#and IMPROVE SOCIETY
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It is still deeply unclear to me what the outcome of this whole plan is, but it's going to be so funny to me if the gods all just become consecuted mortals who otherwise do regain their memories every lifetime. They're still probably as clever and charismatic and in some cases conniving as they were, just with less firepower. They're reliant on being near beacons if they want to be reborn. Half of them are fundamentally terrified of the concept of permanent death and they've got millennia of experience avoiding it. I give it forty years before there are like seven warring Luxon cults a la the Dynasty just wreaking havoc on Exandria in their obsessive quest for beacons. The Bright Queen suddenly goes from being a fringe theocrat with an overzealous missionary agenda to a paragon of restraint.
#actually now that I think about this fully supports tales of exandria: bright queen chronologically#particularly if you consider that a) the lolth stuff can largely be said to have happened prior to this point#and b) the gods becoming mortal does not negate existing passive effects that they have implemented#the bright queen getting really into missionary work: inb4 those annoying tryhards COME TO MUSCLE INTO MY TERRITORY#actually VERY funny for lolth and the bright queen as a set of enemies#they are now at war with standing armies rather than whatever guerrilla bs was happening in underground xhorhas#congrats on the status quo change! have you improved society somewhat? :)#cr spoilers#critical role
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- Nathaniel Handal, from “Love Letter,” Poetry (March 2021) [x, old version]
#anderperryedit#dpsedit#deadpoetssocietyedit#anderperry#todd anderson#neil perry#dps#dead poets society#useraish#tuserkaren#mialook#usernivi#tusermiles#userrlaura#*mine#*mygifs#i was actually trying to redo one of my other old edits but then i was like wait i so need to redo this edit#bc i really love the quote but my old coloring was atrocious and that was when i was first getting into gif making and i used canva#so here is a new updated version with pretty coloring :)#lowkey i love looking at my old edits to see how much i've improved
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"Those who choose the lesser evil forget very quickly that they chose evil"
Hanna Arendt, "Personal Responsibility Under Dictatorship"
#Ooooooooh this is such a golden quote#But also just clarifies how liberals wash their hands of making any actual improvement in the country beyond Voting Blue#And then claiming they've fulfilled their duty to improving society#To which I say - you’re clowns and you will have blood on your hands for as long as you refuse to engage for real change.#BEYOND ELECTORAL POLITICS.#Vote Blue No Matter Who#Joe Biden#US elections#2024 election#US politics hate#Can’t believe this came from a Call of Duty video about torture. But yet at the same time I can. Because it's an actual academic critique#Also to all liberals and neoliberals reading this: either change or die
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more clone^2 memes because i think they're funny
#dpxdc#dp x dc#dp x dc crossover#dpxdc crossover#dpdc#clone^2#danny fenton is not the ghost king#so canon to clone^2 and clone damian the portal that ends up transporting damian to amity park is left pr ambiguous#so really how he got there could be one of many things whether it be through divine intervention or clockwork's doing or hell#it could've also been quite literally the 1 in 1 millionth chance that a natural portal opened up beneath him and sent him to amity#and was a happy accident#but the idea that the laz pits or another adjacent such entity heard damian wanting an older brother (he meant og damian but oops never-#specified) and then sends him to the one person who could fulfill that wish and make him happy at the same time.#was really funny to me within the context of the lilo and stitch meme. the meme can also be seen the other way around with danny as lilo#and damian as stitch. but danny being stitch was infinitely funnier and ~technically~ more accurate imo#danny technically IS a nice angel but also. he's a developing menace to society (just ask wes) and he's going to make damian one too#danny being from the midwest means he has a midwestern accent and thats not something the bats know how to handle when they finally meet hi#hey look at that! my meme making skills are steadily improving. im no longer making the same joke six different times in different formats#those first two images i made a few days ago the rest i made in the last thirty minutes in a spur of clone^2 induced inspiration#and procrastination of writing the cfau rewrite of the first post. we are 10k words deep folks and just barely got past the 1st gala reunio#dunking on the giw is a god-given right and danny WILL pass it down to damian
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winter assassin outfit
#zeno's art#ocs#reassassination#octavia krankenstein#oh i got a LOT to say about this one#in the comic octavia starts wearing this outfit after a certain event i think n its very symbolic#it represents mainly how her personality has changed as well as her relationship with kranken and humanity as a whole#lets do it top to bottom. FIRSTLY the mask that replaces her goggles that she wore in the “summer” outfit#the mask represents several things. firstly that octavia's relationship with kranken improved#i think the mask itself is probably kranken's and octavia uses it. showing that they've become closer#and ALSO even using a mask to hide her identity while working is in line with kranken's ideas of clothing being practical rather than flashy#(see her first outfit was originally really frumpy and practical before she DIY'd it into the minidress type thing)#anyway. the hoodie is supposed to harken more to an executioner showing octavia is more used to her job#the hoodie has eyelets which are circles. the fact that there are way more circles in the design shows that she becomes less cold#and more assimilated into human society#the gloves however are a sign of her persistent rebellion as they're fingerless and impractical lol#the pants are based off of tripp nyc's design. which was popular with mallgoths in the 90s/00s#it shows octavia's own personality and interests and of course has two hidden sets of 6's through the eyelets#lastly her shoes resemble skulls. that one's just for fun#while her first outfit completely represented rebellion i like to think this one bridges the gap between rebellion and octavia settling down#and becoming more familiar with those around her#this is only the first pass so i'll prob incorporate more red into the outfit before it's finalised#octavia isn't the only one who changes either! i want like ~3 changes for almost everyone
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"born to live"
darling, you were never born to die...you were born to live. you were born to feel the air splurge through your lungs, to feel the sunlight warming your back, to hear the birds sing early in the morning. may these little joys coat your existence akin to a warm blanket. may they keep your heart beating. never lose the childlike wonder locked in your core, too beautiful a thing it is to let go of.
#writing#creative writing#poem#poetry#creative inspiration#dead poets society#society#authenticity#self love#self care#self improvement#self image#inspiration#inspiring words#inspiring#creative process#writers on tumblr#writeblr#writerscommunity#writers#writers and poets#limiting beliefs#trust yourself#identity#writing community#mind#self regulation#regulation#soul#born to live
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Stop focusing on all of the external circumstances and bullshit.
Start focusing on all of the factors that are in your control and make an intentional effort to control these things every single day.
The food you eat.
The water you drink.
The workouts you do.
The information you consume.
The people you surround yourself with.
The attitude you show up with.
The decisions you make.
The effort you put in.
These are the most important factors that influence the life you have.
If you fail to exercise control in these areas...
You can't act surprised when your life feels like a constant whirlwind of chaos, frustration, and uncertainty.
Want your life to improve significantly?
Double down on the elements that are in your control.
Fuck the rest.
#ambitious women#beautiful women#beauty#glow society#the glow society#fit beauty#health#self love#self improvement#self care#women’s health#black girl moodboard#self development#healthy food#health and wellness#boss women#tumblr girls#womens workout routines#fit girls#becoming that girl#it girl affirmations#it girl energy#it girl aesthetic#it girl tips#becoming the best version of yourself#becoming her#that girl aesthetic#need that#that girl#dream girl
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I've been following @druidposting's DR2 playthrough on discord and we just had a really good discussion about DR's Closing Arguments. Specifically the way the murderer is depicted as grey and featureless, which until now I found a bit annoying.
In Danganronpa it's repeatedly the case that we don't have the full picture until the talking actually stops- which always goes beyond the end of the trial. We generally vote first and come to understand what the murderer's actual motive was, sometimes filling in important pieces of the timeline in the process, afterwards.
But none of that matters for the killing game because characters' emotions aren't directly relevant to who was the 'blackened'- the only thing that matters to Monokuma- so it comes out afterwards and does nothing to change their execution. It doesn't matter how sympathetic they are (basically everyone) or whether other people share responsibility for the situation (eg. Hanamura, Pekoyama, Momota) or whether they intended to murder at all (Nanami). They objectively pulled the trigger and nothing else matters. Nothing about them as a person matters.
The Closing Argument mechanic might illustrate that problem- literally. They're a dramatic, conclusive summary of the entire case... constructed before the vote even happens, before we know if we're actually right, and they're missing something really important:
The actual perpetrator.
We quite literally don't even begin to see the real person behind the crime, any real exploration of their mental state, anything besides the cold, hard facts of the murder that are necessary to convict them, until the comic finishes and the protagonist makes their final accusation- replacing the grey figure with their real appearance in a shot that's often intensely emotional.
And these comics lack crucial parts of the case's timeline and sometimes important parts of the very scenes they depict that we only find out about afterwards. And those are what we know; characters may die with some pieces of the truth and prevent us from ever learning them. These aren't objective depictions of the murder, they're the protagonist's subjective attempt to connect the facts they have. A join-the-dots portrait of someone with missing dots and no colour.
Even characters' expressions may not match how they truly feel, with the grey placeholder potentially looking way more confident and sinister than they were in reality. Pasting Falter's commentary here since they put it well.
For obvious reasons this could especially be a problem for characters that die before the trial- the ones we never get a post-vote testimony from. DR1 chapter 4 really highlighted that in the way Asahina's huge misinterpretation of Oogami's feelings took up a lot of the post-trial discussion, only for Monokuma to reveal Oogami's real suicide note and recontextualise everything.
It might really be a problem for how Komaeda's depicted in DR2 chapter 5. While he isn't greyed out, we get panel after panel where he's either level-headed or maniacally evil, and even the depictions of his self-torture and death don't humanise him:
But we know that his real feelings were more complicated than that. We have his actual corpse to compare the last page to.
He died afraid.
If we approach the comic as Hinata's mental image of him instead of reality, he died without anyone truly understanding him. He was alarming, very hard to relate to, actively fought against people doing so, ensured even the killer didn't watch him die, and the survivors couldn't begin to understand his motive until a chapter later. The Closing Argument reflects that.
Early in DR1 Togami calls out the rest of his class for judging others by their own standards. However, he, too, is doing this, maybe more so than many other characters; his inability to view other people through anything but the cold, brutal logic of the killing game bites him in the ass in chapter 4. In DR2 chapter 2 voting without a good understanding of Pekoyama's motive or Kuzuryuu's involvement nearly got everyone killed. Komaeda's a walking embodiment of the problems with flattening people into caricatures and not empathising with them, suffered from people doing that back to him, and his case- the Closing Argument for which turned everyone else into grey placeholders- was impossible to solve with objective facts. It was only survivable because the survivors cooperated and one person tried to analyse things the way he would.
The games have always been a critique of the justice system and Japanese society and push us to care about others as individuals, not reduce them to- and judge their right to exist by- something they've done or their net impact on society. There are always consequences when someone neglects to do that, and the above might be yet another way the games explore that theme.
#danganronpa#dr analysis#komaedology#komaeda#.txt#sorry @ non komaedaheads for making it about komaeda again LMAO#that was not the intention initially he's just... a really good exploration of this#and i think about his expressions in that comic vs his corpse and what we retroactively knew he was dealing with a lot#btw don't send spoilers to falter please!! i'm @ing to credit them- this was a discussion not solely my ideas- but they are not done yet#and aren't reading this post until they're caught up for obvious reasons#this came from discussing ch2 since the incomplete picture people voted with nearly killed them#(btw don't @ me about komaeda's description in the second-last paragraph being an oversimplification; i know :p )#(he has nuance- especially outside of the killing game- but i'm just focusing on the thematically relevant broad strokes here)#(eg. i feel like he demonstrates empathy sometimes but kodaka has said that lack of ability to empathise/be empathised with#is a theme for him- and the ways he's been proactive in the killing game consistently lacked regard for others' feelings/individuality#reducing them to interchangeable Ultimates(TM) instead. it's partly why he self-destructed while everyone else#was able to forgive themself and keep moving forwards imo. your worth being defined rigidly by objective contributions to society#does not mesh well with the idea of rehabilitating people who've destroyed the world before they could even start to improve it#and even if he did give them a chance at surviving he still succumbed to his own ideology in the end#killed himself for 'hope' and to be 'important' like he 'wanted' but died terrified and in pain and alone instead of fulfilled#man i wish 2.5's ending/postnwp canon in general dug into that ;-; )#ANYWAY ty for reading all that. i feel like i rambled a lot in this one. i have a headache now ghdkjsfgdsf
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Social media fics are fun, but future historical accounts and opinions about our characters (especially if our main characters are kings or important societal figures) about how influential and much-loved said characters become?? That shit makes me go feral every time
#seeing a character work tirelessly and often thanklessly to slowly improve society#often feeling hopeless#and THEN seeing historians several centuries later wax lovingly about how influential and beloved said character is????#i lose my shit EVERY TIME#if a character could potentially fit this trope they are immediate blorbo status#this post is about the goblin emperor#but its also about zuko and the entite gaang#and cliopher mdang and midoriya izuku and peter parker#rulers/kings/politicians/superheroes choosing to be kind again and again and look after those who need it most#and finally being appreciated for their hard work by the people they have helped#there is no other trope i care for more#my posts#tropes
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the chalice of the gods becomes objectively funnier if you head canon that percy and annabeth only stay at New Rome for a single semester before realizing its batshit insane there and running for the hills
#maybe just maybe the society that idealizes a child military#while the fully grown adults are just chilling in a city#might just be a little screwy lmao#also I do think annabeth would lose it#I cant help but imagine everything would be casually anti-greek myth interpretation#or subtly /here is how we the Romans IMPROVED everything/#and annabeth would sit there seething in class idk#mine#new rome
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This got long and annoying so its under a cut now
The way in the fight w the museum director insul gets the same big injuries he has given trianon (so far), aand particularly the ones that T thinks back on often as specific sources of fear/humiliation/control (pepper sprayed in the eyes; kicked in the balls; choked with smth small and thin ((wire / car window)))….. im too tired to formulate a proper Thought abt this but the fact this all happens right in front of tjat one painting of dante & virgil in hell + insul and the director are in the exact same pose right as insul is about to die* is obviously so meant to evoke the idea of contrappasso….. at this stage trianon isnt “””strong””” enough (doesnt understand Insul enough and most importantly doesnt fully inhabit himself and his own strengths) to be able to pay back Insul’s violence (as he does later, though not in such a literal way anymore) so tje director will do for now🥰 bc they both need to descend into hell they both need to be subject to physical and psychological violence in order to strip down layers……. so its cool how the director serves that purpose for this phase 1 both in story for insul himself (who eats shit in this fight) and also as a sort of alert for the reader like make no mistake they are BOTH gonna get put thru the ringer. even the top has to wade through cocytus! or smth
#i wrote and erased so many asides and digressions bc they were nit relevant but#and obviously im not trying to imply this is a story about giving back what you got just as bad in order for Badass Self Improvement or#whatever to be achieved#like the n1 innovation of SW in so much Twink Chained To Radiator and Tortured literature#is that the resolution is not ‘he chains tje kidnapper back😈 he seemed so uke and frail bjt hes the strong one now!’#NOR ‘he learned to be happy chained to the radiator (or toilet ig) bc thats what he wanted deep down all along#and just needed a tough strong man to give it to him❤️’#but rather it creates this beautiful and perfectly calibrated solution where#the suffering that one party inflicts on the other becomes fundamental to the existence & identity of said party#and vice versa. ‘if i lost you i would lose part of what happened to me / insul reached back answering the same’#like by the ending insul does still absolutely have physical power over Trianon and he beats his ass black and blue regularly lol#but also Trianon has this gorilla grip on insul’s soul and sense of self and self worth; a sense that was kind of nonexistent or#dormant or repressed in Insul before and hed managed to be a ‘strong’ person without it bc thats the kind of thing you can live without in#Society if youre a strong able bodied masculine man. but trianon teases out the messed up abused little boy underneath and its like#NOT at all a beauty and the beast hes vulnerable around me ❤️ fantasy its actually kind of horrific.#like trianon does very much do some psychological torture yandere shit to insul …….. and by the end he COULD kill him and walk away but#he CHOOSES to do that……..#and ofc this is all deeply weilian not as in lines up perfectly with what she says necessarily but is very much in discourse with her ideas#anyway I’ve typed so fucking much and for what….. -_-‘’ sorry#serious weakness
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"uwu be nice to men they're so sad" does anyone remember the centuries and millennia when it was illegal to not be nice to men like institutionally, punishable by death, and they did not respond with better politics or behavior or less violent crime or fewer family annihilations, rapes, infanticides, regular normal homicides, serial killing, child molestation, etc. does anyone remember that. i think it was written down somewhere if you don't remember.
#im turning off reblogs on this because some dumbfucks are going to project their fear and jealousy of trans women onto it#but of course trans women suffered from this more than anyone AND STILL ARE#remember when punching and kicking and killing and punishing and harrowing men ended up improving society somewhat#we should do more of that#men who want to join up are welcome as always#not to be all White Feminism on main but remmeber when suffragettes literally learbed jiu jitsu to physically slam cops into the ground#over and over#remember how that actually worked#X-shaped graph showing “mean to men” and “male crimes” as two perfect intersecting lines#do you think if were nicer to them theyll see us as people#the eternal STUPID QUESTION#BUY KNIVES AND GUNS
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Part 2: local empath tries and fails to parse his own feelings apart from the feelings of the dead little freak living inside his brain
Next part is either gonna be either a really big one or split into several little parts idk yet but i would like to finish this at least through the next Scene™️
Prev || Next
ID below cut
Panel 1: Crow is sitting on a branch high up in a dead tree, on a hill above the Harbinger’s Seclude temple in the Dreaming City. Crow is relaxing along the branch, with one leg stretched out and one propped up so he can rest his hand on his knee. He is leaning back against the trunk of the tree as he looks to his right, down at the temple and away from the viewer. He is holding a flaming hunter throwing knife in his hand, flicking it back and forth. Glint is floating next to him. Glint: “Do you want to see him again?” Crow: “I don’t think he wants to see me.” Glint: “That’s not what I asked!”
Panel 2: Crow twirls the knife in his hand, scowling as he looks down at it. The knife is made of solar flame, and leaves trails of fire behind it as he twirls it. Crow looks like he is reluctantly considering Glint’s question.
Panel 3: Crow turns back towards the temple, grabbing the knife and pulling his knees into his chest. Crow: “I just want him to be alright.”
Panel 4: Crow hugs his knees into his chest. His face is not visible. Crow: “And… it seems like knowing me doesn’t help with that.”
Panel 5: Crow has his arms crossed over his knees, and is resting his face on his forearm. With his other hand, he continues to fidget with the solar knife, twirling it between his fingers. He is looking at the knife, but his expression is distant. Crow: “I shouldn’t be surprised.”
Panel 6: In a memory, Uldren and Jolyon are in bed, late at night. Jolyon seems to be sleeping peacefully, and is embracing Uldren from behind with his face pressed against the back of Uldren’s head. One arm is draped over Uldren’s waist, while the other is resting under Uldren’s cheek, with his hand palm-up on the mattress in front of Uldren’s face.Uldren is awake. He is clutching the blanket around his waist with one hand. His other hand is clutching desperately at Jolyon’s hand on the mattress in front of him, with his fingers threaded between Jolyon’s at an awkward, stiff angle. He is staring at their clasped hands, looking distraught and almost angry. He is crying. Crow (from present day): “I always knew I was bad for him. Even before the garden, when things were… Mostly good. I knew I’d never be what he wanted. What he deserved…”
Panel 7: In present day, Crow continues to twirl the knife, but has turned his face further into the crook of his elbow, staring vacantly into the distance. Crow: “I was just too selfish to let him go.” Panel 8: Close up of Glint staring down at Crow passively. Glint: “It sounds like that’s how Uldren felt. What about you?”
Panel 8: Close up of Crow’s hand holding the knife. He has stopped it mid-spin, catching it between his fingers. Crow: “...”
Panel 9: Close up of Crow’s hand. He dissolves the knife into a fizzling burst of flame as he closes his hand into a fist. Crow: “Right.”
Panel 10: Wide shot from behind Crow. Crow turns his body fully towards the temple, still resting his left hand on his knee. Glint is floating in front of him, looking at his face. Crow: “I don’t want to make the same mistake. So… if he asks, I’ll be there. But after everything Uldren did, the way things ended…”
Panel 11: Crow turns his head away from Glint, leaning on his right hand stiffly. Crow: “I don’t think I’ll hear from him again.”
Panel 12: Glint floats in front of Crow again. Crow is looking down and away from the camera. Glint: “... And you’re okay with that?”
Panel 13: Crow starts to turn back towards Glint, looking torn. Crow: “... I-” He is interrupted by a dinging sound coming from his pocket.
Panel 14: Crow pulls his phone from his pocket, looking at the screen curiously. The phone dings again, and the screen shows that there are two new notifications.
Panel 15: Crow pulls the phone very close to his face, clutching it tightly with both hands. He is staring at the phone with comically wide eyes, looking alarmed and is blushing lightly. The phone shows two messages from an external sender [EXT]. Crow: “A-” Phone: “Are you still in the reef?” Phone: “It’s Jolyon”
Panel 16: Wide shot of Crow squatting like a gremlin on the branch, holding the phone with both hands directly in front of his face as he types on it quickly. He is blushing, and looks extremely focused. Glint is spinning excitedly above him. Crow’s response is visible coming from the phone. Phone (Crow’s response): “yes leaving tomorrow” Glint: “He’s messaging you!! Do you think he wants to see you??” Crow: “I don’t know shush” Crow: “He’s typing…”
Panel 17: Close up of the phone screen, where 3 messages from Jolyon are visible: [EXT]: Can we talk? [EXT]: Meet me here? [EXT]: (a UI element reads NAV DATA SHARED, showing a nav point over cartographical lines)
Panel 18: Close up of Crow’s face, looking down at the phone. He look surprised.
Panel 19: Text shows Crow’s response: “on my way.”
#i like them so much!!!!!!!!!#It's Crow Sulking Hours#i will be getting deep into mine own headcanons for jolyon & uldren for this project#starting with: whatever they had going on i think it was probably a 'b- needs improvement' realistically#on account of uldren having so much wrong with him all of the time#society if the sovs didn't have absolutely nuclear levels of mommy problems#crowlyon#crow destiny#jolyon till#uldren sov#destiny 2
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how does Beforan Karkat react to Kankri's pretty much idolizing of him?
hes absolutely baffled (he secretly loves the attention) ((sollux wont stop making fun of it))
#thats typical karkat for you#homestuck#homestuck turnabout#turnabout au#kankri vantas#karkat vantas#homestuck au#ask#in this episode of: qs thatve been in my ask limbo#im so sorry#anyway!! karkats def weirded out bout that kid who wont stop asking him qs about society on beforus#and his life in general#but in time kankris enthusiasm bout learning bout beforan culture and how it couldve been improved grows on him#they def have wayy different relationship than ogs#kankri wishes he was half the mentor figure karkat becomes in this au lmfao#also beforan karkat gets the most boring clothes bc lets be real his fashion being as basic as it gets is an universal constant
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This is quite possibly one of the most pointless ideas I've ever had (or will ever have)...
Like I said, probably the most pointless idea I've ever come up with, but...I'm genuinely curious.
#act two ramblings#mischief comedy#the play that goes wrong#the goes wrong show#peter pan goes wrong#a christmas carol goes wrong#cornley drama society#personally I relate way too much to Vanessa#slightly uptight not good with improv and would probably go insane if partnered with someone like Dennis
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the only tradition i'm interested in embracing is the good ol' french tradition of Chopping People's Heads Off
oh the irony of it all, this is available as a 5 x 7 print in my etsy! (& my redbubble + teepublic)
#guillotine#eat the rich#illustration#art#artist#my art#pink#pastel#roses#art prints#floral#original art#wall art#redbubble#teepublic#inprnt#people who buy this on tshirts are so so so cool#unfortunately even though i would like society to improve somewhat i must also participate in society#if you want it without text just leave a message in your order note#merch available#woe#frows up#highlight reel#we just dont execute people like we used to lads!#i am very proud of this for some reason. it scratches the itch in my brain very well#anyway can i just say my art + the traditional textures and craft paper feel i bake into my art + matte paper = the best dam prints ever#i was Very happy when this popped out of my printer. it looks So Good
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