#and to me that is far more worth calling out than people shipping them
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missdeliadali replied to your post "It's SO wholesome how, when hugging Michael,...”
What a great analysis! Thank you! I couldn't agree more.
Aww, thank YOU (and everyone else who's commented on this post) for these kinds words. I truly do appreciate it so much.
It seems surreal that I wrote this post two years ago, and yet that whole night was so powerful that it still resonates even now. Reading back what I wrote, I think what comes to mind is a lot of the discourse I've seen from the anti-RPF crowd, particularly the sentiment "It's lowkey homophobic to say two men can't be close friends/flirty without being in a relationship with each other."
But to my mind, what's actually true is exactly the opposite. That it's lowkey homophobic to say two men can't be close friends and be in love. We often hear the refrain of "The person you're in love with should be your best friend," and aren't Michael and David best friends? Why, then, would it be such a bad thing for them to be in love?
I feel like so many younger fans in particular seem to think monogamy is the be-all, end-all, but that's not how love or relationships work. Attraction doesn't stop just because you're in a relationship or married to someone, or because you have kids with someone. And David in particular I feel like has shown he has the capacity to love more than one person at a time--different to, yet not less than how he loves Georgia. Georgia herself has supported and even encouraged the shipping of Michael and David (even calling Michael David's "other wife"). Michael and David themselves have had countless opportunities over the last four years to snuff out the fires of speculation...but they never have.* Not once.
There are so many terrible things in this world--war, famine, hatred, abuse, violence--but two best friends falling in love shouldn't be one of them...
*If anything, Michael has done the complete opposite, fanning the flames repeatedly while cackling maniacally...
#missdeliadali#reply post#michael sheen#welsh seduction machine#david tennant#soft scottish hipster gigolo#there are stalkers in this fandom and people objectifying Michael and David's bodies at every turn#and to me that is far more worth calling out than people shipping them#i love them#and i love that they love each other#platonic or romantic#does it really matter which one#let men be in love 2k23#a friendship that's become something more#ineffable lovers#fandom woes#thoughts#discourse
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Fandom policing and telling people what they can and cannot post on their own blogs is more of a problem that RPF shipping could ever be. This rabid insistence on not talking about this or not talking about that is also FAR more of a reflection of fans' discomfort with these topics than anything Michael or David have ever said. I would urge the people who make posts like the one in the screenshot to realize you do not speak for Michael and David any more than those of us who ship them do, and that it might be helpful to look at the things Michael and David have actually said and done over the last four years.
Ending this with a screenshot of this comment that is as relevant now as it was three years ago:
People are allowed to post whatever they like on their own blog but this example of gatekeeping virtue-signaling really chaps my ass. I don’t recall getting any memo *checks notes* announcing that someone has been assigned boss of the GO fandom in order to pass judgement on fellow fans based on who they ship. I’ve written about this before, so I’ll just add the link here:
#fandom woes#michael sheen#welsh seduction machine#david tennant#soft scottish hipster gigolo#i can't even with this nonsense#there are stalkers in this fandom and people objectifying Michael and David's bodies at every turn#and to me that is far more worth calling out than people shipping them#but i guess that doesn't count as 'treating them like things'#Michael ships himself with David more than anyone else ever could#the fact that there are countless examples by now should be enough to make people stop attacking shippers#and yet#discourse#ineffable lovers#reblog
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late shift
Shuttle for Mars is departing now. Please keep hands, feet, tails, and other appendages clear of the yellow line.
‘Nice, finally get off work on time for once! Man is it empty, way less busy than the 5:45 one…
Are they sleeping? Please tell me they’re sleeping…’
“Snnrk…”
‘Oh good they are, oooh lots of empty seats next to them! Nice.’
The young human sits across the large figure and looks around.
‘Wonder why everyone else is sitting so far away from this guy? He’s not that much scarier than a Alteauh…OH! He’s an Orc! An actual Orc, oh this is so cool! Wait. Calm down, control yourself. Orc’s are people too, not some exotic animal in a zoo….he’s sooo cool looking tho!’
The human smiles and takes out their headphones and listens to some music and take in the view they see through the shuttle’s windows. From time to time they peek at the orc, can’t helping themselves from people-watching him.
Like what most humans imagined, he was huge. Easily more than 7 feet tall, with large calloused hands bigger than their head. He had large tusks but unlike the stereotypes he was well trimmed with well relatively kept hair. It would have neater had there not been dust in it. The orc wore dirty cloths and work boots. Beside them what looked like a tool box and bag.
‘Must be a construction worker or works in a trade’ they mused
‘Poor guy, he’s gotta be exhausted to sleep here. At least he gets to go home now.’
The shuttle shakes and with it so does the sleeping giant. Rocking side to side.
'That's not good.' They nervously slide off their headphones.
The turbulence increases until the sleeping orc leans too far and starts fall face first off his seat.
“OH SHIT!” Diving to their knees they manage to catch his head and shoulders.
“Mm?”
“You okay?” Damn he's heavy!
“Mmm…sorry.” Rubbing the sleep from his eyes he slowly got back into his seat, the turbulence now gone.
“No worries, I just didn’t want you to hit your head.”
“Heh, wouldn't be the first time I’ve done it.”
after rubbing his eyes a bit more and a crack of the neck he looks at them, brain finally working to some degree.
“…wait. You caught me?”
“Uh-huh”
“But you’re so small! Are you hurt?”
“You're not the first sleeping giant I’ve caught. I’m alright.”
“I am so sorry for that. I just finished working a 12 hour shift fixing the 1st and 3rd engine rooms and couldn’t help myself from dozing off.”
They whistle. “12 hours? No wonder you’re tired! If I were you I’d be in a coma.”
“Ah but surely you have a difficult job yourself. How else would you be able to catch me?”
“No, nothing like yours! I just work at a youngling centre.”
“The one on the ship?”
“That’s the one.”
“...YOUR ONE OF THE BRAVE WARRIORS WHO RISKED THEIR LIVES TO PROTECT THE CHILDREN??!”
“…you’ve heard of us?”
“Every orc and warrior worth their blade knows of your valiant deeds!! Tell me, what is your name??”
“Kim, uh and you are?”
“Fenrir. It is truly an honor to meet someone of your bravery and intelligence."
"Likewise! I've heard that the orc species are a true warrior race."
For the rest of the trip the two talked. Kim sharing how her and Max built such a safe room in the centre, which lead to the two realizing how similar each other's planets are.
"You have wind whirlpools as well? I thought they only existed on Bantor!"
"Well we call them hurricanes and tornadoes but yeah. Do you guys have hail?"
"Not where I grew up but nearby farther up they get a week or two of light hail showers during the fall. What about animals? Do you have reptiles bigger than an adult with large teeth and live in rivers? We call them darthrang."
"Oh we call them crocodiles!"
"Amazing! To think that your species live in a world much like mine!"
When the shuttle finally reached it's destination the two went their separate ways. A few days later they meet again, this time on the later shuttle. They sit and talk and create a routine of sorts where they became each others travelling companion for the trip to Mars.
One day however, Fenrir stopped coming. The human was saddened as she enjoyed his company but was soon surprised when seeing him at the centre.
"Kim! I've been transferred to stay on the ship so I won't be taking the shuttle to Mars anymore."
"Oh...well, as you know I only go home at the end of the week so maybe we can hang out now. Like eat lunch together or have a drink after work...or something like that!"
"Actually we'll be seeing each other everyday now. But if you don't get sick of me then yes, lets each lunch together."
"Great! But why will I be seeing you everyday?"
"Because after telling my family about you and the centre they've enrolled my nieces and nephews and younger siblings here...and I offered to drop them off and pick them up."
It was then that Kim noticed the dozen of orc children hiding behind Fenrir. The tallest and what looked the eldest of them stepped forward.
"Hello, I am Athea, uncle Fenrir said your one of the ones who saved the centre."
"Yes, my name is Kim. It's great to meet you AtheaaAA!" The orc girl pulled the human into a tight hug, lifting the adult woman off of her feet.
"Thank you for saving Nova." she mumbled into her chest.
'Ah, the Captain's daughter' Kim thought. "I was just doing what any teacher would do."
After a moment the human was put down and lead the children into the centre. The day went well. Fenrir's young family members were quickly won over by the humans, first with the saving of the centre, then with how they understood how wonderful their planet was rather than terrifying or deadly.
They were also greatly intrigued by how such a small species could survive in a planet that was thought to only be habitable to orcs.
"How can you carry us?" asked Thor, one of Fenrir's youngest brothers. "We're much bigger than a human child."
"Yeah but your not bigger than my cousins who are teenagers. Also just last month I had like 10 kids climbing on me. Two were tighalaxes."
"Your joking!"
...
"It that tumpon?!"
"Hm? We call it maafe, but it's also known as peanut stew, do you want some? It doesn't have any meat in it though."
"Guys Max has tumpon!! Can you tell Fenrir where we can buy the ingredients?"
"Of course. Finally I'll finish what gran gave me without having to gain 10 pounds."
And thus the first day ended on a high note! Now if only Kim could figure out why the children looked at her and nodded while talking to Fenrir...
So this based off of a post by @llamagoddessofficial about humans meeting actual space orcs. Sadly I can't find the actual post. but yeah, here u go, space orc and human meet cute
#the adventures of kim and max running a space child centre#space orcs#humans are space orcs#humans in space#the beginning is something that actually happened to me#caught a sleeping construction worker who I sat across from on the bus when heading home from work#thankfully he was just a little taller than me and not a giant like fenrir#also my brother went through a phase of randomly doing trust falls in front of me so I am experienced in randomly having to catch people
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Kaz and Wylan’s potential to become each other
Wow, you guys were a lot more excited about this than I was expecting! I made a post briefly mentioning this idea and it got way more attention that I was expecting, so as promised here is my explanation and I’ve tagged people who asked for it at the end :)
*WARNING: CONSTANT SPOILERS AHEAD*
Ok so the driving forcing of this comparison is rooted in the similarities of their characters and their backstories. Both of them lost a close family member, were abused by men with power over them, and experienced a form of ‘rebirth’ by nearly drowning in the Ketterdam canals. They also both experience disability; Kaz using a cane for a broken leg that didn’t heal correctly, and Wylan having severe dyslexia that prevented him from learning to read. A key difference that separates them, and arguably is a representation of the difference in the way their experiences have shaped their personalities as well, is that Kaz’s disability is a direct result of his chasing after vengeance, whereas Wylan’s disability was used as an excuse for his father to abuse him for what we as the reader see to be a minimum of eight years. (I’m assuming this because he is 16 in the book and was 8 when his mother ‘died’, which is the point that he describes he father to have “given up on him”)
I’m gonna quickly hop to parallels between Kaz and Pekka Rollins, bare with me I promise it’s relevant, which are quickly established as a key part of the novels. When Inej compares them, Kaz’s reply is “I don’t sell girls, I don’t con helpless kids out of their money” to which she gently responds “look at the floor of the Crow Club, Kaz”. Aside from this being the heartbreaking line that it is, it also does a very good job of highlighting their similarities and a similarity that they share with Jan Van Eck. When they meet the merch at the end of the first book they meet on an island called Vellgeluk, which is described as being popular with smugglers and slavers like those who kidnapped Inej. The other Crows are surprised Van Eck knows about Vellgeluk, but Kaz simply says “maybe he isn’t the upstanding merch he appears to be”. Great subtle foreshadowing for his double cross, and great establishment of the link between these three characters. In fact, Van Eck and Kaz echo each other more than you might think. Just as Kaz states “Greed bows to me, it is my servant and my lever”, Van Eck says “Yes, Chaos will come. And I will be it’s master”. In their first meeting, Van Eck accuses Kaz of murder and gambling with people’s lives, and in return Kaz points out that 1 in 5 of Van Eck’s ships will never return because they will sink or “fall prey to pirates”, so they are both doing the same thing, and that they both have the same motivations for this bloodshed: “profit”.
Now consider how often Wylan echoes Kaz, and therefore whether he echoes his father as well. They both have exceptional memories, Kaz’s being photographic/eidetic and Wylan being able to put words to music in his head to remember pages worth of infomation - this is even emphasised by Kaz being able to count cards when he gambles, saying “he could keep track of the game for up to three decks” and Jesper asking Wylan if he’d be able to apply “that trick to counting cards” to which he replies “probably. But I won’t”. They also both have impressive intellects, which could have placed them far higher up in the world than they’ve found themselves if it weren’t for cruel circumstances - Van Eck even comments on this, saying it angers him that Kaz has so much potential but does nothing with it. Then there’s their tendency to avoid being vulnerable. I think we too often overlook the fact that no-one knows Jan Van Eck hired two men to kill his son, not even Jesper, and that not even Inej knows what happened to Kaz on the Reaper’s Barge. Jesper believes that Wylan left his house as a result of his father’s abuse but that it was still his choice, and Inej has no information beyond “Pekka Rollins killed my brother” and the explanation of the con when Kaz faces off with Rollins in Crooked Kingdom. I genuinely believe that the biggest thing separating them is where they place blame for their situations. Kaz blames Pekka Rollins. Wylan actually blames himself.
Arguably, although he catalysed the events, if Rollins hadn’t conned Kaz and Jordie they still would have suffered in an almost identical way: they would both contract the Queen’s Lady Plague, they wouldn’t have enough money for both medicine and boarding, and Jordie would die. In that scenario Kaz would have still been left penniless and alone with nowhere to go, but he wouldn’t have had anyone to blame. In fact, he may have died as well because it’s really his drive for vengeance that makes him strive for survival. When he’s on the Reaper’s Barge he wonders if it’s worth trying to survive because there’s nothing waiting for him in the city, but then he realises that the chance of revenge is waiting for him, and that thought drives him to stay alive every day that follows. Without Rollins, Kaz probably would have blamed himself for Jordie’s death, and I’m backing that up with the singular moment when he’s first attacked by parem-high tide makers and has a brief “boy’s fear” that they are ghosts. He thinks, for a split second, that a ghost has come to kill him and what does he say? He says “Jordie had come for vengeance at last”. This is chapter three. We have no idea who Jordie is. With the limited information we had at the time and what we’d just seen happen to Big Bolliger, I assumed it was someone in Kaz’s gang that he had backstabbed and who has died because of what he did. But no. This single line leads me to wholeheartedly believe that Kaz blames Rollins, who realistically was only a small part of his suffering, quite so vividly to emotionally avoid blaming himself.
Wylan blames himself until around chapters 14 to 16 of Crooked Kingdom. His experiences with mental, emotional, and physical abuse have actively convinced him that his so-called ‘inadequacies’ caused a change in his father’s behaviour. But Wylan not being able to read didn’t magically turn Van Eck from a lucky family man into someone willing to try “specialists, tonics, beatings, [and] hypnotism” against his child. The fact is that Van Eck, like many abusers, is masterfully manipulative in everything he does. Wylan describes seeing his parents’ marriage as a happy one, but he also says “the argued all the time, sometimes about me. But I remember them laughing a lot too”. He’s quick to defend their relationship as if it isn’t supposed to be marred by argument and he lays blame on himself by suggesting that he was the root of their unhappiness. He also says that around Alys, Jan Van Eck becomes who he once was around Marya; a kinder, gentler man. I don’t think we’re meant to assume that he’s acting any differently with Alys in private right now, but I do think we’re meant to assume that he would have done down the line if he hadn’t been arrested (and presumably she filed for divorce). In chapter 14 of Crooked Kingdom, Wylan learns that his mother is still alive but that his father had her committed and declared insane so he could use it as grounds for divorce and marry Alys instead. And you know what happens? Wylan blames himself. He says, verbatim, to Jesper: “You don’t understand. It’s my fault”. He explains that Van Eck did this so he could have a “real heir”; because Marya produced a “faulty” child he needed a new woman to give him the child he wanted. That’s a messed up thing to think on so many levels, but Wylan doesn’t blame Van Eck because he is still being conditioned by his abuse. He and Kaz experienced different kinds of abuse, and Kaz wasn’t conditioned to blame anyone but his abuser, so that’s what he does. When Wylan does begin to blame Van Eck, he is immediately taken in by this same idea of revenge. Kaz says “you were angry. I needed you righteous” when explaining why he sent Wylan to St Hilde blind in chapter 16. Wylan was angry with his father before, but he wasn’t actively seeking vengeance. Now that he has a cause, someone other than himself to fight for? He tells Kaz “well, now you have me”.
Both of them have this potential to be fuelled by revenge or self-hatred, and although they go about it in different ways and lean towards different sides of the scale they are both balancing between those two extremes for the entire duology. Their past experiences have, and their future experiences could, tip them further either way but right now they are almost playing with the line.
Thank you so much if you’ve bothered to read this far, sorry for the long post but you did ask for an essay, so there you go. Tagging the people who asked - @kazooyay @mikasimaginairyworld @sunseeking-cyptid @moonlit-aura @alexplutoplanet @gandalfsmallnaturals @livsarthaven @goodomenstrack23 @origami-butterfly @flower-biatch @bookworm010307 @thesunniest @wherela @space-ace-thoughts @sixofbabycrows @antisocial-burrito
Sorry if I missed anyone!!!
#grishaverse#leigh bardugo#six of crows#crooked kingdom#kaz brekker#wylan van eck#kanej#wesper#kanej supremacy#wesper my beloved#inej ghafa#jesper fahey#nina zenik#matthias helvar#jan van eck#marya van eck#marya hendriks#wylan hendricks#jesper and wylan#six of crows wylan#kazzle dazzle#kaz rietveld#jordie rietveld#kaz and jordie#pekka rollins#assorted analysis - grishaverse
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Hello, I am a friend of the person who originally politely disagreed with you on the dungeon meshi post and we are both genuinely sad that this has turned into someone else sending you weird anon hate about fart sniffing 😭 I truly think it's a conversation worth having with you that your post did come off lesbophobic to me, a lesbian. Like yes we know the other relationships are important too but no one ever compares yaoi ships like this. Like do labru shippers also deserve to be criticized this way? Just my two cents! Sorry about the anon hate tho.
Weird how if you want to have a conversation you keep coming on Anon rather than just, yknow. DMing me or something.
That's cool, I've also had plenty of lesbians tell me that no, it didn't, so this is on you.
People absolutely compare yaoi ships like this. I literally do it in my first post where I point out that fandom brainrot in this manner for mslash ship is far more prevalent and widespread.
Yes, labru shippers who choose to hyperfocus on their relationship to the extent that they completely ignore and misunderstand the work as a whole do deserve to be criticized.
Thanks I guess but I am sincerely unconvinced you're not just sockpuppets or whatever and this whole thing is rapidly approaching an unentertaining boredom. I blocked "your friend" because they were boring but entitled to their opinion and had nothing to say to them. Genuine apologies if you're legit! I just have literally zero evidence at hand to believe otherwise right now.
Also, frankly, calling me a lesbophobe to all their friends is not exactly conducive to having a conversation with me. Just say boo you hate my pussy instead.
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Related to my prev post:
I don't give two shits if Bruce is written like a bad dad if it means we get good writing for everybody else since i think minorities are more important than a white cishet male nepotism baby unlike his butch lesbian counterpart who's judaism is an actual fundamental part of her character and since he's been written as abusive so consistently over the years it's in-character anyway
Dick can be both bi/pan and demisexual and there's more evidence for the latter than the former so making him be sexually loose is aspec erasure and mspec stereotyping and he dosen't have a thing for redheads,he has a thing for black women and to me the only guy he seems to like romantically is Roy and that adds on to his demisexuality since they're childhood best friends
'Catholic guilt Jason' is a shit headcanon that misses the major and critical part of him being Red Hood that he didn't feel the slightest bit bad about killing people and the point of his redemption was learning remorse,afrolatino Jason isn't based on stereotyping but him filling out so many black and latino cultural aspects and if any hcs for him are stereotyping it's the one that he's a slut because he's a very handsome and hot and cute goth punk man
Tim is perfect the way he is and dosen't need power ups or to get 'punished' for the oh so horrible crime of being a realistic teenage boy,he's not JUST huge a loser or a super cool dude but both at once and it's bad writing and fetishistic to ignore his wide range of relathionships that consists of mostly of women to make him a 'guys guy'
Stephanie is heavily autistic and bpd-coded so she's far from a 'normie',much less an 'it girl' but people see blonde hair and blue eyes and throw away everything else about her because that's all she's worth to them or call her an abuser and a pick me just like they do irl bpdtistic women and she's also canonically pastel/indie punk and a Team Mom but gets her presentation switched to basic and made out to be a womanchild instead
Cass had a million times more moral conflict than Jason ever did,would never in her LIFE wanna be feminine even in the chinese way and would be butch in it instead,turning her scattered speech into sign language is ableist not unlike(but not on the same level as)changing Babs' type of wheelchair disability and she'd be a better Batman than any male character in existense
Duke is only a golden child in the sense he has a yellow motif and is as disruptive and authentically quirky as his siblings,We Are Robin is a better team than the canon Outlaws,his powers are cooler than any Al-Ghul ones you could come up with,he has more femme energy than Tim does and Carrie Kelley ain't shit and only gets brought back to replace him because DC is antiblack
Damian's introduction mentality was a result of not only child abuse but also psychological grooming to get him to dehumanize himself and all his bigoted comments are explained either by him being like 12 or his writers trying to demonize brown people and anybody who thinks he's a bad person is a super-sized pissbaby with no sympathy for kids of color,shipping him with Jon is making a bisexual man into a ped0phile and Jay is good even if aging Jon up wasn't and he should be friends with Maya,Suren,Nell,Colin,Kathy,Maps,Tai and Miles,Gwen,Peni,Pavitr,Hobie and Margo from Atsv and Nico and Hazel from Pjo instead of Billy Batson or Danny Fenton or ANY Mcu characters
Talia is super hot but should be drawn in accurate arab clothes instead 'sexy assasian gear'(not that these two can't co-exist but you get what i mean),her personality is extremely rich and her stories are mega interesting,she's a good mom to Damian and literally never 'took advantage of Jason' seeing as That Scene In Lost Days was decanonized by it's writer who said it was ooc for her on his part,she should've been a mom figure to Stephanie in her Robin Days too since they would get along and she deserved her own run where she takes over Lexcorp to transform it into a force for good and become Superfam-adjacent to free herself from having only male connections
#batfam#batfanon slander#anti bruce wayne#dick grayson#jason todd#tim drake#stephanie brown#cassandra cain#duke thomas#damian wayne#talia al-ghul#dickkory#dickbabs#dickbea#dickhelena#dickroy#afrolatino jason supremacy#autistic stephanie brown#bpd stephanie brown#butch cassandra cain#batman!cass#trans duke thomas#autistic duke thomas#jon kent#jay nakamura#pro jonay#taliacorp#misc superfam#blasian stephanie brown#summerposting
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do you have any headcanons on how vertin's emotions manifest?
like how she experiences certain things and how that looks on the outside to the people around her
i've been thinking about angry vertin lately and how she'd react if something REALLY upset her
to me she strikes me as someone who would not yell or exhibit her anger very clearly (unless the receiving party is someone she hates, say, arcana, like how she snapped at her in chapter 5), but she doesn't repress it too much around those she cares about, just sorta indirectly saying "i do not wish to talk right now" in a slightly snappy way
The Trails (in Atlas) throughout Reverse 1999 paint a picture of an emotional person who has perfected hiding her feelings. With that said, I do HC Vertin as someone who perceives her own emotions differently from others.
For example, while many of us get "caught up in the moment", Vertin is the type to always take a step back and think "Is this worth getting angry about?"
As the only known person (so far) with guaranteed Storm Immunity, this changes the way she sees things. In her mind, she can lose her allies and friends at any time. It's why she is is generous as well as flexible with their demands. She tried to get Regulus A SHIP and her dialogue/Wilderness interactions show she'd rather go with the flow than argue. Oliver Fog even says she has a "conciliatory" nature.
Vertin is a big picture thinker. Regardless of her current anger, she loves her friends. Anger is temporary but relationships are long lasting if nurtured. Therefore acting on her anger isn't worth it because it's unproductive and she could hurt them. Instead, she focuses on working things out.
Going off of that, She considers hurtful words and shouting go against what she she wants to be: a safe haven for her friends. Her anger manifests more as disappointment or as regret for having to go through these painful feelings with whoever she is arguing with. I think in the worst case scenario, she'll excuse herself before she reaches her boiling point because she doesn't want to snap.
However, if you turn your back to storm off in a huff, she'll call after you and this is where the masks slips. It's not anger you'll hear, it's fear. Fear that you'll leave before you two can fix what's broken between you. She won't chase you because she'll assume you need time to cool off but she'll be on edge until you return.
Sometimes, people mistake this as her not taking them seriously because she doesn't get "passionate" (super angry) about things, but she's seeing things from a different point of view. With that said, she is stern when she has to be and won't back down from doing what she deems as the appropriate course of action. She will always hear others voices on the matter though (and her friends seem to trust so that makes things easier).
On the other hand, if Vertin does something she's quick to try and make amends.
And if we really think about, hasn't Vertin always asked people how they feel, how they're doing, and so on? By being proactive, she can eliminate a lot of tension before it blooms into conflict by addressing it. On the receiving end, Vertin would feel very hurt if she couldn't make things up to you.
1. She failed to make things right.
2. She is causing pain (negative emotions in general) in someone.
3. She isn't sure what to do and might back off (or shut down) completely out of fear of making things worse. It's the lesser of two evils to let you go as a happier person than to stick around you and make you angrier. If it gets to that point, good luck trying to approach her. She'll be one step ahead of you, always gone before you can speak to her. Stealth is one of her specialties and it'll be like trying to catch a cat who wants to be as far from you as possible.
So what about pure, raw, rage? It's interesting you bring up Arcana! When they first put on the friendship-bracelets (?), it was Vertin who triggered them with her anger/killing intent.
Arcana only triggered the bracelet when she sent her followers to attack Vertin's crew.
Arcana's attitude toward Vertin is not a front, but a genuine fascination. She doesn't "hate" Vertin while Vertin is ready to pull a Green Oranges on her. Sure Vertin raised her voice and whatever at Arcana, but that's the type of things we expect from a normal argument.
Vertin was ready to kill this woman. If Vertin starts displaying "normal" signs of anger, that is not normal.
She's that meme that goes "looks like a cinnamon roll but can kill you".
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hi kit i swear to god someone sent in 35 from the prompt list for 'one of them is trying to get the other off of drugs' but someone must have deleted the ask from your ask box.
oh no! who could have done such a thing. after i already wrote 3k for this prompt and everything!
(but in seriousness i KNOW someone sent me that prompt i just can't find it rn!!! but i enjoyed writing this so much it really literally could be the first chapter of a multi-chapter fic......we'll see)
(also this is what i wrote for the same prompt from a few years ago)
35. one of them is trying to get the other off of drugs
(3k) (warning: non con drugging/attempted date rape drugs used -not by main characters)
Obi-Wan’s got a heavy mind most days. Heavy heart too, but it’s been a while since he checked in with that part of himself. Mind’s easier.
Right now, he’s mostly annoyed at the cantina crowd, but that’s a most days thing too. After all, the cantina’s in the middle of the spaceport, best watering hole around. Only watering hole around, really, and it gets him all sorts of people walking through his doors.
Some days, he really wishes Linell’s hadn’t closed, mostly so he could send the roughest looking folk that way instead. He doesn’t care much if smugglers decide to get wasted at a bar before hopping in the cockpit of their ships, but he doesn’t necessarily want it to happen at his cantina.
Mostly because when smugglers get drunk, they get rowdy. They get dangerous. They get handsy.
And Obi-Wan’s not under any sort of illusion here, he knows what sort of cantina he runs, knows the crowd it attracts, knows no one’s ever gonna bring their youngling past the doors—knows that no Jedi is ever going to stop in for a drink.
But that doesn’t mean he’s going to allow for that sort of ruckus. The Temple raised him better than that, for whatever that’s worth. They instilled a pretty solid understanding of morality in him at a young age; then the AgriCorps gave him an appreciation of organization and tidiness that even after two decades away from it all, he hasn’t managed to shake.
It makes for bad business anyway, to allow the rougher-looking crowd to linger in the back corner, swat at the passing serving girl, call out harassments to other customers. And perhaps this wasn’t the life Obi-Wan thought he’d have, but it’s the life he does have. And he’s in no mood for his cantina to go under as well because of morons like Chak Tuuel getting too drunk and causing a scene.
It was easier four years ago, Obi-Wan has to admit. It was easier to keep a tight hold on his cantina when he could openly use the Force to pull patrons off of each other, push one back to his chair and spirit the other to the far side of the room. It was easier when all it took to convince a pirate that he’d be better switching to water was a well-placed Force command.
But the rise of the Empire saw the criminalization of Force users, even ones who can’t be called Jedi, like Obi-Wan.
It’s been bad for business, the Empire has. That’s the only thing Obi-Wan cares about, the only reason he has to hold such hatred in his heart for the emperor. It has nothing to do with the massacre of the Jedi, the fall of the Temple. It’s because it’s bad for business. That’s all.
Now he has to be ten times more discerning about who he lets into his cantina because he has to actually reason with them now. On more than one occasion in the past four years, since the Fall of the Temple, he’s chopped off a patron’s hand. Arm. Whatever.
That’s also bad for business in general, though it’s not as if he can actually get into much trouble for it, considering he owns this cantina. And it’s the Outer Rim. Anything goes.
His eyes survey the cantina as his hands busy themselves making a drink for a rather quiet patron at the bar. Most likely a businessman of some sort, given how often Obi-Wan’s seen him come in and out.
It’s rather late in the night, as much as there is a night at the spaceport. The cantina’s full of the usual sorts, and the place is loud. There’s a group of five men in the back, dressed like smugglers. Obi-Wan has been watering down their drinks for the last two rounds, but they’ve yet to notice. Their eyes are ravenous as they look around them. Most of them are big, all are human. There’s one small one amongst the pack, and it’s him that Obi-Wan’s eyes stick to.
There’s something about him. Maybe it’s the way he holds himself, tense and with his shoulder hunched. Maybe it’s because of how smaller he is than the companions he’s chosen. Maybe it’s because he’s so pretty.
Even from all the way across the cantina, Obi-Wan knows the boy is pretty, can see his pale pink lips and dark golden curly hair. He doesn’t look like the sort of person who tends towards the crowds of pirates and smugglers that populate the back corners of Obi-Wan’s cantina. He looks out of place, misplaced.
Sith’s hells, Obi-Wan probably looks more like a smuggler than this boy. Even the scar across his face, through his eyebrow and trailing down his cheek does little to make the boy look dangerous. Even his outfit—a black cloak on top of other, darker clothes—cannot make him look as dangerous as the men around him.
But they had come in as a pack, the boy in the middle of them. It had been the boy who had talked with the serving girl, Challa, who sat them. It had been him who’d ordered the first round of drinks.
The Force is screaming, a loud reverberation of a warning filling up his head and making the beginnings of his headache twenty times worse.
If someone dies tonight in Obi-Wan’s cantina, Obi-Wan is going to make Challa fill out the flimsiwork. It would be what she deserves for allowing this crowd in.
A moment before Obi-Wan looks away, the boy looks up from his drink and catches him staring. His face freezes as it is, held tight as he looks at Obi-Wan looking at him. For a strange moment, it looks like his eyes flash gold before they fall away, attention grabbed by the kid next to him.
Obi-Wan’s own attention is claimed a moment later.
“Whatcha looking at, boss?” the second bartender on shift asks, resting their arms on the counter beside him. “You look mighty disgruntled.”
“So you thought adding yourself to the situation would help,” he says automatically, caustically as he turns away from the group to stare at his employee. “Naturally.” “Naturally,” Saak agrees with a pointy smile. “I’m a saint.”
“Hm,” Obi-Wan says, even though he quite likes working with the twi’lek. These days, Obi-Wan keeps much close to his chest—especially his affection.
“That’s not an answer to my question,” Saak points out, looking back out at the cantina. “Who’s caught your eye? Because me and the crew in the back have a bet going about if you’re ever going to take someone home.” “I don’t mix business and pleasure,” Obi-Wan says, eyes staying resolutely away from the boy’s table.
“See, that’s part of the bet,” Saak says, easy as anything. “We don’t think you have pleasure.”
Obi-Wan frowns and turns to look at them fully. “What.”
Saak shrugs. “I don’t think I’ve seen you smile once, and I’ve worked here for three years. You don’t come out with us after work, you throw out every comm sequence customers leave you-–and trust me, I know there’s been a lot, you never mention anyone at home. In your personal life.”
“I enjoy a healthy amount of privacy,” Obi-Wan snaps, clenching his fists tight on the towel between his hands before he carefully tosses his irritation into the Force.
He understands almost immediately that his anger isn’t even at Saak for prying or at his employees for gossiping.
It’s because he knows Saak is right. Not about—well, not about abstaining from sex, as Obi-Wan gets a rather sizable amount of sex at any given time. But about the distance. The lack of pleasure. Even the sex doesn’t light him up the way it did when he was seventeen, fresh from leaving the Agricorps and setting out across the stars. A consequence of age probably.
“Hey,” Saak’s tone changes, turning from cajoling employee into something much more concerned. “That table in the back, look—I don’t think that guy is doing alright.”
Obi-Wan snaps out of his thoughts instantly and looks at where Saak’s gesturing.
He knows before he even sees them that it’s that Force forsaken table in the back.
And Saak’s right, shit.
The boy Obi-Wan had been staring at looks—looks rough suddenly. His head is reclining back onto the body of the man beside him, eyes half-lidded. He’s flushed a flattering red, lips parted and stained an even darker color.
He could just be feeling the effects of the alcohol he’s been consuming for the past hour now, but it’s the way his companions look at him that has Obi-Wan rounding the bar and crossing the cantina. They look hungry. Eager. Anticipatory.
In the Force, the boy’s muted presence has become fuzzy. Muted.
Of course the moment Obi-Wan turns his gaze away from the group, they drug the boy. It suddenly seems so inevitable that it’s almost funny. Of course this was going to happen.
“What did you give him,” he demands as he reaches the table. The anger licking at his chest is new. Useful. Righteous.
One of the smugglers, the one next to the boy, tosses him a sleazy grin, wrapping his arm around the boy’s shoulder. “No need to kick us out, mister,” he says. “We were just leaving.”
“Yes, you were,” Obi-Wan nods sharply. “Without him.”
The smuggler’s grin slides off his face. “He came with us.”
“You drugged him!”
The boy in question looks up at Obi-Wan as much as he can with his eyes half-way to shut. “Oh,” he says. “That’s what it is.”
His voice is slow and deep. A byproduct of the drug?
He blinks at him in syrupy slowness, and his eyes are tawny. Why had Obi-Wan thought they were blue from across the cantina? They shine golden now.
Something about his eyes, his face, the way he’s looking at Obi-Wan makes his thin sense of control snap. “You will leave now,” he commands, Force reverberating through the words, so strong that the smugglers stand to attention immediately, repeating the order mindlessly.
Even the boy struggles to obey, pushing up on his feet in drunken surety.
“Not you,” Obi-Wan snaps. The boy sits back down like his strings have been cut, a sigh of relief at the release.
It’s entirely too orgasmic to be appropriate.
And the way the boy looks up at him is entirely too trusting for someone who’s just been drugged by his companions.
“I hope you have another form of transportation off here,” Obi-Wan says with a sigh. “I imagine you will not want to travel with them tomorrow.” “I’ll kill ‘em,” the boy mumbles, letting his head fall back.
“Sure, kid,” Obi-Wan tells him. He looks like he couldn’t hurt a fly, let alone kill a man, but he’s also not entirely sure the boy would appreciate him pointing that out. He looks like a kid who’s decided to try and play outlaw.
This is what happens to kids who try to play outlaw, he thinks dispassionately.
“Not a kid,” the kid says.
“Sure, kid.” He’ll need water. Obi-Wan grabs at his chin and forces his eyes up. His pupils are so dilated it’s hard to even see what color his irises are. Paired with the flushed cheeks, the poor coordination, and the slurred but cohesive speech, Obi-Wan’s pretty sure he knows what sort of spice they used on the poor kid.
And the comedown is legendary for how rough it is.
Obi-Wan barely resists the urge to sigh. It’s even harder to resist the urge to scream.
He hates the men who laced the boy’s drink. He hates Challa for letting the group of men into his cantina, thereby making this his problem. He hates Vynny for crashing his speeder and forcing Obi-Wan to cover his shift while he recuperates from the loss of both legs.
And he hates the fucking ghost of the Jedi Order for instilling in him the importance of doing the right thing.
“You’re coming home with me,” he says, unable to stop himself from sighing.
The boy blinks at him. “If you touch me, I’ll kill you too,” he warns, but his eyes are still much too trusting. “Slowly.” “Noted,” Obi-Wan snaps, reaching down to fish the boy out of the booth. “And when you’re sober again, you’re going to be paying for the entire tab you and your lot racked up.”
The boy pouts, even as he allows Obi-Wan to drag him to his feet. “What if I let you touch me instead?” “I don’t want to touch you,” Obi-Wan says. “I want the credits.” The boy giggles and presses his face against his neck. Obi-Wan waves to Saak behind the bar, gesturing to the boy and then to the doors, trying to convey I’m going home to take care of this absolute youngling because I am a better person than you and you need to take care of my cantina and lock up behind you and no, this does not count as taking a customer home with me.
Saak gives him two thumbs up, so Obi-Wan is hoping that means the message has been received. It had better be received.
“What’s your name, kid?” he asks as he navigates out of the cantina. Thank the Force, his own cruiser is close. The boy is heavier and bigger than he’d looked amongst the rest of his group. Firmer and more weighted with muscle. And Obi-Wan is no waif, but he doesn’t care to lug around a man who is actually, well. Taller than him.
“Vader,” the boy mumbles, nuzzling into Obi-Wan’s touch. “Why do you feel so good?”
“It’s the spice they gave you,” Obi-Wan mutters. “Makes touch feel good, makes you…want.”
“Oh,” Vader says, rubbing his face against Obi-Wan’s neck like a cat. “I don’t want it.” “Me neither, kid,” he assures him, propping him up against the side of his ship so he can unlock it and key in the code to have the ramp descend.
“Good,” Vader says. “Keep touching me.”
Obi-Wan bites his lip so he doesn’t tell the kid that he doesn’t take commands, not even from imperious little boys who sound as if they’re very used to being obeyed.
It adds more evidence to his theory that Vader is some spoiled rich kid looking to rebel.
“What were you even doing with them?” He mutters as he drops Vader into the seldom-used co-pilot seat of his ship. “Not the sort you’d want to hang around with, are they?” “Bellion,” Vader replies loosely, waving a weak hand. “As’ —assign—assignm’nt.”
It takes through takeoff for Obi-Wan to realize what he’s said. “The Rebellion? You were on an assignment for the rebellion?” Vader makes a noise and turns his head to look at him, eyes almost shut. “Bellion,” he agrees, before promptly passing out.
“Huh,” Obi-Wan says.
Of course he knew that there was a rebellion against the empire, that they were building in both power and numbers as the years grew. He’d even flirted with the notion of joining it himself, but he’d always stepped back. The rebellion was too close to the Jedi. And the Jedi had made it clear that they did not want him.
Why would the rebellion be any different?
When he’s entered hyperspace, he looks over at the boy who has turned his head away from him, exposing the long lines of his neck.
He really is quite beautiful, for better or for worse.
The boy shifts, restless. He pushes himself further into the seat, leaning back and spreading his legs. Obi-Wan would wonder what he’s dreaming about, but before he can, the boy’s cloak shifts.
And there, on his hip. The handle of a lightsaber.
Obi-Wan is moving before he can help it, stepping over to Vader’s side of the ship quietly, eyes glued to the ‘saber.
It’s been so long since he’s seen one. He never got to hold his own. Never made one himself.
But here is one now, on Vader’s hip. Vader is a Jedi. A Jedi!
It is part greed, part agony, and part disbelief that makes Obi-Wan reach his hand out and carefully detach the blade from Vader’s belt.
The boy does not even notice, except to push his hip up further at the ghost of Obi-Wan’s touch.
It’s a heavy weight in Obi-Wan’s hand, and he takes a moment to just—look at it. It’s darker than he would have crafted his own, sturdier and longer too, as if Vader wields it with two hands. He probably does—Obi-Wan still remembers his forms, remembers each stance down to the footwork. Vader has the body to be a formidable Djem’So user. Or Atari. Obi-Wan had favored the latter when he was an Initiate.
Vader is a Jedi. Perhaps—perhaps in the morning, after the spice is out of his system, he can tell Obi-Wan about the Temple in its final days. Surely he was not there, Obi-Wan doesn’t know how anyone could have survived the massacre, but he must know. He does not truly look so young that he would have been an Initiate. He must have been a Knight.
Perhaps Obi-Wan will tell him about being raised there. He can share in his pain, if only a little bit. After all, Obi-Wan spent thirteen years of his life at the Temple. The Jedi will always hold a part of his heart. He has never before wanted to admit that, but now—Vader is a Jedi. He would understand.
Obi-Wan’s mouth is dry as he drops his gaze back to the saber.
He wants suddenly, terribly, to flick it on. To hear the buzz of the ions of the blade. To see the color of Vader’s kyber crystal. He wants to take pleasure from the sight of it, the enduring symbol of it, of the Order.
He knows he should not. He knows he has no right to it. If he were meant to hold a lightsaber, his life would have worked out in thirteen thousand different ways.
But—Vader is asleep.
And no one would have to know.
If just for a second, Obi-Wan allowed himself to give into his want.
He flicks it on and then almost drops it from the sheer surprise he feels as it powers to life in his hands. Because the blade is not green. It isn’t blue. It isn’t even purple, like he remembers Master Windu’s being.
It is a sickly looking red.
It is not a blade of a Jedi.
Obi-Wan flicks it off and tucks it back onto Vader's belt. Then he sits down in the pilot's chair once more, head spinning and heart racing.
And he directs the ship to drop out of hyperspace to his homeplanet anyway because---well. What else can he do? He'd promised to take the boy home and see him off the spice.
The fact that the boy is---is a Sith does not change anything. It cannot.
#asks#prompt fill#obikin#vaderwan#anakin is going to wake up and be like aw why is he being so distant and grouchy#and obi-wan is going to be like i cant believe im helping someone who probably helped murder my family#but then vader who has not experienced kindness from strangers before#keeps coming back for more kindness from this grumpy stranger#this is like#non consensual adoption of a grumpy bartender au#or something lmao
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The bt fandom is absolutely having a melt down of scary proportions
They had and posted a 4 hour Oliver stark Lashing video meeting just absolutely saying the most disgusting and horrible things about him because of last night and for not liking Lou
They are going through all of the pages Ryan follows on Instagram and looking for any post they can say is problematic and saying Ryan personally thinks and believes it and is responsible for them just because he follows the page.
They have been dragging Kenny’s name over some Paris convention that removed Lou’s name from a poll after learning about the issues he’s caused. And dragging Ryan into it even though the entire convention had nothing to do with 911. It was about swat.
I wouldn’t be surprised if Aisha is their next target at this rate.
I wish I could say I'm surprised by any of this but I'm not. I honestly think it's going to get worse with some of them once they realize B/T isn't going to be the big endgame ship they thought it was and even more so when they realize Buddie is happening.
I really think our fandom needs to try our best to distance ourselves from them. I'm talking about the more fanatical abusive people in their fandom. We really need to stop engaging with them. It just makes our fandom look bad and they're not worth the effort. They want to be pissed off because they saw Buck kiss a guy twice and think that meant they were soulmates let them but don't fall for the bait when they say something offensive online. I've been really guilty of that myself even making posts with their content trying to show how bad they've been but it's only been giving them attention so I'm trying to refocus on what matters.
I genuinely feel like this is going to be the season Buddie goes canon. I mean I don't know for certain 100% (I don't work for the show) but everything seems to be lining up that way. It's a really exciting time for our fandom and our ship and the show and we all should be focused on that and not some ship that won't even matter all that much soon.
---
Oh also about Ryan.
Putting this under the cut cause it got long.
The B*mmy's can say whatever the want about him but what happened was his ex fiance used the n word in some old tweets. When they were brought up and she was called out (after Ryan was on 911) he tried to defend her. But later issued multiple apologies :
At the time Oliver and Aisha were clearly upset about this because both of them put out tweets and there's other stuff that was going on behind the scenes to indicate Ryan had a falling out with them. But he's clearly worked to repair the damage because since then he's been a guest at Aisha's wedding and has spent a lot of time with the cast outside of work.
As for him being anti-vaxx or Republican, as those are other things the B*mmy's try to claim about him, I'm not even sure where they get some of that from. I think one of it was because he shared something about Covid from Joe Rogan (during Covid) but a lot of people were scared and confused during that time and there was tons of misinformation going around. The idea that celebrities are immune to that just because they're rich and famous is just ignorant. Also show me where he's shared other vaccine and or health related misinformation because sharing one thing during a really confusing time doesn't make him an antivaxxer.
Also during Covid no one could film on the show without getting vaccinated (this is why Rockmond Dunbar was fired he refused). And since Ryan was a big part of s3 and s4 he clearly was vaccinated. If Ryan was as staunchly antivaxx as B*mmy's make him out to be he would have left the show before getting vaccinated. He's a more well known actor than Rockmond he could have found work elsewhere.
They try to use accounts he's following on insta as proof he's far right but I haven't seen any that are blatantly far right. We also don't know when he started following these accounts or who followed them. His ex could have used his account to follow people when they were still together. I'm also following a ton of accounts on my insta that I don't even remember or interact with anymore this could be the case for Ryan since to my knowledge they haven't found likes by him just that he's following.
One of the accounts in particular they're using as a gotcha for Ryan is this one:
Ryan is following them but I haven't seen any posts of theirs he's liked. It looks like an account about home schooling and living off the land but they do have at least one transphobic post I've seen (about pronouns). Here's the thing though immediately when you look at the front page of their account they aren't marketing themselves as anti lgbtq. Ryan is not responsible for what they're posting. And given all of their other content he likely started following them for one reason and didn't know about their more transphobic views. It's also unrealistic to assume that a busy actor is on social media 24/7 monitoring every single thing that the accounts they follow are posting. If that was an obvious alt-right anti trans account I could understand but it's just not the gotcha B*mmy's are trying to make it out to be.
I'm not excusing that account or their transphobia btw. And I don't think anyone should be following them just that there is nuance to a conversation like this. B/T stans try to say Ryan following this account is the same as Lou having posted an obvious racist post about Nicki Minaj's skin color is the same thing. It's not.
It's pretty hypocritical of them to say we should excuse Lou's old insta posts but yet we're going to hate on Ryan for accounts he's following but isn't even interacting with.
And again I don't know where B/T stans are getting that Ryan is a Republican. He's repeatedly posted anti Trump stuff:
This is from 2016 ☝️and it's because Trump has repeatedly talked about deporting Mexican people.
And like everyone has the right to see feel however they want about what Ryan said in the past (especially bipoc people). But knowing that Ryan is no longer with his ex who I think wasn't the best influence in his life. Seeing him take accountability for what he said and did. Seeing the cast forgive him. That's all enough for me to continue to be a fan of his.
B*mmy stans don't have to like him but they don't get to keep attacking him for stuff he's done in the past. Lou on the other hand has never apologized for his insta stuff even when called out about them. You'll also never get me to believe he was hacked when he responded with that spitting on blind children thing on twitter. Plus him minimizing T*mmy's racism and homophobia down to teasing.
If Ryan was still doing messed up stuff I'd call him out too and expect others to do the same. The problem with B/T stans is no matter what Lou does they'll defend him. It's part of why they attack Ryan. They want to get the attention off of Lou. But they can't sit there and say how dare you defend a racist and then defend every single thing Lou did even just this year.
Sorry this got so long anon. I've just been seeing people (one account in particular) attacking Ryan on twitter recently and I'm so over it. If you made it down this far I love you forever. ❤️
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Hi, I recently discovered BL and have been very interested in reading about it. And even if I don't agree with every one of your takes, you seem very knowledgeable, so I've been reading your blog on and off since yesterday.
Anyway, I was curious about your opinion on The Shipper, but I looked at the tags, and it seems like you didn't watch it. May I ask why? I get it's not quite BL, instead being BL adjacent, but I think it's one of GMMTV's best productions, so I'm really curious about what made you avoid it.
The Shipper
I did end up watching some of it (which in me terms means I skipped through it to the BL bits and then watched the last few eps to find out how they landed the damn ship).
Ultimately, I simply don't consider The Shipper BL. I try to stay on target with this blog. So while I may watch other QL, GL, Kdramas, survivor shows, Kpop thingies, and so forth, 90% of the time I stick to BL here.
Other more personal reasons?
I also hugely dislike shipping culture. Too close to stalker and parasocial relationships. It's not something I was ever into, even as a teen. Taking on reality with fanfic wigs me tf out. I have close friends who have had stalker issues both as "normal" people and as the quasi-famous.
It's one of the reasons I rarely report on actor news or relationships or drama here. Unless it directly impacts production, it's none of my damn business. If I did so, this could probubly become a much bigger blog, but also a much more toxic one. I do this for fun, not profit.
The branding of pairs interests me intellectually, from a marketing and publicity perspective, but nothing beyond that.
You may note, if you delve further into this blog, that I lurch hard away from JBL in particular when it dabbles in idolatry, sasang, and stalker behaviors (unless it's playing in the dirt with them, like My Beautiful Man did). Even if done gently and comedically, I tend to get switched off from the whole show. I wouldn't go so far as to call it a trigger, but I am viscerally upset by it, not entertained.
IMHO BL is for entertainment first. The only thing worse than being upset by a show is being bored with it.
The way Thai BL represents female shippers in particular, especially in the context of a BL (which tend to have very few positively represented women on the main), often smacks of misogyny and punching down humor. I simply don't enjoy that. Feminist critical theory from my uni days always bubbles up in my head and won't be put aside.
And finally... I pretty much loathe the body swap trope. It is probably one of my least favorite fiction tropes. I have no idea why, I just really don't like it.
I make an exception for Great Men Academy but even that I have only watch once with no plans for a rewatch, and it's another one that I would hesitate to call BL.
Still, if you love The Shipper I would HIGHLY recommend tracking down Great Men Academy, I think you would find it well worth your time.
#the shipper#my relationship with the shipper#body swap bl#shipping culture#thai pair branding#great men academy#asked and answered
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You remember how in Ms Goldenweek's cover story, we get to see how the former Baroque Works agents have all beated up the other cellmates they had (not just in the mens' cells but also womens')
The way Daz is sitting on top of one of the prisoners, as if he was sitting on a throne or something, it definitely makes it look like he at least participated in the fight that took place, right
It just makes me wonder, did Crocodile himself participate in the cell fight, or did Daz handle it all on his own?
Like even with the Seastone cuffs Crocodile's hook alone should give him the most unfair advantage in a prison fight imaginable, so you'd think he'd be more than capable of defending himself if he felt like it. But also, considdering he didn't feel like even escaping prison... was he even in the mood for a fight? Like I don't think Crocodile would just allow some random, weak-ass pirates to beat his ass without a fight, but also... I can't help but to wonder... (Look you tell me what kind of a mental state Crocodile was in after his 4 year long plan to take over a country was foiled by a kid in flip flops)
Is it possible Daz took out all those other prisoners by himself (without Crocodile nor Mr 4 assisting him), either to make sure his boss didn't have to waste his strenght on them, or... did he maybe deal with the other prisoners to... protect Crocodile? Like the former would be straight forward manly man anime loyalty, nothing worth making a deepdive for, this is One Piece we get the trope. But isn't the latter option also plausible? 'Cause. Like. Daz was loyal enough to Crocodile to willingly go to Impel Fucking Down with his former boss whom he had only known for like a day or two at this point (I mean IDK how long it took for the BW members to get shipped to this Marine Base from Alabasta but you know what I mean). If some random criminals wanted to pick a fight with Crocodile in prison and he just seemed like he didn't feel like dealing with it, if Daz's was down to go to Impel Down with Croc, then would he not be willing to defend the man too??
Regardless, it just raises the question of... why? Why did Daz choose stay with Crocodile, despite Baroque Works failing so hard? Why did he choose to become loyal to such a cruel, horrible man?
Sad thing is, because we don't really know much about Daz, there isn't actually that much to go off-of to properly speculate here. But we do know Daz once dreamt of becoming a superhero! The irony of course being that not only he became a terrifying murder man, but also that he seems to lack that "superhero quality" of being... easily approachable, friendly, warm? Like he is a man of steel, but he's not The Man of Steel, you get me? But Daz's dream does tell us something interesting though; that deep inside, even if he doesn't show it at all, he might like the idea of being a hero? Like the concept of being a hero and saving people may have appealed to him, right? Because that's what being a hero is about, the heroic ideals of upholding peace and justice (and looking cool while doing it)
And arguably that idea still appeals to Daz. Even if he's frowning, deep inside he was enjoying the superhero costume Ms Goldenweek created, even if he can't admit it.
But in One Piece, the idea of being a "hero of justice" has quite different connotations than in our world. After all, the Marines are meant to embody that very idea, just in a far less cool, romantic way. We know the World Government is extremely corrupt, we know of the atrocities the Marines have and are willing to commit in the name of their so-called "justice".
So while it's entirely plausible Daz might've fallen "out of love" with his dream simply because his life just... lead him down a different path, and he didn't seem to have the right personality for it anyways... Knowing the WG, isn't it also possible Daz could have become kind of... jaded, knowing the "real life heroes" of his world aren't that cool, and don't actually stand for the ideals he may have looked up to?
And then he finds himself working for a man who seemingly wants to overthrow that very same corrupt Government?
#Moon posting#OP Meta#Daz Bones#Sir Crocodile#I know I threw out a potential explanation to why Daz could've chosen to follow Crow#But the real answer is that the Daz x Crocodile shippers are RIGHT#IT'S THE ONLY LOGICAL EXPLANATION#Daz is A Fellow Simp and he is SO VALID for it. He is A Man of Good Taste#No for real though-- Daz maybe somehow seeing through Crocodile a little bit and finding a goal he would work in him is just#Oh it sparks joy#Kindred sprits etc
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March Reading and Reviews by Maia Kobabe
I post my reviews throughout the month on Storygraph and Goodreads, and do roundups here and on patreon. Reviews below the cut.
Delicious in Dungeon vol 4 by Ryoko Kui
I'm reading these books so fast I can barely remember which parts of the plot happened in which volume but know that I am still having a great time!
Delicious in Dungeon vol 5 by Ryoko Kui
Oh, this story has taken a darker turn, and also just introduced a whole bunch more characters. Will I be able to keep track of them all? I hope so!
Dragon Keeper by Robin Hobb, read by Anne Flosnik
Unfortunately, this is definitely the weakest Robin Hobb book I've read so far. I was expecting to like it less than the glorious, 5-star previous trilogy, but I actually think I'm going to skip the rest of the Rain Wild Chronicles and read summaries online to get to the next Fitz books. This book follows five main POV characters. This works fairly well for the first half, when the characters are all in different physical locations. However once all of the characters meet up, we start getting the same scene from multiple different POVs, which feels extremely repetitive. Also, almost EVERY SCENE includes a flashback, often a lengthy flashback, sometimes to something that happened only the previous day and could have been told as present-moment action. This writing choice baffled me. It's something I can't remember struggling with in any of Hobb's previous books, but by the end it was driving me up a wall. The book also moved very slowly; the stakes feel lower, and the character far less emotionally true than in the two Fitz trilogies. Disappointing, but I will keep moving forward towards the next part of the series I want to read.
Delicious in Dungeon vol 6 by Ryoko Kui
Damn, a lot of characters get murdered in this volume! Good thing almost everyone who dies in the dungeon can be revived. Also, very excited to finally meet the cat ninja I've been seeing fan art of since before I even started the series :3
Delicious in Dungeon vol 7 by Ryoko Kui
I am still completely caught up in this series. I love the glimpse of Senshi's past revealed in this volume, and the lore of the dungeon that is still being revealed. There was a line in here about how the dungeon leaves you alone if you don't ask much of it, but that if you have strong desires it throws even more obstacles into your way. Our heroes have such big goals right now, but they're marching ahead regardless!
School Trip by Jerry Craft
A satisfying new installment in the New Kid series from funny, talented, charming Jerry Craft! I appreciated how this volume started to complicate some of the students who had been left a bit one-dimensional in previous books. Several people stood up to and called out a bully; new friendships were built; and Jordan Banks left Paris even more inspired than ever to follow his dreams of becoming an artist. This series has a lot of jokes, but also a lot of heart!
A Frog in Fall (and Later On) by Linnea Sterte
Minor frog is less than a year old, and is dismayed when winter begins to steal all of the light and warmth from his world. Instead of bunking down safely with his mentor to wait for spring, he sets out on a journey with two vagabond toads passing by on a quest to make it all the way to the tropics. They tramp through the Japanese countryside, encountering tree spirits, new friends, dangers, and views the likes of which minor frog had never even imagined. This is a gorgeous book; every page worth pouring over, an economy of line and detail building a beautiful and mysterious world of talking animals and miniature packaged foods. Made me want to draw.
Dark Rise by CS Pacat read by Christian Coulson
In 1820s London, orphaned Will tries to earn enough as a dockworker to survive- and evade the killers pursuing him. Violet dresses in her half-brother's clothes and sneaks onto a ship in the Thames to watch a man be branded with his master's mark. Katherine excitedly anticipates her engagement to one of London's richest and most mysterious lords; his gallantry nearly makes up for the fact that he's twice her age. And in the bowels of one of that lord's ships, James tortures a man for information. All of these characters are 16 or 17 years old, but all of them are tangled in an ancient conflict between the Light and the Dark which stretches back into an age of magic before history. This is CS Pacat's YA fantasy debut, and it contains a lot of tropes very familiar to both YA and high fantasy- there are shades of both Tolkien and Rowling in this. Its fast-paced and action-packed, but especially in the first third of the story, the characters all felt fairly thin. None of them have quirks, hobbies, career hopes, relationships outside of immediate family, school, or work; or much more than a brief sketch of past. It took until the mid-way point for what I consider Pacat's major strengths as a writer to emerge: intense, homoerotic interpersonal sparring between characters operating under major power imbalances. Every scene in which the seductive, manipulative, powerful evil gay faced off against the good boy chosen one crackled with energy. Unfortunately, there were only four of these scenes in the whole book. It ends on a cliff-hanger, because of course it does, with a tempting set up for book two; but that doesn't entirely excuse the fact that the first 50% felt like set up. I will definitely keep reading, but long-time Pacat fans should take note that this is toned down version of what I expected based on Captive Prince.
Feeding Ghosts by Tessa Hulls (re-read before event)
What an accomplishment! I savored every page of Feeding Ghosts, absolutely floored by the labor and courage that went into the writing of this book. The inking is gorgeous, the history is clear, digestible, and devastating. This book threads the line between honesty and compassion in a way that I appreciate so much in any memoir, but especially one dealing with family. Hulls lays out the story of three generations of women starting with her grandmother, Sun Yi, a Shanghai journalist who faced intense persecution during the rise of Communism in China, who penned a popular and scandalous memoir and then suffered a mental breakdown. This left her only daughter, Rose, a student at an elite boarding school with no parental figures and no other family to lean on. Eventually Rose earned a scholarship to an American university and in the end moved her mother into her California home. Sun Yi haunted that home during the author's own childhood. The unexamined trauma and codependency of Sun Yi and Rose drove the author to the extreme edges of the Earth, seeking freedom from their ghosts. But in the end, she stopped running from her family history and turned, instead, to face it. Shelve this book with Maus, Fun Home, Persepolis and The Best We Could Do. Re-read it for a second time and got even more out of it on a second pass.
Delicious in Dungeon vol 8 by Ryoko Kui
Laios and company realize that their encounter with changling mushroom rings had more consequences than they'd realized- its the body swap episode! This visual humor is contrasted against increasing dangers from both above and below, as nastier monsters and political machinations begin to close in on our heroic adventuring party. I'm now over halfway through this series and almost feel like I should start reading it more slowly to savor it, but I'll probably just keep devouring it instead.
Lunar New Year Love Story by Gene Luen Yang and Leuyen Pham
High school senior Val grew up knowing her family was unlucky in love; for generations, relationships in her family have ended in heartbreak. Her childhood love of Valentines Day ends with a shocking family revelation and what feels like the beginning of a curse. Then her Vietnamese grandmother sweeps her off to a Lunar New Year celebration in downtown Oakland and a pair of cute lion dancer boys catch her eye. Could one of them break the spell on her heart? This story offers a classic and satisfying rom-com, with Val torn between an outgoing, rich, but flaky boy and a broody, shy, loyal one. The story takes several kdrama style twists and includes ghosts, saints, red envelopes, confessions, fights, reunions, tears, and kisses. For a comic, its wordy; the pages are dense with small panels and thick with dialogue, but also illustrated with such warm, humor, and realism. I really liked that the story included as much of Val's relationship with her family and best friend as romance. And the lion dancing scenes practically leap off the page with color and energy!
Witch Hat Atelier vol 10 by Kamome Shirahama
This series remains as visually stunning as ever but I'm struggling with how every single book expands the cast. There are so many characters now that I don't care about that much, and have trouble remembering from volume to volume. I wish the story line would stick more closely to Coco, her classmates, and their main mentors!
Delicious in Dungeon vol 9 by Ryoko Kui
Oh the stories are all converging! The savior at the bottom of the dungeon is probably a demon! Ituzumi saves the day! I am still having a great time reading this series.
A Dowry of Blood by ST Gibson read by Abby Craden
A short, very queer, very poly retelling of Dracula focusing on his coven of enthralled lovers. I liked the way the book breezed through history, as the dysfunctional little family moved from one major European city to the next, with snatched moments of glittering joy interwoven with violence and plague. The story is fairly simple, and has a happier ending than I expected, or honestly think the characters deserved.
City of Dragons by Robin Hobb
I DNFed the previous book in this series and just read a summary online before skipping ahead to this one. I think that was a very good choice for me. This third one was more engaging and a bit more action packed, with some cool discoveries about the city of Kelsingra and the nature of Elderlings. But the Rain Wild Chronicles as a whole do not stand up to the quality of the Farseer books. There are so many POV characters that a few of them get only two or three scenes in this whole book. I don't feel that I deeply know any of these characters; while at the same time watching Hobb pair them off at an extraordinary rate- in the last book five sets of characters got together and in this book an additional two couples are developing feelings for each other. Between this and a kidnapping, a birth, a murder, and a lot of blackmail, this series feels like a soap opera.
Delicious in Dungeon vol 10 by Ryoko Kui
Almost two TPKs in this volume, yikes!
Delicious in Dungeon vol 11 by Ryoko Kui
You know shit's getting serious when the character who has been the series main villain up until now is partially devoured by a different, worse villain. Exciting changes coming to this dungeon under it's new lord and master!
Squad by Maggie Tokuda-Hall and Lisa Sterle
When Becca gets invited to sit with the popular girl clique at her new high school, she's thrilled. But the friendship turns bloody and complicated when she learns that her new friends are actually werewolves who need to kill and feed on a human once a month. If she joins them, Becca will gain superhuman strength and a pack; she'll never have to fear a male predator again, because she will be a predator herself. I loved the queer rep and the twist on werewolf lore; I wish it had been a little longer and more developed. Give me multi-page transformations sequences!
Delicious in Dungeon vol 12 by Ryoko Kui
I love seeing all these plot lines come together! Building towards a wild climax.
Delicious in Dungeon vol 13 by Ryoko Kui
I went out and *bought* vol 13 of this series because my library didn't have it yet, that's how hooked I am. And now I have to wait until JULY for the final volume! (But also, thank goodness I didn't get into this series any sooner or I'd have a much longer wait).
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https://www.tumblr.com/sevensoulmates/747688986447953923/do-you-think-if-the-fan-response-is-positive
Not the anon who sent this but my only real concern for this is Tim mentioning in one of his interviews people needing to understand he can’t and doesn’t make decisions as if he’s in a vacuum. He has to make them with outside forces based on ratings views, the network. And if they had to pull hard to get what we’ve gotten so far with the network, and they see the omg we love Buck Tommy. Long live Buck Tommy responses, they might decide is it really worth it fighting the network for the rest of buddie when the fans seem ok to just get that instead.
I'm gonna be honest, I think they got the green light for buddie as soon as they made the deal to switch to ABC. Most everyone knows about buddie, like it or not, and I find it unlikely that buddie was not at least a minimal part of discussions when they switched to ABC.
Especially if it's true that this plot was originally considered for Eddie. If they've been having discussions about making both Buck and Eddie queer, then I think these discussions have been had long before the season started airing, long before ANYONE knew about Tommy coming back let alone being a love interest.
I'm so sorry but ABC would have to all be living under a rock if they don't know that MM pairings are popular and profitable. Yeah, they'd lose the homophobic audience, but they already gained so much more just by having Buck be bi. I find it hard to believe that they haven't already discussed buddie and decided that going there would gain them SO MUCH more clout and money. Imagine being the first TV show to not just make 1 Masc Male MC be canonically bi, but to make 2 come out. And not only that, but one of the first for a show of this length and background to make the pairing canon. If they thought the press and accolade and wave from bi Buck was a lot, it would be even bigger after that. At the end of the day, ABC wants money, and buddie is profitable. It is more profitable than Bucktommy. There's no way they aren't aware of this.
So, no. As much as we like Tommy, I don't think he stands a chance of being endgame (unless something unpredictable were to happen like say Oli or Ryan leave the show which I DO NOT I REPEAT I DO NOT BELIEVE WOULD HAPPEN). As much as it seems like to us a lot of people are "jumping ship", most of us actually just like them as a stepping stone to buddie. Or we're multi-shippers.
When Tim was talking about having to work around the network and actors, that seemed more to me about past seasons, and why buck/eddie being queer hasn't happened until now, and about the fact that so much of the story had to be switched around in this current season due to outside forces such as actors being unavailable, the network wanting the bachelor call earlier, etc.
But the concept of buddie and the approval for them going there I think has been a done deal for a while.
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At this point, I feel like Lukanette and Adrigami would have worked better as the endgame ships.
Luka's calm presence balances Marinette's anxiety. They're always working towards a common creative goal.
Adrien encourages Kagami to rebel and have fun like he did while Kagami encourages Adrien to be more assertive.
I think you'd probably hate Lukanette and Adrigami if they got as much focus as the love square. The little we saw of them really didn't paint them as meaningfully healthier.
Lukanette painted Luka as an overly indulgent and overly passive pushover who was written more like a mentor than a boyfriend. I was straight up uncomfortable with how fine he was with being a clear rebound. The scene where the kwamis sent him pictures of the Adrien posters in Marinette's room right before their date made me want to grab him by the shoulders and shout, "She is not ready to date you yet! Don't settle like this!"
He could clearly communicate the issues he eventually had with the obvious lying, so he's not a total pushover, but I think Marinette needs someone a little less chill and indulgent and Luka needs someone a little more self aware who is willing to push him a bit.
That's actually why I like Lukagami if I must pick a canon pairing for him. I could totally see Kagami blowing up at him for being so passive whereas Marinette would likely remain oblivious to the passivity. Something like that scene from Risk where Kagami blew up on Adrien:
Kagami: (angrily) Adrien, I saw you on TV this morning, and I know that you don't want to leave. Once again, you let your father decide for you! (harshly) How long are you going to remain his puppet, Adrien? Adrien: (shocked) But... my cousin is gonna talk to him, and- Kagami: (annoyed) This just keeps getting better. You're letting your COUSIN do things for you now? Who's pulling the strings of your life? Your cousin? Your father? Me, when we were together? It's never YOU! You're only good at doing what people tell you to do! Dare to cut your strings, Adrien! (stops and contemplates for a moment, then genuinely apologizes for her harsh manner) ...Forgive me if I hurt you. (hangs up sadly)
This sort of tough love seems like the kind of thing Luka would take to heart, but not be hurt by because he's so chill. On the other hand, I think it's a terrible match for Adrien as he's a pretty sensitive guy with a lot of self worth issues, which is why I don't like Adrigami. Their brief relationship was mostly Kagami steamrolling him and I don't see that changing any time soon. For all of Marinette's flaws, at the very least she never pushed Adrien to be something he wasn't and she does tend to be very gentle with people when she knows they're hurting, which is the kind of support Adrien probably needs. The tough love approach is a really terrible approach for most people. I mean, do you really think stuff like the above exchange would be positive for Adrien's mental health in the long run? At least Luka would communicate if Kagami's approach was hurting him. Adrien would just take it and say nothing like he always does.
Of course, this is all based on what the show did and I don't think a single relationship in the show comes across all that well. The best by far is Ivan and Mylène and even there we still got an episode where it's revealed that Ivan's planning to do nothing but be a house husband when discussing what to study in lycée which was certainly a choice the writers made for a 14-year-old boy and his 14-year-old girlfriend... I don't mind that they've talked about the idea, it is possible to end up happily married to someone you got together with at a young age, but maybe don't imply that your characters are planning to start popping out babies as soon as they turn 18 or even sooner? Because that's how that line comes across in the context when it's given.
In summary, I wouldn't call Lukanette or Adrigami a NOTP, I think there's probably versions of the ships I'd genuinely like (especially Lukanette*), I just don't see them as superior to the love square and I'm mainly in this fandom for the identity shenanigans. You don't get more identity shenanigans than the love square unless you completely rewrite the show's base concept, so I don't have any interest in looking at alternative pairings for Adrien or Martinette. Every pairing the show gave us needs work and, for all its flaws, I do think the love square works fine if you actually let them have character arcs. Their main issue is communication and that's about it. It's a similar issue to why Marinette tends to come across so poorly. She's the main character, so the bad writing effects her more than any other character. The love square is the main ship, so we get the most bad writing about it.
*I actually tried to read Lukanette stuff when I first came to the fandom because I liked his character, but everything I tried was using Lukanette to salt on Adrien and hard pass.
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Double Team!
diluc x f!reader x kaeya
A/N: dedicated to my love for them. not shipping kaeya x diluc in this btw. hope you enjoy ;)
Notes/warnings: non descriptive smut, separate smut with each
You are but a measly worker at Dawn Winery.
“Hey, you bitch, get over here and take this barrel upstairs,” some random higher up worker calls to you. Obliging you carry the barrel upstairs, however, it’s slightly blocking your vision and you take a wrong turn.
…
Placing down the barrel, you find yourself in an unfamiliar hallway. Looking around you decide to go back the direction you came from. Bending down to pick up the barrel you hear footsteps coming up behind you. You turn to see a man with beautiful blue hair cascading down his shoulder, as he speaks. “I wasn’t aware there was going to be a guest up here, Diluc?” Turning you spot another man. This one, Diluc, has fiery red hair falling elegantly down his back. He stares at you a moment too long before looking back to Kaeya who has a sly glint in his eye.
“Funnily enough, Kaeya, I wasn’t aware either. Who are you, miss?” He asks, looking you up and down.
“Oh, I’m so sorry, sir. I think I took a wrong turn, because I couldn’t see around this huge barrel and then-” Coming closer, Kaeya puts a thumb over your lips. Your rambling comes to a stop in a second and you’re left looking at him incredulously. He's staring at you. “W-what..”
“Can we keep her? She’s far cuter than you Diluc.”
“WHAT!”
“Kaeya, please sto-“
“Relax, both of you. I was merely joking.”
“I’m sorry, for my.. brother. Please, come have a drink, with me.” He offers placing a hand on your lower back, in attempts to guide you along with him. The offer to be alone with your boss, in his office...
“Sir… really it was no big deal, and plus I can’t just leave the wine barrel in the hallw-” You get cut off again.
“That’s why Kaeya will be doing that for us, right dear brother?” Diluc looks at him with a cocky grin, tempting him to refuse.
…
You. Diluc. Alone. In his office. Placing his grape juice glass down he asks, “So, clearly you work for my winery; are you new to the company? Apologies for not knowing. I used to hire people myself, but the company has really grown and I can’t seem to find time for it.” He says looking at you remorse in his expression.
You place down your glass, as well, and lean over denying his worries, “Oh, of course it’s nothing to apologize over, I’m sure your very busy. I doubt you would remember me, anyways, I’m but a measly low ranking worker.” Surprised at your insistence and the position you’ve placed yourself in, your upper body leaning against his wooden desk he stops for a second and stares at you. Eyes roaming your frame.
“I think you’re worth far more than you give yourself credit for.. oh, it seems I didn’t catch your name..?” Giving him your name he hums, and repeats it; the sounds rolling of his tongue smoothly. It sounded so beautiful from his mouth, his lips and tongue… You move to pick up your glass, but your hands are moist with sweat (is it getting hotter in here?) and the glass slips from your grip. You startle and the glass falls onto your lap and the liquid onto your shirt, making it sheer. Diluc raises, and pushes your chair back to sit in between your legs on the ground. His hands grabbing onto your thighs.
“Are you alright?” Face filled with worry he finds the glass hasn’t broken and you’re not hurt. Relaxing he picks it off your lap and places it onto the table.
“I’m fine Diluc, don’t wor-“ And you, never being able to catch a break, are cut off once again.
“No, no, come with me,” taking your hand he leads you to his private bedroom. It’s clean, doesn’t seem like he uses it much other than for sleeping. He leads you to his bed, prompting you to sit. “Remove your shirt, please.”
“W..what..”
“Ahm- you’ll need a change, because your shirt is ruined, I mean.” He rummages through a drawer before pulling out a shirt. “This should do, right?” Thanking him, you unbutton your shirt while he looks away. Then, the door slams open and in walks Kaeya.
“Finally, found you, guys. What have you two been…” His face lights up with surprise seeing your shirt halfway down your arms. Surprised you try and put it back on.
“Wow, did Diluc actually seduce someone?” Kaeya teases moving his way closer to you. “I really didn’t appreciate having to leave you and my brother alone-“
“You say that as though you are someone to be trusted alone with,” Diluc cuts Kaeya’s accusations off with his own.
“Well, if I was alone with her I would’ve made a move much faster than you, after all I’m not such a coward. In fact, watch this…”
…
You’re on Kaeya lap. Your shirt is laying somewhere on the floor. Kaeya’s fingers tease along your sides leaving a burning feeling where they touched your skin. After fighting off his outer accessories and clothes he’s left with only his pants. His hands travel along your skin and with a suspicious amount of precision he clicks and slides off your bra in one fluid motion. He continues roaming his hands across your torso, when he lifts your face to meet his. He kisses you slowly and as you begin to melt into the kiss he rubs a finger over your chest. When you let out a gasp, he slides his tongue into your mouth. His tongue explores your mouth and you can feel him smirking against your lips. Parting for air his mouth moves down to your neck leaving wet kisses and bruises in it’s wake, and his mouth lowers to your chest. His movements force a whimper out of your mouth. You begin to fumble with his belt before removing it completely.
…
He's got you laid against the bed. Hovering over you, “You sure this is okay, love?” At your conformation, he moves his fingers to your mouth, signaling for you to open it. His fingers are warm, and as you run your tongue along them and suck, he lets out a groan. His fingers, wet with your spit, move down…
…
Kaeya moves his hips at a fast pace, his head in your neck, muffling his moans of your name. You grip the sheets as his name tumbles out of your lips. The burning feeling comes closer with every one of his thrusts until.. “..k-kaeya.. I’m..”
…
Diluc shifts in his seat after watching the scene in front of him unfold. He’s already striped himself to his underwear and is noticeably erect. Kaeya kisses your hand and bides you a good time, leaving you with Diluc.
Climbing off the bed still wobbly you almost trip, but he shoots up to steady you. You push him back into his rooms desk chair, and climb onto his lap. You lean into him and begin kissing him a little sloppily. Grinding down onto him he lets out a whimper. Giving you access to his mouth, you slip in your tongue and feel around his mouth. He suddenly sucks on your tongue making you groan into the kiss. Detaching from his mouth you help him remove his underwear and get in between his legs, on the ground. Grabbing him in your hand your mouth lowers.
…
He's close. Diluc grips onto your hair like his life depends on it. Whimpers of your name fall from his lips like a prayer, as you move your mouth up and down his length. He comes undone into your mouth, and you swallow as best you can. Some dribbles out from the corner of your lips, and his finger moves to wipe it away.
…
You’ve gotten yourselves properly cleaned up with a bath and a fresh pair of Diluc’s sleeping clothes, and now you lay between both him and Kaeya on his bed. They hold you from each side as you alternate between who’s chest to squeeze your face into. You quickly drift off to sleep, comfortable and happy.
#genshin impact#kaeya x reader#diluc x reader#kaeya#diluc#genshin x reader#genshin smut#smut#fanfic#kaeya x y/n#diluc x y/n#kaeya x fem!reader#diluc x fem!reader#kaeya x reader x diluc#kaeya x reader smut#diluc x reader smut#genshin impact x reader
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Hello 👋 How are you? I love reading your posts, thanks so much for sharing them! Can I ask random things?
So, I just read a posts about how some male anime/manga characters that are loved will be hated if they were female. And it got me thinking. What do you think will happen if Gojo or Sukuna were female characters (with the same power and same personality), will they be hated? For me, yes they will be hated. But, the same can't be said for Yuuji. Like, for me, even if Yuuji's character were female, somehow, I think will be loved... But what do you think?
Hm, for Yuuji I don't think he would loved all that much. Well maybe in the sense that he's used even more as a shipping self-insert with any male jjk character that's considered hot. People already genderbend him a lot for that, so that would be very common together with the submissive wallflower sunshine boy/girl personality people like to give him. More people would call his and Megumi's relationship a romance then though, assuming Megumi remains a guy.
Aside from that, powerscalers and typical reddit fans would hate him. Like they already did until shortly before the end of the series when he got two new CTs, could heal and use BF and his domain. Before that "all he does is punch" was very common and dismissed him quite often, said he's irrelevant in his own story because Gojo or Yuuta are stronger than him. Count misogyny into that and she would be widely thought of as a loser and as useless as Sakura (no shade at Sakura, she's used commonly used as a punching bag). Not even the power-up would help much there, I think, he would just be called a Mary Sue or that it's out of nowhere. Basically what they already like to say about Maki.
Sukuna would definitely be hated. Just like Yuuji later on, he's a Mary Sue. "Fraudkuna" would already be prominent way before the fight against Gojo. Sukuna using an extremely powerful shikigami she defeated herself in a fight? That's cheating, can't even use her own technique, could only win by fraudulent behaviour 😤 "Save me, daddy Mahoraga" would be even more of a meme. And assuming Sukuna's OG form remains the same, more people would call her ugly and she wouldn't have as many people thirsting over her. Or maybe only if she's in Yuuji or Megumi's body. Maybe.
For Gojo, I'm not sure Gojo would be quite the same person if turned into a female character. She would have a much harder time staying ahead of the higher ups and leading her clan I think. From what we know, the Gojo aren't super feminist either and they still place a lot of worth on bloodlines. So there would be more pressure on Gojo to reproduce and give them strong offspring and also probably more of an effort to control her actions. Power is all well and good, but Gojo also doesn't want to rock the boat too much and stays pretty civil towards the higher-ups for the majority of the story, so I think they would take more advantage of that. The Zenin and Kamo would also show far less respect. At the very least, fem!Gojo would have to work much harder to get the recognition he has in canon.
As for the fandom reaction, I think Gojo would still be beloved, but by different people. Like, Gojo would still be insanely pretty and create a lot of shipping fuel and stans merely through that. Think like Robin from OP or Erza in Fairy Tail. So still popular and beloved, but by slightly different people.
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