#also working on a comic

[theposeknowsart]

December 07th, 2023: November and December Doodley Review!

I haven't drawn nearly as much digitally as I did in October or September, but I've done a lot more in my sketchbook. I love watching the pages fill up!

I'm learning more about non-digital coloring with my Crayola markers and crayons lol and hopefully my sketchbooks will start to look pretty colorful from here on out! I can't wait to be able to flip back through this year's books like I did last year!

I don't usually post sketchbook pages, but I've really been enjoying a lot of the doodles I've been doing lately. I'm a big fan of drawing lines and shapes until you have a picture and it's been a lot of fun!

I've been doing a lot of new shapes and learning more about expression and style through trial and error! (A lot of error lol)

I've also been doodling new characters! And I discovered I draw a lot more freely on loose papers because they're not bound to my sketchbook, so I have a lot of loose leaf sketches now lol!

I decided to try drawing with my laptop trackpad on MS Paint, and I was super surprised with how fun that turned out to be!

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All in all, I'm super happy with how my art has been progressing! Things that were harder last year at this time are way easier now!

I have plans for a cutesy comic in 2024 called The Adventures of Bean and Echo! (title still pending)

And I've also found a lot of help in sketching out animation stuff too! Just doing a line of keyframes for lil guys has been so fun, and I'm hoping to do my first walk cycle soon. (I've done bounces and leaps, melts and squishes, switches and hops, but never a walk)

.

I can't wait to see what the rest of this year brings for my art!

[dovesick]

endless night

[noodles-and-tea]

Last part whoo!!!

PART 1 / PART 2 / PART 3 / PART 4

[chloesimaginationthings]

RIP Michael Afton.. you would of loved FLAF

[abisalli]

A Robin lineup of sorts :) (sorry for no Carrie, Maps or Matthew... I was tired)

[emberglowfox]

Keeper -- a short comic about an angel meeting a robotic lighthouse keeper that doesn't know the world has already ended. Made in about 18 hours for a 24-hour 24-page* black and white comic challenge (that I arrived late to, ha.)

*the actual submission does not include the cover, which was created after the fact for this post.

This was a really great learning experience as someone who's... never really made a completed comic. I ended up really attached to the story by the end of the project (possibly due to all-nighter deliriousness lol) and ultimately am very proud of what I made.There are some things I'd still like to change, particularly text placement, but in keeping with the spirit of the challenge I've elected to leave it as is.

[noka-exe]

duality of man….

[themadknightuniverse]

Loustat short comics - There is nothing else until the storm is over - Interview with the Vampire TV Series

text transcription under the cut ⬇️

Fake magazine illustration

Page 1 Daniel : So, tell me... Did you see Lestat again?

Page 2 Louis : When he's not on Tour, he would occasionally visits.

Page 3 Daniel : So you're what, now? Friends?

Louis : [Hello Lestat.]

Lestat : [Hello Louis.]

It would be too simple. You know us.

Louis : [ That's new. Still enjoying the glitz and glamor?]

But there is this arrangement we are both fine with.

Page 4 When two people hurt each other so deeply, what is left afterwards?

Page 5 Things like that, it seals doors once still unlocked at the time. Can time really heal everything?

[Mets moi dans mon cercueil, Louis, Louis...]

Page 6 [Stay down chéri, I don't want to fight like this. I'll stay. I'll stay, I'll never leave you ever again. I promise. I'll be happy. For you. For her. Please please please please]

Some things were flipped over to show the truth. Others, I learned to see differently. I faced my wrongs.

[I'll be anything please please please please please please. I didn't know it was a gift. I wore it like a curse. I was selfish. I wanted you to suffer. Because I was. Suffering. I came to thank you.]

Page 7 Do we love each other still? Yes. Can we live under the same roof, share the same spaces, the same bed, for an extended period of time, again? No. But this raging, all devouring passion, it is now replaced by something that can never be altered. Is this the price we had to pay to finally be equals?

Page 8 We have never been more understanding of each other. A shadow of something that could have been from the start. Friendly jokes. Bickering I will never admit enjoying. Respect. And then, the always surprising softness. So eerie after all that happened. Yet, we always welcome it.

Page 9 Daniel : [How dramatic. Not ready to live together again, yet he's all over your coffee table.]

Louis: [I didn't buy these.]

Daniel : [Sure. Will you let me know the next time he passes by?]

Louis : [Well I can't. This is his safe place. You will have to find him by yourself I'm afraid.]

Daniel : [Of course. He can't make anything easy. As if he didn't have enough safe places with his ten properties.]

Page 10 Louis: [Nice chat. Bye, Daniel.]

Lestat : [Only when I'm not on Tour, hm?]

Louis [Approximately.]

Lestat : [Thanks.]

Louis : [Did you really just say thank-]

Lestat: *kisses Louis* [...too soon?]

Page 11 Louis : Almost a century is enough waiting.

[cj-the-random-artist]

Is this my best comic ever?? Nope. Do I think I characterized either of these two particularly well in this comic?? Not really. Did I spend an unreasonable amount of time on it to the point that it would be a waste to not post it?? Yes, yes I did.

I really committed to this one, spent a lot of time on those backgrounds and treated myself to ample suffering with the perspective, which is not my strong suit but I am happy with how it ultimately looks. Yay perspective and background practice!!

(Tbh I shouldn't talk like I think this one sucks, I think I've just been staring at it for so long that my brain has decided it's not good and it's actually way better than I think it is, and honestly I am quite happy with it. The artistic process really is something, isn't it?)

The inspiration was basically me reminding... myself... to take breaks sometimes... by drawing for several hour stints during my only little bits of free time. Which totally tracks. Probably. But I've been rolling around in my brain this idea that Lambert is a very uptight people pleaser and anxious workaholic, but Narinder, at least since adjusting himself to the circumstances (which probably took at least a century, maybe two) has discovered the joys of self care, and has made an active effort to chill tf out. This has not made him any less terrifying to the cultists (save for Lambert's closest disciples), nor has it made him friendlier to really anyone but Lambert (and maybe his siblings), but he sure has found some serious peace of mind. That said, I can't place what his motivations are here. Perhaps he is secretly concerned about Lambert's sanity, because he doesn't want them to turn into what he was, or maybe he's just trying to steal away some quality time with his one and only friend, but regardless of the reason, I spent too much time on this for nobody to see it, dang it.

That said. Enjoy this silly little comic that I spent way too much time on, and I hope this silly comic brings you some joy today.

[katsinspats]

I think my copy of the game is broken they've been doing this for 30 minutes

Crop of the Biolizard edit I did bc it makes me laugh:

[fanaticalthings]

While I do find it funny that henchmen in Gotham probably warn each other about the Red Hood because he's a bat who will actually kill you. I think it would be better if Jason was actually seen as some sort of savior or idol to like 90% of the goons scattered around Gotham. Doesn't matter who they work for, they all know Jason, former crime-lord that took over majority of Gotham's underground in one night.

---

Jason, years after the events of UTRH, now fighting crime alongside the batfam, except every goon he runs into immediately recognizes him, stops fighting, and starts begging.

the first time it happens, Jason assumes they're begging for their lives only to hear them begging for him to return to the crime lord business so they can work for him and not Gotham's current money-stingy, abusive rogues (Black Mask lol)

---

Jason showing up to patrol as backup for Dick in an overrun warehouse full of Two-Face's henchmen and as Jason's about to interfere, one of the men stops dead in their tracks and stares really hard at Jason until:

Goon: Oh my God, boss, is that you?

Jason, pulling out his guns, about to shoot:

Goon: Mr. Hood, sir???

Jason, halfway about to pull the trigger: Wait a min–Jeremy? Oh wow, it's been ages! How's the wife?

Goon (Jeremy): Oh my God it IS you, holy shit where have you BEEN? Me and the guys miss you, man!

Dick, with a knife at his throat: What is happening right now

Jason: Ahh, well, crime-lording just wasn't fitting in on the daily schedule. Tryna turn over a new leaf and all that

Goon (Jeremy): Aw, that's disappointing. We really liked working for you, right guys?

[Chorus of enthusiastic "YEAHS" from the rest of the henchmen (even the one holding Dick at knifepoint)]

Goon (Jeremy): Well, anyways, I can't beat you up knowing you're my old boss! You gave us the best health benefits! We'll just let you take the evidence and leave.

Jason: Aw, thanks guys :)

---

And that's why 95% percent of Jason's missions in Gotham end in success. Not because he's willing to kill people or because rogues are terrified of him, but because 90% of the rogues' henchmen once worked for Jason and fuckin love him lol.

[genericpuff]

Tbh at this point you should just make your own webcomic app/website because it would probably be 100 times better than whatever going on with webtoon right now.

hahaha it wouldn't tho, sorry 💀

Here's the fundamental issue with webcomic platforms that a lot of people just don't realize (and why they're so difficult to run successfully):

Storage costs are incredibly expensive, it's why so many sites have limitations on file sizes / page sizes / etc. because all of those images and site info have to be stored somewhere, which costs $$$.

Maintenance costs are expensive and get more so as you grow, you need people who are capable of fixing bugs ASAP and managing the servers and site itself

Financially speaking, webcomics are in a state of high supply, low demand. Loads of artists are willing to create their passion projects, but getting people to read them and pay for them is a whole other issue. Demand is high in the general sense that once people get attached to a webtoon they'll demand more, but many people aren't actually willing to go looking for new stuff to read and depend more on what sites feed them (and what they already like). There are a lot of comics to go around and thus a lot of competition with a limited audience of people willing to actually pay for them.

Trying to build a new platform from the ground up is incredibly difficult and a majority of sites fail within their first year. Not only do you have to convince artists to take a chance on your platform, you have to convince readers to come. Readers won't come if there isn't work on the platform to read, but artists won't come if they don't think the site will be worth it due to low traffic numbers. This is why the artists with large followings who are willing to take chances on the smaller sites are crucial, but that's only if you can convince them to use the site in favor of (or alongside) whatever platform they're using already where the majority of their audience lies. For many creators it's just not worth the time, energy, or risk.

Even if you find short-term success, in the long-term there are always going to be profit margins to maintain. The more users you pull in, the more storage is used by incoming artists, the more you have to spend on storage and server maintenance costs, and that means either taking the risk at crowdfunding (ex. ComicFury) or having to resort to outsider investments (ex. Tapas). Look at SmackJeeves, it used to be a titan in the independent webcomic hosting community, until it folded over to a buyout by NHN and then was pretty much immediately shuttered due to NHN basically turning it into a manwha scanlation site and driving away its entire userbase. And if you don't get bought out and try your hand at crowdfunding, you may just wind up living on a lifeline that could cut out at any moment, like what happened to Inkblazers (fun fact, the death of Inkblazers was what kicked off the cultural shift in Tapas around 2015-16 when all of IB's users migrated over and brought their work with them which was more aimed towards the BL and romancee drama community, rather than the comedy / gag-a-day culture that Tapas had made itself known for... now you deadass can't tell Tapas apart from a lot of scanlation sites because it got bought out by Kakao and kept putting all of its eggs into the isekai/romance drama basket.)

Right now the mindset in which artists and readers are operating is that they're trying way, way too hard to find a "one size fits all" site. Readers want a place where they can find all their favorite webtoons without much effort, artists wants a place where they can post to an audience of thousands, and both sides want a community that will feel tight-knit. But the reality is that you can't really have all three of those things, not on one site. Something always winds up having to be sacrificed - if a site grows big enough, it'll have to start seeking more funding while also cutting costs which will result in features becoming paywall'd, intrusive ads, creators losing their freedom, and/or outsider support which often results in the platform losing its core identity and alienating its tight-knit community.

If I had to describe what I'm talking about in a "pick one" graphic, it would look something like this:

(*note: this is mostly based on my own observations from using all of these sites at some point or another, they're not necessarily entirely accurate to the statistical performance of each site, I can only glean so much from experience and traffic trackers LMAO that said I did ask some comic pals for input and they were very helpful in helping me adjust it with their own takes <3).

The homogenization of the Internet has really whipped people into submission for the "big sites" that offer "everything", but that's never been the Internet, it relies on being multi-faceted and offering different spaces for different purposes. And we're seeing that ideology falter through the enshittification of sites like Twitter, Facebook, Instagram, etc. where users are at odds with the platforms because the platforms are gutting features in an attempt to satisfy shareholders whom without the platforms would not exist. Like, most of us aren't paying money to use social media sites / comic platform sites, so where else are they gonna make the necessary funds to keep these sites running? Selling ad space and locking features behind paywalls.

And this is especially true for a lot of budding sites that don't have the audience to support them via crowdfunding but also don't have the leverage to ask for investments - so unless they get really REALLY lucky in EITHER of those departments, they're gonna be operating at a loss, and even once they do achieve either of those things there are gonna be issues in the site's longevity, whether it be dying from lack of growing crowdfunding support or dying from shareholder meddling.

So what can we do?

We can learn how to take our independence back. We don't have to stop using these big platforms altogether as they do have things to offer in their own way, particularly their large audience sizes and dipping into other demographics that might not be reachable from certain sites - but we gotta learn that no single site is going to satisfy every wish we have and we have to be willing to learn the skills necessary to running our own spaces again. Pick up HTML/CSS, get to know other people who know HTML/CSS if you can't grasp it (it's me, I can't grasp it LOL), be willing to take a chance on those "smaller sites" and don't write them off entirely as spaces that can be beneficial to you just because they don't have large numbers or because they don't offer rewards programs. And if you have a really polished piece of work in your hands, look into agencies and publishing houses that specialize in indie comics / graphic novels, don't settle for the first Originals contract that gets sent your way.

For the last decade corporations have been convincing us that our worth is tied to the eyes we can bring to them. Instead of serving ourselves, we've begun serving the big guys, insisting that it has to be worth something eventually and that it'll "payoff" simply by the virtue of gambler's fallacy. Ask yourself what site is right for you and your work rather than asking yourself if your work is good enough for them. Most of us are broke trying to make it work on these sites anyways, may as well be broke and fulfilled by posting in places that actually suit us and our work if we can. Don't define your success by what sites like Webtoons are enforcing - that definition only benefits them, not you.

[forgettable-au]

PROLOGUE

FORGETTABLE-AU (Page 1-9)

AND SO IT BEGINS!

[CONTINUE] [MASTERPOST]

[chloesimaginationthings]

What if Mike and Jeremiah are the guards in FNAF 2..

[kyri45]

The great Wukong stepping down from an argument and aggreing with someone else? (Oh What has this kid done to them)

Shadowpeach Bio Parent AU (PREV / FIRST / NEXT )

TRAINING/BONDING MONTAGE BEGINS HERE!

The soundtrack for this and the following part is THIS song (find also under the cut) specifically, from 0:00 to 0:43 !

[glassiskies]

in which aziraphale reverts to old habits, crowley is outraged, and they still do not talk about it