#and some stuff about nepotism?
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cancelling really isn't a new thing
I mean when Marie Antoinette said "let them eat cake" back in the 18th century they just put her on the guillotine and killed her
getting cancelled seems pretty tame now
#ik theres actually more to it#i have the wiki open rn to fact check myself#apparently its not even confirmed she said “let them eat cake”?#and just checking it now#it seems she lost popularity because she supported her austrian brother#and some stuff about nepotism?#ok im wayyy to tired to learn about the french revolution#suffice to say#if people didnt like you#you either were killed#or forgotten#ness original thoughts
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ADHD combined with ennui and the "eh how hard can it be I'll manage somehow" mindset will have you fixate on one specific idea in your head and maybe potentially end with you making unwise impulsive financial decisions. On the other hand I really want that bass guitar. I have no idea how guitars work all I've ever played were key instruments and I'm not even particularly good at those. Head in hands.
#and it'd still be cheaper than my accordion from the 90s thats off-key and might have some leaks in the bellows.#the world isn't makinh it easy for me#I've been marinating on this for half a month at this point because i know i have a tendency to start things#and then not finish them#and it'd be embarrassing#i could invest in one of those build sets rise are cheap but Hmmm. cheap usually doesn't work well for instruments#but with that i could at least have a project#artsy assembling and all that#on the other hand i really really want that second hand Höffner i saw going on ebay for half price#and everyone who knows about guitars i know has told me to just look for a cheaper second hand instrument#but i can't just spend money on stuff again just because I'm bored someone worked for that i don't want to be wasteful......#I'd be better off just getting a camera at this point but that's a wholly different thing entirely#i could also just get a job but i enjoy having time is the problem#actually. wait.#i could work for the money and then invest and then. i have to ask my father about that offer i got from his ex colleague#is this already nepotism..#hmm.#but i have to apply to unis and look at the cities where I'll potentially live for a while and#i don't know if I'm ready for all of that I'll be honest with you i don't know if I'm so that comfortable going off to uni#before I've even turned 19#i mean that's really young right that's really young#but i can't just sit around a whole year#i will go back to looking for escapism in cafe's and music stores i suppose
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#super freaking out cos my friend who is a vet has offered me a job at her practice as a care assistant#so my job would just be to do all the little jobs. help looking after the animals. cleaning. sometimes calling patients etc#it's a fantastic opportunity but it looks so much more difficult then anything i've ever done before#and on the one hand i'm like ''yes! i love animals! i need a steady income! this is perfect!''#but on the other... i haven't been at my current job that long. so it feels like a dick move to up and leave.#i don't know if i'd be able to cope with the animals dying all the time. some of the stuff i'd have to do looks really technical#and i'm scared i'll do it wrong (eg put the wrong label on the wrong medicine) and it'll lead to an animal dying#like it's a proper full time monday-friday 9-5 kinda gig#which is great cos my current job is a ''are we gonna give you more than 2 days next week?? who knows! it's a supprise!!''#and that situation is stressing me out. so i do need something different#but this is like a proper serious job. and idk that's scary#plus my friend would be my boss. which i don't mind. but i dont want her to vouch for me and then i'm terrible at it...#cos that's not fair on her#they've offered me a trial shift next week. so i guess i could do that and just scope it out..#it also feels like nepotism which doesn't super sit right#but it's not a sure thing. the other vets and practice owners have to agree and they may not like me. it's not like i have experience#and it's only a low paid position so if its nepotism its not like... super beneficial nepotism...#sigh. i know i should go for it. just last time i went for a big different job like this it ended badly#and i ended up back in retail.#so i don't wanna go thru that all again#but i also dont wanna stay working in this shop forever. it wouldn't be too bad if only i had regular hours. .#and i knew what those hours were more than a week in advance#i know this is like.. a non-problem. i'm just stressing about it#plus its making me feel guilty whenever i go into my current job. like i'm cheating on them#i do need that regular income tho#screams in anxiety
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Danny is Damian's clone.
He's well aware of it. He wasn't just any clone. He was the very first. That was the difference between Danny and other clones. He was made before the League started using brainwashing and stuff into their cloning process.
When Danny was fresh out of the tube, the League had sat him down and explained his the purpose of his existence, gave him some intense training, and immediately tossed him out into the world.
But the thing was, he just didn't care. He had absolutely no loyalty to his creators, and he had no desire to kill/kidnap his original. So he just started walking. The next thing he knew, he was at some orphanage in Illinois.
And then the rest was history. He got adopted by a pair of enthusiastic scientists and their red-head daughter, got his own name, and he could finally start living his own life.
Danny had put the past behind him and had barely even thought about it at all for a long time. That was unill his original showed up at his school.
----------------
Damien was annoyed. He was stuck at some random Illinois town (supposed to be the most haunted place in the world, which was a bunch of ludicrous.) On a transfer program. He tried convincing Father how illogical it would be, but Father had told him it would be good for him to meet new people.
___
Danny was annoyed.
"I don't understand what the big deal about him is anyways," Danny complained.
"He started being the ceo of Wayne Enterprise when he was a teenager." Sam countered.
"Ok, so, nepotism."
Sam rolled her eyes. "I still don't understand why you're so against him."
"One, billionaire. Two, Tucker is way cooler than Tim Drake.
Sam's eyes soften. " Tucker is just gone for a few weeks."
Danny's cheeks felt warm. "I never said anything about that. I just want Tucker to find a cooler role model, is all.
Sam gave him an all-knowing look. "Well, if you say so. I'm going to get in line."
Sam, all ways waited last to get in the lunch line. Claiming she didn't want to hold up line when the lunch ladies had to get the vegetarian option. Which was fine, but now that Tucker was doing the dumb transfer student program, all he could do was eat his mediocre lunch and mindlessly play on his phone.
Untill someone grabbed his arm and dragged him out of the cafeteria into the hallway. Danny turned around to face the person. He froze at the sight of his own face. Or well, a glaring rich kid version.
"Oh, it's you." Danny said nonchalant, even though he was screaming inside.
"You're not going to play dumb, clone?"
"No, why would I, The resemblance is uncanny.
"What are you doing here?" His original demanded
"You dragged me here."
His original scowled. "You know what I mean, clone. I won't hesitate to end you."
"Just trying to go to school, honest."
Original glared at him, scanning him with his eyes. The grip on Danny's arm loosened. " I'll be watching you, clone."
" Whatever you say, template."
Danny walked back to the cafeteria, blocking out the yells of rage behind him.
___
It was about a week of Damian watching his clone, and he was confused. At first, he thought the league sent the clone to trade places with him before he went back to Gotham, but now he wasn't sure. The Clone seemed to fit in the community to well to have show up recently, but that didn't disprove the theory entirely. It could be a long-term plan from the League. They could be responsible for putting the transfer program in place in the first place.
The other theory was that the clone escaped and made a life for himself, but that didn't explain how he got past his programming.
After the last period, Damian found his clone and pulled him aside.
"What do you want?" His clone asked, irritated.
"You're different then other clones, explain."
"I don't know. I didn't really stick around very long to find out."
"What about your programming?"
"I didn't have any?"
Damian thought about it before giving a small nod. "You don't seem to be a threat, but I'll still keep my eye on you, clone."
"I've got a name, you know." He held out his hand. "Danny Fenton, nice to make your acquaintance."
Damian heistently shook his hand. "Damian Wayne."
That started their unsaid agreement. You don't mess with me, I don’t mess with you. They interacted with each other sometimes, but not very offen. They were impartial to one another, and both sides weren't very keen on getting to know each other. And that was their relationship till the day Damian was leaving.
Damian was waiting for the bus when Danny approached him.
"What do you want, Daniel?"
"I told not to call me that, but uh, here." Danny handed a piece of paper to him. "It's my phone number if you ever need help from the League or anything."
Damian slipped the paper into his pocket. "Give me your phone." Danny handed over his phone, and Damian started typing.
"What are you doing?" Danny asked.
"I'm putting my number in. If you ever require assistance."
Danny smiled, "Thanks."
____
A few months later.
Tim was peeking over a corner.
"What are you doing?" Dick asked.
Tim didn't say anything and just waved him over. He walked over and stared in aw at what he saw. Damian was slouched on the couch, his hair messy, playing on his phone.
A few minutes later, Jason joined.
"Am I hallucinating?" Tim whispered.
"Nah, I don't think so... unless we're all hallucinating." Jason whispered back.
"Do you think he has brain damage or been possessed or something?" Tim asked.
Dick shook his head. "That seems unlikely."
"This is so trippy. I've never seen him wear anything that casually like ever.
"What are you imbeciles doing?"
"We're watching Damian."
All three of them froze and turned to look at a glaring Damian.
Damian walked past them and went right up to the second Damian.
"Daniel, what are you doing here?"
The causal Damian 'Daniel' pulled out a letter. "Your pops invited me, and I didn’t want to risk the chance of batman showing up at my front door."
Damian scoffed, "Of course, Father found out."
Alfred walked in. "Master Daniel, I'll be taking you to Master Bruce."
The double got up and went to Alfred.
"Cookie, Master Daniel?"
"Sure, and call me danny."
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youtube
Rambling: So much of this is just like. It's all the money, you can't get around the money. Engineering is primarily a cost optimisation problem, so is business, where do you buy your parts, how much do you pay your labour. The companies can make equal quality goods cheaper in China because of the industrial base. Western workers don't want to work in manufacturing because it doesn't pay as much or as reliably as other jobs.
I like reading articles and watching videos about factories and a thing you find with a lot of American factories is they're often highly specific niche industries where they don't have much competition or they're really low volume where less intensive manufacturing processes still work or they have big military contracts that give them their base income. Really it's wild how every little engineering shop in the US requires base level security clearance because they make the cable harness for the Hornet or whatever. And crucially, crucially: they employ 100 people. Planning to work for one of these companies is like planning to be a pro baseball player but you make $35/hr.
I studied in South Africa, and I studied electrical engineering, but like. That was my fifth or sixth choice from a personal interest perspective? As a teenager I was really into biochem. I really wanted to work on like. Bioreactor stuff. South Africa has okay industrial chemistry but not that much biochem. So why would I go spend five years getting a biochem Masters and hope I could find a job at one of like six companies. It's a bad move! Once again, baseball player odds! Mostly if you're lucky you'll get to fuck around in a half-related field for a few years and then you'll wind up with some office job that you found because it turns out running tests on paint shearing isn't personally fulfilling enough to make you stay in a lab job.
Hell, even taking the Good Hiring Engineering Job market, it's a goddamn pain in the ass to find any actual engineering work. I applied to dozens of internship positions every semester at engineering firms and workshops and never so much as heard back, whereas I could go to the software job fairs and get two offers and several interviews for a vacation job in a couple weeks. You can swim upstream to get in there but even if you're willing to take the pay cut, engineering jobs are slow moving and slow hiring, and in small departments your professional progression is often gated behind someone retiring or dying.
A while ago someone (was this Reggie? sounds like him EDIT: YEP) was talking about how part of the reason why no one in the US for the past 20 years can do like, epitaxial growth optimisation isn't because there's some philosophical or educational divison, but because anyone committed and driven enough to spend months optimizing that would just put that energy and commitment into going into software or becoming a quant or some other higher yield option. Meanwhile if you're a driven and focussed ladder climber in China there's dozens of factories looking for someone to do exactly this. The people in the West who are so into this that they still do it are often in academia, not industry, and that's an even more competitive and impenetrable sector to get into. Getting a PhD grad job in academic chip manufacturing is miserable, it's basically a six year long interview process that costs you hundreds of thousands of dollars that has a 0.1% chance of panning out.
Actually, I did once do a factory internship, it was my only nepotism internship, at a construction materials factory where my dad was a manager, and it was really interesting work! I had a lot of freedom in a small engineering team and I spent a while understanding a bag filling machine and reading manuals and tuning the control process and talking to floor workers and designing sheet metal parts to improve their jobs. And when I talked to the engineer supervising me I found out he was on a six month contract that wasn't getting renewed and he would be leaving the company basically the same time my internship ended. That company hadn't hired a full-time process engineer in ages, and probably never would if they could avoid it. Not encouraging!
People often say you should get into the trades because they pay well and are material fulfilling work. This is like. It's an elision. Successful tradespeople are in very high demand, but becoming a successful tradesperson is very, very finicky. I worked with a lot of electricians and millwrights and technicians, and for every tech who was successful and running a roaring business there were five guys stuck in eternal apprenticeships or struggling to make a name for themselves in the industry on their own. Some trades are great for this, other trades are 90% training scams where you spend nine months and five thousand dollars on a course that gives you a certificate almost no one cares about.
Every now and then I talk to an installation tech I used to work with who has a bunch of CCTV and security certs he got in the DRC, and he is just absolutely struggling to get by. There's already enough successful companies to serve the demand, why would you take a risk on this fly-by-night? He could find a technical job, and he does, but it's a dead end, everyone wants a base technician forever, they don't want you to upskill and move on. They hire in an external electrician to come in for an hour sign off on your work, and that's all you need.
You can't develop an industrial base unless it's appealing to work in the industrial base. If you're an industrialising nation, the appeal is "It's not farm work and you might get some real money instead of a sack of barley" but in a modern society you need to pay at least as well as the office jobs. If your industrial sector is small it can afford to only hire the most qualified people because it's a labour buyer's market, and that's how you produce a massive knowledge gap.
#Youtube#industrial capacity#engineering#smartereveryday is an interesting example he is a weapons engineer and a weird military guy#which like yeah that's how you do manufacturing in the US. Every little engineering shop needs military clearance#having a weird week re: industry i guess
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talking about married ladies, it is quite interesting that georgina doesn't wear a ring! if you look at princess leah, she has a ring on her left hand's ring finger; but if you look at maleanor, who's also married, she wears a ring on her right hand's middle finger! this makes me wonder if different races have different wedding ring customs! personally, it made me think that merfolk just dont wear rings as proof of marriage; in the little mermaid prequel, for example, ariel's mother and father wear no rings despite being married (i think???) anyway, i hope we find out more about this what do you think? are there any other married characters that come to mind?

I don’t have any comment on the actual Disney characters and whether or not they wear rings and in a consistent place after marriage; I���m of the opinion that even if I checked this, details that are true in the Disney versions do not always translate over to Twst. We also can’t tell what are animation errors or not, especially granted that it’s usually the lower budget sequels or prequels that show married characters.
Traditionally, a wedding ring would be worn on your left hand’s ring finger (fourth finger from the thumb). The only Twst parent to be wearing a ring like this is Queen Leah.
As someonetwisted said, Maleanor wears a ring on her right hand's middle finger. This could be indicative of different races having different traditions when it comes to where their wedding ring is worn--however, because we have seen so few married fae + merpeople and no married beastmen to compare to, it's unclear whether this is the case or if Maleanor's ring is just something she wears as a sign of opulence as a princess.
The only other fae I can think of is Baur, but it's not obvious if he was married or not at the time of Lilia's time as a general. Even if Baur were married during that era, his armor would make it difficult to wear a ring:
This is probably also why the Dawn Knight wears no ring. However, I do believe that if you extract the in-game assets, he is shown to be wearing a wedding band under his armor.
Lilia, who is a single parent and never got married, of course wears no ring. (It would also be odd to pass as a high school student while you’re wearing a wedding ring/j)
Then we have Dylla and Eric Venue, who may have been married at one point or (for whatever reason) are no longer with their partner. Neither wear rings, which could be because they never actually married or have split up with or lost their spouses in some other way. It could be something practical though?
For Dylla, a ring might get in the way of her truck driving and delivering goods. She may not want to wear something “fancy” for such a physically demanding and casual job. For Eric, a celebrity, he wouldn’t want the public to know he is already taken or has been with a woman in a physical capacity. This is especially the case because Vil doesn’t want people to know about their familial connection and claim he only has his success due to nepotism.
When it comes to parents who are happily married, there's the Clovers (from the Heartslabyul manga!) and Mr. and Mrs. Shroud.
You can't see Mrs. Clover's hands, but Mr. Clover appears to wear no ring. I'm going to assume Mrs. Clover is the same. Again, I see this as a practical thing. Wearing a ring while making baked goods seems unsanitary.
Mr. and Mrs. Shroud wear gloves, but no rings. I'm not as certain about this one, but maybe Mr. Shroud avoids wearing a ring due to workplace professionalism? He does seem to be the more serious one of the duo.
As for Mrs. Shroud, maybe she foregoes the ring (despite being so love-dovey) in case it gets in the way of her job...? I'm not sure how tech stuff works, but my thought is that this would be to avoid the metal or gem of the ring interfering with whatever she's inventing in case they come in contact. Or maybe she just wants to match with her husband?
The only married merperson we know of right now is, of course, Georgina, who wears no ring:
One proposed (kek, get the pun?) reason as to why this is is that every race has different traditions or customs to indicate being taken. However, I wonder if there's another reason...?
If you look at the true form of a moray eel merperson, they have webbed fingers. This would make it extremely difficult to wear a ring. (I should point out that the more humanoid merpeople, like the Atlantica Memorial Museum guards, do NOT have webbed fingers, so it would be possible for them to wear rings.)
It seems tedious for morays to keep a ring prepared just to slip on every time you visit the land. It also feels like a small thing like the ring would be easily washed away by the waves. And how frequently would you be going to land, anyway? Would this extra effort be worth it??

I also think it’s entirely possible that Georgina doesn’t wear a ring because it goes against glove etiquette. Yes, there is such a thing 😂
In glove etiquette, you are not supposed to wear a ring over your gloves. This just is not done, I’m assuming because it can mess with the fabric. (Besides, rings are measured to fit your finger, without taking gloves into consideration!) It’s also not advisable to wear rings under your gloves, as this would ruin the smooth silhouette with an unsightly lump.
Another component of glove etiquette is the length: shorter gloves are appropriate for cocktail parties and more informal occasions, while gloves that extend past elbow length (which is true of Georgina’s outfit) are for formal occasions. Since Georgina does appear to be formally dressed and in attendance for an acquaintance’s pre-wedding festivities + is a well put-together woman, it’s not too far-fetched to assume she doesn’t have a ring on in order to conform with the etiquette.
We probably won’t see Mr. Leech this event, but maybe in a future one! That’s probably when Floyd gets his “hometown” (a bit of a misnomer, since Ultramarine City and Maquillaville aren’t Jade or Vil’s respecrive hometowns) SSR. I always thought that Jade took after his dad since Mr. Leech stresses the importance of proper dress and attitude… but hey, maybe he’s got a bit of loose cannon in him like Floyd??
#twisted wonderland#twst#disney twisted wonderland#disney twst#eternity float spoilers#jp spoilers#notes from the writing raven#question#Georgina Leech#Jade Leech#Vil Schoenheit#Baur Zigvolt#Leah Istvan#Maleanor Draconia#Dawn Knight#Liloa Vanrouge#Eric Venue#Tweels#Floyd Leech#Dylla Spade#Giorgina Leech
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Earned It, Owned It
dad!fernando alonso x daughter!reader
or... the one where there’s no shame in the name
word count : 956
warning : none, english is not my first language!!!
on the radio : I love it by icona pop & charlie xcx
request



🥷🏻🇪🇸
the paddock was buzzing, as it always was on a race weekend. you had just finished checking over some final details in the garage when you were pulled aside by one of the media teams. it wasn’t unusual - being fernando alonso’s daughter came with a certain level of attention. you didn’t mind it, though. it was part of the job.
“just a quick interview?” one of the journalists asked with a smile that you knew was supposed to look friendly but carried a hint of something else. they always wanted more than just a quick chat, but you nodded anyway, knowing exactly where this was going.
you stood in front of the camera, adjusting your aston martin polo, and gave them a nod to let them know you were ready. the questions started easy, asking about the team, how preparations were going for the race, the usual pre-race chatter. you answered with the same professionalism you always did, keeping things light.
and then, it came.
“so, some people have said that your position here is thanks to… well, your father’s legacy in formula 1. what do you have to say to those accusations of nepotism?”
you couldn’t help but smirk. there it was. the question they were all waiting to ask. you could see the glint in the reporter’s eyes, hoping you’d squirm, hoping you’d try to defend yourself or make some grand statement about your qualifications.
but you weren’t about to give them that.
“honestly?” you started, your smirk widening. “yeah, I’m a nepo baby. no denying it. I mean, who wouldn’t want to take advantage of having a two-time world champion for a dad?” you shrugged, your tone light, completely unbothered. “I’m proud of it, honestly. got me here, didn’t it?”
the reporter blinked, clearly taken aback by your response. they hadn’t expected you to lean into it so hard. you could almost hear the gears turning in their head as they tried to figure out how to follow up.
“so… you admit that your father helped you get your position?” they pressed, clearly unsure of where this was going.
“of course,” you said with a laugh. “I’m not going to sit here and pretend that growing up around formula 1 didn’t give me an advantage. but here’s the thing - having connections might get you in the door, but it doesn’t keep you here. I work hard. I know my stuff. and if people want to focus on my last name instead of what I actually do, that’s their problem, not mine.”
you glanced to the side, noticing your dad approaching, clearly having overheard the last part of the interview. he had that signature fernando alonso grin on his face, the one that told you he was ready to stir the pot just a little bit more.
“am I interrupting?” he asked, stepping into the frame with you, his arm casually slung over your shoulder. “what’s going on here?”
“oh, nothing much,” you said, smiling at him. “just addressing the usual nepotism accusations.”
fernando raised an eyebrow, looking amused. “nepotism? ah, yes. my daughter, the nepo baby.” he said the term with a playful roll of his eyes. “is that what they’re calling you now?”
“apparently.” you shrugged, still grinning. “but I was just telling them I don’t mind. being a nepo baby’s not so bad.”
fernando laughed, looking directly into the camera now. “well, if being a nepo baby means you’re good at your job and work as hard as she does, then I guess I’ll take credit for it,” he said, giving you a proud look. “but really, she’s the one putting in the work. I just gave her the love of the sport.”
“so, you’re not concerned about the claims that your daughter only has her position because of your influence?” the reporter asked, clearly trying to stir things up between the two of you.
fernando chuckled, shaking his head. “not at all. I know how much she’s done to get here. I might’ve opened some doors, but she’s the one who walked through them - and keeps walking.” he gave you a wink, and you couldn’t help but smile at his response.
“besides,” you chimed in, “if I wasn’t good at what I do, I wouldn’t still be here. this is formula 1. it’s not exactly a place where you can coast by on your last name. my dad knows that better than anyone.”
fernando nodded in agreement. “exactly. you don’t stay in this sport unless you’ve got the skills to back it up.”
the reporter, clearly realizing they weren’t going to get the reaction they were hoping for, tried to wrap things up. “well, it’s clear you both have a strong bond. thank you for your time, and good luck with the race this weekend.”
you smiled, already moving to step away from the interview. “thanks, appreciate it,” you said, giving them a small wave before turning back to your dad.
as you walked away together, you could feel the eyes of the paddock on you, but it didn’t bother you. you were used to it by now. and honestly? you wouldn’t change a thing. you were proud of where you came from, proud of what you had achieved, and if people wanted to call you a nepo baby, so be it.
you’d own it - just like you owned everything else in this sport.
“you handled that well,” fernando said with a grin, giving your shoulder a squeeze. “i think you might’ve even thrown them off a bit.”
you laughed, shaking your head. “yeah, well, I learned from the best, didn’t I?”
“damn right,” he said with a wink. “now, let’s go get back to work.”
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© all rights reserved to folkwhoreberry. no stealing or copying will be tolerated.
a/n : little miss alonso is living my dream bc I want to be a nepo baby sooo bad
#folkwhoreberry#f1#f1 x reader#fernando alonso x reader#fernando alonso#fernando alonso x you#fernando alonso x y/n#x reader
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➵ pairing. gojo satoru x fem! reader.
➵ summary. the pieces are in place, the shadows are shifting, and soon, everything will unravel.
➵ warnings. mentions of blood; one character almost dies; lots of fire; bickering™; crying; ; mentions of familial abuse; mentions of death; mentions of physical injuries; slight evil geto; this is the last official chapter before the epilogues; yes i'm crying too.
➵ genre. wizarding world au; academic rivals to lovers; enemies to lovers; angst; fluff; adventure; SLOWBURN (NOT ANYMORE 😼😼); slight inaccuracies in the wizarding world because i did make some stuff up for the sake of the crossover; etc.
➵ word count. 33.2k (longest chapter record broken again!!!!).
➵ author's note. second part of chapter seven, as tumblr wouldn't let me post it all in one go 💔💔 enjoy!!
➵ navigation. chapter six, chapter seven part one, masterlist, next.
When you step out of the temple, the air is still cool against your skin, the sun hanging low in the sky, casting long shadows over the temple grounds. The mist has begun to lift, dissolving into thin streams of white that curl around the wooden beams of the temple before vanishing completely. Somewhere in the distance, a crow caws, its cry cutting through the hush of the early morning. The scent of incense clings faintly to your clothes, to your hair, to your skin.
Nothing had happened.
You’d gone inside, paid your respects, bowed your head in prayer, and willed the universe to grant you some kind of sign. Something—anything—to lead you forward.
But nothing came. No shift in the air, no flicker of magic, no hidden passage revealed beneath the temple floor. Just silence and the rhythmic sound of your own breathing.
Your shoulder had brushed against Gojo’s for far too long while you prayed, though. And he hadn’t moved away.
Maybe he didn’t notice. Maybe it meant nothing.
But then again, Gojo Satoru never does anything without intention. He moves through the world with certainty, with a self-assurance that is almost infuriating. He does everything with conviction, with that smug tilt of his lips, with the confidence of a man who has never once doubted himself. He does not hesitate.
You don’t let yourself think about it for too long.
You exhale, stepping down from the temple’s main hall, your shoes scuffing against the ancient wooden planks. The others follow, descending the steps one by one, the quiet hum of their conversation barely registering in your ears. When you reach the gravel path at the base of the temple, you turn to face them.
“How are we supposed to get to the next one?” you ask, scanning their faces.
Utahime presses her lips together, her brows furrowed as she considers. “The man at the tea shop said there were three that could be of use to us.” She pauses, tilting her head slightly. “But I really don’t think it’s Ninna-ji.”
Gojo snorts, shoving his hands into the pockets of his coat. “You mean the one where the royal family used nepotism to get their jobs as head priests?”
Utahime levels him with a glare. “No, stupid. It’s called serving your community.”
You almost smile at the way Gojo’s lips part, ready to argue, but she continues before he can interrupt. “But yes, that one,” she admits. “I don’t think it’s Ninna-ji because it’s… small. Compared to the other two.”
You glance back at the temple behind you, its towering wooden pillars stretching high into the sky. Kiyomizu-dera had been vast, an entire world built into the mountainside. The idea of Sukuna’s grave being tucked away in a smaller, lesser-known temple feels… wrong.
“So we’re discriminating based on size now?” Gojo quips, rocking back on his heels.
You ignore him, narrowing your eyes in thought. “But, ‘Hime, wouldn’t that be precisely why it is that one? It’s different compared to the others. Process of elimination.”
Utahime hesitates. Her fingers tighten around the edge of her scarf, tugging it slightly before she exhales. “I don’t know,” she murmurs. “It’s just a feeling I have.”
Gojo lets out an exaggerated sigh, tilting his head back. “Your feelings aren’t exactly the most reliable way to get accurate directions.”
She turns on him instantly, face pinched in irritation. “And what do you suggest, then? Wandering around Kyoto until we stumble onto a cursed grave?”
“Could be worse,” Gojo says breezily. “Could be cursed spirits. Or dementors.”
“Don’t jinx it,” Shoko mutters.
Utahime crosses her arms, still glaring at him. “Enryaku-ji is technically way more powerful,” she argues, voice firm. “We’ve already gone to the oldest temple. Ninna-ji is only considered powerful because of its ties to the imperial family. And if Sukuna is as old as the texts say, then the oldest or the strongest would make the most sense.”
There’s a pause. A breath of silence. The wind shifts slightly, carrying the scent of cedar and damp earth.
You glance at the map again, though you already know it won’t give you any answers. The ink remains still, unmoving.
“How would we get to that one?” you ask, voice quieter than you expect it to be. The stillness of the temple grounds makes everything feel heavier, like the weight of your words might press into the earth itself. “I can’t see anything on the map except us.”
Utahime exhales, the breath curling in the cold air before dissipating. “We could take the train,” she says after a moment. “Then the cable car to the top of the mountain.”
You glance up from the map. The thought of winding through Kyoto’s train stations, of standing in a crowded car, pressed up against civilians who have no idea what lurks in their city—what you are searching for—makes your stomach turn. It would be a waste of time.
“That would take too long,” Gojo says, voicing your thoughts before you can. His hands are deep in his coat pockets, and when he speaks, it’s casual, like it’s the simplest answer in the world. “We could just Disapparate.”
There’s a beat of silence, then—
“What?”
Shoko’s voice is sharp, rising an octave.
“I am not doing that again,” she snaps, stepping forward, the loose ends of her scarf whipping slightly in the wind. “Did you not see me almost vomit earlier?”
Gojo tilts his head, unimpressed. “Relax,” he says, and you can hear the grin in his voice before he even smirks. “I have another vial of Pepperup Potion.”
You close your eyes for a moment, inhaling deeply.
You don’t necessarily like Disapparating, but right now, it’s the only logical option.
“We’ll go first,” you say, looking at Gojo as you roll the map back up. “I’ll see if there’s anything there before the rest of you follow.”
“You’re not scouting a potentially dangerous location alone,” Shoko says flatly.
You give her a look. “Then don’t take too long.”
Gojo rolls his eyes, but he grabs onto your arm before you can even make the first move, the warmth of his fingers searing against the cold. The familiar pull of Apparition wraps around you before you can protest, the world collapsing inward, a crushing force against your ribs, and then, cold air. Biting against your skin. The smell of damp earth. A dull, thick fog.
You stagger forward slightly, your boots pressing into the soft, leaf-covered ground. The wind up here is different—thinner, sharper, as if you’ve stepped into another realm entirely.
The mountain looms ahead.
Or at least, you think it does.
Everything is cloaked in mist, a heavy, impenetrable white stretching far into the horizon. You can just barely make out the outline of trees, their skeletal branches twisting into the sky, disappearing into the thick fog above. The ground beneath you is uneven, sloping upward as the base of the mountain begins its ascent.
It is eerily quiet. No birds. No insects. No distant hum of life. Only the wind, curling through the trees like something alive.
You unroll the map, pulling it free again. You open it carefully, letting the edges unfurl, and—
Your stomach drops. The map remains blank.
You frown, adjusting your grip, as if tilting it differently might make something appear. But no—there’s nothing. No outline of the temple, no indication of paths or terrain. Only a vast, empty space where the mountain should be.
It isn’t just missing information. It’s obscured.
A hidden place. An unmapped land. A part of the world that refuses to be seen. On purpose, perhaps.
“There’s nothing on it,” Gojo murmurs beside you.
His voice is quieter than usual, stripped of its usual teasing lilt. You don’t look at him right away, your gaze still fixed on the map—on the blank expanse where the temple should be. The pulse of golden light—your location—is the only thing that remains, flickering steadily, useless.
You inhale, slow and steady. You’ve always been good at grounding yourself, at keeping your head even when everything else unravels. But this—this emptiness, this sense of being unseen—it unsettles you in a way you can’t quite name.
When you finally glance at Gojo, your breath catches. He’s closer than you expected, his face turned toward yours, expression unreadable. You swallow. The remnants of Apparition still linger in your body, making your limbs feel unsteady, though not enough to be nauseating. Not like the others. You should say something. You need to say something.
“Tell Utahime and the others that they should get here too,” you say, voice quieter than you mean it to be.
For a moment, he doesn’t move.
“Fawkes,” he says, soft but deliberate. A name. Your name. The nickname he’s always used when he wants your attention, when he wants you to listen—really listen. You know what he’s about to do. You always know. The way he shifts his weight just slightly before he says something important. The way his voice dips when he means something more than his words let on. You know him like the back of your hand, like a familiar passage from your favorite book. You know him better than you should.
So before he can speak again, you shake your head. Just the slightest movement. Barely noticeable, but he catches it. He always does.
“Afterwards,” you say. “When everything’s over.”
A flicker of something crosses his face—confusion, maybe. But it fades just as quickly, replaced by something closer to understanding.
“How is it,” he muses, “that you always know exactly what I’m going to do?”
You huff, forcing a small smile. “The same way you always know exactly how to push my buttons.”
He exhales through his nose, something between a sigh and a laugh, shaking his head before pulling his phone from his coat pocket. The soft glow of the screen illuminates his features for a second before he types out a message, sending it off into the ether.
The silence stretches between you. You don’t mind it.
You let your fingers brush over the map again, feeling the worn leather binding, the texture of the parchment beneath your touch. It feels different now—lighter, almost fragile. But nothing has changed. You glance up, gaze flickering over the mist-covered landscape, the atrophied outlines of trees scarcely visible in the distance. It feels like you’ve stepped into a place that exists outside of time, somewhere separate from the rest of the world.
You’re still alone. Utahime, Shoko, and Nanami haven’t arrived yet. The mountain is quiet, still watching.
You tilt your head, looking back at Gojo. He’s already staring at you.
“Do you think your mother meant it?” you ask, your voice just above a whisper.
His brow furrows slightly. “Meant what?”
“That Dumbledore is a selfish man,” you say. You don’t mean to hesitate, but you do. The weight of the thought is heavy, pressing against your ribs. “That he won’t stop at anything until he gets what he wants. And that’s why your mother made sure he was put under surveillance after the prophecy was revealed to her.”
He doesn’t answer. The silence that follows is heavier than the one before, unmovingly thick.
But you don’t get the chance to press him, because then, a sharp crack breaks through the quiet, then another, and another.
The others appear in front of you, the aftershocks of Apparition still rippling through the air. Shoko and Nanami stagger slightly, their faces pale with nausea, while Utahime immediately moves to steady them. She murmurs something under her breath, a hand on Shoko’s back, but the words are lost to the wind.
Gojo reaches into his coat, retrieving another vial of Pepperup Potion, handing it over without a word.
And then—
He looks at you. That same look. The one that means he knows something. The one that means he’s holding something back, keeping something from you. The one that means he’s already decided how much he’s willing to share, and how much he’s going to keep to himself.
It infuriates you. But now is not the time to fight him on it. And you hate that. But you sigh.
You clutch the map tighter in your hands, the leather-bound edges digging into your palms.
“Guys,” you say, voice steady but sharp, getting their attention, “there’s a problem.”
They all turn to you. Gojo, who had been stretching his arms above his head like this is nothing more than a casual morning stroll, groans slightly, knowing how everyone’s reactions will be to this information. Utahime, adjusting the strap of her bag, looks up with a frown. Nanami watches, unimpressed as always, and Shoko, looking at you with mild amusement, only raises an eyebrow.
“How are we supposed to find anything,” you continue, slowly turning the map toward them, “if the map suddenly goes blank?”
A golden dot pulses at the center. Your location. But everything else—everything beyond this exact point—is nothing but an empty abyss of dark, almost black parchment. No trails, no trees, no temple. Nothing.
Utahime steps closer, furrowing her brows. “Wait, what?”
“It’s blank, different from the other temple, but still blank” you repeat, flipping it back toward yourself, as if looking at it from another angle might reveal something different. “No forest, no mountain, nothing.”
Utahime leans in, peering at it, before crossing her arms. “That shouldn’t be possible.”
Shoko groans dramatically, tilting her head back toward the sky. “Maybe it’ll update itself when it realizes we’re struggling.”
You shoot her a look. “Right. Let’s just wait for it to pity us.”
Gojo snickers. Utahime ignores you both, snatching the map from your hands, flipping it around as if it might reveal some hidden layer beneath.
“Well, that’s fucking useless,” she mutters.
“Oh?” Gojo says, smirking. “The great Utahime, admitting something is useless?”
She turns to him, already exasperated. “What is your problem?”
“My problem,” Gojo starts, voice infuriatingly smooth, “is that we’re supposed to be solving a centuries-old mystery, and you’re acting like an old lady who just realized her clock is broken.”
Utahime scoffs. “That’s the stupidest analogy I’ve ever heard.”
“Oh? Would you like me to try another?”
“No, I’d like you to shut up.”
“That’s not very nice, ‘Hime.”
You sigh, already used to this. “Are you two going to bicker the entire way up the mountain, or…?”
Utahime presses her fingers against the bridge of her nose. “I hate working with him.”
Gojo clasps his hands together, mockingly sincere. “You wound me.”
Shoko hums in amusement. Nanami, standing beside her with his arms crossed, looks deeply unimpressed. “Are we done?” he asks, voice flat. “Or should we give you two more time to act like children?”
“I’m not acting like a child,” Utahime snaps.
Gojo grins. “That’s exactly what a child would say.”
Utahime makes a noise of frustration. You roll your eyes, grabbing the map back from her hands and turning to her. “‘Hime, Where are the cable cars?”
She exhales, composing herself before looking around. For a moment, her expression shifts into something more serious—distantly calculating. Then, she points past a clearing, toward a narrow path framed by trees.
“There,” she says. “We go up, and then take the cars to the top of the mountain.”
You nod. “Then let’s go.”
“Wait,” Gojo says, voice suddenly sharper.
You pause, turning back to him. “What now?”
His gaze is lifted toward the peak, obscured by mist. His smirk is gone, replaced by something unreadable.
“Why would a grave be near a temple?” he asks.
The wind shifts. The trees whisper. The silence lingers. Something about this place feels wrong and right at the same time.
You tighten your grip on the map, its edges rough beneath your fingers. The golden dot marking your location pulses steadily, as if mocking you—taunting you with how utterly useless it is.
“What do you mean?” you ask, voice cutting through the silence. “These are very prominent Buddhist locations, right? That’s what I thought we were supposed to be—”
“No, Fawkes,” Gojo interrupts, shaking his head. His tone is different now, sharper, more serious. “Think.” His gaze is locked onto you, searching, urging. “Have you ever seen a grave near a temple?”
You open your mouth, then pause.
“A shrine, sure,” he continues. “But not temples. Temples are holy, they’re peaceful. They exist to guide the living, not house the dead. A place like this—it isn’t meant for someone like Sukuna.”
His words settle in the space between you, twisting into something uneasy. Because he’s right. He’s right, and that realization is enough to send a shiver down your spine.
Your grip on the map tightens. “The map is blank,” you murmur, almost to yourself. The thought coils in your mind, its implications clicking into place with a slow, creeping dread. “It’s the most we’ve gotten out of it today.”
Utahime snorts. “Please tell me you meant to say ‘the least.’”
You shake your head, shaking away the uncertainty, forcing yourself to focus. “No, this is… progress. I think. Everywhere else, we could see everything. Streets, buildings, trees. But here?” You glance down at the map again, at the empty expanse of parchment surrounding your lone, flickering marker. “We can’t see anything at all. Except for where we are. It’s different. I think… I think we might already be where we need to be.” Your voice wavers slightly, but you push forward. “Even though it feels like a big fucking fluke.”
No one speaks.
The silence stretches between you all, thick with unspoken thoughts.
But Gojo—he isn’t looking at you. He isn’t looking at the map or the others. His gaze is fixed on the landscape, scanning the trees, the mountain, the uneven ground beneath your feet. He takes in everything—the way the mist clings to the treetops, the way the air feels, the way the world has shifted into something just slightly off-kilter.
Then, without a word, he reaches up and removes his glasses.
The movement is slow, deliberate. He folds them neatly and slips them into his pocket like they mean nothing.
You inhale sharply. He isn’t looking at you, but he doesn’t need to.
Your breath catches as you follow his gaze—out beyond the clearing, past the trees, to a spot that seems unremarkable at first. Just a small dip in the earth, a shallow indentation where the grass grows thinner. But then, you see it.
A thin, near-invisible trail of water, trickling down from the mountain’s peak, weaving through the rocks and roots before pooling at a small, quiet basin near your feet.
A natural spring.
The water is clear, perfectly still, undisturbed by wind or movement. Yet there’s something unsettling about it, something that makes your skin prickle as you stare at the way it gleams under the weak morning light.
“Satoru?” you murmur.
He doesn’t answer.
Instead, he takes a step forward, his expression unreadable. Then another.
And without a word, you follow.
The map is clutched tight in your hands, the edges damp with sweat. You don’t hesitate, don’t pause to look back. You don’t even think—you just move, drawn forward by something unspoken, something you don’t quite understand.
The others follow, footsteps muffled against the damp earth. Utahime’s eyes flick between you and Gojo, wary but unwilling to interrupt. Shoko walks with a lazy sort of interest, while Nanami remains silent, watchful.
The water ripples as Gojo steps closer.
The trail beneath your feet is uneven, slick with damp moss and loose stones. It’s not a real path, not something meant for people to walk on, and yet Gojo moves like it is—like he’s always known this route, like the mountain itself is bending to his will.
"Where are we going?" Utahime asks, voice quiet, almost wary.
No one answers.
You catch the way Shoko shrugs, unbothered, the way Nanami barely shakes his head, resigned. The silence stretches longer, broken only by the crunch of your boots against the dirt and the soft, persistent trickle of water.
You glance up, watching as Gojo climbs higher, moving with a lazy sort of ease that feels wrong in a place like this. He doesn't look back, but when you step onto a particularly loose rock, his hand is there—steady, offering balance. You take it without thinking, just for a second, just until you find your footing again.
And then he moves on. There is no hesitation in his steps. No second-guessing.
He’s leading you all off the path, away from the marked trails, away from where anyone—tourists, monks, even the occasional lost hiker—could possibly see you.
You exhale, watching as he keeps following the water, trailing its source up the mountainside. You let yourself believe, for a moment, that this is his plan. That he's taking you somewhere with purpose. That there will be an answer at the end of this.
But then, he turns. Sharp, deliberate. Away from the water.
The thought in your head withers immediately, cut off before it can fully form. You frown, rolling the map in your hands, stuffing it into your pocket as you pick up the pace, trying to catch up to him.
"Satoru," you call softly, stepping over a gnarled root. "Say something."
He doesn't stop walking. Doesn't turn around.
"Afterwards," he says, and his voice is quieter than usual, the weight of it settling somewhere deep in your bones. "When everything’s over."
The words echo between you, and this time, you don’t argue because he’s repeating your own words from earlier back to you.
The ground gets trickier the farther and higher you go. Loose soil, jagged rocks, the kind of uneven footing that makes every step more of a risk. Your fingers brush against damp stone as you reach out to steady yourself, and for the next few minutes, there is nothing but the sound of your breathing, the press of the mountain rising steeply around you.
And then, Gojo stops.
You barely register it in time before you collide into his back, the impact forcing a small grunt from your throat.
"Satoru—"
"Those rocks."
His voice is different now. Sharper. You follow his gaze, heart stuttering as you take in what he's pointing at. Ahead, near the base of a twisted tree, is a cluster of stones—weathered, arranged deliberately, something that is unmistakably meant to be here. But that isn’t what makes your breath catch.
For a moment, you think your eyes are deceiving you, playing tricks with the shifting shadows and the slivers of moonlight filtering through the branches. But then he shifts, just slightly, and you see the glint of something—his belt buckle? A knife? No, just the metal of his rings catching the faint light.
Your breath stills.
Gojo is already moving before you can react. His footsteps are sharp against the forest floor, crunching dried leaves and twigs, and his wand is raised before you even process that it’s Toji standing there.
“What are you doing here, Fushiguro?” Gojo’s voice is low, sharp-edged, crackling with restrained magic. He presses the tip of his wand to the back of Toji’s head, fingers curled around the handle so tightly his knuckles are white.
Toji turns, slow and lazy, like he has all the time in the world. His hands are up, not in surrender, but in that easy, mocking way of his—shoulders loose, chin tilted, smirk playing at the corner of his lips. The same lips you’ve kissed before.
Your stomach twists, your pulse a beat too fast.
“Dumbledore sent me,” Toji says, voice calm, infuriatingly nonchalant. He rolls his shoulders back, stretching slightly, as if none of this—Gojo’s fury, the tension simmering between everyone—concerns him in the slightest. “I don’t mean any harm. The old man just thought I should help, ‘s all.”
Gojo doesn’t lower his wand. If anything, he presses it harder against Toji’s skin, his eyes glinting dangerously behind his glasses. “Like hell we need your help.”
Toji clicks his tongue, shaking his head with mock disappointment. “Didn’t yer mother ever teach you to be nice to yer elders?” His grin widens when Gojo tenses. “I’m tellin’ you. Dumbledore sent me.”
“How’d you know where to go?” you ask, voice quieter than before. The map is still clenched in your hands, its edges crumpled under your grip.
Toji shrugs again. “Dumbledore gave me a few hints.”
Gojo’s nostrils flare. “What do you mean, ‘hints’?”
There’s a sharp shift in the air, the atmosphere suddenly charged with something volatile. Gojo pushes forward, his wand nearly digging into Toji’s neck, his jaw tight with barely contained rage.
The hairs on the back of your neck rise.
“Satoru,” you say, softly but firmly. “Step back.”
He doesn’t listen at first, doesn’t even glance at you. He just stands there, breathing through his nose, his grip still tight on his wand.
“Satoru.”
Finally, he spares you a glance—his gaze still burning, still full of suspicion and anger. But after a long moment, he steps back. Two paces. Then four.
You exhale, turning back to Toji. He watches you carefully, his smirk fading just slightly, replaced by something unreadable.
“Toji,” you say, slowly, measuring your words. “Tell me you’re not lying.”
His expression flickers—just a fraction of hesitation before he speaks.
“Princess—”
“Don’t call me that.” Your voice is sharper than you intended.
His lips quirk up, but the amusement doesn’t quite reach his eyes. “I’m not lyin’,” he says simply. “You think I wanna be here? ‘Course not. I’m doin’ this to boost my Auror applications. Classified work. Dumbledore made sure I’d get to the right place.”
You don’t break eye contact, studying him for any tell, any flicker of deception.
Then, you sigh. “He’s telling the truth.”
There’s a sharp inhale from Gojo, and when you turn, you see him looking at you like you’ve just betrayed him. His disbelief is so palpable you can feel it, seeping into your skin like cold water.
“You can’t be serious.”
Utahime exhales heavily. “If there’s anything you need to know about Fushiguro, Gojo, it’s that he does things solely for selfish purposes.”
Gojo is still looking at you, like he’s waiting for you to take it back, to say you were wrong.
You don’t. And slowly, reluctantly, he lowers his wand.
You swallow, your throat dry, before finally turning toward the rocks by the tree. There’s an incense stick. Already lit, and set on top of the stone. Already burned halfway down to nothing. Your stomach twists.
Geto. You know it before anyone has to say it.
You step forward, your boots pressing into damp earth, closing the distance with slow, careful movements. The others follow, drawn in by the same terrible realization. The scent of the incense is faint, something familiar but unwelcome, curling into the cold air like a whisper.
Gojo doesn’t move. Neither does Toji.
Utahime breathes in sharply, hands curling into fists, while Shoko just watches, her expression unreadable. Nanami stays still, watching the scene disentangle immovably.
But you? You kneel.
Your fingers ghost over the edges of the stones, their surfaces worn smooth from time and exposure. You hesitate for only a second before pressing your hands against them, testing their weight, pushing.
They shift. Just slightly. Your breath catches again, harsher this time.
"We have to move them," you say, voice steadier than you feel.
No one argues. Together, you start working, lifting, shifting, clearing away the stones one by one. The deeper you go, the more you realize—they weren’t just placed here at random. They were meant to hide something.
The last rock is heavier, and it takes both you and Nanami to push it aside. But when it finally moves, the map burns.
Not in flame, not in a way that destroys.
But in a way that ignites.
A sharp, golden pulse erupts from it, so sudden that you nearly drop it. Your fingers tighten around the parchment, feeling the warmth spread through your skin, sinking deep. It glows, flickers—something shifting across its surface like ink bleeding into water.
And then, a drop of blood.
Yours.
You barely register the sting until you see it—a thin, shallow cut across your palm, left behind from the sharp edge of a rock. A single bead of blood swells, wavers, and then—
It falls.
And time slows as it does, finally landing on the map with a soft plop.
The reaction is immediate. The golden light surges, curling outward, the blank space unraveling like a spell breaking. And then—slowly, slowly—something begins to appear.
Lines. Symbols. A path.
And beneath your feet, a low, deep rumble. The earth shifts, and the entrance reveals itself.
“Well,” Gojo glances back at the rest of you. “Shall we?”
You inhale sharply, the scent of damp stone thick in the air, before stepping forward, gripping the map tightly in your hands. The parchment is warm now, pulsing like a second heartbeat against your fingertips. You push ahead of Gojo, brushing past him without sparing a glance.
"I have the map," you say, voice steadier than you feel. "I have to tell you all the way."
Gojo doesn't argue. No one does.
The passage ahead yawns open like the throat of something ancient, something waiting. Darkness stretches out in both directions, thick and undisturbed, and yet—there is a structure to it. This is no ordinary cave, no natural formation carved by time and water. The walls bear the shape of something deliberate, something built. There is a symmetry to the archways, the way the stone has been shaped, pressed into perfect, unnatural precision.
A catacomb. A tomb.
"Lumos," Nanami murmurs, and then one by one, all their wands ignite, their glow illuminating the space in flickering bursts of gold and blue. Shadows dance wildly across the walls, stretching, bending, making shapes where there are none.
And then, the entrance seals behind you.
A dull, grinding sound shudders through the space as stone drags against stone, the path behind you closing in on itself with a finality that makes your stomach drop. The air thickens, pressing against your skin like the weight of something unseen, something watching.
Utahime swallows audibly, walking beside Toji.
"Why are there weird runes on the walls?" she asks, voice barely above a whisper.
You turn, eyes narrowing as she lifts her wand, illuminating the carvings. Symbols—etched deep into the stone, curling in intricate patterns, spiraling down the length of the corridor. Your heart lurches as recognition settles in.
The runes. From Mirai's parchments. They are here. Real. Tangible.
You suck in a breath, turning sharply to Gojo, and he meets your gaze with something grim, something knowing.
"That's exactly what you think it is," he says. And you exhale.
"These," you whisper, "were in Gojo’s mother’s notes. Specialists have been trying to decode them at the Ministry, but there hasn’t been any luck so far."
Utahime stares at the symbols for a moment longer, then exhales, shaking her head slightly.
"Well," she murmurs, "at least now we’re sure we’re going in the right direction."
"You wouldn’t know the right direction if it hit you in the face, Iori," Gojo mutters.
You elbow him before he can say anything else, rolling your eyes as you glance back at the map. The golden marker is still there, a single pulsing point in the vast, twisting pathways now revealed on the parchment. And extending from it—
A path. A single line, leading forward, winding deep into the tunnels.
"Alright," you say, voice heavy with something unnameable. "Up straight ahead so far."
The silence that follows is different now. It is no longer the quiet of an abandoned place, nor the hush of the unknown. It is oppressive, lingering, as if the air itself is thick with something unsaid. Every step echoes too loudly, the sound bouncing off the walls in ways that don’t feel natural.
It is not like the One-Eyed-Witch Passageway.
It is way, way worse.
Here, the air is damp and stale, laced with something metallic. You can hear water dripping, here too, slow and steady, but it is not a comforting sound. It is wrong. Everything is wrong. Each drop is sharp, ringing out against the stone like something waiting, something watching.
A knife at the back of your throat, waiting to cut.
"Fawkes," Gojo murmurs, his voice uncharacteristically soft, "you okay?"
You nod, though your grip on the map tightens slightly.
Behind you, Utahime and Shoko are murmuring, their voices low as they trace their fingers over the runes, trying to make sense of them as they walk. The symbols seem to shift under the flickering light, twisting into something unrecognizable whenever you look away.
And then, a sound. Not footsteps. Not water. Something else. You take another step, turning the first corner, and freeze.
A song. High-pitched. Piercing. Not melodic, not harmonious, but shrill, discordant—something between a wail and laughter. The hairs on the back of your neck rise, and before you can react, Gojo moves.
Fast. His hand is on your shoulder, shoving you back, pressing you against the wall as he raises his wand.
"Lumos Maxima!"
Light explodes outward, flooding the passage.
And there, Erklings.
Lining the path ahead, their bodies hunched, composed of wood and thorns, twisted and gnarled like something out of a nightmare. Their eyes gleam yellow in the wandlight, and when they grin, their sharp teeth glisten with something wet.
Bavarian Erklings.
You scramble for your wand, reaching for the hidden sheath in your boot, fingers fumbling against the leather. But they are fast. And one of them is already lunging, your breath catches, heart hammering, and before you can even react—
"Crucio!"
The word slams into the air like a physical force.
The Erkling shrieks.
A sound unlike anything you've ever heard—raw, agonized, its body twisting, writhing as it collapses onto the stone floor, limbs convulsing. Your head jerks toward Gojo, mouth wide open. His wand is still raised, expression unreadable. He holds the curse for a second too long. And then he stops.
The Erkling slumps, twitching, gasping in short, ragged bursts. And then—
"Pullus," Gojo mutters.
The Erkling barely has time to react before its body shifts, contorts—feathers sprouting in jagged tufts, limbs shrinking, warping, until all that remains is a dazed, disoriented chicken.
There is a silence that stretches between all of you. Your lips part, a protest forming, but nothing comes out.
Gojo does not look at you. Instead, he turns back to the others.
"Keep moving," he says.
And then the fight begins in earnest. Utahime, Toji and Nanami are already moving, wands raised, throwing jinxes faster than you can process.
"Melofors!"
"Pullus!"
A burst of magic surges through the tunnel—Erklings dropping one by one, their bodies warping, twisting, shifting into harmless forms. A pumpkin-headed creature stumbles into a wall, its shrill shriek cutting off abruptly. Another chicken flaps wildly before darting into the darkness.
Shoko dodges an incoming attack, flicking her wand sharply.
"Expulso!"
The force of the blast sends the creature flying, colliding against the stone with a sickening crunch. And then, it is silent. The last Erkling crumples, transformed, defeated.
Your breaths come fast, uneven.
Gojo exhales, rolling his shoulders as if shaking off the weight of an unseen thing. You clutch the map, pulse still unsteady.
And then, you step forward.
"Come on," you say, voice quieter than before. And you keep walking, deeper into the dark. This time, with your wand clutched tightly in hand.
This is silent in the way that a tomb is silent. A silence so complete it feels wrong, heavy, pressing against your skin, against your ribs, like the weight of the catacombs is threatening to collapse inward and swallow you whole. You listen to it, to the near-absence of sound: the shuffle of cautious footsteps against the uneven stone, the slow drip of water from unseen cracks above, the occasional intake of breath as someone stifles their unease. Even your heartbeat sounds loud in your ears.
You keep moving forward, leading them through the winding passage. The walls narrow and widen unpredictably, swallowing you in shadows one moment, then spilling out into dimly lit chambers the next. The light from your wands does little to dispel the oppressive blackness that lurks beyond its reach. Shadows stretch unnaturally, warping against the stone. You swear they move when you're not looking directly at them.
There are creatures here, but nothing large. Small, skittering things that vanish into cracks when light passes over them. They don’t bother you. Not yet. But something about them—about all of this—itches at the back of your mind.
You swallow down the lingering feeling of failure. You hesitated before. You could’ve been hurt. Worse, someone else could have. And you don’t know why it happened. You’ve been in fights before, but when that Erkling lunged for you, for a split second, you did nothing. You don’t have the luxury of hesitation now.
You glance back. Gojo is near the rear now, keeping pace with Nanami, his head on a constant swivel, eyes sharp, searching for threats before they find you. He hasn't looked at you since—since before, when the Erkling nearly reached you and he cast the Cruciatus Curse without hesitation. You don’t know what’s worse—the fact that he did it, or the fact that you didn’t say anything.
“Hey,” Toji’s voice is quiet beside you. You flinch before you can stop yourself. If he notices, he doesn’t say anything. He places a hand on your shoulder as you walk, firm, grounding. “Don’t worry. You’ll do fine.”
“I know,” you say quickly, avoiding his gaze, “I got distracted for a second. It won’t happen again.”
“It’s okay, y’know,” he continues, easy, unreadable. “Happens when it’s your first time. Can’t really blame yourself.”
“Right,” you nod, tightening your grip on the map. And then you feel it—the shift in the air.
It’s almost imperceptible. A sudden drop in temperature, the taste of damp stone thickening on your tongue. The hair at the nape of your neck stands on end.
You stop. “Wait.”
Toji furrows his brows but listens. The rest of them come to a halt as well, footsteps trailing off into silence. You exhale sharply, steadying yourself, rolling the map back up as your fingers tighten around your wand.
You step forward and whisper, “Lumos.”
The soft glow barely reaches the darkness ahead. Toji doesn’t hesitate—he flicks his wand, sending out a small burst of light, something like a spark, and you watch as it streaks forward, down the corridor.
It travels far. Farther than it should, down the endless stone passage, before it hits the end of the tunnel.
And for a moment, it illuminates them.
Inferi.
The sight slams into you like a physical thing. A suffocating, all-consuming wrongness that crawls up your spine and wraps around your ribs, constricting, pressing the air from your lungs.
They stand in the clearing where the tunnel widens into a vast chamber. Hundreds of them. No—thousands. Lurking at the edges of the light, motionless. Pale, waterlogged skin stretched thin over bone. Empty, milky eyes turned toward you in eerie synchrony. Their mouths hang open, twisted into expressions that were once screams, their fingers curled like claws at their sides.
They don’t move—not yet.
The spark dies. Darkness returns. And then, they move.
A sharp, jagged inhale rips through your throat. “Prepare yourselves!”
Shoko stiffens beside you. “What—what are they?”
You don’t take your eyes off them as you force the words out. “Inferi.”
Toji exhales sharply, a humorless, disbelieving sound. “You’re telling me Sukuna left an army of dead bodies here before he died?”
Your grip tightens on your wand as the Inferi lurch forward, slow at first, dragging, unsteady, like they are remembering how to move.
“Yes,” you whisper.
Then they run.
“Incendio Maxima!”
A torrent of fire erupts from your wand, surging forward like a wave, roaring through the tunnel and slamming into the first line of them. They ignite instantly, collapsing into heaps of smoldering ash before they can even scream. But there are more. So many more.
You glance at Gojo. He understands immediately. “Incendio Maxima!”
His fire burns hotter, brighter. The tunnel is bathed in violent orange and gold, casting nightmarish shadows along the walls as the Inferi burn, as they keep coming.
“There are thousands,” you yell over the roar of the flames. “Do your best.”
“Thousands?” Utahime breathes, horrified, but there’s no time for fear.
Gojo pushes past you, casting another massive burst of fire that incinerates twenty, thirty at a time, but they don’t stop.
They will reach you. They will consume you. You can already see it happening—how their hands will grab at you, how their fingers will dig into your skin, how their rotting, open mouths will close around your flesh.
You will die here.
No. No, you won’t. You can’t. You promised Gojo’s mother that you’d put your life before his.
“Satoru?” Your voice cuts through the fire and footsteps and snarling groans. “Firestorm Charm! I can’t do it—I’m not powerful enough.”
His head jerks toward you, and there’s fear in his eyes, something raw and wrong, and he shakes his head. “I don’t know the incantation for it. Trust me, I would do it if I—”
An Inferius lunges for him.
“Satoru!”
Toji grabs the back of Gojo’s coat, yanking him away just in time, spinning on his heel. You don’t see him cast, only see the eruption of fire that follows.
It spreads fast—a ring of flame roaring to life around all of you, crimson and gold, alive in a way magic shouldn’t be. The Inferi reel back, screaming, but they can’t reach you anymore.
Toji exhales, glancing back at everyone. “Move with me.”
And he does, stepping forward, the fire moving with him, a living shield, a boundary between you and them.
Your throat is dry. “How do you know how to do this?”
Toji doesn’t look back. “You kept your secrets all year and now expect me to tell you things?”
You swallow. “Sorry.”
“’S alright,” he says.
Then, above you, movement.
You glance up. The Inferi that didn’t burn are crawling across the ceiling. Your stomach twists violently, but you don’t hesitate this time.
“Incendio Maxima!”
They burn. They fall to the ashes. And Toji gives you a triumphant smile, “See? You didn’t get scared.”
You can’t help it—you return the smile, the edges of your mouth curling before you even think to stop yourself. A quiet, fleeting moment, as fragile as the flickering light of your wands.
“Yeah,” you murmur. “I didn’t.”
Then, you turn to Gojo. He’s a step away from you, close enough that the heat from his body lingers in the space between, close enough that if you reach out, you could touch the soot-smudged sleeve of his coat. You don’t.
“You okay?”
His lips press together for half a second, then, “I’m fine.” He says it lowly, almost grumbling. His voice is rough at the edges, worn thin, like he’s been pushing it too much, yelling over the roar of fire and moving bodies. Then, softer, but still urgent, “Check the map. We have to keep going.”
Up ahead, Toji moves steadily forward, his wand raised, the firestorm curling outward as he walks. Behind him, you all stay huddled, feet shifting carefully across the uneven stone floor, the remnants of charred bodies crumbling underfoot. Nanami, Utahime, and Shoko move in rhythm, their wands flicking up in quick, precise motions, sending bursts of flame whenever an Inferius manages to crawl too high, whenever the walls shift with the weight of something overhead. You don’t let yourself think too much about how many of them are left, how many still lurk just beyond the reach of your fire.
You kneel slightly, unrolling the leather of the map, fingers trembling just enough to make it frustrating, the heat of your skin bleeding into the parchment. Your breath is quick, uneven, but you don’t stop, don’t hesitate. You press your fingers against the worn edges, trying to smooth it flat against your thigh, eyes scanning over the markings—
And then you see it.
Your breath stills. The end. It’s near.
The pulsing light of the map—the magic leading you forward—stretches just past the clearing, just past the sea of Inferi. Then it stops. No, not stops. It pauses. There’s a break. A small indentation in the ink. In the light. Not a dead end. A doorway.
Your eyes trace the markings carefully, slowly. Beyond the doorway, there is another corridor, another tunnel, drawn in the same narrow lines as the one you stand in now. But there is no light there. No pulsing glow, no magic guiding you forward. The path just continues into nothing.
A door before the grave. A tunnel leading into blackness before the grave.
You exhale, forcing yourself to swallow down the thick knot of unease in your throat. You roll the map back up, standing swiftly, turning to Gojo. He’s already watching you.
“It’s not that far ahead,” you say, voice steady, despite the way your hand still burns with sweat seeping into the cut from earlier, despite the way the air still hums with distant, unnatural movement. He doesn’t respond, just tilts his head slightly, waiting. You shift, just enough that the distance between you is reduced to inches. No, centimeters. Close enough to feel him. But you ignore it, focus back on the map, lifting a hand to point. “This, however, may prove difficult.”
Gojo’s eyes flicker downward, watching the movement of your fingers, the subtle indentation on the map. His voice is softer when he speaks now, no longer rough with urgency, just quiet, questioning. “How so?”
You shake your head, stiffly. “The Inferi are here.” You tap at the clearing. “The grave is where the light stops.” Another tap. Then, finally, your finger hovers over the break in the ink. “This indent. It’s a doorway. There’s a tunnel past it, but I can’t see anything there. No markers. No details.” You exhale, slowly. “That means it could be worse than what’s out here.”
Gojo is silent for a moment. Then his lips press together, flattening into something grim, something careful, before he finally says, “I won’t let anything happen to you. I hope you know that.”
You blink, startled by the sudden sincerity. Then your shoulders tighten, your breath catches slightly. But it’s gone quickly, replaced by something sharp, something certain. You shake your head. “That’s not what I’m worried about, dummy.”
He exhales. A laugh, maybe, but too short, too quiet.
“I can’t let anything happen to you, either,” you say.
Gojo looks at you for half a second too long. Then his expression flickers, shifts—eyes widening just slightly. And before you can react, before you even register why, his wand is already raised, aimed just above your head.
“Incendio!”
A sudden burst of fire, sharp and white-hot, surges past you. You jerk backward, the heat searing the air above as something screeches—a raw, grating, inhuman sound that echoes through the tunnel, bouncing off the stone walls. You look up, breath caught in your throat.
The Inferius is falling, already burned, already gone, its hollowed-out face twisted into something monstrous, something not quite human anymore, something that might have once been a person, long ago. It collapses into ash before it even reaches the ground.
“Thanks,” you murmur, barely above a breath, before turning to Toji. He’s just ahead of you, his body silhouetted against the flickering wall of fire, his grip on his wand unwavering despite the exhaustion evident in the rigid set of his shoulders.
“Hey,” you call, voice low but firm, “can you see the hall up ahead? There’s a small tunnel past it. We have to go through there. Be careful.”
Toji doesn’t turn, only grunts, his eyes locked onto the shifting mass of the dead just beyond the flames. “Not many left. Barely a few hundreds now,” he mutters.
Your pulse stutters as a handful of Inferi lurch forward, nearly breaking through the barrier of fire. You raise your wand in an instant, fingers slick with sweat, and send out a burst of white-hot flames. “Incendio!”
The heat flares across your face as the creatures crumble, bodies collapsing into blackened ash, and the smell of charred, rotting flesh thickens in the stagnant air.
“Keep going straight,” you say, voice softer now, but urgent. “Stop just before the big hall. If we go in there, we won’t be able to control them. There’s too many.”
Toji gives a stiff nod. “Right.”
Gojo moves beside you, stepping forward slightly, his wand still raised. He doesn’t hesitate, doesn’t falter—just sends another torrent of flames into the darkness, clearing more of the army of the dead so the group can push forward. The firelight catches against his skin, his white hair glinting gold for brief, fleeting moments before flickering back into shadow.
And Toji does exactly as you told him. He stops just at the entrance of the hall.
You freeze beside him, eyes widening at the vast, open space before you. It’s circular, cavernous, the walls stretching high into a dome of blackness. You can’t see the ceiling, can’t even see where the walls end. It’s just dark, an abyss of stone and silence. But it’s filled—packed—with the Inferi, bodies stacked, pressed, twisted together in a sea of the undead.
There’s a tunnel at the other end. Barely visible. If not for the firelight, you wouldn’t even be able to tell the difference between the walls of the cavern and the creatures standing in front of them. The way they move—it’s not all at once, not a coordinated attack. Just slow, unnatural twitches, heads turning sharply, bodies shifting awkwardly in reaction to the flames. But they don’t stop. They can’t stop.
Gojo exhales sharply beside you, gaze locked ahead. “Keep the wall up.” His voice is gruff, lower than usual.
Then, he raises his wand. And this time, it’s stronger than anything before.
A single, roaring inferno bursts forward, crashing against the Inferi with devastating force. It engulfs the first hundred instantly, burning them to nothing in seconds. You can barely see beyond the sheer brightness of it, your vision flickering between gold and black as the flames spread outward, stretching past Toji’s firestorm, devouring.
Some of them try to retreat. But they don’t—can’t—make it far. It’s in their very nature to chase, to seek out the living. And so they keep moving, even as their bodies burn, even as they collapse into nothing.
Gojo exhales, lowering his wand slightly, turning to you. A question in his eyes. You nod.
And this time, you do it together. “Incendio Maxima!”
The flames that erupt from your wands are immense, combined into something unstoppable. It surges forward, past Toji’s wall, past the clearing, past the horde—a monstrously magnificent burst of gold and white, twisting into shapes you can’t even comprehend, consuming everything.
The heat is unbearable. The light nearly blinding. The screams—horrific, unnatural, echoing endlessly against the stone walls—fill the cavern like a terrible chorus of the damned.
By the time the flames die down, the cavern is silent. There are only a few left now. Twenty, maybe forty. Easily manageable.
A breath escapes you, unsteady, but relieved. A grin breaks across your face, triumphant, and before you can stop yourself, a quiet laugh slips past your lips.
Shoko and Nanami step forward, raising their wands, sending their own bursts of flame into the few remaining Inferi, finishing them off.
And then, finally, Toji lowers his wand.
A harsh breath leaves him, something between a sigh and a quiet grunt, and you watch as Utahime claps a hand on his back, murmuring a small, “Thanks.”
You catch her eye, and give her a small, tired smile.
“Hey,” Shoko then says, nodding up ahead. “There’s the tunnel.”
You follow her gaze. At the very back of the cavern, beyond the burnt remains of what was once a horde, there is an opening. A tunnel, carved into the stone.
But it splits.
“There’s three paths,” Utahime murmurs.
You glance down at the map, scanning it quickly, before looking back up. “Go straight.”
A chorus of “Lumos” follows, each voice low, exhausted, but clear.
Your steps are slow now, careful, as the group moves through the charred remains of the Inferi, past the blackened bones, past the ruined, hollowed-out eyes that no longer see.
And as you walk, you look up.
The vastness of it unnerves you. The way the stone stretches up, up, up—higher than you can see, disappearing into the darkness above. The walls are carved, etched with runes, scattered across the cavern in patterns that feel deliberate, that feel ancient. You can’t make out the inscriptions anymore, not now that the fire is gone, but you’d caught glimpses earlier, words you didn’t recognize, shapes that felt wrong.
Your fingers tighten around your wand. “There might be a doorway up ahead,” you say.
You step into the tunnel, and the sound of your footsteps echoes against the dark stone, each step swallowed by the weight of the silence pressing in around you. The air is coagulated, lifeless, untouched by anything living for centuries. The only light comes from the glow of your wands, flickering against the uneven walls, casting elongated shadows that twist and stretch with every movement.
Behind you, the others fall into step, their breathing shallow, quiet. No one speaks. There is something about this place—something about the way the tunnel narrows, the way the walls close in—that makes words feel too loud, too dangerous.
You glance down at the map again, eyes tracing the inked lines. It’s supposed to be just ahead.
You stop. Only a few feet away, you see it. The incantation, faintly marked on the stone beneath your feet.
Your grip tightens around your wand, and you whisper, “Nox.”
The light dies instantly, plunging the tunnel ahead into darkness. For a moment, the silence is deafening. Then, you lift your wand and flick a single spark forward.
It dies before it reaches the ground.
Your pulse thrums in your ears. Now, you see it—it’s not exactly a doorway. More of a gate. A metal door with bars, stretching from floor to ceiling, its iron-blackened with age, embedded deep into the rock like it had been built into the mountain itself.
It’s locked. You step forward, staring at the intricate mechanism, and exhale slowly, murmuring, “Alohomora.”
Nothing. The gate doesn’t budge. Not even a shift, not even a sound. Your heart sinks as you turn back to the others, the cold metal reflecting the dim light of their wands.
Shoko presses her lips together, stepping beside you. She raises her wand, whispering the spell again. Still nothing. The tunnel falls into stillness, thick with expectation, with unease. The metal gate looms before you, unmoving, impenetrable.
Nanami shifts, his voice low. “What now?”
You stare at the gate, pulse quickening. Then, the realization practically hits you in the face.
A slow grin spreads across your face as you turn to Gojo. “Hagrid.”
He frowns, brows furrowing. “What?”
You shake your head, already reaching down, stuffing your wand back into your boot before carefully, delicately, peeling back the embroidered fabric of your chest pocket. The Gryffindor crest is still warm against your fingertips.
And inside, two tiny, beady black eyes peek up at you.
A quiet breath of relief escapes as you gently lift your hand, offering your palm, and the small creature blinks before climbing onto your fingers with its delicate, twig-like limbs.
Gojo steps closer, eyes widening. “That’s what Hagrid gave you?”
You nod, extending your arm slightly. “Everyone, meet Twig. He’s a Bowtruckle.”
There’s a pause.
“Oh my God,” Shoko mutters then, running a hand down her face. “They can open practically any lock.”
“Exactly,” you say, grinning now. The tension in your chest loosens, just a little, as you bring Twig closer to the iron gate, whispering, “Sorry, Twig. I promise I’ll take you back to Hagrid after all this, okay? But I need your help.”
Twig chitters softly, tilting his tiny head, before gingerly stepping onto the cold metal. He moves with careful, deliberate precision, scuttling down toward the lock like he already knows exactly what to do.
For a moment, there’s only the soft sound of his small limbs scraping against the metal. Then, he reaches the keyhole, pressing his tiny branch-like fingers into its intricate gears.
He twists. Turns. A quiet, rapid chitter fills the space, echoing through the tunnel.
Then—
Click.
The lock releases. The gate swings open, groaning loudly as it moves.
A breathless laugh escapes you. Relief floods your chest as you extend your arm again, and Twig eagerly clambers back onto your sleeve.
“Thank you,” you murmur, brushing a gentle finger against his tiny head before opening the pocket of your sweater again. He slips inside, curling up in the fabric, and just as he settles, you swear he yawns.
You shake your head, smiling. Then, you look back up, past the open gate. The last tunnel stretches before you, silent, waiting.
“One last tunnel,” you say. Your voice is steady, despite the pulse thrumming in your throat. You lift your wand.
“Lumos.”
You step forward, and the tunnel seems to shrink around you. The air grows impervious, heavy, pressing in from all sides like an invisible force, as if the walls are breathing, as if the tunnel itself is watching. Your breath curls in front of you in thin, silver wisps, barely visible in the dim light of your wand.
You exhale, and the cold deepens.
It is the kind of cold that seeps into the marrow of your frame, that settles in the hollows of your chest, that burrows beneath your skin and stays there. It is unnatural, empty, a cold that has nothing to do with winter. And yet, your mind scrambles for something logical—maybe it’s the mountain, maybe the temperature is dropping outside, maybe it has started to snow in Japan. Maybe—
But no.
Something is wrong. Again.
You feel it before you see it. The shift in the air, the way it suddenly thickens, curdles, as if time itself has slowed, as if the world has bent, imperceptibly, just enough for you to notice. A sharp ringing begins to crawl up your ears, a muted, suffocating silence swelling, pressing against your ribcage and sternum.
And then, a slow, creeping shadow.
You see them.
Dementors.
A dozen. No—more. Their cloaks billow, though there is no wind, ragged, tattered, stretching as they move. The darkness around them is thick, almost living, swallowing the dim light of your wand, suffocating it. You can’t see their faces. You don’t need to. The emptiness they carry seeps into your lungs, into your chest, into the marrow of your bones, twisting through your mind like a silent, insidious poison.
The temperature plummets.
It is not the kind of cold that bites at your skin. It is worse. Deeper. It is the kind of cold that drags—drags every happy memory from you, drags every warmth, every safety, until you are hollow, until you are nothing but this moment. This tunnel. This darkness.
Your heart pounds. You can hear it in your ears, beating too fast, too frantic, but even that sound is starting to feel distant, as if the Dementors are already working, pulling something from you, something you can’t lose.
A soft, keening breath escapes from behind you.
You turn, and you see them—Shoko, Utahime, Nanami—standing frozen, rooted, paralyzed by something deeper than fear.
Shoko is breathing too fast, her eyes too wide, her fingers trembling around her wand. Utahime has a hand clamped over her mouth, as if trying to keep something inside, as if she is already hearing something she cannot bear to hear. And Nanami—Nanami, who is always steady, always sure—Nanami is pale, his gaze locked on something beyond what anyone else can see, something inside himself, something that is being taken from him.
Gojo doesn’t move. Toji doesn’t either.
But they feel it. You know they do.
You can see it in the way Gojo clenches his jaw, in the way his fingers tighten around his wand, in the way he forces himself to stay upright, as if holding onto something only he can see. Toji is the same—face impassive, unreadable, but there is a tension in his shoulders, in his stance, in the way his fingers twitch.
And then, a slow, rattling breath. One of the Dementors shifts forward.
Your lungs seize. You can feel it—something pulling, something peeling away, something you cannot afford to lose.
You react before you can think. Your wand is already raised. Your voice is already there.
“Ready?” Toji asks, his voice low, steady.
You nod, pulse thrumming.
"Expecto Patronum!"
Light erupts from your wand—brilliant, silver, cutting through the suffocating darkness like a blade. Toji’s does the same, but his is different—his is mist, a wave of shapeless silver fog rolling forward like a shield, casting long shadows against the stone walls.
You glance at him, breathless. He catches your look and shrugs, his voice as casual as ever. “I have a corporeal one. This is just easier.”
You shake your head, turning back as your own Patronus fully forms. A phoenix. Its wings spread, luminous, searing against the darkness. It rushes forward, cutting through the closest Dementor, pushing it back, driving it away—
But then—
The Dementor stirs, its tattered cloak billowing, its skeletal hands reaching, and the moment your Patronus dissipates, the cold rushes back, fast, suffocating, merciless.
You lower your wand, chest heaving.
The Dementors are still there.
And they are still coming.
“This is why Gojo calls you Fawkes,” Shoko murmurs, the realization settling over her like a slow-burning light.
You glance back at her, the ghost of a smile flickering at your lips, but it’s fleeting—momentary—because the cold is still here, wrapping its fingers around your throat, pressing into your chest, tightening. You nod once, sharp, before turning forward again, gripping your wand just a little bit tighter.
You try again.
“Expecto Patronum!”
The words leave your lips, the spell bursts from your wand, but—
It is weak.
A flicker, barely a glimmer of light before it fades, like a candle snuffed out by an invisible hand. The cold is too strong now, seeping into your bones, rotting through your veins, pulling at something deep, deep inside of you, something you need.
You try to breathe, but the air is thick, heavy, pressing down. Your heartbeat pounds in your ears, faster, faster, thudding like a frantic drum. It feels wrong. It feels impossible. You have done this spell a hundred times before, practiced it enough, but now—now—your hands are shaking, your fingers numb, your breath short, your mind clogged with something like fear but worse.
They are coming closer.
You see them, gliding forward in eerie, silent unison, their tattered cloaks swelling, their hollow, faceless voids of heads tilting, as if they can already taste your fear, as if they are already pulling from you. And you feel it—you feel the emptiness coiling in your stomach, reaching into your chest, clawing through your memories, through everything that makes you you.
Your lungs stutter. It is not a scream that leaves your mouth but a gasp, a ragged, breathless sound of realization—
You can’t do it. Your Patronus isn’t strong enough. The Dementors keep coming.
And then, there’s a sharp pull at your jumper from behind you.
You yelp, the ground disappearing from beneath you as you fall, hips slamming against cold stone, your hands catching against the rough surface just in time to keep you from falling completely. The world lurches. You hear your own breath, fast, shallow, a mess of panic as you scramble for your wand—
Gojo shoves Toji back, arm slamming across his chest, because there are simply too many of them.
Too many.
Too many.
You push yourself up, eyes wide, head snapping toward him as you scream, “Satoru!”
You reach out, reaching for him, reaching for something, anything—
But he is already moving. Already casting.
“Expecto Patronum!”
His voice shakes the tunnel.
It does not echo—it rings. Resonates. The walls tremble, the air splits apart, the darkness shatters beneath the weight of it. It is not just light that bursts from his wand—it is power, raw and absolute, swallowing the Dementors whole before they can even think to move.
Your breath catches.
The Patronus takes shape. And then you see it.
Something so vast, so impossibly enormous, you cannot tell where it begins and where it ends. You do not even breathe as it rises—tall, monstrous, majestic.
A dragon.
It is the most powerful Patronus you have ever seen, will ever see, in your entire life.
The silver light is blinding, molten, burning through the tunnel with an intensity that is almost too much, almost impossible to look at. The heat of it reaches you, even through the numbing cold, even through the stagnant air. Its wings spread—massive, a single beat sending a shockwave through the space, parting the Dementors like dust in the wind. Its body coils in a great, arcing motion, a beast of light and fire and fury, silver scales reflecting like mirrors against the stone walls.
And suddenly, you understand. You understand why the Marauders’ Map had that strange name written across it. The nickname Gojo had given himself.
Ashen.
Because this is what he is. It’s what his patronus is.
Something untouched by the dark. Something that burns through the shadows, something that refuses to be swallowed.
The Dementors flee.
And Gojo Satoru stands, Patronus burning, face illuminated in silver light, untouched, unshaken, like he was always meant to be here.
He turns once the last of the light fades, once the dragon—vast and towering, ancient and blinding—dissolves into thin air, leaving behind only echoes, only the remnants of a power that felt like it had been carved from something greater than magic itself. The tunnel is silent now, the Dementors gone, but the cold remains, a whisper of what once was.
Gojo’s breath is heavy, chest rising and falling in sharp, uneven motions as he stares at you. There is something in his eyes—something raw, fragile beneath the usual arrogance, something that flickers, almost unsure. He is waiting. You are not sure for what.
You push yourself to stand, legs still unsteady, the weight of what just happened pressing against your bones, curling itself into the hollow space beneath your ribs. There is a strange pressure in your chest. You cannot name it, so you exhale sharply and place a hand on his shoulder, awkward but grounding, your fingers curling slightly against the fabric of his robes.
“That was…” you start, but the words do not come. They falter, caught somewhere between your throat and your teeth, so you click your tongue instead, shaking your head.
Gojo tilts his head at you the way he always does—like he knows something you don’t, like he is already laughing at the words you have not spoken yet. His eyes soften, but only for you. Only ever for you. And you cannot stand it, cannot stand how infuriatingly charming he is, how easily he wears that ridiculous, tender smile even after nearly dying.
“Incredible,” Shoko cuts in from behind, walking toward the two of you with her hands shoved in her pockets. “You’re teaching me that. I want a fake pet dragon of my own.”
“It’s not a pet, stupid,” Gojo scoffs, rolling his eyes, but there is no bite in his words, only amusement. “It’s a Patronus.”
“You’re teaching me, anyway,” she insists, shaking her head, before glancing around the now-empty tunnel. “All of the Dementors are dead. I thought they only existed in Azkaban.”
“I’m guessing someone left them here,” Toji mutters, his voice low, unreadable. He nods toward the tunnel’s exit. “After Sukuna was put into a tomb.”
“To keep people from coming,” you murmur.
The words leave your mouth before you have fully processed them, before you have even considered the weight of them. But it makes sense. Too much sense. A defense mechanism—an ancient one, old magic twisted into something cruel, something meant to deter rather than protect.
And then, another thought. One colder than the last.
“Then how did Suguru make it through?”
Gojo turns to look at you, his brows furrowing slightly. You can tell he is thinking it through, letting the pieces fall into place as his fingers flex at his sides.
“Salazar fucking knows,” he mutters.
You don’t miss the way he glances toward the end of the tunnel, toward the dim light that filters in from beyond, its glow stretching across the stone floor in uneven patches. It calls to him, the way all things dangerous and unknown seem to. And before you can say anything, before you can stop him, he moves, fast, as if something is pulling him forward, as if his life depends on reaching that light.
You follow after him, matching his pace, the air growing thicker around you as you near the exit.
The tunnel ends suddenly. One moment, you are walking through a tight corridor of damp stone, the walls pressing in, the air thick with the scent of decay and age, the sound of your breath loud against the silence. The next, the passage opens up into something vast, a space so cavernous it takes your breath away. You slow to a stop, blinking against the dim light, your fingers twitching at your sides.
It’s an amphitheater. Circular, ancient, impossibly large. The stone steps curve downward, layered in rings, leading to the center like a pit meant for something dark and long buried. The walls curve inward, enclosing the space, trapping the air inside so that every movement feels weighty, every breath thick with something old, something forgotten. The torches lining the walls flicker low, their glow too weak to chase away the shadows. You get the feeling that the darkness here is not merely the absence of light but something more.
Your breath catches when your eyes find him. Suguru.
He stands at the very heart of the amphitheater, next to the tomb that sits heavy in the center like an altar. His head is bowed, his wand raised, his lips moving in some hushed murmur, the words slipping from his mouth like smoke, curling into the air before vanishing. In his other hand, something glints—just barely—a locket, swaying gently with the movement of his breath.
It’s him, but it isn’t him. Not really.
When he hears you, hears the soft shuffle of boots against stone, his head snaps up. His eyes, when they meet yours, widen—but only for a moment. Then they land on Satoru, and the expression shifts.
“Satoru,” he breathes, like the name alone is enough to steady him, enough to pull him out of the trance, enough to make the thing inside him loosen its grip. For a moment, there is hesitation, a flicker of something familiar, something real.
Satoru steps down the stairs, once, twice, slowly, measured, like approaching a wounded animal. He tests the ground beneath him, the weight of his own voice, before he speaks, low but firm, echoing across the cavernous space.
“Don’t do this, Suguru,” he says, voice cracking. “I’m begging you.”
You feel it then. The weight in your pocket, pressing against your thigh. The phial.
And then, your eyes are on the locket, gleaming dully in Suguru’s grasp, and everything clicks into place.
Your mind churns, the realization dawning not gently, not slowly, but all at once, a violent kind of clarity that makes your stomach turn. The way his eyes look hollowed-out, the way his movements have been wrong for months, the way he speaks like something is pressing against his throat, curling around his words, twisting them into something they were never meant to be. You know what this is. You’ve read about it in books, whispered about it in dark corners of the library, terrified at the implications of what something like this could do to a person.
The Horcrux. It’s controlling him. Twisting him. Suffocating him.
It has been for months. Maybe longer, depending on when and how he found it.
A sharp breath leaves you, too sudden, too loud. Toji turns his head at the sound, his scarred lip pressing into a thin line, but you barely register it. Your legs move before your mind does, carrying you forward, down the steps, just a few, toward Suguru.
“Suguru,” you call out, voice steadier than you feel, “it’s not you. It’s the Horcrux.”
His brows knit together, his lips parting, his fingers tightening around the locket.
“What?” he asks, but his voice is strange. Not confused, not questioning, but defensive. Like you’ve accused him of something, like he’s already made up his mind. “Of course not, this is what I want. This is what I must do. Don’t you understand?”
His gaze shifts from you back to Satoru, his grip still white-knuckled around his wand.
Satoru is nearly at the bottom of the steps now. Almost. Just a few feet away.
Suguru whispers something under his breath. You don’t hear it, but you feel it.
A chill creeps up your spine, and instinctively, your eyes dart around the amphitheater, searching, scanning, waiting.
Then, the doors opposite you groan open, slow, deliberate.
And the Inferi begin to pour in.
Dozens of them. No—hundreds.
A choked breath leaves your throat. Behind you, you hear Shoko, Nanami, Utahime—the way their bodies tense, the way their wands rise in unison. They do not have to wait. They understand immediately. They know what must be done.
But you don’t have time to think about that now. Because Suguru has turned back to Satoru. And he raises his wand. You feel something sharp twist in your chest. It happens fast. Too fast.
“Satoru!” you scream, his name leaving your lips like a prayer, like a plea, as you move without thinking. The map slips from your fingers, fluttering uselessly to the ground, forgotten.
Suguru does not hesitate. He attacks. The duel begins.
Satoru does not attack back. He blocks. He dodges. He steps lightly, carefully, every movement calculated, precise, defensive. Every spell deflected, every curse sidestepped.
Suguru does not hold back. He moves quickly, viciously, every spell sent with intent, with force, with fury. His eyes burn, dark and wild, his body thrumming with something unhinged.
You watch, horror creeping up your throat, as Suguru raises his wand and sends out a curse. An Unforgivable one.
Satoru deflects it. Barely. Your heart jumps.
“Suguru,” Satoru breathes, dodging another curse, his voice low, aching, “please—”
“Stop talking!” Suguru snaps, eyes glinting with something terrible, something feverish, sending another curse, and another, and another.
Satoru does not stop trying.
But you—
You cannot focus on them anymore. Because you see it. The Horcrux. It sits atop Sukuna’s tomb, heavy, waiting. You scramble toward it, down the steps, heart pounding, breath ragged, feet slipping against the stone as you rush forward.
You are close. You can reach it. Just a little more.
Suguru turns. His wand flicks toward you. He whispers the curse before you even have time to react.
“Sectumsempra.”
You don’t see it happen.
But you feel it. A force slamming into you, knocking you backward, knocking the breath from your lungs.
Toji.
You hear the impact before you register what has happened. The way his body crashes against the ground. The way he lands in front of you, crumpled, still.
His blood pools too quickly.
Too fast, too much, blooming across the stone floor in a deep, viscous red, the edges of it creeping outward like fingers, like something alive, and reaching. You stare at it, at the way it spreads beneath him, at the way it gleams in the dim light, and your breath—
Your breath doesn’t come.
It is stuck somewhere between your lungs, between the moment before and the moment after, between understanding and denial. You sink to your knees beside him, your fingers hovering just above his chest, your hands trembling too violently to touch him. The wet sound of his breathing, ragged, uneven, clotted with something thick, echoes between the stone walls, and you watch—helpless—as his entire body begins to bleed.
There is too much blood.
He tries to say something, but it comes out wrong. The sound wet, bubbling, choked at the edges. A protest, maybe. A warning. A curse. You don’t know. You don’t want to know.
“No, Toji,” you whisper, shaking your head, “don’t—don’t say anything, please.”
You don’t know why you say it. Maybe because if he speaks, it means it’s real. Maybe because if he doesn’t, you can pretend for a little longer that he isn’t slipping away beneath you, his body torn open, his breath shallowing. Maybe because there is something so much worse about the idea of him trying to say something—to say anything—only to be cut short by the weight of his own dying.
Your throat tightens. Your hands curl, helpless, into fists.
Then, you remember yourself.
You rip your gaze away from him, from the ruin of his body, from the way his blood spills across your knees, seeping into the fabric, staining you. You look up, eyes burning, and search for Utahime.
She is up the stairs, her wand raised, sending bursts of fire toward an Inferius. Her face is sharp with focus, her body taut with it, every movement deliberate, decisive, honed by something deeper than just skill.
You scream her name, the sound of it raw, cracking, echoing against the stone.
“Iori!”
She turns at once, her head snapping toward you, eyes wide. Then, she is running, moving without hesitation, feet pounding against the steps as she descends, as she falls into place beside you, kneeling on the opposite side of Toji’s body.
She opens her mouth, about to speak, about to ask, but you grab her hand before she can.
“Iori,” you say, voice breaking, “go. Go back to Hogwarts. Take him to Snape. Snape will know what to do.”
Her face twists in something stricken, something close to refusal. “What?” she breathes. “I can’t just leave you all to fight here.”
“And I can’t let Fushiguro die when it was supposed to be me,” you say, firmly.
Your voice does not waver. Your hands do not either as you press hers against one of Toji’s wounds. You feel the heat of his blood soak into your palm, feel the unsteadiness of his pulse beneath it. You meet her eyes, hold them.
“Take him to Snape, Iori. I can’t Disapparate. You have to be the one to do it.”
She swallows hard. You can see the way her hands shake now, stained with blood, the way her chest rises and falls, the way she wants to argue, to tell you no, that she won’t, that she refuses. But she looks at Toji, at the way he is barely breathing, and she knows. She knows there isn’t another choice.
She nods. Then, she closes her eyes.
A second later, they are gone. The only thing left is the blood.
It stains the stone, pooling in the cracks, seeping into the seams. It stains your hands, thick and hot, clinging beneath your fingernails, pressed into the weave of your sweater. You can feel it drying already, the edges of it tacky, the scent of it thick in the air.
You exhale once, shoving the locket into the back pocket of your jeans. You stand, legs unsteady beneath you, and lift your wand. There is no time for hesitation.
Shoko and Nanami are holding the line on the steps, their wands moving in sharp bursts, handling the Inferi with precision. You do not need to look long to know that they will hold their ground.
Your eyes scan the amphitheater. And then, you find them.
Satoru. Suguru.
They are still fighting. Your breath leaves you in a shudder, your fingers enclosing around your wand.
You cannot waste another second.
You watch them fight. Your breath pulls short, uneven, catching at the back of your throat as your fingers tighten around your wand.
Suguru is relentless. His magic is not just offensive—it is furious, a ceaseless barrage of Unforgivable Curses, one after another, his wand moving in sharp, decisive arcs, his face twisted into something that doesn’t look like him, something too empty and too full all at once. His curses slice through the air like blades, hurtling toward Satoru with a kind of merciless precision, the kind that suggests he is not hesitating, not holding back.
And Satoru—Satoru is barely keeping up.
He does not counter. He does not send anything back. He only dodges, barely, stepping away at the very last second, twisting, deflecting, shielding, moving, but never attacking. He does not raise his wand in offense. He does not even try.
He is only trying to safeguard Suguru from himself.
Your heart is too loud.
Your fingers tighten, and a drop of blood—Toji’s blood—escapes the ridges of your palm, slipping past the gaps between your fingers, trailing along the length of your wand, clinging to the wood before finally reaching the tip and falling.
The droplet splatters against the stone.
Small. Insignificant. Except it isn’t.
Because Suguru is trying to kill him. Because Satoru won’t fight back.
Because it is terrifying, the way he is hesitating, the way he is choosing to hold himself back even as death comes hurling toward him, again and again and again.
You swallow. Your throat feels tight, like something is closing up from the inside, like something is pressing down on your chest, making it impossible to breathe. Your head rings with the promise you made to Mirai—to Satoru’s mother—that you would put his life before yours, that you would not let anything happen to him.
Your breath stills. Your feet move.
“Suguru, I can’t lose you!” Satoru shouts, voice cracking, desperate, his breath heavy with exertion. “This isn’t you. Please—”
Suguru grits his teeth. His wand snaps upward, another curse ready at the tip of it, his movements sharp with conviction, unwavering.
“I have to do this, Satoru.”
And then, before Satoru can lift his wand—before he can block it, before he can react—you reach him.
Time slows. You see it all, as if from a great distance.
Suguru’s wand flicks. A spell shoots toward Satoru, dark and green, the magic sizzling through the air, fast, too fast—
Your body moves before your mind catches up.
You shove him. Hard. Your hands collide with his chest, and you feel the impact reverberate up your arms as he stumbles, falling, his eyes widening in shock as he goes down, wand pointed at you.
The curse is coming.
Your body locks up, lungs closing, heart hammering itself into something frantic, too loud, too fast. You brace yourself, brace for the impact, brace for the pain, brace for something terrible and irreversible, for the kind of agony that will bring you to your knees—
You shut your eyes.
You wait.
And wait.
And wait.
But nothing happens. Your eyes snap open.
There, right in front of you, is a golden shield, pulsing, shimmering, strong enough to stop the curse just before it can reach you. The magic flickers, glowing, warm and brilliant, radiating from something.
Your gaze drops, then.
The phial.
You watch, frozen, as it falls from your pocket, slipping free, tumbling through the air as if in slow motion.
It hits the stone, shattering. The sound is small, fragile, like the breaking of something ancient.
Suguru’s eyes widen. His head snaps toward the phial, his breath catching, something flickering across his face. He looks at Satoru, then at you, his grip tightening around his wand, his entire body tensing—
And then, silence.
“You told her,” Suguru whispers.
His wand dips slightly, falling slack at his side, his fingers twitching as if he isn’t sure whether to hold on or let go. His gaze, sharp and searching, is fixed on Satoru, but his voice is barely audible, something small and breaking, something not meant for anyone else to hear.
The amphitheater is still. The fight is over, but the air remains charged, thick with something unspeakable, neither victory nor defeat, something much heavier. The smell of blood lingers from your hands and sweater, the echoes of magic still whisper against the stone, and somewhere, behind you, the sound of battle continues—Nanami and Shoko holding their own against the Inferi. But here, within the amphitheater, there is only silence.
And yet, something shifts.
You see it before you feel it.
It is not visible, not something you can touch or grasp, but it is there, in the way Suguru’s shoulders loosen slightly, in the way his breath stutters, in the way Satoru remains frozen, watching him with something unbearably raw in his expression.
Their blood pact has broken.
Your stomach twists. You know what this means.
Satoru can betray Suguru now, however many times he wants.
And Suguru—
Suguru can read Satoru’s mind.
You see it in the way Suguru looks at him, eyes dark, almost unfocused, his lips parting slightly as he stares. He is already doing it. Already slipping into Satoru’s thoughts, already pulling apart his mind, unraveling him thread by thread, seeing everything that has ever been unspoken between them.
Your breath catches.
You don’t know what he is seeing.
But you can see how it changes him.
Suguru exhales sharply, a sound caught between a scoff and a laugh, a hollow thing, humorless and bitter. His free hand clenches into a fist at his side. His expression does not shift much, but something in his face tightens—his jaw, his brow, the corners of his mouth pressing inward, as if he is struggling to hold something in.
“I just tried to kill you,” he says, voice quieter now, rougher, like something raw has been scraped open inside of him. He gives a short, sharp breath of laughter, devoid of any real amusement. “At least curse at me a little at the very end.”
Satoru shakes his head.
And then, as if it is the easiest thing in the world, he says, “You’re my one and only best friend.”
The words fall between them, and you feel something in your chest tighten, something unbearably fragile.
Suguru looks at him.
You shouldn’t be here.
That realization washes over you all at once, a cold, creeping sensation curling up your spine. This moment is not meant for you, not meant for anyone else. It is something sacred, something years in the making, built on a foundation only the two of them understand.
And yet, you are here.
You swallow, exhaling softly, watching as Suguru extends a hand.
For a moment, neither of them move.
Satoru just stares at him.
Suguru, silent, waiting.
And then, slowly, cautiously, Satoru reaches up and takes it.
There is no relief in their faces. No triumph. Only exhaustion, only something that lingers between regret and understanding, something neither of them is willing to say out loud.
They both turn to look at you.
You let out a slow, steady breath, gathering yourself, willing the weight of this moment to settle somewhere deep in your ribs, somewhere it will not break you open.
“We should get back to Hogwarts,” you say quietly.
Neither of them respond, but you don’t need them to.
Because the fight is over.
But the war isn’t.

There is a reason you made Gojo Disapparate directly into the hallway outside Dumbledore’s office.
It is quiet here. Removed from the castle’s hum of voices, from the frantic energy that must still linger in the halls, from the echo of footsteps in the Great Hall and the whispers that will follow in your wake. It is calm. The kind of quiet that feels undeserved, like something borrowed, something that might slip away if you breathe too deeply.
The five of you land in an unsteady heap, the force of the sudden reappearance sending a tremor through your bones. The shift from the suffocating darkness of the catacombs to the familiar candlelit stone of Hogwarts should be comforting, but it isn’t. The world is still moving, and you are still caught in its momentum.
“Merlin’s beard—”
Nanami staggers forward, a hand clamping over his mouth, his other arm thrown out for balance. Shoko wavers beside him, grip tightening around her wand as she presses the back of her hand to her lips, her entire body recoiling at the violent lurch in her stomach.
You almost laugh.
Gojo has finally run out of vials of Pepperup Potion.
Neither of them seem capable of forming words beyond a weak groan, and then, without a second thought, they both take off toward the infirmary, shoulders knocking against each other as they go.
You watch them go, shaking your head. The nausea will pass. It always does. Then, slowly, you turn to the other two.
Satoru and Suguru.
There is something different about them now.
You don’t know what it is—not fully, not yet—but something in the air between them has shifted, weighty, unspoken. Suguru stands still, his hands slack at his sides, his expression unreadable. Satoru, beside him, doesn’t quite meet your eyes, his gaze cast downward as if studying the stone beneath his feet.
You exhale through your nose, forcing yourself to steady the rhythm of your breath.
“I’ll take the locket and the map to Dumbledore,” you murmur, voice quieter than you intend. “You two should get some rest.”
Satoru looks up at you then, blinking as if registering your words a second too late.
“What about the Bowtruckle?”
Suguru’s brows furrow, his expression twisting in confusion, but Satoru doesn’t acknowledge it—his eyes remain on you, waiting. You blink, momentarily lost in the sheer absurdity of the question. Then, slowly, your lips curve upward.
You bring a hand to your chest, pressing against the pocket of your sweater. There, curled up against the fabric, the tiny creature stirs, its little limbs shifting slightly, warm and small and impossibly delicate.
“I think I’ll keep him,” you say finally, shrugging. “Hagrid probably has plenty more.”
Satoru exhales, nodding, his lips pursed in something like approval. Suguru watches the two of you in silence, his gaze heavy, unreadable. You let out another breath, quieter this time, before turning toward the gargoyle statue before you.
You hesitate only once, just for a moment, glancing over your shoulder at Satoru.
Then, softly, you murmur, “Sherbet Lemon.”
The statue shifts, stone grinding against stone, revealing the spiraling staircase beyond. You take the first step. The stairs move on their own, spiraling higher and higher as the stone walls tighten around you, the space narrowing, twisting, the light from the torches casting long shadows that flicker and stretch, stretching over your hands, over your face. Your fingers brush against the locket in your pocket, its edges sharp and cold against your palm, and for a brief moment, you wonder how something so small, so insignificant in weight, could feel like this—like a millstone around your neck, like a wound pressed too deep to close.
The stairway ends before you are ready for it to.
The door opens with the faintest creak.
Dumbledore’s office is as it always is—large, circular, lit by golden candlelight, filled with the quiet hum of things too old and too wise to remain silent. You step inside, your movements slow, deliberate, as if to disturb nothing, as if to exist within this space as lightly as possible. You feel, for a moment, like a visitor in a temple.
It is a beautiful room. No matter how many times you enter it.
On spindle-legged tables, curious silver instruments whir softly, twisting in place, delicate and intricate, like living things made of metal and smoke. Some emit thin tendrils of white vapor, curling into the air like whispers. Others tick quietly, measuring something unseen, something vast. The walls are lined with portraits, framed in gold and heavy wood, each depicting a former headmaster or headmistress of Hogwarts. They are sleeping now, their breath slow, their hands resting in their laps, their expressions peaceful. You wonder how many of them died knowing what was coming.
At the center of it all, there is the enormous claw-footed desk, its surface polished to a dark sheen, and behind it, upon a shelf, a hat—shabby, tainted with age, the folds of its fabric as familiar as an old friend. The Sorting Hat.
You move toward the desk. The locket and the map feel heavier now than they ever have.
You place them down carefully, the metal of the locket clicking softly against the wood, the parchment of the map settling with a faint rustle.
You exhale.
Soft footsteps descend from the spiral staircase tucked into the far corner of the office, each step slow and measured, unhurried, deliberate. A figure appears at the top of the staircase, stepping down into the warm light of the room.
Albus Dumbledore, dressed in robes softer, looser than those he wears during the day, his expression mild, his eyes twinkling with something unreadable. His hands are folded before him, long fingers resting gently against each other.
“Ah,” he says, voice gentle, as if he has been expecting you. “Miss [L/N].”
He smiles.
“Good evening.”
You inhale, steadying yourself before you gesture toward the desk. “Sir,” you say, voice quieter than you mean for it to be, “That would be the Horcrux. And the map you gave us earlier.”
Dumbledore does not move at first. He smacks his lips together, his eyes narrowing, not in suspicion but with something resembling amusement. And then, after a moment, he steps forward, tilting his head as if seeing something delightful, as if inspecting an old book he has not opened in decades.
His hand, aged and veined, finds your shoulder. His grip is gentle, but firm. “You have outdone yourself,” he says, eyes twinkling, “and many experienced witches and wizards, I might add. You might just be the brightest witch of your age.”
The words should make you feel proud. They should make you feel something, at the very least. But all you can do is swallow. You think of Toji bleeding out at your feet, of Suguru’s face as he looked at Satoru, of the way time had seemed to slow when you pushed Gojo aside. It is not pride that sits in your chest. It is exhaustion.
“Thank you, sir,” you say softly. And then, after a pause, you lift your gaze to his. You can feel the question waiting at the back of your throat, feel the weight of it pressing against your tongue.
He sees it before you say it. He always does.
“Go on,” he urges, his voice light, pleasant, as he takes the rolled leather map from the table and places it back onto one of the many shelves.
You hesitate. But only for a moment.
“Why us, sir?” you ask, finally. “We’re just a bunch of teenagers. You sent us there, and we almost died.”
At this, he turns to you fully. The light from the candle beside him flickers against his face, casting shadows beneath his eyes, across the sharpness of his cheekbones. He does not answer immediately, only studies you, gaze quiet, knowing.
“No, you didn’t, Miss [L/N],” he says after a beat. “I sent you there precisely because I knew you could handle it.”
Your brows furrow, lips pressing together. “But, sir—”
“One of you got hurt quite terribly,” he finishes for you, nodding slowly, as if to acknowledge the truth in your words. “Yes.”
He strokes his beard thoughtfully, his fingers moving with slow deliberation. “Miss Iori arrived at Severus’ office an hour ago,” he continues, voice calm, steady. “I trust Mr. Fushiguro is already healed, and resting in one of the stretchers at the infirmary, with Madam Pomfrey caring for him.”
You blink. You are not sure why the confirmation makes your throat feel tighter, why the knowledge of Toji’s recovery does not bring the relief you thought it would. Perhaps it is because it does not change the fact that he almost died. That you had sent Utahime away with him, with nothing but the hope that he would make it.
“Don’t you think, sir, with all due respect, that it wasn’t fair to us?”
Dumbledore looks at you then, really looks at you, and for a fleeting second, something shifts in his expression. A weariness, perhaps. Something more ancient than his years.
He does not answer. Not at first.
Instead, he pulls his wand from his robes, long and strange, different from any wand you have seen before. He points it at the locket.
“Incendio.”
A burst of fire leaps from the tip, bright and hot, crackling in the quiet. It hits the Horcrux squarely. And yet, nothing.
The fire licks the surface, skitters across it, but it does not consume it. The locket remains, cold and untouched, as if mocking the very laws of magic.
Dumbledore watches the flames die out. He exhales, slowly, before he turns back to you.
“You see, Miss [L/N],” he murmurs, slipping his wand back into the folds of his robe, “I didn’t have a choice. If I had informed the Ministry of this precarious situation, one of you—and you know exactly who—would have certainly lost his life.”
Your breath catches. You do not need him to say it. You know exactly who he means. Suguru.
“And this Horcrux would never be destroyed,” Dumbledore continues, quiet but certain. “It cannot be undone by spells, nor by force. Only by things more powerful than it.”
You stare at the locket, at the way it gleams in the dim light, cool, unbothered, as if it has not spent decades housing something unholy.
“You hate that I’m right,” Dumbledore muses, watching you.
You blink. Exhale sharply through your nose. “I do.”
He chuckles at that, a small sound, but there is something tired in it, something that feels less like amusement and more like regret.
Silence stretches between you, the candle flickering again, the portraits along the walls still snoozing in their frames.
After a moment, you shift your weight, rolling your shoulders. “Is that all, sir?”
He studies you for a second longer. Then, he nods. “Yes, Miss [L/N]. That is all.”
You turn on your heel, making your way toward the door. Your hand reaches for the brass handle, cool beneath your fingers.
But before you can step out, his voice stops you.
“Miss [L/N]?”
You pause. Glance back.
He is watching you, expression unreadable, eyes old, too knowing.
“Rest,” he says. “There is still much more to be done.”
You swallow.
And then you leave.

The infirmary is dimly lit, the only light coming from the low-burning lamps hovering above the beds, casting long, sluggish shadows against the floor. The room smells of old parchment and disinfectant, the kind that sticks in the back of your throat, mingling with the faintest traces of blood and burnt cloth. The night is quiet outside, heavy with the hush of something ending, something settling, and for the first time since the mission, since the chaos of it all, your pulse slows. Just slightly. Just enough.
You see him the moment you step inside.
Toji is stretched out on one of the hospital beds, his shirt discarded somewhere, his skin marred with fresh scars and hastily applied healing spells that haven’t quite settled yet. He is talking to Madam Pomfrey, his voice low, teasing, that familiar lilt of amusement in it even as exhaustion tugs at the edges of his words.
She tuts at him, smacks the side of his head with a practiced sort of impatience, before pressing a small cup into his hand. “Take this, and go to sleep,” she tells him, her tone clipped but not unkind. “You’ve lost enough blood to be declared a ghost, and I do not have the time nor the patience to deal with any lingering dramatics.”
He grins at that, lazy, lips twisting around something smug, but he downs the potion obediently.
And then, Madam Pomfrey sees you.
Her eyes soften, just a little, but she still sighs, rubbing her temples as she jerks her chin toward Toji’s bed. “Five minutes,” she says, a note of warning in her voice. “That’s all you have until the medicine kicks in.”
You nod, murmuring a quiet thanks as you make your way over. Your legs feel heavy, slow, like they are moving through water, like the exhaustion from before has finally caught up to you now that everything is over.
Toji smirks when he sees you, the scar on his lip twisting with the movement, his dark eyes catching the faint glow of the lamps. He looks at you like you’re funny. Like you’re something fragile, something foolish, something not worth worrying about, even though it was him who had nearly bled out, him who had collapsed against you in that godforsaken amphitheater, him who had made that choice without hesitation, without a second thought.
You exhale, relief and frustration and something else you do not want to name swelling in your throat. “You’re okay.”
“I’m saint-like,” he drawls, stretching his arms over his head, fingers flexing against the sheets. “Practically holy.”
You frown, brow furrowing in confusion, but he only chuckles, tapping a finger against his ear. “See this? Almost got cut off completely.”
You stare. And then, slowly, you realize what he’s saying.
“Out of all the ear jokes in the world, you go for holy?” you ask, fighting the urge to roll your eyes.
At that, he grins. “At least you smiled.”
Your breath catches. You shake your head. “You almost died because of me.”
He doesn’t even flinch. Doesn’t hesitate. Just reaches out and grabs your arm, his fingers warm, solid, grounding. “Hey,” he says, “I took the hit because I wanted to.”
“Quite the masochist, aren’t you?” you mutter, narrowing your eyes. “What if you’d died? What then?”
He shrugs, entirely unbothered. “You made sure Utahime got me here.” A pause. Then, “I knew nothing would happen as long as you were there.”
Your stomach twists.
“You are a scaredy-cat, sure,” he continues, like it is just a fact, like it is something that has always been true, “but you wouldn’t just let me die. I knew it when I took the hit for you. I knew it before I even went to that stupid forest.”
You swallow. Look away. The cup of medicine is empty on the table beside him, the remnants of the potion clinging to the sides in thin, translucent streaks.
He exhales, shifting against the pillows. “Oh, Shoko was here a while ago,” he says after a moment. “Got nauseous from Apparition.”
You nod, trying to gather yourself, forcing your thoughts back to the present. “Yeah. So was Kento. They ran immediately when we got back.”
Toji hums, thoughtful. “That’s what the blond guy’s name is?” He frowns slightly. “Didn’t know.”
You let out a breath, half-exasperated, half-disbelieving. “You are,” you tell him, voice flat, “so stupid. Almost like a Neanderthal.”
His smirk returns, but this time, his eyelids are drooping, his fingers twitching where they rest against the blanket. The potion is starting to work.
“You owe me,” he murmurs, words slurring just slightly.
You shake your head, grin slipping onto your lips before you can stop it. “Yeah, yeah. Go to sleep.”
“Oh, before you go,” he slurs, falling onto the bed. You pull the covers over him, as he murmurs, “Gojo was here. Idiot went to the Room of Requirement, I reckon.”
His eyes close. The rise and fall of his chest evens out.
And for the first time in what feels like hours, you breathe.

When you step into the Room of Requirement, the door shutting with a muted click behind you, the air inside is thick, weighty, filled with something you can’t quite name but feel all the same. It presses against your skin, settles in your throat, clings to the dried blood on your sweater, to the scent of earth and iron and damp wood still lingering on your clothes. You inhale, slow and deep, trying to shake it off, trying to collect yourself, but all it does is make you more aware of the heaviness curling around your ribs, winding itself into your limbs.
The room has reshaped itself again. The long table at the far corner is still there, but the walls are closer now, lined with flickering lanterns that cast long, wavering shadows. Shelves stand tall along the edges, some filled with books, others stacked with old maps and parchment and artifacts neither of you have had the time nor the patience to move. And at the far end of the table, beneath the dim glow of the lanterns, sits Gojo.
He doesn’t notice you at first. He is leaning forward, elbows braced on his knees, fingers loosely intertwined. His eyes—bleary, unfocused—are fixed on the pinboard in front of him, its surface littered with hastily scribbled notes, torn-out pages from textbooks, maps with charmed markings glowing faintly in the dark. The exhaustion is all over him now, seeping into the sharp lines of his face, dragging down the corners of his mouth, making his normally bright eyes look dull, worn, like he’s been ground down to his last nerve.
You swallow.
"Hey," you murmur. Your voice is hoarse, rough from disuse, from the cold air outside, from everything that’s happened in the past few hours. You trudge toward the seat next to him, slow and heavy-footed, as if the weight of the night is still pressing down on you, anchoring you in place.
Gojo blinks, once, twice, like he’s only just now realizing you’re here. “Hey,” he mumbles back, rubbing his eyes with the heel of his hand before letting it drop limply onto the table.
You sink into the chair beside him.
For a while, neither of you speak.
The silence is thick, stretching between you like an invisible thread, fragile but unbroken. The lantern light flickers, casting shadows that dance across the wooden surface of the table, across the maps and notes spread out before you. You stare at them without really seeing them, tracing the edges of the parchment with your eyes, watching the ink shift and swirl where spells have been used to keep the writing from fading. You hear the faint crackling of the flames, the occasional creak of the chair as Gojo shifts beside you, the slow, measured rise and fall of his breathing.
And then, you swallow, straighten, turn your head just slightly toward him.
“Why didn’t you tell me?”
Gojo doesn’t react at first. He keeps staring at the pinboard, fingers twitching faintly against the table, like he’s trying to work through the exhaustion clouding his mind, like he’s waiting for you to say more.
You exhale, watching the way the lamplight catches against his skin, the way the bruises are starting to darken along the curve of his jaw, along the ridge of his cheekbone. “About your Patronus,” you say, voice quieter now, the words more careful, more deliberate. “About how you knew exactly where to go back in the forest.”
At that, Gojo finally looks at you. His eyes flicker with something unreadable—surprise, maybe, or something close to it—before he leans back in his chair, dragging a hand through his hair.
For a moment, you think he isn’t going to answer.
And then—he exhales, slow and steady, and says, “Because you didn’t need to know.”
His voice is quiet, but there’s something firm in it, something that leaves no room for argument.
But you argue anyway. “That’s not your decision to make.”
Gojo watches you for a long time.
Then, finally, he sighs, tilts his head back, and says, “No. I suppose it’s not.”
You look at him, watching the way he exhales, long and slow, as if debating how much he should say, as if weighing the value of the truth against the burden of speaking it aloud. His fingers curl slightly against the wood of the table, knuckles faintly whitening before they relax again. Finally, after what feels like minutes rather than seconds, he sighs, tipping his head back slightly, blinking at the ceiling as if the answer is written there. When he speaks, his voice is softer than you expect.
"I knew where to go because it’s what my family has taught me. It’s what has been passed down in our bloodline for generations." He pauses, then adds, quieter, "It’s called the Six Eyes."
Your brows knit together. The name alone feels ancient, weighty and revered, something that sounds less like an ability and more like an inheritance. Like a curse. You wait for him to go on. He does, but not immediately. His fingers drum once against the table before stilling. His gaze drops, just slightly.
"You know how I said the Kamo family practices blood magic?" He asks. You nod. He exhales again, slower this time, measured. "This is what mine does."
The words settle between you. His, not his family’s. His alone.
"My father doesn’t have Six Eyes. Nobody in my family has had it for generations. I’m the first in four hundred years." He says it so simply, so plainly, but the weight of it is crushing. "I suppose that could be one of the reasons why my father made sure I was adept at everything. And so good at magic from a young age."
You don’t miss the way his jaw tightens on the word father, nor the way his shoulders stiffen for the briefest of moments before he forces them loose again. You wonder how long he’s carried this knowledge, this burden, before saying it aloud. How much of his life has been dictated by it.
Your gaze flickers to his hand. His fingers are long, elegant, but tense, curling slightly where they rest against the table. Without thinking, you reach out, hesitating for only a second before placing your hand over his. His fingers twitch beneath yours, as if startled by the contact, but he doesn’t pull away.
"And the Patronus?" You ask.
His lips press together, but there’s something faintly amused in the way his eyes move to you, something softer. "I really just wanted to keep it a secret for as long as I could." He admits, voice quieter now, less weighted than before. "You can’t go around telling people that you can conjure a dragon for a Patronus now, can you?"
You blink, absorbing it all. The room is silent except for the faint crackling of the torches lining the walls. Then, finally, you sigh. "I guess."
But your hand is still on his. And he hasn’t moved away.
He sighs, heavy and exhausted, before pushing himself to his feet. The warmth of his hand vanishes from yours, and you watch as he turns, crossing the room with long, deliberate strides. His fingers twitch at his sides, curling into loose fists before stretching out again, as if he's trying to shake off something he can't quite name. He stops near the bookshelves, glancing at the spines of the dusty tomes without really seeing them, then shifts his gaze to the sofas, as if debating whether to sit or keep standing. Then, finally, he turns to you.
"Back at the forest, I was going to—"
"Don’t." You shake your head, rising to your feet so quickly that your chair scrapes against the stone floor. The sound is sharp, almost violent, cutting through the thick silence that has settled between you.
"Don’t what?" He laughs, but there is nothing lighthearted about it. The sound is brittle, humorless. "You don’t want me to tell you what I must?"
"Satoru," you whisper, but his face hardens. His shoulders are taut, his entire body held in place by something unseen. His jaw clenches for half a second before he forces himself to breathe, to school his expression into something blank, something unreadable. But his eyes—his eyes are burning.
He exhales sharply, running a hand through his hair before looking at you again. His voice is quieter now, but no less intense. "You’re angry that I didn’t tell you everything from the beginning. You’re angry that I didn’t tell you I knew it was Suguru. That he can read minds. That we had a blood pact." He shakes his head, his tone tightening, sharpening. "But don’t let all of those muddled things affect this. Affect what has been clear to me for so long. What you have been blind to."
"I’m blind?" Your voice rises, incredulous. Your heart is hammering now, quick and unsteady. "You almost sacrificed yourself to the Dementors for me today!"
"And you jumped in front of the Killing Curse for me!" He yells, his hands flying up, his voice echoing off the stone walls. His eyes are wide, wild, his hair disheveled from where he has run his fingers through it again and again. "Do you not see how demented of an act that was? Are you mental? You could’ve died!"
"So could you!" You throw the words back at him, stepping forward, heat rising in your chest. "What do you think the Dementors do, Gojo? You could have had your soul sucked out for what?"
"For you!" He snaps, the words spilling out before he can stop them. His breath is uneven, his chest rising and falling with the force of it. "For you. You know that. You’ve always known that."
Your breath catches. For a moment, neither of you say anything. The only sound in the room is the distant crackling of the torches, the slow shifting of the wooden beams overhead.
Then, quieter, he speaks again. "You jumped in front of the Killing Curse for me, and you didn’t even think twice about it. Do you realize how insane that is? How terrifying? Do you think I could just stand there and watch that happen? You would have died if I didn’t put up a shield for you!"
"I didn’t think—"
"Exactly!" His voice is sharp, but not unkind. His fingers twitch at his sides again. "You didn’t think. Because it was me. And I didn’t think, either. Because it was you."
Your hands are shaking. You don’t know when they started.
"Gojo," you start, but the name barely makes it past your lips before he speaks again.
"Do you know what it felt like?" He asks, his voice lower now, his anger tempered by something else—something raw, something that makes your throat feel tight. "Watching you do that? Watching you throw yourself in front of a curse that should have killed you? Do you have any idea—" He stops, dragging a hand down his face before looking at you again, exhausted, furious, something else entirely. "You can’t ask me not to be angry. You can’t ask me to be okay with that."
"I’m not asking you to be okay with it," you say, and your voice is quieter, but no less fierce. "I’m asking you to understand that I would do it again."
He stares at you. He looks like he wants to argue, like he wants to shake you, like he wants to grab your shoulders and make you see sense. But he doesn’t.
Instead, he just exhales, long and slow, pressing his fingers against his temple. When he speaks again, his voice is different. Softer.
"And that’s the problem, isn’t it?"
You blink, forcing yourself to meet his gaze. It’s piercing—too much and yet never enough, overwhelming and impossibly familiar all at once. His eyes do not waver, do not flicker away, do not grant you even a moment’s reprieve. He watches you like he is memorizing you, like if he dares to look away, you might vanish entirely.
Your breath shudders. The air between you is thin, stretched too tightly, as if the very room itself is holding its breath, waiting. You take a step forward, then another, and another still, until there is no distance left at all, until your forehead presses against his chest, right over the steady, thrumming heartbeat beneath his ribs.
A slow inhale. A slow exhale.
"You are the most infuriating person I have ever met," you whisper, your voice barely more than a breath, but he hears it, of course he does.
And he laughs. A quiet, aching thing. A laugh dragged from somewhere deep inside of him, where things are fragile and breakable, where things are real. His hand comes up to the back of your head, his fingers threading through your hair with an unbearable gentleness, as if you are something precious, something he cannot risk shattering. The other rests at your spine, stroking slow, deliberate circles, grounding you, grounding himself.
"I have fought against this," he murmurs, and there is something raw in his voice now, something stripped bare, "against you, against myself. And yet, here I stand, utterly ruined by you."
You close your eyes. His touch is warm, his hold steady, and it is too much, too much, too much. Your chest tightens, your throat constricts, and when you finally tilt your face up to look at him again, there is a tear threatening to spill over, clinging to the edge of your lashes.
His breath catches. He lifts a hand, thumb grazing the corner of your eye, catching the tear before it can fall. The touch is reverent, devastating in its tenderness.
"You have undone me," you whisper, and the words are not easy, are not light. They weigh heavy on your tongue, on your chest, but they are true. "In ways I never thought possible. There is not a moment, not a breath, where I do not think of you."
Something in his expression cracks, but he does not look away. He never does.
The silence stretches between you, but it is not empty. It is filled with the quiet rise and fall of your breaths, the press of your bodies against one another, the unspoken things that have lived between you for too long.
His thumb strokes over your cheek, slow and deliberate, as if he is committing the shape of your face to memory. His voice is quieter when he speaks, but no less steady. "When I look at you," he says, as if he has never been more sure of anything in his life, "I see every reason to believe in something greater than myself."
Your breath shudders again, but this time, it is not because of fear.
You stay like that, standing in the quiet, in the wreckage of everything that has led to this moment. It could be minutes or hours or lifetimes. It does not matter.
"If you asked me to stay," he says, his voice softer now, like a confession, like a promise, "I would not need to hear it twice. I’m quite a selfish person, as you know."
You let out a breath, one that carries everything with it—all the hurt, all the longing, all the things you have tried to swallow down for so long. And then, you meet his gaze, unwavering.
"Stay, then," you say, voice steady. "I’m selfish too."
He lets out a breath, unsteady and quiet, as if he has been holding it for too long—years, maybe lifetimes. It shudders as it leaves him, and you feel it too, the way his chest finally collapses under the weight of everything he has carried, the burdens he has never allowed himself to set down. His head dips, and for a moment, he hesitates, just barely, before his lips brush against yours.
A touch—just a whisper of warmth, of desperation, of something so gentle it is nearly reverent. Then, he presses in, and you feel it all at once. His hands ghost over your back, over your spine, over every part of you he has nearly lost tonight. He pulls you closer, as if that alone will be enough to keep you from slipping through his fingers. And you let him. You let yourself fall into him, hands reaching up, fingers trembling as they frame his face, as if you are afraid he might pull away too soon.
But he doesn’t.
And when he finally does part from you, it is slow, lingering. His forehead rests against yours, and his breath is uneven. He exhales against your lips, and the sound of it, quiet and weary, breaks something inside of you.
“Don’t put yourself in danger for me,” he murmurs, and his voice is thin, threadbare, as if he is saying it more to himself than to you.
You close your eyes, shaking your head against him. “I’ll do it again and again if it means keeping you safe. I hope you know that.”
He sighs, long and slow, as if he expected you to say that. As if he knew you would. His hands slide up your back, fingers splaying across your shoulder blades, pressing, holding.
“You’re an idiot, Fawkes,” he mutters, but it is not unkind. It is exasperation, affection, exhaustion, all at once. It is everything.
You feel him shift, feel the way his hands tighten just slightly before he pulls away enough to look at you properly. His gaze flickers downward, to your sweater, to the stain smeared across the fabric, dried now, rust-colored under the dim light. You feel the question before he even asks it.
“Not mine,” you murmur, shaking your head. “It’s Toji’s.”
His brows knit together, lips parting slightly, but no sound comes out at first. You watch as he exhales through his nose, his shoulders loosening just slightly.
“Oh,” he says finally, his voice quieter now. “I went and thanked him for… you know.”
You nod. “He told me.”
For a moment, neither of you speak. The silence is full but not heavy. There is something lighter in it now, something softer. You step forward again, pressing against him once more, seeking warmth, seeking something solid. You press your forehead into the space where his collarbone meets his shoulder, where the fabric of his robes is soft and worn from too many years of use.
His body stills at first, just for a fraction of a second, but then—then his arms come around you, wrapping you up, holding you as if he never intends to let go. And you think maybe he doesn’t. Maybe neither of you do.
His fingers curl into the fabric at your waist, gripping, anchoring. He breathes you in, and when he speaks, it is barely a whisper, barely anything at all.
“I’m never letting you go,” he says, as if it is a promise. As if it is an inevitability.
Your eyes slip shut. You could stay here forever, wrapped in this moment, in this breath, in this fragile, quiet thing between you.
“Me neither,” you murmur, your lips brushing against the fabric of his robes. “You’re stuck with me for life.”
He chuckles then, low and quiet, the sound reverberating through his chest. And it is not the kind of laughter you are used to from him—not sharp-edged or arrogant, not teasing or cocky. It is something else entirely. Something softer. Something real.
You do not pull away. Neither does he.
And so, you stay.

to everyone who came on this journey with me, thank you so, so much. i am so happy, so glad, so soft with all my feels, that something i wrote received so much love. it's really such a wonderful thing to receive sm love for smth you create — and i'm so grateful to be on the receiving end. speaking of ends, this isn't it. there's two epilogues still left to go. stay tuned, my loves.
© all works belong to admiringlove on tumblr. plagiarism is strictly prohibited.
#gojo satoru x reader#satoru gojo x reader#gojo x reader#jujutsu kaisen x reader#jjk x reader#gojo satoru angst#gojo satoru fluff#satoru gojo angst#satoru gojo fluff#gojo satoru x you#jjk gojo#gojo satoru x y/n#satoru gojo x you#satoru gojo x y/n#jjk angst#jjk fluff#jujutsu kaisen angst#jujutsu kaisen fluff
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TAKE ONE | actor! TIM DRAKE x actor! reader
rivals to ..? | pt 1? | gn! reader
“How can you not understand?” Tim yelled at you, his voice rising above the relentless rain pouring down on both of you.
“I love you. I am so madly, pathetically, in love with you. And yet, you keep running back to him. Back to that damned jerk, over and over again. While me— I’m… your stupid best friend,” his voice cracked, raw and vulnerable.
“I’ve always been here, and you know that. Every late night holding you while you cried, every single t—” His words broke off as your lips collided with his, cutting him off with the force of something long overdue. Something he had dreamed of for months, no, years.
His hands moved instinctively to your waist, pulling you closer. The kiss was hungry yet soft, an overwhelming intensity that sent shivers down his spine. Goosebumps on his skin.
“And… cut!” the director’s voice broke through the moment, followed by an applause from the crew. “Great job, everyone. That’s the last scene for today. Go get changed. Meeting in room 2 in an hour.”
The crew began dismantling the props, the artificial rain stopped and the two of you stood there, still drenched, now with an awkward distance between you.
It wasn’t that he hated you. But he couldn’t stand you either. He’d been in this industry since he was a kid, nepotism, some would say. But haters will always be haters. Not his fault he was born loaded. Still, now at 23 he found himself needing more substantial roles. Filled with drama and twists. And, of course, his on-screen love interest had to be you.
The same person who keeps stealing Golden Globes right out of his grasp. Award after award, casting roles, and even his damn agent. So, no. He didn’t hate you. But, if he had to describe you, he would probably say you’re that annoying itch under your skin that not matter how much you scratch it, never really leaves.
Yet… there was something about you. Maybe it was the constant bickering that spilled from the script into your daily interactions. Maybe it was the fact that this kiss scene had taken six exhausting takes, but he couldn’t stop thinking about your lips on his.
And though he refused to admit it, he was beginning to crave this feeling. That terrified him.
“Why are you following me?” he asked flatly, his back still to you as you trailed behind him. “Your trailer’s on the other side,” he added, his tone deliberately detached.
“I told you this morning, but you never listen,” you scoffed. “My trailer’s out of order. There’s a leak in the bathroom, so they moved some of my stuff into yours for now.”
He stopped, turning to face you. His expression flickered between annoyance and disbelief.
“And there was no other trailer they could put you in?”
“Obviously not,” you replied, sarcasm dripping from your tone.
He scoffed, resuming his pace as you followed. When he reached his trailer, he stepped inside without a backward glance, immediately peeling off his soaked clothes.
“Come in, close the door, but don’t lock it otherwise we get stuck in.” he said nonchalantly, walking around in nothing but his boxers
“You have no decency,” you muttered, rolling your eyes as you stepped in.
He smirked, glancing over his shoulder. His blue eyes trialing over your figure. “You’ve seen me in far less, considering the other scenes we had to shoot. Don’t be such a prude.”
“It’s not about being a prude. You’re just…, never mind. Jerk.” you grumbled under your breath, pulling off your drenched clothes too.
He turned, and his smirk widened. “Well, that’s a choice,” he teased, eyeing your Batman underwear, barely concealing his laugh.
“If you say anything, I swear, you’re done for,” you warned, trying not to laugh yourself.
He raised his hands in mock surrender, a chuckle slipping past his lips. “Whatever you say,” he hummed, turning back to dry himself off.
But in his mind, he was already storing this moment away for future need. Oh, he was absolutely going to use this against you one day.
Pt2? 👀
© GLAMOURSCAT (all rights reserved. do not share, modify, translate and re-upload my work outside of tumblr)
#tim drake#tim drake x reader#tim drake x you#tim drake headcanon#tim drake fic#tim drake fluff#tim drake oneshot#dc tim drake#tim drake comics#tim drake fanfiction#tim drake red robin#red robin x reader#tim jackson drake#tim drake x gn!reader#tim drake x fem!reader#tim drake x male reader#tim drake x y/n#Tim Drake x actor reader#tim drake imagine#dc x reader#dc comics x reader#dc red robin#dc x female reader#dc x male reader#dc x you#batfamily
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I have a theory that the real source of outrage "kids may see too much at Pride!" doesn't actually come from the nudity or sex acts the complainers whine about. Kids are probably the human demographic controlled the MOST by authority. Some of this is necessity, as they're brand new humans who need support from people who are already here. But our society considers it not only normal for kids to be walled-in by constant messaging of how to 'behave,' but for those messages to be enforced by humiliation and even torture.
And then Pride celebrates people NOT 'behaving.'
Even at a 'sanitized' Pride, people are walking around dressed in clothing that ISN'T acceptable at a job interview, or 'normal' for going out to Chilis or Olive Garden. People are acting in ways that defy the narratives that are intended to prep kids to achieve 'stability' which is especially scary to some adults in the USA because there are diminishing safety nets as one gets older. Your child being able to help support YOU later (or: be a place to stash your stuff, nepotism style) is pretty much the return on investment.
Adults who are scared of their kids ever learning that they COULD 'misbehave' and see their parents as irrelevant in the future, live their own lives, are definitely the source of misinformation about obscenity at Pride. They have a motivation and something to gain beyond 'right to comfort.' It is an obfuscated complaint anticipating loss of control over 'property': they do not want their livestock exposed to Pride.
#Pride#Pride month#pride month 2025#im sorry if you aren't a 'property owner' parent and you believe kink is too much at pride#you are probably livestock who has been trained to try and 'protect your own value' by a handler of some kind#whether its your parents#or diffuse voices training you to associate feelings of surprise discomfort or embarrassment with 'inherent loss of value'#you aren't the source of the fear but just broadcast it based on how one feels punished by its pressure in the environment.
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Making a Shang siblings au because I saw a few of nibbelraz’s art of their au!
So my idea is Shang siblings a few years apart but like legit 4 who came to the sect at slightly different time the OG! Shang Qinghua being the older one who was there plotting sooner than airplane (Shang Feiji (I’m feeling lazy today)). Anyway Shang Hua (OG) is, at the point Shang Feiji joins, head disciple of An Ding (did I misspell this I can’t type or think that well rn) and Shang Feiji is like “I don’t want to screw my brother over plus he’s the one meant to be Shang Qinghua so I can just be a hall master!” Beg to the system, which works and he works (nepotism baby’s) his way to hall master after the Qing generation ascends.
Well, after becoming hall master Shang Feiji takes most of the peak lord paper work stuff and shuts himself away in his own leisure house. He works very fast and efficiently through the paperwork so his brother and most other An Ding hall masters go to him, but he has no issue working through it (the other peak lords have no idea he exists). He agrees to do the paperwork he does with the amount he does so long as he doesn’t have to talk to or teach anyone which is quickly agreed too.
Essentially what I’m getting at is that Shang Feiji becomes a huge shut in that in his free time is back to writing a lot of porn, but he also writes other things! And reads, draws, plays games on the system essentially anything he can do and is highly enjoying this life. This is until his brother comes in to talk one day and briefs him on (complains about) Shen Qingqius attitude change and poisoning, which obviously confuses Shang Feiji.
So he for the first time in years travels out and just really unmade (like showing a fuck ton of skin) and impropriety traverses the peaks to look around Qing Jing and Bai Zhan to find either Liu Qingge or Shen Qingqiu. He ends up finding Liu Qingge who is very shocked to find a half dressed drowsy looking beauty in the middle of Bai Zhan and is like ???? But offers him his top layer to cover up, without word. Which airplane just looks at and uses to sit on, bringing Liu Qingge down and bombarding him with questions to figure out what’s going on.
Liu Qingge gets overwhelmed, but then asks who he is, before find out he’s an An Ding hall master Shang Feiji, and airplane gives over his address and is like I’ll do all your paperwork but you have to tell me everything I want, and I want to go do stuff (get artifacts) so you have to protect me when I do! Liu Qingge ends up agreeing, and goes over there a lot to talk about all sorts of things with someone who has no sense of shame or feelings of having to put up a front or an idea that isn’t him. They go around adventuring drawing Shang Feiji out of being a shut-in. Shang Qinghua has some mixed feelings on this because he doesn’t like their relationship, but is glad for the way it’s helping his brother.
Eventually his brother jumps ship after whole immortal alliance fiasco (or whatever it’s called when Luo Binghe got abyssed) and brings Shang Feiji with him separating the couple and Shang Qinghua keeping his brother locked up to “protect him.” So now Liu Qingge feels an extra sense of loss and betrayal until he finds out he was locked up and couldn’t get out and vows to rescue him.
Mobei-jun is preventing him because of demonic courting and his mission to prove himself to Qinghua as a good husband (it works). So it causes him issues which are later resolved by Bingqiu get together. Shang Feiji going back to the sect for Liu Qingge and helping him because he thinks Lqg is in love with Shen Qingqiu (he’s wrong) anyway blah blah blah the oblivious idiots realize how the other feels after communicating and get together. (Also they’re freaky just because I think that’s a fun addition)
Anyway have a good day/night this is probably incomplete and incomprehensible but idc and wanted to type something but my visions starting to go now so yeah
#shang qinghua#svsss#airplane shooting towards the sky#shen yuan#svsss au#mobei jun#liushang#liu qingge#Shang bros#shang siblings#shen qingqiu
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Inspired by @professorsparklepants doing girl group/K-pop AUs for AtLA, here's a post for prequels/TCW. I don't know enough about girl groups structurally so feel free to reblog with additions or fun industry-specific details:
Padmé: lead singer, has been in the industry since she was eleven
Aayla: lead dancer, collaborates closely with the choreographer
Ahsoka: the rapper, but also pretty likely to feature as a dance
Riyo: secondary singer, one of the "faces"
Sabé: secondary singer, the music videos often feature gimmick shots of her and Padmé using fake mirrors or split screens, evil doppelganger narratives, that sort of thing
Barriss: secondary singer, everyone's working on bringing up her confidence as a performer and celebrity
Bo-Katan: secondary dancer, trying to prove she didn't get her role just because of nepotism, also vying for the rapper slot (she gets some features but not as many as Ahsoka)
Ventress: not officially part of the group but she tours with them and gets featured a lot for some very Evelyn-K/DA-esque vocals and vibes (she's the scary one)
Depa: manager
Satine: runs the record label
Shaak: Ahsoka’s mom that came on tour since Ahsoka’s the youngest by about four years, is now everybody's mom
Bonus: trans girl Anakin who is just happy to be here but then ends up (enthusiastically) doing the lower register stuff à la Chloè post-surgery in Pitch Perfect.
#star wars#Phoenix Talks#the clone wars#sw prequels#modern au#band au#Padme Amidala#Aayla Secura#Ahsoka Tano#Barriss Offee#Riyo Chuchi#Sabé#Anakin Skywalker#Depa Billaba#Satine Kryze#bo katan kryze#Shaak Ti#Asajj Ventress
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whats up guys im going out of town soon so i figured id doodle some stuff for my wof au
heres the AU Peacemaker -son of Winter and Moonwatcher- design
He has a sister i just havent designed or named her yet
okk more context stuff time:
Jade Mountain Academy is a bit more of an elite academy, as frankly it kinda has to be in order to not only appeal to the kingdoms but to also continue to get funding. It is mostly funded by Queen Glory and Queen Thorn, but accepts donations. Queen Coral will pitch in if she feels like it
Of course, the main goal is still to help the tribes find common ground and be an inter-tribal academy. They just have to justify their existence to the kingdoms by being a high quality, exclusive academy, at least for the time being.
So mostly royals, nobles, and rly rich dragons attend. However, sometimes some nepotism does leak through the cracks.
Examples:
Kinkajou - she got in cuz Queen Glory's friend
Qibli - he got in because Queen Thorn basically treats like a son
anyways Peacemaker attends Jade Mountain because he comes from a good pedigree- the daughter of the NightWing Noble Court Seer, and an IceWing Prince- albeit a disgraced one, the two were also credited as being involved in slaying Darkstalker so they're respected for that as well.
Peacemaker tries to emulate Winter quite alot, as he's always loved and looked up to his dad, but deep down he has Moonwatcher's kindness and sensitivity. Also he kills it at sculpting.
He was born under two moons, and his powers are quite strong.
He first learned about Darkstalker after accidentally reading his dad's mind. When his father refused to explain, Peacemaker simply went to Uncle Qibli and asked him.
Deep down he knows why his dad thinks of Darkstalker when looking at him. He read his mind after all; he just doesn't like to think about it.
#wings of fire#wings of fire art#wof fanart#wof art#winter x moon#wof winter#wof moonwatcher#wof winterwatcher#wof au#wof peacemaker
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MAJOR SILVERBORN SPOILERS NOT KIDDING IT SPOILS EVERY SINGLE CHAPTER
silverborn chapter by chapter review
1: did she seriously kill off Hawthorne i swear to god
2: oh cool hallowmas wait what was that last thing
3: mean dead people
4: dogs scare away mean dead people? sure whatever i guess--
oh! uhm! was that necessary!
5: mkay guess we're ignoring that cute treehouse anah is silly morrigan is having an existential crisis (is anyone keeping tally) yeah alright that was a nice relief from the jump scares oh hey ezra what are you doing here
6: squall's a meanie head and morrigan's katara and what is a ghast doing here
7: morrigan scared some drunk teenagers and then forgot everything
8: holliday they're like 13 chill
9: holliday chill the sequel featuring miss cheery and morrigan's got nepotism on her side
10: dame chanda wasnt kidding when she said morrigan darling huh, is the silver district just the capital from hunger games or?
11: i mean ezra has a point there? also nyooooom
12: oof ouch i have to admit holliday's right too? bad days all round... OH I HAVE TO DISAGREE WITH JUPITER???? KILL ME NOW
13: cadence ur so real
14: modestine I would die for u
15: wdym safe with the others?? oh hey gay people and also boats
16: how many times is morrigan gonna get kidnapped in this book
17: why's megaphone guy here oh look the groom's cheating and oh look now he's dead
18: eddie and jem are gay right this isn't just me
19: yayyy more 919 stuff did cadence just use the word sus also why are you keeping count of your books no one does that
20: francis' dog's name is asparagus hawethorn's dad is funnier than me, baby Dave is a menace, and Ezra has a special interest in glass now i guess
21: hawthorne having a nervous breakdown
22: anah is harassed via books, morrigan develops more PTSD , Jupiter is still MIA from like 10 chapters ago?? margot is still an angel, probably evil tho
23: cadence gone feral, hawthorne knows a lot about dragon politics, cadence and morrigan both think dolphins are suspect apparently
24: neither Jupiter nor cadence sleep, what's witchcon can i come too, Jupiter and morrigan are still mad at each other
25: mordence nation how we feeling?
26: morrigan shows off while cadence continues scavenging, octopus armchair makes friends everywhere, why does jupiter sound like squall i dont like this
27: octopus armchair i love you, no more nicknames ig, everything is sentient i love this
28: morrigan stop no go back to wunsoc
29: stop using the word suss morrigan oh hey squall
30: since when did you not want to traumatize morrigan, squall? meredith is not very creative with bad mouthing
31: oh hey the twins are back and they know how to teleport, hey let's not get jumped by the giant fish
32: conall and danny nooo😭😭😭😭
33: is hawthorne gonna ride alights because it REALLY seems like it
34: lam is the best to nobody's surprise
35: the world does not have room for TWO jupiters wait what jack that's a bad idea (morrijack nation how we feeling)
36: this is physically painful to read morrigan
37: wine and women and wonderful vices🎶 also let vesta talk
38: noelle that's kind of creepy
39: wow aunt margot is mean who could have possibly predicted this
40: squall's will is wearing down
41: wow aunt margot is mean who could have possibly predicted this part two
42: i feel like this is the opposite of deadnaming, also was lady darling writing those books or
43: how many crimes has morrigan committed in this book someone keep tally
44: wow the darling family is mean who could have possibly predicted this (part three) and also YAY JUPITER
45: morrigan now really hates glass
46: OCTAVIA'S BACK BABEY oh and one uncle added to inventory wait what was that last thing
47: cake interception
48: told you you should have listened to vesta
49: isn't this what hawthorne wanted but with extra steps or
50: ok wednesday addams call down
51: this is a bit dramatic now
52: morrigan it's a giant squid you can let it die
53: guiltghast is back, oh hey it ate the murderer and also the forgers and also the petty thieves and al
54 what's up squall oh okay we're time traveling now
55 this is a bit dramatic part two but it actually works
56: lots of redemption arcs (kind of) can we get more noelle action in the next book also justice for gigi bc what was that????
57: AWWWWWWW YAYYYY FOUND FAMILLYYYYYUY
#i did this as I read the chapters#just for you guys#appreciate it#read it on this sketchy website#that kept jumping me with scams every 2 seconds#just to get to it earlier#don't count the amount of times I said oh hey#please 🙏#it's embarrassing#my vocabulary has shrunk to the size of a walnut#silverborn spoilers#nevermoor#wundersmith#hollowpox#the trials of morrigan crow#silverborn#morrigan crow#hollowpox: the hunt for morrigan crow#nevermoor the trials of morrigan crow
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★ COLLEGE EREN GENERAL HEADCANONS
.ᐟ General headcanons of Eren as a college boy
.ᐟ ModernEren!
.ᐟ Content warnings none
.ᐟ Word count 1.14k
.ᐟ A/N english it's not my first language so there may be some spelling mistakes. This might be quite long because i tend to rant and it’s also my first work;(
☆ First off, Eren for sure comes from a rich family. His family from his father’s side comes from generations and generations of inherited wealth with inherited business, companies or associations that add more to the current patrimony of the Jaeger family. Even if he was born with a silver spoon on his mouth, Eren isn’t a petty brat about it. Thanks to his mom's good education and gentle nature, Eren doesn’t like to brag about the money his family has and always uses the money he gets from his parents wisely.
☆ There was a little bit of nepotism involved when he was admitted in college. Since his father is well known and knows a bunch of important people all round the world, Eren’s last name didn’t go unnoticed and even if he didn’t get a very good grade in the Math part in the entrance exam, he got in automatically. But even if he didn’t do great in Math, he nailed everything else in the exam so that’s why nepotism was used but very little.
☆ He shares a room with Jean. The influence of his father had limited use so he didn’t got to choose his roommate and ended up in a room with a guy that seemed to dislike him from the very start. Jean also came from a wealthy family but unlike Eren, Jean seemed to be more spoiled and smug which caused Eren’s dislike towards him, which resulted in Jean disliking Eren for thinking he was better than him. For the first month of sharing the room they were constantly arguing about who made was more messy, who took the other’s stuff, who was taking more space of the room, who took the other’s food from the mini fridge and stuff like that, but after that month, the got to tolerate each other eventually and then they became kind of friends even if they won’t admit it.
☆ Him, Armin and Mikasa are childhood friends so of course they ended up in the same school because their parents are friends and it was bound to happen. Eren and Armin are on the same dorm floor so it’s usual for them to walk out together and meet Mikasa halfway from her dorm building. They are always hanging out together, it's a rare sight to not see the three of them or to see one of them by themselves. Even if they formed a group of friends, they three are stuck like glue and it’s very likely that if the group of friends tears apart, they still will be a trio.
☆ I think that it’s very likely that Eren would either pursue a degree in law, arts or in medical sciences following his father’s steps. Growing up going with his father at work at the hospital he works in, Eren learned a lot of things involving medical terms, basic procedures and the names and how medical instruments worked, and on top of that, he showed an aptitude for handling emergencies and medical crises so medical sciences seems like the perfect degree for him. Since Eren it’s someone that has very strong morals and a very strong sense of justice, law it’s a very asserted degree for him to pursue. I think being a lawyer would be a good choice since Eren has a good ability for talking and thinking fast. And arts, i think Eren could choose arts because it’s something he actually likes but i see him pursuing this degree more as a side career or more like a kind of hobby he wants to master. I feel he’s good with instruments like piano, guitar and violin. He also has a very good voice that he can control very well, so singing it’s an ability of his. I also think he may be good at drawing and painting, he wouldn’t be an ace but he has some talent he could polish and he would become very good at it. Eren really loves all forms of art so pursuing an art degree would be something he does from the heart more than anything.
☆ If Eren doesn't pursue a degree in arts, it’s very likely that he joins a club involving arts like music, painting or even theatre. He’s a very creative person with abilities he’s very interested to polish and to explore the highest potential of them, he would be very devoted to the branch of arts he will choose to pursue and would give his all and literally would pour his heart out in every creation he makes. I think it would also be very likely that he would chose to start a band of his own *wink, wink *
☆ Now, he’s actually intelligent academically speaking but he totally sucks at Math. Eren is a letter’s person and all the subjects like English, History, Languages are very easy to understand and he always gets perfect grades in their exams, projects and presentations. He even tutors Connie and Sasha in those subjects, sometimes in exchange of buying him his lunch or candy from the vending machines. But, Eren it’s a complete airhead in Math and in any subject that has to do with numbers. He can do basic operations like addition, subtraction, multiplication and division and they are right most of the time but equations are another story. He can’t get inside his head how equations work, he always forgets the formulas and obviously always gets the results wrong. It doesn’t matter how much Armin tries to tutor him, Eren never seems to grasp how equations work. And for the record, on one of his Math exams he only got 3 questions right out of the 25 questions that were on the exam.
☆ Lastly, he was very homesick for the first two weeks of his college life. He missed his parents a lot (he missed his mom way more than his dad) and would be constantly texting them and he would spare some of his free time to call his mom just to hear her voice even just for a few minutes. He even cried some days when thing would get too overwhelming and sometimes he even thought of going back home even if he didn’t really was actually considering doing it. His homesickness went away as the days passed and he got used to the new stage of his life, and also thanks to the baked sweets his mom sended to him every week. By the way, his mom sends him baked sweets every week because she used to bake very often for Eren and now she can’t get out of the habit, and also because she misses her baby too much and baking it’s her way of telling Eren how much she loves him even if he’s away from home.
A/N; i think i ranted a lot buy luckily it wasn't so boring;( i loved to write this btw ✨
#eren headcanons#aot headcanons#eren jaeger#eren yeager#modern!eren#modern!au#eren fic#eren aot#eren x reader#boyfriend eren#modern eren#modern au#୨🍓MODERN。˚EREN🍰୧
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what do you think adult versions of Chara and Clover would look like?
truthfully, anon, i had never given too much thought to it, so that's why i went on a whole mental rabbit hole about it
(cocoapowder hc infodump under cut)
first of all: chara!
i believe they rather prefer long hair bc they can have more control over it. chara stylizes it most of the time, but tends to default in this braided-bun (?) that stays pretty strong for most of the day. i also do think it's sort of comforting for them to have some sort of ritual when they wash it, it takes their mind off stuff. they do Not anybody touch it unless you're family (and a certain cowboy 👀👀)
as for their outfit, im blatantly copying another hc? au? design from back in the day (i for the life of me could not remember nor find it) in which chara became the new caretaker of the ruins (?). as for my personal hc, they're just asriel's right hand/main advisor who casually also has to take in the royal guard's reports...
and so, clover!
also long hair, but this time it's for the fun of it. clover's last priority is their personal appearance (much to chara's chagrin) and so they just. let it grow. and never bothered to cut it. their hair was a mess and once clover tried to cut it (goes wrong). after That chara taught them how to braid their hair, so they go around with a loose braid
Yes. They are wearing a poncho. when clover outgrew their og outfit starlo gifted them some of their old stuff. people throw jokes about how martlet and starlo should fight over their custody. clover loves dem layers so they wear a shirt and a long sleeved shirt (good to avoid sunburnt!). good ol' jeans and now they use their old scarf as an accessory in their belt c:
clover is part of the royal guard, of course! nothing good ol' nepotism from martlet's side could not fix (+ they're charming but they're also skilled in combat stop giggling, asriel.) clover's still a newbie so they just do v small rounds in the wild east and get everybody's report to deliver to asriel's right hand. clover heard they were quite close off but chara has been pretty nice to them so far?
#thanks for the ask! had lots of fun with it#cocoapowder#clover undertale yellow#chara#undertale#undertale yellow#im quite amazed how i drew something that does not show jack shit of their design 😭😭#anyways#doods
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