#and i'm 100% incapable of doing that i just can't

[allbuthuman]

.

[midesastremanifiesto]

.

[agirlwithglam]

Do you ever feel sick and don't feel like doing anything when the day before you told yourself you were going to do a glow up, live always the best ecc..?

yes definitely! unless i'm actually sick and incapable of doing anything, i will at least try. you didn't ask for advice, but here we go anyways. when i feel like that, heres a few things i do:

how to do things when you don't feel like doing them: (from personal experience)

believe that you can do anything. dont roll your eyes at me! dont skip this part either. this is the main point that gets me going every single time. i truly believe that i can do anything, that i am capable of literally anything that i want to achieve. if i want it, i will have it. that is the first mindset you must have when it comes to this.

start small/ make it fun. yes, ofc i said this. if you can't do a full 1 hour workout, do some pushups/squats/lunges and go for a bike ride or a walk with a friend. what i do when im going bike riding with a friend is we go to a mall and buy drinks there! so make it fun! adding friends to whatever you need to do certainly makes it fun. another thing you can do is if you need to read, you can create a cosy spot in your room with scented candles and a little snack and everything and sit and read there. just the idea of it gets me excited!

treat yourself like a project/ robot. now THIS is something that has certainly gotten my some discipline. we as humans have emotions and feelings and moods. sometimes we don't wanna do stuff, and we actually cave into that. if you promised yourself that you would change your life, switch off your emotions and moods. treat yourself like a robot or an "apprentice" that you're training to become the best.

reward yourself! so you can either reward the action (like reading or studying) or the outcome (like finishing a book or getting a high mark on a test). decide what works the best for you. example: you don't wanna study? you can either a) reward yourself for studying with some free time with friends or watching your fav show or b) you can reward your self by the score you get on the test (ex if you got higher than 80%= a certain thing on your wish list, above 90%= a better thing on your wish list, 100%= the thing you've wanted for ages) you don't wanna read? you can either.. a) reward yourself for reading for x amount of minutes or b) you can reward yourself for finishing a book in a certain amount of time.

alter egosss. i know, i mention this quite often, but trust me this actually gives such a burst of emotion! embody someone else/ a different version of you that can best handle the situation. im gonna make a whole post on alter egos soon cus i mention it in a lot of my posts.

EDIT:

Please remember that if ur actually sick or genuinely feeling really low, remember to rest!! Remember to take time to relax and slow down. Take care of yourself honey <3

thats it for now! i hope this helped <3

btw heres a big master-post to how to get things done when you dont want to (not by me)

[teyrnacousland]

I think about that last part a lot. Does Illario know? Because this is what he says in The Wigmaker Job with regards to the possibility of Lucanis failing the contract:

Does Illario not know that Lucanis has forfeited contracts before? Is it just that this is a bigger (higher paying) contract than the ones Lucanis mentions to Davrin? Or does it just not cross Illario's mind here because he's worried in the way he would be if it was his contract? For all his messing around in this story, Illario is the one who's more focused on the job and the job alone. Illario knows very well that he can't afford to fail a contract. Does he know Lucanis can?

I honestly don't think lucanis would have gotten much gentler training than most of the other crows -- if anything I expect he got more direct and intensely focused/constant attention on and control exerted over him than most of them might, since caterina has so much bound up in him both emotionally, politically and (ultimately, as the case always is with the crows lol) financially. she does not seem the type to as it were risk spoiling the sole viable heir by sparing the rod (derogatory). she has too much on the line here leave stuff like that to chance. where the 'first talon's favourite kid' privileges DO likely enter into it for me is that he can every so often make the move to spare a target based in nothing but his own conscience and not be killed for it himself.

which also has me wondering like... did caterina know she was sending him to kill a child, with that one target he mentions to davrin? or was it a surprise to her too? from what he says, she is the one who picks the contracts for him. was that contract how she realized there are things she could ask him to do, uses she could try to put him to, that would just break him (which would be such a waste at this point she's invested so many years and so much of herself in this knife that rests perfectly in her hand)? was it a test?? did it turn into a test both ways??? did lucanis know she wouldn't have him killed for refusing to do it, or is that one of the few times he came back and looked her in the eye to see what she would do, as the closest he's ever gotten to actually telling her 'no'???? 'you have every right to kill me for it, but this is one thing I can't do for you' with his hands not dripping with blood... and for whatever reason or set of reasons you might choose to believe, she doesn't kill him. what an absolutely nuts relationship this is

(how does illario feel watching that go down. knowing lucanis can gamble on love or sunk cost logic or whatever it is that stays her hand to hold on to having a soul, while illario could surrender his whole soul unquestioningly every time to her and still not have the love.)

[lcvesjj]

Bad Omens - Deacon Kay x Fem!Reader

Based on the song “Bad Omens” by 5SOS

This is part of my ‘song fics’ series :)

Summary : You'd always come in second place to Annie. Maybe you were right. This relationship was a mistake and you should've listened to the warnings. Since he'll always love somebody else..

Warnings : angst, angst, angst & once again angst. no happy ending, breakups, (Deacon gets back w Annie), in this fic Annie & Deacon don't have kids !!!, heart break, talks/mentions of cheating?

NOT BETA READ!

A/n : the fanfic writer curse has really been kicking my ass recently :’) so I wasn’t posting any fics for a while bc of it. But anyways enjoy and as always this is just based on my interpretation of the song/lyrics :) (yes I am incapable of writing a happy ending currently🥲) I might rewrite this someday since I'm not 100% happy with how this has turned out.

word count : 672

song fic masterlist

regular masterlist

Honestly you should've seen it coming. You always knew you'd come second place to Annie. Deacon's high school sweetheart and “one true love”

Deacon always talked about her a lot since they were still good “friends” Even his coworkers would talk about her a lot. You knew you could never compare to Annie, since she was prettier and smarter and just- more Deacon’s type….

You tried your best to get along with Deacon’s friends, since you loved him so much and you wanted this relationship to work out. 

One day you decided to visit Deacon at the SWAT HQ and bring the team some cookies. Walking towards the HQ kitchen you overheard Deacon talking about you. Pausing you stood still listening in to what was being said. 

“I mean I love Y/n but- she's just not Annie yknow? Annie was always so happy and sweet while I feel like recently Y/n has been pulling away from me. What if she's cheating on me?” Deacon said aloud. He had no idea you heard him. You could feel like crying and your heart dropped to your stomach hearing his words. The man you loved so deeply just accused you of cheating on him.

Quickly turning on your heel you rushed out of HQ still holding the plate with cookies you brought. Getting into your car you drove away towards a nearby beach to sit and think.

You always felt like you were in second place in David's life, but hearing him accuse you of cheating just made you feel even worse. Maybe agreeing to this relationship knowing how much he still liked Annie was a mistake...

Deciding to pull out your phone you sent him a quick text saying “We need to talk. It's important.” Before putting your phone on ‘do not disturb’ and driving home. 

Deacon was already waiting at home for you with a worried look on his face and upon seeing you he started asking a million questions as to where you were. 

“I think we should break up.”

You interrupted him, Deacon's face fell and he looked hurt and confused. “But I thought-” You just shook your head no. “This isn't working. I'll never be first place for you. It'll always be Annie since she's your first and only true love. I overheard what you said at the station and I just can't keep doing this. I can't keep on feeling like I'm less important to you.” You said while wiping away a few tears. 

“Y/n sweetheart….that's not true. I love you and you're my number one girl. Annie is just a friend to me. I've known her for so long it wouldn't make sense for me to just cut her off suddenly.” Deacon said while frowning. 

“I'm done. I'm sorry Deac, I'll go pack my things now. I'll come grab the rest of my stuff tomorrow.” You said while heading further into the house and towards your shared bedroom before grabbing a bag and packing some essentials while Deacon just watched with pure heartbreak and anguish written all over his face. “But we can still be friends right?” He asked nervously to which you shook your head. 

“I think it's for the best if for now we don't contact or see each other for some time.” You replied while zipping up your bag. “I'm sorry David.” You said softly while kissing his cheek one last time before heading out of the door. 

It wasn't fair to either you or Deacon. You knew he always loved Annie more. I mean she's perfect…

-

A few weeks later Deacon and Annie started to date again and seeing their new photos on the social media platforms you were still following Deacon on, you felt like crying. You always knew it would probably end up like this. You'd get your heart broken and Deacon would end up with Annie. But at least you broke the cycle of constantly getting your heart broken every time Deacon sang praises about Annie right…?

[derxwnakapsyla]

I won't sugarcoat this: I'm broke. I am flat out, 100% incapable of paying for anything anymore, and have reached a very dangerous point. Earlier last week, I had to go to the hospital to get a growth on the back of my leg checked out. The doctors note suggested I see a surgeon since apparently they can't drain it there (never-mind the fact that they always did when I was back in Florida...). So I called 5ge surgeon's office to schedule an appointment.

Its up to 400 dollars for a consultation. Up front. No payment plan options.

I dont have that money- if I spend on that, then I no longer have grocery money. I have to choose between health and food. And even then, that's just for a consultation- they may charge _more_ for actually doing anything to it. If I could find a free clinic anywhere near me, that'd be great, but I haven't found any yet.

I really do not know what to do, I'm at the end of my rope.

This is the link to donate money directly to my PayPal account. I didn't want it to have to come to this, but... I really don't have any other options.

And if you don't want to just give me money flat and would rather a service, you can find my commission page and rates here. I am willing to haggle on the prices.

https://eeveeexpo.com/threads/8291/

Thats... Really all there is to say, I guess.

Donate if you comfortably can, Spread if you want.

[boogiewoogieweeb]

#in addition edward’s also one of the few privy to the reality of the tunnbaq pretty early on #and that is above ANY of their pay grades #and he just has to deal with that because there is literally no time to consider the cosmic horror when it's actively hunting you #ironic that crozier's decision to leave supplies and not men is way more likely to result in deaths caused by exposure/hypothermic #which is what it seems edward ended up dying of #also obsessed that him and jopson. in many ways the two hands of crozier's leadership. have similar but contrasting deaths #overall i just think fandom tends to portray edward as a worse leader than he actually is #at the end of the day he got the survivors the furthest and it killed him to do so #just that it surely killed him that he couldn’t get them home. that he had to leave jopson and the rest behind #he even intercedes on silna’s behalf when crozier tells him to escort her off ship #making him one of maybe 5 people to show her a shred of human decency #he’s so compassionate and loyal that his downfall is people taking advantage of that #imperialism takes the best of men and sacrifices them for nothing and all it has to show for it is more death #rip edward little you would have loved star wars

A Consideration of 1st Lt. Edward Little of HMS Terror (As Played by Matthew McNulty)

The thing about Lt. Edward Little is that he had the highest ideals and yet was set up in so many ways to fail them.  

We occasionally see glimpses of the man Edward Little must have been in order to be appointed First Lieutenant on a very prestigious expedition: reliable, capable, stalwart. 

(Continued below the cut, as this got very long)

He had that, before, when he was doing the job he was trained for, ie running a ship at sea.  What he hasn’t been trained for at all is managing 129 125 119 105 ? men stuck in pack ice in endless night, later trudging over ice and shale, trying to keep them busy and out of trouble and from getting killed by a demon bear.  Of course he’s out of his depth, but honestly aren’t most of them?  Of the lieutenants Gore (RIP) is the only one who seems to be in his element and he’s the only one with Arctic experience so that tracks.  Even Le Vesconte is getting by on charisma and the power of peer pressure, neither of which actually make for competent officering.  So that’s the scene he’s stuck in, and no wonder he’s out of his depth.  

Then we have the circumstances specific to Edward Little.  He's spent the first two-plus years of the voyage as the first for a captain who is very depressed and increasingly alcoholic. As Crozier's state deteriorates and especially after Franklin dies, Little has to tread a very fine and somewhat blurry line. He has to cover for Crozier, picking up the slack that is inevitably dropped; he also has to prop Crozier up in such a way that his leadership as Captain isn't undermined with the crew. A big part of both of those is making sure that the right questions are being asked, that all practicalities are being factored in, but he has to ask those questions without seeming to question Crozier’s authority. Thus he must essentially be an acting captain without seeming to do so either to the men or to Crozier . He is not someone who wants power per se; in fact I think what he wants most is to be a good and competent 1st Lt. But because he's under an semi-incapacitated captain, he has no choice but to take on some of that power while appearing to be no more than a loyal lieutenant. He's leading without being seen to lead, and he's already seen Crozier flog three men for among other things insubordination and disrespect (and without due process).

Crozier has also put him in a position of having to lie - both directly and by omission! For example, when questioned he tells Fitzjames (who outranks him) "much to do on Terror is all” - leaving JFJ to draw his own conclusions on the source of that “much” and the extent to which it is falling on Little.  The instruction to procure more whiskey “discreetly” is nearly if not actually insulting in how far below Little's rank it is.  Having to do it “discreetly” is even worse.  He is being treated as an errand boy, and not just an errand boy but one tasked with something that is clearly unsavory, even illicit.   By ordering him to to this, he makes Little complicit in the very vice that is causing all of these problems, and Little by virtue of his position is unable to refuse any of these direct orders, even ones that are way below his station. (The fact that Jopson, Crozier's actual steward who was actually in charge of these things, was not given that task is also telling although I’m not sure of what - perhaps that Crozier wanted someone who outranked the Erebus’ steward to do the asking; perhaps that he felt some shame in asking Jopson.)

Through all of this, Little is having to cover for a man who continues to lose his own respect in ways both large and small, personal and professional. Crozier has endangered the crew - leading directly to Blanky losing his leg - and has spoken flippantly of the situation ("How fares the raft of the Medusa?"). In 1x04, he is clearly galled by both the disregard of due process and severity of Hickey’s punishment.  (While both are not unstandard in the Navy, Crozier’s manner makes it seem like spite as much as anything - which I’m sure Little clocked.)  Overall, Little observes him making inebriated decisions that are based as much on his internal demons as any the practicalities at hand while men continue to die under his watch. This erosion of trust will come back to haunt them all, because even when its causes have been overcome, the deep root and the effects are there. (JFJ gets to have reckonings with Crozier and say his piece in a way that Little never does or will.)

Edward Little also cares deeply about the welfare of his men, perhaps more than anything. Command is a responsibility not just to the navy but to those whose lives his decisions affect. And so he as he sees this disregard for them (and for himself) he is angry, and he is in a profession and position where one is not allowed to be angry with one's superiors. So he spends a lot of his time pretending that he is not quietly furious while carrying out orders that he knows he shouldn't be, and hiding it from everyone , even Fitzjames, because he is also, deep in his heart, loyal (even if he feels it is unearned) and married to Naval structures.  Crozier and JFJ have their reckoning, but Little never gets that, because subordinates aren’t allowed to be angry.  

This combination, the lack of trust both given and received, the anger, the care & loyalty, the necessity to fill the void in leadership, means that he asks a lot of questions . A well placed "Are you sure, sir?" can go a long way. "Yes, but--" is not a phrase that would often have been uttered to a commander by a lieutenant, but Little has not just earned but hard won the right to say it.  Every time he questions Crozier, I think it is out of a sense of duty, not defiance. A duty to the expedition, to Crozier, and above all to the men, because for so long Crozier’s judgement was not something he was able to rely on. He can’t even attend a sunrise party without thinking of the supplies that are being used up! 

To top everything off, he also never appears to be someone who is particularly congenial nor gregarious, he is very aware of his rank, and is competent while not being loved (except by me).  I like to imagine that he and Jopson and Macdonald were able to commiserate in some way as Crozier was going through his detox.  But everyone is so conscious of class & rank & secrets being guarded that it seems unlikely that anyone actually confided in each other. By getting dry and in such dramatic fashion, Crozier earns back his loyalty & respect, but by doing so in secret I wonder if he hasn't further eroded Little's relationship with the other lieutenants.  Do they even know Crozier is drying out or is Little lying to them as well as to the entire rest of the crew?  Little does not seem like a man who cares for lying, and covering up the captain's "gastritis" would only have made Little feel more cut off and burdened by the captain's confidence. (To say nothing of the fact that all of this is going on with the Tuunbaaq in the background - these lieutenants were not designed to contend with alcoholic spirits let alone the spirit world.)

 Crozier’s trust does often  end up being more burden than anything, and it’s beyond the responsibility that would normally come with his rank. That moment when he practically shoves the pistol away from him is so telling of this.  We really were robbed of the moment when Little is so angry after leaving Crozier that he can’t even slam his door: because that’s what’s building up this entire time!  

By covering for Crozier both before and during his sobering up, Little probably lost some of his authority over the crew. They know he's hiding something, and that earns some distrust. He's obviously worn out, and there must be some observation that Crozier is literally using him as an errand boy. In the best of circumstances the commanding-without-commanding is a hard line to walk while maintaining one’s own air of authority. He's also angry, and in working so hard to cover and subdue his anger, what he's left with is the "sad, wet man" that fandom has dubbed him. The crew may not know exactly what’s going on (although what do those men have to do besides gossip) but they must have sensed how Little is being worn away. As much as he cares for them, he wouldn’t fraternize - it seems like he barely fraternizes in the wardroom.  (Which is why that moment of camaraderie with Jopson outside Crozier’s cabin is so important to me personally.) 

That brings us to the mutiny.  We may love a sad, wet man, but in the face of a charismatic mutineer he's never going to match up. He doesn't have the authority, the love of the crew, or really the energy to go against it. At this point, he has no reason to know or suspect that a mutiny is what's the offing in the first place! He is someone who wants to believe the best of his men, and he's been given no reason to doubt Tozer's motives. And what was he supposed to do in the face of a marine sergeant surrounded by frightened, armed men?  They are clearly on edge and afraid, a dangerous combination.  He is practical, and although ultimately it loses him even more face by going along with Tozer, he was never going to be able to stop that in its tracks. Even JFJ wasn’t able to reel back in what had already been done.  So he chooses the pragmatic route: agree publicly to the logic, let Tozer do with him what he's been doing with Crozier, in making the subordinate's idea appear to be the superior's. With the situation and facts at hand, what else is he to do? 

The irony is that Little has been quietly looking out for all of them and their best interests for so long; but because it was so quiet, an undercurrent, when it comes down to brass tacks, none of them have ever seen that, or feel that they owe him any respect or loyalty. Tozer and Hickey appear to be men of action, and unfortunately in a moment like this a group of frightened men is going to follow the one who appears strongest. 

I also want to point out that Crozier specifically says *while the fog holds off*. Well the fog has rolled in! The situation changed! Crozier clearly has suspicions of Hickey and Tozer that he hasn't confided to Little, and whose fault is that! When it comes to investigating Irving’s and Farr’s murders, Little asks what the evidence is, which suggests to me that he has no knowledge of any concerns about Hickey that have arisen post-lashing.  Again, he is inclined to trust them.

One of the realest moments we get from him is "I'm the worst kind of sorry." It's one of the very few times he breaks from naval demeanor. The worst kind because he feels it deeply, but also because he was stuck, and he knows it, and also knows the expectations both from himself and from others that he be Better.

What it comes down to is what he says to Hodgson: "All we have are our instincts and training. If both told you to proceed with what you ordered, then be easy with yourself." That is all Little has had for so long. He certainly doesn’t seem to be having heart to hearts with Irving and Hodgson, let alone JFJ and Crozier; his counterpart on Erebus is long gone.  Who has he to confide in, especially at this juncture of events, when there are no clear paths and no right answers. I imagine this is what he told himself over and over in the long watches of the night.  

And yet!! Matthew McNulty has said that “Little's probably one of the most hopeful out of them all. [...] He still thinks that humanity will prevail in this dark, dark world.”  I’m not sure where to put this, but I think it’s important.  I think it’s part of why he doesn’t always quite have the authority he should: poor, worn down Edward Little sees the best and hopes for the best, and can’t quite reckon that not everyone has the same moral compass he does.  That’s why Tozer & Hickey get the best of him, because he wants to believe the best of them.  He doesn’t compromise his moral compass or belief in humanity, and unfortunately that turns into a blind spot.I think it’s also why Tozer invites him to join them: because some part of him recognizes that they both have that idealism deep down.  They are both doing their best in an inconceivable situation to cling to hope and take care of those they see as under their protection. It pains me to think what they could have accomplished had they worked together rather than against each other. 

(Incidentally, I don’t believe Little ever would have been swayed to join them, but I can’t blame him for the fact that Tozer’s claim about Crozier leaving them gave him pause.  He’s seen Crozier finally grow into a commander he can respect, but to find out that Crozier’s judgment was not just impaired for so long but extended to actively planning to abandon ship & crew, as Tozer frames, as he was working so hard to hold things together - even if he doesn’t believe it, in his heart of course there must have been some doubt.) 

All of these, the erosion of respect, the concern, the exhaustion, the lack of direction and support, the HOPE, come together in a moment for which he (unjustly, in my opinion) gets vilified for: 

We’ve slowed our pace hauling some of the ill in the boats. But if we extend this temporary camp more than a few days, we can allow the ill to rest here while the bulk of us proceed south. We can hopefully find game and trek back for the others once we have something more to offer them–

And Jopson’s anger is both understandable and not unwarranted - but. Based on that look Le Vesconte gives him, this most likely is not a thought that originated with Little.  It’s  being grumbled by those hauling, maybe even obliquely discussed by the officers.   That look says to me “It has to be said.”  And it does, the logistics are evident to everyone and that needs to be discussed.  They’re sending out hunting parties every day, sure, but in an area very close to the one they’re trekking through.  It genuinely does make practical sense to have some unencumbered, able-bodied (relatively) men go ahead quickly to what would hopefully be better hunting grounds, while the sick conserve what strength they have: those able to hunt could move quickly and bring back game, while those who are dying could do so while not being jostled about on boats on shale.  Little does not say (and, I think, would never say) that they should leave them behind entirely: only that this current system isn’t really helping anyone (and it isn’t).  He needs to make sure that Crozier has fully considered the situation, because for so long that was not the case. (Historically, in fact, they did set up a hospital camp while a smaller party moved south.)

I actually do think he says this with hope: the hope that they really will find game, that the ill do just need to rest, that he can save as many of them as possible.  He's also thinking of the practicalities and (though I may be biased) really does intend to return to the ill once they have something to actually provide them with. He doesn't say so that they can move on unencumbered, to better their own chances, he says to let them rest , to find something to offer them.  He knows the situation and the feeling in camp, and that the time has come to have the conversation. It's not even necessarily a conversation he wants to have or believes in, but it has to be had. Once it's been talked about, once Crozier has come out with not just a position but a direction (to leave supplies behind if necessary), Little is entirely on board. Shortly thereafter, when Le Vesconte suggests the exact same thing, he retorts that " Most of us are ill" (note the us - the identification with) and further responds with disgust and anger that "The Captain also ordered that we not leave any man behind. You expediently leave that out."  The Captain isn’t there; Jopson isn’t there: if Little really in any way wanted to leave anyone behind, this was his chance to order it and save himself.  

I wish we could see his decision to go with Le Vesconte even though he so clearly believes that these lesser mutineers are in the wrong; I know why we don't. I like to think that it's because he believes he's doing the best thing for all, that he knows one semi-able bodied man staying behind is not going to help anyone, and that by going south with the group he may be to able to sway them, or find game for the ill. But again - he has been put in a position where there is no right choice, and where any authority he had has been too far eroded to matter.

Regardless: we go from his vehement protestation that they must a) rescue their captain and b) not leave behind the ill to die to this:

A man completely broken, weathered almost beyond recognition, with his flesh pierced by and draped with the chains of watch fobs. That's fobs plural: they're clearly different chains, from different watches, from different men.  But in still uniform.  Because he clung to the to his identity, to hope, to grounding structure of the Navy in which he trained and believed, until the very end.

We don't know what happens in between. Is it madness? Did the mutineers do this to him?   Is it penance? A memorization of the men whose watches those were?  A punishment on himself for what happened on his watch - despite the fact that really, he was powerless to stop it? And this is the only watch he can keep now - watch chains in his face, his eyes forced open to the horrors. Or did 1st Lt. Edward Little spend so long suppressing his anger, marrying that anger to hope, being responsible, keeping confidences, bearing all that alone, with authority that is both shoved on him and disregarded - did he finally snap? Are the chains not a decoration, not a punishment, but an attempt to literally bind himself up and tack himself down to this terrible world where he’s found himself?  

All we know for certain is his last word - “Close?” Close to what? To death? To salvation?  The only comfort either Edward Little or we, the audience, will get - is that at the very end, his captain was there to release him from the duty to which he clung for so long, so fiercely, with so much hope.

[spitblaze]

Mouthwashing spoilers below cut, played through it again today bc i accidentally nullified all of my achievements through the dev console. oops

Okay so the first time I played through it I was high and it was very late at night. Already a great start but it means I missed some shit my first time through and I'm already not exactly stellar at more abstract literary analysis. LUCKILY this site is full of people who are way better at that than I am (and im convincing my partners who are also way better at it than I am to play it soon too).

Luckily I'm better at lit analysis than whoever the weirdo on the Steam forum saying this game is bad because it 'doesn't punish Jimmy for his actions enough' as if this isnt a horror game primarily about his guilt-induced mental breakdown and if i have to see anyone else say that anya is a poorly written character im going to poorly write them out of existence because I'm inclined to believe that if you think that you either weren't fucking paying attention or have subscribed to the Joss Whedon school of feminist writing which is 'good writing of women is when they are girlboss'. like sorry shes too much of a depressed traumatized Fawn Response rape victim for your liking. jesus christ

Anyway the game being short DOES lend itself well to multiple playthroughs, which honestly is for the best because its really one of those stories that reveals a lot more on a second viewing. There's a Lot going on here but as far as I can tell, the biggest themes here are what it means to 'take responsibility' as well as autonomy and the loss thereof. The responsibility one is for sure the most obvious one, how many times in the game does it directly say 'take responsibility'? How many times does Curly say 'I'll fix this', how many times does Jimmy say he'll 'fix this'? And ultimately, how successful are either of them?

Curly's a good leader, sure, but how much does he just let slide for the sake of 'the big picture'? Daiske was a last minute addition. He's a good kid, but he didn't make a stink about it. Gotta think about the big picture. Anya has told him about what Jimmy did to her. Nothing. 'What would you do?' 'Anything.' But nothing. Absolutely nothing. I'm not gonna sit here and say that Curly is 100% every bit as evil as Jimmy, if someone is raped the blame falls squarely on the rapist- but it's completely on Curly for not taking action against Jimmy for the sake of the big picture. He really could've done anything. Fucking anything. It's not necessarily on Curly to foresee that Jimmy's stress response would be to end it and take everyone else with him. But it was on him to do something about a known violent assault and its perpetrator before anyone else got hurt. He's not a perpetrator, but he's an accessory. He may not have deserved the punishment he got. But he's nothing if not agonizingly aware of the consequences for not taking responsibility for the actions of his crew.

Jimmy, meanwhile, is obsessed with responsibility despite the fact that he's incapable of actually handling it, from the very start. It's not clear when exactly he assaulted Anya, but I assume it was after Curly broke the news to the crew. The moment even a shred of consequences emerge, the minute Anya tells him that she's pregnant, his first course of action is to deliberately sabotage the ship. Murder-suicide. He says he's sorry. That he made a mistake. As if there were not multiple, deliberate steps at which he could've stopped and realized what he was doing. After everything, he tells the crew it was Curly's fault so he could have more of that responsibility he desired so much. Not that anyone respects it except maybe Daisuke.

But he can't handle even the most basic of responsibilities there, either. A handful of menial tasks and he fucking snaps at the woman he hurt to begin with, even when she only ever acts the way she does around him to avoid further hurt. 'Take responsibility'. But he can't. Over and over he'll tell the vision of Curly he's made in his heads that he's sorry, that he'll fix things, that they'll all make it. And then he just keeps making things worse. And worse. And worse. Anya's going to hurt Curly, she's suspect and violent. Swanson won't let them into Utility. That's suspect, he's going to get out of here and leave everyone else behind. They both have to be stopped. Don't you trust me, Daisuke? Don't you trust your captain? That's why YOU have to go through the vent. He cannot fucking take responsibility, only goad others into doing things and handling things as underhandedly as possible. No wonder Curly laughs when he takes the gun. Anya spent all this time trying to keep it from him. And he got it anyway, because that'll all Jimmy knows how to do. Take and resent and hurt. His own twisted version of 'responsibility'.

It genuinely pisses me off how many people write off Anya as being 'badly written' or write her off altogether, especially considering the VERY OBVIOUS character she's based off of, being Wendy Torrance in The Shining (Yes I'm aware there's baggage around that particular character's strength of writing too, but I'm not about to go off on a rant about a movie ive only absorbed through cultural osmosis). Like...she's not a perfectly written character, no- her arc is less about her as a character and more about the things that have been done to her. Sexual assault used as a narrative device, nothing new there- it's at least less egregious in a horror story, where fear and trauma and terrible things happening to good people is kinda the whole thing. My big issue with Anya's writing is that we didn't get more of her- more exploration of how Jimmy's actions affected her, more exploration of how her and Curly are that much more alike after the crash- it's not a very long game to start, and given her character and the situation I don't necessarily disagree with her going out the way she did at the time she did. It just would've been nice if they'd utilized the nonlinear structure of the whole thing to explore her more, y'know?

Given Jimmy's PoV it makes sense that he's more fixated on the consequences of raping her than on the woman herself, but from the Doylist perspective, like...c'mon, give us SOMETHING more to work with. And like I said before, it pisses me off that people see a woman who doesn't immediately fall into the 'girlboss' role when shit hits the fan and then write it off, as if the premise of the story isn't about everyone's reaction to a hopeless situation spearheaded by a violent, manipulative, self-centered shithead. Swansea's the most capable person here outside of Jimmy and Anya, and I've yet to see anyone saying his character was weak because he spends most of his time drinking and raging instead of taking action. I'm mostly just upset that I don't have much more to say about her outside of her relationship to the rest of the crew. One could argue that most of what we are is defined by our relationships to others, and the nature of the game means that we don't really get a deep peek into anyone's psyche besides Curly and Jimmy.

I like how she invokes the metaphor of that dead pixel, the detail that sticks out like a sore thumb to her, always in the back of her mind, ever-present, that Curly can't see and never will because he's too busy looking at the big picture. I like how they establish the nature of Jimmy and Anya's relationship without being too direct, putting up that brave fawn act while he's there- she has to, the ship is only so big and they're so off course that rescue seems impossible- but she doesn't sleep in the same room as everyone else, she won't confide in Jimmy, and his mistreatment of her was what finally drove her over the edge. Jimmy's more concerned about what she might do to Curly that what she might do to herself, and he KNOWS that she's prone to mental breakdowns- often caused by himself, if not by Curly's state. The whole thing is tragic, but Anya's case is particularly saddening. Even after her death, she's paraded around like a puppet so that Jimmy can have his macabre little party. He doesn't care about her. He never did. And yet he's haunted by her, the 'sexual thoughts of cartoon horses' intermingling with his strange psychosexual hatred of the nurse just trying to do her job, haunted by the consequences of his actions because he's too much of a fucking coward to really, honestly and truly, take responsibility.

Swansea and Daisuke I have less to say about, ultimately. They feel a lot more straightforward in their narratives, at least from my perspective. Daisuke's a dumb kid with a shitty internship and he's so upbeat and positive that it genuinely pisses Swanson off, which means that he does ultimately care about the kid. A+ dynamic. Seems like a prick on an initial playthrough, but on the second run through I get it. He's old enough, he's seen enough, he knows exactly what Jimmy is and doesn't buy his responsible act for a second. He's not a captain. He's just some shithead who acts like he can handle it but flees in the most destructive way possible the second the consequences rear their head. He's a man that, even in the throes of substance abuse, does a better job of taking responsibility than Jimmy ever could, and arguably better than Curly ever did. Instead of just shrugging his shoulders at a last minute intern, he took him under his wing and started training him. When shit hits the fan, his instinct is to protect Daisuke- the one person who IS his responsibility. When he really, truly does not believe there is anything else that can be done, he puts him out of his misery. Maybe he was saving that cryo pod for him, too. It's hard to say, but the fact that he's the only one who stood up to Jimmy and saw him for what he was makes him that much more likable.

Daisuke...oh, Daisuke. He couldn't have known this was coming. He was doing his best, he just did what he could, he tried to be helpful and kind and be a good person. And for that, Jimmy used him and got him killed because he was too much of a goddamn coward to apologize to Anya, to see her as anything besides a nuisance at best. I get why Jimmy is so fixated on his death- as far as he's concerned, his first real failure, since Anya was such a non-issue that he didn't even have anything to say about her lifeless body. It wasn't just his inaction that got this kid killed, it was his actions. He had every opportunity to use even a single ounce of his brain and recognize that there are other people on the ship besides him and Anya, to recognize that these psych evals aren't just for the sake of the individual. And for that, Daisuke died. Way to go, hero.

The autonomy shit...god. Psychological trauma can be just as incapacitating as physical harm, can't it? Anya completely changing her demeanor after being assaulted, her body no longer just her own. I want to see the horror of that from her perspective, the invasion and the terror and revulsion of having something like that growing inside you. How sickening it must feel, how just the knowledge of its existence makes living that much worse. How the man who did it is still nothing but despotic. Curly, finally seeing Jimmy for who he truly is firsthand. It's all well and good to believe in someone, to trust them and want to help them overcome their struggles. But being choked and beaten and abused by them, day after day after day, because you had the audacity to sit a little higher on the totem pole than they did, because you had what they wanted, because they couldn't stand seeing someone better off then they were.

It's kind of mind-boggling, honestly. I've...kinda been there, with people who I know are still there, they're fully in there and aware and the same person they've always been, but their means to communicate with the outside world is cut off. I was fortunate enough to have been listening to a lot of disability activists around the time my aunt started losing her speech. It seemed a lot of times that the only people who really recognized that she was still there were me and my uncle. Even my mom, her older sister, inseparable for life, started treating her like she was suddenly a different person, not capable of really understanding her or wanting or doing things for herself.

So, like- not trying to be selfish or anything, just doing the autistic 'oh i can relate to this' bit, particularly about Jimmy projecting all of this shit onto the captain when he barely has the capacity to laugh or cry, let alone speak. His savior. His best friend. His bitter enemy. Beating him relentlessly while giving him his medicine for having the audacity to be an inconvenience. Let's eat some cake. I want to go home. Curly is just a man, and Jimmy regards him as helpless, antagonistic, and a god all at once. He'll thank me for this one day.

So uh. Many thoughts, head full. After the end of the bizarro sequence with Curly heading to the cockpit, the door is very small. A black pixel, the one stuck in the back of Anya's mind. A graveyard full of mausoleums, every one of them with the same epitaph as the bizarro one for Daigo in ch 14, and the one you can enter with his face on it. Not a single one for Anya. The Polle at the end having the same blue text as Anya, haunting the narrative just as much as Curly, just less overt. I'll fix this. I'll take responsibility. God. God jesus fuck damn hell christ son of a bitch. Fuck capitalism for putting their employees on such tight strings and skeleton crews that a collective pink slip can send people into this kind of spiral (or rather can give Jimmy a good reason to convince everyone else that all of them are completely fucked except for the captain and Daisukle) and fuck Jimmy. Fuck him. My one other complaint besides the feminist critique above is that theres some sequences that go on a bit longer than they really should (ch. 14 getting the mouthwash, most of the vent segments).

Fuck you, Jimmy.

I hope that gunshot hurt.

[batmanisagatewaydrug]

as the literary analysis guy a literary analysis question for you (not really): in your opinion what are the most important traits and skills for any given riddles guy to have? aside from being green, annoying and bisexual

generally I like when he skews "unconcerned about human life but not aggressively homicidal," which I will acknowledge is a difficult needle to thread and is often an unfortunate case of "I know it when I see it. the best I can do is that I'm generally pretty fine with the Riddler dumping Batman in a trap that will 100% kill him if he can't brain his way out of it, and using civilians as bait or leaving them to be collateral damage is fine (think shit like the Riddler causing city-wide blackouts, which certainly kills people but is pretty secondary to his goal, which is Make Batman Solve My Stupid Blackout Puzzle), but I didn't like the kill happy Gotham (2014-2019) Riddler at all and I wasn't crazy about what Paul Dano was getting up to in The Batman (2022).

which I think is also because there was, like, political and ideological motivation behind it? for me, a really ideal Riddler is one who's too deeply self-interested to really give a shit about much outside of him and Batman and anyone who's like immediately in his bubble irritating him; his motives are pretty directly tied to attention seeking and pettiness and spite. like he's not checked out exactly, and I think he can be a lot closer to earth than some other rogues, but ooooh babey something in his worldview is just skewed a liiiiiiittle bit wrong, his priorities are OFF. I've talked before about how I think it's very fun when he's demonstrably smart and competent and very capable of more conventional, legal success, but he repeatedly shoots himself in the dick and gives it all up because he's too obsessed with doing riddles to Batman to prove that he's the smartest little freak in the world. and he's just... borderline incapable of seeing things from anyone else's perspective, I think it's a combination of being somewhat unable but also unwilling.

also man sorry to say it but I do love when his family just fucking hated him, RIP Edward Nygma. in his defense I do Not like when he's written going full incel, I do not think he is good at talking to women but I also don't think it needs to be a whole personality trait. I like when Echo and Query are around, I think he needs gal pals who are cooler than him :)

[brucewaynehater101]

As someone who is partly deaf, I love that deaf Tim stuff. But hear me out for something that could work for either of them. What if on complete accident when both the Bats and Rouges hear about Tim's disability, the Rouges are the ones who do a better job with not looking down on Tim. Yes they add things to help him, like for Deaf Tim Joker would also use ASL as he monologs to make sure that Tim can understand him or with Blind Tim Riddler makes puzzle rooms themed around telling the difference in textures or he reads all the riddles out loud.

Meanwhile the Bats are. They *tried* ok? But they keep over compensating because they worry about Tim. Unlike the Rouges who don't pull their punches, during training the Bats do start pulling punches and going a little easier on Tim. Dick keeps trying to do things for Tim that Tim knows he can do. Bruce keeps taking him off cases that involve in person investigation. Damian keeps saying things about how all tasks should be left to him because clearly he's the superior one (if it's early Damian, later on when they're on better terms he wouldn't be as assholish about it but also keeps trying to take over tasks for Tim)

I'm really really glad that you vibed with the AU.

As far as your additions, I 100% agree. Having "good intentions" for people can still be harmful and frustrating. That's why, in these AUs, Tim tries to hide his disability until he's able to prove his efficiency. It's dealer's choice whether the Bats choose to acknowledge the evidence or are still doubting his capabilities.

I think the fic from the OG post has a scene where Babs, Cass, and Tim meet up to discuss the microaggressions they face from the Bats due to their respective disabilities. The sequel definitely has cute interactions between Damian and Tim. Damian refuses for anyone to treat his "rival" as weak or incapable. Peak siblings energy.

The funny part I find about this would be the Rogues accommodating Tim's disabilities just so they can defeat him. If Joker learned ASL for Tim, he'd probably research the hell out of how to look intimidating and scary while doing it (since, depending on Tim's hearing loss, Joker can't effectively utilize the vocal tone skills he's trained to be terrifying). Riddler would treat it as another puzzle and mental exercise (his Riddles would likely increase in accessibility for multiple disabilities as time progresses. He wants to challenge folks by their thinking abilities, not by their ability to test within the constraints placed on them. Perhaps, after his research and new implementations, he even starts targeting schools that unfairly places confines on their students [from both a socioeconomic standpoint and from improper accommodations]).

Anyways, I would love a fic that highlights some of the Bats' treatment of Tim and how not to interact with folks of different disabilities. Stuff like infantilizing, doing tasks for the person without permission, assuming what someone can handle, and disregarding them. It'd be cool to watch Tim try open communication (asking boundaries and what level of assistance the person desires) with all of them. For some, that's all that's needed. They have a clear guideline of "that shit was not okay" and the lines of communication are open for them to ask clarification in the future. For others, they listen to Tim, agree to change, and still pull that shit. I personally vote for Tim getting petty.

I feel like Babs and Cass would be the ones to understand the most that Tim can do anything he sets his mind to (he's so incredibly stubborn that he'd probably even be able to steal LexCorp from Luthor if he was motivated enough. He most likely even has plans already drawn for it ready to implement at any point). Duke would probably understand how others' perceptions of Tim affect him.

I also kill for Tim utilizing WE resources to bring aid and accommodations based on more specific audiences (such as how kids in the foster system, LGBT youth, and those with disabilities [both mental and physical] disportionately make up the homeless population).

I'm rambling a bit because sociology is a passion of mine. I'd get a higher education on the subject if I had the money.

Anyways, I love considering such perspectives in fanfiction. Let me know if there's other stuff I should add to this AU!

[annabelle--cane]

Hey so I'm not good at subtext and I saw you posting about ep 200 of TMA being awesome. I've listened to it a few times and I'm mostly...confused? I don't understand what happened

(I mean, I get what Martin did to Jon, but nothing other than that)

Would you mind explaining why it's impactful to you?

honestly the main standout thing that makes it really shine to me is the soundscaping and vocal editing, and I've seen people take that as an indirect snide comment about the writing before but it really isn't, the entire scene in the panopticon just sounds gorgeous. the distortion and static on jon's voice, the underscoring of the statement, the way jon and martin's dialogue pops out from the sounds of the crumbling tower, it's just. aaaaaaaaaa. I find it really pleasant to listen to, if you've only listened through speakers then I'd 100% recommend trying it with headphones, it is simply very pretty and well made.

from the story side, it's beat after beat of ultimate catharsis for threads and arcs that have been set up for the whole show.

jon going ham and just really brutally killing jonah with his own hands, no supernatural influence, finally fulling snapping and, it sounds like, gutting him like a fish. it's just about the most lively and impassioned we've heard him all season, and, as far as anyone could deserve to do such a thing, he really is the person who deserved to get to do it.

jon and martin both betraying each other and making the choices that the whole story has been leading them to. jon has spent years fighting against his internalized idea that he can't trust anyone and he's the only person who's powerful/expendable/knowledgeable enough to make decisions and solve problems, and at last he submits to it and takes matters into his own hands. martin has spent years operating under the assumption that he's unimportant and incapable, and now just as he finally accepts that his choices have meaning, he sets the plan in motion that ends up getting them both killed. and jon has tried so hard to be transparent and show him trust that he underestimates just how willing jon is to go behind his back and disregard the plan completely.

and the fuckign. web lighter. I have a longstanding obsession with the mechanics of fate in tragedy narratives, and this lighter. hhh. so, fate (the web) was guiding jon & co to release the fears, but to jon's knowledge, killing jonah and becoming the pupil should have been his winning move to keep them contained. as far as he was capable of comprehending, he made all the right choices, but fate (the web) (the oppressive forces that govern all of our lives) doesn't play fair, it planned for this and cheated him. because he couldn't remember the lighter. he couldn't remember that he already gave georgie the catalyst for the explosion.

this tells me a few things: the ultimate end of releasing the fears was always going to happen, there was nothing jon could have done, but, technically, he could have adhered to the plan and lived to spend what was left of his life with martin and the rest of his nearest and dearest. but that was never really an option, was it? jon archivist sims would never have made that decision, that's why martin tried and failed to plan around it, that's why the web tried and succeeded to plan around it, it would never have happened differently. jon made his choice, it made no difference except to doom himself and the one he loves, he didn't have to do it, and it was inevitable.

and after all of that, after the web cheated him, he could still have won. he could have survived the tower collapse and kept the fears. but one of his biggest stated motives, over and over, is that he can't stand to lose anyone else, and martin is not immune to burning buildings the way he is. in an inverse to gertrude, at the last moment, he chose the barest chance for martin to survive over his own life and principles and big picture goals. he could cope with being responsible for killing the world in the abstract, but when it came to watching the person he loves most die right before his eyes, he caved and came around to martin's perspective. the other worlds can cope, he wants to save the man he loves.

[psychomusic]

fuck it let's ask tumblr.

I'm trying to create a jedi character that, during the clone wars, can't join the fight. i need some reason that can make him not go to war But! he must be able to go on smaller mission for his research.

I've gathered some reasons but i feel meh about many of these and some are just. quite terrible honestly. here are some of them - if you have any idea or opinion please tell me!! even about those below here, it'd help me sort out how i feel about them.

i initially thought of a disability but idk why i can't come up with something that would make a jedi incapable of sustaining a war. like. blindness? chirrut fights well and isn't even a fully trained jedi. limbs missing of course not. then i thought chronic pain could do but I'm still not 100% sure about that. seems like the best option tho (my brother suggested narcolepsy but that's a no because I'm gonna place the guy in a killik hive at some point and that'd be too dangerous).

for a moment, i thought. he's just old? but at the same time. wasn't dooku like. 80 in rots?? i mean i can age him up even more but he's still going to have to go on missions and he can't be a kind of tera synube type of character for some of them. but. that's not a super terrible idea, i might use it.

a mental obstacle like a ptsd. BUT in the stories he collects (sometimes even experiencing it firsthand through a guided meditation) there are some wars going on and that would complicate things a bit too much since he's only the vessel through which the many stories are told.

i always wanted a voss in tcw era!! i thought maybe the mystics proclaimed that the voss couldn't get involved in a war for n years and that's it. but it sounds stupid

last one is also stupid probably but. maybe he is of a species that just can't fight. like. idk. a tree - i know some exists! i may find one that fits all the criteria. but idk. i think most species that can physically move enough to do small impervious missions would be suited for a war, too.

IDK AAAAAA I'm running out of ideas

[crimeronan]

re: hunter's compersion. there's a lot already establishing how scared luz is that hunter may be physically incapable of loyalty/love for anyone besides her.... but it's also worth noting how scared HUNTER is that luz can't love anyone except HIM.

he'd never voice that aloud in any way shape or form, because luz will 100% interpret it as, "oh, i've been too clingy and i'm burdening him. i should distance myself." when what hunter Actually means is "i love you so much. what are you going to do if something happens to me....??"

so anyway. him seeing luz not just Want somebody else, but actually Pursue that for the first time, like, Ever....

hunter is so happy about this. luz and amity can be as gross as they want, he's not gonna stop being happy about this.

[charon-cries]

we're lucky Lestat de Lioncourt doesn't have tumblr, the drama he'd get into on here would be wild

#is this anything #he'd probably get cancelled instantly #also side note for future reference #i'm making this post before season 3 #so if anything in this is incompatible with amc canon #that's because i'm working off of seasons 1 + 2 and the books #okay ty have a nice day

32 notes

🎧 audiofilled Follow

ANOTHER of my mutuals went missing after buying a backstage pass to a vampire lestat concert. she didn't post pictures, nothing, and she's been radio silent since her last post (which was about how she was about to go backstage...) and i really think we should be taking this more seriously. so.

reasons why i think "lestat de lioncourt" may be running a cult or something:

Keep reading

🐺 the-vampire-lestat

Absolutely ridiculous. I am very open about what I am, you do not need to resort to senseless conspiracy theories to figure out where your little friend went.

🎧 audiofilled Follow

are you incapable of dropping the vampire bit for ONE moment? people are going MISSING and you're still doing your corny roleplay bit?

#discourse #TVL disappearances #callout

362 notes

📚 daniel-molloy

It's day number seventy-three of surviving this God forsaken website solely to keep tabs on Lestat's social media presence, and I'm still trying to decipher the lingo you people use here. What the Hell does, "I'm bald," even mean?

#the vampire lestat

137 notes

🪽 arun-rising

Did anyone else notice Lestat only posts during the night, in whichever timezone he's in while on tour? True commitment to the bit. Or the bite, I suppose.

🩸 carmillized

weren't you posting about how much you despise his music just yesterday???

🪽 arun-rising

I don't know what you're talking about. I never did that.

🩸 carmillized

You are correct. I believe you without question. I do not even know why I said that in the first place. I do not recall you posting about Lestat de Lioncourt before this.

#sorry OP i was out of line #now that i'm thinking about it though #this post is making me wonder if lestat could be a real vampire #i hadn't seriously considered it until this very moment #something came over me... #wonder why

40 notes

🐺 the-vampire-lestat

New song.

Listen, if you dare.

📷 disintegrated-wonder

Lestat, I thought we were over this...?

#louis talks

893 notes

🧷 baby-jenks

Wouldn't it be wild if we all just spontaneously combusted? Haha. Glad that will never happen

#fang gang #vampblr #random thought #it's unlikely

4 notes

👴🏻 marius-official Follow

How does this website work...?

🦇 fang-fan

delete your blog

#rank vibes on this man

1,425 notes

🐾 interview-wolf-the-werewolf Follow

Sponsored with Blaze 🔥

Check out my new book. It's a biography, about me, written by an award-winning journalist, chronicling my life as a werewolf. It's 100% factual and real, a real breath of fresh air in a world filled with fiction attempting to pass itself off as reality.

#iwtw #my posts #my book #me #werewolf #wolf #awoo #please i need to feed my litter of twelve #this book is all i have

5,762 notes

🩸 carmillized

hey all! i know that my mutual, audiofilled, is a little bit divisive in the music fandom rn, but i'm getting a little worried. i haven't heard from him since he made that post speculating about where TVL fans have been disappearing to. please send me an ask or a dm if you've heard from him!

#talk tag #getting a little worried #he's probably okay though

47 notes

🐺 the-vampire-lestat

Just had a lovely dinner. It's nice when your food is in tune with you, yes? Makes the blood sit well in the veins.

🦇 fang-fan

ur so funny

#edit: sorry for posting while audiofilled is missing #i didn't hear about it until just now

1,409 notes

🩸 carmillized

okay i just can't get over how he talks about himself. i don't know if it's just him being "in character" or if this is just how the guy acts irl, but he's so self-aggrandizing that i've been questioning it

no nuance/bald/other, you have to decide on the spot right now what you believe

📚 daniel-molloy

He's lying.

👩‍💻 talamascized-witch

I don't believe him for a second.

#archive #poll #lestat de lioncourt

[piratecaptainscaptainpirates]

Right, so, I've been seeing some persistent misconceptions in fanfiction where a character has ADHD. I'm a man of color with ADHD and I want to clear some things up. This is specifically about how people tend to write Ed Teach, but it can apply to other characters you're writing with ADHD. And I'd love if other people with ADHD, especially other people of color with ADHD, have any additions to tack on!

These things are NOT what ADHD is.

ADHD does not make you "stupid." This whole thing was inspired because I just read a fic where Ed cites his ADHD as evidence he's "dumber" than the other characters (and this was supported by the writing in the story). There is no correlation between ADHD and intelligence, and we know that Ed is a genius!

ADHD does not automatically mean that someone can't finish school or can't succeed in demanding academic fields. I'm working on my PhD. It just means your character needs coping skills.

ADHD does not mean that someone will "hyperfixate" on or suddenly lose interest in relationships, whether romantic or platonic.

ADHD doesn't mean your character struggles with personal hygeine or keeping their home clean. Please stop making me read fics that characterize a man of color as dirty or incapable of keeping his home clean and excusing it because "he has ADHD!"

ADHD doesn't mean that your character will need someone to look after or supervise everything they do. Ed does not need a White man to take care of him or make sure his work gets done.

ADHD doesn't mean a character will be unable to sit still, focus, stay on-task, or sit in silence 100% of the time. We all have different tolerance levels and those can change depending on current circumstances.

Here are some more realistic, interesting ways ADHD can impact successful, smart characters of color, like Ed.

He might feel the need to be hypercompetent, all the time.

He might get frustrated with himself. ADHD can be frustrating! You can be on top of things 99% of the time at work and school, and have people look up to you, and then you'll realize that you've been forgetting to book that doctor's appointment for six months straight now and you'll feel like a failure.

He might overcorrect symptoms. For example, he might have trouble keeping a neat, organized space and know that messes stress him out, so he overcorrects by being a bit of a neat freak and avoiding mess wherever possible so his space never becomes unmanageable.

He might struggle with The Evil Boredom. That's when you feel super understimulated and nothing is enough to help.

He might have trouble sitting still or saying quiet when he's nervous, feeling strong emotions, or in a boring environment or trying to do a boring task (the scene where Ed struggled with being still and quiet while fishing, while also feeling strong emotions of guilt, was super relatable).

I like to write AuDHD characters (with both autism and ADHD), and it can add a fun new dimension! I personally headcanon Ed as AuDHD. When you have both, symptoms can be frustrating because they can feel contradictory (for example, my autism demands I keep a neat, tidy space and I like routines, but my ADHD means I have trouble keeping things tidy to my standards and routines are super boring).

And finally but crucially: it's obviously okay to headcanon a character as ADHD or with any other neurodivergence when you're White. However, it's important to remember that the experience of neurodivergence looks different for people of color. Boys of color with ADHD, for example, are often overdiagnosed with ODD and labelled as "defiant" or "uncooperative." I often avoid telling White friends and coworkers that I'm AuDHD because it tends to make them infantalize me, as if I haven't already proven to them I'm a capable adult. People of color often have to go undiagnosed or without appropriate medications (if needed) and/or are misdiagnosed. If you're writing about a chracter of color with ADHD, I really recommend finding a sensitivity reader.

[beesmygod]

my extremely misanthropic take on AI art has a large and obnoxious contingent of people who, for whatever reason, cannot put in the time/are genuinely physically incapable of becoming an "artist" but covet the idea of being a part of that world/friend group. they are using these tools as cheap social gratification rather than serious attempts at creation and the disingenuous nature of their production is what turns people off and away from the whole exercise. there is no sincere joy in discovery or camaraderie built from shared experiences, just desperate desire to be "in" instead of "out" using what they perceive to be a social cheat code.

as for physical incapability: im 4'10", 100 lbs, and have unknown joint problems. im not going to be a basketball or football star no matter how much work i put in or how bad i want it. i found other things to do instead of finding some kind of tool to assist me in skipping all of the tedious gym training and learning about the nuance of engaging in the sport. it would be extremely disrespectful and belittling to those who did. i just do other things and find gratification in them.

there are days where drawing is really hard bc of the joints so i am not unsympathetic to this reality: many people struggle to use the tools to make illustrative art. but when faced with the reality of being unable to draw (and the despair that brings), my response needs to be "then i guess i'm not doing this today" and to find something else to do. i can't moon over what i can't have or i'll go crazy.