#and this makes no sense so I’m sorry

[peachdues]

I’ll probably delete this later, because I genuinely not trying to start anything. I just want to drop a gentle reminder that authors put a lot of time and effort into their works — from plot, to dialogue, to themes, it takes a lot of brain power and planning and dedication to create and put your work out into the ethos.

I have more to say on this but tbh it’s all based on a series of anons and comments I’ve received over the last few weeks, and I’m not going to subject you all to my whining. But please remember to be patient — whether it’s for waiting for the next installment or getting confirmation whether certain things will/wont happen — the wait is half the experience. I know instant gratification is the norm, but it’s really disheartening to see people write off your hard work before it’s even out because they’re convinced something is going to happen one way or another.

In other words, please recognize the time and effort it takes creators to put out content.

[chloesimaginationthings]

William Afton has top tier FNAF parenting skills

[cowardlykrow]

“Not my circus, not my monkeys”… Except those are his monkeys and they are the circus

[twinstxrs]

idk if this is accurate but i’ve felt like in previous seasons riz & gorgug have been one of the inter-bad kids dynamics we’ve seen the least of & this season has been so great in that aspect. gorgug having helped make some of riz’s magic gear. riz helping gorgug with his studies. the shared birthday party. gorgug’s gift to riz being something he himself made to protect riz. riz’s gift to gorgug being something he illegally grabbed to protect gorgug. gorgug who utilizes rage to put his body on the line for his friends & riz who will take deep levels of mental stress for his friends. even though it was within the context of a joke, riz calling gorgug an “absolute sweetie.” like yea they might not be in a band together or both part of a presidential campaign team or owlbears teammates, but they’d go to war for each other, because they’re best friends.

[whatsjulietslastname]

HEY GUYS REMEMBER WHEN CHLOE WANTED MAX TO BE THE LAST THING SHE EVER SAW BEFORE DYING. BTW GUYS. REMEMBER WHEN CHLOE SAID “i’m never leaving you” AND “that’s okay we will, forever” AND “Max, i’ll always be with you”. GUYS GUYS GUYS HOLD ON REMEMBER WHEN CHLOE SPENT YEARS TALKING TO MAX IN HER DIARY BECAUSE SHE COULDN’T LET HER GO GUYS. AND WHEN SHE TOOK MAX BACK IN A HEARTBEAT BECAUSE SHE MISSED HER TOO MUCH. OH AND BTW REMEMBER HOW THEY WERE CHILDHOOD BEST FRIENDS AND GREW UP TOGETHER AND FELL IN LOVE AND ARE NOT LINKED ONLY BY A ‘trauma bond’. DO WE REMEMBER THAT. COLLECTIVELY.

[lanadelreyscokewhor3]

“so i left my man in the middle of the highway, won’t be seen with him cause that’s embarrassing- he can be such a bitch and it makes me sick…”

[constarlations]

Pokémon Timeskip Series: Battle Legend Lyra 🍒🍂

One of the two Johto-Kanto champions, Lyra is best known for her bright and cheery down to earth attitude both on and off the battle field! She likes to travel ALOT you can find her in coffee shops in Kalos or surfing the waves in Alola or just about anywhere with her Fiancé, Silver by her side and never turns down a challenge to a good battle (even if she accidentally sweeps the other person’s team whoops) Her favorite drink is boba tea, her birthday is March 4th, she has a crippling gatcha AND otome addiction, and is 165 cm tall but that’s all for text no one is gonna read aaaaaa-

Drew out my timeskip Lyra due to me wanting to update a few things in regards to her design (can’t believe it’s been almost two years since my timeskip designs HELP) but I hope you enjoy!

Twitter Link

[themirepirate]

was reading Sherlock holmes and this popped into my head

[a-little-unsteddie]

cw: child abuse mentioned, child neglect

Steve, who was never allowed to play in the snow as a child because it was ‘too messy’. Steve, who stared longingly outside as he watched other kids play in the snow. Steve, wanting to build a snowman, or an igloo, or have a snowball fight, but was denied each and every time by his parents. “It’s uncouth, Steven.” “It’s dirty, Steven.” “You’ll just whine that you’re cold, Steven.” “No.” “No.” “No.” Until he stopped asking altogether, even as he stared out his bedroom window at the other kids playing. Steve who loves the snow but was never allowed to play. The one time he snuck out, he was brought inside being dragged by his ear and spanked until he cried.

And then some for crying at all.

Steve goes shopping with his mom and sees a snow globe and all but cries for her to get it for him. If he can’t have the snow outside, he wants to have a snow globe to have it inside. She lets him get it, but not without commenting ‘at least it’s not going outside’.

Thus starts a collection, of sorts. Whenever he sees a new snow globe, he makes his mom buy him it and because he never asks to go outside to play in the snow if she buys one, she keeps buying them for him.

He has around 10 or 15 snow globes by the time he’s a teenager and left alone more than he isn’t. He still doesn’t go out to play in the snow, even if he silently yearns to, because now he’s ‘too old’ to play out in the snow. Tommy doesn’t like being cold, so he never goes out, and Carol won’t do something if Tommy’s not there, so Steve doesn’t bother asking her to go outside.

Steve becomes friends with Dustin and the rest of the party, and he still doesn’t let himself play with them, even when Dustin begs him to. He passes on the same excuses to him as his mom told him, and the words feel like ash in his mouth, but he doesn’t just play in the snow like he’s aching to. It’s too cold, he’ll be wet and miserable later, he doesn’t want to get water all over the house.

Mostly, they’re excuses because he’s kind of worried he doesn’t know how to play in the snow. That somehow he’ll be bad at it.

Eventually, when he and Robin become friends and their first winter together happens, he tells her this secret fear. It’s right after the kids go out to play, and it’s just them, and he whispers to her.

“I don’t think I’ll be any good at it.”

Robin is confused, of course, because how can you be ‘bad’ at playing in the snow? He elaborates to her that he’s never played and she’s less confused but more angry at his parents, which he thinks is an over reaction and she insists he’s having an under reaction, whatever that means, and the moment passes. Steve is relieved to have revealed that much to her. He still doesn’t go outside, and Robin gets cold easily, so she doesn’t want to go outside, so they stay inside together.

He still collects snow globes, when he sees them. He buys one in front of the kids and brushes it off as a white elephant gift for a family thing, but displays it in the unused guest bedroom with the rest of the snow globes. It’s on the other side of the house from where every other guest bed is, so usually no one takes it, and so he knows his collection is safe.

Even if he keeps it secret, and plans to keep it secret forever, until the following winter, after the spring break from hell and after the grueling summer and cool fall brings the snow again and Eddie Munson is a menace in his life. He’s by far the most energetic person that he’s ever been friends with, all touches and open affection, it’s almost too easy to fall for him.

Eddie is nosy as hell and of course it’s him that finds the collection of snow globes.

“What’s this?” Eddie’s voice echoes from down the hall and it takes Steve a few seconds to process where his voice is coming from before he’s rushing down the hall and into the unused guest room.

Along the left wall, there’s a shelf that stretches from wall-to-wall filled with snow globes.

Embarrassment shoots through him, and he shrugs. “…snow globes.” he explains badly, wincing when Eddie turns towards him with an unimpressed look. It quickly morphs into concern because for some reason, Steve’s started tearing up and once the tears start they don’t stop.

“Hey, it’s okay, I’m sorry,” Eddie soothes, wrapping his arms around him tightly. “You don’t have to explain if you don’t want to, sweet thing.”

And the thing is, Steve does want to explain. Suddenly overcome with the urge to spill everything, in fact. So he does. He tells Eddie about his mom and dad refusing to let him play in the snow, the one time he got caught and got spanked for it, the snow globes, the fear of being bad at playing in the snow, still desperately wanting to despite it.

Through it all, Eddie holds him and listens. He hums occasionally to acknowledge what Steve is saying, but never interrupts him, for which Steve is glad because he doesn’t know if he’d be able to continue if he was stopped for any reason.

At the end of it, when Steve’s tears have dried, and they’re curled up in a pile of blankets on the couch, Eddie vows to teach him out to play in the snow. How to make a snow angel, a snowman, an igloo, a snowball — everything. He whispers these promises and plans into his ear, their hands intertwined where they lay on Steve’s lap.

And he follows through. With everything.

And the next time the kids beg him to play, he plays his part and says no, because he’s still anxious he’s going to do it wrong, Eddie throws a snowball at his back while he’s busy arguing with Dustin. And silence falls over everyone, waiting for Steve’s next move. Because he’s never given in, and no one’s ever pushed their luck like that.

Steve turns towards Eddie, narrowing his eyes at him.

“Oh, it’s on, Munson.”

The kids cheer and then it’s chaos of snowballs being lobbed at one another.

Later, when everyone is warming up with hot cocoa, and Steve is curled into Eddie’s side with a blanket tossed over their laps, Steve knows he’s never been happier to have met Eddie, who taught him how to play in the snow.

“Thank you,” Steve whispers to Eddie, who hums curiously, lazily looking at him from the corner of his eye. “For teaching me how to play in the snow.”

“Always, Stevie. I’ll always help you.”

And it sounds like a promise.

[royaltea000]

this was actually for @doomspiral ‘s mini ruspru week but I’m. very.. slow… o)-(

[doctorsiren]

Horrifying images created tonight during WILD conversations in the server 😨

If I had to make them, then you all have to see them 😁🫶

[spidercoris]

i love the semi-canon idea of aiden giving ash his clothes (or her just taking them, who knows?). like in the first two photos it looks like the same sweater (plus ashlyn never wears red as far as i know) but we can’t be too sure cause maybe it’s just a regular sweatshirt. then again it also looks a little baggy on her? idk. but it’s SO OBVIOUS in the second photo cause there’s literally a smiley face on it PLUS it’s red so it has to be aiden’s. it looks like they’re in a store?? either ashlyn just has a bunch of stolen hoodies from him or she got cold in the store and he offered it to her. ITS STILL CUTE EITHER WAY THOUGH. someone needs to write a fic on this entire interaction or i will. plus do you see how she’s clutching that plushy? in my mind it reminds her of aiden justttt a bit :3 BONUS LOGAN AND ASHLYN SIBLINGS CONTENT!!!!!

[omentu5]

[apostaterevolutionary]

I am so sorry, apparently it’s 2024 and I’m arguing about dragon age again lmao. How did I get here! Why is this happening!! Time is a flat circle!!!

Anyway. People can feel how they want about the past games not mattering in this game. If you’re cool with it, I’m happy for you. But there’s one particular argument in defence of this choice that is really, really bothering me and I have to rant

The thing I keep seeing is “well all this other stuff has nothing to do with the main plot or Rook, so it should be cut” and that’s. Not a good way to tell stories in my opinion. Because here’s the thing: it’s not about the Big Overall Plot. It’s about the characters that live in this world, big and small

I’m going to use the example of Varric and Hawke cause I think it’s the easiest to explain quickly. Varric is a storyteller. That’s the defining trait of his character. He tells stories, and sometimes they’re true and sometimes they’re not and sometimes it’s something in between. In DA2 he tells you about his brother. In inquisition, he talks about hawke and there’s banter about several of the companions. Most of these are just little one liners that don’t “serve the overall plot” but they serve Varric’s character

And that matters

So if we take this character known for telling stories about people that have been in his life, well, he largely can’t do that now. How can he talk about Hawke, someone who can be a very close friend of his, without even their gender being a choice you can select? Or whether Varric should be saying ‘is’ or ‘was’ about them? How can he talk about the companions in DA2 or inquisition when a lot of them don’t have to be recruited or can die? Will he limit himself to only characters that are guaranteed to be a part of it and alive? Or is it that he and Rook will have such a shallow relationship that Varric, of all characters, never talks about his life and past exploits?

Or has Varric as a character changed so much that he doesn’t even want to tell stories anymore? That Hawke living or dying means nothing to him? That the friendships he built with people in 2 games mean nothing to him? That he’s become literally unrecognizable?

This is where the problem is. Sure, Rook maybe doesn’t care about these people they’ve never met. But do they care about Varric? What about if a companion mentions an old friend of theirs, talks about an experience they had that made them who they are - is that only okay if that experience isn’t from a previous game? Or are all the characters so flat that we never learn anything about their connections to others outside of Rook? Is this story SO focused on this player character and this plot that NOTHING else matters, even within the world, and there’s no depth to be found in any of the characters that feature in it?

Writing characters so that they only ever talk about things that “directly serve the plot” is how you get flat, unremarkable, boring, forgettable characters. And that’s not something I would have accused bioware of doing even if some instalments are stronger in this area than others. But it sounds like that’s what they’re doing here, at least with the past characters. Cause sure, maybe Morrigan is so closed off she’ll never mention her son and partner. That’s believable, even if iffy given that they’ve said she’s going to be more involved than we think. But Varric? VARRIC??? Never mentioning ANY of the people he used to spend time with and care about except Solas and maybe some of the inquisition characters that can’t die or not be recruited but also carefully skirting around what happened to them in the game? That’s literally not the same character

And I would expand this to like. A letter mentioning this or a codex mentioning that, or ambient dialogue about so and so - that makes the world feel deep and those random, unimportant NPCs feel richer by connecting them to the larger world. It’s not about “serving the plot”, it’s about making your world and characters deep enough that they feel real, lived in, and like something we can actually care about

[zorosdimples]

love with zoro is intentional.

it doesn’t come easily. he’s as unyielding as his swords—steadfast and true. hard lines and sharp edges, he’s deadly when wielded properly. but he’s his own master; he doesn’t allow the winds of change to guide him. only of his own volition does he act.

blades hold secrets. they’ve seen and done things that make grown men pale and queasy. they’re accustomed to harsh conditions, to injuries, to biting words, to carelessness. it’s a delicate balance, maintaining the deadliness and the beauty of a weapon.

but it’s not impossible.

getting to know zoro takes patience and tenderness. prying into the life of a man who has only ever known loneliness and death is difficult. he’s slow to trust and even slower to speak his mind. he has a sharp tongue (so do you), and you each end up with a nick here and a scratch there—nothing that will scar.

you both have to be forthright with your feelings and understand that vulnerability isn’t weakness. connection is human. every sword needs a scabbard, every scabbard a sword; perhaps, then, zoro needs you. and you need him.

as a man obsessed with discipline, the messiness of love terrifies zoro. but when he looks at you—the soft curl of your smile, the curious glint of your eyes—he knows that it must be worth it. and it will be—

as long as you’re willing to meet him halfway.

[crybaby-bkg]

Bakugou asks you to join him during one of his photoshoots for a pro hero campaign. he doesn’t understand the point of it, nor why he has to only be in his underwear, but he doesn’t mind it much when he gets to look over to your shy little face.

you’re propped up in a corner on an old couch, laptop perched in your lap, its glare bright despite the way you never really look at it. you’re supposed to be catching up on some work, but you’ve been distracted by the glorious sight that is the love of your life.

when he looks at you, do you duck down, eyes suddenly focused on your screen again. it only makes him smile a little, step away from the assistant of the photographer who comes up to him, calls out your name.

“Huh?” your head whips up with a quickness neither of you expect, goes to show just how invested you really were with your work. but Bakugou only grins at you now, jerking his chin over to you as he grabs the bottle of oil the assistant was trying to pour over him.

“C’mere and gimme a hand, won’t ya?” he asks you, boyish smile gracing his face as he tilts his head at you. immediately, your face warms as you put together the request that’s suddenly dropped in your lap. everyone in the studio looks at you, with both envious and excited gazes, and it only makes you shrink in on yourself.

“I hate you.” you mutter under your breath when you finally rise up from your place on the couch, which he somehow hears. but Bakugou only laughs at you, grabs you by the waist when you’re close enough to kiss you breathless in front of everybody, before he’s handing off the oil to you.

“Such an attention whore,” you whisper when you’re close, the air between the two of you thick. everyone tries to look away, give you guys a bit of privacy, but it’s hard when such a soft and amused look passes over the usually rough and hardened hero’s face.

“Only for your attention.” he grunts back to you, holding his arms out for you to start dripping the oil down his skin. it’s a sensual gesture, the softness between you two sliding into something more, something that you only ever reserve for the bedroom.

you tip the bottle over his shoulders until it drips down his chest, massaging it all in with your hands in crude, circular motions. you can see the way he bites his lip, ignore the way he looks at you down the bridge of his nose lest you two create a scene not meant for the public eye. you gather more oil, warm it between your palms, kneeling in front of him to help massage it into the defined muscles of his stomach.

you ignore the twitch in front of you, swallowing thickly, glancing up to Bakugou who hasn’t taken his eyes off of you yet. you mouth at him to behave, but he only grins, something feral.

“We only need it above the waistband.” the photographer suddenly calls out, snapping you back to attention. you stand on shaky knees, nodding with your eyes casted low, ashamed, that your freak of a man had you doing something so…so—

“Go wait in my dressing room, yeah?” Bakugou asks you, pulling you in close to peck at the corner of your mouth. “Gonna wrap this shit up.” he promises you, and you can only nod silently, mind going a mile a minute. but before you go, you remember to grab the oil. just in case.