asked her, his brows raising.

The willpower to keep her hands by her sides and not reach out to take hold of him was leaving (Y/N) by the second.

"I thought your intentions aligned with mine..." he trailed off, raising his hand so that he could run it down her jawline in a slow, teasing manner, "at least it seemed that way when you brought me back here."

Instead of dropping his hand when he reached her chin, he grasped it; taking it between his thumb and index finger so that he could raise her fleeing eyes to match his. This action made the breath get caught in (Y/N)'s throat, and every valid argument left her mind the second her eyes locked onto his icy blue ones. All hope was lost now.

"What are your intentions with me, (Y/N)?" he asked her.

"You know them, Tommy, I.." she couldn't quite string a thought together.

"Tell me."

"I.." she paused again, interally freaking out. Think of something, anything, (Y/N), come on! "I wanted to tell him about you...about us," she decided on telling him a lie, hoping that he would take it as the truth.

"Yeah?"

She couldn't decipher what he was truly thinking from his one word response. His widened eyes didn't help either, other than making her fall deeper into his trap with each second that passed. Now she was wracking her brain to think of ways to sell this.

The last thing she wanted to tell him was that she was going to sell him out...to tell Alfie what she felt his true intentions were.

"Yeah," she breathed, nodding her head as much as she could with his fingers still holding her chin. Sell it, (Y/N)!, her mind screamed before she raised her hands up to grip his lapels. All coherent thoughts flew out the window as she leaned in and kissed him.

This wasn't a loving kiss. It wasn't a slow one, unlike the ones they shared last night. She kissed him hard, hoping that the passion she put into it would be enough to get his mind off of the damn note and seal her lie for good.

His hold tightened on her chin, but he didn't break the kiss. In fact, his other hand moved from his side to her hip, where he began bunching up her skirt in order to make contact with her bare skin.

Success.

(Y/N) also became absorbed by the passion that they both were showing. It was hard not to given the fact that he was Tommy Shelby. The night they shared was one of the best she'd ever had. Conniving business man or not, she would remember it for the rest of her life.

"What in the bloody fucking hell is going on here?!"

What (Y/N) did not remember before getting sucked into this situation was to shut the door to her home.

Her eyes shot open and she became frantic, trying to break the kiss and move away from Tommy as quick as she could. "Alfie!" she shrieked, surprise clear on her face.

"Why're you fucking kissing my sister, mate?!" Alfie asked Tommy, speaking with a seething anger.

While (Y/N) was just about shaking from the shock of her brother showing up, Tommy didn't seem to be phased.

"Alfie he...he was just..."

"No," Alfie cut (Y/N) off, shaking his head and stopping her attempt to cover for the man now standing beside her, "I asked him not you. He knows family is off-fucking-limits, so I want him to answer me why."

Tommy said nothing. (Y/N) shrunk into herself more and more with each passing second. She'd never seen Alfie this angry.

"I said fucking answer me!" Alfie bellowed, drawing the revolver he had tucked into his waistband. He wasted no time in cocking it and holding it in Tommy's face.

Tommy still didn't move; didn't even flinch.

"You're going to fucking answer me," Alfie demanded, his voice low and menacing, "yeah, you're going to fucking answer me or it'll be your fucking brains blown out all over (Y/N)'s fucking foyer."

"Alfie, don't," (Y/N) begged her brother, reaching a shaky hand out in hopes that he would see it and lower his weapon.

"She called for you," Tommy spoke, his voice level and stoic.

"She fucking what?" Alfie asked, his brows furrowing slightly, confused by why Tommy was saying this.

“She called your office. You weren’t around. But my name was on the note,” Tommy shared more details.

“And what does that have fucking anything to do with you fucking kissing my sister?!” Alfie’s anger had returned.

“It has everything to do with it,” Tommy was still level-headed. “You see, she was going to tell you about this, about us,” he then dropped the bomb, motioning between himself and (Y/N) to emphasize the point he was making.

“I can explain,” (Y/N) was quick to blurt out, her eyes trained on the gun in Alfie’s hand, which he’d - thankfully - lowered from being aimed at Tommy’s head.

She couldn’t read the look in her brother’s eyes. The seconds felt like hours as they passed. She stood frozen as Alfie rose the revolver again and…….

Ok I’m evil, I know but……..

Don’t fret, if the poll’s closed by the time you’re reading this, you’re still more than welcome (and I’d encourage you, actually) to share what you think would happen next!!

p.s….this story won’t be getting continued. I’m just curious as to what y’all think.

MASTERLIST

Tagged: @mystcldydrms @the-anxious-youth @cloudofdisney @look-at-the-soul @elenavampire21

@mrsalwayswrite @julkaamazing @evita-shelby @theshelbyslimited @peakyswritings

@just-a-blackhole @watercolorskyy @strayrockette @peakyduchesss @alexxavicry

@captivatedbycillianmurphy @yummycastiel @dark-academia-slut @mischievouslittlecreature @stevie75

@lyarr24 @signorellisantichrist @zablife @anotherblinder @cillmequick

@dandelionprints @letal-y-poetica @garrison-girl-08 @insanitybyanothername @depxiety

@justrainandcoffee @dragons-are-my-favorite @mrs-bond @cljordan-imperium @brummiereader

@red-riding-wood @everythingelseisextra @little-diable @thomashelbyswife @shaddixlife

@ryecosse @padfootdaredmetoo @novashelby

[purinfelix]

from your last post could i request pedri? from “about you” by the 1975 where perhaps reader and pedri had a past relationship all throughout high school and when pedri left for barcelona they lost contact / broke up but years later they reunite somehow? When they do it’s like a “i thought you’d forget about me by now” to “how could i forget about you?” maybe angst to fluff! sorry that was so long … i hope it made sense lol <33

did you think i'd have forgotten? ✶⋆.˚ - pedri gonzalez

w/c: 600 a/n: this is one of my fav songs of all time so tysm for this (and for giving a specific request HAHA) i got quite a few for this song but i liked this idea the most and thought it fit the best - hope u enjoy anon !! <3333

this is part of my 1k event - check out the rules here!!

He still looked exactly the same.

Or at least, from what you could make as your train sped past where he was standing on the platform - though you were pretty sure you could still faintly his features, that dark black hair, the crinkle in the corner of his eyes as he laughed.

It was all exactly the same.

And maybe it was the realisation, that feeling of noticing someone familiar in a place like this - or something deeper within you that you dared not to question - that pushed you to speed off the train at the last minute when this wasn't even your stop. Maybe it was this that made you walk, then jog, then sprint towards what you recognised as his figure in the distance.

But it was also the reminder of what happened between you two, all those years ago, that brought your sprint to a screeching halt. And what would be the chances of you running into your ex-boyfriend here, at a random station, far away from your hometown or the country he had left you to move to? How could you face him, after all that?

"Y/N, is that you?" Too late.

"Pedri?" you called out, your tone confused even though you had made up your mind about it being him long before he had.

"Woah, hi, what are you doing here!"

"I could ask you the same thing," you laugh, a little awkwardly.

"I'm here for a match, we're playing a local team."

"Oh, right," you smile, of course, "I study here."

There's a slight pause, in which you can see Pedri's expression turn into one of surprise. "I didn't know that."

"I mean, why would you?" You regret the words as soon as they leave your mouth, but it's too late since his face is already donning an apologetic look.

"Right, sorry," he mumbles, shoving his hands in his pockets as he looks at the floor. "What are you studying?" he says after a while of silence.

"Nursing," you say matter-of-factly.

"Of course, you'll be great at that," he says, offering a warm smile.

It's clear he's eager to make this exchange as normal as possible, and you'd probably be obliged to let him. But it's hard to be normal given what happened between the two of you, when this is the first time you've spoken to him in years.

"It's nice to see you," he says after another moment of silence.

"Same for you," you laugh shyly trying to avoid eye contact, "I figured you'd forgotten about me by now."

"How could I forget about you?" When you look into his eyes again, you're taken aback by how well his expression reflects his words - his brows tilted slightly up in the inner corners, a tender confusion at the fact that you'd think he'd dare to forget about you.

"Well, you know with how famous you are and everything, I see how they chant your names when you play," you begin to ramble, eager to explain yourself.

"Well, I'd hardly consider myself fam- wait, you watch my games?"

"Well, yeah," you sigh shyly, feeling your cheeks glow pink at the sight of his smirk. The two of you stand there, looking at each other for a while, exchanging sly glances - and it feels, just for a moment, like you're the same high schoolers who were in a puppy-love relationship.

"Are you doing anything now?" he asks you.

"Well, I was on my way to class but I'm probably late for that now."

"Do you want to grab some coffee? I want you to show me what's good around here," he smiles, "oh, and catch me up on how you're doing."

You feel your cheeks begin to ache from how wide you're smiling.

"I'd like that," you nod, "I'd like that a lot."

[prncssie]

TWO ⎯⎯ ★ s. ryomen m. list

content warning minors and trump supporters do not interact. neither are welcome here. in this specific chapter, it gets suggestive towards the end but there is no on page smut. you can expect consensual groping in a public setting and "dick" is written once. also, the bouncer is described as creepy and acts as such but his appearance is short

WHEN I GROW UP

you thought when you strolled through the glass doors of an acting agency, — a grand building lined with glass walls, allowing the sunlight to filter into the lobby — you’d be greeted with warm smiles and maybe even a mint. this is not what you were expecting. it smells clean, citrusy, like fresh squeezed lemons and pine. the hardwood flooring, tan and matte, are smooth beneath your new balances. it’s nearly glittering a pathway guiding you to the front desk. your resume, shielded behind the manilla folder, is tucked tightly to your chest. you’ve even worn your best off-duty outfit, aiming for something simple to show off your spark. a black tube top and black jeans, perfect for forcing focus to your face full of sweet features, dollike and docile enough to render a certain impression on camera, you hope.

“hi,” you speak soft at first, a smile gracing your mouth when the receptionist lifts her head. “yeah, um, my name is ⭐︎ and i heard you had an open call today.” you can’t help the way your shoulders inch up towards your ear, a subconscious way of making yourself smaller, biting away at the ball of white hot nervousness rolling in the base of your tummy. “i was hoping to get in on that.”

it’s a shame her blonde bun is pulled so tight, straining what little polite receptors she has in her system because all the receptionist does is size you up with so much of a twitch of her glossed lips. she doesn’t smile when she slaps the clipboard atop the reflective material of the black desk. “sign here,” for a millisecond, if you'd even count it that, her lips pull tight upwards before she’s returning to whatever she was doing before, nails clacking against the keyboard. “head down that hall to the left. they’ll give you a number. wait for it to be called.”

as soon as you’re finished scribbling the black gen pen down on the white sheet, boxes full of signatures, pages stacked on over the other, she takes it back with a flat palm, dragging it over the open space. “break a leg.” and then it’s as if you were never there. you fade into the background. perhaps in her eyes, you’ve dissipated into light particles. “thanks so much,” is all you can say, lifting your eyebrows with an unamused grin, “brenda.” you catch her name off the nameplate as you leave.

this has to be normal, right? it’s not like hospitality comes with the service, if you can even call it that. people are snobby, thinking their proximity to the stars gives them some sort of privilege or immunity. sure, you wouldn’t normally take such disrespect or disregard for you as a person but maybe you could consider it as a good thing. a blessing in disguise, a side effect of success. this is the closest you’ve been to being in something bigger than yourself, an open call for anything other than a commercial for whole milk or sponsorship from some website.

you have to believe it. otherwise . . .

down the hall and the left, right? you couldn’t miss it if you tried. the bodies milling about give enough clue as to what was going on, numbers taped and pinned to shirts, pants, skirts. the jitters that you swallowed, or tried to, threaten to break free, itching just below the surface of your skin. your mouth is dry but far too wet at the same time. are you drooling? but when your hand lifts to your lips, disguised as checking for lipgloss rolling too far out of place, you don’t feel anything out of the ordinary. still, with each step  closer to the check-in table, your brain cannot stop formulating new possibilities of embarrassment. you could trip, you could forget your lines, you could throw up. none of it’s helping, especially when they’re looking at you with such expecting gazes. getting the number is the easy part, though. all you have to do is write your name down and pick it up. alike many of the others, you opt to tape it, pressing the sticky adhesive into the denim of your pants.

you find yourself in your own desolate space in the hallway, stuck between warm bodies rehearsing their lines and casting sparing glances at the competition around them. you’re unsure where to look. there’s nothing particularly beneficial about staring down the other wannabe actors around you but the idea of focusing so hard on the tiling doesn’t seem too idealistic, either. you’ve always been told it’s best to stand tall anyway, pushing an aura of confidence, even if it’s fake.

and so you do for as long as you stand there. you push your shoulders back and force all that tension between your shoulder blades, straightening your posture for as long as the situation demands. evidently, until your casting is over and you get to return home.

it’s a slow process, slower than you think it would be. you were sure when you left work a few hours ago that you’d have enough time to rinse the smell of fryer grease and burgers off your skin — you’ve since replaced it with silky strawberry lotion and powdery vanilla perfume — and arrive with more than enough time to spare. of course, you did hope it wouldn’t take too long, maybe an hour or two to finish the whole thing. however, when you pull your phone out of your little black prada shoulder bag, you learn that more than three hours have passed.

that’s a ridiculous amount of time to stand, waiting as others go into that room and leave with smiles on their faces or tears in their eyes. sometimes, they don’t have an expression at all. they simply open that heavy door and wander down the hallway, leaving an air of mystery as to what could have happened. you like to fantasize, making up stories about each person and what they could have possibly done to fail. it’s your only entertainment, one that sends you into a trance-like state as you watch and eye each passerby.

it works for a while, dulling your boredom while you wait for your turn. you would have missed the sudden whispery uproar if it weren’t for the girl beside you. her hair brushes against your arm when she turns her head to whisper to the person next to you. instinctively, you cover the tickled area with your palm and look over, bringing your attention closer to the chatter. it’s bit unexpected how suddenly it rises. in just a few minutes, the dull crowd, tired of standing and waiting, begins to buzz with excitement. around you, people whisper, eyes gawking and following figures moving through the hall.

at first glance, it doesn’t take you long to identify just who is attracting all this uproar. even if people weren’t damn near pointing at the hulking figure disregarding his attention, you’d recognize him regardless. it’s hard to miss the dyed pink hair, black roots peaking just below the tufts. his undercut is just as crisp as the pictures, fresh from recent maintenance. there’s a smirk tugging at his lips, arrogant and knowing, like all the attention he’s receiving simply strokes his ego, filling up his head with pride. he walks in a saunter, fingers wrapped around his phone and tilting his head in the onlookers direction. you can get glimpses of his iconic black gel polish, catching the glimmer of the overhead lighting.

sukuna ryomen, one of the greatest stars in the industry at this very moment. the it boy, the icon, the muse of most directors. you could be seeing too far into things when he passes you, but for a second, when your eyes make contact, there’s a particular . . . tension. perhaps you’re imagining it, a warped notion in your head that blended reality with fantasy, but his eyebrows furrow, just slightly. they twitch, jumping upwards before letting you become one with the rest of his admirers.

“ – role in another movie,” it’s a whisper coming from beside you, a comment made in his wake, after he had already made his appearance and left a notable impact. “that’s what i heard, at least. i think it’s a thriller. some psychological shit.”

a thriller? the sukuna ryomen in a thriller? it’s been a while since there’s been a movie you’be been genuinely excited to see but the prospect of such a big name with an equally big aura taking on a role like that? you’re already itching with anticipation at the thought. you wish you could be there, watch him rehearse his lines, see how he prepares for the role. there’s endless lessons you an take out of his book but you’ll never have the chance. not as long as you’re just someone auditioning and he’s at the top of the ranks.

⎯⎯⎯⎯⎯ ★

“no, cherry. i’m not getting the role.” you’re shoving airpods into your ears as you dejectedly make your way out the building. you pull your bag even farther on your shoulder, ignoring the harsh squeals your shoes make when you don’t entirely lift them off the ground. it’s what they deserve anyway, this whole company, after throwing you to the side like that. it contrasts with the clicks of heels and draws judging glares towards you but you ignore them. they’re nothing and they mean nothing after setting up such a massive event, one that you spent weeks preparing for, just for it to be pointless. “turns out, they already had someone in mind. it’s such —,” you pause, just long enough to step outside the glass doors, “such bullshit.”

“aw, honey,” her sweet southern drawl does little to comfort you as warm as it is. if anything, the empathy dripping from it riles you up further. she means well, truly. cherry is as disappointed as you are. in the short span of working together, she’s become something of a confidant, the only person who knows your goals of reaching the stars. it’s not a secret you hold close to your heart for any particular reason. it’s just . . . well, it’s just this. no one wants people to know about their setbacks. you wouldn’t find any joy in sharing your worst failures.

cherry is different, though. she’s kind about it. she has a big heart, keeping in negative comments she might have to herself. besides, cherry has a dream, too, to walk in fashion week. it was a drunken confession, sitting on the floor of your studio apartment after consuming enough white wine to send you both into fits of giggles. you considered it a housewarming.

“how do you know that? did they tell you?” she has to raise her voice over the beeping fryer alarm and the rustling around her. of course in normal cherry fashion, she picks up the phone during work hours when business is slow and she has time to waste.

“they don’t have to tell me for me to know.” you want to press your hands into your eyes, perhaps lay down beneath your sheets and hide away from the world until the fury building inside withers away. “i went in there and did my audition. they were all like ‘oh, ⭐︎, you did so good. you look so cute on camera, you’re so talented’,” you raise your voice a couple octaves to mock the casting directors, rolling your brown eyes in tandem with your words. “that’s not what they actually said but whatever. the point is, some girl walks in and they’re all over her.”

you click your tongue in a fluid motion, scrolling through the app library in search of whichever rideshare app you’ve downloaded since moving out here. with what little income you make, there’s no way you’ll be able to afford a car for the next couple of months, or even years in this economy. a ten minute ride back to your home is nothing compared to the cost of car payments and gas. “i’ve never seen her before, which is the crazy part. i don’t remember what they said her name was. edamame, uraume, whatever the fuck.”

“wait, no. i’ve heard of that name before. i’m pretty sure she was in that show with that guy.” for a moment, you hear her pause, presumably directing her attention to someone else. “yeah, honey. i’ll be right with you, m’kay? listen, ⭐︎, i gotta go, but i’ll see you tonight. we’re still on for tonight, right? i’ll take you out to this place i know. you’ll love it. i hear lotsa famous people go there. maybe you’ll meet someone who can get you a fancy role.”

your eyes settle on the dark colored sedan underlined with an identifying combination of letters and numbers. it’s only a couple dollars and you have the money to spare. you didn’t feel particularly inclined to walk those couple blocks, anyway. you find her words sort of . . . comforting, now. as optimistic as such a small possibility seems, the idea of simply running into someone worthwhile all while dancing the night away excites you. as unlikely as such an easy shortcut to success is, you still consider the small chance to be a chance at all.

“yeah, okay,” you respond with a distant sounding voice as you navigate through the nine dollar payment. it takes a few seconds for the screen to reload, proposing you begin to make your way to the pickup location. “i’ll see you later.”

⎯⎯⎯⎯⎯ ★

the club cherry took you to, it’s everything and nothing you expected it to be at the same time. you scrolled through pictures of the three story building on google reviews while cherry showered, filling up the small confines of her bathroom with steam and the scent of dove cucumber body wash; she insisted on you getting ready at her place after seeing the lackluster apparel hanging in your closet. you didn’t think they were that bad and yet, she parroted on and on that the bouncer would not let you in the clothes you planned on wearing. and she was right, he wouldn’t. here he stood, scrutinizing and slightly predatory gaze across each clubgoer. he took his time with the women, eyebrow quirking when someone particularly piqued his interest. gross, but expected.

it’s just as lively as you thought it would be, people milling around the entrance with id in hand. occasionally, the cars driving by would slow down and glance at the pedestrians, some gathered in groups and drunkenly skipping down the pavement. the lights are flashy, the people are giggly. it's exactly as a club scene should be. the only thing that’s missing is . . . well, the music.

you make note of it as you stand in line, arms wrapped around your body and shifting your weight from leg to leg. there’s no music, at least none you can hear. back in your little town closer to the rural edges of the countryside, you spent quite enough time at the club. you treated it as your own personal spotlight, finding great fun in putting on different personas to enchant men for the night. it could be considered where your love for acting really started, or maybe not. maybe you just sound crazy.

“okay, when we get up there,” cherry leans into you, ducking her head to get her words more clearly heard in your ear. she’s already a couple inches taller than you and with the heels on her black boots pushing her up, those inches became more than just a couple, “don’t say anythin’. well, you can speak but i’ll handle most of it. mike is real fickle. he likes to flirt with the girls and if you don’t make him happy, you don’t get in.” 

“you brought me to a place where the girls are forced to be creeped on by the bouncer for admission?”

cherry clicks her tongue at your words. she follows the flow of the line and takes a step forward, momentarily looking over her shoulder to meet your eyes. “sometimes he doesn’t make us pay.”

⎯⎯⎯⎯⎯ ★

you’re drunk. you don’t have to ask someone to know. there’s no need for a breathalyzer, no need to hang of cherry’s shoulder and smile that pink-lipped, sugar-coated, loopy smile. the confirmation is in the way you walk. it’s in your tingling hands and your tingling lips. it’s in your airy laughter and your slurred words as you teeter across the dance floor. it’s in the way you sit now, perched on the edge of a chair and drunkenly kissing . . . someone. a girl, a guy, you don’t know. it wouldn’t make any difference really.

they’re probably just as drunk as you are, hands gripping and pulling at  your dress, or rather the dress you borrowed. in the back of your mind, you’re scowling and making note to check for snags later, considering how ungracious they’re being. so much so that you’ve been tasked with the responsibility of tugging your dress up every so often as the constant threat of your boobs slipping out. 

you’re not enjoying this, not as much as you want to be. you’re meant to loosen up, get out there, “make connections, whatever that means to you”, as cherry said in her honeyed dialect. that’s what you hoped to do, connect your mouth to another’s in a way that enthralled you in a more lustrous way, with tensions that weigh heavy in a bubble that surrounds you and makes you hungry for more.

you kind of sit there while they begin to mouth along your jawline with more tongue than you prefer. the distaste hits you strong enough you to put your hands on their shoulders after minutes of kissing starving lips. with a firm grasp, you push just slightly, politely even. you still give them that drunken smile even with the sudden detachment and rise to your feet. the base of your shoes knock against the metal leg of the chair and you stumble a few steps on your way up. “i will be right back.” you doubt your voice carries over the bass-boosted music. the beat alone vibrates the floor and rattles your brain in your skull. you both know this isn’t true, or at least you know and that’s enough for you. your toothy smile is concealed as your face falls to rest and you turn, purposefully taking a winding route through the crowd.

you lost cherry a while ago. in retrospect, she’s a bit of a terrible friend for vanishing like that so suddenly with the assumption that you’d be fine. the fault really lied in the decision that you should both drink tonight, as if two wasted girls were ever a good idea. however, it’s too late to be playing the blame game. you’re already taking wobbly strides under the strobe lights while a mixture of house and electronic plays in the background. there’s no real destination you’re heading towards. you follow the movement of the crowd, swaying and leaning. left, right, left, right.

in the moment, staying just where you are is appealing. it calls to you like a siren’s song, begging and pleading with you to stay. have another drink, kiss someone else, live under the colored lights. before you know it, you’re dancing to the music. it’s not what you’d typically listen to but when you’ve had this many shots in those cute little glasses, anything will do. your eyes are still closed as you dance, pulling moves from your mental catalog of video vixens and pop icons. it’s a mess, a flurry of arms and legs. your hair becomes an accessory, an extension of yourself, an object of seduction when you brush it out your face. your hips find the beat with ease and you find enjoyment in being alone, despite knowing you probably should be apprehensive.

it doesn’t take long before there’s a hand settled on your hip, hovering at first, waiting for permission to make contact with your skin. you spot it somehow in your drunken haze and take a hold of it without hesitation. you stamp the hand against your hip, ruffling the dress you adorn beneath their light hold. you only have a short moment to glance over your shoulder and assess the stranger you have welcomed into your one person party. he’s a pleasing sight, although slightly obscured by the blinding overhead lighting, constantly moving and flashing shades of blue, purple, and red. you catch tufts of black and pink lips upturned into a smirk.

it’s good enough for you so you turn and bend at the waist, dipping your head and letting your soft curls toss over your crown. you push the clothed and plush fat of your ass against the stiff fabric of this stranger’s jeans. you both move in an enthralling whirl. you just, met, or rather just become aware of each other’s presence, but somehow you mesh together in a balanced blend of bodies and flirtatious glances.

his hand is firm on your chest. he can feel the warmth of your bare skin where the dress leaves you exposed. he’s pleased to discover he can also feel the swell of your breasts and where they begin to deviate from your otherwise leveled skin. he has to bend at the waist to get to you, but once he does, you’re back to standing, chest to back and a grin on your face. his breath is hot on your ear and his voice is deep. it warms your drunken insides like a warm cider, thoroughly spiced. “are you here with someone?”

your feet tangle with themselves as you turn to face him. you’re careful, slow, calculating each step and maintaining your balance with a strong grip of his forearms. you squeeze and hum at the strong muscle relaxed beneath. “maybe, probably. if she’s still here.” you’re moving again, languidly resting your arm over his shoulder. “what’s your name?” you have to place a hand over the top of your head to cover your eyes from the glaring color changing lights. he looks familiar, extremely familiar. however, you’re drunk and it’s dark. you aren’t so concerned with placing a distinct name to a face and more concerned with what you’ll be calling this person you presume you’re going home with tonight.

sure, it wasn’t what you originally believed yourself to be doing. the thought hadn’t even crossed your mind, nor would you do this on any other occasion but it’s your first night out in a new town. you’ve had the letdown of a century and your boss is absolute shit, never showing up to do anything but complain and order you around. with a pretty boy right at your fingertips, why should you deny yourself? just for one night, at least.

it takes him a second. you assume he doesn’t quite hear you over the music bumping in the background because he blinks, dark eyebrows drawing together just slightly, and that smirk is returning right back on his pink lips. “kuyo,” his hands downwards, smoothening under the crease of your butt.

“unusual name but whatever you say.” your eyes track him low-lidded and just barely disguising the hearts beginning to form in your eyes. he moves close enough for you to smell the alcohol on his breath. it reeks of something strong, something like henessey cocktailed with a flurry of drinks downed without a second thought.

kuyo can only chuckle, one that goes unheard in your ears. he ignores your little comment, experimentally grazing his fingers along your body, both clothed and unclothed while gauging your reaction. and when he finds none, just your sweet smile, he continues pulling and squeezing and groping with little regard for those around you. you’re in a club. people should expect to see a little frisking. “i don’t like beating around the bush and i’m sure you’re a smart girl so you know what i’m gonna say. do you want to go back with me or not? we’d have to go to yours though. roommates.”

you almost laugh. there’s already a giggle building in your throat at his sheer audacity. kuyo didn’t even ask. he didn’t suggest, didn’t pose a question. he simply invited himself over, granted, that’s if you let him. usually, you’d pull back. you’d scoff in kuyo’s face, shake your head and disappear, never to be seen again. but his hands, they’re so strong. and his shoulders are so broad, and his chest is so firm, and his smile is so— “this better be the best night of my life, pretty boy.”

he gives one final squeeze to your midsection, savoring that feeling of plush skin molding around his fingers. the next time kuyo feels it, he knows it’ll be without these silly restrictions such as clothes and peering eyes. not that he’d mind, but he does doubt you want to be split on his dick in the middle of a club. “oh trust, it will be.”

©️ prncessie | do not repost on to other platforms, plagiarize, modify, translate, or use for any ai platforms. my work is my own and it comes from my brain so you’ll have to use yours too

taglist — comment to be added

@excedr

[knight-says-nanana]

An analysis on Ed’s comic childhood, how that impacted his OCD*, and how that translated to the Gotham TV show

Alternatively: GTV Ed’s Biography

*(and also how it very clearly gave him cptsd but they don’t explicitly Say that bc DC is full of cowards)

Normally I’d say comics don’t impact tv continuity, especially for a show like Gotham where so many things are changed, but the thing is? Cory Michael Smith specifically went out of his way to read the riddler comics when he accepted the role of Ed Nygma. He acted accordingly and did an amazing job trying to salvage the show’s poor writing. There are many tiny moments where he does things that reference Ed’s typical backstory despite the show, in all its 5 seasons, never bringing it up

Childhood wise there are typically two widely accepted routes

1 - his mom was around but neglectful and off her head with drugs n alcohol

2 - his mom left when he was a toddler due to not being able to handle his father anymore, which kinda kickstarted the abuse being focused onto Ed instead

I will be continuing this analysis with #2 because it is the most popular and explains his abandonment issues

Comic Based Childhood

So this guy basically grew up with Only his father. His father who is a dumbass, an alcoholic, blames Ed for his mother leaving, incredibly abusive physically, and couldn’t accept that 1) his kid is smarter than him or that 2) a kid so Weird cough traumatized and neurodivergent cough is anything but an idiot

A major sticking point was that he always thought Ed was lying, constantly, about everything. This will be important later.

And when Ed finally started going to school and getting A’s?? Yeah no Obviously he had to have been cheating so Mr Nashton just got More angry with him. Could Ed have dropped his grades on purpose to avoid this? Yeah. Did he? Absolutely not. Academic success was the one thing he could be proud of and the only thing that gave him any sort of praise or validation. He was clinging to it for dear life.

No matter the universe, this is a guy who craves attention.

There is difference between academic success and school life itself, because Ed is awkward n dorky n, especially at this point in time, anxious n quiet. So he didn’t have friends. In fact it’s usually written as either him having been bullied or being ignored entirely

The boy was not doing ok at all. So understandably he ran away as soon as possible and changed his name.

Now, this is the first point where Gotham’s canon ties into this in a Very interesting way

We know Ed’s official birth year from the ID card in the show. It’s canon. In season one he is 26. We know this. And it’s is insane for a few reasons!!

He is So Much Younger than his coworkers holy shit

Bullock is old enough to be his dad and he’s not nice, no wonder Ed doesn’t like him

He works in forensics. At 26. And he’s implied to have been working there a year or two before Jim joined the precinct.

Now, I had GENUINELY assumed that he was in his 30s like Jim. BECAUSE HE WORKS IN FORENSICS. But no he’s just actually a botched Spencer Reid because he’s 26 in season one.

A degree in forensic science takes 4 years.

If you want a masters it’s an extra 2 years.

Factoring in the time he would’ve needed to spend interning and working just to QUALIFY for a job at the GCPD???

If we assume he ran away n got into college at age 17 and got his bachelor's he’d be 21 by the time he graduated, 23 if he got his masters which of course he would, and then that leaves us only 3 or 1 year/s for internships and stuff before he joins the GCPD. What. What.

No wonder his apartment is so shitty!!! This is a man with hella student loans

But yeah! Hes only 26 and his 40 year old coworkers are bulling him for being weird. I’d hate my job too.

Bullock is 48 and I’m fully convinced he, like me, thinks Ed is at least 32 (Jim’s age) because. What.

So yeah that’s his general backstory, NOW the ways that plays into his mental state and how his actor managed to fit it into the show

So, you can reasonably assume he’s traumatized.

And!? There are so many subtle moments in the show where Cory acts his character accordingly for this. He flinches when people raise their voice, he’s visibly spooked when men in the GCPD get huffy (usually it’s Mr James Anger Issues Gordon). He’s skittish as a mouse. In the watermelon scene, when Gordon busts into the room, Ed immediately falls over himself to explain what he’s doing in there. The guy was terrified. Of James. Who’s never done a thing to him.

Beyond that? CPTSD -beyond the regular symptoms of flashbacks, triggers, and hyper awareness- also includes difficulty regulating emotions, feelings of shame/guilt, and trouble staying in relationships.

Ed Nygma is a damn textbook case. He has meltdowns, he falls into substances, he does ANYTHING but cope when he’s overwhelmed. He is constantly trying to prove he’s smart, there’s a gut deep shame when he doesn’t hold up to genius standards. And you’ve seen his relationships.

Basic info ab OCD: it’s an anxiety disorder and the two main things are obsessive compulsions and intrusive thoughts, both of which are present in Gotham but not handled nearly as well as they are in the comics

Compulsions first!

These tend to stem from subconscious thoughts and people won’t always know Why they have a compulsion but they’re generally a way of preventing a vague yet all consuming Bad Thing.

Now, with Ed one of his major sticking points in comics AND the show is he cannot tell blatant lies, especially not with yes/no answers.

This is part of why he compulsively leaves clues for absolutely everything and tries to be so vague when he is lying. He also jumps through hoops so that he won’t need to lie.

Lying = incredible all consuming dread and anxiety, so he just Doesn’t and uses his little hints and clues as a loophole. Very obviously from his father’s influence.

In the show this is shown multiple times but just for a few:

Lucious asking if Jim is at Ed’s house and when Ed tries to say no he seems almost forced to correct himself

The compulsive clue in “Tom’s” note, even when no one had asked him if he knew anything he still couldn’t keep it entirely to himself. The note is a loophole. Technically he told on himself. They just didn’t figure it out. (Well. Kristen kinda did but denying it aka lying sent him into an anxiety attack the moment she left. So.)

When Sofia Falcone was torturing him to find out where Oswald was, he told her. He just told her via a riddler he knew she didn’t understand! No need to lie!

In the car ride to the docks Oswald also calls him out directly by saying he’s so predictable because he’s driven by obsessive compulsion. This is the most the show acknowledges it.

Beyond his compulsions he’s got explicit intrusive thoughts regarding a few big things. (Should be noted that these tend to drive compulsions but not always.)

being viewed as stupid

Ergo his criminal history just being a big show to prove how smart he is. Again, his fathers influence.

being actually stupid

Not knowing things stresses him out So Bad and he takes it So Personally. He NEEDS to know everything. The world is a puzzle and he is Going to solve it.

Side note: That’s why I do LOVE that Gotham made him a forensics specialist!! He’s always had, to quote a DC podcast where he’s talking to Batgirl “-and you have that terrible all consuming pathology which comples you to find answers” “AnD i HaVe tHaT tErRiBlE aLL cOnsUmiNG PaThOLoGy wHiCh coMpELs mE tO FiNd AnSwErS- Yes.”

Biggest for last: being like his dad

This one is specifically fun because it was almost represented so well. ALMOST. His entire relationship with Kristen was downright molded by it, as shown in the file room anxiety attack. Yes that’s what I’m going to call it.

He is constantly fretting over being like Tom, even when he clearly isn’t because he is disgusted by Tom. No mysoginist is going to see someone with the same thoughts as gross. No guy who thinks women should be “put in their place” is going to have such a physical reaction to hearing that be said. No abusive pos is going to have that reaction at all. At least, not in the way that situation went down or in the way Ed’s afraid of being. We aren’t discussing emotional harm or Nygmobblepot today. But he frets anyway. And if we chose to interpret his riddler hallucination as a Really poor way of representing intrusive thoughts? Yeah. Yeah. His brain is making him panic about doing exactly what he hates so much.

*it should be noted that compulsions are often reinforced by intrusive thoughts. specific example: if he lies he will be saying something wrong, he can not be wrong, everyone is going to think he’s an idiot if he’s wrong. You can see how the two things connect. This applies to the majority of compilations in some way.

Now, a moment where I deviate from discussing what Did happened because I’ll forever mourn this particular writing fuck up:

His thing with Kristen could’ve been perfect. It could’ve been the best live action riddler origin to date. Because this is a guy with OCD who’s very traumatized and would have a strong personal reaction to finding out a friend is facing domestic abuse. That would make his relationships complicated too because of the thought loop it would create off the risk of “turning out to be the type of person he hates” or “what if I hurt her like I was hurt.” That would have been so compelling? AND? AND YKNOW WHAT? MY BIGGEST GRIPE? HIS FIRST PUSH INTO VIOLENT CRIME BEING STABBING AN ABUSER WOULD BE PERFECT. It would be on point. Exceptional foray into crime and murder. BUT THEY DIDNT PLAY IT LIKE THAT. No instead it’s highly tainted by “who gets the girl” and I just. N o. Ugh. They fumbled it!! They fumbled it So Hard. THEY MAKE HIM CREEPY AS FUCK TOWARDS KRISTEN. Like- physically blocking her into small spaces and imposing on her and talking over her when, if they HAD actually leaned into the OCD on purpose, he would probably be hyper aware of not doing.

[runraerun]

Heard a random 90s rock song & it legit got me thinking about Steve & Billy meeting again in their twenties... Like what if s3 never happened? After the fight at the Byers, Billy kept his head down & avoided Steve? I see him as being consumed by a sense of guilt/shame & yet still not being able to apologise until, that is, the day of their graduation when he's suddenly overcome with a need to just get it off his chest. He's been crushing on this guy since he got to Hawkins & he blew whatever chance he had of even just a friendship with him, but it doesn't matter now cos he's getting out of this shithole as quickly as possible, but he can't have this guilt gnawing at him any longer...So maybe he deliberately makes sure he bumps into steve at some point and mutters out a: "Harrington. We need to talk." And sucking on a cigarette like his life depends on it, hands shaking, barely making eye contact, Billy gives the world's shittiest apology. And it feels like his heart's gonna beat out of his chest & Steve's just standing there, staring at him, an unreadable expression on his face, before saying something like: "yeah, man. I'm sorry for that night too." (In my mind either Max let drop something about Billy's homelife or Steve has deduced something's not right). Anyway. Billy finally feels like he's able to breathe again for the first time in months UNTIL steve unknowingly utters the world's most devastating sentence: "I think we could've been friends if, y'know, shit hadn't gone down the way it did...oh well." And steve gives a sort of little grin and a laugh as if what he said wasn't a major deal. "Heard you're headed back to California?" Steve asks, and Billy's barely able to nod, still struck dumb by Steve's previous offhand comment. And maybe someone calls Steve's name and suddenly that's it. The moment is broken & Steve's leaving with a "Guess I'll see you around, Hargrove... or not" and a goofy little salute. And Billy thought he'd feel better. But in fact he feels worse. Because holy shit. Steve just said they could have been friends. And that's gonna haunt him for years....

Cue a few years later and they run into each other in Chicago (listen, the idea of Billy returning to California only to realise it no longer feels like home and maybe it never did consumes me), but yeah. They bump into each other accidentally and holy shit. Steve Harrington. He looks almost exactly the same. Other than the fact he's grown out the mullet and holy shit, are those highlights in his hair??? And billy's stunned by what looks like a genuine grin of delight that crosses Steve's face once he recognises who he's walked into. And maybe they chat for a little while; Billy doesn't even know what he's saying he's so in shock at meeting his highschool crush again. But just like the last time someone calls steve's name and of course steve has a girlfriend, of course he does (joke's on billy, cos it's just robin) and suddenly the moment's broken again and steve's walking away with a casual "it was good to see you again, billy" and billy is gripped with the thought that he can't let steve slip through his fingers again. how many people get a second chance like this? he can feel his old highschool crush flickering back to life where it's buried deep in his chest and maybe steve will never like billy like that but holy shit. billy still remembers the day steve said that maybe they could have been friends if things had been different and things are different now so why not take a chance??? and billy has never felt so brave or so fucking scared in his life as he does when he steps forward and calls after steve: "Hey Harrington! Wanna meet up and catch up properly some time?" and Steve's attention is back on him and goddamn. Billy didn't even realise how much he missed those eyes until now. ANyway!! This got away from me!! But 90s Harringrove pls and thank. Also the song i heard was lightning crashes by live. like the lyrics aren't even that appropriate but there's such a nostalgic feel to it.

oh my god. OH MY GOD.

Anon, this whole message has got me in a chokehold. Like, it’s such a direct hit. 🎯🎯🎯Billy choking on an apology because he’s so painfully unfamiliar with the very concept, the absolute devastation of hearing the potential of being friends with Steve was there, but he blew it, the PINING… urgh. How Steve can unknowingly fatally wound Billy just like that.

AND THEN THE HIGHLIGHTS ARE YOU JOKING?!

I hope that things get away from you many many more times, because this was incredible.

Okay okay. Now, if I may, I will now attempt to match your freak.

ahem

—

By some serendipitous fuckin’ miracle, Steve agrees to exchange digits with him. They couldn’t find a napkin or any other god forsaken scrap of paper to write on, so they just scribbled their numbers down onto each other's arm. Billy was so fucking on edge that when he was peering down at the pale expanse of Steve’s mole-speckled forearm he damn near forgot his own phone number. Jesus, he’s a wreck…

At least whenever it comes to Harrington, anyway. Dude has like, Billy’s own personal strain of kryptonite woven in through his DNA or some shit. It would explain why his hands always get clammy and his knees feel like they’re made of fucking jello every time Steve flashed those pearly whites his way.

Christ, Hargrove, get it together…

Billy had spent the rest of the week running a finger along the wobbly looking numbers, fading more and more every day. Before they fade completely through, he finally finds his balls and dials Steve’s number.

A girl picks up, which… well, Billy knows Steve has a girlfriend. He didn’t know they’re living together though… but whatever, it don’t change shit.

“Steve around?” He asks, clenching the receiver in his fist so tightly that he can hear the plastic creak.

“Who’s asking?” The girl says, sounding pleasant despite her words. Sandy-haired, freckles. Cute, Billy remembers. Harrington always did go for the cute ones.

“Billy,” he answers, “Billy Hargrove. He’ll know who I am.”

“Oh, Billy,” The girl’s voice draws out his name like it’s an answer to a question that she’d been stuck on. “It’s about time you called.”

Which. That…

What the hell does that mean?

While Billy’s puzzling it out, she hears the girl holler for Steve, telling him Billy is on the line. His name is said with a weird amount of familiarity.

Billy switches ears and shakes out the stiffness in his hand. Focuses on breathing evenly instead of the steady flow of questions suddenly piling up in his head.

“Billy?” Steve’s voice, clear as a bell, asks from the other line.

Billy clears his throat, “hey, man.”

“Hey. I was just about to call you.” Steve says, doing that thing where he so casually drops bombs onto Billy’s world, leveling his cities with a passing word.

“Beat you to it.” Billy grins, and hears the little huff of a laugh on the other line.

“Always so competitive,” Steve teases, and Billy can just hear the smile. It makes his chest ache. It’s the sweet kind of ache, though. “Haven’t you ever heard it’s not winning that matters, it’s taking part?”

Billy shakes his head even though Steve can’t see him and sneers, “sounds like some shit losers say to each other.”

That gets a genuine laugh from Steve, all breathy and sharp, and Billy feels himself laughing along from the sheer thrill of getting Steve going.

“Jesus, I forgot how much of an asshole you are.” Steve sighs, but there’s no heat behind it. Just shit talk. It’s fine. What guys do.

“Yeah yeah. Can’t change my spots, or whatever.” Billy mumbles as he scuffs his boot along the floor. Fucking antsy. Jonesing for a cigarette. Just get on with it you piece of shit. He takes a breath and then takes the plunge. “So listen, we should hang out this weekend. I know a few good bars where we could catch up. Maybe get into some trouble.”

Steve makes a scoffing sound, “what kind of trouble are we talking here, Hargrove?”

His heart jackrabbits in his chest. He loves this part. Billy brings the receiver just a little closer to his lips. “The fun kind, Harrington.” He murmurs, voice pitched low.

There’s a brief, unbearably tense couple of seconds where Steve doesn’t speak. He just lets Billy dangle like a hooked fish. Static from the line. He doesn’t breathe. Then.

“Friday at 8?” Steve tosses the offer out, real casual-like. And with it, Billy feels the muscles around his neck and shoulders relax, like he got shot with a tranquilizer dart. Steve continues, “You wanna meet at the same coffee shop from before? I live in the apartment building just across the street from it.”

Fancy, Billy thinks. Of fuckin’ course. All the buildings on that block are the high end kind; with door men and balconies and working elevators. Billy only ever finds himself in that leg of the city when a pipe bursts or a sink gets clogged and Billy gets called in to fix it. Of course Steve’s living in the lap of luxury here in Chicago. Mommy and Daddy’s only child. Not that it’s his fault, Billy supposed. Some people are just born luckier than others.

“Sure, rich boy,” Billy grins, “bring your appetite though, I’m buying nachos.”

Steve heartily agrees. Because obviously. Who the hell could say no to that? Rich or poor, nachos are nachos.

It ain’t a date. It ain’t. It’s just two guys hanging out, y’know, catching up. For old times sake. Getting into some trouble, like Billy said. It ain’t date.

So what if he calls and asks Heather to pre-approve his outfit when everything he owns suddenly looks stupid on him? And who cares that he dabs double the amount of cologne onto his chest and triple down his pants—Billy likes to smell good, it ain’t a big deal. He wears a silver chain around his neck, the one that matches his earring, and undoes a few more buttons than usual to show it off. It’s cold this time of year but he figures they’ll be inside for most of the night anyway. Drinking, shooting pool, tossing darts. Shit like that.

Billy chain smokes as he waits outside of the coffee shop, sucking back one cigarette after the other, trying not to think about how he’s about to see Steve fucking Harrington again; the one who got away. Or, one one Billy never even fucking had a chance with in the first place, more like. He keeps wondering if he’s making a mistake. If he should just go home, forget he ever ran into that long legged, poofy haired, Bambi-eyed—

But then Steve’s there, handing Billy some froo-froo drink from inside (somehow they’d missed each other???) before he starts giving Billy a hard time for still not having a proper winter coat. Steve’s got highlights in his hair and eyeliner on his lower lashline and a spot of foam from his drink on the tip of his nose and Jesus fuck.

Billy’s in trouble.

[qveenpoppy]

things i noticed in my pilot rewatch:

wolf almost immediately grabs a glass of champagne when he walks into the wedding with his first patient. i know the show's hinted at him having drug issues, but maybe he has some alcohol ones too? (unless that idea was abandoned since the pilot was written/filmed.)

"except now we're prescribing drugs instead of taking them." "speak for yourself." yeah he's definitely still dealing with those drug issues. i feel like the show's mostly implied for that to be a past thing (we've only seen him take anything twice, to my memory? not counting 1x09's upcoming flashback sequence) but i wonder if/when that'll become an issue again (maybe another patient loss that hurts wolf harder than roman's did? like a father figure, that'll bring back his feelings of guilt over his dad's death?)

it's tiny but i feel like van's crush is hinted at here, with him offering ericka an extra pair of scrubs (while jacob cockily jokes about his being too big for her) and the way he sneaks a glance at her while she changes (not in a creepy way, it's like a nervous/shy kinda way).

he also smiles at her when she yells at jacob while they're searching for hannah's childhood home, after jacob un-empathetically says the kids would be better off with their dad (guess van likes strong women; girlboss/malewife vibes? lol)

"do i ever have to talk to him again?" (wolf talking about nichols.) lmao, you're gonna be in love with him in about 6 episodes from now. also someone write me some pilot era wolfnichols hate sex.

"name one person you like who's not a patient." "you, i like you!" he's so autism-coded ❤️

wolf still uses cassette tapes in his car (which is also quite old, since it still plays tapes), what a grandpa

carol has a picture with michelle obama in her office (not really an important thing to notice, but i thought it was cool)

there's a line in one of the flashbacks (apologies for not quoting it verbatim) from muriel about "keeping our differences to ourselves", which probably explains why wolf isn't super open about his facial blindness. (and probably applies to all of his other traits that make him "different", like his sexuality, or popularly headcanon'd autism. i mean, i know he's open about his sexuality now as an adult, perhaps as a way of rebelling against his mom, but, as we may see in more flashbacks, he probably kept it to himself for quite a while.)

van is completely frozen when hannah has her seizure, he even backs up a little when she falls out of her chair. probably didn't wanna touch her and experience a phantom seizure.

whoever directed the ep made zach & teddy look like they're the same height when nichols confronts wolf and kicks him off the case. i guess it keeps them, literally and figuratively, on the same level in the dispute. but now we all know that wolf's actually shorter, and it's funny how that's been primarily highlighted when they're fooling around with each other. (i know it's an intentional directing tactic, though, bc a similar thing was done in the batman v superman movie when bruce and clark stand eye to eye - henry cavill is also 3 inches shorter than ben affleck. emphasizing the height difference would imply a power imbalance, which you don't want in these sort of gray zone conflicts!)

"the only way this will work is if we open up to each other." [nichols walks by and catches wolf's eye] foreshadowing

(i don't mean just like foreshadowing their romance, but maybe also the impact that nichols will have on wolf, getting him to open up about his past and whatnot. same, perhaps, for nichols, since we still hardly know anything about his background, besides his military experience and implied own closeting.)

(could also quite easily and literally refer to their work relationship, as we learned from that interview with teddy that, despite their romantic connection, they're still going to have some disputes about patient treatments in future episodes/cases.)

[lolashifts]

SHIFTING ISN'T SPECIAL

please bare with me on this one bc it might be a bit longer than i expected (and excuse my very bad title-naming skills 😭)

in this essay i will try to put down in words exactly what i realised today as i started my first day into reprogramming my mind, something that i’m doing while following reya singh’s method. what is that?

shifting IS easy.

yes, i know everybody says it, but it’s the truth and i’m not telling you this as someone who shifts regularly to her drs, because i don’t (yet!). however, it did just click in my mind why people always say it and mean it. and i feel incredibly stupid for not understanding it waaay earlier than just now, 4 years into my journey.

now, let me walk you through the thought process behind this.

in reya’s 4-day method for reprogramming your mind, she instructs to write a list of your beliefs and non-beliefs. this may sound really silly and kinda useless at first - believe me, i woke up this morning thinking “what exactly am i supposed to do after that?” - but there’s a valid reason for it, which is to help you delete from your mind the idea that shifting is like a superpower that’s simply not for everyone and very hard to reach, when that is not the case at all!

in my own beliefs list, i’ve written “i am capable of shifting” right in between “i can speak english”, “i can write and read” and “i can eat --” (and some other things like “i can’t eat gluten”, bc i have celiac disease, “i can dream”, we all do! and “i can lucid dream”). you see where i’m going with this? i’m putting shifting in the same category as things we all normally do, that we sometimes don’t even think about doing since they’re such a natural activity. to this list i could add “i can breathe”, because we do it automatically, without even realising unless we focus on it. the same can be said for drinking or eating really, if you’re angry or thirsty you just go and get whatever pleases you the most and not dwell on it.

in the non-beliefs list, i’ve written obvious things like santa and the easter bunny (which isn’t common here in italy tbf but yeah) and sentences like “i can’t swim”, “i can’t draw”, “i can’t eat strawberries” and in between them also “i don’t fear shifting”. here, the point is that all these listed beliefs are stuff i know for a fact to be false: i can swim perfectly, i am an artist and i love strawberries + i’m not allergic to them or anything. by placing shifting there, i'm stating that just like i KNOW i can swim or whatever, i also KNOW i'm not scared of shifting.

you’re literally gaslighting your subconscious mind into believing what is real for a fact and what isn’t.

after writing down this list, which can be done on paper just like on your preferred device, i reread everything twice explaining to myself why i chose these things and why they are beliefs or not. that’s how i realised that shifting is easy. when people talk about it “clicking” they weren’t lying!

shifting isn’t special, this is what the list thing tries to prove you. it’s not special because, just like breathing and eating and reading, we do it subconsciously everyday. take your own first language: you speak it naturally without having to doubt it, and if you know a second language well enough like i know english for instance (my mother-tongue is italian) then you can even start talking to yourself and think in that language without having to search up translations.

what’s the difference with shifting then?

the difference is that shifting hasn’t been taught to us in the same way as a language has been, all throughout school. the same thing goes for reading and writing: we read and write naturally because we’ve been taught how to when we were young and it’s now engraved in our brains, just like with learning our first language, which is something we normally do thanks to our teachers, our families and the people around us, of course. this doesn’t happen with shifting in most cases, as we all know, which means it’s normal for it to take a bit to grasp as a concept and existing thing/activity. it’s natural, most of us human beings just don’t know about it, nor that we’re capable of doing it.

this is why i said it’s not special: just like breathing, everybody can do it (and so do you)!

going back to the non-beliefs list; i should also add that as a society we usually are taught what to believe in from a young age, and specifically what is believed to be a fantasy, a dream, or something real. as grown-ups, though, we have the right to believe in whatever we want, like shifting. as a realistic person, i understand that some people may have a hard time believing something as great as shifting could be true, because it genuinely doesn’t sound like it! so yes, this is also a factor that can and does make it harder for someone to trust their guts and expect to wake up somewhere that’s only fictional here.

shifting clicks for everybody at different times, but i hope this post will help some of you here understand it better and know that what more experienced shifters say always has a meaning, you just need the time to properly reflect on it to get it!

when it clicked for me a few hours ago i felt a huge rush of adrenaline and happiness bc yes, i can actually shift. i’m just overcomplicating it for no reason and so many of you are doing the same!

it’s okay though, we’ll all get there <3

(psa: if you saw any grammar mistakes or anything NO YOU DIDN'T and also please don't mind if this rant doesn't sound logical, i tried my best to explain myself like i wanted to 🥲)

[she-posts-nerdy-stuff]

Wicked the movie thoughts - spoiler version

I went to see Wicked today! If you want to read a spoiler free edition of what I thought you can do that here but otherwise below the cut I am going to talk in a lot of detail about the show and share my thoughts - they're overwhelmingly positive!! I loved this movie, I love this musical, and I have a lot of thoughts to discuss, I'm welcoming conversations about things I say or about stuff I didn't say but that you want to talk about let's absolutely chat, and this is all the way through going to contain spoilers for the plot but also for specific details, scenes, acting, etc, of the new movie so be warned if you don't want to read that

First of all, the genuine love and care that was put into the show and that can be seen not only in the acting but in the set, the music, in every aspect the care and the adoration for the theatre production was so clear, it was so lovingly crafted from the word go. I also felt like not only Wicked the musical but also Oz, in the original Wizard of Oz novel, in the Wicked novel, in the world and in everything that Gregory Maguire brought to the world, and so on and so forth was being treated with such care and being genuinely revered whilst also balancing well enough that I didn't feel like I was only ever seeing rehashes of existing material or a carbon copy of the past

Even as I was watching and thinking this, and thinking how well they had captured the feeling of watching something on stage, I was still wondering how they were possibly going to execute the Emerald City and the One Short Day performance because it's so iconic and so distinct in the musical but genuinely I was so impressed with the success of that scene. It both captured the essence of One Short Day on stage and added something new to it without taking anything away from the original and they deserve so much praise for that. I'm going to talk a little bit about the nail salon scene later when I discuss propaganda in Wicked (this is gonna be a looooooong post y'all buckle up) but other than that for One Short Day I just need to address, because how could I not, IDINA MENZEL AND KRISTEN CHENOWORTH!!!!!!!!!!!!!!!!!!!!!!!!!!!!! I didn't know they were going to be there!!!!!!!!!! I was losing my goddamn mind you guys omg

I was genuinely astonished. Like I'd seen them doing press and stuff but I assumed that was just because their names are so synonymous with Wicked I didn't realise they were actually going to be there!!

I really enjoyed the small stage production about the Wise Ones and the Grimmerie it was brilliant in concept and execution for worldbuilding and lore but KRISTEN AND IDINA OMG wonderful oh my gosh. Now was it on the nose? Absolutely. But I don't think that it felt forced, I thought that if you didn't know who they were then even when Chenoworth was singing to Grande and Menzel was singing to Eviro then it still wouldn't have felt strange or out of place, but of course I'm looking at it through the lens of a fan receiving fan service so generally speaking even though I know it's fanservice I'm still going to enjoy it and it's possible that through another's eyes it would feel different. I thought it was brilliant though and nothing will take that away from me

I think it's fair to say that the pacing of Wicked is kind of messed up and I have heard concern that because of that the act 2 movie will struggle; pacing of act 2 does get messy, but I cannot fault them in any way for splitting it into two movies ok because this was spectacular and I would not want to cut a single thing from it so yeah that's kind of all my thoughts on that point; I think that even if act 2 is harder to bring to screen that it can still be done in a high quality and successful way and especially after watching part 1 today I absolutely trust that this production can do that

I'm gonna now hop right back to No-One Mourns the Wicked (the pacing of this post is gonna be worse than the pacing of wicked). I was slightly concerned that Ariana Grande's intense recognisable-ness was going to take something away from the show because it would be hard to see the character she was playing rather than just Ariana Grande singing, if that makes sense, but from as early as No-One Mourns the Wicked my concerns were alleviated. Glinda is not an easy character to play, in my opinion, and she's not an easy character to play because she acts incredibly melodramatic in everything she does whilst her genuine emotions are incredibly subtle. What I saw in both Grande and Erivo was how fantastic their micro-expressions are and how much they can tell the audience with one or two features, often the eyes, alone. In No-One Mourns the Wicked , Galinda genuinely believes and will presumably continue to believe for the rest of her life that Elphaba is dead. And throughout her performance of the song, I more than once found it visibly notable that Glinda was on the verge of tears. She was smiling, she was singing, she was moving gracefully with her typical accentuated and dramatic movements, but the pain in her eyes was remarkable. This was a woman who believed that the only person she had ever had a genuine emotional connection with was dead, a woman who had lost not only someone she had manufactured a relationship with (Fiyero) and convinced herself that she was happy with what she knew was a false pretence of love to receive from, but also the only person in the world who had ever shown her real love and was finally being confronted by the fullest extent of the choices she had made but having to keep everything light and cheerful because of those very choices. Did that make sense? I hope I'm not just spouting nonsense. One of the most emphasised moments of this for me was when this massive effigy of Elphaba and one of the munchkinland residents hands Glinda the torch to light it; there's this blink and you miss it moment where Glinda looks at the torch, at the effigy, then back to the man who held it out to her, who's watching her expectantly, before she turns and tosses it on with a sense of urgency. Not only is this alone powerful, but I also think it's powerful that she throws the torch instead of standing at the effigy and taking care to set it alight firstly because she may not be able to bring herself to do so but also in a way that may be reflective of their relationship and the story: Glinda does not outrightly attack or harm Elphaba but she makes the choices that she makes, she throws her torch and whatever burns will burn.

I also felt that she captured the comedic elements of Glinda fantastically, with one of my favourite moments being when she melodramatically collapses kneeling in front of the bed as though she is sobbing into the quilt but just sits there perfectly still and the camera just stares at her for a few moments before she peeks up over her shoulder to see if Elphie's looking. The difference we can see between these two sides of Glinda's character was very well executed and I think we also see something of her more vulnerable side in some of these comedic moments, because ultimately she does (I'm going to talk about this later) feel unloved because of how shallow all of her relationships are and even in melodramatic, foolish or naive moments like the throwing herself on the duvet cover she is actively seeking attention because she equates attention to love - she so desperately claws her way to attention and popularity because she feels unloved and she thinks that this is love, so when it doesn't give her the feeling she was searching for she becomes convinced that it was because she doesn't have enough of it yet and she needs more. I thought that she was incredibly well captured and presented from all angles with her very many layers being well laid out.

Again with the insane jumping around but let's just dive headfirst into a couple of little details that I noticed whilst I'm thinking about them - during the Wizard and I when Elphaba is imagining her success and her dream she runs through a cornfield!! As though she is running towards Fiyero!!! I loved it. Like it's so tiny, but I love it. Another tiny one - loved the silver shoes for Nessa as a hark to the original book wherein the magic slippers were silver, but then in Popular when Glinda is going through her wardrobe and pulling out all these different options she gives Elphaba a pair of ruby red slippers and then decides against them and throws them away again!! Loved it as a teeny little reference. I also really lovedddddddddddddddddddddddddddddddddddddddd and this one is more meaningful to the story but when Elphie has her magic outburst at Shiz right at the start where she sends Nessa into the air and stuff gets thrown everywhere, there's a statue on the wall of the Wizard that gets smashed. When it smashes, it's briefly visible that beneath the statue the wall was originally painted with a mural of animal scholars!!!!!!!!!!!!! I LOVED this detail, I was BUZZING. Like you saw it long enough to see what it was, there were three animals with a bear in the middle and I think the bear was wearing maroon robes and they were all clearly scholars

My personal theories on this is that either they were highly valued intellectual alumni of Shiz or that they founded the school, however there mya be lore standing on them that I am unaware of I started reading the book a long time ago and never finished it (I really want to read it but I haven't got around to it yet. I read enough to know what happened to Dr Dillimond in the book but I don't remember a lot after that)

Speaking of Dr Dillimond, I'm not sure if I just missed a detail or something implicit but I wasn't sure that they gave any real explanation as to why the poppies didn't knock Fiyero out????

On Fiyero: Johnathon Bailey understands Fiyero so well and it was brilliant. His performance very much took in the different layers of the character and the split between what he presents to the world and the intensity of the emotions he hides. Fiyero experiences emotion so intensely and feels such an intense response to others' emotions as well, and I think that you could really tell that whilst not feeling like anything was being taken away from the charismatic charming persona that you knew he was putting on. One of my favourite moments between him and Elphaba in this was when she siad something along the lines of 'you aren't as shallow and self-loving as I thought' and he replies something along the lines of 'how dare you? I genuinely love myself and I am deeply shallow' and I love this not only because his humour is enjoyable and his defence mechanisms are interesting but also because she immediately breaks through and says no, you're unhappy.

I promised thoughts on Dancing Through Life so whilst we're on Fiyero -> I don't at all intend to say that Bailey isn't a good singer because he is, I just thought that to some degree his voice didn't stand out from the chorus' voices in the same way that Erivo's and Grande's do and so the song did necessarily have the same bite to it as some of the others did/ That isn't to say that it wasn't a fantastic scene, because it was, and I loved the choreography and I was obsessed with the spinning bookshelves and all of it, the bringing the beat of the song in through the movement of the books was brilliant, and again he is a good singer and I think that having the actor's own voice in the movie is almost always the right decision

Okay I am going to make a post on its own about this as well because this is really long and I am so deeply obsessed with this I want to give it a chance to get proper discussion but one of my favourite propaganda-related details of this movie was Elphaba's nails. Yes, you read that right. Her nails.

In all of the imagery and posters of the 'Wicked Witch of the West' she is very often leaning forwards with her hands strangely position in the foreground and then her face behind them so your focus is drawn very quickly to the hands. In these images, her nails are always presented as extravagantly long, sharp, and claw-like. So in a world where animals are discriminated against and being used as the common enemy long before Elphaba is used as that enemy it's so fascinating that the dehumanisation of Elphaba has emphasis on her hands appearing strange or 'unnatural' and it makes me think of the line in Something Bad 'It's enough to give pause to anyone with paws' because that's where the emphasis on this distinction lies with no-one but humans having limbs that resemble hands - having Elphaba presented effectively as though she has claws in a world where animals are discriminated against and actively silenced, especially since she advocated against that silencing. And something I really enjoyed after having noticed the long nails in the posters during No-One Mourns the Wicked is that throughout the movie Elphaba has unapologetically long, beautiful nails that in a truly wonderful subtle aspect of Erivo's acting we get the sense she cares about even though they are never discussed. When she and Glinda go to the Emerald City we see this montage of their day during One Short Day and one of the things they do is go to a nail salon and we see Elphaba excitedly showing off to Glinda her long pretty nails that she loves so much and that make her feel pretty. Again this is such a massive testament to Erivo's acting skills because there's no dialogue about it but we know that she is so excited and we know that this is one of very few times that Elphie has felt pretty, she loves her nails. And they get used so horrifyingly against her. The nail salon is such a brief, subtle moment but it's so very well executed. There's also an earlier scene where she's alone with Madame Morrible practicing magic and when she reaches out to make the hand movements the camera cuts to show the shadow of her hand and it creates this emphasis on the length of her nails and how because of the shape of her hand midway through the movement the image looks like a claw or like a very stereotypical evil witch hands sort of thing. I also think that this moment is particularly powerful bc she's alone with Morrible and everything that Elphie does under Morrible's instruction is perfectly natural but what is seen on Morrible's stationary on the desk below her is representative of the propaganda that Morrible will turn the actions that she forced Elphaba to do into.

Also more propaganda stuff I could talk about the use of the word 'witch' for all goddamn eternity so I'm not going to hark on about it now but I will say that a piece of media like this one cannot be created today without acknowledgemnt of the difference between the word 'wtich' and the word 'wizard' and how they are presented, and I think that this was really interestingly handled in the word 'witch' not being said in the prequel aspect of it until Morrible labels her 'this Wicked Witch'.

Okay I think this is going to be what I finish off with but if you know this account you know that I LOVE a parallel and I was obsessed with the parallel drawn between family dynamics in Elphie's relationship with Nessa and her father, and then with the family that she's looking for and briefly thinks she could find with Morrible, the wizard, and Glinda. Yeoh said in an interview that Morrible's betrayal is realising that the mother figure isn't who you thought she was. Madame Morrible becomes Elphaba's maternal figure, and to her living memory realistically her only maternal figure, from very early on and this maternal view of her that we have through Elphaba's eyes is very much existent by the time we reach Sentimental Man, wherein the idea of the Wizard being able to offer her some kind of paternal love, that she has never felt because her relationship with her father is so fraught, is brought forth. Sentimental Man was very well performed in my opinion, it was the right decision to keep it low and subtle and close because it created this very specific closeness between Elphie and the Wizard and we felt what she felt, which was the exact manipulation that the Wizard wanted her to feel. When Madame Morrible enters the scene we then have both of these parental-style figures present telling Elphaba how precious she is, how amazing she is, how much they believe in her - essentially all these different things that she has been denied her entire life. What I find particularly fascinating about this is that what gets created here is exactly Elphaba's existing family dynamic - because Glinda is there too. This is what Elphaba always wanted - a motherly figure, a fatherly figure, and a sisterly figure - but it still comes at the expense of the sister. Glinda is being actively diminished and put down whilst Elphaba is raised and complimented for the purpose of manipulation and to be used for their purposes rather than existing for herself, just as her father diminishes and hurts her whilst complimenting and idolising Nessa but also manipulating her & never allowing her to live her own life. There's a moment where they're all stood around the grimmerie to get the four of them in shot with Elphie looking over the book, Morrible encouragingly at her side, the Wizard watching on from behind, and Glinda leaning over Elphie's other side to try and squeeze herself into the picture and I think that this still alone captures the entire thing so very well.

In a way, this is why Glinda turned round - without Elphie there, she gets love. When Elphaba had parental figures over her and no Nessa present to be better than her, she felt loved; when Glinda has parental figures over her and no Elphaba present to be better than her, she feels loved. The fundamental difference between them in the moment of choice is arguably that Elphaba's love for others, primarily Nessa, will always be stronger than her need for love from others, whereas Glinda's need for love from others will always be stronger than her love for others, primarily Elphaba.

In this moment, Glinda's warped distinction between love and popularity, as I discussed it earlier, is finally put to direct test and even though she loves Elphie and is loved by her in a way that she has arguably never been loved (we saw just how shallow her relationship with her parents was upon the arrival at Shiz. It's as shallow as her friendships at Shiz and romance with Fiyero.) she chooses popularity because she has somehow convinced herself that superficial love from many is better than genuine love from few. Elphaba's love for Glinda is probably the most genuine affection she's experienced in her entire life - but it doesn't come from authority. Elphaba's love isn't coming from someone who can raise Glina up or give her advantages and ultimately she is always seeking the approval of authority, possibly because she felt like she never received it from the authority that was her parents when she was a child, and she finds that feeling in Morrible and the Wizard, and arguably in the power that Fiyero's family could give her as well.

Okay super quick additions that i just remembered:

I loved loved loved the addition of her falling from the palace and seeing young Elphaba in the reflection and once again so freaking much could be said about the strength of Erivo's acting here it was truly beautiful and I found it like genuinely nerve-wracking even though I knew she obvs had to make it and the song wasn't over yk but yeah it was fantastic

When Elphaba's running from the soldiers & the flying monkeys just after the monkeys have been told to attack her and Glinda is chasing after her. They go through a narrow corridor of the palace lined by windows, and the wall are made of green brick. The sunset beyond casts pink light through every window. Every window is pink, all the walls are green. Elphaba is running and Glinda is following, trying to tell her to come back to the Wizard. As they run the flying monkeys start smashing the windows, so for every pace that they take THE PINK SHATTERS AND ONLY THE GREEN IS LEFT BEHIND. They are running towards Defying Gravity and for every step closer to it they become the less intertwined the colours are. The pink shatters and the green is left behind. It was visual poetry.

Okay I hope that this insane rambling made sense, I was partially transcribing this from voicenotes I sent to my friends when I got back after the movie and they actually got more than this so apologies to them and thank you for indulging me, and thank you to anyone who has bothered to read this lol I hope it was interesting - overall, excellent movie and I loved it!! Already can't wait for part 2

[janespink]

𝐍𝐞𝐱𝐭 𝐝𝐨𝐨𝐫 𝐬𝐞𝐜𝐫𝐞𝐭𝐬 - 𝑀𝒶𝓉𝓉 𝒮𝓉𝓊𝓇𝓃𝒾𝑜𝓁𝑜 Warnings: none

Summary: Y/N befriends her mysterious neighbor, Matt, only to discover during their date that he’s an escaped prisoner.

Author’s note: English is not my first language. Also the first ff i ever wrote

Moving to a new neighborhood wasn’t exactly how you planned to spend your summer. Your parents called it a “fresh start,” but to you, it just felt like being uprooted. Thankfully, you had Nate and Madi—your closest friends, who were more like family than anything else. They made the transition bearable. It was a quiet afternoon when you first noticed him. You were sitting on the front porch, scrolling through your phone, waiting for Nate and Madi to pick you up. Across the street, a guy around your age was unloading boxes from the back of a truck. He was 5’7 and lean, with a hoodie pulled over his head despite the warm weather. You didn’t mean to stare, but there was something intriguing about him—the way he moved quickly, almost like he didn’t want to be noticed. “Hey,” his voice cut through your thoughts, and your head snapped up. “Oh, uh… hi,” you stammered, caught off guard. “You just move in?” he asked, pausing with a box in his hands. His tone was casual, but his eyes studied you with interest. “Yeah, last week,” you replied, gesturing vaguely toward your house. “Looks like we’re neighbors.” He nodded, a small smile tugging at the corner of his lips. “Guess so. I’m Matt, by the way.” “Y/N,” you said, returning the smile. Before the conversation could go any further, Nate’s car pulled up, horn blaring obnoxiously. Madi stuck her head out of the passenger window, grinning. “Let’s go, Y/N!” “Coming!” you called, grabbing your bag. You glanced back at Matt, who gave you a quick wave before disappearing into his house.

Over the next few weeks, you saw more of Matt. It started with brief hellos when you passed each other on the street, then longer conversations whenever you found yourselves outside at the same time. He was easy to talk to—funny, thoughtful, and just a little bit mysterious. “How do you not have a single social media account?” you teased one evening as you sat on the porch steps, talking while the sun dipped below the horizon. Matt shrugged, a playful smirk on his face. “Guess I like keeping things simple. Besides, I prefer real connections over a bunch of likes and comments.” “Wow,” you said, pretending to be impressed. “Deep and philosophical. You’re really setting the bar high, Matt.” He laughed, the sound low and genuine. “What can I say? I’m full of surprises.”

It wasn’t long before your friendship with Matt became a regular part of your life. Nate and Madi noticed, of course. “So, who’s the guy?” Madi asked one afternoon as the three of you hung out in Nate’s basement. “What guy?” you asked, feigning innocence. “Don’t play dumb,” Nate chimed in. “Madi saw you talking to some dude on your porch the other day. Spill.” You rolled your eyes but couldn’t help the small smile that crept onto your face. “His name’s Matt. He just moved in next door.” “And?” Madi pressed, her eyes gleaming with curiosity. “And… he’s nice,” you said with a shrug. Nate raised an eyebrow. “Nice, huh? That’s it?” “Yes, that’s it,” you said, hoping they’d drop the subject. But they didn’t. Over the next few days, they made it their mission to find out everything they could about Matt—much to your annoyance.

One evening, Matt surprised you by asking if you wanted to grab coffee. “Like… a date?” you asked, your heart skipping a beat. He hesitated for a moment, then nodded. “Yeah. A date.” You felt a blush creep up your cheeks but managed a smile. “Sure. I’d like that.” The next day, you told Nate and Madi about the date. “Finally!” Madi exclaimed, throwing her hands in the air. “I’ve been waiting for this to happen.” Nate, however, looked less enthused. “I don’t know, Y/N. Are you sure about this guy? You barely know him.” “That’s what dates are for,” you said, brushing off his concern. “Just be careful, okay?” Nate said, his tone more serious than usual. “I will,” you promised, though you couldn’t understand why he was being so cautious.

The date started off perfectly. Matt picked a cozy little café tucked away from the busy streets, its warm lighting and soft music setting the perfect mood. “You’ve got good taste,” you said as you took a sip of your latte. “Glad you think so,” Matt said, his eyes crinkling with a smile. The conversation flowed easily, just like it always did with Matt. He told you about his favorite books and movies, and you found yourself laughing more than you had in weeks. Halfway through the date, your phone buzzed. You glanced at the screen to see a text from Nate. Nate: Call me ASAP. It’s important. Frowning, you quickly texted back. Y/N: Can’t. I’m on date. The response came almost instantly. Nate: Y/N, I’m serious. You need to see this. You sighed and opened the next message, which was a screenshot of a news article. The headline sent a chill down your spine: “Local Prisoner Escapes Custody: Police Warn Public to Stay Alert” Beneath the headline was a grainy photo of the escapee. You stared at it, your heart racing. The man in the picture looked eerily familiar—too familiar. It was Matt.

End of Part 1.

[lightlycareless]

I was thinking about your portrayal of Naoya and I was already thinking of a JJK actor au which led me to think of how actor Naoya upon hearing that Y/N was going to be in this new romance movie, I feel like he’d immediately use all his connections(Ofc he could audition but he needs to make this a sure thing plus he’s fs a Nepo Baby XD but at least he’s got the skills too) just so he can be in that movie with Y/N(Maybe the Male lead was gonna be Nanami too!). I bet they’d end up getting together by the end of filming Teehee. You don’t have to write anything if you don’t wanna but I thought you might think this au is fun too if only to just daydream about it :D

Heya anon!!

Thank you for your patience hehe. I have to say, AU’s where Y/N or Naoya are a celebrity is kind of like my guilty pleasure; I don’t really indulge much on it because I don’t have a plot line most of the time, but this was the perfect excuse to see what I can do with it :> I just hope you enjoy it!! Also, this is going to be a two-part oneshot so… yeah hehe.

Btw, thank you all for those who voted for fluff, but we know how this goes so I had to put a little bit of drama somewhere :) it’s Naoya we’re talking about.

Warnings: AU. Naoya and Y/N are actors; he’s an idiot, a nepobaby, womanizer, etc etc, but we already knew all that. What’s interesting is his so called redemption OOF.

Happy reading!

Established actor Naoya that’s quite popular amongst the audience even with the rumors of his difficult work ethic, less than desirable personality, and blatant nepotism, thanks to his good looks and deceiving charm.

Because of his status, whatever project he wants, he gets. Sure, there are some that still have the audacity to require an audition from him, but it’s just a formality that he dejectedly complies to—Naoya knows that even when doing a bad job, he’ll still get the part at the end of the day.

But that doesn’t mean Naoya goes for any kind of role; he’s quite specific about what he wants: a pretty co-star.

And the studios had a variety of reasons to allow such demands, starting from a financial benefit: with a handsome face like his to match with an equally attractive coworker, he’ll only sell-out all functions; and in turn, he’ll get his fair share of enjoyment with his fellow partner of the moment. The same ones he discards immediately after getting bored; careless if they unwittingly got feelings for him—but nonetheless a win-win situation all around.

Such a quick lifestyle has him already setting eyes on his next target, a relatively unknown rising star with a seemingly promising future whom he was immediately smitten by upon seeing her for the first time, just as the rest of the world was.

“Y/N L/N” Naoya would repeat, enjoying how the sound of your name rolled off his tongue—fitting for someone of your beauty: vibrant eyes, rosy cheeks, shiny hair… and to top it all off, a humble yet shy demeanor that just made his obsession for you grow tenfold.

Wouldn't be the first time he’s grown interested in up and coming actresses, because in Naoya’s perspective, they’re much easier to impress, far more gullible to manipulate how he wants…

But it would be the first time he’s ever been so desperately obsessed to be with, for soon after he saw you, you became all he thought about. Causing him issues with his current fling (it briefly grazed the headlines, his team quickly fixed that)and some commitments he almost fumbled, keyword: almost.

Naoya couldn’t explain it; there was just something about you that attracted him, almost like you were destined to be together.

He needed you—one way or the other—and he needed you now.

Per usual, he soon demanded his manager and assistants to get a detailed list of all your upcoming projects, to see which ones he could be part of, and if neither were to his advantage, make those opportunities. Naoya was not to let you go so easily.

”A movie adaptation for some romance series that’s been in the talks for a while now.” His manager highlighted. “It’s her biggest work yet as a protagonist—in fact, development just started because of her.”

”Romance?” Naoya breathed, excited at the implications. “Do they have the male lead yet? I don’t think I need to tell you what I want, do I?”

”Oh, uh, no—you don’t, but… about that—“

”What is it?” It was always frightening to see how easily his behavior oscillated when facing his disapproval, but once already here…

“What?! What do you mean the casting’s already done?! Why wasn't I made aware of this????”

Because as obvious as his womanizing ways were, it would be physically impossible to have him assist every single call in hopes he’d settle with someone attractive enough for his standards.

Besides, this project already had their co-stars in mind way before it was even announced, the studio was just waiting for the right female lead to come along: and when that proved to be you…

Nanami was quickly brought on board, perfect for the role in all ways that mattered: from physical similarities to his character which made the fandom very, very satisfied, to work ethic; his professionalism was always beyond everyone’s expectations, no one has ever complained about him.

Kento was, hands down, a dream to work with—and considering what all of this meant, it was safe to say that Naoya was not happy about it.

”Well, get them to change actors!” He quickly demanded. “Call them and let them know I want the part, should be easy enough considering my status, no?”

”Ah, I— I guess I could but I’ve heard other people tried before and failed… so I don’t want to waste your time if you’re going to face that same result…”

The way how other’s interest in the film is implied behind his words makes Naoya’s eyes widen. Because surely no one cares about participating in that irrelevant series he’s never heard of until now, if it didn’t mean getting to work with you, that is. Everyone’s favorite girl of the moment.

His girl.

Ever the competitive one, it doesn’t take him much longer after that to call who he had to call, bribe who he had to bribe to finally, after many insistences, sign the contract that effectively labels him as your co-star.

Careless if his decision would prove detrimental to the project in the long run, or if it would strain relations between him and Nanami. Naoya never really minded him, outside of being bundled together with some other actors the audience generally cataloged as the most handsome in the country—if this change meant they’d never get to work together, fine! He had obtained a much better reward in return anyways.

Naoya wasn’t to allow anyone to deprive him of what was rightfully his—even if he wasn’t aware of it beforehand—and thus, when the fateful day to start working alongside you finally came along, the moment he’d see you for the first time without the interference of a screen, or through a picture—

His breath ran short. Heart skipping a beat when his eyes fell on your figure: truly, the cameras did you no justice.

You were far more breathtakingly beautiful in person.

So much was his shock, that the smooth introduction he had planned for the moment was limited to a stuttering mess, a shame to someone as charismatic as him.

”You’re—you’re Zen’in—No, I mean, I’m—“ Naoya says, a stranger to the heat forming in his cheeks, inwardly demeaning the weak presentation he must’ve given you now.

But if he wasn't already fixated enough on you, the way you appeared to be indifferent to his nerves completely captivated him. A wide smile on your lips as you greeted him with that same enthusiasm that made the whole world fall to your feet.

”Nice to meet you, Naoya!” You chirp. “I can’t believe we’re working together… I mean, so early in my career! Thank you so much for this opportunity, I promise I won’t disappoint!”

”The pleasure’s all mine.” And so is the curse you’ve seem to have unwittingly placed upon him after sweetly declaring you’d be under his care.

He’s made up his mind, Naoya will make you fall in love with him in less of what it takes to wrap up this movie. He’ll make you his, and will go to any length to ensure so.

Even if it meant ignoring your father’s (your manager, a veteran actor of days past) clear warnings.

”Don’t think I don’t know how your kind works.” Eiichi, your father, threatens Naoya during a short moment of privacy. “And I’m well aware of the rumors that surround you, even if you have your team quiet them. I should’ve known you were up to something the moment you insisted on Nanami’s removal—but I’ll let you know that whatever it is that you have in mind, I won’t allow it.”

”I assure you, Eiichi-san, I have no other intentions with your daughter outside of making our best efforts to have this picture timely done.” Naoya cynically responded, which just made your dad even angrier. Your co-star thinks your manager is an all bark, no bite type of dog. An old dog too, and treats him like such.

“Then surely asking you to act appropriately for once in your life isn’t too much to demand, is it?” He frowns. “Especially for someone who’s barely starting in the genre.”

”Wait—you mean to say—“

If this is your first romance movie, does that mean…

You haven’t done your first on-camera kiss?

Or perhaps even better—you haven’t kissed anyone at all?

Not quite, nor were you ever going to disclose personal matters that truly only belonged to you.

But if your father intended to protect you, he really, really shouldn’t have said that. Eiichi shouldn’t have gone ahead and essentially pushed you further into Naoya’s claws, his words being the last piece of motivation to become completely unhinged and make your time with him… tense, to say the least.

Oh, but how could he not? You were simply too adorable when trying to do your best to fulfill everyone’s expectations: barely putting up a fuss when Naoya got a bit too dramatic to what the script demanded, far more handsy, even when not recording: all for the sake of staying in character, he’d claim.

And when he dejectedly worked on those scenes where nothing of his interest was happening, you didn’t even complain. You kept quiet, submissive, taking the situation as best as you could and kept on working—because that’s what professional actresses do, isn’t it? And you’re nothing but the best.

But things didn’t really escalate until it was time to record that long-awaited kiss; what the script demanded to be the first kiss between their characters, in other words, something sweet, overall a touching scene.

However, Naoya naturally had to blur the line between his work and personal life—and instead of taking this moment as what it was, just two people trying to get the job done, he decided to… mark it as some declaration of feelings.

Confirmation that the time the two had spent together, a few weeks now, had actually amounted to something; aside from figuring out what your soft lips tasted like.

Because to Naoya, those interactions in between breaks, outside of the set, and even during filming, had been quite meaningful to him. To you too, he suspects.

Your shy nature just didn’t allow you to openly affirm it, a little push was all you needed to do so.

”Don’t be nervous, dumpling.” Is the nickname he’d given you upon seeing your excitement for last week's catering. You’ve politely told him it wasn’t necessary to call you that, but he insisted otherwise, calling it their very first inside joke. What everyone does to get along better. “Just follow my lead and I’ll worry about everything else, ok?”

Not exactly the reassuring words you were searching for, but for someone of Naoya’s expertise, alongside the physical hold he had over you at this point, hands over your arms, keeping you close to his chest… it’s not like you could demand otherwise.

And so, after everyone was in position, the director finally signals the scene to begin: Naoya delivers the script with an uncharacteristic perfection, outside of that slight rush behind his words, eager to get to that one particular moment, it’s obvious he’s been looking forward to recording this.

To kiss you, which he abruptly does by suddenly moving his face towards yours and then, captivating your lips onto his—giving more than his interpretation of the character’s desire: it was him wanting to take in your scent, warmth, touch, everything, and bask in it.

Claim it as his own, for those in the room, and the world in due time, to see.

One might’ve even assumed you were fine with his intentions too, given how you didn’t complain nor fight back against his desperate gesture, struggling to follow his lead in a way that appeared he was trying to eat you alive.

Which thankfully didn’t happen once the director cut the scene, and just before you ran out of breath.

”Naoya, while I appreciate the enthusiasm, that was—a bit too much.” The director said; if he was aware of your and Naoya’s fluster, he didn’t comment. “Let’s do it again, from the top.”

Normally, Naoya would’ve retorted at what he considered unnecessary reshooting, apparently his time was far more valuable than the rest even when he was being paid millions to be there… but this time around, he was nothing but obliging, in fact, Naoya even suggested that they’d go at it once more just to be sure they captured the right sentiment. Fulfill his desire.

With each time becoming more and more desperate than the other.

Naoya frequently claimed himself to be immune to any kind of addiction, thought of it as weak for the character, above such “petty” faults—But when it came to you… he just proved to be as human as the rest.

He physically needed to have all of you; they’d have to forcibly pry him away to stop—

Or for you to do so, swiftly placing your hands over his chest and pushing him away when it became too much, putting an end to the scene before the director could and subsequently raising many eyebrows around you.

”What’s wrong, Y/N?” The director asks upon seeing your distraught face—exhausted from the many reshoots, and of course, Naoya’s overbearing ways. “Is everything alright?”

”Ye-yeah, I just… I’m sorry, I think I need a break.” You silently plead, looking over to your manager who was more than ready to step in if your request was dismissed; which thankfully, wasn’t. The director sighing before turning around and stating:

”Alright everyone, take 5.”

The perfect opportunity for Naoya to follow through with his so-called affirmation of feelings, trailing behind you soon after.

“Hey, dumpling, wait up! There’s something I need to—“

”Not right now, Naoya.” You respond, your pace unwavering. You didn’t even turn to face him. “I have to—be alone for a moment.”

”Y/N—“

Your father and sister, manager and assistant respectively, close in on you and break eye contact between the two, allowing you retreat into what he assumed your dressing room—

And leaving him behind to deal with his anger, which he immediately takes out on the director, stomping his way to him and giving him a piece of his mind.

“So you’re just going to let her go?” Naoya hisses, the man, having worked with him on previous occasions, simply sighs.

”What do you want me to do, Naoya? You saw how she ran away.” He responds. “Besides, we’ve been at it all day, I’m tired too.”

”This is just going to ruin the pace of the film, you know that, right? You should, considering your… experience.”

”Look, Naoya— it’s quite obvious what you were trying to do back there, I’ve seen it before; but we’re not going to discuss that.” He adds. “The girl is new in the game, naive, and overprotected. Did you know that her management sent us a long list of requisites after the studio offered her a contract? If it weren’t for her family, she would’ve been immediately dismissed.”

”Requisites? What kind of requisites?”

“None that I can discuss with you, but I guess I could tell you the obvious: you were not part of them. There’s a reason why Nanami was firmly set for your role, but guess that doesn’t matter since you know your way around these things…”

”Is there something else you’re hiding from me? Why bring it up if you’re not going to tell me anyways!” Naoya growls. Why was Nanami brought up again, out of nowhere??

”Just take 5 minutes, Naoya. Clear up your head, we still have a long day ahead.” The director insists. “And if it’s worth anything, Y/N will be back, she’s very dedicated to her work, I’ll give her that. Even with your weird… plays, I’m sure.”

But that wasn’t enough to calm Naoya—not with the way you essentially fled from him.

Your behavior led a part of him to feel… inadequate. Underperforming—stupid.

Rejected.

And he’s never been rejected before.

A dangerous observation to make considering his easily ignited attitude.

The moment you were back, he’d demand an answer. Hear, directly from you, why you’d cruelly dismiss his advances when he had been nothing but nice to you.

… but that moment wouldn’t come today.

In fact, not even in the subsequent ones, for after everyone was abruptly requested to go home, the studio announced that filming would go on a brief hiatus to sort out some… unexpected issues—which Naoya immediately connected to you given your radio silence.

Forcing him to directly reach out to you… but you’d never answer. In fact, all of his attempts were swiftly ignored; your team didn’t even acknowledge them! As if dealing with junk mail.

Naoya’s desperation naturally spiked after that, frantically searching for an answer—

Which he’d get soon enough, but only through a tabloid which probably described the worst case scenario he could’ve imagined unfolding for this situation:

“Y/N to abandon latest project—close sources blame differences between protagonists.”

Naoya’s heart sinks.

Also, I wish to apologize if these little comma things “ appear weird? Like not the right ones at the beginning? I’m currently out of my home so all of my writing is being done through a tablet lol I’ll come back later to fix them :> I hope it didn’t ruin your reading experience :’v

And I might as well comment I didn’t feel like ending part one with just the headline, but at the same time the whole naoya’s heart skins doesn’t completely convince me…. But I don’t know, might be my impostor’s syndrome or something who knows!!!! All that I know is I have to make Naoya pathetic on the second part, so if anyone has any ideas of what you’d like to see send them in hehe I want to make him suffer :) or at least guilty, damn…

Anyways, I hope it was to your liking!! I shall proceed with the following part after I write down a little smut hehe. Thank you so much for sending in this ask, take care and hope to see you soon!!!

[jambalaya-enthusiast]

Just had another Jimmy thought...

If Curly had a daughter he would definitely introduce Jimmy as an uncle of sorts... Cutting it short once shes of age Uncle Jimmy about to get a whole lot creepier.

First he pulls you on his lap while He and your dad Curly are watching football or something, and you feel something but you dont say anything... but your dad needed to run to the store to grab some more beer. -Cupcake anon

Your own age.

Uncle! Jimmy x Curly's Daughter! Reader.

warnings: age gap(reader is an adult),toxic relationship themes, jimmy is a major creep, non-consensual touching. curly is an oblivious single father.

a/n; cupcake anon, you're a fucking genius. love you for sharing this prompt with me,hope I was able to do it justice!

It wasn't fun being a well respected captain's daughter. Especially after your mom left, your dad would leave for shipments for months on end,and you had to spend a good chunk of your childhood with nannies rather than your parents.

But that was when he came along,Jimmy... Or Jim,as your dad would call him. He was your dad's closest friend since childhood,and now he was gonna be... Living with the two of you? Your dad said that it was due to the shortage of leases on the market currently,but you know damn well it was because that jimmy person was just a broke guy.

"hey,so you're the daughter I keep hearing my friend talk about,huh?".

"uh yeah,my name is y/n".

"y/n huh? well that's a pretty name for a pretty little girl".

you did think it was strange as to how,Jimmy... or well,uncle jimmy as your dad advised you to call him, was so Frank and open minded with you,but you realised that's just how men in his situation were. Open-minded,and careless.

Uncle jimmy... was an interesting man to say the least,you hadn't really had the luck of having any fun 'relatives' for that matter so you thought this was the best as it was gonna get. Jimmy would offer you cigarettes. Something that your father had clearly mentioned in front of him was off limits for you.

"C'mon aren't you a big girl now? some rules are meant to be broken y'know?

"but dad would kill me if he ever found out..."

"it's alright,it will be our little secret".

All in all you started warming up to him,you thought that hey,this guy is already down on his luck,and he's also so fun to be around! wouldn't hurt to be friendly with him.

It didn't matter how unnecessarily long his hugs were,or how suffocating they were. he would always hug you so tight that you had to physically wriggle your way out of his grasp. on some occasions you could've sworn you heard him say something under his breath.

It didn't matter how he would stare at you for long periods of time if the two of you were in the same room,you thought maybe it's just a middle aged man thing

It didn't matter how during road trips,he would sit in the backseat beside you instead of sitting beside his best friend in the front. How somehow his hands would always find it's way to be on your thigh.

He was a fun guy after all! He lets you drink,smoke,and sneak out. Do all the things which your dad would have crucified you for.

Seeing both of you so close would have your dad asking you—

"wow you sure are having fun with uncle jimmy,huh? you guys seem to be close".

"yeah he's so cool! it's super fun to be around him".

"fun huh? Well im hoping it's a good kind of fun,honey".

But curly shouldn't be worried! His best friend was just taking care of his daughter... Right? He wouldn't do anything,wrong... Right? That much faith curly should have in his best friend... Should he not?

Your dad and uncle had a habit of watching football games during weekend nights,and you decided to join them one such night.

While watching the game,jimmy suddenly turned to you,and said.

'oi y/n, c'mere and sit" as he motioned towards his lap,he turned towards curly and said. "For old times sake,eh? You remember how I used to carry ya around? I'm feelin nostalgic".

Curly was already feeling tipsy from the 3rd pint of beer he was chugging,so he just laughter and said "haha,you guys are so adorable!".

Albeit,a strange request,you decided to do as your uncle asked anyway,and you went to him and plopped on his lap. No matter his lanky figure,he was still strong enough to carry your weight. So he had no problem in adjusting himself to have you sir on his lap while still getting a comfortable view of the ongoing game.

everybody was focusing on the game,but you,your focus was on something else entirely,all the while you were sitting on his lap, you could feel Jimmy's hot breath on your shoulder,how his left hand was rested at your side,firmly placing a grip, you could feel his heart beating, and you don't know what got over you,but you decided to do something risky, somthing vulgar which you hadn't even properly processed in your mind.

You grinded against him just a little,and that was enough to get his heart beating 10 times faster,you could practically feel his breath hitch,and him letting out the quietest groan. And you felt something hard between you legs,you realised that you had just gotten him rock hard. you felt accomplished for some reason. But that's when your dad decided to drop off the bomb.

"wait,fuck we're out of beer,jimmy look after y/n while I make a quick trip to the store to get few more".

"you got it boss".

You knew that it was wraps the moment your dad walked out the front door and closed it behind him. You blinked and suddenly you were pinned down onto the sofa, your uncle had both your hands pressed firmly above your head,he stared at you like a wild animal on the prowl, hunting its prey.

"damn,I didn't know that you were so dirty, grinding against me like that,you know how 'fuckin hard it was for me to keep from moaning?,you deserve to get punished for it don't you think?".

• you intently stared him,not knowing what to do,excited yet scared of what he was going to do next.

And then without a warning,he smashed his lips against yours,into a rough, messy, hungry kiss. he tasted like liquor with a hint of cigarettes,the cheap brand which he smokes all the time. His tongue was wildly exploring every inch of your mouth, he felt like an animal in heat.

then in between the kiss he said, "you don't know how long I've been wanting to do this,kid".

you already knew that this was going to be quick as your dad would be back from the store in no time,but you also knew,that this was the beginning of something,very long, something very vulgar. and even though it might be wrong,you felt eager,you felt excited. you were looking forward to whatever was going to happen next.

[sparklingcid3r]

@redfielddoesthings this one’s for u babygorl bc i’ve had a dallypop roadtrip fic on my mind and i can’t write it yet bc finals are actually beating my ass atm so i’m putting my ideas in here until i can buckle down and finesse the writer’s block

- they’re headed to the bronx, where dally grew up. it’s approx 20 hours by car, so they drive to indianapolis first, break for the night, then drive 11 hours to the bronx w a bunch of pit stops in between

- first pit stop is at a gas station where soda takes the lead while dally tries to hide the fact that he’s never pumped gas before in his life

- he grew up in nyc that boy hasn’t even SEEN a real gas station until tulsa

- they get stuck in standstill traffic at some point so they get out and start praying to deities they don’t even believe in to get it moving again. they’re losing their minds. dally’s banging his head against the horn while soda’s going up to ppl’s windows and chatting with them. dally wants a gun

- they get back in the car and are hanging out, until soda notices something laying on the woods’ edge. since they aren’t going anywhere and the car is in the right lane, he gets out and runs over to it

- unfortunately traffic has started moving the second he’s out and dally has to scramble over to the driver side to start moving. in the side mirror dally sees soda sprinting along the shoulder holding a filthy stuffed bear that makes idle appearances for the rest of the fic. soda reaches the car before dally can hit 20 mph and he practically has to dive into the backseat

- soda vs the mississippi river

- once they reach indianapolis dally’s like “so we can either check into a motel or get fucking litttt”

- immediate cut to soda putting music on a jukebox and dally ordering them drinks

- dally gets plastered and insists on laying down in the truck bed on the drive to the motel. soda hits a speed bump as hard as he can and dally nearly gets launched out the back

- they’re on the road again but the poor truck’s been through it and it starts making some funky sounds until soda decides to pull over because he doesn’t like that noise. he’s no steve randle but he finds out they need to go to a repair shop and get a new part because the one they got now is literally gonna fall off

- so they’re stranded on the side of the highway

- soda decides to climb up on top of the truck because the weather’s real nice up there, and dally follows. he tries putting his thumb out but soda stops him, says he wants to sit and watch for a while. it’s pretty trippy, being so close to cars going 70 down the freeway. when a semi approaches, soda makes a right angle with his arm and pretends to pull a horn until the semi honks at them.

- that’s where a more heartfelt, raw conversation would happen amid the humor

- eventually they get their truck to a repair shop and get a new part! but not before they have like four hours to kill doing literally nothing but like mocking small children and playing i spy

- while they’re at it they also decide to call the house to check in on darry and pony and whoever else happens to be at the curtis residence at the moment

- and they’re back on the road!

- not thirty minutes later they hit a bird and have to pull over again because soda’s crying so hard he can’t drive

- they were playing music on the radio when that happened. the radio is off when dally pulls back onto the highway

- “it had a family.” “yeah, well.” “it had a name.” “alr i promise you it did not.”

- i haven’t thought about it yet but they pass at least one billboard that convinces them to stop and take a look at like the worlds largest rubber band ball or smth dumb like that

- dally hits a jersey slide so they don’t miss their exit and nearly kills a family of four in the process

- getting to see the new york skyline for the first time as they cross the bridge and it would be one of those emotional moments for dally who never thought he’d willingly go back. something about making new memories in the place where bad ones happened to take back your right to love that place again

- at the end soda surprises him with tickets to a yankee game

a lot of this works in my head because i’m imagining it like a sitcom lmfao who knows if i can translate it onto the page without rage quitting

[woobiedoovo]

Stan with a princess Albert piercing!

Stan with piercings is SO real. I just read @/halforresterluvsford ‘s recent post about Stan with nipple piercings and!! Delicious stuff.

I have so many different piercing headcanons with Stan because that man definitely has multiple from his drifter days.

I 100% imagine Stan having gauges. I can’t explain it, but I feel in my heart it’s true. He of course doesn’t wear them anymore, they didn’t really fit the Mr.Mystery look, but he still has other piercings going on that people can’t see.

Stan with a princess Albert piercing is so true. Just the name makes me nod and go “yeah, yeah, that’s right.”

The first time Stan and Ford have sex, he’s in for a treat! Ford would be obsessed with Stan’s nipple piercings because he already loves Stan’s pecs and they just give him more to play with! Stan has also become way more sensitive with the piercings as well, both the princess Albert and the nipple piercings.

Ford would be giving Stan a handjob and he’s just writhing under him as Ford gently pulls on the ring. He’d squish his thumb onto the head of Stan’s cock and spread his pre-cum onto the piercing just to see it glimmer. He’d used his teeth and pull on Stan’s nipples, rolling the metal in his mouth as Stan groans and arches into Ford’s loving attention and-

Stan with piercings is a very good thought, thank you Anon :)

[strawburry01]

Stuck in the Middle With You (Camp Pt 2)

Angus Tully x femme! Reader

Summary: You and Angus take your campers out for the lake day.

AN: I’m sorry part 1 was so context heavy. Also if you want more I have a few bits from college Angus x reader you can check out, like this, and this!

“Mary! Remember, no running okay!”, you shouted ahead to the nimble camper. She slowed down with a sheepish look on her face and waited by a nearby tree.

“I’m sorry Lightning I’m just so excited to go swimming. My momma got me swim lessons and I can even float on my back now!”, she excitedly explained.

“Whoah no way! You’re gonna have to show me,” you said with a smile. You really enjoyed these summer days. You’d gotten pretty lucky this summer to have a good group of gals. None seemed drawn to cause mischief, but the summer was still young. Mary continued to talk about all her swim lessons she’d taken, and the line of other campers followed behind. It was their first time at the lake, and there was nervous excitement in the air.

After following the path for a little longer, there was finally a downhill slope to the sandy beach that had a few canoes stacked up, with some old beach chairs lined up with lifejackets laid on top of them. The shallower area was roped off with floating buoys, and a wooden platform stood near the back. This was where folks usually dared, or pushed, each other off. Occasionally where the counselors would go skinny dipping, but you would never do such a thing. Except that one time, oops!

You sent the girls to the small locker room to get ready and started maneuvering one of the canoes off the stack. You usually liked to row around while they were in the water.

“Need some help there?” a familiar voice asked from nearby. You looked up only to find the smug face of that damn Angus Tully. He didn’t wait for a response before picking up the other end of the boat and helping you shuffle it into the water. You heard his boys run to their own locker room, hooting and hollering.

“Having an alright first couple days?” you asked as you both set down the canoe. You folded your arms and looked over at him, still not forgetting how much of a little pain in the ass he was before.

“Oh yeah it’s been great. Haven’t been getting much sleep, but I expected that much,” he said with a nod as he yawned and stretched his arms above his head. You turned to look at the changing room instead of his rising shirt. “So are we both doing the safety spiel or…” he asked as he looked back over at the locker room where the kids were all starting to pile out of.

“Why? You trying to get out of it?” you asked with a raised eyebrow.

“As if,” he scoffed and rolled his eyes.

“If you think this summer is going to be easy Angus you’re sorely mistaken. I’ll let you know I take this job very seriously and I won’t be having your slacking off ass get in the way of it,” you said as you pointed an accusing finger at his chest. He took hold of your accusatory point and shook it before dropping it.

“I’ll have you know I take serious things plenty serious,” he said, before turning to his group of boys. Idiot , you thought to yourself as you turned to your own group.

“Alright campers! Welcome to your first day at the lake! Before we can get in, me and my best friend Thunder are here to go over swim safety!” you announced to the kids, who were all already squirming to get into the water. You could see Angus hold back a laugh as you begrudgingly used his camp name.

“Aw thank you Lightning,” he said as he dramatically put a hand to his heart.

The two of you were able to muster through water safety for the campers, who luckily all already knew how to swim. The kids all shrieked and stormed into the water as soon as you were done talking.

“Great work oh mighty leader,” Angus said as he stepped beside you, watching the water. You hated his attitude but you did appreictae his attention.

“You picked it up there at the end,” you smirked back, elbowing his side. The two of you stood there and watched the kids for a bit before you shuffled back to the canoe. You threw off your staff shirt to reveal your bikini top you had under it. In case of emergency you really didn’t want to get your shirt smelling like lake water for the rest of the camp. You turned to grab a paddle only to catch Angus’s eyes staring down at you.

“I was uh- going to ask if you needed company out on the rough waters,” he stammered before eventually pulling his eyes back up to yours.

“You’re insufferable did you know that?” you sighed as you tossed him a spare paddle. “Do I not get a show?” you questioned as you sat in the canoe and started attempting to push off the bottom and into the lake. With that he quickly yanked off his own staff shirt and gave the canoe a firm push before jumping into the canoe, nearly tipping it over in the process. You were able to contain your swears around the young ears.

The two of you paddled around the perimeter of the swimmers, keeping an eye on them.

“Mary! Your swimming looks great!” you said to the beaming camper who responded by kicking a away, sending a splash into your face. You laughed to yourself.

“Damn, you really like these kids huh?” Angus noted from behind you.

“Yeah of course. I remember what it’s like to be their age. I know it’s tough out there in the real world, so I’ve just wanted this place to be somewhere good for them,” you said as you turned and stopped paddling for a second.

“That’s- really sweet,” Angus said sincerely as he also stopped paddling. You smiled and he smiled back. Oh what the fuck, he can actually be decent sometimes.

But you couldn’t ruminate on it. You turned back around and kept paddling. Eventually the two of you navigated just outside of the swimmers zone, just to make sure nobody was going to get an accidental concussion.

Things were going good, and you were even feeling pretty okay about Angus. Maybe you were too harsh on him at first. There was a growing horde of campers on the wooden platform, trying to see who could make the biggest splash. The group whispered and pushed each other before eventually the brave one emerged.

“Hey Thunder! Are you and Lightning dating?!” one of the boys shouted, red faced.

Angus laughed and your face reddened as you slapped whatever part of him you could reach behind you.

“Whoah, Lightning watch out you’re rocking the boat!” Angus laughed as he grabbed both sides and began to rock.

“No! Don’t you dare you- you-“ you hissed as you twisted to pry his hands off the edges. This fucker was going to flip the boat.

“Oh no!!” he shouted to the screaming delight of everyone on the dock as he finally flipped the canoe over, sending both of you into the water. You quickly bobbed back up under the boat, an air pocket formed in the now overturned boat. Angus popped up a few seconds later, his curly hair now sticking to his face. He grinned maniacally. He opened his mouth for another quick quip, but before he could get another word out you grabbed his shoulders and shoved him back under water. You quickly turned to try and figure out the next move, only to feel a grip on your angle that tugged you under. The two of you kept grabbing each other and yanking each other under until eventually you both were gasping for air underneath the canoe, face to face.

“God dammit-“ you wheezed, “never do that again,”.

You felt his hand ghost over your hips before coming up to his face to push back his hair from his face.

“No promises”