#and they do a whole special episode about it

[bewires]

riverdale is just. so bad at historical anything. why did they set this season of the show in the 50s. why.

[atoriv-art]

older designs for my specialest guy

[shortcakelils]

Commissions are open 👇

[essektheylyss]

One thing that I feel is really interesting and often forgotten about Essek is that fundamentally, his characterization has been from the start based upon his desperation for external perspectives and connection, which, along with much of his narrative and mechanical positioning, means that he actually has an extraordinary and almost (but not actually, as I'll show) counterintuitive capacity for both growth and trust.

(Buckle in. This is a long one.)

In particular, I would argue, knowing now that many places where the plot touches Ludinus have long been marked for connecting back into the current plot, that he was quite possibly built as a prime candidate for radicalization by the Ruby Vanguard. He felt isolated from his culture, he was desperate for other connection, and he was certainly of the type to believe he was too smart to be drawn into such a thing, given his initial belief that he could control the situation and the fallout. If things had gone any other way, he easily could've been on the other side by now.

As such, he has been hallmarked by being fairly open to suggestion, perhaps for this reason, but the thing about that kind of trait is that it is both how people are radicalized and deradicalized. This is certainly true of Essek, who experienced genuine kindness and quite frankly strangeness from the Nein and was able to move from the isolation the Assembly had engendered to meaningful and genuine connection, largely propelled by his own internal reflection. By the time Nein are aware of his crimes, he's already begun to express regret to an extent and, furthermore, doubt in the Assembly, including explicitly drawing a line against Ludinus, even in a position where he was on his own and probably quite vulnerable.

Similarly, when the Nein reach the Vurmas Outpost some weeks later, he has moved from regret for the position he's ended up carrying a heavy remorse. This makes sense! He's fairly introspective, seems used to spending a lot of time in his own head, and was left with plenty to mull over. It's not some kind of retcon for him to have progressed well past where the Nein left him; it just means he's an active participant in the world who has done his own work in the meantime.

This is another interesting aspect to him. I've talked about this a bit before but I cannot find the post so I'll recap here: antagonists in D&D have significantly more agency than allied NPCs. Antagonists are active forces, against which the party is meant to struggle; allies are meant to support the PCs, which means they tend to be more passive in both their actions and their character growth. Essek was both built as an antagonist, in a position that gives him significant agency, and also was then given significant opportunity to grow specifically to act as a narrative mirror for Caleb's arc. Even when he becomes a more traditional D&D ally, he still retains much of that, though he occupies a supporting role.

I believe that this is especially true because of the nature of Caleb's arc, which I've already written on; the tl;dr of this post is that Caleb is both convinced that he is permanently ruined and also desperate to prove that change is possible. Essek is that proof, because he is simply the character in a position to do so. But this also means that his propensity for introspection and openness is accentuated! He has to do the legwork on his own, for the most part, because that's where he is in the meantime.

But he still ends the campaign necessarily constricted; he is under significant scrutiny, he's at risk from the Assembly, and he goes on the run fairly soon after the story ends. He spends most of the final arc anxious and paranoid, which is valid given the crushing reality of his situation. It would be very easy to extrapolate that seven years into this reality, he would be insular, closed off, and suspicious of strangers, even in spite of the lessons he's learned from the Nein and their long term exposure.

So seeing his openness and lightness now is surprising, but at the same time, given this combination of factors in his position in the narrative over time and his defining traits, it's not by any means unreasonable.

But one thing that I found so delightful is how much trust he exhibits, which is obviously a wild thing to say about Essek in particular, given much of what he learns is both earning and offering trust, which was something he says explicitly in 2x124 that he's never really experienced: "I've never really been trusted and so I did not trust." It makes up much of the progression of his relationship with Caleb, and the trust that he is offered by the Nein in walking off the ship is the impetus he needs to grow.

But I think it's easy to talk about trust when it comes to people who have proven themselves to you or to whom you've ingratiated yourself, and that's really the most we can say about Essek by the time he leaves the Blooming Grove. There is this sense in a lot of discussion of trust (not solely in this fandom) that it is only related to either naivete or love, but there's far more to it. Trust at its best is deliberate—cultivating an openness to the world at large is a great way to combat cynicism and beget connection instead. It allows a person to maintain curiosity and be open to experience, but it can be incredibly difficult to hold onto.

It is clear that the Essek we meet now is a very pointedly and intentionally trusting individual. He trusts Caleb and by extension Caleb's trust in Keyleth, as he shows up and picks up a group of strangers from a foreign military encampment and walks in without issue. He trusts the Hells to follow his lead moving through Zadash and to exhibit enough discretion so as to avoid bringing suspicion upon all of them. He trusts that Astrid will respond well to his entrance, but he also trusts himself and the Hells enough to execute a back-up plan in the case that she doesn't. In the end, he even trusts them enough to give them his name and identity.

He doesn't scan as someone who has spent half a dozen years living like a prey animal, afraid of any shadow he runs across in an alley, withdrawn into himself and an insular family, which would've been an easy route for him to take. He scans as someone who has learned the kind of trust borne of learned confidence and a trained eye for good will and kindness, which are crucial weapons one would need for staving off cynicism in his circumstances—as if he has survived thanks more to connection and kindness than paranoia and isolation. (If we want to be saccharine about it, he scans quite poignantly as a member of the Mighty Nein.)

So it is easy to imagine this trust and openness as a natural progression of his initial search for perspectives external to his own cultural knowledge. Though he makes those first connections with the Assembly to try to vindicate his personal hypotheses, he finds in them exposure to the deepest corruption among Exandrian mortals, which could've—and did, for a time—turned him further down that same dark path.

But it's also this same openness to exposure from the wider world that allows the Nein to influence him for the better, and in spite of the challenges he's certainly faced simply surviving over the past seven years, he seems to have held onto this openness enough to move through the world with self-assurance and a willingness to extend the kinds of trust and good will that he has been shown.

(I would be remiss not to mention that I was reminded about my thoughts on this by this lovely post from sky-scribbles and their use in the tags of 'light' to describe Essek's demeanor this episode, which is really such an apt word for it.)

[ratatatastic]

https://youtu.be/RbgDHyeQNdE?si=WXnghZZuAyvgumVL

Keith saying him and Matthews fiancé do the cooking for him and he just sits there and heckles them. So on brand.

"And how about your barbecuing skills? It looked like you knew what you were doing behind that grill!" "Well, Matthew is pretty useless so! Unlike Brady—Brady can, you know, does things on his own but Matthew likes when I'm down there so I do cook and his fiancée, Ellie, does a great job so. He just sits back and critiques us but forgets that we're the ones doing all the work for him. Which��hey! It was playoffs! I'll do anything for my children."

NHL Tonight: First Shift | 10.16.24 (x)

unfortunately tracks for him and im still crying into my hands its always the one who cant cook for shit thats the mouthiest about it

and considering this clip from faceoff it really does track

[geisterzeit-art]

Who else up losing their minds about this “reunion”

[poorly-drawn-mdzs]

Counterspell

[First] Prev <--> Next

[cybertron-smash-or-pass]

Beast Wars Rampage

[nexus-nebulae]

every day i wish that Rats SMP was a cartoon bc it would make the greatest show ever i think

[3gremlins]

i just love that a show as big as doctor who came out with its whole chest and said FUCK YOU TERFS YOU ACTIVELY MAKE LIFE DANGEROUS FOR TRANS PEOPLE AND YOU HAVE NO PLACE HERE

like tysm, russell t davies <3

(also finally justice for donna)

[bumblingbabooshka]

This is literally one of my favorite moments for both Harry Kim and B’Elanna characterization. I think a lot of people forget how soft hearted and altruistic B’Elanna specifically can be while Harry, of course a friendly and sweet individual, devotes himself most often to the mission, his friends and Starfleet’s ideals. Harry’s been shown to be much more down-to-earth and less fantastical in his thinking than either Tom or B’Elanna. The only time he gets in major trouble with Janeway and breaks protocol is because he wants to be with a woman. This is distinctly different to me than Tom’s (attempting to save an alien world) and B’Elanna’s (giving a robot race the ability to reproduce) transgressions. His other biggest infraction is begin a mutiny which he does in order to save Janeway & Chakotay. He doesn’t get in trouble for this which is why I put it last but again it seems different from Tom or B’Elanna to me because it’s For The Ship it’s For The Captain it’s a crime which displays his loyalty to Janeway instead of one which demonstrates him going against her ideologically (as shown by the lack of punishment). In that way I think B’Elanna and Harry balance each other well. B’Elanna is a person who seems very nervous and defensive when in conversation with others, who thinks of herself as a person who is ‘bad’ and doesn’t believe in herself much. Meanwhile Harry seems to be at ease with most anyone he speaks to, attempting to befriend even Seven of Nine right away. He’s confident in himself and his abilities and out of everyone (yes even Tom who seems most often to just become frustrated) would be the one to push B’Elanna and break through her defenses. That’s to say it makes perfect sense that B’Elanna would be absolutely enamored by this person who views her as inspiring, would be struck by that while Harry views it as just a weird question. 

[suffarustuffaru]

Reading your tags about how people miss the very obvious "there's some fucked up shit boiling underneath" regarding Otto, just gave me a sudden realization. Otto is the only character I know in fiction where they act all innocent and drive up the "clumsy", "just in the side-lines" and "straight-man (heh)" persona. When. Like no one's in the EMT camp is buying it. They know he's way more capable than he let's on. Meanwhile, the tomfoolery is completely brought on by the Western audience.

Like Otto is failing miserably to make other characters believe that he's not up to mischief, Roswaal even thinks it can bring his downfall. But the audience, who even sometimes *sees* his fucked up thought process, is buying it.

*head in hands*

no u bring up so many good points bc ive been really thinking about this for a while T^T its such an interesting phenomenon in the difference in perception otto has between the japanese speaking half of the fandom vs the english speaking half which can be explained by—yeah. media illiteracy mainly. im also putting my head in my hands anon T^T

because—okay sorry wkdndn im gonna get into meta again but hear me out bc this pattern of the fandom underestimating otto is interesting bc i kind of sort of i cracked the code maybe??? o.o i think the nature of otto is a character is that youre SUPPOSED to underestimate him at first, just like what happens sometimes in universe. i mean wayyy back then i definitely wasnt expecting him to get more depth added to him in arc 4–which was a pleasant surprise—which is also the reaction the vast majority of people have to reading/watching arc 4, along with the other vast majority reaction which is being a bit endeared to ottosubas friendship and respecting otto for being a good friend. and then its easy to underestimate otto bc of 1. all the chaos going on in rezero at any given moment and 2. hes almost always overshadowed by other characters doing worse shit or being more insane than he is and 3. otto of course damn well knows hes easy to underestimate and counts on that. thats what he did against roswaal in arc 4. plus—i mean even aesthetics-wise hes 100% DESIGNED to be easy to underestimate. his outfit and physical features make him look either friendly or frazzled or soft. so i think that the point is that we were supposed to be kind of fooled—at first.

because yeah, we’re endeared to otto. we respect him for helping subaru the way he did. we think that hes a nice person and we now support his actions especially after feeling sympathetic towards him after learning his backstory. (or at least the average audience member will think this wjdndn.) but like—you dont even NEED to look at any side content at all for it to dawn on you that theres something Wrong. with him. like all you need is main route arcs 3-8 aka ottos entire screentime thus far, because at arc 4 its so easy to overlook otto unless youre thinking a bit deeper (for example—he gets violent with subaru. like yeah its entertaining, its played for laughs a bit, yeah subaru needed to be snapped out of his own head, but was it 100% necessary??? why did otto have this response??? bc if you just look at the main timeline otto really decided to beat up subaru first. and bc this tendency is now Less Funny in arc 8).

but even if youre just looking at rezero face value, when you get to arc 5 its starting to get even more clear that ottos weird in the head. like we already saw him being very good at scheming and planning in arc 4–in arc 5, we find out about otto hiding the tome for a year. we find out WHY hes been hiding the tome for a year. the tome then leads the witch cult into priestella, so like—in the sense, otto is RESPONSIBLE for arc 5. but theres STILL a tendency sometimes for the audience to continue underestimating him even though by this point we’re getting more clues and many characters around otto, like you said anon, KNOW hes very capable. i keep wondering why this is, but arc 5 is, again, FULL of chaos and different storylines happening at once, so its so easy to almost kind of forget otto there in the background until he occasionally pops up again. plus otto serves an additional role as comedic relief sometimes—he spends all of arc 5 being bitchy and whiny (i say this affectionately HAH) about his camp being full of disasters, for example, so i think the natural response from the audience tends to be “aw otto!! what a silly guy!!” sometimes. you know? so its like. i think at this point some people tend to be like “yeah fair that otto was wary of roswaal and thats why he saved the tome…. anyway ooooh whats going on with these other plot points” wobsbss. its so fascinating bc—ok this might be my own personal experience but anyone reading this pls tell me if you agree or not—i dont think ive seen a lot of people actually even MENTION otto bringing the tome into priestella attracting witch cultists. and the english speaking fandom LOVES to go into certain characters’ wrongdoings so why gloss over otto????

the only explanation i have for this is that from arcs 3-4 underestimating otto is. kind of the point of his character UNTIL you get to arc 5 and the clues in the main story start seeping in even more. and also the western audience DOES have media illiteracy a lot. theres that too. just look at rezero content on youtube or reddit or fanfic sites or other things of that sort T^T but no yeah i think ottos nature as a character exacerbates it. youre supposed to start asking questions about him. youre supposed to start connecting the dots and then SUDDENLY its now EXTREMELY obvious in arc 7-8 and even while theres so much chaos going on its basically shoved in your face. arc 7-8 is just delivering on all the leadup that was arcs 3-5.

and i think that youve gotta be media illiterate for sure to NOT get that otto is not squeaky clean and innocent BY ARC 8. i think that ottos the deconstruction of the loyal best friend trope, and also a mirror into what subaru couldve been like if he decided to be more ruthless instead of jumping right to forgiveness and saving everyone, except sometimes that flies right over the audience’s head wkdndnd. it confuses me bc ive seen some people completely miss the point or completely agree with otto and overlook the Bad Parts of it or, you know, STILL think ottos perfectly sane—like T^T please.

and yeah so back to what you said about otto Not being underestimated In Universe—its such an interesting detail bc hes ALWAYS been simultaneously pathetic and Very Competent wjdndnd. but yeah no all of his friends have seen various hints and clues and evidence of what hes capable of. like even though he hid the tome from them successfully and even though hes hiding info now its INEVITABLE that its gonna blow up in his face one day. like you got characters like garfiel who literally saw otto punch the wall and break his hand in an unhinged fit of rage, julius who got snapped at by otto and while julius is a Bit naive definitely knows somethings off there, anastasia whos smart as hell and definitely knows not to underestimate otto, and roswaal who, like you said anon, literally went out of his way to stop otto from breaking his hand in another unhinged fit of rage and warned otto that he will literally be destroying himself if he keeps going on like this. its this fascinating dichotomy bc otto is NOT fooling anyone around him but at the same time his current schemes are mostly unnoticed—for now—which yeah i havent seen that in a lot of media!!! its an interesting balancing act bc people around him realistically know hes competent after seeing the Proof of that for the past couple arcs, but otto is still finding ways to try and Win…

which—again, the anger and violence is an extension of arc 4 otto!! this is the same guy!! hes always been like this!! ottos kind of stayed the same, deep down, this whole time and as an audience its ONLY shoved in our face with a big gigantic spotlight on it FOUR ARCS LATER, but it was hinted to all this time. and like you said anon—we LITERALLY see ottos fucked up thought processes. literally what sane person thinks any of that shit. its spelled right out for the reader HAH T^T which—yeah. media illiteracy…. and also this whole ask was a longer way of just saying that otto is VERY easy to see at surface level if youre media illiterate. but at the same time it should be very easy to figure out otto is A Bit Fucked Up bc tappei underlines it in bright red print!!! i think people sometimes just hang onto soft awkward silly otto and forget about the rest T^T either that or they dont think he cares about subaru at all. which. that phenomenon of thinking characters that do care about subaru Dont Care is also interesting to me bc why????? we’re at arc 8 and you STILL dont get it??? o.ooooo

but yeah apart from that….. i said this earlier but yeah sometimes some people agree with ottos realism in arc 8 which is. understandable, but the whole point is that he is EXTREME. with it. hes Not in the right here, but the same crowd that wants wanton revenge in rezero is gonna agree with that kind of stuff T^T ottos been lurking in the background so much so that tappei made it meta by doing the whole “walking in darkness” part of his character, so i guess people just. dont see ottos ACTUAL worst traits and instead think he would ditch subaru at the first opportunity or something. but at the point we are now, arc 8 ottos problem isnt that hed ditch subaru. his problem is that he would sacrifice the world for subaru. his problem is that he gets extremely angry at subaru for trying to do good. his problem is that hes trying to micromanage everything around him and is willing to sacrifice anything necessary to get what he wants. but sometimes people dont get that bc otto doesnt look sound or seem like a character thatd do that. the Underestimation part of his character is doing too well on. certain audiences. please T^T the soft and awkward and silly parts ARE part of his character just like all the Darker parts are!!!

additionally im also wondering if western audience perception of otto is also clouded by the fact that otto looks and sounds more feminine / androgynous and he doesnt have the appeal of Overt Power either……. he cant Really be waifu-ified… and he cant be used as a weird self insert like subaru…. and you Have to look at him closer to understand him…. and for some reason people dont tend to hate on him so aggressively, if anything people cant even see his actual canonical flaws half the time wkdndn so if youre not paying attention otto CANT be aggressively hated on bc theres nothing there if ur not looking at it….. and if youre not paying attention otto seems more “boring” compared to the others…… (not that people arent allowed to not have otto as a favorite character bc thats totally fair but im talking about the tendency to think hes Saner than he actually is.) but yeah these are just my guesses. i have no clue the western fandom is a little T^T some people unfortunately cannot read.

anyway. big thank you to the japanese fanbase for understanding ottos character more and making so much wonderful fancontent for him T^T also i think that we as a collective fanbase should stop underestimating otto in general bc its exactly what he wouldnt want and i think itd be really hilarious. <3333 make him explode with rage please

[thedreadvampy]

Btw in all the chat about Dot & Bubble and racism has anyone like. acknowledged that it's kinda weird that in the series featuring the first ever Doctor of colour we have seen uhhhhh:

3 specials in which the new Black doctor appears at the end of the last one for like 5 minutes after being replaced with a previous (white) Doctor for the big event episodes (a thing that has never happened before)

3 regular episodes

Episode in which the Doctor is mostly tangential to the plot except as a bomb

2 extremely Doctor-lite episodes, which are a common feature of Doctor Who but are pretty much never stacked back to back

FOR THE AVOIDANCE OF DOUBT. I like all these things:

Russell T Davies' work on Doctor Who

Ncuti Gatwa's fucking masterful acting

Doctor-lite and companion-centric episodes (which honestly are some of the best New Who episodes. Turn Left? Human Nature?)

but. it is notable that this series - which I would consider so far to be 9 episodes in which Ncuti Gatwa has had a reasonable cut of screentime in like... MAYBE 4? - is a) by far the least Doctor-focused episode ratio that I've ever seen, b) the only one where an actor's actual onscreen regeneration has been pushed back by the return of an old actor, and is c) COINCIDENTALLY the first ever season starring a Black Doctor 🤔

(because like. this could be a coincidence. there are often Doctor-light episodes to give the actor a break, for plot reasons, etc)

(buuuuut. two in a row? and they're both genuine Doctor-light episodes, ie one which is Turn Left style where the Doctor only appears to bookend the episode and is otherwise taken out of the universe, and one which is Blink or Love and Monsters style where the Doctor only appears in brief bursts, on screen, through the episode, with one monologue near the end, while we follow another character around for the bulk of the time. I can't think of many series of New Who with 2 Doctor-lite episodes, especially not in the first half of a season. In Davies' original run there were what, 4 Doctor-lite episodes in 5 years (and that's IF you count Fathers Day which I kinda don't)? and we've had half that many in one season, back to back, only 4 episodes after we DIDN'T SEE THE NEW ACTOR FOR ALMOST 3 FULL SPECIALS?)

(and I do know that Gatwa had shooting commitments with Sex Education but the thing is. back to back in the first 5 episodes???? it's not a good look! it's just not! you don't have to shoot in series order, you can literally space them across the series if you need to work with his shooting schedule! like I am sure it's not intentional but COME ON.)

[mo-ok]

Denziman vs Datolar

[howtosingit]

someone teach Tim Minear how to properly write a 43-minute episode of television please and thank you 

[just-spacetrash]

😵