Psych intro is pure perfection! I can never bring myself to skip it, not even once.
It's like a masterpiece, flawlessly crafted with the most enchanting theme song that you just can't get enough of.
152 notes
·
View notes
Grover: Oh, you like war? Me too! My favorite part is *commits psychological warfare*
17K notes
·
View notes
ONE PIECE (2023) — 1×03 (totally unedited) (insp.)
4K notes
·
View notes
last night for my birthday i forced my friends to listen to an hour and a half long powerpoint explaining the entire lost timeline in chronological order. i know lost is a pretty zany show but nothing makes you realize this more than trying to verbally explain time travel and the sideways universe to three people who've never seen it
180 notes
·
View notes
PJO TV SHOW SPOILERS
LITERALLY BEST EPISODE SO FAR I LOVE THIS SHOW SMMM
LUKE IS PERCABETH AFFFFFF
"BUT THE ANIMALS WILL BE FINE" ~GROVER UNDERWOOD, EP 6
WISE GIRL, I REPEAT HE CALLED HER WISE GIRL
PERCY WAS SO IN AWE OF ANNABETH WHEN HE SAW SHE'D STOLEN THE KEYS MY HEARTTT
grover worriying that they were late bc of him was so sad
percy saying "we'll be okay"
percy driving: *car collides*
grover: you're doing great
me: THE BROMANCE IS BROMANCING
221 notes
·
View notes
when i read criticism of the show I'm always a little befuddled bc while i think they have some valid points. have u ever met a 12 year old before
193 notes
·
View notes
88 notes
·
View notes
The most recent episode of Interview with a Vampire let's us see Lestat's side of the story and see how it compares to Louis' accounting of their relationship. As a result, it reaffirms just how unreliable of a narrator Louis is, but it also further illuminates elements of his character that the director and writers have been playing with since the beginning of the show.
There's this part in the episode where Lestat turns to Louis and apologizes and it's framed with Lestat turned to Louis on one side and Claudia on his other side. They're the angel and devil on Louis' shoulders, but who is the angel and who is the devil? And as my friend said, Armand and Daniel are placed into that same dynamic with Louis later on. We are being asked to decide who to trust, who's telling the truth, who's the good guy, but the fact of unreliability robs us of that decision.
This whole story is about Louis, he's the protagonist, though not the narrator, and he is constantly being pulled in two directions, no matter when or where he is in his story. He's a mind split in two, divided by nature and circumstance. He's vampire and human, owner and owned, father and child, angel and devil. He's both telling the story and being told the story. His history is a story he tells himself, and as we've seen, sometimes that story is not whole.
Louis is the angel who saved Claudia from the fire but he's also the devil who sentenced her to an life of endless torment, the adult trapped in the body of a child. He's the angel who rescued Lestat from his grief and also the devil who abandoned him, who couldn't love him, could only kill and leave him.
He's pulled in two directions, internally and externally at all times and so it's no wonder that he feels the need to confess, first to the priest, then Daniel, and then Daniel again.
He's desperate to be heard, a Black man with power in Jim Crow America who's controlled by his position as someone with a seat at the table but one who will never be considered equal. He doesn't belong to the Black community or the white community, he can't. He acts as a go-between, a bridge, one who is pushed and pulled until he can't take it anymore. He's a fledgling child to an undead father, he's a young queer man discovering his sexual identity with an infinitely experienced partner. He's confessing because he wants to be absolved, that human part of him that was raised Catholic, that child who believed, he wants to be saved. He wants to be seen.
Louis wants to attain a forever life that is morally pure, but he can't. He's been soiled by sin, by "the devil," as he calls Lestat, and he can never be clean again. Deep down, I think he knows this, but he can't stop trying to repent. He tries to self-flagellate by staying with Lestat and then tries to repent by killing him, but can't actually follow through. He follows Claudia to Europe to try and assuage his guilt. He sets himself on fire, attempts to burn himself at the stake, to purify his body, rid himself of the dark gift.
Louis is a man endlessly trying to account for the pain he has caused and he ultimately fails, over and over again, because he can't get rid of what he is. A monster. He's an endlessly hungry monster. He's hungry for love, for respect, for power, for forgiveness, for death. He's a hole that can never be filled. He can never truly acquire any of those things because he will always be punishing himself for wanting and needing them in the first place. He will never truly believe he deserves them and as a result, can't accept them if they are ever offered. He can never be absolved for he has damned himself by accepting the dark gift and thus has tainted himself past the point of saving.
91 notes
·
View notes
Got my hands on a Ultra Analysis BNHA book from a library
Some points I liked (I focused more on 1B since they don't get a lot of attention)
1B once had a Tetsutetsu BBQ. They heated him up and cooked food on him. He proceeds to ruin it when he declares his sweat is the salt to their food
Yui is canonically the prettiest first-year
Mineta has no sex appeal at all, but he thinks being a hero will make him lucky
Class B does respect Monoma. He's sharp-minded, witty, and has a way with words
Monoma sometimes wanders into 1A's dorm just to throw down a mean speech, and heads back to 1B
Juzo probably isn't helping Monoma's confrontations with 1A, since he just always asks him why he can't say it to their faces whenever Monoma complains about them
Shiozaki tries to be polite even in a fight
Pony hosts anime parties, so 1B knows a lot about anime. Vice-versa, they teach her Japanese, and everything nasty is Monoma's fault
Tokage was a gyaru
Tsuburuaba, Kaibara, and Kuroiro get worked up whenever they talk about girls
Manga likes Kenranzaki
Awase's family runs a small factory. He also restrains Monoma whenever Kendo isn't available
1B likes hearing Rin say "Aiyah", so he does it for them
Kamakiri is obsessed with cutting into things
Class B's play was really successful
Tamaki is scared of Kirishima's energy
1C was planning a send-off party for Shinsou for his upcoming hero transfer. They didn't doubt he would make it, ever since the Sports Festival
Shishikura (meatball Shiketsu boy) might've chosen Shiketsu because he likes the uniform's hat
Nakagame and Yo are dating
Tsuyu's family gets to spend a lot of time together now, since their parents' busy jobs have calmed down
Tsubasa (devil wing kid in Midoriya's memories) suspiciously lost touch with Midoriya and Bakugo in middle school (his Wiki page confirms Garaki - his grandfather - turned him into a Nomu)
Torino likes goofy gags. This rubs off on All Might (ex. when Midoriya thought he died when Torino fell with ketchup. People don't know whether to laugh or be concerned)
Nighteye has yellow streaks in his hair as a homage to All Might
Nezu likes worming into tight, dark places, so he likes Aizawa's scarf. They went into detail, describing why Nezu likes it, such as material to crawling in, etc.
Recovery Girl has to travel around Japan regularly to help people with her Quirk (as in, she uses her Quirk to help them. Healing Quirks are SO rare)
Hojo, Tabe, and Sestuno are kept in the same jail, so at least they're not separated
54 notes
·
View notes
He didn't so much hear Armand come in as he felt Armand come in. Like a moment of nullity moving through the room, a presence that was not a presence. A ghost.
“Daniel...” Armand sat down on the bed, his weight depressing the mattress lightly.
“No...go away.” Daniel tried to turn away but he was sweating and shivering, too cold, too hot.
“It's all right, Daniel. I'm here.” Armand shifted, bringing his legs up and lying down beside Daniel, moving into Daniel's arms. “I'm here.”
“You feel good.” Daniel pressed his cheek against Armand's cool forehead, sighing. He wrapped his arms tight around Armand and it was as though he could feel the heat melt away from him, soaking into Armand.
“My poor Daniel.” Armand stroked Daniel's pale hair. Daniel had only the faintest roughness of stubble clinging to his jaw, and his mussed hair had been cut and clipped in a slick modern style that suited him. Even his ruined clothes were new. That man had taken good care of him.
Daniel shifted, so he could move closer to Armand, so he could press his entire body against Armand. The fever was burning up inside Daniel, and Armand felt the twinge of that old fear, the fear of sickness and the death it brought. So often over the years he had seen Daniel shrug off coughs and chills that it had made him wonder at the strength of these modern mortals.
Death. His fingers brushed through Daniel's hair and Daniel sighed, turning so Armand's hand moved against his cheek. Just hiding under the skin, just beyond the bones. He wondered if he pressed his ear to Daniel's chest, if he could hear the little cells inside of him slowly dying, bursting and floating away.
“I won't let you.” Armand kissed his eyelids, speaking so softly that it was more for his own sake than Daniel's. “Not right now.” And he made that little cut on his throat and guided Daniel to to it. Daniel's dry lips moved against him, at first sluggish, but then he caught the taste of it and his mouth moved hungry.
x
60 notes
·
View notes
I think part of why modern film trying to do shots from fake movies from the black-and-white film era tends to look so obviously fake to me is that they may just be making the sets and costumes and makeup whatever colours they would have made them if they were shooting in colour, not thinking about how it'll translate to B&W. There was a whole lot of interesting colour business going on in the set, costume, and makeup design of the old B&W movies to get the tones, the ghostly pales and the deep shadows, that really give those old movies their visual drama.
362 notes
·
View notes
i would like to say my ideal PJO adaptation (if i was being physically forced against my will to have to pick a live action adaptation over an animated one for some reason) would be a combo like writing of the musical + casting of the show + visuals of the movies
BUT the show actually does have the playwright for the musical as one of the major writers for like three episodes and that did nothing for it. so...
49 notes
·
View notes
alexis castle in every episode
↳ flowers for your grave ✧ 1x01
167 notes
·
View notes
help i’ve fallen for another ship comprised of two insane autistic queers that want each other dead despite also being willing to do literally anything for the other even at risk to themselves
110 notes
·
View notes