#and i'm canonically not a pretty woman | Explore Tumblr posts and blogs

dollfacefantasy · 3 months ago

Text

I WANNA BE YOURS ♡

pairing: logan howlett x puppy-hybrid!fem!reader

summary: logan finds you, a special kind of mutant, out on a mission. when he takes in this puppy girl, you quickly forms a bond to him. he tries to tell himself he doesn't like his new shadow or want the attention, but it gets harder to deny as the two of you grow closer.

cw: nsfw (18+), smut, p in v, oral sex (f receiving), hybrids, breeding kink, praise kink, dumbification, fluff, canon-typical violence, blood, nightmares

a/n: thank you so much to @gor3-hound and @nexysworld for beta reading <33

Adamantium strains against the skin between Logan's knuckles as his fists collide with his opponents' bodies. His claws beg to come out, to slice through his own skin and into the men he's striking. Despite causing himself pain, it would make this little struggle easier.

Regardless, he reigns in the urge and continues to fight without them. He didn't need them yet. Having a skeleton of impenetrable metal served as the only weapon he needed for right now. These guys taking him on weren't anything special, simple lackeys hired to protect a facility they didn't even understand the operation of.

His unpierced knuckles land a few strikes to one's abdomen, and he pops the other's face with his elbow. He whips his forearm around and slams the first to the ground in a finishing blow. The other man comes crashing down close behind after he connects his fist with the center of his face.

He looks at both of them crumpled up and unconscious on the ground, shaking off the adrenaline from the scuffle with a few rolls of his shoulders. He swipes the set of keys that hang off the belt of one who went down first and reconvenes with the rest of the team at the point of entrance to the next part of this warehouse.

"Did you find a way to open the doors?" Storm asks him. The white-haired woman struts beside him to the large cement doors at the end of the hallway.

Logan holds up the set of metallic keys, giving them a little jingle as his answer.

"Wow, and without shedding any blood. Impressive," Cyclops mocks from behind. Him and Jean walk a couple paces to the back of him, their eyes scanning for any potential hindrances to the mission.

"Night's not over yet, bub."

The four of them reach the door, and fortunately, it only takes a few tests to determine which key is meant for this lock. Before either Logan or Storm can push the barrier open, the door swings back under the force of Jean's telepathy.

They head inside but brace themselves for what they might see. This mission came about after the professor discovered that this building was being used as some kind of location to traffic mutants. The team had dealt with cases like this before, and they were never pretty. Often, the victims were young and struggling, picked up off the street or gathered from false mutant shelters to be sold into a life of experimentation or fetishization.

Upon first glance, this section of the building holds nothing new. The room isn't large in comparison to the others before it and looks more like a connector between the last hallway and another one. It's dark, not much light to get a good look at anything that could be hiding away.

Storm is eager to keep moving along and guides them towards the entrance to the next hallway. His other two teammates overtake him as well and follow behind her.

"I'm gonna sniff around here for a minute. I'll be right behind you," Logan says and waves them forward.

The two women spare him a skeptic glance, but Scott couldn't be more eager to part from him. They head off in the other direction, leaving Logan alone in the quiet between these four walls.

He just wanted to be sure there was nothing here, whether it be something he could help or something meaning to do them harm. Though he kind of hoped it was the latter. He never felt very good at the 'saving' part of being on this team. Let him go in a room full of threats, and he was guaranteed to be successful. He'd take every last one down in record time and not even have to think twice about it. But give him one person to comfort and tell that everything is gonna be ok, and that would have him breaking a sweat. It's not that he couldn't do it; he simply had to work at it. He didn't have to work at being a weapon.

Treading over the pavement cautiously, Logan's eyes sweep over the few vacant shelves and lonely crates. The room truly seemed unoccupied. He could probably only justify a few more feet before having to go join the rest of the team. But then he sees it.

A cage towards the back of the room, a tarp over the top. It sat near a smaller door he hadn't noticed before. He wasn't too concerned with going in just yet. First he wanted to see if anything was confined behind those thin black bars.

It was larger than a simple pet kennel but too small to give the impression that held anything monstrous. He walks closer to it. No sound came from it nor could he see any movement, but his curiosity had been triggered. He had to know why this thing had been secluded.

Once he's close enough, he crouches down and pushes away the rough white material draped over it. His fingers undo the latch and open the door so he could get a better look inside.

He peers in and is met with a pair of eyes staring back at him out of the darkness. His first instinct is to back up and get into a defensive position, but whatever's inside doesn't give him the chance.

You lunge at him and knock him flat onto his back.

He hits the cement with a grunt, and his claws cry out to him again. He could easily unsheathe them and tear whatever you were to shreds. But before he does this, he realizes that this isn't an attack. He's not in any kind of pain. In fact, nothing is really happening to him. All you were doing was... sniffing him?

He could hear your rapid inhales and exhales as your nose trailed along the collar of his white tank top. Straining his neck back as much as he can, he finally gets a good look at you. You were human - smaller than most with wide, curious eyes - but you also had floppy ears erupting from your scalp and a long tail coming from your backside that was whipping back and forth.

Even with all the different kinds of mutants he'd seen, he couldn't help thinking this was bizarre at first glance. He knew it was possible for mutations to express physically even though most were internal. For god's sake he had literal claws and knew multiple people who were straight up blue. But he'd never seen anything like this.

You looked like just a mix of canine and human. In honesty, you were pretty cute. You didn't look like the type of thing someone would shout 'freak' at from across the street. Hybrid was probably a more accurate descriptor than mutant. Either way, he didn't want you on top of him.

"Quit it," he growls before grabbing your waist and pushing you off. Based on the fact that you weren't attacking, he assumes you're a victim rather than a perpetrator. He rises to his feet to stand above you, ready to fight just in case. "What the hell are you supposed to be?"

You sit there, tail still wagging despite his rough temperament. Your eyes have that gleam that likens your appearance to a puppy even more than your ears or tail do. He realizes you might not be able to talk or something, but he doesn't get too far with that thought before you speak.

"A mutant. Like you."

His eyes narrow.

"Yeah? How do you know I'm a mutant?" he asks. He hadn't shown you his claws and you hadn't seen his skin magically stitch itself back together. Maybe you were on the other side of this mission.

"I can smell it," you answer.

That makes his eyebrow slowly raise. "Smell it?" he says.

You nod. "Mutants smell different than humans," you say.

You rise to your feet and stand next to him. Leaning in again, you smell his arm. Your head moves down his bicep and to his elbow and forearm. He pulls his limb away with a scowl, but you'd already had a chance to register the scent that'd caught your attention.

"You smell metallic too," you say.

So your canine traits weren't just physical. Logan knew you weren't lying, having an enhanced olfaction himself. He'd just never met someone else who also had that ability.

"Your mutation is basically just being an overgrown dog then?" he asks with a bemused expression, "You like playing fetch? Want me to call you a good girl?"

You can't help the automatic twitch in your tail when you hear that phrase, but your expression darkens as if a storm cloud had formed inches above those folded ears.

"I'm not a dog. If I'm a dog, are you like a robot since you have metal in you?" you huff and cross your arms.

A sharp puff of air comes from his nostrils at your attempted retort. "Robot isn't exactly what they call me."

You grumble and roll your eyes. Your tail had gone still behind you and hung between your legs.

He continues to stare down at you, trying to decide what to do next. Even though you were a mutant, you didn't seem to be a fighter or have any skills that would be useful in combat. He wasn't just going to leave you here, but he didn't know how big a risk it would be to let you tag along.

"What are you doing here? Did someone lock you in that cage, or is that just where you spend your free time?" he asks.

"Someone took me and locked me in there," you say, your pout deepening.

"For how long?"

You shrug. Logan has the urge to roll his eyes just as you did, but he can tell your lack of knowledge is genuine.

"You don't know how long you were in there?" he prompts.

"No. Maybe like... a couple weeks or something. I don't know. It's hard to keep track."

Of course. Just like a puppy, you had a poor concept of time. He shakes his head and rubs his hand over his face. It did look like you'd been captive for a few weeks. You weren't in the best shape and had bruises littering your body. Your clothes were dirty and torn at the hems. As annoying as he found you in the few minutes he'd known you, he knew you didn't deserve this treatment. Locking a cute little thing like you in a cage was plain cruelty.

"Alright. Well what's your name? I'm Logan," he sighs.

You tell him, but just as the last syllable leaves your lips, footsteps burst into the room from the direction of the hallway.

Scott and Jean round the corner, clearly looking for their teammate. Logan turns around to see the new arrivals and relaxes when he recognizes the man in the visor and the redhead beside him.

"There you are. We thought you took off or something," Scott mocks casually.

He opens his mouth to respond, but the words dissolve when he feels a thud against his back.

You don’t recognize the people who'd just shown up, so you hide yourself behind the man who found you. Pressing yourself against his back, you cautiously tilt your head to his side to peek at Scott and Jean. Your fingers clutch the fabric of Logan's tank top so tight they threaten to poke little holes in the ribbed material.

"What- what are you doing?" he grunts and tries to look over his shoulder at you. The way you were latched onto him prevented him from turning around fully. He lifts one of his arms to see your eyes scoping out the potential danger in front of him.

"Get- C'mon get off. They're not gonna hurt you," he continues, brushing you off by reaching back and lightly tugging your hair.

You stumble to the side, and he manages to grab your shoulders and walk you in front of him. He holds you there, presenting you to Scott and Jean. The way your ears pin back to your head makes him feel a little guilty about making you confront the strangers so directly, but they weren't gonna do anything to you. Assuming they were gonna rescue you and take you back to Xavier's, you'd have to get used to prying eyes and meeting new people.

Both Scott and Jean look at you curiously, Jean with less confusion than Scott. Clearly, he had a similar thought process to Logan while the woman next to him could sense that you were a mutant and what your abilities were.

"I found her in that cage back there," he explains.

The two of them nod. They take a few more moments to simply observe you before they move closer and ask for your name. You give it just like you had to Logan. They nod again and then begin running through a similar routine of questions. Theirs are more detailed though and manage to coax more information out of you.

Your responses give them a quick little rundown of you. You fit the profile of the people they usually found on these missions. You're young, early 20s, struggling because getting a job was nearly impossible with your ears and tail. You had no family. They'd given you up after your mutation began to manifest. Everyone thinks puppies are cute, but apparently, no one wanted a human child that shared features with them. You'd been taken from the shelter you were staying at like most others who found themselves in this situation.

As you answer each one posed to you, Logan feels you subtly sinking back against him. Your back meets his abdomen like two magnets slowly being pulled together. Despite the annoyed look on his face, he doesn't say anything or pull away.

When the brief interrogation comes to a close, Scott relays to Logan that they had found other victims in another part of the facility. Storm was with them now, guiding them to the extraction point where they'd be taken to safety. The four of you just had to follow along.

Scott and Jean lead the way. Logan follows behind and you trot along beside him. He notices you're staying close to him in particular.

"Did the guys who took you say anything else about why they wanted you?" he asks. The fact that you were kept separate was still lingering in his mind. To him it didn't mean anything good.

You shrug and look up at him. "They didn't really talk to me that much unless they were being mean or spitting at me. Or kicking the cage," you say.

You say it like it's casual, but he can tell it hurts. He knows how it feels to an extent. All mutants do. Not many people will openly talk shit about a guy with metal claws, but the sentiment is still there. The idea that you're inferior. That something is wrong with you. That you don't belong in this life.

He just nods, not knowing much else to offer as comfort. "Did you ever overhear them talking about you? Any reason they wouldn't have put you with the others?"

"I think they wanted to figure out if there was more of me. Or if they could make anymore at least," you say after taking a moment to think, "Cause you know. Guys like the whole puppy thing. Makes me worth more I guess."

He cringes at the ugly picture you paint with those words.

The group of you continues walking, footsteps being the only sound in the hallway. Your tail had started wagging again which makes him feel a little better about not offering anything in terms of reassurance. But when you reach the room where the other victims had been, your tail comes to a halt and droops between your legs.

A party of men is spread throughout the area. They walk around scanning the now empty space, visibly incensed at their captives being freed. You slide yourself against Logan's back again, but you don't try to peek at them like you did with Scott and Jean. It doesn't take much to figure out that these are the ones who kept you in that cage.

They hear the team and you approaching and turn to face you. Despite your efforts to hide, they spot you before you're completely concealed behind the bulk of Logan's muscular frame. The one closest scowls at your attempt.

"I'm guessing the three of you know what happened to the things we had in here?" he says, sarcasm lacing each word.

"You could say that. And those people are long gone by now, so it's probably best you move on," Scott answers. His fingers rise to his temple in preparation to operate his visor.

The men don't seem to be threatened. The amalgamation of them tightens, forming a more crowded cluster.

"Yeah, you're probably right. But you're not leaving with that one," the same one says and gestures to you hiding, "She stays here."

"Not gonna happen, bub," Logan responds so quickly it surprises even himself.

His teammates also look interested in his seeming budding attachment to you, but they know better than to squabble in front of adversaries.

You are the only one the words don't strike in any sort of way, but that's because you didn't totally hear them. You're too busy trembling, hoping with everything you had that Logan wouldn't force you in front of him again and then kick you into the group of guys.

But obviously, that doesn't happen. There's more arguing that you don't hear because you choose to tune it out. You can sense Logan becoming more agitated and the air around everyone becoming more tense. Your body grows more rigid, your ears glued back to your scalp. You just want this to be over.

As these thoughts whirl through your mind, the arguing comes to a head, and Logan launches away from you. You feel naked without his large body shielding yours.

Scott and Jean aid him. Your first inclination is to turn the other direction and just try to stay out of the way. You weren't confident in your combat skills. If you could seriously fight, you probably wouldn't have gotten snatched up. You didn't want to be the reason any of these people who were trying to help you got hurt.

But then you see someone coming up behind Logan brandishing a knife. It's out of your control, the way your muscles go taut and your lip curls back. You'd only ever been in a real fight once before in your life, and you don't remember feeling this vicious. You spring up behind the man, finding where his shoulder meets his neck and biting down hard.

The cries of agony and grunts of anger seem to go on forever. The smell of blood invades your nostrils as you deal with your target. He'd fallen to the floor when your teeth sunk into his flesh. You feel him thrashing underneath you as you rip and tear, but you don't stop until he's gone still. You then pull off and wipe your mouth, twisting around to sit on the abdomen of your incapacitated enemy.

Logan also had no difficulty dealing with the men coming at him. There were just more of them, so he took a little longer. After one last thud of a body crumpling to the floor, only heavy breathing sounds through the warehouse.

Jean and Scott seem fine. They stand there checking each other over, and you see them share a brief kiss. You glance over towards Logan next and decide to return to his side.

He's alone. The sounds of panting are mostly coming from him. His body glistens, muscles lightly coated in perspiration. His scent is stronger to you now, and it only grows more overwhelming as you approach him. Men lie at his feet with pools of blood around them, presumably the same crimson liquid that stains his hands, wrists, and forearms in streaks.

You make your next move without thinking. Coming up to his side, trying in vain to avoid getting your ratty socks soaked with blood, you press your cheek against his bicep and snake your arms around his.

He then looks down at you. His eyebrows raise at the blood that coats your mouth and chin and trails down your shirt. You hadn't seemed like any type of predator before. Your presence was more akin to a puppy that'd be torn apart by wolves than anything that could do anyone harm.

"How'd you do that?" he asks.

Your finger rises and hooks under your upper lip, pulling it back to reveal your canines, sharper than a normal person's.

He nods and watches you with some mixture of curiosity, irritation, and fondness.

"Pretty good," he says simply.

You beam at the praise, blood-stained lips parting into a wide smile. He feels your tail wag harder and brush against the back of his leg.

The touch is nice. It makes him more conscious of the way you're still holding onto him, your hand curled around his muscle and your hip against his. He's not sure what it is. A silent thank you, a note of understanding, or a pledge of loyalty.

But he doesn't need a thank you, someone to understand him or devote themself to him. He's just doing what he's supposed to.

He slides his arm out of your clutches and gently pats you on the head.

"C'mon, let's get going," he says and starts walking towards the exit.

You trot wordlessly behind him, which he's grateful for. But more than that, he's just happy Scott didn't have anything to say about your sudden bond to him.

Once the jet picked you up from the extraction point, the trip back to the school was a breeze. You mostly keep to yourself while trying to stick close to Logan. He sits you next to him and cleans up your face, but you sleep for most of the actual traveling time to the destination.

You hadn't realized how tired you were until the seat hit your back and the buckles of the seat belt latched over your chest. With that manifestation of security, your eyes began drooping and your head was drifting to your shoulder like it was your center of gravity.

Logan's voice is what wakes you up. It's unclear to you how much time has passed, but that doesn't bother you. You feel him gently jostling you before unbuckling the straps across your chest. He calls your name a few times until your bleary eyes open and focus on his face.

"There you are," he says, "C'mon. We're here."

You still watch him without saying a word. Your hand rubs over your face to try and pull yourself closer to being awake. He watches you before offering his hand.

"I'm not carrying you, so you need to get up," he says in a tone you were becoming familiar with. It sounded irritated but not directly at you. Like this man was just in a constant state of being pissy about something.

You take the offer regardless and let him pull you to your feet. The two of you exit the jet together, him helping you out to ensure you don't trip on the gap between the ramp and the ground.

Once you're out, your eyes widen. You expected a boarding school to be pretty fancy, but this was nicer than any place you'd ever been. The walls stretched up the sky, crafted with bricks and decorated with large glass windows. The path there was paved and bordered with kept plants. You could see beyond that though. The large expanse of the property. So much space to run and do things.

Logan watches your reaction with amusement. "It's a lot to take in when you first get here," he says.

You nod, and your eyes continue to dart around and absorb the sight of everything. Storm and Jean lead the others who were saved off to another part of the building to be reunited with their families or taken back to their lives or even given verifiable resources. But you don't want to go with them.

You grab Logan's hand and look up at him, shaking your head.

His first reaction is to try and pull his hand free of you, but you have a tighter grip than expected. "What? What's the matter?" he asks you while still trying worm his hand out of your finger's lock.

You don't know how to articulate it because what you want is very simple. You want to stay with him. You want to stay here. You don't want to go back out to the world where people point and laugh at you or turn you away from everything. You just don't know how to say that without it seeming weird.

Luckily for you, Scott gives you a bit of help. You're not sure if that's his intention or not, but either way, you're grateful for the help.

"Maybe we should take her to the Professor. He might want to see about her mutation or ask her about that stuff back there," he tells Logan. You can tell from the way Scott speaks that he doesn't really like him too much.

Logan thinks about it for a moment before nodding. Before leading you there, he uses his other hand to pry your fingers off of him. You frown at the loss of connection and shoot him a glare. That brings an actual smile to his face.

"Follow along, pup. Don't need you getting lost," he says as he turns to guide you down the halls of the school.

The sun hadn't even risen, so not too many people occupied the common rooms. You catch sight of a few. They stare back at you, but unlike what you're used to, they don't look at you with disdain or mocking. It's simple, innocent curiosity. The only thing that seems to worry them is the bright red stain going down the front of your shirt.

Inside the room had been an older guy in a wheelchair. The professor talked the nicest out of all the men you'd been around today. When he looked at you, you felt like he understood you. He didn't even seem perplexed like Scott or Logan had. He'd merely said you were "interesting."

He talked to you for a while. He asked similar questions similar to the ones you already answered, but the third round of them got even deeper than the last two. Once he revealed that he could enter your thoughts if he wanted, that made a lot of sense.

Though he didn't really need his ability to understand you. Your experiences were written all over your face, practically sewn into the seams of your clothes.

He could see how, like every mutant, you led a life dominated by rejection. But in a different way than most others of your kind, you were vaguely familiar. Seeing someone with a tongue ten feet long or with blue skin or claws was jarring. It was weird.

But you - you look like a cute puppy. You walk the line between disturbing and endearing.

Charles can also see how you long for belonging even deeper than most. It's as if your mutation gives you the drive to seek out affection, for someone to devote yourself to. He can tell this by the way you linger around Logan.

If he moved an inch, you followed in the same direction. If he looked away, your eyes followed along. You were only settled if he was looking at you, not in danger of leaving your vicinity.

After talking to you for a while, hearing about your abilities and getting to understand your personality, he offers to let you stay at the school. He tells you it might be beneficial for you, and if you don't like it, you're welcome to leave anytime. It's only meant to give you a chance to understand your gifts and learn to control them and use them for good.

Of course, you accept. It wasn't even a question.

"Wonderful. Scott, show her to the extra rooms she can stay in and the shower so she can clean up a bit," Charles says. He watches as your eyes flit to Logan and then Scott. He also sees Scott's uncertainty as to why he was given this job.

But he nods and gestures for you to follow him, which you reluctantly do.

You trail him silently up the stairs, and he gives you a little guide to where everything is. He gestures at the direction of the student wing and the staff wing and then takes you to the latter. He points out the different bedrooms and grabs you a change of clothes on the way to the bathrooms.

He's nice to you. A little stiff, but he still smiles and laughs softly at quips he makes or your skeptical reactions to things. You want to ask him about his sunglasses, but you figure that'd be rude so you refrain. When he leaves you at the bathroom door, he tells you to just call if you need anything cause he's right down the hall.

Stepping inside, you peer around the expansive room. You'd never seen a bathroom so large. It was nice like everything else was in this place. The counter was spotless and smooth. The tile was sleek with a soft mat beneath your feet at the door and waiting for you in front of the shower.

You undress yourself quickly and turn on the water, waiting for it to heat before stepping inside. There's some products on the shelf inside that you use. You lather the soap on your hands and rub it over yourself fast. It felt really good, especially since you hadn't had a proper shower while being held captive. But you still work at a sped up pace. Although the novelty of everything had impressed you at first, you were beginning to yearn to be by Logan again. It wasn't a need that would make you lose control, just a little itch like a bug crawling up the path of your veins.

Downstairs, Charles kept Logan behind in his office so the two could talk. They briefly recap the mission before moving to the subject that was the true reason for the extended conversation.

"It seems she's quite taken with you," the older man starts simply.

"I guess," Logan responds, his voice unamused with the idea.

Charles huffs out a laugh and shakes his head. He goes to say something else, but the other man carries on the conversation himself.

"She'll get over it. She's like a little duck following around the first person she sees," he says and crosses his arms.

"I think you underestimate her intelligence, Logan. She's not a helpless animal-"

"I know that," he interjects quickly.

"She's one of us. She's formed an attachment to you for whatever reason. I would like her to stay here for at least for a little while to examine the traits of her mutation. I've never seen any that so closely mimic an already existing animal," he explains, "But I want to know that you're ok with that."

Logan scoffs. "Why wouldn't I be? That doesn't have anything to do with me."

"While she's here, she's most likely going to want to be around you. I just wanted to make sure that's not something you're wholly uncomfortable with."

"Please. I can handle it," he dismisses.

Charles watches him, ever-entertained by how hard he tries to present the idea that he's unaffected.

"If you say so," he says, "Just try not to scare off too quickly."

"I'll play nice," he says.

A few more words, and he's dismissed. He turns on his heel and heads out the same doors he entered. Just as he does, you glide down the stairs into his field of vision, tail wagging lazily behind you over the waistband of the sweats Scott gave you.

When you see him, it swishes a bit faster and your ears perk up. His eyes narrow.

"What are you doing down here? Didn't Scott show you where to go?" he asks.

You nod and prance down the remaining steps. Truthfully, you'd been seeking the man before your eyes, but you couldn't just say that.

"Am I not allowed to look around?" you ask.

His eyes remain hard on your face. "Aren't you tired? Mauling that guy didn't take anything out of you?"

A subtle pout forms on your lips, and you consider retreating back to the bedroom you'd been given. He clearly wasn't in the mood for you right now.

Logan sees the reaction his words brought on. He feels that little sliver of guilt shifting around inside him. Maybe his phrasing hadn't been the best... but then again why did he give a shit?

"How about we just get you back to bed? I'll show you around more tomorrow," he suggests.

You take what you can get and nod, your features slightly elevating at the form of peace he offers you. He retraces your steps up the stairs and down the hall with you on his heels. He spots the room Scott had picked for you. The door was ajar from how you'd left it to go find him.

He leads you inside but remains in the doorway himself. There really wasn't any reason to stay, so he should probably be leaving...

"Have you been here a long time?" you ask suddenly.

His eyes land on you again. You were perched on the end of your bed that was still fully made up, the comforter tucked in and everything.

"What?" he asks.

"Have you been here long? Scott said he's been here since he was a teenager," you say.

"Oh. No. Only a little while," he says. "I'm still pretty new here too."

That makes you happy, it's obvious from the hope that gleams in your eyes. "Are you like a teacher too? Or... something else?"

"What would that something else be?" he asks with a smirk, taking a few steps into the room with you, "Having a hard time picturing me teaching?"

"Well I just mean-" you try to justify before laughing a little, giving in, "Yeah. I can't really see it."

"Me neither. I'm not a teacher. I just help out sometimes," he says.

He walks even closer to you, causing your head to tilt up to look at him. Now you really looked like a puppy.

This close, he was all you could smell. You could see every individual hair on his forearm. It felt as though you could hear the strong beat of his heart. His eyes pierced into you from above, and you wondered if he was observing you in a similar manner.

"You gonna sleep on top of these blankets?" he asks.

The mention of something else besides him snaps you out of your little Logan-centric daze. You look around at the bedding and then back up at his head. The two styled points of dark hair look like he has two ears of his own mirroring yours.

"No. I'll fix them," you say and stand up to tug them free, "I don't need you to tuck me in."

"I wasn't offering to. I just don't want you getting up and trying to 'look around' again. Don't need you getting lost and wandering to my bed."

The idea brings heat to your cheeks and neck. It sounded nice for so many reasons. But the bed you had now outmatched the hard bottom of the cage you'd been sleeping on, so you weren't going to try and swing for more.

Once the comforter and sheets are peeled down, you climb back on the bed and sit against the pillows. There's a small pause. A puddle of silence pooling between the two of you. You don't know what else to ask, but you feel if you don't say anything he's gonna leave. So you pull out the first thing you can think of.

"What is your actual mutation?"

His brows rise with interest, and he closes the gap between you by sitting on the edge of your bed. Curiosity shines from his eyes onto you, silently questioning why you wanted to know.

"I know you're not actually a robot, but I can still smell the metal and stuff. What does it do?" you ask.

"The metal isn't my mutation," he says.

He raises his fist about a foot away from your face. His fingers are balled up tight against his hand. You cock your head, wondering what he's showing you.

Before you can ask any questions though, three shining metal claws emerge from between his knuckles. They come out slowly, a pace prolonged enough to be considered teasing. Your eyes widen at the sharp points and you scoot back, smooshing the pillows against your head board. All you can wonder is if he didn't take them out earlier or if you really had missed something so monumental.

His laugh rises in volume. "Relax, I'm not gonna cut you."

The claws come to a halt when fully extended. You wait just in case something else is going to happen, but nothing does. You bring your finger up and poke at the hard surface. They were so beautiful but unnatural too. You'd never seen anything like them.

"But I didn't see anywhere for them to come out?" you say softly.

He flexes his hand and extends his fingers, retracting the claws much quicker than they appeared.

"There is no place for them to come out of," he says and offers you his hand.

You frown at the little cuts the sharp rods left in their wake, but like little zippers, they close up. You blink at his hand. All evidence of his mutation was gone.

"So you can heal? And you have claws?" you say more to yourself than him, "Does it still hurt when they come out?"

He nods and watches you examine his hand.

Upon seeing his confirmation, you can't even help what you do next. You pull his limb a little closer and kiss each spot where a claw had emerged. Every phantom cut gets a soft smooch left where it would soon reappear.

"What are you doing?" Logan asks, her arm tensing up on instinct.

You glance at his face before releasing his hand. "Oh... sorry," you say and shrug sheepishly.

To your surprise, he doesn't scold or chastise you, doesn't get up to leave in a hurry. He simply pulls his hand back and gives you another look before saying good night.

"Get some good sleep. Like I said, I'll show you around tomorrow," he says.

You slip down in the bed, resting your head on the plush pillows and pulling the blanket up over your form. He heads out into the hallway, closing the door behind him.

A deep exhale leaves his lungs. He shakes some of that tension loose. What had he been doing? It almost felt like some different person had taken over him in there. Another version of himself that didn't have to be reminded to 'play nice.'

The few weeks you're supposed to stay at the school stretches out into a longer timeframe. It'd now been a few months since that day he found you in the cage and set you free. Though that month or so you'd spent locked up turned out to be worth it because you now had a place that made you happier than anywhere you'd lived before. You had a family.

You had Jean and Storm who were helping you train so you could one day go on missions with them. You had the Professor who taught you more about yourself than you had ever thought to ask. Scott was there too.

And of course, you had Logan.

Logan. As much as he tried to seem reluctant, to appear uncaring and nonchalant, he had grown to enjoy your company more with each passing day that you followed him like a shadow.

It was irritating at first. Before, he'd been able to drift through the school relatively unnoticed. Now, every single place he went, he was trailed by whoosh whoosh whoosh. The sound of your tail going back and forth. Anything he tried to do was accompanied by the feeling of two glimmering eyes trained on him. He'd tried to brush you off, but you didn't waver.

"Don't you have anything better to do than stalk me?" he'd ask, shooting a side eye your way.

"No," you'd respond.

"Well, find something."

"I don't wanna."

And who was he to argue with that?

In a way, the bond you seemed to have formed with him was flattering. It seemed like he could do anything, and you'd never view him as anything but the greatest creation to grace this earth. So he just lets you follow him around. He assumes after a while, you'll see him for what he is and lose interest, or you'll just grow bored of him and find something else to be the object of your obsession. Though so far that day hadn't come.

After a while of you always at his side, he started to cave and include you in his little routines.

One day he was doing sit ups at the foot of his bed while you sat nearby. His body rose and fell, abdomen kissing his thighs in regular intervals. But every time he came up, he found himself looking over at you.

"Hey, pup," he said, the nickname he developed for you coming out effortlessly, "C'mere for a second."

Your ears perked up. You weren't usually involved in what he was doing. You scoot over to him and kneel at his feet, awaiting a command. You could be so obedient sometimes it nearly made him feel guilty.

"You wanna help me with something?" he asked. As he expected, you nodded right away, so he continued, "Just hold my feet down. These only work if your feet stay flat. So just make sure they do."

You gave him another dutiful nod and got in position. Your hands held his feet down as he worked out just like he asked. Each time he came up off the ground, you looked at him with a big goofy smile.

That was just the first thing. From then on, the two of you actually did stuff together rather than just going about your things nearby one another. He'd help you train, and you'd help him clean Scott's bike when he finished using it.

Tonight, exhaustion aches in your bones after running around all day. On top of that, you'd had so much stuff to do yourself that you'd barely even seen Logan all day.

When the sun's finally down and the students have all retired to their bedrooms, you find him in the living room. He's leaned back into the couch, nursing a bottle of something. You assume it's not beer since you're at a school, but with how often he lamented about that limitation, you wouldn't put it past him to sneak one in.

You hop over the arm rest and curl up on the opposite side of the couch from him. He looks over at you, not displeased with your presence.

"There you are. I thought you finally got tired of me and found someone else to bother," he teases.

"I could never do that," you reply with the same playful cadence. You scoot a little closer. "I was just super busy today. The Professor was having me talk to some of the students, and then Scott needed me to grab something for him from the shed. It was really hard to find, so it took a while. Then I had to do my own training, and Jean made me try on some sizes for my suit..."

As you chatter on about your day, Logan finds himself nodding along, even occasionally reacting to what you say. He's not rolling his eyes or telling you to leave him alone. It's weird, but he can't say he wants to feel differently.

"Sounds like they're working you like a dog," he says when your story has reached an end.

Your face darkens like it had on the day he met you, shooting him a quick glare as a reminder not to say the forbidden d-word.

"Right, sorry," he corrects, "It just sounds like they're running you ragged. Don't let 'em work you too hard. Scott can get his own shit."

He still didn't understand your hang up about that word. He could call you pup, puppy, or any variation of that, and you'd react with nothing but joy. But utter d-o-g in your vicinity, and he felt like he was at risk of getting his throat chomped on. Luckily, it only takes his small apology for your normal demeanor to make its return.

"It's ok. I don't mind helping. I like having stuff to do," you say and shrug.

"I thought your 'stuff to do' was watching over me," he jokes and leans forward, placing his bottle down on the table.

You're not sure why, but you take that as an invitation to scoot even closer to him.

"I thought you wanted me to find better stuff to do."

"Fair," he chuckles, "Maybe this is one of those things where I'm not gonna realize I miss something until it's gone."

He brings his hand up from the back of the couch to massage the base of one of your ears. The soft fluff feels almost luxurious against the rough pads of his finger tips. He knew you loved the sensation. It had been an accidental discovery, something he did one time as a joke. But the way you melted into the touch had been more than just funny to him.

You lean into it now and nuzzle his palm.

"It was just one day. It's not like a permanent new routine."

"For now. Then soon enough, I'm gonna catch you trailing somebody else with hearts in your eyes," he says and gently tugs your ear.

You laugh at the tug and the stupid words. "You will not. Plus, I don't have hearts in my eyes for you."

"Oh really?" he teases. He leans in, his face hovering a couple inches away from yours. "I think I can see some now."

The two of you stay locked in a stare for a few lingering seconds. He'd never been this close to you before. You'd never heard his voice lower in that way, sounding almost desiring. Heat starts to crawl up from your belly through your chest to your neck. Before it can reach your cheeks, you turn your head to face the tv.

"Shut up," you huff, choosing to play the interaction off as a joke.

Out of the corner of your eye, you see his grin. He chuckles and his arm returns to its place behind you, above your shoulders. Quiet blooms between the two of you, kept from being total silence only by the hushed noises of the tv set across the room. It doesn't feel awkward though even with the sudden shyness he'd brought over you.

You angle yourself and lean in so that you're sitting against his side. No words come from him, he simply lowers his arm to sling around your shoulders and keep you there. His thumb idly pets back and forth over the smooth skin of your forearm.

The heat of his body radiates from his side and into you. Makes you feel safe and comfortable. Like you're where you're supposed to be. It's easy to sink into him further and tilt your head to rest on his chest. Before long, your eyes feel a little droopy. Blinking feels sticky, and your mind just wants to retreat to the soft embrace of sleep.

Logan can tell. He's not sure of the feeling this knowledge brings him. Pride? Contentment? Affection? Instead of thinking about it harder, he just pulls you a little closer and lets you drift off. He considers saying something, letting you know he doesn't mind and that you don't have to try and stay up. But nothing comes from him and the quiet continues.

He watches you slowly slip away. Your neck loses the wherewithal to stay upright, and your breaths soften, blowing in and out in a thoughtless rhythm.

The feeling that flows through him takes him by surprise. Pure endearment towards you, not a hint of anything else. He lets you sleep there for the next hour or so. When you're still out cold after that time has passed, he's unsure of his next move. He doesn't want to wake you and shatter the peace that had settled over the room, but he had to head to bed himself and wasn't going to leave you stranded on the couch in the common room.

The light of the tv glows across the two of you as he mulls over his options. When he finally decides, he grabs the remote and shuts the device off, cloaking the room in darkness, spare the distant blinking lights that could be seen through the windows. He rises from the cushions that had molded to cradle his weight, making sure to keep a hand on you to prevent you from slumping over.

This time he doesn't shake you or offer a hand. He reaches around and tucks an arm under your legs. His other supports you across your shoulder blades as he lifts you into his arms. He traverses the furniture with caution, making sure to avoid bumping into a stray corner or tripping on a catch in the rug. Then he moves up the stairs. Your limp body bounces with each step.

He nudges the door open to your bedroom and takes you inside. Your scent seemed to fill the entire room. Every time he took a breath, he got a lungful of the heady smell. Your bedroom was so you now. The way you'd decorated it and splashed your personality over every inch, it'd be hard to believe that just a few months ago it had been so sparse.

What had been a blank bed, covered only by a plain duvet and thin pillows, now held your extra fluffy cushions, a nest of blankets, and your steadily-growing collection of plushies. Trinkets lined your shelves and tables, and you even displayed a few posters over the walls. It was you, all around him.

He walks the few paces to the edge of the mattress before laying your body down on the foamy surface. He drapes a nearby blanket over your form. Even though he's technically accomplished what he meant to, he doesn't leave yet. He lingers like he can't seem to help doing around you.

You're still fast asleep, unaware of the change in locations. He watches a haphazard swallow move through your throat before you settle into the familiar setting.

He finds himself not wanting to go back to his room. He'd been at the school longer than you and never made his own so nice. Really, he didn't think he could make it as nice. But that was just because nothing about him was as nice as you.

When the resolve to leave finally surfaces in him, he reaches out and rubs the base of your ear.

"See you in the morning," he murmurs. Unlike before, the rest of what he wants to say doesn't get tangled up in his throat. "My little puppy girl."

That night won't leave your head for the next week. It almost feels like a dream. You'd woken up in your bed the next morning, assuming that's what it was. The undeniable change in location was the only thing that made your mind accept it as reality.

In the following days, things stayed the same for the most part, though you would have sworn, Logan acted a little less grumpy around you. Only by a microscopic degree, but enough for you to note the shift.

Nothing that big happens though. You don't even repeat the cuddling incident again. You kind of just assume that it was a one time thing. A nice experience, but not one to be repeated.

The memory of it floats through your mind often though. The pulse of his heart beating against your cheek, how you could hear it in your ear clear as day. Your stomach flutters at the thought of him actively pulling you closer, wanting you that close. You can feel your dedication to Logan blossoming into something more. It was already rooted so deep inside you that you didn't think it was possible, but you could feel it. The branches of reverence spreading in your chest and growing into something closer to adoration.

You could feel it now, sitting next to him on the bench in the school's spacious yard. He'd been tasked with watching some of the students for the afternoon, so of course, you tagged along. Shade speckled his face with alternating blotches of sunlight and gray. The stray beams of light made his eyes glow, and his hair shine all pretty. The sounds of the students practicing their abilities clouds the background of your focus, and they become even more distant when he suddenly turns to you.

"You're staring," he teases with that little smirk of his.

Your eyes flutter at the accusation. "No... I was not."

"Yeah you were. Even worse than usual."

"I just was thinking and zoned out," you defend, turning to face forward.

He hums in acknowledgement, obviously not believing your excuse. "Were you thinking about me?"

"You wish."

"I don't have to wish, puppy. You're not a very good liar."

You really weren't. Your tail swished with each beat of this little back and forth. Your ears pinned back to your head, folded over by the guilt of being caught. Everything you were feeling was made apparent by your supposed 'gifts.'

"Well whatever. Even if I was, it's none of your business," you say. A smile pulls at your lips. Your tells weren't solely from your mutation.

"If you say so," he taunts, one last jab before he returns his attention to the kids he was supposed to be supervising.

Nothing he said hinted at anything more than playful banter, but the way he spoke had them wrapped around your heart like unbreakable restraints. The way he said them made you feel like he wanted it this way. Wanted you to hear that smug cadence in your mind for the next few days. Maybe he found you entertaining. Maybe your emotions were a new game he discovered he liked to play with.

Hours later, you're curled up in your bed, by yourself as per usual. Everyone in the school had gone to bed, you and Logan had parted a while ago yourselves.

Sleep weighs you down to the mattress, but your ears perk up automatically when they register a distant sound of distress. It's faint. If it happened alone, you would've just assumed it was part of your dream and not done anything else. But more follow it.

Your eyes crack open, still glazed with drowsiness as you come to. You listen for the sounds that disturbed you. For a moment, there's nothing. Just the gentle breeze outside your room and the crickets chirping in the cut grass in the yard.

Then it happens again. A normal person wouldn't be able to hear these sounds. They were reserved for you with your enhanced senses. It sounds like grunting and groaning though you can pick up the pained undertone of fear. The worst part of it to you is that immediately you know it's coming from Logan.

You swing your legs over the side of the bed, freeing them from the fleece warmth of your blankets. Padding out of the room, you cross the hall to his. You open the door in the specific way so that it doesn't creak and then shut it behind you. Your feet are gentle on the hardwood as they bring you closer to the source of the noise.

Once you're in, it's no mystery. Logan lays on his back in the center of his bed, shoulders twitching in agitation. He mumbles to himself, different words you can't make out. Your head cocks at the sight.

Approaching the side of his bed, you just watch him for a few more moments. When he doesn't wake up, you feel the urge to intervene. It felt wrong watching him suffer. Something pulled at your insides to help him.

You reach out and nudge his bicep. There's no effect. You do it a few more times but still nothing happens. Finally, you actually grip his shoulder and shake him gently, whispering into the darkness a simple "Logan."

That wakes him. No mistake about it. He gasps and snaps up. His claws come out from his hands without a second thought and slash at you. You hop back right away, tripping over your own feet and crashing onto the ground.

Your pulse thunders in your ears. The adrenaline coursing through you wasn't so much out of fear but rather confusion. Your mind was still a bit bogged by sleep itself, and at this moment, you're less concerned with Logan's reasoning and more so the logistics of a potential fight with him. Even though you had been training for the past several months, you had absolutely zero belief that you'd be able to beat him in a fight. Or even really compete for that matter.

Fortunately for you, it doesn't come to that. His eyes recognize you not long after his fists took the swing. You watch as his face morphs into a handful of different emotions in the span of about five seconds.

"I- what- how- I didn't-" he starts before getting a handle on his ability to speak, "I'm sorry."

Your body starts to come down from the brief high when it's clear he's not going to attack. You feel less wound up and let out a sigh. Your eyes remain inquisitive while gazing at him though. What did he dream about that made him freak out like that?

You guess it's not the best time to ask, so instead of pushing your luck, you push up off the ground and get your footing back. You step up to him at the edge of the bed and stand between his thighs. You plan on asking him if he's ok, but his arms reach out and yank you to his chest before you have the chance.

His hold is tight on you. The little half-hugs he'd given you a couple times before didn't compare at all. His arms were locked around you like they never intended to let go. You could hear him panting in your ear, and you could feel his heart thundering against both of your rib cages like it wanted to be released from its chamber.

"You're not hurt, are you?" he whispers.

You shake your head and wrap your arms around him too. The gesture relaxes him a lot, you can feel the tension seep away.

"Are you ok? I didn't mean to bother you, you just sounded like you needed help," you say at the same volume.

"You didn't bother me. I'm ok. I'm sorry. You don't have to worry about me like that."

His skin is warm and clammy against your own. You gently pat his back as some form of silent reassurance. Even if he wasn't as distraught as he had been a few minutes ago, you could tell the events that occurred were gnawing at him.

One of your hands drifts up, and you thread your fingers in his hair. It's like pulling a lever. He exhales deeply and pushes his face more against your neck.

"I'm sorry, pup," he murmurs.

You nuzzle the side of his head, and your heart nearly stops because he reciprocates this gesture with a few of the softest kisses you've ever felt, placed on your throat.

"I'd never hurt you on purpose. You know that."

You nod. Of course you knew that. And you would never say this to him out loud, but you felt so deeply for him, you weren't sure that your perception of him would have changed had his claws landed the strike on you.

Pulling back your head a little, you nudge his so you can see him. Both of your eyes connect for a moment before you lean in and kiss him. His lips are softer than you'd expected. His scent permeates your senses, but it's not one of booze or the brand of cigars he smokes. That's there, but your nostrils sense deeper. You could smell his essence. The way his blood runs hot as your tongue swipes into his mouth.

The kiss grows deeper. No words are said. Neither of you need them. Your fingers tighten on the dark locks of brown hair, and you climb into his lap. His hands land on your hips almost instantaneously. The only sounds between the two of you are sharp exhales and shallow inhales.

"What are you doing, bub?" he murmurs against your lips, breaking the silence. Despite his questions, he wasn't stopping you. Not at all. His fingers dig into your flesh and pull you a little closer.

"Wanna make you feel better. And show you that I know."

You weren't sure what you and Logan were after that night. Boyfriend-girlfriend, friends with benefits, or maybe simple companions. You didn't really care because regardless of the answer, you were happy.

Kissing was the only thing that transpired that night, but that was ok with you. It didn't dampen your outlook on your relationship with him in the slightest. You'd made out for a while, tangling up with each other and the sheets before he pulled back. He didn't want to go further when you both were coming down from all that emotion. And you agreed. You didn't need more. You felt elated from receiving that much affection in the first place. Your tail whacked against the mattress as you curled up to his side and put your head on his sternum to rest.

The next morning though, he had been ready for more. Once he fell back asleep, his dreams had been much more pleasant. He woke up stiff and aching for you, and you were more than happy to provide some relief.

You alleviated that throbbing between his legs multiple times that morning, and you'd been taking care of it at least once a day every day since then.

The team could tell something was going on between the two of you, a deeper bond than your initial affinity for Logan. You walked with a faster wag in your tail, and he seemed less jagged at the edges. Others were less likely to get cut now if they reached for him the wrong way.

Each of your steps also came with a small jingle now since Logan had given you his dog tags. You'd been lying against his side, basking in the afterglow of one of your escapades when he dangled the metal chain between the two of you.

"Want you to have these, pup," he rasped.

You'd looked at him with curiosity swimming in your eyes. Excitement mingled there too though.

He chuckled at the look before boosting your head so he could put them on you.

"I know my pretty puppy doesn't want to wear a collar for me yet," he teased, getting a pout out of you, "I just want you to have something of mine. You don't even have to wear 'em if you don't want to."

You'd worn them every moment since he gave them to you. Wouldn't take them off for anything. The physical representation of your attachment stayed secured around your neck at all times. The way it made you feel had you thinking a collar would be a pretty nice next step.

It'd been just over a month since you became something more with him. Your tail zips back and forth as you clean up the training room, thinking all of this over. A little smile rests on your features too. Jean helps out nearby, laughing gently at your mood.

"You have it bad," she teases.

Your head turns, and you grin, exposing those elongated canines. Shrugging, you prance over to help her finish the area she was tidying up.

When the two of you get everything back into shape, you head out into the sleek hallway back towards the main part of the mansion. Your shoes squeak against the tile as you bound towards the doors.

Entering the primary floor from the rooms below always brought a bit of adjustment for your eyes. The lights downstairs shone bright, fluorescent white. Coming back to the soft lamps of the common rooms had you blinking while your pupils scanned the room for Logan.

You catch sight of him standing near the two large doors that acted as entrance to the school. Right now, you can only see him from behind, but you spot Charles next to him. It looks like they're talking to someone, though the former's bulky frame prevents you from seeing who.

Your legs carry you over to the pair. You come up on the side of Logan that Charles doesn't occupy. Tucking yourself under his arm, you look up at him first before your eyes land on the other person speaking.

The sight of her makes your head tilt to the side just the slightest. Every feature on her embodies beauty. Her red hair, similar to Jean's in color, sits slicked back on her head. Deep blue coats every inch of her body. Seductive yellow eyes flit between the two men she's conversing with, and now that you had appeared, they cast to you as well.

You'd seen her before around the mansion once or twice, and you didn't really trust her. She didn't seem like a bad person, but she worked opposite the team. Even though Logan had assured you she was just offering some information about a common goal, you didn't feel confident that Mystique's motives were of such pure intent.

Still, you don't interrupt the in-progress discussion. You stay quietly pressed to Logan's side, tail coasting against the back of his leg. He doesn't wrap his arm around you as tight as normal or rub between your ears like he often did, but he gives you a little pat on the shoulder to acknowledge your presence.

Mystique finishes listening to Charles' point before directing her full attention to you.

"I knew you all wore uniforms, but you two didn't tell me your team had a little mascot too."

You bristle at the comment but try to remain composed. You were better than a thoughtless animal that snapped at a little poke. Charles hadn't even noticed your presence. He looks over at you and realizes what Mystique's quip referred to. He introduces you briefly.

"She's new to the team and is still training, but she's not a mascot," he concludes.

"So more like a stray then? Cute. I never would have guessed you wanted a pet," she says to Logan.

Tension creeps up your spine, and you stand up straight, pulling away from Logan's side.

"I'm not his pet," you huff and look at her. Your pouty way of asserting yourself probably didn't do much to project the image of independence you wanted. "I'm-"

You go to continue, but she cuts you off.

"You really should teach your dog not to bark, Logan. It's not polite."

That sparks a small growl in your throat before you can shut it down. Her eyes widen in amusement which only makes it feel worse for you. The most humiliating part is that you know all of this is inauthentic. She's doing it for the purpose of riling you up, getting you upset and making you feel bad. You know this, but your reaction gets the better of you.

Before you can do anything regrettable, Logan's hand curls over your shoulder. He keeps you rooted where you stand, quelling the flames of conflict before they have a chance to spread.

"Back off," he says, quick and curt with Mystique. He turns to Charles next, still keeping his voice firm. "You don't need me to hear the rest of this. I think I'll let you wrap it up."

Charles nods, knowing it would be better for him to focus on removing you from the potentially volatile situation instead of being another observer for some intel.

Logan guides you away from them, hand moving from your shoulder to the back of your neck as he takes you upstairs. The anger inside you melts away with the growing distance between you and Mystique. Only the stain of embarrassment remained.

"I'm sorry," you say. Your words sound compressed, the weight of your shame hanging off them.

"Don't be. You didn't do anything wrong. She wanted you to get upset, so that's what she got."

The pair of you move through the rest of the hall without another word. You go into your room. Once the door is shut and it's just the two of you between the four walls, you stomp over to the bed and flop down onto the mattress.

Darkness clouds your vision while your face rests against the blankets. Your tail rests against your thigh limply. You hear him coming over and then feel his hand rubbing your leg near the lifeless appendage. The mattress dips as he sits next to you.

"C'mon. You're ok."

You shuffle around so your head is resting in his lap. "I looked pathetic."

He sighs. One of his hands rubs your back while the other pets your head. "You did not."

"Yeah I did."

"No. You didn't," he says, "You didn't do anything that bad. No one's gonna think less of you cause you got a little mad about someone talking shit to you."

You know he's right. Everyone here had an experience like that. It's how most of them ended up here, reacting even worse than you had. It still doesn't make you feel any less dumb. A deep exhale seeps from your lungs.

"I just don't understand why everyone looks at me like that. We all get it bad enough from humans, but then some of the others look down on me too. I'm the same as all of you. I don't say Mystique looks like a smurf cause she's blue, so I don't see why I have to get called a pet," you huff.

He smiles a little and scratches your ear, letting you vent.

"Even you guys looked at me different at first. I know you did. I'm not the only mutant with physical stuff. Why does it have to be a whole thing with me?"

"You're just a little different, bub. You confuse people, but it's not your fault. Nothing about you is less than any other mutant. Mystique doesn't even think that. She was trying to get under your skin."

"Yeah..." you say with a little dejection in your tone, "I still just wish people would treat me like normal. Or at least normal for a mutant."

"I know you do, baby," he hums and pats your arm.

By this point, you're far enough away from the harshness of what happened downstairs. You sit up and scoot closer to him crawling into his lap. He wraps his thick arms around you and rubs your back.

"There's my girl," he murmurs and pecks your temple.

You nuzzle him like a puppy seeking more affection from its owner. Your backside rests on his lap, your arms snug around his abdomen.

"I'm just curious though, pup. What's the big thing with being called dog? It's not that different than puppy," he says, a hint of caution in his voice. He figured now was as good a time as any to ask. He knew it was the main part of what Mystique said that set you off.

You don't react with anger or defensiveness which pleases him. Instead, you shrug.

"Cause. Puppy sounds cute. Dog is just so... bleh," you say, "It makes me sound like a gross animal that someone has to wrangle."

His eyebrow rises. You can see the amusement in his eyes, but he successfully kills his laugh before it leaves his throat.

"Mmm. Makes sense. Can't have anyone thinking you're gross."

"Exactly," you say and kiss his cheek, "You get it. I just... I don't wanna be your pet, I wanna be yours."

You breathe out the words and push yourself closer on his lap. He appeases your desire for less space and pulls you to his chest.

"You are mine. You don't have to worry about that," he says.

"And I still wanna be your little puppy."

He chuckles. His head ducks down to your neck to lay a few kisses there. One of his palms drifts down to gently knead the dough of your ass.

"You also are my little puppy. My little puppy that follows me everywhere. Mine to hold and love on. Mine to play with. Mine to deal with when she gets bratty."

The last word comes out teasing and brings a happy sound out of you. "I wasn't being bratty before. She started it," you say, playing along.

"Hmmm, you're right. Maybe fussy's a better word," he mutters and nips at the soft flesh of your neck.

"Nuh uh. I was being totally normal," you say and nudge at his face with your nose, getting a little squirmy on his lap.

He responds by flipping you over onto your back. The mattress creaks with the bout of pressure and a squeal leaves your throat. You can feel his length against your hip, half-hard already from how you had wiggled on his lap.

"Oh please," he says, "Why do you think I brought you up here? I can tell when my pup needs to calm down. And I know just how to do that, don't I?"

You whimper and nod. He grins before returning his lips to your neck. He nips a few love bites onto the delicate area, drawing little whines from you. His hands hold you in place and move with your body's wriggling. He gropes at your hips and waist, paws at your tits, and slides them around to massage your ass.

"Such a good girl. So responsive for me," he coos.

The condescending affection sends a pulse down to your clit, and your hips roll up to meet his. One of your legs hooks around his waist to pull his body closer.

"Logan. Don't tease," you pout.

Your whiny plea doesn't garner any sympathy from him though. He laughs against your neck and pulls back to smirk down at you.

"My little puppy needs to learn some patience. You think if you don't get my dick in seconds that it's teasing," he taunts.

You whine again and press your leg down on him. He doesn't make any move to pull his cock out though. One set of his fingers comes up to your jaw, directing your lips to an angle where his can land on yours. He kisses you nice and deep, swallowing up any bratty urges that were springing around inside your head. His tongue is warm and soft, gentle against yours.

Meanwhile, his freehand does start to slide down below. It travels beneath the waistband of your bottoms. His warm fingers glide over the plush skin of your pelvis and slot between your lower lips to find your swollen nub. He flicks at it, instantly getting a mewl from you.

You can feel his smug smile against your mouth, but you don't have much time to react to it before his middle finger starts swirling around your bud. Your leg releases his body as it squirms with your other on the mattress. You moan into his mouth and boost your hips into his touch, wanting more of that blissful friction.

"Sweet girl," he coos. The words are muffled by your skin, but you could pick those syllables out of any lineup. "That's your favorite spot, isn't it? Always gets you wriggling for me like a little puppy."

"Mhm," you whimper with a faint nod.

Your heels dig into the mattress to give you some leverage to push your hips up so he can tug your pants off. He takes the opportunity and flings them off the bed. With you bare to him like that, he leaves your lips and moves down. He pulls your top off next and smooches between your breasts and over your tummy before landing between your legs.

He kneels on the floor at the edge of the mattress. His hands hook around your thighs and pull you in his direction.

"C'mere, baby. Give me that puppy cunt. Gotta get it all wet, so it can take my cock."

With that, he buries his head between your thighs. You gasp and throw your head back. Your hands fly to his head to grab at the two dark points of hair.

Logan gives his all to the task of pleasuring you. Whether it was his cock or his mouth, you were never getting anything less than his best. That's obvious right now as he eats you out like it's all he has to live for. He laps at your poor little clit before sucking it into his mouth. It gets some good suction from his lips before he pulls away and licks a broad stripe over your cunt.

He prods his tongue at your entrance, pushing the soft appendage against your hole. You whine more, and he feels your heels dig into his back as they had the mattress. Little expletives float from your mouth into the air as you experience such a rush of euphoria.

"Taste so good, pup. So fuckin' sweet," he mumbles. His lips open and close over your pussy, making out with it.

You rock your hips back and forth, essentially humping his face. He groans and only works harder. Your cute reactions only spurred him on. He twists his tongue just how he'd learned you liked and uses the perfect amount of pressure to get you gushing for him. Your arousal begins to coat his chin, his dark facial hair glistening with your wetness.

"Nice and wet. I'm just gonna slide right in, huh baby?"

"Yeah," you pant. Your hips buck when his nose bumps your clit, but he keeps you held in place.

He kisses your clit before dragging his tongue over you anymore. The soft touch pulls a whimper from you. Your brain starts to get all muddled and hazy. The dreamy feeling always took over when he had you like this. He knows it's coming on too. He can tell by the sudden softening of your movements. You're less jerky and more fluid in how you fidget.

"Oh, that's it. I think my pretty puppy's ready for me," he says, voice smooth on your ears.

He wags his tongue over your little bundle of nerves a few more times before standing to undress himself. His shirt comes off first, dropped to the floor with your garments. His pants are next to go, crumpled on the ground and kicked off his ankles.

Crawling back on top of you, his larger figure boxes you in on the soft surface. His cock is fully hard by now, red and angry, leaking desire from the tip. He guides it to your center and rubs it through your soaked folds.

A soft grunt leaves him as your nectar coats his shaft and drips onto his balls a little too. He only slides it against you a couple times, not wanting to waste the stimulation humping when he could be nestled deep inside.

He brings his tip down to your hold and pushes it in. Your walls accept the familiar intrusion and he groans at the comfort of your velvet walls contracting around him. He pushes his length in all the way until he bottoms out.

Then, adjusting himself and gripping at your hips, he starts to thrust. The motions start as gentle rocks. Taps of his pelvis against your ass. You flutter around him. Moans leak from you, and he smiles at the obvious pleasure coursing through your body.

He fucks you deep, just how you always asked for it. You weren't concerned with whining for harder and deeper right now. This was enough. The feeling of his cock buried in you soothed you like nothing else. Your eyes roll back and puffs of air come from your nostrils.

"Fuck, honey. Feels like I can barely last with you," he grumbles.

"Can't even think when I'm with you," you babble.

Your arms come up to pull him closer, and he lets you. He presses his body into yours, in-turn, shoving his cock as far into you as physically possible. You cry out with the pressure. It was the best kind. Deep and satisfying. To the point that you can feel it in your tummy every time his belly pushes on yours.

"You may not be my dog, baby, but one day you're gonna be my perfect breeding bitch," he grunts.

Your jaw goes slack, eyes drooping with lust. Your head tilts back and he leans into yours more.

"Gonna have you full of me forever. Always gonna be mine."

You can't even respond. Your mind isn't coming up with any coherent response. All you can do is whimper and whine like the needy pup that you are.

"This is what you need sometimes, puppy. Need me to stretch you out on my cock. Get all those thoughts out of your head. Cause puppies don't have to think. Not when you have someone like me taking care of you."

Your thighs start quivering, a sign you were reaching your peak. He knows this and drills into you harder. His balls slap against you every time he pistons his hips. His heated skin rubs against yours. He occupies all your senses, overloading you with him.

"Logan... gotta... gonna cum," you whine.

"Then cum for me," he mumbles simply, "Cum all over my cock, and I'll be right behind you."

You nod. Your back arches up. It takes you a little more, but when you get there, you crash into the throes of release. A sharp yelp bursts from you. Your feet kick a little and your legs press against his sides in an attempt to shut him out.

You get so fucking tight when you cum. Your hole clenches around him, calling out to him to spill every drop of his seed inside your wanting orifice. He growls and drops his head in your neck. He feels it building between his hips. The pressure grows until he can't take it anymore. It snaps and the flood gates open.

He bites at your neck, not hard enough to break the skin but with enough need to leave a little mark. Hot, sticky cum shoots out of him in thick ropes. Warmth fills your insides and you feel like you're sinking into the mattress below you. Both of you are panting with the intensity of the high.

You've already come down by the time he's starting to. After he nuts, Logan tends to get a little sappy. His arms pull you in tighter and he pecks at your neck a few times more muttering something unintelligible about his baby puppy.

"So what do you think?" you ask and twirl into the room, showing off your new outfit.

It matched his. Black leather snug on your body, lined with the same gold on the seams of Logan's. The bold X that shown on his belt could be found on the zipper of your top, dangling against your chest.

He smiles at you, standing from the bed to walk over and get a better view.

"Looks pretty good," he says upon approaching, "Seems a little tight though. You got room for your tail in that thing?"

You laugh at his joke and spin around again, showing the back where the suit had accommodated for your tail to poke through. It whips back and forth before you turn to him again.

"Just perfect for you then," he says and pulls you close, patting your ass and kissing your forehead, "Look at you. An official member of the team."

You nod and struggle not to bounce all around the room with the excitement vibrating through your cells.

"We're gonna be like so totally cool together," you say.

"Yeah. Totally," he imitates affectionately. He cups your jaw, watching your cheeks squish in and your lips puff out. Leaning down, he puts his mouth on yours in a soft kiss. "You're gonna do great."

The words come out as a whisper against your lips. One of your canines slips over your bottom lip as you take it between your teeth. But the display of timidity only lasts a second.

"I know," you beam.

Locking your fingers around his palm, you drag him to the door and out into the hall. Your arm makes his swing as he walks along behind you. He rolls his eyes lovingly at your confident display, but he can't keep his gaze off your happy self. He lets you pull him without resistance.

Now it would be his turn to follow you.

#logan howlett x reader #logan howlett x you #logan howlett imagine #logan howlett smut #logan howlett fluff #wolverine x reader #wolverine imagine #wolverine fluff #wolverine x you #wolverine smut #marvel x reader #marvel smut

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fatesundress · 2 years ago

Text

⭑ for the love that used to be here. tom riddle x reader

summary. you and tom are the only muggle-borns in slytherin, until one day he isn’t.

tags. angst, afab reader who is referred to as a witch a few times and rooms with girls but i don't think i ever use she/her pronouns or say the word girl/woman, biggest warning is that this is SO long (idk what compelled me to write a year 1 – post-hogwarts fic but here we are twenty thousand damn words later), blood purity and bigotry, dumbledore is greatly offended by the bonding of two orphans until he can capitalise on it, frequent wwii mentions (specifically the blitz), book clerk tom, MURDERER TOM… ministry reader, kissing, smut once they’re 21/22 May all the minors in the room exit at once, more angst, sad ending kinda, me spreading a very personal and very nefarious tom riddle agenda that is canon to ME but probably only like two other people

note. i need a shower and an exorcism after writing this shit. i'm exhausted. i don't even remember half of it. but i'm also SO stoked, this is my little (very large, frankly) 100 followers celebration! i've only been on here for about a month and the love has been so crazy so thank you mwah mwah mwah ♡

word count. 21.8k (i know... i KNOW)

You learn quickly that your shade of green is not the same as theirs. The rest of them are emeralds, even at that age — they glitter with their parent’s polish. You are flotsam, sea-sick, envy green; the putrid boiling stuff that brews in your cauldron when you look away for a second too long, and, really, it’s more of a stain than a colour at all. There is a fraction of a second where you find something powerful in that. You are not an easy thing to remove. And then it’s gone, because they want to so badly.

You learn, with a bit less tact, that you doesn’t actually mean just you; that it’s you and him whether you like it or not.

He evidently does not.

“It has to be completely fine,” Tom says to you in Potions, his voice small then but just as practised.

You narrow your eyes. “‘Scuse me?”

“I said the powder has to be completely fine.”

“I heard you completely fine. I know how to read.”

He stares blankly at you before returning to his own station, and that’s that.

It isn’t unheard of for muggle-borns to be sorted into Slytherin, so you’ve been told, but one glance around your common room and you can see it’s pretty damn rare.

There’s Tom Riddle, there’s you, and there’s a seventh-year girl whose knuckles are always white like she’s spent so long with her hands balled into fists that they don’t know how to do anything else. Tom Riddle is a prat, the girl is too old and unapproachable even if she wasn’t, and you are very good at being alone.

That decides it. Flotsam still floats.

Everything is — fine. It’s fine for months; you have no one and need no one and sometimes you catch a jinx in the back of Charms that zips your mouth shut or bends a foot the wrong way (a cruel reminder of how much more these people know than you) and your broom occasionally pivots so sharply the Flying professor has to stop you from careening into a wall and breaking enough bones for a week’s worth of Skele-Gro, but it’s fine.

…It’s just that he’s insufferable.

The boy is eleven years old and he speaks like he’s stealing glances at an invisible lexicon between every word, more refined than any of the orphans you grew up with which makes you wonder which sort he’s surrounded by, and you take it upon yourself to theorise in passing if you could ever scare him badly enough his real voice would slip and he might just appear human for once.

Only it becomes clear when you’re stirring awake in the Hospital Wing after a mysterious bout of dragon pox (conveniently, all the pureblood children developed an immunity after catching it young) has rendered you bed-ridden and pockmarked, that you don’t think anything can scare Tom Riddle. He’s suffering just as well in the bed beside yours to keep the contagion to the two of you, and he’s all cold, eddied rage under sallow skin and beetling bones.

“They’re going to kill you,” he says after three days of silence, when the room is dusted in moonlight so thin it’s like squinting through cinema noise or mohair fluff to try to see him.

You blink at the vague shape of him. “What?”

“If you don’t hurt them back, eventually, they’ll just kill you.”

In hindsight, it’s an assumption so hastily bleak only a scared child could make it.

I want to hurt them, you try to say, but for what follows you cannot: I want to hurt them but I’m not good enough to do it.

You roll over and pretend to sleep, and in the morning, you hurt them anyway.

It’s Avery who’s unlucky enough to be the first to test you when you’re three assignments behind in Transfiguration, still a bit groggy from your last dose of Gorsemoor Elixir, and actually, physically green. He tugs your hair and stings your cheek with the promise of “bringing a bit of colour back to your face” and it’s sort of funny how banal it is compared to the other transgressions you’ve been dealt — that this is the thing that makes you bare your teeth, grip your wand in a hand that still can’t hold half of it, and send Avery flying across the room with a Knockback Jinx.

Tom sits with you in the Great Hall for dinner that night, and he never really stops.

You practise spells by the Black Lake between classes and he’s anything but kind about the ordeal, but you teach each other. You end your days with singe prints and sore wrists and you often take more damage than he does, but sometimes, as spring settles in with warm tones (apple and jade and moss — all the greens you’d never imagined), you leave with less bruises than he does. It hardly feels like friendship. It feels much more like purpose.

When summer comes you don’t write to him, and you don’t expect he will either. You don’t suppose you’ve actually written a letter in your life. Instead you try new wand movements under your quilt every night and wait for August’s departure on a big red train.

You sit together when the day does come. He asks you if you’ve been practising. You frown and tell him you’re not allowed to use magic outside of school.

Second year is nothing but monotonous, antiquated theoretics. Most everyone complains. You don’t see why they should — they’re already aeons ahead of you — but that means you finally have a chance to catch up in your less-than-school-sanctioned meetings with Tom while the rest remain practically stationary.

Deputy Headmaster and Transfiguration professor Albus Dumbledore is imperceptibly less soft with you than he was last year when you make the apparently poor decision to sit beside Tom on the first day, and you file the subtle shift in demeanour into some mental cabinet to review later.

You find workarounds with the librarian, Madam Palles, inclined to sympathy for the poor, orphaned muggle-borns to grant relatively unfettered daytime access to the Restricted Section so long as you keep it tidy and none of the books leave the library. That’s where things get a bit more interesting.

For a month you remain innocuous as can be. You browse through rare historical tomes and foreign biographies that would charge more galleons than you can conceptualise, and you never leave so much as a tea stain on the parchment. You smile at the Madam when you return the key each night, and walk back to the dungeons with your hands behind your back. It is, of course, totally unrelated that a month is what it takes for Tom to master the third-year curriculum’s Doubling Charm. An entirely separate affair when you meet him in the most secluded alcove of the library, slip him the key, and stifle your grin as he duplicates it perfectly.

You discover Christmas break is your favourite time of the year. Nearly all the purebloods go home. The Slytherin dormitories are effectively halved.

It’s two weeks of earnest, uninterrupted work and sleep without fear of waking up with jelly legs or whiskers.

Madam Palles, most nights, makes a slight, drowsy effort of searching the library for leftover students before she casts the lights out and closes the door. Then, it belongs to you and Tom.

You’re splayed rather ridiculously over one of the big reading chairs on Christmas Eve, Lore of Godelot in hand, enthralled by a chapter detailing his controlled use of Fiendfyre through the power of the Elder Wand.

Tom is cross-legged and sat straight, his brows furrowed in concentration.

“What’ve you got?” you ask, leaning over to answer your own question.

Tom as good as rolls his eyes, holding up the book to give you an easier look.

“Magick Moste Evile?” You scrunch your nose. “Bit much, don’t you think?”

“It’s the stuff they’ll never teach us.”

“I wonder why.”

He steals a glance at your own book and smiles in that smug way that makes you want to slap him.

“What, Tom?”

He shrugs. “You might want to know you’re reading stories about the author.”

You look down. Lore of — Godelot wrote Magick Moste Evile?

It shouldn’t really be surprising. Three chapters ago your book was recounting his months in Yugoslavia grave-robbing magical burial sites.

“Whatever,” you mumble, “It’s just a biography. Least I’m not reading the words out of his mouth.”

“Well, they’d be out of his quill.”

“Oh my God, Tom, shut up.”

All good things must come to an end. Term resumes and your hackles are back up.

Abraxas Malfoy, Antonin Dolohov, Walburga Black and the best of the worst of your house have returned, sleek-haired and insatiable and deranged, truly, in such a manner that you don’t think you can be blamed for the instinct you feel every time you pass them to lunge like a wild predator or run like wild prey. All Tom does, though (and so you follow, because he’s standing with you and who has ever done that?) is meet their gazes with equal assuredness. He never seems bothered. He never seems animal. You are still all hammering heart and heavy lungs, and you are learning not to see the world through the eyes of someone who’s only ever had their fists to fight. You have magic, you remember. You’re good at it. You could hurt them, if you really wanted.

Not much is different that summer than the last. The war is hard. The food is hard to chew. You chip a tooth. You’re too afraid to fix it with the Trace on you, but you still smile because you will, and everyone seems put off by that. What is there to smile about?

You suppose, for them, it’s a question with few answers.

For you — you’re back on a big red train musing about the functions of muggle warfare with Tom Riddle, chucking a useless card from a chocolate frog out the window and moaning about how you wasted the sickle you found under your seat.

He’s gotten very good at ignoring your theatrics and going right back to whatever it was he was talking about. And you note, unrelatedly, he almost looks like he’s learned how to open the windows at Wool’s. (You dare not suggest he’s doing something so ludicrous as sitting in the sun too, but this is a start.)

Dippet, or the Minister, or whoever it is that’s in charge of the practicality of the curriculum, has become fractionally less stupid in the last three months.

You don’t have to rely on nights in the Restricted Section or weekends at the Black Lake to actually learn something anymore. Of course, without the assistance of those illicit extracurriculars, you wouldn’t be able to match up to your peers the way you are this year, but it’s nice to duel with dummies instead of motioning your wand vaguely over a desk, and you and Tom still climb the notice boards in rapid succession.

They hate you for it. One of your roommates makes a pointed effort each night to glare at you from her bed like those jelly legs are back on the table, Orion Black (two years younger but just as nasty as his cousin) nearly trips you on your way to Divination, Abraxas Malfoy develops what you think borders on obsession with Tom, and for once it feels almost offhand to not care about any of it.

You’re beginning to think even at its best, Hogwarts is remarkably insufficient. This leads you to books mercifully unrestricted so you can read about a few of the other magical schools for comparison. Beauxbatons is renowned for providing most of the worlds alchemical developments, Uagadou’s early propensity for wandless magic makes it unfathomably more practical than Hogwarts, Durmstrang (though you scoff at their violent anti-muggle sentiment) teaches the Dark Arts as something beneficial rather than unforgivable, and — what do you learn here? Even with the hair’s-breadth of magical leniency you’ve been allowed this year, it’s no surprise so few recognizable names in wizarding history are Hogwarts alumni.

“Let me have a look at that,” you say to Tom one evening, when he’s peering once more over the pages of Magick Moste Evile. He’s a purveyor of knowledge in all forms, but he always seems to come back to Godelot in the end.

He raises a brow, handing it to you like your intrigue doubles his. “No more reservations?”

“Don’t get ahead of yourself. I’m only curious.”

“Curiosity—”

“Killed the damn cat, I know.” You glare at him through the pages. “I think that’s you, in this case though, since you’re the one in love with the bloody thing.”

He shakes his head as he reclines in the low light of the Restricted Section, muttering something that sounds like “ridiculous,” or “querulous,” or something else unimaginably fucking annoying.

You might be wrong. Retract your last quip and expunge it. If Tom’s in love with any book, it’s the behemoth dictionary he’s been spitting stupid adjectives out of since he was eleven.

But Godelot’s musings on the Dark Arts are fascinating enough that you can understand the appeal. He’s no wordsmith, and you appreciate that in a way you’re sure Tom deems regrettable, but his points are straightforward but thoughtful in such a way you can read in them how he was guided by the Elder Wand through everything he did. There’s a stream-of-consciousness to them. Something doctrinal you’re surprised to enjoy for all the obligatory English creed they washed your mouth with at the orphanage.

“Find what you’re looking for?” Tom asks, combing with little interest through the tomb you’d put down in favour of his.

“I’m not looking for anything. I’m just…” You sigh. It’s almost painful to say. “I think you were right, and — oh, shut up, don’t look at me like that — I don’t think we’re learning anything here. Not really; not as much as they do at other schools.”

“Of course,” he says blankly. “Hence this.”

This — restricted books and furtive duels — should not be necessary.

“You know that’s not gonna be enough. For the rest of them, maybe, but not us.”

He tenses how he always does at the reminder of his difference. And you get it. Sometimes in moments like these you forget the reason you’re here in the first place. It isn’t just the rebellious divertissement of two academically eager students, it’s… survival. What future do you have as a penniless orphan in wartorn London? What future do you have as a muggle-born Slytherin who’s apt with a wand when there are a thousand more your age, just as skilled and twice as pure?

It isn’t enough to be as good as them. You have to best them, and you have to do it forever.

The night stumbles into an exhaustive silence because you both know it’s true and it’s a bit too heavy right now. The answer isn’t in this room. Just you. Just him. So you sit in the dark and you stare through that muffled nighttime noise playing tricks on your eyes. The worst of the world can wait until morning.

The worst of the world has impeccable timing.

A fault of both sides of the coin; the muggle world is a travesty and the wizarding world is just a bit fucking late, really.

So there’s the newspaper. It’s October first and the date reads September tenth. School owls are a joke and you can’t afford anything better.

And it’s a dirty, ashen grey. It smudges your green if you ever had it at all. You were born to this and you will return to it always.

BOMB’S HAVOC IN CROWDED PUBLIC SHELTER

MOTHERS AND CHILDREN AMONG THE CASUALTIES

DAMAGE CONSIDERABLE, BUT SPIRITS UNBROKEN

All you can hope to do is pass the paper to Tom and wonder without words what you’ll go home to.

The answer is very little when the summer clouds your vision with dust and you stand dumbly with your suitcase in front of nothing at all. You’d tried your best until your departure to keep up with muggle news, but it had remained, routinely, a month behind with the owls. By the time June arrived you were still holding your breath through May. Tom had attempted to reason with Dippet for summer lodgings at the school but you were both denied in light of the exquisite mercy — the bombs have stopped! The Blitz has ended! Go back to the aftermath and make do with the craters.

It’s a bit ironic that Tom’s orphanage survived and yours didn’t. At least you can finally see what all the fuss is about.

In truth, it’s more strange than anything. You feel unreasonably like you’re impeding on a part of him that has never belonged to you (if any of him does); that place where you intersect but never draw attention to. You remind yourself you had no choice in the matter. The system puts you where it wants to, and these days the options are slim. But it’s — the walls are amber-black tile and plaster, lined with sanitary-smelling hospital beds and a cupboard per room. Per room, you think; you’ve got one of those now, and with only one girl to share it with.

You figure the reason for the extra space is probably not one you want to know.

Anyway, you don’t actually see Tom for two days. The caretakers bring you a tray of dinner that’s vaguely warm and a bit too salty and you sleep off the debris you think you breathed in that morning, half-sated and sun-tired.

But then you do see him, and he’s in these funny uniform shorts and a thick blazer and your greeting is an offhand joke about the scandal of his knees that he doesn’t seem to appreciate. He eyes your muggle clothes while you wait for your own set and you know you really don’t have any room to judge.

He doesn’t, or at least doesn’t say he minds your relocation.

You spend half the summer waking up in the middle of the night to acquaint yourselves with the London tube stations, and the other half in whatever crevices of the orphanage you aren’t harangued by Mrs Cole every five seconds, which are far and few between. She seems to have decided fourteen is old enough an age to worry about your intentions unchaperoned, like it’s the bloody 1800’s, and admonishes you and Tom relentlessly despite only ever finding you quietly buried in useless books.

You begin to miss Madam Palles and her invaluable pity. Everyone’s an orphan here. No one’s sorry.

“What’s his deal?” you ask one stuffy afternoon, reclining in your creaking seat to prop your legs on the desk.

Tom knocks them off (he’s so well-mannered that you sometimes push these little gestures of impropriety just to bother him) and glances at the target of your question. Some broad, blond boy who skitters down the corridor a shade paler than he arrived. You’ve yet to properly introduce yourself to anyone you don’t have to, so names are muddy when you try to apply them to faces.

He shrugs, but there’s a flash of something in his expression you’re fascinated to realise is unfamiliar. “He’s an imbecile.”

“...Riiiiight, but that isn’t a proper answer.”

You smile. Legs return to table. Timeworn Oxfords muddy the surface. Tom scowls.

“There was an altercation last year,” he says tersely, “he’s rather fixated on the matter.”

“An altercation.”

“Very good, that is what I said.”

You narrow your eyes and he sweeps your legs off the desk again, gaze catching the unmistakable ribbon of an old bullied scar on your shin.

“And I suppose you’re above such incidents,” he muses.

You cross your arms and huff. He always wins games like these.

You’re grateful when you return to Hogwarts in one piece after your final night of summer is spent underground, and the certainty of knowing where you’ll rest your head for the next ten months cannot be understated.

But the worst thing has happened, and you blame it on the flicker of a moment where you missed Madam Palles like it was some jubilant, accidental curse to ever miss anyone. A foreign thing you remind yourself never to do again.

She’s only gone and jinxed the locks to the Restricted Section so they cry like newborn Mandrakes when Tom’s replica key clicks in place.

For a second you both stand there looking stupidly at each other. Getting caught was a fear two years ago; you’d almost forgotten it was still possible.

Tom is quicker to collect himself. He grabs you by the arm and casts a Disillusionment Charm, and you don’t burst running out of the library like two blurry suncatchers reflecting the candlelight as your instinct heeds; you cling to the shelves and you slither silently to the door. (You’ll make a joke about it when you can breathe.)

Madam Palles the Traitor comes heaving into the library in her nightgown, a blinding blue light baubled at the end of her wand, and it’s really just theatrical at this point to use Lumos bloody Maxima when the basic spell would do the job just fine.

“Has she suspected us the whole time?” you say on gasp once you’ve made it to the dungeons.

“Perhaps someone else has,” Tom suggests.

“What? Malfoy?”

You think it’s a good first guess. It could have been any of the Slytherins, upon consideration, but Malfoy seemed most fixated on Tom last year and it wouldn’t surprise you to learn he’d been observant enough to follow you to the library and notice you don’t leave with the other students.

But Tom quashes the idea. “I’m doubtful. Malfoy is attentive, but Madam Palles is hardly partial to him.” (He had, in second year, set one of her books on fire while studying offensive spells.) “I suspect it was someone with more influence.”

Only no one has more influence than Abraxas Malfoy. The rest of the Slytherins follow him like lost pups. But then Tom might mean —

“A professor?”

“It may be.” He says it like he’s already decided his suspect.

He is, as always, and ever-infuriatingly, correct.

It’s that file you tucked away for later, reoccurring when you return to Transfiguration in the morning like a second epiphany: Dumbledore.

He assigns the term’s seating arrangements, which he’s never done before, and there’s something in his tone when he pairs you with Rosier that feels intentionally like not pairing you with Tom. You don’t think it’s paranoia clouding your better judgement, and by the way Tom’s gaze hardens as he takes his seat beside Malfoy, neither does he.

Dumbledore is suspicious for a number of reasons. He disappears for weeks at a time. The Prophet writes articles on his sightings in Austria and France like he’s an endling beast. He’s being sighted in Austria and France — two notable countries in Grindelwald’s ongoing war. Perhaps ancillary, you’ve decided the charmed glass repositories he uses to hold his old artefacts are the same ones encasing the least permissible books in the Restricted Section. And if that isn’t paranoia (which, you’re willing to admit, it may be) then you assume he has them so proudly on display because he wants you to know.

You consider it a warning.

Tom does not.

“Just give it up,” you hiss over a game of wizard’s chess, “I bet we’ve read every book in there twice already anyway.”

His jaw ticks as the sole indicator of his annoyance, and he takes your rook. You scowl.

“Tom, that man thinks you’re devil-spawn. You know he’s just waiting for an opportunity to catch you doing something wrong.”

“So?”

It sounds so petulant you think he’s been possessed by his eleven-year-old self. Then you think he was a lot wiser at eleven.

“So?” You make an aggressive move with your knight. “So don’t give him one!”

He stares at the board and his breath is just a trace sharper and you hate that you know him like this and no one else. You wonder if he knows you like that too, but resolve with ease that he does not. You’re hard frowns and lewd jokes and trousers torn at the knee to bare scars with stories you wish you could forget. There’s no mystery there. Tom is nothing but — gordian knots and fixed expressions and little patterns to learn like the rules of this stupid game between you. You must know Tom Riddle by every atom or not at all. And that isn’t a choice, really. You’ve never known anyone else.

“Are you stupid, Tom?”

You glance at the board. He’s got Check. A terrible, true answer.

“No,” you finish. “Then don’t act like it.”

Your king glances at you and you nod. He falls. The game is resigned.

Tom acts stupid.

Dumbledore knows.

It all happens very fast.

You strike Tom harder in the arm with Confringo than is likely necessary that night, and he returns the favour with a Knockback Jinx that thrusts you into the shallows of the Black Lake.

You gasp. The cold water feels like it’s swallowing you whole when it strikes, an envelope sealed around you and licked shut for good measure. Everything holds to you, and it’s fucking November. Your senses are so overwhelmed that you forget to murder Tom the instant you sink in. You forget to do much of anything.

You wade trembling out of the lake when sense returns and Tom huffs, peeling off his robe to treat the burn on his arm.

“You—idi—iot,” you mutter, trying to find the incantation for a warming charm but the words get stuck between your chattering teeth. “You stole a re… stricted book.”

Tom glares daggers at you between his poor healing job and you scowl, mincing through the grass and grabbing his arm. “Fucking imbec-cile…”

You’ve done enough damage that if he were anyone else you’d be proud of yourself, and somehow, simultaneously, if he were anyone else you’d be able to manage a pinch of guilt. But he’s Tom, and you know him by every atom, so you cannot be proud, and he’s Tom — he retaliated by tossing you in freezing water and now your clothes are clinging sodden and heavy to every inch of you, so you certainly can’t be guilty either.

“I borrowed it,” he says tightly. As if that means anything at all. And then he takes his robe and drapes it spiritlessly over your shoulders. “You could attempt communication before curses.”

“I could attempt communication,” you scoff, uttering a charm to partially close the gash on Tom’s arm, “Fucking h-hypocrite. I did communicate. You lied.”

“I —”

“Omitted information? Withheld the truth? Watch your mouth or I’ll steal your fucking dictionary, Riddle.”

You swear a great deal when you’re cold and mad, apparently.

“I won’t be caught.” His calm is infuriating. “It would hardly earn expulsion regardless.”

“It doesn’t matter! He knows it’s you! He was staring at you all class!”

“So nothing novel then.”

“D’you want me to blast you again?”

His lips form a flat line. No. That’s what you thought.

You sigh, clutching his robes in your fists to quell your trembling. “What’d you take, anyway? We never touch the encased stuff.”

That is, you assume, why Dumbledore was vexed enough about the whole thing to mention it in class today. A highly valuable book has gone missing, from a repository you dare conclude belongs to him, and he has to pretend all the while not to know it’s Tom who took it. You are out of the question. Theirs is some delicate vendetta you can’t begin to unfurl.

“Nothing anyone should miss,” Tom says, a complete non-answer as he stops to murmur a warming charm you could probably manage yourself by now.

“Tom.”

“It was an encyclopaedia. It’s entirely in Runes. I suspect it will take months for me to decipher.”

“God’s sake,” you groan. He really is exhausting. “I think Dumbledore’l take his chances and loot your dorm before that happens.”

Tom wipes a stray droplet of water from your cheek. His fingers are soft. “We should return. You look half-drowned.”

“I am half-drowned, dickhead.”

And you accost him in hushed tones the whole walk back. Runes, Tom, really? Threw me in the damn lake over a Runic Encyclopaedia? He accosts you just the same; You burned me first.

It does, in fact, take Tom months to decipher the Runes, and he’s quite secretive about it. He won’t let you see the book, won’t tell you what it’s about, won’t indulge your queries on how far he’s gotten or if it’s worth the way Dumbledore bores his eyes into the pair of you in the Great Hall with nothing but the glass of his spectacles to soften his censure. You consider — well — you consider taking your chances and looting his dormitory.

The day everything changes starts the same as any.

You muse over breakfast about muggle news and how the way Tom holds his wand when he casts defensive spells is too sharp when it should be circular. He argues. You soften the criticism by telling him his offensive magic is stellar but you’ll always beat him in defence if he doesn’t swallow his damn pride and listen to you for once. (So, really, you soften it very little.) He doesn’t take Divination so you don’t see him until Herbology that afternoon and he’s silent enough during the hour you share with your wormwood plant that you know he’s done it sometime between breakfast and now.

Tom has cracked the book.

It’s late spring and the night takes longer to settle than it did in the winter. Errant sunbeams still sparkle on the water when you meet him by the lake, and it’s warm enough to forgo a coat.

“Are you going to tell me what it’s about now?” you ask without preamble, arms crossed over your chest as he approaches.

He hands you the book like it’s worth something to you without his explanation, but you’re intelligent enough to gather something from the illustrations of two twined snakes embroidering the cover.

“I should have suspected it sooner,” Tom says before you can comment. “By the way Dumbledore acted when I told him… I should have known he would have wanted to keep it from me.”

“Tom, I have no idea what you’re talking about.”

“It’s an Encyclopaedia on Parseltongue and its known speakers.”

You flip through the pages and none of it means anything. “Parseltongue?”

“The language of serpents,” Tom supplies, and the two of you walk along the edge of the forest. “It’s almost exclusively hereditary.”

“Okay, so, what — you’re trying to learn it anyway?”

“I have no need.”

You frown. “You… you already know it.”

“I always have,” he says, and there’s something almost unrestrained in his voice. He’s proud in a new light, and it takes you a moment to understand and you’re not sure why exactly it makes your heart sink, but —

“You’re not muggle-born.”

“No, I’m not. And Dumbledore knows.”

“So, he —” You try not to sound crushed because why should you be? Why should it matter that he isn’t some exact reflection of you? He’s at your side, he’s still there, he’ll always be there — “How does he know?”

“When he came to Wool’s to inform me I'd been accepted at Hogwarts. I hadn’t known anything, certainly not that speaking to snakes is emphatically rare, so I asked him. He said it was ‘not a peculiar gift.’ Perhaps to keep my interest at a minimum.”

“Why would he lie?”

“Because it isn’t just that I’m of magical blood. I’m a descendant of Salazar Slytherin.”

You can’t be faulted for laughing. It’s not often Tom makes jokes, let alone funny ones.

“That’s good, Tom. Morgana used to have tea with my great-great-hundredth-great-grandmother, so that works out nice.”

He sighs, taking your hand and leading you further into the woods.

“Are you trying to murder me?”

“I might.”

“You’d be the first suspect.”

“No, I wouldn’t. You’ve far too many enemies.”

Not by choice, you start to scold, and then he stops, not so far into the Forbidden Forest that you’re afraid, but far enough you understand this is not something he’d chance showing you in the open.

He closes his eyes and whispers, and it’s — decidedly not English. And you know the sound of a few other languages, at least; this doesn’t sound like words at all. His consonants are pointed, his S’s stretched, the syllables repetitive but separated by a difference in cadence someone less perceptive might not notice.

It shouldn’t be surprising; it’s exactly what he told you, but it startles you how much it reminds you of a snake.

“Tom?” you murmur, unsure at the prospect of speaking some ancient, unknown language into the air of the Forbidden Forest, and, underneath that, still reeling with the knowledge that this is real at all. You’ve pinched yourself a few times to make sure.

There’s a low susurration in the grass, wet with dew that catches the moonlight, and you gasp, clinging to Tom’s arm when you see the blades part in helices for the space of an adder.

“It’s all right,” Tom says softly, almost elsewhere, his eyes zeroed in on the snake. “It won’t hurt you.”

You’re still by the balance of his arm and some petrifying awe as he extends a hand to the grass and the adder coils around it, weaving upward to his shoulder.

“Oh my God. Oh my God, Tom.”

The adder points its beady gaze at you, and Tom whispers something else in that strange language before it retreats in agreement or compliance or whatever could come close to expression on the face of a fucking snake, and maybe you’re dreaming this despite your pinching. Maybe you’ve lost your mind.

“Hope you didn’t just tell it to bite me,” you try, and it comes out half-choked.

He smiles. It’s partly for you and partly for this venomous little thing on his shoulder, and that’s a bit startling. Tom Riddle smiles for adders and you and not much else.

“Should I?”

And all you manage, for whatever reason, is, “Don’t be like them now that you’re not like me.”

It’s out before you can stop it, welling from a small, scared place that embarrasses you to return to. A hospital bed when you were eleven. The walls of a bedroom ravaged by bombs.

Tom’s smile fades. “We’re nothing like them.”

The thing is, neither of you know that’s the day that changes everything.

You celebrate your fifteenth birthday in the Deathday ballroom with Tom, a stolen dinner pastry, a green candle, and a few sad ghosts. You try to learn how to dance. Tom thinks it’s silly. You tell him that’s only because he’s upset he keeps stepping on your toes.

Summer blisters when it comes.

Some of the children take jobs as mail-sorters and steelworkers and you clasp for whatever you’re (one) allowed and (two) capable of, which isn’t much. You’re both old enough at the end of the day to explore London on your own, opting to spend as much time away from the orphanage as Mrs Cole allots, but you only have knuts and pennies and you warn Tom it would be unwise to swindle muggles and risk a letter from the Ministry. So you work where you’re needed and you eat the rationed nonsense you always do and you miss Hogwarts terribly. It’s much the same: you’re together, you’re hungry, and you’re nothing like them.

And then it’s different: Tom makes Slytherin Prefect, is suddenly tall, and you wonder in fleeting moments if his face has always suited him this well.

A stupid remark. You fervently ignore it.

Fifth year begins and you have almost the same number of electives as you do core classes, Tom has duties in his new role that take much of his spare time, and despite popular belief, you and him are not a mitotic entity, so this splits you up more often than it had in previous years. Which is fine. You still have plenty of things to talk about during meals and between duels, and you reckon you’ll share DADA until you graduate.

But in his absence, your attentions are forced elsewhere, and you should be grateful they land on something potentially promising.

It’s like Transfiguration just clicks for you this year. You’ve never been the greatest at Transformation (importantly though, you’ve also remained far from the worst), but fifth year launches you into Vanishment and something about that feels like a perfect equation. There are no complicated half-numerals and objects stuck between inanimacy and being — just unmaking the made. Nothing or not. You’re fucking excellent at it. You glean the theoretics fast and then the practise comes like breathing. Even the purebloods struggle as you Vanish Dumbledore’s Conjured garden snakes in brilliant tendrils of light. You exult unabashedly when you brush past them on the way out of class — who was it that didn’t belong in Slytherin?

You say the same to Tom and he rolls his eyes, but the amusement is there.

“Think you can talk to my snakes for me?” you tease, nudging him on the path to Hogsmeade.

“If they’re yours, I doubt they have anything worth discussing.”

And Dumbledore is… a hue nearer to the man you remember from first year. He praises your improvement and smiles when you can’t hide your giddiness as if equally impressed.

He doesn’t shelve people the way Slughorn does (you’re dismayed to find Tom has been invited to join the Slug Club and you have not) but you think if he did you’d be rapidly climbing your way to the top. Maybe get put in one of those neat little repositories he keeps all his best treasures in.

Dumbledore does, however, offer additional assignments for those who are interested, and tasks you with a few if you’re up to the challenge.

You always are.

The Tom-Dumbledore-Encyclopaedia debacle is apparently either resolved, or your part in it forgotten.

Tom humours you when you’re both singed at the fingers from duelling, yours dipped in the lake while he buries his in the cold moss, about how Abraxas takes the seat beside him at every Slug Club dinner. He tells you he pretends to be very interested in the Malfoy’s business affairs and their stock in the Bulgarian Quidditch team’s win this coming spring. He tells you he finds it amusing to let Abraxas think he can make Tom his pet. Tom says he considers searching for Salazar Slytherin’s fabled Chamber of Secrets and showing Abraxas what a real pet looks like. You smack him in the arm.

He’s had an ego forever. He just has a few too many reasons for it now.

And maybe that’s why you push harder in Transfiguration, dedicate the majority of your studies to it, spend your Saturday nights scrutinising advanced techniques while Tom makes nice with Potions experts and politics with people who don’t even know what he is but like him anyway. It’s patronising, of course — borderline fetishistic; not a real like — but it scares you. Tom Riddle would not allow himself to be anyone’s pretty mudblood show pony if he didn’t have an ulterior motive.

Everything changes but the observable truth that he is still insufferable.

You’re lucky to see him twice a week if it isn’t in class, and the way it starts is so slow you don’t even fully understand what’s happening until Christmas break when Abraxas stays a few extra days and leaves by Dippet’s Floo instead of the train.

You don’t dare ask where Tom has vanished to in that time or why the hell Abraxas Malfoy would willingly subject himself to unnecessarily extended time at school with all his lackeys gone, and it isn’t because you don’t want to. It’s because he won’t tell you himself. It’s because you’re terrified the answer will feel like a broken promise, and you’ve come to realise (it’s been there for so long; such an obvious, tiny thing that you’ve never stopped to really dissect it) that it’s quite difficult to know someone at every atom and not love them a little bit.

You’re suddenly aware of the risk of it: you love him like an inextricable piece of yourself, and, well, you’ve seen war. You know what amputation looks like. You’ve seen the remains of structures designed to stand forever, and you’re strong like them — casts and gauze in all the weak spots because you remember the pain of breaking them — but those were blows dealt without the complication of loving the bombs behind them.

Tom is the green on your robes, the dragon pox tinge you sometimes think never truly faded when you look in the mirror too long, and all the shades you never imagined. Apple, jade, moss. The beginnings of emerald. (No, he couldn’t be that.)

You wonder what the world would look like if he stole those colours back, and it’s much worse than some brutal decimation; it would leave you with too much. You would just be you without him.

So you love him into June like you always do, and you pluck his Prefect badge off on the last day of school and tell him it makes you jealous like a joke when it’s half-true.

It’s raining when you walk to the train together, miserable for what should be summer but not at all remarkable in Scotland. Tom wipes it from your cheek. Your wrists are sore from vanishing bits and bobbles all night while you still can, never truly prepared for three months without magic, and you curl into your seat as soon as you’re in it. Tom wakes you up when you arrive back in London, startling you to find that you fell asleep at all.

It rains a lot that summer. There’s nothing much to see in the city and you can’t get anywhere else (you note: the Trace cares little about broomsticks but you can’t afford one of your own and flying might be the only thing Tom is bad at) so you’re stuck to the library again with a noseful of old paper and a certain prose that magical literature cannot replicate. You theorise a lifetime of reckoning with the mundane forces one to be more creative.

Perhaps it’s the cold that makes you sick. Perhaps it’s the state of your meals. Either way, your final weeks before sixth year are hell. Biblical, blazing hell.

The nurses aren’t sure what it is — another influenza epidemic you’re the first in the orphanage to catch — but they isolate you immediately and there’s not much care they can offer.

You hear Tom arguing with one of them outside your door but can’t make out the words. Everything is dizzy, sweaty, halfway to unconsciousness but without its relief. You’d take dragon pox over this.

Some days later (though you can’t be sure because it feels like bloody centuries), he’s at your bedside, and you think even if you were lucid enough to ask what horrible thing he’d done to change the nurses’ minds, you wouldn’t.

But you know he’s not beyond breaking wizarding law, because he’s muttering healing spells with a hand to your damp forehead, and you hazily find yourself reaching for him, trying to shake your head no.

“Not allowed,” you mumble. Your throat is sore and your nose is stuffy. You sound terrible and you probably look worse.

Tom is slightly blurry but you think he’s staring at you. You know if he is it’s with the utmost incredulity.

“Not allowed,” he repeats slowly. It’s very easy to picture him clenching his jaw. “I wonder, if the Trace is so exact that it can detect all forms of magic, it can’t also detect malady. You’re burning — and I’m to consider whether saving your life might be illegal?”

He’s angry. He’s angrier than you’ve seen in a long time; and you can actually see it now. His magic courses through you and your vision clears, bit by bit, until your depth perception steadies and you realise he’s closer than you thought. His jaw is, in fact, clenched.

You move to catch his wrist and manage it this time. “Tom.”

“Don’t argue,” he says thinly.

“You’ll get sick.”

His face is far too neutral for the way his fingers stroke your damp cheek. “Hm. Then it’s a good thing you’d break the law for me too.”

Of course he’s right — you love him. Which makes it a good thing he doesn’t get sick.

Some of the younger children do. The fever comes overnight for a girl who wasn’t in the orphanage last year, and it takes her by the next.

When you get back on the train to Hogwarts, the virus is circulating Britain and you’re livid.

What Tom said is true; you consider the Trace’s precision and the details of the laws on underage magic — how one of the technicalities is that a young witch or wizard may be absolved of the consequences if the circumstances are life-threatening. You think about how it supposedly doesn’t care about broom-riding or Portkeys or Floo travel, and if the Trace is that complex, surely it understands sickness.

You only wonder if the Ministry would understand it. There haven’t been any epidemics in the wizarding world since Gorsemoor cured dragon pox in the sixteenth century, and when there isn’t healing magic there are antidotes and Pepper-Ups and herbs that muggles simply don’t have. The fatality of a fever of all things is not something you imagine could be comprehended by the sort of people who sent you and Tom back to London in the wake of the Blitz.

Of course, the Ministry hasn't written to you, you haven’t been forced in front of a representative from the Improper Use office, and you have no real reason to be upset.

You are regardless.

It shouldn’t even be a thought: you immolating into oblivion protesting rescue because one of you might get in trouble for it.

A world you’ve never much cared for is blanketed in ash and its people are dying and you can’t help them. A girl is dead. You’ll return next summer and there will certainly be more.

Life is for the magical, you find. The muggles can burn.

It’s what makes you start to panic this year, knowing you’ve only got one more after it. You have no idea what you’re going to do after school, and it doesn’t help that Tom doesn’t appear to share the sentiment. He’s got Head Boy in the bag and when he isn’t with you he’s with Abraxas, who can surely provide him connections if whatever game Tom is playing at works (and you have no doubt it will), but it’s like you said in third year: that isn’t enough for you.

You remember with a small ache that you no longer means you and him.

And then — it makes sense. You feel incredibly stupid.

“You told him, didn’t you?” you ask Tom the first opportunity you can get him alone, in the glum blue light of the Deathday ballroom on your way back from supper.

He sighs like it’s a conversation he’d hoped to put off for longer. “You’re referring to Abraxas, I presume?”

“You’re referring to — yes, you prick, I’m referring to Abraxas. Of course I’m referring to Abraxas, or are there others? Dolohov and Nott seem unusually enthralled by you, now that I think about it.”

“And for a reason I’m supposed to be aware of, this is an error on my part. Should I be apologising?”

“Why did you tell him, Tom?!”

“Why?” he deadpans.

You throw your hands up. “Oh, for fuck’s sake.”

“Shall I provide you with my itinerary as well? Would you accompany me as I tour the third-years around Hogsmeade? Or can you do me the favour of trusting me to make my own decisions with the nature of my ancestry?”

“You’re keeping something from me and there’s a reason,” you say, stepping closer to him, “and forgive me if I want to know what it is when you were willing to tell me you’re the Heir of Slytherin and you can talk to snakes. What — what could possibly be bigger than that?”

Tom returns your approach with one of his own. His eyes are steady, dark, thick with lashes and you can’t reminisce on the details of the rest of him because that would be strange for a friend to do. Stranger to do it now, when you’re angry with him and there’s two sleeping ghosts in the corner and he’s framed by deep indigoes like the ripples in the Black Lake and — you’re doing it anyway.

To be short, he’s close, he’s very beautiful, and sometimes you despise him.

“Trust me,” he says again, without the derision of the last time. “This will change things for us.”

You frown, but it’s a weak upset in contrast to the explosion you came in here willing to make. There were at least twenty questions you meant to ask and you only managed one.

You are not his keeper. You know that.

“Change them for the better, Tom,” you say on a sigh.

He blinks, and you think he’ll respond with a nod or a slightly offended ‘of course’ but he does not. He blinks and he just keeps looking at you. It’s disarming. It probably resembles the way you often look at him. There’s a rationale somewhere; you never see each other anymore, life is so incredibly busy, maybe he’s forgotten what you look like.

And he does nod, finally, but he does it with his thumb brushing the corner of your lip.

What? Sorry. What’s going on?

He pulls it away like he’s heard you. “You had something.”

You’re almost positive you did not.

Transfiguration this year brings Conjuration, which is an advanced and welcome distraction, and even more exciting when you consider no longer having to Vanish things you have no idea how to bring back. Dumbledore’s is one of three N.E.W.T classes you’re taking — Defence Against the Dark Arts and Alchemy besides. It’s easily your favourite.

You share it with eleven other Slytherins and twelve Ravenclaws. Four of them are muggle-born, and it’s hard to describe the ease you feel among them because you don’t think you’ve ever had anything resembling ease with anyone but Tom.

Your schedule is more crammed than it’s ever been, but it’s good. Two of the Ravenclaw girls invite you to Hogsmeade every other weekend, you share butterbeers when you can afford one, you study until you collapse, you take Dumbledore’s extra assignments and consider trying out for Chaser on one of your more restless evenings before waking up in the morning and resolving there is such as thing as too much of a good thing. Best not to get ahead of yourself.

Your contentment is remedied quickly.

Someone is found unresponsive in the dungeons. Dippet makes an announcement at breakfast that the boy isn’t dead, rather, petrified. No one is quite sure the cause, but the Headmaster warns a few minor precautions, suggests a buddy system, and says that after dinner studying should remain in everyone’s respective common rooms rather than the courtyards or library.

You know next to nothing about petrification, but the victim is muggle-born, and you suspect it was the result of a poorly performed statue curse by one of the many blood zealots in your house. The whole thing makes you hold onto your wand a smidge tighter, but you’re adamant not to let it drive you to paranoia like it would have a few years ago.

Tom nods at your theory when you manage to escape to the Black Lake together in November.

“That isn’t unreasonable,” he says. High praise.

You sink into the moss, sighing. “Do you think there’ll be more?”

He looks out onto the lake, the lapping waves, the crystalline beads that furrow them, midnight algae and flotsam you don’t think you belong to anymore.

You peer up at his silhouette in the dark. “Do you think whoever did it will do it again, I mean?”

“I don’t know,” he says finally, and after another pause: “but I don’t think it would be you.”

“How’s that?”

“No one would be senseless enough to try.”

And he sinks beside you with that, breath shaping the cold in steady, rhythmic clouds while yours are scattered. His robes brush yours and you take his arm with a sleepy hum, tracing patterns in the stars until your eyes feel heavy and he insists on taking you back to your dormitories.

One of the Ravenclaw girls, Marigold Wright, distracts you with a spare blue scarf and an invitation to her next Quidditch match. You watch from the stands and cheer as she catches the snitch to beat Gryffindor.

It’s a bit strange — having a distraction — having a friend. Mari is kind, smart, a good study partner who’s as keen on stepping into the advanced theoretics of Human Transfiguration a year early as you are. She’s funny in a vulgar way, introduces you to all her friends, shows you the best way to sneak into the kitchens, and you sometimes wonder if she was sorted wrong, but — her methods are creative, and she’s definitely intelligent. She’s also definitely not Tom.

You see less and less of him and more of her, Dumbledore, the Ravenclaw common room and the pages of progressive Transfiguration methodologies. He sees less of you and more of Abraxas, Dolohov and Nott and all the other purebloods, Slughorn’s soirées and Prefect meetings that cut into meals.

It happens again.

Second floor lavatory. A girl called Myrtle Warren. She isn’t petrified.

There’s a vigil the following week and her parents are there, two muggles whose sobs wrack the Great Hall even as the students clear out. Flowers descend from the charmed ceiling, little bluebells and white chrysanthemums.

You cry that night. You can’t remember the last time you cried.

This time, you don’t have to seek Tom out. He catches you on your way back from Alchemy and brings you to the Deathday ballroom with a melancholy glance in your direction that you don't hesitate to follow. You realise it’s an odd place to continue to end up in, but no one else goes there and you suppose that makes it yours.

You’ve seen Tom skinny and sickly and olive green, but today his eyes are circled with veined violets and the lack of summer sun this year has whittled him grey once more. He’s still beautiful. He’ll always be beautiful. But he’s tired and — sad — and for the six years you’ve known him you aren’t quite sure what to do with that.

You don’t spend too long pondering it. You just hug him with the dawning newness of a thing like that; a thing you’ve never done, and never really thought to do. (You ask yourself in bewilderment how you’ve never thought to do it before.)

He’s warm. He’s uncertain. He doesn’t reciprocate immediately.

And then he does, and you understand without caveats or concerns that you stopped having a choice in your destruction the moment you chose him. He’s home, and that’s going to ruin you one day.

Your arms tighten around him and his around you, the rhythm of his breath holding you to earth when you begin to float away. Nothing makes sense in this moment but the mercy that in all the death you’ve seen, you swear to God you’ll never see his. As long as you’re alive, he must be too.

And there’s something to be said about the innate self-slaughter of loving a person (of loving Tom Riddle, especially): that it’ll cleave you in two, that you’ll say feeble things in his embrace that you should be above saying, like ‘I’m scared’, that his hand will find the back of your head and he'll tell you he knows, that that should not feel like enough but it will be. You’ll clasp your hands under black robes and hold this singular embrace together by the faulty adhesive of your fingers. Maybe you’ll cry again, like your body can suddenly comprehend its capacity for it and is making up for lost time.

The first sign that something is wrong, more than the obvious grievance of the death itself, is the Ministry’s happy acceptance of Rubeus Hagrid as the culprit.

The boy is maybe fourteen years old, half-blood — half human, mind — and no one has a bad word to say about him other than he likes to keep eccentric pets. Which leads you to wonder what pet he possessed with the ability to petrify one student and kill another and what cause he’d have for it in the first place besides two terrible, miraculous accidents.

That question draws an even stranger path. Mari says over butterbeers (on her, bless her soul) that she read somewhere years ago that Gorgons can induce petrification, but that she doesn’t remember much else.

One of the boys in DADA says that his father’s an auror, and heard from him that Hagrid’s pet was some sort of arachnid. Tom deducts five points from his house after class with a scowl on his pale face, muttering about conspiracy.

The second sign that something is wrong is that only one of those things would need to be true for the entire case on Hagrid to be called into question. If Mari’s memory serves right, how the hell did Hagrid come into ownership of a Gorgon? (Could Gorgons even be owned?) If the auror’s son is worth your credence, then what species of arachnid is capable of petrification?

You take to the library.

Unsure of where to begin and hesitant to draw attention, your research lingers into Christmas break and stalls some of your extracurriculars in Transfiguration. Tom is busy enough not to notice the new step in your routine, and you’re grateful not to have him breathing down your back, telling you you’re looking in the wrong places or you shouldn’t be looking at all.

The third sign is the end.

You wish to retract it all. There are time-turners and memory charms and potions that could dizzy you enough to manipulate the truth; there is anything but this. You’d suffer the consequences for the bliss of loving him with one more day before the ruin — you’d write it down to remember through the fog: look at him, duel him without wanting to hurt him, kiss him to know that you did it at least once, have him, be had. You never will again.

He’d shown you the adder. He’d joked about the Chamber of Secrets. He’d spent months disappearing with Abraxas, earning the trust of the sons of the Sacred Twenty Eight.

And he’d killed Myrtle Warren.

So it’s statue curses and Gorgons and Tom — speaking to serpents when no one else can, buttressed by pureblood boys who want people like you dead.

Don’t become like them now that you’re not like me.

He’s something else entirely.

What do you do in a moment like this? Panting into an empty library at a revelation you wish you could unknow, fingers digging into the hickory of your desk — another memory carved among the initials and hearts; how do you stand from your chair and leave like the world outside this room is the same as it was when you entered? There’s nothing to orbit. You are cosmic debris, tea dregs in a barren cup, flotsam.

You stand; and you tell no one. Not even Tom.

His presence in your life is so infrequent that you don’t even have to come up with excuses for your distance until three weeks after your discovery when you’re paired together in DADA to practise stretching jinxes.

You almost laugh. He’s standing beside you, tall (lanky like he was when he was a boy if you look long enough) and serious, and you love him without knowing who he is anymore. You’ve skirted corners to avoid him and sat with Mari during lunch and breakfast like he’s some scorned lover to escape confrontation from and not someone who held you through a grief inflicted by his hand.

“You look tired,” he says, inspecting the daisy you’d been tasked to elongate.

You glance at him. You are tired. It’s exhaustive, bone-deep, aching like nothing you’ve ever known, and maybe that’s why you can look at him and smile sadly instead of thrashing against his chest screaming for what he did. You suppose it happens enough in your head to satisfy. When you can sleep, you sleep to the thought of it. The waking moments are just blank.

“Mhm,” you hum, transfiguring the daisy stem back to its regular length.

Tom observes it with curious eyes. “You’re getting good at that.”

“I’ve been good at it.”

His lips turn, a small frown before he puts it away. You make the observation that he’s tired too; there are still bags under his eyes and his hands tremble ever-so-slightly with his wand when he loosens his grip on it.

His own doing and still you flicker with some relentless hope that he's drowning in regret.

“Sorry,” you say. A ridiculous thing. Do you intend to slowly push him from your life with weak disinterest and diverging academic avenues? As if he were something extricable. He’d never let you.

You’ll have to confront him, and that’s a revelation that holds its weight on your chest until you think you'll suffocate under it.

You’re in the blue light of the Deathday ballroom with a face you've never worn before when it happens, deep into spring, and you know then that you were wrong all those years ago.

He sees all of you.

Takes you in in the flash of a second and maybe it’s your quivering jaw that reveals you or the flint of betrayal in your eyes waiting to be struck and lit. Yes, you were wrong — Tom Riddle knows you at every atom too.

“Are you going to let me explain?" he asks before any hello. His jaw is tight but there’s nothing else to go on to judge his disposition. He's settling into impassivity like an animal drawing its shell. You will not be allowed in if you're going to make it hurt, and you might be the only one who can.

“Explain," you copy with a hard exhale, “Just tell me it wasn’t you. That’s all there is to say."

He stares at you. There’s nothing there.

“Tell me, Tom.”

Your breath catches on an automatic please but you don’t want to offer him that.

“I cannot.”

Then make me forget, you want to scream. Let it be summer. Let us work for pennies and breadcrumbs and be no one together.

It’s late winter and it’s too cold.

“You killed her,” you say quietly.

“If I told you I did not wish for it, would you even believe me?”

“What are you… so it was an accident?”

“There was — an opportunity presented itself that may never have come again; that does not mean I don’t find the nature of it regrettable.”

“Regrettable.” You’re laughing or crying or both, and you must look unwell. Halfway out of your mind.

He’s so composed in the face of it that it only makes you more incensed.

“You told me to change things —”

“You killed someone! Can you understand that?”

“You nearly died,” he hisses, “and if I am to apologise for recognizing it only as the first of many times, I will not. If I am to apologise for doing whatever is necessary to prevent it, I will not. The hand we were dealt will not be the hand we die to — so yes, I understand it. And one day so will you.”

“Don't," you spit, and your anger must look pathetic under your welling tears. “Don't you dare tell me that this was for me.”

“Do you want me to lie?”

“What could her death possibly bring me, Tom?”

“Her death is the first step to —”

“God, stop dancing around the fucking question!” Both hands have wound their way to your head, clutching at your skull like the brain matter might spill through one of the cracks he’s wearing down. “Just… tell me.”

“You recall Godelot's work," he says stiffly. The question of it takes you by surprise, peels the moment back like the rim of a fruit and you're left uncertain.

All you can do is nod, arms falling to cross over your chest.

“There was one form of magic he refused quite concisely to impart. I searched the Restricted Section for days, and under Dumbledore's watch that was not an easy thing to do."

You stole from him, you're urged to remind him, but it's something you'd say with a nudge of annoyance and a roll of your eyes. Such admonishment is small and far away.

“I found it at last in one of the repositories," he goes on, “Secrets of the Darkest Art."

“...What?"

“It's called a Horcrux,” he says. “Murder, by nature, splits the soul. The Horcrux simply makes use of the act; puts the soul fragment into something imperishable so that it is protected, rather than abandoned. In turn, your life cannot be taken. By malady, by magic, by sword — the vessel is destroyed but the soul lives on.”

You blink, feeling dizzy. “Myrtle was the sacrifice.”

“Myrtle was there,” Tom remedies.

“How lucky for you.”

“The circumstances could be ameliorated if one were to be made for you. I would have preferred it be someone who deserves it.”

“For — you’d do it again? Again, Tom?”

His brows crease, and even his upset seems contrived. There’s this barricade he’s placed that you, in all your infallible knowing of him, cannot puncture. It’s agony to begin to question what he could possibly be keeping from you in a confession like this.

“You killed someone, Tom. You — I would never ask you to do that. I would never live at the cost of someone else."

“No, you would not,” he agrees, though he shakes his head like it’s incredulous of you. “Do you think, even if I knew it were certain, a summons from the Ministry would have stopped me from saving you this summer? Do you suppose the threat of punishment would cause me to waver at that moment? I know it would not hinder you. So, you have your lines and I have mine — you never needed to ask.”

And now it hurts. The emptiness clears and you can't stand yourself for crying, but you do. It comes out in ragged, breathless sobs, clasped behind your palm as you turn away from him.

You've loved him since you were eleven. It's always been you two — it was always supposed to be you two. What is there to say to him? He's blurring in your periphery like in the midst of your sickness, and there's nothing he can do to heal you this time. Your vision will clear and Myrtle Warren will still be dead. He'll still be a stranger in the face of the boy you love.

“Why," you whine, a wet, hollow stain in your voice you've never cried enough to hear before. “Myrtle was — wasn't — uh —" You swallow, hysterics severing your words. You can't really think right now. Your body wobbles and your head feels puffy and hot. This might be shock.

Tom scowls like it irritates him to watch you push yourself, like this is just the unfortunate effect of you depleting your energy in a duel, not eating correctly, treating yourself carelessly.

Of course you can't stand or talk or think. You're you, contemplating a life without him.

“Sit," he says in frustration. You smack his hand away when he reaches for you, but the world has turned a shade darker and you're slipping into it.

He tugs a chair towards you with a silent charge and a reprimand, and your body doesn’t possess the wherewithal not to collapse into it the second it’s under you.

After a moment you can speak again, shaking hands steadied by your knees. “Did you… did you think I wouldn't find out? You know, the only thing that can petrify someone besides a serpent is a Gorgon. And — where would Rubeus Hagrid have found one of those?"

“I thought I would have time.”

“To come up with a good lie? Something I’d sympathise with?”

He bites his cheek. “Evidently the particulars matter little to you.”

Fuck him. “Fuck you.”

“Very cogent.”

“No, fuck you, Tom. We could have — we only had a year left and then we could — we could've done anything we wanted." You're crying again. You don't have the energy to be embarrassed. “And you chose this."

He’s indignant as he steps closer. “With what money? For what life? We are better than all of them and it’s never mattered. It never will; you know that. You told me that. You’re angry now, but you must know the truth of it. I would not forsake you. I would not lose you.”

You blink up at him, mouth stuck with some cottony feeling and cheeks stiff from crying.

“You have lost me, Tom."

He stills as if suspended. Some maceration must follow but it doesn’t.

You stand on weak legs to look him in the eyes. You wonder if he can see the love in yours. You wonder if he knows you will walk away despite it. (Of course he does. You’ve never lied to him.)

You think about how his fingers seem to always find their way to your cheek and you put yours to his. The bone there is sharp, but the skin is soft. Boyish.

There isn't a word for a goodbye like this. It shouldn't exist and so it doesn't. You just leave.

You fail your N.E.W.T courses. Quite spectacularly.

Mari sits beside you on the train with a soothing hand on your shoulder, and doesn’t ask what’s rendered you into a comatose husk since March. There’s no crying. You chew numbly on soft caramels from the trolley and stare out the window onto the hills.

That summer is spent in your bedroom unless you’re forced elsewhere. A new girl with skin so white it’s nearly translucent sleeps in the bed beside yours, taking meals on trays like you did in your first days here, tracing the cracks in the tiles, humming to herself in the dark. She makes you feel less pathetic for doing much the same.

You’d been right in your assumption that there would be more dead upon your return, and wrong that there would be more empty rooms. There are always more orphans being made.

And then you receive a letter. It isn’t delivered by owl (only for secrecy, you assume, because there are no muggles who’d be writing to you) but it’s stamped with a vaguely familiar crest. Not Hogwarts’ waxen seal, but something undoubtedly magical. A cockroach and a cup, you think, squinting. Transfiguration.

You tear the envelope open and pull the letter out.

It’s from Dumbledore. Some of it melds together, but the key words stand out.

Spoken to Dippet… Exceptional promise… N.E.W.Ts… May be reconsidered… Upon dispensation… Be well.

Be well.

You are not. You are something half-drowned and half-burned, never enough of one to quell the effects of the other. Sunlight is sparse through your side of the orphanage. On the radio, they warn a pattern of one bomb every second hour. The only other warning is the sound when they fly overhead, and if you can’t run fast enough —

You write your answer in a crowded tube station with a spotty ballpoint pen. Tom is there, looking between you, the dust, and your shaking hands as if to say: tell me I was wrong.

Some of your letter melds together but the key words stand out.

Thank you, Sir. Whatever you need.

It’s a shock that you live to seventh year. It’s a shock that you do it without him — though he watches, and in his gaze you feel regressed. You’re alive, yes, but there’s something there… his dead weight, death-grip; his haunting. They always speak of the dead as something heavy. Something that holds onto you even after it’s gone.

You find that to be true.

Dippet’s condition that you remain in Dumbledore’s N.E.W.T class is that you achieve more than the standard requirement. Essentially, your final exam will be much harder than everyone else's: Human Transfiguration, mastery of petty Transformation (through the means of Wizard’s Chess pieces), Conjuration and Vanishment of various delicate objects — all done nonverbally.

Even Dumbledore seems sceptical, but it translates to more rigorous practise rather than resignation, assignments he doesn’t even task to Mari, though she’s just as good, and you can’t begin to understand why he cares so much.

“I’ll entrust you with these while I’m away,” he says before Christmas break, sliding a sheet of parchment your way with a flick of his wand.

You frown, unfolding it. His instructions are always short now — you’ve learned to decode his meaning well enough without much exposition.

Teacup to gerbil — to cat, and inverse.

Inanimatus Conjurus spell (cockroach and cup, as instructed) to be Vanished when perfected.

Study Antar’s Doctrine. Miss Wright will act as your partner.

Due February.

It’s far too much to be done in that time. “Sir?”

Dumbledore lugs a messenger bag over his shoulder that appears small, but he carries it in such a way you suspect it’s magically extended. He smiles wistfully, pushing his spectacles up the bridge of his nose. “You know, I often regret how much this war asks of me. A consequence of my own doing.”

Right — Grindelwald. Sometimes you forget between awaiting the next muggle paper. War is everywhere.

You nod. “I hope… Good luck, Sir.”

Another half-smile as he twists open a jar of Floo Powder, and then he shakes his head with something you almost decipher as amusement. A brittle sort. Tired. “Good luck to you.”

And then he’s gone, in a swath of green flames that do nothing to inspire any desire for Floo travel in you.

Antar’s Doctrine is simultaneously prosaic and grandiose. They read like excerpts of a journal and you yawn into them over your morning tea, stirring amongst the first-years, who are the only people at the Slytherin table you can stand to sit with. Your blood status is apparently nullified by your age, and the worst they do is look at you funny. You aren’t sure what Abraxas’s — Tom’s (the new hierarchy never fails to stagger you) — lackeys would do if you sat with the other seventh-years instead. A part of you longs to know. They certainly don’t bother you in class the way they used to, you aren’t tripped in the corridors, but you wonder how far Tom’s influence can stretch. He is the Heir of Slytherin, and he’s earned them. But you are nothing.

You’d like it if he would let them hurt you. You think the incentive would be enough to hurt him back. And God — God, you want to. You want to hurt him almost as much as you want him.

You practise through the doctrine with Mari, as Dumbledore directed. When you’re able to sever Antar’s egotism from his abilities, you can see why Dumbledore would recommend his book to you. It feels like slipping through a crack in glass without shattering the whole thing. You weave in and back out, and Mari grins when she returns from the shape of a teapot to her body without you needing to utter a word to do it.

In the back of your mind, you’re aware what you’re doing is nearly unprecedented. It’s spring, you’re months away from eighteen, muggle-born, and mastering nonverbal Human Transfiguration like it’s a Softening Charm. Mari tells you you’re the smartest person she’s ever met. It makes your cheeks go hot to hear such open praise, worse when you snap out of the thought that you believe her.

Grindelwald falls. The school celebrates in whispers until the evidence is in front of them — Dumbledore, returned without a scar, a new wand in his hand — and then they’re cheers. The feast that night is a great one, and he toasts to you from the end of the staff table, a discreet tilt of his cup before he takes a sip and returns to converse with Professor Merrythought.

You take from your own, and your eyes land on Tom, spine of his goblet tight in his hand. He’s looking at you like you’ve affronted him somehow. You could laugh — by choosing Dumbledore. Of course. As if it was a choice at all.

But if it bothers him… if it feels anything at all like the betrayal you felt, then — good.

You drink, and don’t look away.

By the time your N.E.W.T.s arrive you have a renewed confidence that you’ll succeed, even with the obstacle of performing each exam wordlessly.

There are only twelve students who came out of your sixth year class, so to divide resources for the tests is no grand task. You’re given a Wizard’s Chess set, a desk with assorted vases and goblets, an intricate epergne (you had to whisper to Mari to learn its name), and a Ministry worker borrowed like some laboratory mouse. You suppose it makes sense, though — you’re all capable enough of Human Transfiguration not to mutilate anyone, and performing on a classmate could obfuscate the results. It’s far easier to Transfigure someone you know than someone you don’t.

You start with the chess set, Dumbledore and the Ministry worker observing you as you turn pawns to knights and rooks to kings, the minutiae of the pieces drawing sweat to your brow. They change, and change, and change, and you don’t mutter an incantation once. The Ministry worker puts the set away and directs you to the glass. You Switch the vases with the goblets, Vanish them, and Conjure them again. The Ministry worker takes notes. Dumbledore nods affirmatively at you and you can exhale. The epergne is the hardest; so kitschy and elaborate you don’t know where to start when you’re tasked to Transform it into an animal.

An animal — like that isn’t the vaguest instruction you’ve ever received.

You look at it on the desk, mirrors and glass and gold on protracted arms, and you go for the first thing you think of because the Ministry worker is staring at you like you’re inept and you see it in his eyes — this is the muggle-born one, this one can’t do it.

You’re better than them. You can do it forever.

The epergne spins at the dip of your wand, and emerges more than an animal. A big glass tank appears in its place, round and gold-rimmed, water lapping at the sides. Inside it is a jellyfish. Emerald green, bobbing, tentacles and oral arms coiling against the glass like the limbs of the epergne had spanned its centre.

The Ministry worker swallows. Dumbledore smiles.

“And — and back?” the worker says, like that will be the thing that stops you.

You point again, mouth tight with irritation, and reverse the Transformation. A droplet of water smacks your face and you’re lucky to be so hot you can disguise it as sweat. You suspect even an error that small would cost you a mark.

You wipe it away. A strange thing happens; you imagine Tom brushing the water from your cheek at the Black Lake. You imagine his fingers in the rain.

The Ministry worker steps closer with a shameless frown. He tells you to turn his hair red. You do. He regards himself in the mirror and scribbles something down. He tells you to turn it back. You do. To grow him a beard, to change his clothes, to make him taller, shorter, this and that — all read from a list he does not appear enthused to recite. You do it all.

He shakes Dumbledore’s hand when it’s done, duplicates his notes for him to keep, and follows the other Ministry workers through the fireplace when everyone’s exams are finished.

You find out you’ve passed with an Outstanding on your birthday.

Mari drags you to the Three Broomsticks to celebrate, butterbeers on her. (They always are.)

“Can’t believe we’re about to graduate,” she says into her cup, froth on her upper lip.

You sigh into your own, partially giddy and mostly nervous.

Mari squeezes your face between her thumb and finger so your frown is puckered. “Chin up, genius. You’ll be excellent.”

You push her hand away but can’t help a small smile. “Outstanding,” you correct.

“Outstanding!” She bursts out laughing. “Bloody ego on you now…”

“Well, I am the smartest person you know.”

“I take that back.”

She pushes out of her chair with a slightly inebriated wobble. “Going to the loo. Don’t touch my chips.”

Your hands raise in surrender, and you steal only one when she’s gone.

You aren’t the only ones here to celebrate. (Your birthday and your mutual achievement, yes, but the Three Broomsticks is filled wall-to-wall with seventh years drinking their final nights at school away.) There’s music charmed to reach every corner, even yours at the little alcove hidden from plain sight. It’s nice to watch from here — the stumbling, the kisses meant for mouths that land drunkenly on cheeks and noses, the barkeeps that roll their eyes as soon as they turn away from all the newly adult customers, not yet learned or careless in their drinking manners.

It is not nice to be occluded from plain sight in such a way that you don’t notice Tom Riddle until he’s inches away from your table. It is not nice that no one else notices either.

On instinct you don’t make any impressive exit. He slides into the booth next to you and your brain short circuits for a moment at the warm familiarity of his presence beside you. Then it occurs that it’s been more than a year since this was remotely commonplace — that you cannot forget the reason why.

There’s not much time to decide whether you want to be vicious or indifferent or to debate on past precedent which would bother him more. You haven’t attacked him despite being concealed enough to do it unnoticed, and you haven’t shoved furiously out of the other side of the booth.

Indifferent it is.

“Can I help you?”

“You’re causing quite the stir,” he says, taking one of Mari’s chips.

You’re allowed. It’s infuriating when he does it.

“Am I?”

“It’s enough to fail a N.E.W.T level class and be expressly petitioned back, but to have a special criteria set for your exams and manage an O on top of it all…” He inclines his head as if to appreciate your face so close after so long. You should not let him. “You are incomprehensible. It terrifies them.”

“They’re afraid of the wrong mudblood, then, aren’t they?”

Indifference effaced. You’re angry.

He seems to have come prepared, and shrugs your scorn off like a scarf you would have forced him to wear winters ago. “Of course, they have no reason to suspect Dumbledore might have ulterior motives.”

Ulterior — you certainly hope he isn’t suggesting this is based on anything but your merit, but then — you couldn’t begin to understand why Dumbledore cared so much, could you? You’d made brief inspections of his disdain for Tom in second year, his waning shades of kindness and the matter of his stolen encyclopaedia, but you hadn’t… you hadn’t thought at all about how his dedication to your progress only begun after you’d stopped sharing a class with Tom, how it had developed as you began to drift from one another in fifth year and accelerated in sixth after the first petrification and Myrtle’s death. How Tom had worn you down with a weighted glare at Dumbledore’s little toast.

It wasn’t because you had chosen Dumbledore, you realise. It was because Dumbledore had chosen you.

“Why don’t you worry about your pets, Riddle?” you snarl, “I’m sure there are bigger problems with your lot than my exam results.”

Something in his face shifts at the name. You swell with distorted pride.

He mends the reaction by looking you over in more detail, his features schooled into something he must know you can’t deduce. You try not to squirm under the intensity of it.

He reaches almost mindlessly for your collar (there is nothing mindless about it, you’re sure) and smooths the fabric gently with his fingers. “I always liked you in this colour.”

You blink. His thumb just barely brushes against the skin of your neck before retreating, and your mouth falls open.

“Don’t do that,” you say. Truly a sad attempt. Your repulsion is more with yourself than him, and that’s not at all right.

Where is Mari?

“Your friend was at the bar, last I saw her.”

You stare at him with wild eyes. How the hell — ?

“You were always easy to read,” he supplies, and leans in so you can follow his line of sight to the tiniest sliver of the bar visible between two columns, where Mari looks deeply engaged in conversation with Leo Ndiaye, one of the Gryffindor Chasers.

You take a sharp, exasperated breath at her antics. She might be more in love with the competition than the boy himself. They’d never last without Quidditch to bind them, but you can’t fault her for wanting a bit of fun.

“Well then —”

Right. Tom hasn’t actually moved away. You turn and his face is just there.

His eyes dart forthwith to your mouth, and — no. No, he won’t be doing that and neither will you.

“...I’m off to bed.” Stop talking to him like he’s your friend, you think miserably. Stop looking at him like he’s your —

“That would be wise.”

He’s still looking at your lips.

No one else is looking at you at all.

It could exist in just this moment, you deliberate; separate from everything else.

Except nothing about Tom exists in its own moment. He’s all over you all the time, skin and bone and soul. You hope you still have a place in the broken fragments of his.

“So I’ll be going now,” you say again.

“I haven’t protested.”

But he’s leaning in, and he has to know that’s impedance enough.

“But you will.”

His lips touch yours. “Yes, I will.”

You grab him by his shirt and you’re kissing him. You’re kissing each other like either of you know what the hell it means to kiss anyone, but you’ve learned the rest together, haven’t you? Your noses bump and you don’t care. You just need to kiss him, and — God, you make some noise against his mouth and the hand cupping your face spreads to capture more of you, greedy and wayward — he needs to kiss you too. It’s a horrible thing to know. It leads you to pose too many questions.

The need must have begun as want, and when did the want begin? How long has he looked at you and wondered what you’d feel like to kiss, touch, mark? (He’ll never have the latter. You swear that.)

You’re pulling away in intervals. “You don’t have me, you know.”

“I know,” he responds, lips on the corner of yours.

“You still lost me.”

“I know.”

“I hate you.”

He pauses for a moment. “I know.”

You kiss him again. Long and soft, memorising his cupid’s bow and the tip of his tongue, and when one of his hands moves to your waist you part from him like you’ve been burned.

“I —” You resist the urge to touch a finger to your lips, standing abruptly from the table and adjusting your shirt. Your body feels like an evolutionarily faulty vessel, too easy to please, though you can’t imagine it responding to anyone else this way. Or perhaps your mind is the problem. Not wired well enough to resist an evidently bad thing. “Goodnight, Tom.”

You thought there wasn’t a word for your goodbye, but that’s it. So simple it sinks you. Goodnight, Tom. I’ll dream of a morning where I wake up beside you, but you won’t be there.

He grabs your hand before you can go, licking his lips and it haunts you to think he’s savouring you. It stings a place deep in your chest you’d spent all year trying to heal.

“My door is always open,” he says.

He lets you go.

You graduate with Mari’s hand in yours, and you aren’t afraid.

Dumbledore requests that you stay for the summer to help him prepare for the first year’s curriculum in the fall. It’s a ridiculous opportunity for someone your age — free lodgings and a stellar impression on your resume, and — you can only accept it with an ire you haven’t felt since the spread of influenza in muggle Britain.

If he’s offering you lodgings now, he could have done it all along.

It sends you down a horrible train of thought while you move your things from the Slytherin dormitories to a little chamber a few doors down from the staff room; Tom will be removed from Wool’s this year. Will he stay at Malfoy Manor? But Tom is still publicly muggle-born — Abraxas’s parents would never allow it. Will he find a job, a flat? Will he swindle muggles once he turns eighteen and the Trace is no longer an obstruction?

You think of him often. You think of his offer.

My door is always open.

Plenty of doors are open to you now. Why should you want to go back to his?

Still, the Second World War ends in November and you feel like you can breathe at a depth you never could before. The school doesn’t celebrate like it did with Grindelwald. No one but you seems to care at all.

It’s a tempting door.

The year passes in a blur of graded papers and lessons Dumbledore sometimes involves you in and sometimes does not. Most of the first-years care little for you, but there are two Slytherin muggle-borns who look at you like a new sun to orbit. Everything is worth it for that.

You see Mari when you can, and find she’s training with the Italian Quidditch team, who apparently are smart enough to care more about skill than blood. She says she misses the complexities of Transfiguration, but any career in it was always going to be yours. Smartest person she knows, she reiterates. Biggest ego too.

The next summer Dumbledore informs you of a posting at the Ministry. Something small with a smaller wage. He emphasises the weight of his personal recommendation, but that you won’t be respected unless you claw tooth and nail for it. You don’t take long to consider a chance to make an actual income with an actual career doing something muggle-borns simply don’t do before you’re nodding assuredly and asking him what you need.

Better clothes are first, and all you can afford until further notice. You take to Gladrags with intent to purchase for the first time in your five years of wandering in the shop with eyes bigger than your wallet, and the owner looks at you with distrust when you slide her your sickles.

The Ministry job is truly, infinitesimally, insignificant.

It’s far down in the Department of Magical Accidents and Catastrophes. You’re a glorified secretary, and you recall the few times you’d worked as a mail-sorter during the war. It’s some sick irony that you’ve landed yourself in a pile of paper once more.

But the money, though offensively scant to someone with better options (and it’s infuriating the options you deserve), is more than you’ve ever had, and within the next year you’re able to leave the castle and take a cheap room at an inn in Hogsmeade. You’re close enough to Dumbledore to aid him when he needs you, but far enough to feel like your school days are departed, and you need not worry about memories lurching unexpectedly at every corridor.

A sick part of you still reaches for your mouth sometimes to remember what it felt like to be kissed. That part of you wishes for Tom. You could kiss him into oblivion. You could find a way to make it hurt him back.

My door is always open.

Then you’ll slam it bloody closed.

Mari invites you to her first professional game and you cheer for her in the stands, a green, white, and red scarf around your neck in place of her old blue.

She wins and you get drinks in a muggle pub. You kiss a man at the bar. You go home with him. His hair is dark, but not dark enough. His lips are soft, but the shape is wrong. He makes you feel good, but you wonder if in another life, the dream is true; you roll over in the morning to Tom beside you, and he makes you feel better.

When you can find time between the monotonous demands of your job, you’re in the Transfiguration classroom, staying behind to help the Slytherin muggle-borns with their Switching spells.

It’s one stupid accident the next fall that changes things.

A muggle bank has been robbed, and whatever idiotic, panicked witch or wizard was behind it apparently found themselves incapable of getting the deed done with a simple Imperius Curse (you can’t imagine, based on the scene, that they’re above Unforgivables), and somehow ended up leaving the building half-charred and teeming with at least six bank tellers Transformed into birds, two chirping into the floor tiles with broken wings.

“Renauld’s on it, though,” your coworker says when the news finds your department.

“Renauld?”

He’s a year older than you, a pureblood with parents in high places, and endlessly fucking hopeless.

“Well, yeah —”

You push out from your desk, files fluttering behind you. “Renauld will expose the whole damn wizarding world if he touches that building.”

“But McCormack sent him.”

“Where is it?”

“I… McCormack said that —”

“Where is it, Flack?”

“Um. Um, near King William, I think. Moorgate or, um —”

That’s good enough. You toss the Floo Powder into the fireplace and go.

The place is a mess. You don’t even have to look for it. There’s some ward around the street, bouncing muggles away like an invisible end to a map they don’t even register is there. At least that’s handled right.

But you slip through it and curse under your breath at the muggles trapped inside the wards. They’re like fish prodding at the dome of their bowl, and some run up to you demanding explanations when they see you unaffected by it. You brush them off — Obliviation is not your strong-suit — though you do shout at a pair of DMAC wizards uselessly standing guard outside the bank.

“What the hell are you doing?” you ask on approach. “Renauld’s supposed to handle the inside, yeah? You deal with fixing them.”

You point toward the frantic muggles, and the officials just regard you with vague confusion at your presence. “Renauld said —”

“Oh my God! Fix. The muggles.”

You afford nothing else before pushing past them to enter the bank.

It’s quite impressive, actually; Renauld, the result of generations of foolproof breeding, is waving his wand around like he’s just stepped out of Olivanders for the first time.

“Heal their wings,” you say without greeting.

Renauld jumps. “What? What are you doing here?”

“Heal their damn wings. They’re easier than human limbs and healing magic’s the only thing you aren’t completely shit at.”

“Who authorised you?” he hisses.

“I did.”

In hindsight, it should have gone horrifically wrong. Your wand could have been taken and your life might have been over in all ways that matter, flung back into the muggle world where you’ve always been told you belong.

But Renauld vouches for you. You Transform the walls, you fix the burns, you mend the bank to something presentable. A muggle robbery — dangerous, financially tragic, but believable. And your suggestion to heal the injured bank tellers in their animal forms might be the thing that saved them. When Renauld mends their wings and regenerates their blood, you Untransfigure them, and the other DMAC officials alter their memories with haste.

You were completely out of line and utterly right.

It isn’t something people like you are allotted.

Your probation period is dreadful. You hide in your room at the inn most days, Vanishing little stained panes on your window to feel the warm breeze of air before you Conjure them again. You help grade papers, though Dumbledore is displeased with you and the night is a silent one. He assures you curtly that he’s doing his best with the Ministry to amend this.

And… he does.

With Renauld’s help and the corroboration of the other DMAC officials, you’re back at work by the start of the school year.

It’s a slow process — almost eight months of meaningless paperwork — before the next incident occurs and you’re hectically ushered to the scene like a belated understudy. And then it happens again. And again. And again.

There’s really no choice but to promote you.

Your heroics are torn from a Gryffindor cloth, so says Flack. You urge him never to say such a thing again.

By your twenty-first birthday, you think about Tom almost exclusively in your sleep. You’re much too busy to think about him anywhere else.

The summer is warm and Hogsmeade is lively. You’ve vacated your room at the inn for a little house on the outskirts of the village, decorating it how you like — discovering what you like. You’d never had a chance to find out before.

Mari visits when she can once you have your fireplace connected to the Floo Network (you yourself prefer Apparating) but her name is slowly working its way from the Italian papers to the British ones, and she has so much to tell you there isn’t possibly enough time in her days to tell it. There’s also the matter of Leo Ndiaye, who has, recently, gotten on one knee and proposed to her. If there had been a bet on them ending up together, you would have been out enough galleons to put you in debt.

After especially gruesome days at work, you and a few colleagues make a habit of getting sherries at the Siren’s Tail, complaining that sometimes the nature of your work is akin to an auror’s but without the notoriety and pay.

“Oh, please,” says Emilia Alves, twirling her straw, “You seen the shite the aurors are up to lately? I’d rather be a bloody Unspeakable.”

“You’d have to be able to keep your mouth shut for that, Alves.”

Emilia punches Renauld in the arm.

“What are the aurors up to?” Flack asks.

“I dunno much. There was a murder all the way in Albania, s’posedly. Reeked of dark magic.”

“Nothing new,” you join, and then frown. “Why’s our Ministry dealing with it though?”

“I dunno. I got word from Hillicker that the Albanians didn’t know what to make of the mess. They’ve never seen anything like it.”

“Hillicker’s not a source,” Renauld scoffs.

“Yeah? How about you ask your daddy for something better?”

“Alves, I’ll have you know —”

You lean in over the counter. “What do you mean they’ve never seen anything like it?”

She grins. “Why? Storming a bank robbery wasn’t exciting enough for you?”

You roll your eyes, taking a drink.

That ought to be the end of it. One extraordinarily lucky incident to push you up the career ladder was rare enough — there is absolutely no way digging around a case that has nothing to do with you or your department could ever end well.

But something about it itches.

You make nice with Hillicker. She’s a year younger than you and far too kind for her own good, and she gushes freely about her husband’s work as an auror (they must be a perfect match for him to gush freely about it with her). It’s a bit manipulative. You have no excellent excuse for it, but… ambition, and all that, you suppose. Flack’s Gryffindor theory is studded with holes.

You are green, through and through.

Emilia’s updates are meaningless when you garner so much information that you’ve already heard everything she has to say over drinks, and at this point her and Hillicker might be a step behind you. Emilia still only knows about Albania; peppery little details of half a story. Hillicker discusses an assortment of murders with no real string between them, and Dumbledore regards you with cool heeding when you bring up the matter with him.

You see him little nowadays but you’ve never been close in any true sense, traces of resentment budding over the years like rainwater collects on glass until the stream finally slips.

You visit Hogwarts mostly for your Slytherins, fourteen or fifteen now, unafraid of the distinction of their blood.

And then there’s one night after you turn twenty-two where drinks take place at yours for a change, Mari and Leo included and happily wed. You have no sherries but your ale is just as well, and it’s only you and Renauld who are sober by the time everyone else is vanishing into the fireplace and going home.

That makes it much worse when you sleep together.

There’s no excuse of having had a glass too many — so sorry, I’ll be on my way then, and him stumbling over his trousers to get out of your hair. Of course, he does that anyway, scratching the nape of his neck when he reaches your doorway in the morning.

“Thanks for the — well, you have a nice home — I do think I should —”

“Yes.”

“Right.”

“Oh!” He turns around at the last second. “Er — I know you’ve become a tad obsessed with… Hillicker mentioned another, anyway. Hepzibah something. Killed by her own elf, the aurors suspect.”

“Oh,” you echo, sheets pulled up to your shoulders. “Thanks, Renauld.”

“I thought you might like to know. Don’t be daft about it.”

You’re incredibly daft about it.

There’s something reminiscent about Albania in this case that wasn’t there with the others. The tide of dark magic ebbing across the scene, the cherry-picked information released in the Prophet, the claim of an old, dumb House Elf who poisoned her mistress like the Albanian peasant killed in some insoluble accident.

The itch exacerbates.

You see him in your dreams again. He peers over Runes in a stolen encyclopaedia, he whispers to an adder on his shoulder, he kisses the corner of your mouth and it isn’t enough. He kills you, again and again. You kill him too.

You wake up and he isn’t there.

It’s a new low when you’re invited to the Hillicker’s anniversary dinner and you end up digging through the drawers of their study halfway through the night.

The Albania file offers nearly nothing. There was the charred residue of dark magic imprinted on a hollow tree in the fields of the peasant’s hamlet, but nothing detailing more than a blank imprint of the Killing Curse in his eyes. Still, you tuck the knowledge away for the file of one Hebzibah Smith, whose tea did indeed have traces of poison, but whose den was also ripe with a layer of darkness that didn’t line up with the Ministry’s tale of senile elf.

And then there’s the forgotten matter of her being a purveyor of ancestral artefacts. The file doesn’t recount whether any are missing, since the woman was wise enough not to proclaim all her possessions to the world, but it’s something. A scratch.

You travel to Albania that Christmas. The neighbours in the peasant’s hamlet have skewed memories, so they provide little help, but the man’s house was left almost untouched.

You tear the place apart and Transfigure it back together when you’re done.

All you find, in the end, is a scrap of an old envelope in a suitcase.

R.R

It could be that it’s old. The cursive seems ancient enough. But you swear the letters have the distinct shape of quill ink — too artful for any pen — and maybe that wouldn’t matter if it weren’t for half a wax seal stuck to the torn edge of the envelope. Stained but silver, the barest hint of two ribbons, a crest, and the letter H.

You return to Hogwarts posthaste.

It’s snowing in the courtyards and you waddle with a duotang under one arm to pretend you’re here for something scholarly, an array of excuses prepared in case you run into Dumbledore, but you don’t.

The Grey Lady is as beautiful as she’s rumoured to be.

You ask her about her mother, and she’s silent, an expression on her face like you’ve struck her.

“Is it found?” she whispers. The snow floats through her.

Your heart hammers as you consider how to approach this. She thinks you know more than you do, which means there’s something to know.

“Yes,” you say. And you dare further with the context you know, “In Albania.”

“Oh,” she hums. “Oh…”

And if she means to say more she doesn’t seem able, washing away through the balusters, then the walls. You think of your house ghost and what he did to her, and you feel sorry for a second.

Madam Palles expels you from the library the moment you find what you’re looking for, and you rush past a throng of staring students to the staff room fireplace. It’s too far a walk to the border of the castle wards to Apparate. You bite back the preemptive sickness, get swallowed by the flames, and go home.

There are blanks to fill in but you do it easily. Rowena Ravenclaw’s diadem. Hepzibah Smith and her assortment of unregistered artefacts. The stain of dark magic. Something so rare not even the aurors recognized it.

But you do, because he told you.

You wonder on your search to find him what object he used when he killed Myrtle Warren. Nothing special, you think — maybe even the closest thing he could find. These murders involved more preparation. He got to mark them however he wanted.

It’s almost disappointing to find him here. In a little flat over Knockturn Alley with a view of charmed coalsmoke and the brick wall of another shop.

It’s as tidy as his room at Wool’s, the only dirt the irremediable age of the building itself. The whole place looks almost slanted, large enough only for the bare necessities; a kitchen, a toilet, a bedroom that looks more like a closet, and a study/dining room/den you can’t imagine he hosts many gatherings in. You rescind the mere thought. Whatever gatherings Tom Riddle is having these days, you’re sure you can’t begin to imagine at all.

You wait, legs crossed on an old loveseat, fiddling with your wand.

The door clicks open when the snow has turned to hail and there’s no light but the few scattered candles you’d lit on the mantelpiece.

It strikes you only when he’s standing before you that it’s his birthday.

You’re in Tom Riddle’s flat, on his birthday, adorned by the orange glow of half-melted candles, and you know everything.

He eyes you carefully, a hint of surprise at the sight of you after four years that even he needs a second to recover from. And then he's even, inscrutable Riddle again, and you dare to think, come back.

“I placed wards," he says, hanging his bag on a rack by the wall.

“I thought your door was always open.”

You see his posture change from just his silhouette.

“Wards never work in Knockturn,” you offer additionally, “not really. There's too much conflicting magic; one border cuts into another; leaves a little sliver behind if you’re smart enough to find it. You should know that."

He turns to you. You take in a moment to acknowledge how he's changed. It's hard to see in the curtained moonlight, and it seems unreasonable to imagine he’s grown, but you think he has. An inch taller, perhaps. Two. Maybe the dress shoes. His arms are bigger under his button-down, but not enough to consider him muscular. His black hair isn't as perfect as you remember, and you suspect a long day of work undoes his curls. You always liked him better that way in school, after a night duel at the Black Lake, his robes askew and his hair a mess. Evidence that you were the only one to dishevel him. Now you were — what? Did he even think of you anymore? Yes. You'd always think of each other.

“Duly noted. What are you here for?” He tries your surname like a foreign language.

You cross your arms, and you're acutely aware that he's observing your changes too. You're not the matchstick witch he once knew. Your emotions are cultured now, taut to mirror his. You wear dull, formal grey, and that glowing green tinge that should be gleaming on you is under a thick carapace. That’s for Mari, Flack, Emilia — even Renauld. Not for Tom.

You wonder if he knows it was Dumbledore who put in the word that got you this uniform. You wonder if he resents you for it.

“There’s been talk at the Ministry," you say finally, “A string of murders. Whispers of something — some dark magic they don’t understand. And you know they're careful about things like that after Grindelwald."

“A string of murders... Hm. That might imply you understand a connective thread. Is there some sort of accusation being made?”

“Oh, I'm sure you'd be flattered by accusations. There’s not enough there, as it stands. Just whispers." You sink more comfortably in the seat and the springs make a concerning sound. “But I know you."

His hard, sharp gaze falters for a moment. You watch the flames dance behind him, the firelight playing against the lines of his shoulders, and feel your heart skip a beat. “Who else is speculating?"

“No one." Your fingers brush over the book spines on the coffee table. “I guess their attention hasn't been drawn to a book clerk yet, even if you have taken residency... here." You say it with no shortage of disapproval.

Knockturn was never where Tom belonged. You'd once imagined a flat together in muggle London, taking the telephone booth to the Ministry together, changing the world together. It's a wish that's a lifetime away now.

“Is this a warning? I assure you, I don’t need the condescension.”

“I'm not warning you," you scoff, “I — I'm seeing you. God knows I'll probably never get the chance to do that again once you get yourself locked up in Azkaban, which you will."

You sound exasperated. You sound half-pleading. “What are you doing, Tom? Is this — this is really what you want?"

“Yes."

You shake your head. “I don't believe that." And then some of that fiery spit returns to you, and you feel like a child again, stuck in the London tube stations holding his hand at every plane that flew overhead, scowling that you needed his reassurance. Scowling that you were afraid.

“Well, your conjecture is ever-appreciated. Shall I lend you mine? Shall I congratulate you on your revolutionary position at the Ministry? Or is it Dumbledore I should afford my thanks?”

“I earned this,” you hiss.

“You deserve it,” he amends. “But do not lie to yourself and pretend that’s why you have it.”

“Fuck you.”

He smiles. “There you are.”

“I don’t need your congratulations, Riddle. Dumbledore doesn’t need your damn thanks. But,” you say, biting back the snarl that wants out, “you could thank me. After all, I could turn to the Ministry any minute with the truth of your heritage. I could tell them about Myrtle, the Horcrux — Horcruxes.”

The humour dissolves from his face and you despise the immense glee it brings you.

“Oh, did you think I didn’t know? Didn’t understand the connective thread? You are sentimental under all that… fucking posturing, you know. I’m sure it’s all very romantic to you — making Horcruxes out of Hogwarts artefacts. Shame it’s such an insult to your intelligence.”

“Very good,” he says after a long, terse silence. You’re sure he’s thinking just the opposite.

You hum, meddling with your nails. “So what’s your plan?”

“I’d need a Vow for that.”

You laugh. “I’m not that desperate.”

“You’re also not an auror, are you?” He tilts his head appraisingly. “And yet you’ve found your way here.”

“How many do you plan to make? How many people do you plan to kill?”

“A Vow.”

“Absolutely not.”

“Tea, then? Biscuits?”

“Oh, I shouldn’t. I read in the paper the other day about a poor old woman who had her tea poisoned.”

“Hm. Terrible shame.”

Your fist clenches around your wand. “Is it paying off well, Riddle? It must be a good life if you’re willing to split your soul to hell and back to have more of it.”

He smiles at the barb in your words. “You never were good with subtlety.”

“I wasn’t trying to be subtle. This place is horrific.”

“I was referring to your inability to see more than what’s directly in front of you.”

“Oh, really? And what more should I see than a boy who’s very good at getting weak men to bow and do very little else? I’d try to see the bigger picture, but I reckon it wouldn’t fit in here.”

Tom regards you colourlessly. You are slate, Ministry-grey, impermeable like palace portcullis.

“I suppose I should have killed you.” He says it with the nonchalance of a forgotten chore. He says it like you’re a stain.

He doesn’t say it like he feels any terrible urgency to remove you; and you think, this time, you’d feel more powerful if he did. You think it’s far more debilitating to sit here and be looked at like he regrets wanting you alive more than he wants you dead.

“Yes,” you concur, “I suppose you should have.”

You place your wand down on the table and scoot your chair away for good measure. “It’s never too late to rectify your mistakes.”

Tom, for a moment, looks surprised. That makes you feel powerful. You’d take more of that.

“You have wandless magic,” he tries. A weak recovery.

“Scout’s honour, Riddle.”

He doesn’t move for a moment, then fixes his wand in his hand and rises, doused in the same inscrutable calm that always used to drive you mad. Now something in you gleams with the knowledge that he only ever looks like this when he’s trying not to look like anything at all.

He steps closer and it gleams brighter. It trembles inside you and you know, distantly, that this is insane. You’re weighing your life on a childhood trust that was shattered years ago, and you don’t think you’ve ever been that good at faith, but he’s approaching you and that gleam you feel is reflected in his eyes and you just… know. Your spilled blood once crawled with his. There’s no undoing that. Half of you is made of the other.

“I should have killed you,” he repeats.

It’s a murmur. Stilted. Angry, even. Angry that you made him this and there’s no fucking rectifying it — what a joke that is. What an immensely you thing to suggest.

“Yes,” you agree.

It’s a breath. Low. Proud, even. Proud that you’re his only mistake and he’s going to make it again.

Tom kisses you. It’s a murder of its own kind. You kiss him back, and — you were always going to kill each other like this, weren’t you? It’s you and him whether you like it or not.

There should be no love in it. You know that. Love is far behind the both of you, stifled in a gasp at the back of your throat on your eighteenth birthday and the soft, selfish hands of a seventeen year old boy. This is mutual destruction. Spite and teeth and skin that’s cold under your fingers.

He was your first in everything but this.

You push back at him and feel the hunger, the need in him, like a flame as he kisses you deeper and harder, and you find yourself losing yourself to it all over again, like you're back in the dark alcove of a pub where you told him goodbye, pushing to extend the juncture. And then he lets out a hitched, gravelly sound; not a moan but enough to make you shudder.

You pull him onto the sofa and crawl onto his lap.

“How long?” he asks thickly.

You don’t have to ask what he means. You bite against his neck, nails under his shirt as you struggle to pop the buttons open. There must be a violence in all your want for him because if there isn't it's just loss. It's just another thing you'll give him without taking anything back.

“Sixth year," you pant, “in the Deathday ballroom when we fought for the first time. You — ah — you put your thumb on my mouth. Since then."

You hear a sharp intake of breath, and his hand moves up your back to pull you impossibly closer. His voice is ragged. “Should I tell you how long I’ve wanted you?"

You shudder a breath. “Since —" And it's a bit hard to talk with the way he's rolling your hips — “Since when?"

His lips twitch into a mirthless smile, hands spanning your thighs as you start to rock against him. “When you burned me, and I sent you into the lake."

You swallow, agonised by the slow pace his grip forces you to keep when all you want to do is go faster.

“Your uniform was terribly wet,” he says, mouth tracing your jaw. “Did I ever apologise for that?"

“N-no.”

He tuts, the hushed sound warm and deadly on your neck. “Bad manners. I must have been distracted."

Oh. Oh, you think. It seems pointless to flush in the position you're in now, but the knowledge that he wanted you then and you hadn't even known is... all the more devastating.

But you shiver at the question of how he’d wanted you, in what amount of detail, in what precise way. You almost want to ask. See it for yourself.

You don't think you'd manage the words. He’s hard underneath you and your head wants to lull toward his shoulder but a big hand holds you from one side of your jaw down the length of your neck, his tongue laving up the other. Instead you’re balanced only by his hands and his mouth, rolling against him because it’s all you can do like this.

He’s marking you, you realise with a gasp, and your fingers bury in his hair to remove his mouth from its descending assault on your collar. Not that. You’d sworn against that.

Your fingers return to his buttons and he copies you by finding yours, pulling at the fabric tucked into your trousers until it’s discarded entirely. You press your hands to the planes of his chest and watch him, your mouth agape as his eyes linger on your chest.

His heart is pounding and he must know you’re about to comment on it because his lips are on yours again and he adjusts his position and your fingers dig into his shoulders at the delicious new feeling of him pressing into your thigh.

You move for his belt. He moves for your zipper. It’s some sort of race, whatever you’re doing, and you’re at an unfair advantage when you’re still fumbling with his buckle when his hand is already carving a slow path to the band of your underwear. You're scalding under the journey of it, little stars pricking you under every new inch he explores.

He dips in and your eyes wrench shut, grasping frantically for his wrist.

“Shh,” he says softly, caressing your cheek with his spare hand, thumb finding your mouth how it did all those years ago and you want to curse him. The fucker knows exactly what he’s doing.

You shake your head, chest rising with heavy breaths as you return to his belt and scrabble to unbuckle it.

“So tense,” he murmurs. The hand at your cheek draws over your lower lip before it falls to your back to hold you closer. “Rest now.”

And his fingers trace you where you want him most, brushing past your clit as he pulls his face back to watch you.

You sink into the feeling, still swaying on his lap, a half-efforted attempt at finding friction in the hardness between his legs that feels fruitless because it won't be enough until he's inside. Your hand just grips onto the fabric of his unzipped trousers and stays there. It’s a pause. An obstacle on your path to him that you need just a moment to recover from before you’ll make him feel just like this. Better. Worse. It’s hard to tell which is which.

He’s stroking at you now, pleased by the way you lurch against him with every touch.

You have to recover, you have to make it even, you have to… you…

A finger presses inside and you moan.

“You came back to me,” he whispers, close enough to be kissing you but there’s just the stutter of his breath. It's a fucking religious thing to say, the way he does it.

“Doesn’t make me yours,” you breathe.

He shakes his head. “I know. You’ll still take it though, won’t you?”

Oh, fuck.

He makes a sound of approval. “Good.”

Good. Fine. Your hands slip from his zipper to the meat of his thighs, pushing yourself forward so the shape of him is firmer against you, and Tom slips another finger in.

You’ll take it, won’t you? Yes.

Maybe you don’t need to tear him at the seams (though you want to) to make it even. Maybe this is punishment enough. That he can have you like this and it still won’t make you his, that he’ll give you everything and you’ll lap at it with half the greed he possesses.

You ride his hand, clutching his shoulders, rocking your hips. You take all of it, and it builds something delirious inside you, that it’s him doing this, his perfect fingers, the shape of his lips, the soft dark of his hair when you find your hands in it again. The feeling makes you stutter, and he has to move you by the waist himself to keep the momentum when you can't do it yourself.

He’s painfully stiff, pushing up against you with a degree of self-control that feels like it can only end disastrously for the both of you, and you start smattering kisses down his cheek. You tilt his head back and lick a stripe down his neck. Rest now, you'd say if you could.

But he adds a third finger and your head falls, a cry planted in his collar when you come, and you don't think you say anything.

Tom holds your legs steady, guiding you through it like this is just another one of his studies. You are what he knows better than anything else, and still he wants to learn more.

“Look at you,” he mutters, dipping you back to press his lips down your chest, unclasping your bra while you’re still breaking, the sensation swelling again when he takes a nipple into his mouth.

“Tom,” you try to say. Your mouth is the sticky sort of dry that words refuse to come out of.

“Will you give me more?”

Give, not take. You fuss into a stolen kiss, grappling again with his trousers, pulling them down until you can palm him through his boxers.

He hisses, gripping your wrist like he hadn’t just done the same to you, and then he’s pulling you up and off the couch, trousers discarded with what must be magic because you blink and they’re gone. Greedy boy. (You have no room to judge.) Your back is to the wall an instant before his fingers are on you again, pushing your underwear down your thighs until it falls at your feet like they despised to ever part from you.

You arch to feel him press against your stomach, pushing off the wall so that you can meld to him but he just closes in on you to do it himself.

He goads the heat from you when his fingers push in again, still wet, coiling how you like, where you like —

“Want you,” you protest shakily, hand on his abdomen.

That must kill him a little, because he curses under his breath (a thing he never does) and the immediate absence of his touch is cruel when he goes to free himself from his boxers. You reach for him without thinking as he does, and he pins your hand beside you when your fingers so much as graze the length of him.

You sound frail, but you have to ask. “Is this how you wanted me?”

A cruder version of you would go on. Is this how you pictured it? Taking me against a wall? Have you waited for it all this time?

And you don’t belong to him but you’re so incomprehensibly, contradictorily his. You’ll want him forever. He could do anything, and you’d be his. You could haunt him into his lonely eternity, and he’d be yours. Then, you suppose — haunting him makes him yours by principle.

Maybe you already do.

Tom practically growls into your mouth, pressing against you and — God, it’s skin on skin. He's right there. You could push forward and —

He slides in. You cry out at the feel of him inside you, the angle of it like this.

“I wanted you,” he says lowly, your legs wrapped around him, “everywhere.”

You’re gripping him so tight you think he’ll bleed under your nails and somehow you still feel on the brink of collapse when he thrusts deeper.

“I thought mostly of your mouth,” he rasps. “It felt depraved to imagine it wrapped around me, but then I thought of you splayed out before me instead. That maybe you’d like it if it was my mouth on you.”

You whimper.

“Would you like that?” he asks, hands spanning your hips to snap them into his, like you are a piece removed from him he seeks to reattach.

If you wanted to answer you couldn’t. You’re clinging to him and the rising surge inside you, carved between your legs like something sweltering and unfixable. It rushes in and he pulls out of you. He pushes in and you cry for the release of it, the moment the wave lurches over the edge, but he won’t let you have it.

“But,” he says, and your eyes want to roll back at how heavy his restraint is, callous in the tone of his voice, some leash at his neck he must tug himself lest you take it from him — “If I knew how well you’d take me like this, I would have thought of it much more.”

Taking him, again — you don’t feel at all like that’s what’s happening. You feel possessed. You are buoyant in his arms: his and his and his.

“You can — uh — you can — ”

"Hm?" He brushes down the slope of your brow, your cheek, back to the edge of your mouth, wiping a trail of saliva from your chin. “Poor thing.”

And he slams into you again, drawing a mewl from you that slices your unfinished thought.

You clench around him, flames wild and fluttering at every contact of his skin on yours, and there are too many to count. Too many points where they intersect, just some blend of bodies connected at every curve.

“You’re going to give me more,” he says, like it’s an epiphany when you already told him you would.

You remember then. What you meant to say. “You can take me too.”

You feel him twitch inside you, his pace stilling for a moment, and the thumb on your lip slips into your mouth. Your lips close around him and he curses again.

He fucks you with a finger in your mouth and his teeth clamped over your shoulder, soothing the sting with his tongue. His pace is too slow when he drags his free hand between your legs, but you understand its purpose well enough that the mere recognition almost destroys you.

He’s patient in bringing you to the edge because there's time here. A slow agony that severs you from the rest of the world until it splits you down the middle. And he may not ever have it again.

You have to promise yourself he’ll never have it again.

But the movement of his fingers against the same spot he’s hitting inside you is too much at once, and you won’t last. You drool around his thumb. You let him mark you. You can see on his neck you’ve marked him too. And you hope impossibly there’s a scar. You hope the little death you coax from him claims him as yours for eternity, keeps him even when you're gone. You tighten, lurch for the edge, and make him mortal once more.

Tom holds you there, your cries reverberating as he sinks another finger in your mouth, and then he’s gasping at your neck, peeling back to look you in the eyes when he spills into you. Your eyes screw together and he releases the sounds you make by holding you by the jaw instead.

“Look at me,” he says, and for the strained need in it you do.

You come down to earth and you kiss him, wetness dripping down your thighs as he pins you to this moment. You love him. You’ll always love him.

He brings you to his bed after and you let him, legs surrendering their grip on his waist as you pull apart. You pant into the cold linen of his pillow. Everything smells like him. There’s something empty now; the reason you came today; the reason you left four years ago.

You love him and it isn’t enough. Not even to look at him, the sleepy hint of the boy you knew in his eyes, and know that he loves you too.

“Goodnight, Tom,” you say, finding home in the warmth of his chest.

You’ll dream of a morning where you wake up beside him, but you won’t be there.

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