#and i'm not saying i wasn't already aware of this

[journeysfable]

Making this it's own post cause I think I already made an ask about Gem's lore in Martyn's inbox and don't want to bother him about it anymore

Anyway I think Gem is more powerful than the watchers

hear me out

(this is both me presenting an idea for the Eyes and Ears lore and also me begging people to pay more attention to Gem's lore pls am lonely over in the loving Gem's lore corner) (And this also accidentally turned in A Character Gem character study of sorts I think. Oops)

During the Empire's crossover, Scar, in at least Joel's pov, said "did anyone else think this was a new life series?" cc!Scar had no reason to ask such a question meaning he was in character and his character, who just came from the Hermitcraft world and was now in the Empires world, wondered if he was in a life series game, which puts all three servers in the same universe imo. For at least Scar.

In the crossover Gem revealed her HC and Esmp characters were one and the same and that her character is a being that can casually move between worlds by sleeping, an ability no one else had. And because she can just hop between worlds and slip into whatever role fits best for that world and she doesn't realize that not everyone is just playing like she is.

A person is merely a costume to c!Gem.

And again, this is 100% canon

From "I have a SECRET?! Empires x Hermitcraft" "I have a secret. You see, when you join a Minecraft world you can be anyone that you want to be. Sometimes I'm a princess, but sometimes I change. And then I'm an elf. And in some worlds, I'm just me. And you see, where I'm from. That's kind of normal."

And then the following line has something interesting in it.

"One day I was just walking casually in the Empires world, playing DnD as I always do as a princess with my friends."

The Empires world is a game of DnD to c!Gem. That's haha silly meta but if you've watched the other esmp povs you know not everyone's character is role playing.

Like yea the content creators are role playing but Sausage's character is not roleplayong. But Gem's character is.

For example: In Empire's Shubbble plays Shelby the witch. Geminitay plays Geminitay the world hopping larper. Shelby the witch isn't larping, though.

But Geminitay The World Hopping Larper is seemingly not aware of this.

Further evidence that c!Gem is so powerful and used to playing a character she doesn't realize that Real People exist comes in "Exanding my Medieval Kingdom! Empires x Hermitcraft"

After patiently explaining to Sausage that she can move between worlds and that she's role playinng, Gem is greatly confused by the fact that Sausage (who through the whole season has been hopping across time and space by accident) can't control his abilities.

And at first it's seemed like Gem was aware that Sauasage wasn't roleplaying as she explained her world hopping and role playing to him. But then his freak out causes Gem to make this comment that I can't tell if it came from cc!Gem poking fun at cc!Sausage or c!Gem realizing that c!Sausage isn't roleplaying "He's not role playing is he? That's genuine. He's actually crazy"

There are a lot of implications that come with the fact that Gem doesn't even realize that the other Empires members aren't roleplaying. What else does she not realize because she can move between the worlds and be whovever she wants on a whim?

In "Empires 2: Building my BEST Medieval Minecraft Village!" Gem says she's a celestial being.

What does that mean? Well, the word celestial means related to the sky or heaven and is synonomous with heavenly, planetary, stellar, and godlike.

It may allude to the fact her name is Geminitay, a constellation(stellar). But it also sort of implies she's a fucking god or at least similar to one.

So what does all this have to do with Eyes and Ears lore?

I think c!Gem is so powerful it makes her dangerously naive. Not to herself but to others. Because she's possibly so powerful she potentially doesn't realize that danger exists.

And perhaps she's so powerful that the watchers can't feed on her emotions. Or at least not all of them.

Or maybe they're too scared to. Afraid of what she could to do them if they angered her in any way.

[posts-written-by-murderbot]

Thank you for the response about clients who ask inane questions. I've always thought I had to give in, but it turns out that letting people know about your boundaries actually helps. Who knew? Apparently my clients just wanted to get to know me.

I felt guilty about letting myself get bitter and judgemental, so I acquired non-toxic flora in a clay pot. I gave it to the team, a gesture that was met with a mixture of surprise and appreciation.

(I thought they were just being polite but they continue to be appreciative, even when they talk in the peripheral supply closet where they think I can't hear them. Apparently the gesture was "so cute." I guess they didn't notice how surly I was.) (Or maybe they did.)

Anyway none of them have managed to kill the little plant yet; it's still alive on the central console.

Sorry for such a long ask. I just wanted to say thank you. I'll shut up now.

It's easy to forget the possibility that your human clients might be interested in getting to know you as a person, because let's face it, that really is a weird and bizarre situation for a rogue unit to deal with. I don't know what your life has been like, but when was at the company the possibility of my clients giving a shit about me or even being aware that they could communicate anything to me besides orders was not there. It just wasn't an option. The humans were more likely to stick googly eyes on their their microwave food reheater and personify that than try to talk to me.

Don't be too guilty about having bitter and judgemental habits, is I guess what I'm trying to say. It sounds like you're already figuring out how to escape that mindset now that you have clients who don't see you as an appliance.

Anyway I didn't do anything, that was you. Congrats on the new boundaries and non-shitty clients. It sounds like things worked out for your team and the pet flora.

[nametakensff]

✨F/F NSFW snz fantasy incoming✨

Absolutely nothing original from me but I was thinking about a mean female boss calling me into her office to get her off, as she often has me do, but she either has really bad hayfever or a terrible cold and cannot stop sneezing. They're extremely loud, aggressive sounding sneezes that sound almost masculine; as angry and obtrusive as she is in her day to day life. Of course, because she's an inconsiderate asshole, she makes no attempt to cover and sprays all over me as I spend my entire lunch break making her come in various different ways. She doesn't particularly like me but she likes the way I'm absolutely crazy for her body; the desperation of the way I start grabbing at her always does a lot for her already hugely inflated ego.

I'm an absolute mess when she's done with me, hands and face having been buried in her cunt, and ofc evidence of her sneezes staining my shirt, front and back. She stops me from eating her out again by simply pushing me back with a foot on my chest. She then makes me lick her clean before plainly pulling up her underwear and leaning back in her chair. She doesn't bother to say thank you or even acknowledge me now that she's done cumming, just lights a cigarette (absolutely against building policy) and waves me away to clean up in her little en suite, where I immediately start masturbating. I end up cumming to the sound of one of her intensely violent sneezing fits. I want to keep going but she impatiently shouts at me to hurry up and that she doesn't pay me to get off on company time

(More general + snz fantasy stuff under readmore!)

If I want to really makes this insanely horny, everybody in the office knows about this arrangement and she makes no efforts to disguise it. Every now and then, someone who wasn't aware I was in there servicing her at the time will knock on the door, enter her office and find her right on the brink of orgasm as I'm on my knees in front of her. Nobody is even phased by this sight anymore - they know how insatiable and shameless she is. Almost all of her employees have heard her cum, and a handful have seen her do so with her thighs squeezing around my head.

I really love the idea of somebody walking in when I'm just getting started with her, and they start talking business, ignoring my presence and the obscene licking and sucking sounds I'm making. Every now and then the conversation goes on long enough that I make her cum during, and the other employee has to patiently wait for her to finish.

Combining this scenario with sneezing, during this conversation where I continue to eat her out, she's sneezing all over me and this other employee, as well as the papers they're showing her. They are, again, so used to her rudeness they barely even flinch as her sneezes spray all over them. They bless her even though she never says thank you because she expects it either way. After a particularly violent, messy couple of sneezes, she reaches out for their tie and proceeds to scrub her itchy, damp nostrils with it, leaving it totally ruined. The employee lets it happen. Maybe everyone in this office is a total freak who loves being disrespected by her. Maybe the job just pays enough that nobody cares to complain.

[httpskuzuu]

Fault

i wrote this while watching apocalipsisminecraft :D

Anyway, I'm not very good at writing dialogues, so I hope it's okay

Yandere!Dazai x Reader

English is not my mother tongue, sorry for the mistakes

summary: you deal with the silent treatment after an argument.

tw: angst¿, toxic relationship, manipulation

The silence is simply punishing, it always was. Your body was intact, balled up on your bed, but your mind wasn't as lucky. The silent treatment was a problem, one that hurt more than you'd like to admit, but your still-wet cheeks gave you away.

It hurt you that Dazai ignored you. You had tried to distract yourself in a thousand ways these days: you went out with your friends (the few you had left), spent the days away from home, concentrated on your hobbies. Nothing seemed to work, it's as if Dazai had planted a seed in your psyche that keeps growing and growing, every day his silence was getting worse.

You can't win an argument because this is what happens, talking or complaining about Osamu's toxic behavior would only ensure you that wordless jail. You had every right to complain! Because of him you lost many friends, he distanced you from them in a way that made you only realize it when it was too late, after you had already cut the total bond with them and they didn't want to see you again.

You don't blame them either, if a friend had a toxic boyfriend and ignored you for him all day, not letting help them, you would be angry too. They have been very patient because they know the details of your life with Dazai well, but everyone has limits.

Now you are alone, even Dazai doesn't seem to love you.

You try to hold back your tears at that thought, but it is impossible, you can only cover your mouth with your hand to hide your sobs. That's one of the things you had tried to avoid, if Dazai really loved you he wouldn't do this to you.

He knows of your suffering and yet he continues to treat you as if you were a ghost, you can't help but doubt his feelings for you. You think that maybe you are just a sadistic desire of his, that he only wants to pretend to love you and then leave you abandoned like a toy. Yes, you are just that, his toy.

There's not much to complain about either, you're aware of your situation and yet here you are, by his side. It's not that you wouldn't have tried to leave him, you did once, but he came back to beg your forgiveness and you simply couldn't refuse. You become weak with just one look from him.

And that cycle was always repeating itself. Whenever there was a fight big enough to overshadow your love for Osamu, he was the one who apologized. You wished it was like that this time too, but it's not.

Know what, fuck it, who needs friends anyway? You need Dazai, it hurts not being together with him. It eats you up inside with anger and shame for letting yourself fall for his manipulation, but what else are you going to do? You're not going to keep crying in bed until you fall asleep.

You head towards the living room where you know for sure that Dazai is, watching TV. He doesn't even turn to look at you even though you are sure he heard your footsteps.

“Osamu.” Saying his name is a mixture of pain and love that infiltrates your brain. Sometimes you wish you had never met him, but you think better of it when you remember that he is the only one who loves you. Who else could love you with your attitude?

He still does not respond and a look of sadness invades you, you try to remove it, but it comes back each time. Finally you give up, Dazai already knows how weak and useless you are and knows well your character, so you allow yourself to cry.

You don't hesitate to lie on his body and hug him while you try to form a sentence, any sentence, but only incoherent sobs come out.

You don't see Osamu's reaction, you just wish he was as affected as you are. He wraps his arms around you and kisses the crown of your head lovingly. You missed him so much, you don't even know how you managed to survive these days without his love and touch. “What is it, Belladonna?”

You press your face against his chest as shame clutches tightly at your throat. He mocks you even your current state and that is like a stab in the heart, you feel the pain in every detail.

“You hate me, you hate me.” Stifled meaningless sobs come out of your mouth, but still Osamu manages to hear them.

“And why would you say such a stupid thing?”

“You were ignoring me! If you really loved me you wouldn't do that.”

“So now I'm the bad guy.” His tone of voice changes to a more distant one and his hug loses strength. In response you can only hug him tighter, afraid that, if you loosen his arms a little, he will leave you alone again. “You didn't try to talk to me either.”

You raise your gaze, an indignant one, which is accompanied by furrowed eyebrows. You want to look annoyed, but you just look pathetic.

“That's because you always do the same thing! We fight and you stop talking to me!” Pain trickles through your words, but Dazai doesn't seem to care enough to comfort you. “What am I going to humiliate myself for when I know you're going to ignore me?”

"Oh, poor little Belladonna, always the victim of the story." His condescending voice makes you feel like an idiot, you come to think that you really are. "Didn't you ever think I just needed space? Come on, you're so clingy and I was just trying to protect you from getting hurt.”

Seeing your puzzled expression, he can only laugh.

“Well of course you haven't thought about it. That cute little head of yours is good for nothing but victimization.”

“I- I'm sorry, I didn't know you felt this way...” Your voice trembles and his words linger in your mind. Maybe it's all your fault after all, you've never tried to put yourself in the opposite shoes and that makes you feel like the biggest useless.

The award for the worst partner in the world should be given to you, you think.

Dazai has no reaction at first, looking at you with those cold eyes, but they soften after a few seconds. He can't resist you after all.

Osamu's warm arms squeeze you again, you almost cry with joy thanks to how nice it feels to be held like that.

"It's okay, my sweet." Osamu ends up whispering near your ear, which sends a pleasurable shiver throughout your body. “Let me show you how much I love you now.”

and if I make a second part nsfw? 👀

[lazyjellyfish300]

Hey Jelly! May I request a Drabble for your Fall/Autumn Flufftober event?

It involves Miguel O’Hara and [Reader] [Gender Neutral] experiencing a “haunted house” as part of their date. Miguel would especially be protective of [Reader] throughout the attraction, despite being aware they’re just props and scare actors doing their jobs. While doing so, Miguel is “holding hands” with [Reader] to not lose one another at the house.

SWIFT!! OFC this is such a cute idea 😭😭💕💕 so sorry it took me forever but hey spooky season isn't over til I say so 😁🖤🎃 thank you for requesting 💕

a haunted house with miguel 🏚️🖤🎃

Warnings: xGN!READER , fluff, crack, joking reference to monsterfucking.

Words 1.5k

The shivering bite of October nighttime was starting to get to you, but with Miguel close by, it made the seconds more tolerable as you stood outside the haunted attraction.

Michael Myers' theme music blasted in speakers with green and purple flashing lights, the smoke from the bonfire in front and the chalky smell from the fog machines joined together to make a spooky concoction that filled your nostrils while the distant shrieks from other guests made your stomach twist with the anticipation of what ghoulish tricks awaited you inside.  

"Ready for this?" Your boyfriend, Miguel, asks with his charming lopsided smile, one of his arms around you pulling you into his gray hoodie that blessed you with sandalwood every time he brought you closer. 

You smile at him from where your chin is lightly resting against his chest. "I mean I'm ready, I don't know about you though."

"I'm ready." Miguel answers, raising his eyebrow at a thrift store looking Leatherface targeting a group of 14 year olds with his fake chainsaw. "Seems a little intense." 

"For $80, I sure hope so." You hummed, tsking your teeth, all the while you hoped your phony nonchalantness wasn't betraying you. "They better kill us for that price." 

"Don't say that." Miguel nudges you. "Then I won't know if Melissa was really set up by Teresa and Kim D. or if Teresa was innocent." 

"Oh my God, you're more invested in that freaking show than I am." You fake offense and poke playfully at Miguel's stomach of steel while his hands followed yours, defending against your attacks. "Not even concerned that I'd be dead, just mad your ass can't watch the ending of Real Housewives of New Jersey!"

"Haha, yeahhh cause we'd both be dead, genius." Miguel shakes his head, finally spinning you around and nudging you forward as the line drew closer to the entrance. "They don't have streaming services in heaven." 

"Oh I don't think we're going to heaven, sir." You examine your nails. "I mean, I am, I dunno about you though, it's a lil toasty where you're headed.." 

"Oye, watch your step." Miguel chides as you almost trip over your own feet. 

"Greeeeetings, mortals! Party of two?" The worker dressed as the bride of Frankenstein inquires, fake vampire teeth practically falling out of her mouth. 

"Yeah." Miguel clears his throat as he looks at you sideways. 

The worker goes off on her spiel, 'don't touch the actors and they won't touch you, stay on the designated path, take note of the emergency exits should you need to exit the haunt early but beware there is no reentry upon leaving, most of all be safe, have fun, hope you make it out alive or some sort of painful joke at the end', blah blah blah

Your attention is snapped back to Earth when she gives you and Miguel the green light to go ahead, and the invisible magnets in your hands find and seize one another as you clasped each other's hands in the dark as you sauntered cautiously forward. 

"Having fun already?" Miguel teases. "Your hand is sweaty like you've run a marathon and we're not even two minutes in." 

"Man, shut up, I am not-aaaAAHH!" You jump and cling to Miguel at a loud thump on the wall from one of the actors behind you. 

Miguel chuckles. "This is gonna be a long ride." 

-----

"Oh helllllll nah." 

You start to turn around at the sight of the giant clown sitting in a chair at the end of the dark stuffy hallway holding an axe. 

"Baby, this was your idea." Miguel halted you in your tracks, spinning you around to face the front. 

You gulped as you studied the menace, pinstripes with an eerie grin and all. "That thing is gonna jump, just watch." 

"I'm pretty sure it's stuffed." 

"No, babe, that is a living breathing killer clown from outer space." 

"For the love...just get behind me." Miguel inches down the hallway, his broad back obscuring your view.

"Mig, what's happening? I can't see shit." You turn to your right and at that very moment lock eyes with Chucky, letting out an unholy scream which makes you smack into Miguel which causes him to nearly fall on top of the clown.

The teen underneath the clown mask saw all 15 years of his life flash before his eyes at the 6'9 tank about to crush him, realizing his final thoughts would be that the $7.25 an hour for this gig truly wasn't worth it. 

"Jesus!" Miguel gains his bearings, flustered as he turns to you. "You alright?" 

"Yeah, course I am." You lie. 

Miguel takes your clammy hand again. "Alright this time, don't let go of my hand." 

"Right." 

You two make the rest of your way through the haunted circus, the black light illuminating your clothes with the neon paint splatter on the walls, navigating through the eclectic fun house atmosphere with the unsettling music box tunes blaring overhead. 

Miguel remains stoic for the most part. Although you try to thug it out, every now and then a sudden noise or bang or obnoxious cackle behind you will make you jump. Miguel responds by bringing you closer protectively, cracking a joke to make you feel more at ease. 

"This man thinks he's Pennywise but he's really Krusty the clown." He nods in the direction of another menacing clown with sharp teeth that tries to get all up in your face. You burst out laughing and the guy underneath the mask low-key feels his hopes and dreams get crushed in the same sentence. 

The rest of the haunted house isn't so daunting with your protective boyfriend guiding every step. You get scary dog privilege without even trying, as most of the actors are intimidated by Miguel's large size alone, if not his sarcastic quips everytime they get too close. 

"Welllllllcome to my shop of horrors!" A butcher covered in fake blood with a crazy look in his eyes and a leather apron tries to get you to eat his human brain casserole. 

Miguel looks unimpressed. "I burn water but I can make a lasagna more edible than that." 

You cackle as Miguel leads you away, leaving the butcher equal parts baffled and clutching his invisible pearls. 

---

You come to a part of the haunted house that leads back outdoors, with fog all around you and a werewolf that comes running up to you on all fours, snarling and foaming at the mouth. 

You startle for just a moment then smirk as you turn to Miguel, 

"Hear me out..." 

"Absolutely not." Miguel figures he's gonna have you lay off the dark romance novels for a bit as he drags you away. 

-----

Once you get to the final section with the vampires, your fears have all but disappeared, playing along and smiling when Dracula with his cult of vampire wives waltzes up to you and asks to suck your blood. 

"Just warning you, Vladdy, I'm anemic." You flirt as you take his arm. 

"Alright, that's it." Miguel grumbles as he drags you away yet again. At first you were scared of the monsters, now he has to stop you from banging them. 

"But he's hot, and he has fangs!" You protest, giggling as Dracula dramatically bids you farewell, inviting you back to Transylvania anytime while Miguel carries you to the exit. 

"We have fangs at home." Miguel reminds you with a smirk before flashing his prominent canines at you. You have to stifle a giggle as you lay your head on his chest. 

 ----

"Well that was fun." You cuddle next to Miguel a short time later on the couch in your shared apartment, sighing as you lean forward, using your sweater as heat pads to pick up your mug of hot cocoa while he peruses for a Halloween movie to watch. 

"It was fun." Miguel hums. "But we're not doing it again." 

"Why not?!" 

"I'm not paying nearly a hundred dollars for you to practically leave me for Edward and Jacob from Twilight." 

"Oh my God, you actually got their names right!" 

"In other news, the movie's starting, so..."

"Baby, you're not really jealous are you?" You get closer and plop in his lap, Miguel letting out an overdramatic pained grunt. "Oh, stop it, you." 

Miguel doesn't crack at first, remaining tight-lipped while you shower him with little pecks. "You know I could never leave you, Migs." 

Miguel finally reveals a smile, "Oh, I know, I just like hearing you say it." He pulls the blanket over your shoulders as Coraline begins playing.

"Man, all you had to do was ask!" 

"Ssshhhh....Coraline's on." Miguel winks as he silences you once more. 

"Mhmm, love you too." 

You grin and feel any cold from earlier disappear altogether as Miguel's prescence warms you from the inside out as you watch the movie together, hot chocolate in hand, cookies in the oven, candles lit, all the while the chill of outside remains where it belongs in the October night in Nueva York. 

[soo-won]

Hi Al! I'm not sure I have much positivity to share exactly but I still want to try to like? maybe give another kind of perspective that helps process things with more peace and acceptance?

very long post under the cut sorry..., but there is too much to say about Yona and the themes of the story!

To begin with, I don't think this scene says anything more than what we already discussed at length after chapter 257, it only confirms it even more, but this is really a time paradox huh. Hiryuu considered stopping things in his time, Hiryuu didn't throw his sword away, Hiryuu could have done everything Yona has done now too. But he didn't, because Yona was there and told him not to. Like...I don't think Hiryuu literally made Yona exists when wishing to live longer, she had to already be existing in the future for it to happen, so it's more that their soul connected through time and space in the one moment their heart called for the same. It doesn't make sense logically in term of timeline and cause/consequence because we deal with the divine and souls I'd say.

But I don't think Hiryuu had trouble reconciling with loss really? Yona definitely does, but Hiryuu wasn't really trying to like reunite with the dragons again himself. He left that to Yona. What caused him anguish is the idea of dying before freeing the dragons and especially Zeno. His wish to live longer is not so different from Suwon's, it's out of not wanting to leave things unaccomplished. To me what the gods say in chapter 264 imply that first of all they let the dragon warriors go on even having no idea whether Hiryuu would come back at all and when, and also that even if he did come back to them, they would have still not put an end to it because they just don't care. Like without Yona asking like she did they would have let the dragons die and be born again and kept Zeno immortal too. Even now I'm still not convinced they made Zeno mortal again, like isn't that something only the dragon in his blood can decide? And we've only seen 3 dragon gods out of 4 in ch264 so hm. However Hiryuu the individual is very much over and I think he was aware of it and accepted it. Again I swear I can't tell if Hiryuu realized Yona was from 2000 years in his future, but whatever he thought, he accepted to let her deal with everything after him and it means exactly that, we're after him. Hiryuu the person is no more. It is only speculations, but if Hiryuu decided to not return to heavens even after death, I'd say it's because as a soul without any vessel he maybe wouldn't have had any mean of action? But honestly what would have happened to Hiryuu's soul is complete mystery so I just don't know tbh, it's something that feels a bit pointless to theorize over for now.

But this chapter also implies Yona didn't really process in ch257 that what she was doing is dooming 2000 years of generations of dragons. She was in the middle of a quest to retrieve her friends, in that quest she was brought in that past where she stopped them from being completely erased from existence as they are now, and then chased after them again with a new resolve. Yona has a very finite goal in this arc: she wants to see her friends again. She wants to save them. She doesn't think about saving the world at all right now. That glimpse into the past was only that to her, her present is what drives her. It's not that she really doesn't care about the dragons' sufferings, it's that from her POV, it already all happened and she wants to make things different now. She had the power to make things different before we agree, but what she's doing now is trying to argue that she doesn't want the gods nor Hiryuu/her to have that power at all over the dragons or anyone to begin with. She throws away the sword, symbol of power over life and death, the one that has been teased since the prologue of the story that we thought was a flashforward to the ending...And Yona rejects it all. She's not being Hiryuu at all here I think. She's fully Yona. She's not some hero trying to restore the world from darkness like a hero of legend, she only follows her heart, and it's Suwon having that goal right now. She's not a King descending from the Heavens to make or protect a country like Hiryuu, the only thing Yona has ever done and is doing here is trying to help the people that she knows are in need, and here especially because she knows only her can do it. Of course, as the chagol arc developed she can see beyond her circle of close friends and she wants to find a way to end wars too etc...But the way she goes at everything is the same. In this chapter she realizes that she really made the dragons wait forever and all that suffering has to end here and now. She says it, she can't let them suffer any longer.

And in a way it's a nice twist to what the narrative hinted at until now. Many in the past (in universe and among us readers) thought that Yona is here now to save the whole country from some kind of "darkness" like Hiryuu in his time (supposedly), but that's not it. Sure, Yona did influence, change and help many people in her journey for real, but she finally found the meaning of her existence as Hiryuu's reincarnation: like Taejun said long ago, it is far more humbler or what we can call "selfish". The meaning of being reborn with the red dragon's soul is to save the dragons, not the world. The world doesn't need the gods after all, it needs the power of people. And driven all along by that simple prayer without even being aware of it, she indirectly moved and inspired others to protect the country and its people themselves. This is a bit different from Hiryuu too. Maybe he had similar feelings, but he failed to accomplish any of that in the end. He made the people depend on him, he saved them, but once he died they were lost and could not find the will and power to do anything but to cling on his symbol and depend on the skies again. In the end, he couldn't truly save and protect anyone in a lasting way. He himself points it out in Zeno's flashback arc actually: No matter what he does, war never ends. Maybe by then he had realized that his existence on Earth is actually pretty pointless and meaningless, that he can't give humans eternal peace. That it was arrogant of him to think he could just come and do that.

So I agree with you on this, and the story hasn't adressed this, but...Hiryuu loved humans I truly think so, but he still went at it like a god. Like? He became their King. He led people to wars. He was still very much above them. He accepted everything that made him special in the human world, he chose for them, then died and left everything behind. He should have died if not for the sword the Gods gave him and the Dragon Warriors. (By the way, the fact they didn't let him be killed is interesting? Like Hiryuu dying technically should made him come back to them sooner, yet they went out of their way to protect him like they did. Curious.) This wasn't explored at all for now but honestly I'm not surprised since Hiryuu was still new at this whole humanity thing wasn't he? That'd make sense to me that he either felt pressure to still be a special existence as a human and/or that he didn't know any other way to "help" them. He's more human than the other gods that hate anyone against them and love anyone worshipping them, but loving every humans whether they betray him or not without any conflict (as far as we know, like, we've never seen him be upset, have we?) is still pretty arrogant of Hiryuu. Yona is different because she was born human. She doesn't love and feel for everyone unconditionally and by nature. She hates and feels upset by others, she feels conflicted, she has to make the active effort to learn and understand others better, even those she doesn't like. Like what Hak said about Suwon (which was pretty unaccurate), loving everyone is the same as loving no one. Hiryuu surely developed deeper, more genuine feelings for the dragons (and I'd hope his wife and children too?), but it was already too late.

Another point is I believe what Suwon and Hak discuss in chapter 262 can apply here too. Suwon and Hak have no power to actually redo anything over, so when they talk about it it's only as a what if scenario, but the conclusion is that rather than changing or "correcting" the past by receving punishment, Suwon should rather find a better way next time in their life /now/, moving forward. And I fully agree with that. First because he didn't do anything wrong he should regret <3 But also because admitting that the way things happened was painful to him and Yona and Hak and that's the real tragedy of that night, then yeah, I want to wish for a way for Suwon to accomplish his ambitions without having to discard his feelings too.

But even if they had the power to go back in time and despite being fully aware of the suffering he caused to some, Suwon has no regrets, and yeah of course he doesn't! I wouldn't want him to! That'd be like rejecting all he accomplished and lived for and the people he helped and saved and worked with etc etc...It might have been painful and unfair at times but that's the only life he has. He wouldn't change a thing but he can grow and learn and use his past experiences to do better. So...I feel like the story applies that same logic to Yona and the dragons. Accepting to let Hiryuu put an end to the dragon warriors in the past is like accepting to reject all her life since she met them if not before, and the time she lived with them, and what they felt and accomplished together, and how she changed and could learn to stand on her own thanks to their help etc...They mean all that to her. And no matter how miserable the lives of the previous dragons were, it doesn't feel right to erase that completely either, right? They didn't deserve any of that but erasing this history and these existences doesn't do them justice imo. If there was a way to make all the past generations have fulfilling happy life without sacrificing the present that'd be amazing but then it'd feel like nothing truly matters too. Admitting we could ask for the present dragons' opinion, Zeno aside, I'd be surprised if they said they want that too. They're characters that /would be made/ to think that, sure, but that wouldn't be out of character, would it? The fact Yona decides for them still is a problem, that's true, but that's different from saying Yona made the wrong choice. As we discussed it's indeed also hard to not see things from the POV of the past, from Zeno's POV, from the hundreds of dragons who waited and suffered all their life in vain. But we're in a time paradox and we can only turn in circle about this like. Yeah that's terrible for all the dragons of the past and Zeno, but the other choice would likewise be terrible for the present dragons and everyone now, but then again it's terrible for the past dragons...etc etc...there's no end to it.

What actually bothers me more in this chapter is how easily Yona chooses to put an end to the dragons' powers in their stead. Like, the one thing people blamed Zeno for was how he took away their agency, but Yona does very much that again here. Sure it's kinda the only way to possibly free them AND keep them alive, and it's really a case of "what Yona thinks shouldn't matter bc it should be about what /they/ think, but alas to the gods Yona's opinion matters more so that's how it is" but that still leaves a bad taste in my mouth that it will supposedly be resolved like that for them. I wish things were executed in a way that showed them consent to it? like regaining some consciousness or being able to communicate with her in some way? or even hint at wishing for something of the like before? I...don't have any hope they will resent Yona for it at all since they'd probably be made more busy worrying for her next etc but I can only pray the story will dare to take some little time for them to process the loss of their powers and what does that make them now, and what can they do to help from now on etc. But wait and see.

So to me the core of the problem is not Yona's decision, it's Yona's writing overall. What we yearn for is Yona to be challenged in her beliefs. To be wrong. To fail. To be held accountables for her mistakes and grow from them. For the story to truly own the ways Yona is indeed not perfect, instead of making her not perfect but still framing it like she is. To me the solution to this isn't for her to kill Zeno with that sword or anything of the like at all. I want Yona to be wrong but not about everything and not about her feeling everyone deserves a better ending. I want akayona to reach its happy ending, I want Zeno to either be able to die happy with no such tragic conditions or either to be allowed to live a normal human lifespan from now on, I want the dragons to live as normal humans, I want the Hiryuu descendants to be saved and live long life too. But I want to see Yona struggle to achieve these. And by struggle I don't mean just the story throwing things at her that she has no responsibility over, I mean...doubting herself, falling, failing, correcting herself, learning from others and her own mistakes and not only the ones she made before the coup.

But akayona has carried this flaw since the end of the Awa arc lowkey, the spotlight is never on Yona admiring and learning from others (but Hak I guess...), it's always others admiring her and learning from her. Truthfully, I don't think that's true, and definitely she learns from others like Kouren, Meinyan, Suwon, Keishuk even lol but that's only something you can infer from what happens, whereas what is highlighted is always how admirable, noble and good and loved she is. I don't think this was much a problem before the Xing arc, as what happened in the Fire/Water tribe arcs compensated the beginning of this terrible trend for Yona's writing, but I'd say starting Xing (which I still believe is an arc with excellent character moments), every villain/antagonist only existed so Yona and the character she had more "complex" and interesting interactions with and that challenged her, could work together against a common enemy and resolve the lazy way all conflicts that existed between them. Like,, Gobi was just that for Yona and Kouren to me. Then Chagol for Yona and Meinyan (even if admittedly Chagol had more going on than Gobi lol), and now the gods for Yona and Zeno. If you zoom in, it's not just that, and I believe there is still good to be taken from how things turned out but...overall I don't think this serves Yona's character development in a way I'd find really meaningful. I assume it's this way exactly to convey the idea that all these characters are all driven by the will to protect something, and in different circumstances (like against a stupid common enemy) they realize they're not so different and are not "bad" people but I can't help but feel unsatisfied with how things are resolved everytime. She grows still but it's just like...she gains more experience and knowledge. There's nothing to resolve. It's not inherently a bad thing but it fails to move me like it did at the beginning and imo it can be a burden for the story akayona is telling.

Like I said, her goal in this arc is to save her friends but...there's nothing special or novel in that. This happened many times before. Of course she's going to save her friends. Like she always did. I fail to see anything meaningful in the new things Yona say or do now because I'm just "yeah that's nice, but it's not like she struggled with that before"(before meaning everything after the awa arc). It's so hard to feel it for me, because it feels like a given. And for a final arc I find this anticlimatic. Even now, I did want for Yona to be stuck in Heavens with the gods, but I hoped it would be a bit more the result of her own flaws than the gods 100% forcing her and her simply not realizing this would happen I guess? In a way you could call the current development a struggle, but you know, we have never seen Yona struggling defying the gods before like. She always confronted people with higher authority and/or more power than her. Kumji, Hiyou, Chagol. Sure these people have more and more power and she got hurt confronting them but it's not like Yona emotionally struggled against them the way she did with Suwon in the past, where you can clearly see her progress everytime she faces him and the people around him again. The only other place I see real progress is in her relationship with Hak like how she can more easily says she loves him now, or being able to protect him like she always wanted etc. Which is a shame because the development of these two (and more especially Hak I painfully have to admit) can actually be seen through their interactions with far more characters.

So now this is the part I make it a bit about Suwon I'm sorry... Because I can't agree with what I've read in the notes of your post about him. You did not say these things yourself but I still want to give my two cents on this as someone that loves him and often feels upset for him because of what akayona throws at him.

Things changed, god knows how much I hated it in the castle and chagol arcs pretty much for the reasons i listed just above, but despite everything I truly believe Suwon's very existence will always challenge Yona (just like she challenges his) and that it still does now. That again Suwon highlights Yona's emotional development well too (again, it's mutual). And that at least with him, nothing is resolved easily. Unlike with other characters, there was never anything more challenging for them but to work together against a common enemy. Being kinda stuck together in the Chagol arc only made things infinitely more complicated and painful and conflictual than they already were. The way it presented it was disconcerting to say the least, and I almost dropped akayona for real from it, but with them it never was as easy as "oh this person saved/helped me now I love them and I will do anything to help in return!", like, from both sides. And it's because even after chapter 221/224 and the Chagol arc I could tell Suwon would not simply end like Kouren or Meinyan or anyone Yona helped before in the narrative that I finally started to breathe slightly more easily. It can be similar in some ways, but I still see a lot more nuances with him than previous examples. And it's still not fully resolved between them. And Yona and Hak had to change their stance irt Suwon and the people around him continuously from the beginning to now too. (Yona moved me the most recently when she found Hyuri in this dark alleyway when she was in the middle of running after Zeno, stopped and sat at his level, and could talk about Suwon from the past like the child he was like no one did before, and that she could see Hyuri not as a crazy violent murderer like Hak and Mundok did in that same chapter, but the man watching over Suwon and protecting him, someone that Suwon needs by his side. That she can say she wants Suwon to live, and this time it doesnt feel like it's only about "dying selfishly on her" but simply the feeling of wanting him to be there, even if not part of her life, and that she could be grateful to Hyuri and thank him for protecting her friends...that's all immensely meaningful imo! Even if nghh Hyuri's monologue in response is siighhh...come on. (gestures) akayona.)

It's so damn slow with them, and Hak is still angry and will always have grips even if they reached a point they can help each other more honestly now, and Yona will never forgive Suwon, and Suwon will never regret what he did nor apologize for it. And Suwon still carries his own convictions and ideology that to this day still go at odds with Yona and Hak. I'm not saying Suwon is immune to akayona's problems at all, I'm painfully aware he isn't, but I still believe his existence in the story now has a lot of meaning and brings a lot of nuance and food to ponder more about everything else. And it's not a bad thing that Suwon accepts them more like...that feels like the natural progression. Of course they wouldn't always stay super distant and confrontional and they would slowly work together closer and closer as they all influence each other, grow, and understand each other better. We as readers might want for Suwon to forever act like Yona and Hak aren't special and important because yeah it's cathartic but...Suwon has never been like that. They were always special to him, from chapter 1. Suwon is his own character, not just a proxy for people tired of (gestures) the AnY narrative that makes everything about Yona and Hak. The same way the shadows can't accept how things changed and force Suwon to be what he's not. Of course, it doesn't change how irritating it is that yeah everyone sides with YonaHak eventually and tend to prioritize them over what they cared about before or themselves, like they're pawns more than characters, and of course Suwon isn't real and was purposely written this way and recently I feel so pained because I so wish it let other characters play a role in his development...but I'd say that tbh if Yona and Hak have to be special to someone I'm fine if it's Suwon. The way he chose the country over them is still so meaningful and admirable. Yona herself said she understood, Hak recently acknowledged that fact even if he could never do it himself. But it's at the same time true that it hurt him to kill his own feelings because of this ideology, and even more so if that makes him accept death so easily. Readers might do that at lot, but I genuinely dont think the manga actually judges if Suwon was right or wrong. It's not about that. It focuses on the characters' conflicting feelings in changing circumstances. As much as I think akayona has a problem with the way it frames things, Suwon's side included, it paradoxically still let a lot of nuances be. It often resolves things in a lazy, infuriating stupid way, yet it's not as bad it feels like either? If it makes sense. Once again it's not like Suwon throws away all his convictions for them! And that's part of the still on going tension and conflict! The execution stings half of the time I can't pretend otherwise but... No matter what I don't want to close my eyes to what is definitely there I guess.

Also, the fate of Hiryuu descendants weren't mentioned at all yet. I don't think it's a problem I think it will be adressed when the time comes. I don't want to wish on a star but my two cents now are: Yona freed the dragons from what tied them to the divine, and she pretty much used her divine authority to do so, but she didn't realize how herself is bound to the divine and probably needs to cut that tie as well. And I suspect that if there is a way for Yona to lose all connection to Hiryuu and be saved, then it will be the exact same key to free Hiryuu's descendants. And Suwon is on his way to the mausoleum, and Suwon famously hates Hiryuu and sees him as useless...Like if there's someone that is damn annoyed whenever Yona is perceived and treated like Hiryuu and by the crimson illness it's Suwon, so...wait and see... I'm sure Hak will have some major role as well but I don't like much when Hak has a role I don't really care about that for now, but recently I appreciate the way he's written so! (Like...flawed and struggling and having inner conflicts that he grows from and stuff...give that back to yona omfg).

In the end I think Yona's character is still meaningful in many ways. She doesn't move me like before, and it's painful to think she is not written like I'd want her to, in a way I can connect with again, but she is amazing to analyze and break down like that and she is the root of many fascinating questions. Like yes that's cool the narrative revolves around the feelings and experience of this girl in a male dominated world, i like the different layers of her identity as a normal girl, a princess and god reincarnated, it's cool it's about her gaining agency and power and that the male characters are here to support her, it's cool she hates that it's at the price of others losing that agency and she wants everyone to be there and free. It's beautiful that she always feels so grateful of people for helping her and hugs them and thanks them everytime. It's amazing that she's the kind of character to never give up, but also acknowledges she wouldn't have been able to without people being here for her first. I like how she cares for people, the "discarded" ones like she does. How even if she's ignorant and doesn't understand everyone's feelings and experience at first, she constantly tries to. I love that when meeting Zeno, believing that he had no power that could "protect" her like the others, she was glad to meet him only for his warmth and because she felt happy with him. I'm glad when she told Kija, that was always convinced he was born to protect Hiryuu, that she wants him with her even now that he feels like a burden. That she told them that them dying like that because it's their fate and duty is not okay again and upsets her, that she's grateful for Kija just being there even if he can't fight. I like that she wants to break all cycles and refuses the unfair destiny imposed to the people around her. She loves her friends, she loves people, despite the way she can be inconsiderate/insensitive/unfair too, which is important to point out of course. It's because it's not black and white that it's so hard.

There are countless things to say about her and she is more than either the perfect badass 10/10 queen everyone praise no matter what she does or the terrible person that doesn't truly care about anyone but herself and treats everyone like shit. I don't think she's shallow like that, one way or another. I do think the way people despict her in fandom space often is though, but I'm not interested in that Yona at all. I love how she stays so true to her feelings no matter what, I love that selfishness of her in the good and bad. I don't agree and I don't like when she says Suwon is selfish in chapter 252, but I don't mind that she, Yona with her very unique and personal experience and story, thinks that. Akatsuki no Yona is about people's heart and feelings clashing with reason and objectivity, and through Yona it chooses to show us things we can only see from her side of things. Yona herself is struggling with that. She wants to help her people as Kouka's princess, but she feels conflicted between her duties as a princess and wanting to save her friends. It felt easy to resolve it by Suwon avoiding her the struggle longer and just letting her do what she wants, but I think it did it this way precisely because the manga doesn't want to preach about what would be "right" here. There is no answer. There are only people doing their best to tweak things to find compromises. Suwon gave her the opportunity to follow her heart because "objectively it's better if it's yona dealing with this", and Yona uses it fully. Yet she still intends to come back too. A compromise again.

So what always bothered me is not Yona herself but how everything surrounding her is framed. Likee the narrative makes a ton about her when I don't think it's needed at all and kinda goes against the point. That it sides with her is definitely intended and meaningful in its own right, but I thought it was doing it much better before and I prefered when it was humbler about her and I felt like it was siding with more POV and characters but her (and Hak). So...she's not that protagonist I identify myself much with anymore (and the story itself kinda makes yona and hak's development something that we can only be a witness of outside of their head now, rather than following all the thought processes that make them grow from inside and their POV) but no matter how you process your feelings for akatsuki no yona in the end, keep being disillusioned, it's good! Keep being disillusioned about her and akayona as a whole again and again, and be disillusioned of your previous disillusions because that's the way to see it truly for what it is the most. Nothing erase the way akayona and yona's character are flawed, so there is no need to erase what is definitely there and good about it. Take all the good and bad and how they coexist. I just find it painful to hate everything so much that it makes doubt everything and blind to what is simply there so I don't want it to happen to you :').

Akayona is a mess like that, it's terribly flawed but it's also good in so many aspects and that's what makes it so damn complicated and frustrating! But also extremely interesting, and I think it's possible to appreciate it this way. So best wishes to you Al!! I love your akatsuki no yona writings and I'll be sad to see you stop and fall into that painful spiral, but it's also fine to take distances or drop it completely depending on what feels the best for you. I'll always love to discuss about all of this with you if you want!!

Critique ahead, read at your own discretion.

Am I understanding this correctly? Because of Hiryuu’s selfish wish to have more time on Earth, Yona was created, thus their soul did not return to the heavens to be with the other dragon gods. As a consequence hundreds of humans were damned with the dragon powers and short lifespans. If Hiryuu had accepted his own death as a natural course of life as a human and went back to the heavens then all of this could’ve been avoided. But it seems both he and Yona have trouble reconciling with loss. They’d curse strangers if it meant having more time with their loved ones. How is this not viewed as corrupt? Their resolve is painted as this heartwarming thing - that they’d bend reality if it led to the safety of those they care about. But what about everyone else? The world isn’t comprised only of those dear to your heart. They say Hiryuu loved humans but the more I examine his actions it seems he simply wanted control over them.

I want to love this manga, I have loved this manga, for many years. It was amazing seeing Yona’s growth and getting to know all the characters. Soo-Won, Shin-Ah, Zeno, and (earlier chapters) Yona will always have a special place in my heart. But the way the themes are being developed leaves a sour taste in my mouth. Idk, if anyone has some positivity to share about how things are progressing please feel free to do so, because at this point I’m disillusioned with YOTD.

[tartrazeen]

In this latest edition of "Obvious Things In Detroit: Become Human That I'm 1000% Sure David Cage Didn't Intentionally Put In But Would Absolutely Take Credit For":

Hey, you know how one half of the game is just a copy-pasted upgrade to the buddy-cop story from David Cage's other game 'Heavy Rain', meaning that Connor would've been working with the cops in his story no matter what 'cause Cage just really likes that plotline and cop stories in general?

And you know how Connor is, himself, not actually a cop, but a corporate assassin sent to hunt deviants and kill them, all the way up to when the deviants start to organize, at which point he switches to hunting them down for clues (murder being downgraded to just a fun by-product) until he can find the Deviant Leader and take out the deviant problem at its source?

And you know how hilariously and accidentally insightful it is that Connor - an assassin - blends in with the cops as his media-friendly cover story by:

perfectly delivering on their in-game interrogation methods (which we see Hank try out first and then Gavin offer casual suggestions for, and later see Connor some props from Hank if we score a confession by using 'proper policework' and not 'that fancy shmancy android stuff')

getting the occasional praise from the game's moral compass (a cop) for being "a good guy with a gun" by having Connor openly kill deviants in a 'good' way (i.e. Hank saying Connor saved lives when Connor uses all his precision-android-aim to shoot that camera operator android to death in Stratford Tower instead of just disabling it, despite those same cops tut-tutting at Markus for killing the other human in the tower because 'only an android could make that shot')

emphasizing real-world police brutality and overmiltarization by having Connor's next iteration (the RK-900) literally sold to the military as a faster, more durable, and more kitted out version of himself rather than a change in any tactics or approach?

And you know how I'm saying that that was accidental because David Cage has a consistent pattern of "Military are the next step up from the detective/ federal agent" in all three of his games, so the 'RK-900 being military' point would've also happened either way to show David Cage's intended point of ':( look they replaced machine!connor with a better version of himself, what a thankless reward, you definitely picked the evil path, corporations are bad', so we shouldn't be giving Cage any credit for unintentionally highlighting the real-world overmiltarization of police forces?

And you know how Connor can't make it to the end of the game without killing at least one android, or else he gets recalled by the Big Mean Soulless Corporation for not being a good enough police officer uwu?

Great! 'Cause I just remembered this (link):

The history of policing can be traced back to the days of slavery in colonial America. In the South, where slavery was central to the economy, slave patrols, responsible for capturing runaway slaves and returning them to their masters, was the first unofficial police in America.

So I take it all back - Connor is a cop! :D

'Cause damn if Cage didn't accidentally take cops back to their roots with his whole "The HK-400 killed its master and tried to hide, just like how this Traci killed its master and ran away? Well, we're gonna put an end to that! 🔫🤗💕" shtick from our favourite villain-protagonist.

Which, again, we all know he did purely by accident, because in Cage-land, the only bad guys are Apple. >:(

And also women and gays. >:(

[dawntheduckrb]

I love how you can purposely cater you internet experience to block most politics so you can mentally detox since your media consumption was becoming unhealthy, and still have a whole week of attempting to regain your hope in humanity become completely undone by wanting to eat lunch with your mom (ramble in tags, feel free to ignore; take care of yourselves first <3)

[sysig]

The brainworms are winning, clearly (Patreon)

[smile-files]

today i'm going home so i can get my flu shot and vote with my family... hopefully both go well

[vulpinesaint]

p sure we aren’t moots but I definitely know it’s you when I see venom on the tl!! and whenever is isn’t you I’m always a bit like 😮 👉 that’s vulpinesaints thing!!!

LITERALLY THAT'S VULPINESAINT'S THING. i love not being in fandom spaces it's so delightful to me that it's Me And Only Me posting about venom out here in this little corner of space as far as i'm concerned. surely there are communities out there somewhere but this is My thing. i am venom guy forever and ever and ever now

[unproduciblesmackdown]

also it's something (better) like, the exercise of deliberately [art imitates life imitates art] holding up Billions to My IRL Things Perspective and going like whaaat would i want for winston. first answer is you want any character to not have been within the scope of the show in the first place, and to exit it since they are. and you kind of get that in the accidental reward in banishing winston, since like in the end it's just that the show doesn't care about him existing at that point But like it's winston sitting there quietly as everyone leaves & turns out the lights & Then he can leave too; others have peaced out & nobody remembers he exists so Now he can go off & do whatever.

but like in true form i think they definitely accidentally baked in another divine reward for winston in that, like, the way he's kept around as fodder for these fun little [pov: enjoy abusing this guy] asides with him, where it Just So Happens that he's autistic as something they're unaware of but is completely relevant to the expectation we understand him to be inferior(tm), it Just So Happens that he's also ""bad"" at not ""causing"" abuse to be turned on him. he's ""bad"" at staying in line. like well yes Yes that's what i want for him. just like In Real Life it's like yeah Ideally i'd want people to be able to extricate themselves from where they're trapped in power structures & i'd want them to have the perspective about it of understanding they're not Inferior / i.e. they are as much a person as anyone else and they're not corrupting everything good / i.e. it wasn't them Bringing It Upon Themselves and it's not them being Destructive by toppling a jenga tower of a hierarchy that happened to be pressing down on them. and winston is the kind of [the ruinerrrrrr] who is Turned On exactly because he keeps acting like someone who's on the verge of breaking out of the [being in line] someone demands of him as autist, employee, whatever other supposed manifestations of [inferior]

like in the 5 second stretches in which winston's allowed to speak before retaliation, it's because he's like "matter of factly" delivering whatever Information that's useful for another plotline. then he Brings It Upon Himself by making people aware that he's Also existing in his own right as a person rather than what they think serves their own deal / what they want from him at all times, perhaps by expressing his personality (didn't appeal to them! so it was Wrong) or not b/c of anything in particular said or done at present, just b/c people have a constant / accumulating contempt for him so their being in the same room as him & able to see & hear him is already dangerous. the [we're just seeing Any Abusive Dynamic in action] continuing apace.

and it's like, well, right there. he's written as acting like someone who doesn't blame himself for how he's treated, which billions frames as being Rude & Mean, and so too does everyone's abusers lmfao like and that these are his moments that are written to be Bringing It Upon Himself. and it's like hell yeah he doesn't blame himself. hell yeah that his self-esteem can manifest as anger at all. hell yeah that he keeps expressing himself with personality & confidence & doesn't even disguise his having been hurt, & it's this [his ass is Not grey rocking] that billions frames as both him "causing" his abuse & making that abuse "successful" lol, wrow just like real life!! and when like speaking of real life yeah it's not "bad" that people Do engage in strategies to mitigate & survive, including things like blaming themselves or being too "boring" to be anything but a non dialogued background character b/c that's all that goes unpunished, it's bad b/c it's done to them at all, not [ohh they're doing it to themselvesss] and like i'm asking myself like Ideally. what do i want Ideally. and i'd want winston to know that it's being Done To Him & i'd want him to find as much room for his personhood & autonomy as possible. and that's basically how he's written anyways, and billions hates that like You See this is why he deserves it this is why he's doing it to himself. and i'm like my god if that's not Inspiration for like "so what if people don't find you Personally Likable" and not preemptively holding back all personality or anything that'd draw attention as if you exist as a person in your own right & not something that only either gets in the way of or serves their wants of a Real person (someone with more power) like hell yeah you have him out here doing it =']

another fun addendum is like, billions isn't getting into it much b/c it doesn't seem to care much about "what if some people were peers & seem to have a genuine, recipcrocal relationship?" but that it just so happened to be like "oh tuk as the next closest loser who deserves it might be nice to winston" while it's framing winston as the "worse" Loser as being....unconditionally supportive of tuk. while the one downside of billions Also giving bentuk as much as it is is that it also inevitably has that shadow of "but ben is Superior to tuk" and like that it's correct that everyone encourages tuk to Stop Bringing It Upon Himself and start being less of a loser; it's wrong for winston to be like hey let's go have a foursome. like yeah probably don't make a list of the women you work with you'd be dtf but it's not like i'm convinced "ah billions and it's strong anti misogyny stance like" roflmao and billions is Not reflecting on "the downsides of unconditional support?" there when winston was beaten up for criticising taylor earlier like we WILL take his ideas while looting his [beaten unconscious] body there but he WAS wrong to express them as though he's BETTER than taylor!!! mafee's beautiful show of loyalty in kicking his ass even when he might agree with the argument and then benefit when it's adopted by taylor anyways! so it's as usual actually purely based on hierarchy & who gets to be in charge of people. it's correct for ben to be in charge of tuk, unless he has to step aside for that bizarre dead-end subplot about how it's tuk's fault if he's treated badly, b/c it's really his own Failure to have Confidence to know he has good ideas [raising our voice to deliver this message over the sound of breaking desks and chairs and computer monitors over winston because he had the confidence to act like he deserved to talk to someone and because he knows his ideas efforts & results are good & valuable around there] like. and isn't it sooo fucked up to talk about who you're dtf in the episode that has it be neutral if your boss is dtf & lets you know but is nice about it (and you're already Correctly tending to their ego, which you're responsible for!) like hey no possible problem! it's not even so much of a problem for a boss man to have the sex they're entitled to & be rude about their leveraging their power in that acquisition that it Stays a problem into the next season. ew, winston is Known (Inferred) Dtf??? we'll use it to exploit His vulnerability, exacerbate it, & punish him further for good measure in another episode that just revels in abuse & violation with a sexual aspect once again, but like, hey tuk don't do that, winston's such a Bad Influence for being like, shrug, kneejerk intervening with the Good Friendship where the One In Charge leaps in & Tells tuk the Correct thing to do. obviously there's also the tragedy that billions will Never let winston push back against Real Winners like rian or taylor in A Way That Matters (actually gets in their way at all) lol like. one thing that would have really been fun, winston should've literal kneejerk started physically fighting wags in either pertinent scene in 7x03 for real 110%. i wouldn't be like Gasp Violence Is Never The Answer if he just hit someone to hit them b/c fuck you. or broke anything on his way out etc etc. billions would Never let him. which is the other side of the same coin of [why he should get to]

tl;dr how great that winston's being "out of line" means he's basically always noticeably flouting & rebelling against the [He Deserves Abuse] agenda lol. that IS what i want. his being "beyond hope" like ohhh he's sooo stupid he doesn't realize how much he has the bad tastes & wrong interests & annoying personality He Will Always Be This Way like hell yeah!!! billions like oh no winston's personhood will never stay tamped down & locked away such that some godawful person tolerates keeping him in their inventory :( ohhh the ABA will never work :( that's right!!!!!!!!!! although they're not sad about it because it's about relishing the promise there will always be True Inferiors you can enjoy abusing with your righteous power over, but like well you wrote him escaping anyways even while dragging other "better" characters into standing around to serve axe's need for more than 1.8 employees and [crickets, reverberating cough, sneaker scuff] like. another ""wrong"" thing for winston to do, another thing for him to not "deserve," which is itself godawful actually lol like lord what it "rewards" its Good, Deserving characters with, no thanks. meanwhile winston's punishment is that he's autistic and """bad""" at being abused like lmfao good for him, fantastic for him, just what i want

[non-un-topo]

Went to a support group specifically for FTMs last night and had a good time. Surprised myself by tearing up. That's not a very cis sign, is it

[thecherrygod]

/

[longagoitwastuesday]

Do you have favorite actors for the various roles in "Cyrano de Bergerac"? I would love to hear your thoughts!

I do! I actually rambled a lot about this while I was watching the different productions I could get my hands on (I tagged it "Cyrano de Bergerac" and "I talk too much").

My favorite productions are the one with José Ferrer and the one with Benoit Solès, and those actors make the best Cyranos in my opinion. Though that's probably something in part beyond the actors' choice, their dynamic with their respective Roxane and Christian are the best ones, I think, and I find how Cyrano moves around these two particular characters at the core of a good Cyrano characterisation.

José Ferrer's use of his voice, which is arguably Cyrano's true most characteristic feature, is unmatched imo (although McAvoy does a very good job with this too), and he manauvers very well several of the different aspects of the character, such as his playfulness, his shittiness and longing. By the end of the play you believe he is the most beautiful man on Earth. Cyrano, however, is a bit pathetic (not just in a "pathos" way), and I'd say Ferrer gives off an air full of dignity very fitting of many scenes, but that eats almost entirely this aspect of Cyrano; Benoit Solès manages this very well, while also playing well with some of the other ones, such as the playfulness, the longing, the pain and the despair. Both Ferrer and Solès are hilarious, tender, a bit shitty, vulnerable, playful and sad. Albeit neither of them portrays 100% what Cyrano is, I think both come pretty close in slightly different flavours, and by the end of the play one ends up being terribly fond of them.

My favourite Roxane is Clara Huet in the production with Benoit Solès, but Mala Powers in the 1950 film is a close second. I think they portray wonderfully Roxane's spunk, and her mix of honest playful cheerfulness and her haughtiness, her intelligence and wit, and how much like Cyrano she is.

I've not come to love for now any Christian as much as I've loved Ferrer, Solès, Huet and Powers, but again I think the Christians in the 1950 film and the Solès productions are very very good. I love the dynamic they have with their Cyranos, especially the one Christian and Cyrano have in the 1950 film, enhanced positively by the added scenes (they actually work so well in showing their developing as friends, their deep love and care for each other!). I don't want to expand too much on this to avoid spoilers (beyond the already known 'Christian dies' ones I mean), but some things they do with both these Christians are a thing of genius, and both feel vulnerable, kind, ready to fight and truly desperate at times; I like when they do that.

There's an Italian production which has a Cyrano I truly enjoy as well, despite how they dumbify him more than I usually like my Christians. His mix of anger and deep pain when he discovers Cyrano's feelings for Roxane were so well made, and his physical presence makes you identify who Christian is even before the play starts.

The Podalydès production has two different Christians. The one in the version on youtube isn't bad, but @ride-a-dromedary likes Éric Ruf a lot. I actually adore him based on the clips and gifs she's posted of him, but I haven't been able to find the version with him online, so I can't know. But he truly seems one of the best. Based on what little I've seen, I love his intense gazes and subtle gestures.

I'm not entirely sold on any Le Bret, De Guiche or Ragueneau yet.

I think the German musical has a decent Ragueneau in vibes, and the 1990 French film does as well. I found his poem made song for what I think is a Spanish production (I'm not sure if it's a fan creation based on the Spanish production), and while I've not been able to find that production online, the song works well in vibes too I think.

The German musical's Le Bret in vibes is very good. He encompasses well his deep love and worry for Cyrano while also being done with his shit. They truly feel like close friends. The 1950 film kind of combines Gaston de Castel-Jaloux and Le Bret into one character, which sadly changes Le Bret's dynamic with Cyrano a bit, but that's a very good Le Bret as well. The one in Solès' production is pretty good too. He has my favourite delivery of the scene in which Le Bret chastises Cyrano for risking his life sending letters.

De Guiche is complicated. I think productions often make him too pathetic and laughable or too bad, so bad it makes the last act kind of not make sense. The 1950 one, the 1990 French one, the Kevin Kline one and the Solès one are all good, but I am not passionate for any of them either.

And basically that's it!

[cryptideye]

still baffled at the onestars confession retcon that implied crowfeather knew about three as early as when breezekit was still a baby when jayfeather LITERALLY looks inside of his head to know that he didn't in Sunset 😭