#also the best tv show!!!

[dreamingxinxthexrain]

Psych intro is pure perfection! I can never bring myself to skip it, not even once.

It's like a masterpiece, flawlessly crafted with the most enchanting theme song that you just can't get enough of.

[mo-mode]

Grover: Oh, you like war? Me too! My favorite part is *commits psychological warfare*

[magicaldreamfox1]

ONE PIECE (2023) — 1×03 (totally unedited) (insp.)

[mythtakens]

9-1-1 || Star Trek TOS S1E28, The City on the Edge of Forever

[fist-of-vengeance]

last night for my birthday i forced my friends to listen to an hour and a half long powerpoint explaining the entire lost timeline in chronological order. i know lost is a pretty zany show but nothing makes you realize this more than trying to verbally explain time travel and the sideways universe to three people who've never seen it

[aroaceleovaldez]

full on feel like pjo tv s2 is not gonna hold up so they need to drag as much attention to the series as they can by using nico as a sock puppet w tsats2

im fully expecting the show to go the way of the movies. it doesnt help Sea of Monsters is almost unanimously the least favorite book of the first series. People frequently forget it even exists or what happens in it, especially more casual fans.

Heck, just look at how little fanfare the second season has gotten so far as compared to the build up to s1. I wouldn't be surprised if s2 totally flops. It would be a little funny.

[corpsephrog]

i really cannot do cryland srsly and not even cus i'm a payneland shipper like when i was watching the show all the flirting just felt so unnatural and uncomfy i was like "this feels weird is this supposed to be weird"

[beastsovrevelation]

Crowley in Good Omens (1.03)

[stylinson-spagghetti]

PJO TV SHOW SPOILERS

LITERALLY BEST EPISODE SO FAR I LOVE THIS SHOW SMMM

LUKE IS PERCABETH AFFFFFF

"BUT THE ANIMALS WILL BE FINE" ~GROVER UNDERWOOD, EP 6

WISE GIRL, I REPEAT HE CALLED HER WISE GIRL

PERCY WAS SO IN AWE OF ANNABETH WHEN HE SAW SHE'D STOLEN THE KEYS MY HEARTTT

grover worriying that they were late bc of him was so sad

percy saying "we'll be okay"

percy driving: *car collides* grover: you're doing great me: THE BROMANCE IS BROMANCING

[annabethpursuit]

when i read criticism of the show I'm always a little befuddled bc while i think they have some valid points. have u ever met a 12 year old before

[mishy-mashy]

Got my hands on a Ultra Analysis BNHA book from a library

Some points I liked (I focused more on 1B since they don't get a lot of attention)

1B once had a Tetsutetsu BBQ. They heated him up and cooked food on him. He proceeds to ruin it when he declares his sweat is the salt to their food

Yui is canonically the prettiest first-year

Mineta has no sex appeal at all, but he thinks being a hero will make him lucky

Class B does respect Monoma. He's sharp-minded, witty, and has a way with words

Monoma sometimes wanders into 1A's dorm just to throw down a mean speech, and heads back to 1B

Juzo probably isn't helping Monoma's confrontations with 1A, since he just always asks him why he can't say it to their faces whenever Monoma complains about them

Shiozaki tries to be polite even in a fight

Pony hosts anime parties, so 1B knows a lot about anime. Vice-versa, they teach her Japanese, and everything nasty is Monoma's fault

Tokage was a gyaru

Tsuburuaba, Kaibara, and Kuroiro get worked up whenever they talk about girls

Manga likes Kenranzaki

Awase's family runs a small factory. He also restrains Monoma whenever Kendo isn't available

1B likes hearing Rin say "Aiyah", so he does it for them

Kamakiri is obsessed with cutting into things

Class B's play was really successful

Tamaki is scared of Kirishima's energy

1C was planning a send-off party for Shinsou for his upcoming hero transfer. They didn't doubt he would make it, ever since the Sports Festival

Shishikura (meatball Shiketsu boy) might've chosen Shiketsu because he likes the uniform's hat

Nakagame and Yo are dating

Tsuyu's family gets to spend a lot of time together now, since their parents' busy jobs have calmed down

Tsubasa (devil wing kid in Midoriya's memories) suspiciously lost touch with Midoriya and Bakugo in middle school (his Wiki page confirms Garaki - his grandfather - turned him into a Nomu)

Torino likes goofy gags. This rubs off on All Might (ex. when Midoriya thought he died when Torino fell with ketchup. People don't know whether to laugh or be concerned)

Nighteye has yellow streaks in his hair as a homage to All Might

Nezu likes worming into tight, dark places, so he likes Aizawa's scarf. They went into detail, describing why Nezu likes it, such as material to crawling in, etc.

Recovery Girl has to travel around Japan regularly to help people with her Quirk (as in, she uses her Quirk to help them. Healing Quirks are SO rare)

Hojo, Tabe, and Sestuno are kept in the same jail, so at least they're not separated

[eatember]

[mostlyvoid-partiallyflowers]

The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.

There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.

This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.

Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.

He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.

He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.

Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.

Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.

[necrotic-nephilim]

If you want to be bothered. Maybe this for dick and Bruce???

i ALWAYS want to be bothered these are always the highlight of my day tbh you're a delight for letting me just yap <3

Dick. For the canon isn't real square I am Specifically talking about the Tom Taylor Nightwing run. Usually I ignore bad runs but given this one is ongoing (though about to end THANK GOD and get replaced by Dan Watters who i have high hopes for since i adored his Sword of Azrael (2022) run but i digress) so I counted it. Especially since it's so debated if that run is bad or not, for some reason. I'm a 90s Nightwing truther. I love Dick so dearly and tbh recently I've been more enamored with him the more I read his Discowing era, I didn't used to be as big of a Dick stan as I am these days.

Bruce. Honestly where do you even start with Bruce. I want to fist fight him and also patch him up. He got me into comics and superheroes as a whole but I roll my eyes whenever he shows up in a story. He's a bastard and usually not a good father but also complex and should be dissected under a magnifying glass. I love him dearly. He's also just the worst. I think that's why I love him. I'm always a fan of unabashedly Complicated Asshole Bruce who's generally not always the best person, particularly not to the Batfamily and that being the driving force of his relationships with them, especially in shipping.

And for bonus points, Tim. Because know above all else, I'm a Tim Drake kinnie /deg. He's been my number one for a decade and I've yet to uproot him from my brain. He's literally the Worst half the time and I love him for it. And the canon isn't real refers to Tim Drake: Robin because... that sure was a comic. And that's about all I can say about it. Pre-Flashpoint Tim I miss you so dearly. I think it's fun that I want to put him in a blender and drink the juice but also want Nothing Ever to happen to him.

[evilasiangenius]

He didn't so much hear Armand come in as he felt Armand come in. Like a moment of nullity moving through the room, a presence that was not a presence. A ghost.

“Daniel...” Armand sat down on the bed, his weight depressing the mattress lightly.

“No...go away.” Daniel tried to turn away but he was sweating and shivering, too cold, too hot.

“It's all right, Daniel. I'm here.” Armand shifted, bringing his legs up and lying down beside Daniel, moving into Daniel's arms. “I'm here.”

“You feel good.” Daniel pressed his cheek against Armand's cool forehead, sighing. He wrapped his arms tight around Armand and it was as though he could feel the heat melt away from him, soaking into Armand.

“My poor Daniel.” Armand stroked Daniel's pale hair. Daniel had only the faintest roughness of stubble clinging to his jaw, and his mussed hair had been cut and clipped in a slick modern style that suited him. Even his ruined clothes were new. That man had taken good care of him.

Daniel shifted, so he could move closer to Armand, so he could press his entire body against Armand. The fever was burning up inside Daniel, and Armand felt the twinge of that old fear, the fear of sickness and the death it brought. So often over the years he had seen Daniel shrug off coughs and chills that it had made him wonder at the strength of these modern mortals.

Death. His fingers brushed through Daniel's hair and Daniel sighed, turning so Armand's hand moved against his cheek. Just hiding under the skin, just beyond the bones. He wondered if he pressed his ear to Daniel's chest, if he could hear the little cells inside of him slowly dying, bursting and floating away.

“I won't let you.” Armand kissed his eyelids, speaking so softly that it was more for his own sake than Daniel's. “Not right now.” And he made that little cut on his throat and guided Daniel to to it. Daniel's dry lips moved against him, at first sluggish, but then he caught the taste of it and his mouth moved hungry.

x

[marypsue]

I think part of why modern film trying to do shots from fake movies from the black-and-white film era tends to look so obviously fake to me is that they may just be making the sets and costumes and makeup whatever colours they would have made them if they were shooting in colour, not thinking about how it'll translate to B&W. There was a whole lot of interesting colour business going on in the set, costume, and makeup design of the old B&W movies to get the tones, the ghostly pales and the deep shadows, that really give those old movies their visual drama.