#also probably never fucked

[yuri-is-online]

Hello yuri! How are you? I Hope you have a nice day!

When i play tdk i noticed something in jaberwock chapter that is if im not wrong, towa can control weather! Also his inhuman strenght and his octopus like pupils! Although the inhuman strenght can be justify as him being a ghoul, could it be towa is a non human ghoul? But we all know that non human ghoul are put in obscuary. So that might be a mystery for towa backstory! Also his inability to speak raise some question right there! Then we see towa speaking to mc when night come but, as day come he isn't speaking at all. I can't wait for more chapter to drop!!

Hello friend! It's pretty much a guaranteed thing that Towa is an inhuamn ghoul! Pretty cool right? As for why he isn't in Obsucary, I think the explanation is actually pretty simple:

Towa seems to control the weather in Jabberwock to a degree. When he isn't there it becomes bad, though this could be as simple as it becomes more "natural" when he's not there to keep it like old the windows desktop all of the time. This isn't an uncommon theme among inhuman creatures, powerful spirits are thought to have an effect on the environment around them including changing the weather to their liking.

Towa actively hates Ed. As Ed is the Captain of Obscuary, having Towa there would be problematic. The school is probably very aware that they can't really control either Towa or Ed, so having them both in close proximity where they would have more chances to fight just feels like a bad idea lol.

As for what sort of creature Towa could be... I have some thoughts? The ghoul's stigmas are thought to be anagrams of demons from the Ars Goetia, and while the name slips my mind at this moment one of the proposed ones for Towa takes a form similar to that of a unicorn. Unicorns as we know them are more synonymous with western mythology, but there is a beast similar to a unicorn in Chinese mythology called a Qilin:

I think they're super neat~ They are not described as having the power to control weather specifically? But bringing rain and throwing out lightning are powers often giving to Chinese dragons, which Qilin are sometimes depicted as being similar to. My main problem with this is that uhhh Qilin are usually thought of as being very nice. They can tell good from evil and I saw multiple encyclopedia entries about how it walks on grass without crushing it... perhaps Towa just sees people and anomalies as being less that grass?

They are also associated with the birth and death of "great sages and rulers." Which may of course mean literally nothing at all because there's really nothing saying Towa is/used to be a Qilin I just really like them and think it'd be neat if he was. I hope you have fun with Tokyo Debunker anon! I'm waiting on the next chapter too lol

[nemkero]

atla au but nothing changes except sokka is taller and zuko is shorter

[sofiaruelle]

❄️☃️The SDV Girlies in their winter garb!☃️❄️

One side how i interpreted their lil avatars and then the other side is just me playing dress up lmao.

“Bois when?” Dunno. 🤷🏽‍♀️ I will if anyone donates screenshots.

[inkskinned]

"don't make it political!" .... what proportion of death and suffering must occur before politics are involved. if this isn't political, what is even the point of any politics, ever. of democracy. the words are "by the people for the people." if i am going to be left alone by my elected representatives to "figure it out" - to undergo damage, hardship, fear. what the fuck did i elect them for. what was their job. the entire point is that they handle this shit. this is why we were supposed to be electing leaders.

poverty is political. misogyny is political. gun control is political. climate change is political. how much aid a community gets is political. what the fuck are you talking about. it's been political this whole fucking time.

[solplease]

scarletella’s your sunday (??????)

a friend sent me hsr x homicipher art and seeing it changed something in me. so i also drew sunday scarletella haha

the art i saw was made by @/yuuu20_ on twitter if anyone wants to check it out :]

close ups under the cut as always!

[keferon]

…..I should be working rn but one of the songs in my playlist hit harder than usual so

[vaguely-concerned]

thinking about not only the specific people lucanis pulls in to represent the 'locks' in his psyche, but the storytelling that happens in the structure/order of them. the underlying ideas are presented something like:

the lucanis who went into the ossuary never came back out again; he died down there (the boy caterina raised is gone forever) -> you're putting yourself in danger doing this (by being close to me), you should leave because I can't bear it if you get hurt because of me -> it doesn't matter even if we do try this, it won't work anyway (again because of me) ('you know what he's like, you can open the door but he won't walk through it' :'( oofie doofie) -> what if the real secret is that there was never anything but the monster in here from the beginning. you should leave, there was never anything here worth saving in the first place. (implicitly: what if I deserved what happened, all along.)

it runs pretty cleanly from outward-oriented attachment anxiety ('caterina won't even want me back like this, she won't recognize me (the same way I no longer recognize myself)) and gradually deeper inwards until we reach self-image and self worth. or you know, the harrowing basic lack of it lol.

"careful -- they'll know we're not right," spite says in one of their first scenes... but clearly, some very deep part of lucanis has feared or suspected for much longer than that that there's something inherently not right at the core of him, way before any demon entered the picture. and the voice he gives those lines to is the person who should know him better than anyone in the world, who he has loved more than anyone in the world -- and who deliberately chose to hurt him so horrifically anyway. 'It's better if I'm just a monster and deserved what happened than it is to allow for the idea that the brother I love doesn't really exist and maybe never did'. it's better if he's fundamentally flawed in some way that needed fixing to help him survive, and that's why caterina chose to hurt him again and again -- out of love. (this one I think he might have a very sad wakeup call on one day if he ever ends up with the responsibility and care of a child of his own in some way and realizes just how alien the idea of ever intentionally hurting them for any reason is to him. oh buddy. also interesting that he keeps caterina as the outermost lock -- there IS a distance he keeps there that he hasn't with illario. he doesn't resent her 'anymore' he says, but he also keeps her carefully further away from his deepest self.)

as far as I could tell the only note in the mind prison that's fully hidden and needs to be uncovered is the sad painful helpless stupid little truth that even after all this, even knowing what happened... he still loves his brother. is there anything illario could ever do that would make lucanis completely stop loving him, do you think? sometimes the trouble with unconditional love is that it is, well. unconditional, even when some terms and conditions probably would have been in order haha.

that's the pattern you see there again and again; he would rather destroy and abandon and imprison himself at every turn than let go of love, even when it's just scraps, even when there's only ever enough of it to hurt him. it's only when rook shows up and as it were takes his hand and walks along with him that he can entertain the idea of changing the story of what walking out the door might mean in the end.

[microvibing]

I like ward *gives him an existential crisis*

Character From marble sky comic by @ somerandomdudelmao, you should def read it right fucking now cuz its awesome

[sweetestflow3rs]

messing up a job from cody when he's at low love has its consequences

[sunderwight]

Thinking about Black Widow Luo Binghe.

Hear me out -- so just like in canon, Shen Qingqiu self-destructs to save Luo Binghe, dies, and Luo Binghe steals his body to put on ice while he looks for methods to resurrect him. But unlike in canon, staving off decomposition is simply not that doable for a matter of years, even with cultivation and Luo Binghe pouring qi into the process. The qi costs are still high, so is Xin Mo, and now Binghe also needs a special artifact that can actually preserve Shen Qingqiu, but that runs on blood sacrifices.

To get the thing working, Luo Binghe feeds it a bunch of prisoners from the Water Prison. Then he starts kidnapping cultivators to drain for his own qi reserves, but that's difficult, controversial, and he can't use the same victims for the blood sacrifice afterwards. Frankly, between one thing and another it would be easier to satisfy Xin Mo with dual cultivation, and focus on finding victims for Shizun's Snow White style glass preservation coffin without having to choose between using targets for one or the other. Especially given that, if he finesses it, Luo Binghe can extend the use of his sacrifices and get more out of them with fewer deaths that way.

He's pretty sure that Shizun would want fewer deaths.

Of course, he is not a fan of the logistics of the plan itself, but he'd do worse things to one day be reunited. He consoles himself that he's building up bedroom experience for one day being with Shen Qingqiu, and that it doesn't really count because his heart's not really in it, and also if Shizun got to spend all that time in brothels then it's only fitting that Luo Binghe be his equal in this as well. It still doesn't make it pleasant for him, but it makes him able to tolerate the necessity of it.

So Luo Binghe ends up marrying a string of rich and powerful figures -- mostly the villainous single fathers and mothers and evil uncles of harem members from PIDW, rather than their daughters -- and coming up with creative ways of making all their deaths a few months into the process look like accidents. After the third one people are undeniably wary of marrying him, but there's always someone with a big enough ego to think they'll be an exception, or stupid enough to believe that it really has just been so much bad luck up to that point. It helps that the universe is predisposed to let him hit it.

When SY wakes up in the shroom body and hears about Luo Binghe's succession of marriages, he's not surprised. What he is surprised by is the bisexual graveyard of toxic dilfs and milfs that has replaced the harem.

What did he do to cause that?!

And what does Luo Binghe mean that he wants to marry his own shizun now? Is this his new method of revenge??? Binghe, you don't have to marry someone to kill them!

[lucabyte]

Different standards

[rendevok]

“Take my hand” pages 5-11

1 - day 2 - truth - 3

[secriden]

There's something so wondrously momentous about Style only saying his "I love you" now, when he realises that all the secrets he was keeping from Fadel are already laid bare.

He says this a significant time after Fadel has said his (and, in the context of the wider narrative, after Kant and Bison) and for the character we have seen as prone to glibness, exaggeration and flippancy with his words, that feels incredibly intentional.

Because this confession was the only truth Style had left to give.

Fadel is finally done playing his (poorly thought out) game, done with his (already cracking at the seams) charade, done with giving Style more opportunities to pull at his heartstrings with his earnestness lies.

Fadel is demanding the truth, and tells Style exactly what truth he wants to hear.

And the thing is, there is truth in this: Style's motivations at the start were wrapped up in a deception specifically targeting Fadel.

I know we, as a fandom, harp on about Style "doing all that for a car", but something I would like us all to revisit is what Kant actually says to Style when he first asks Style to "hit on" Fadel:

Kant: You need to help me. You know I don't usually feel this way about someone. And then shortly later, after Style refuses: Kant: Hey, hold on. (Kant grabs Style's hand.) What do I have to do to for you to help me out? Should I pay you?

(Please forgive my inability to gif and watch Style's reaction to this.) Style is visibly surprised and intrigued. Kant seems to be serious about this request, and I think Style decides to test just how important it is to Kant by asking for the one thing he knows Kant will not give up.

Just look the expressions on Style's face. We didn't have the context of knowing Style back then as well as we do now, but this is the look Style gets when he's throwing out a challenge (to Fadel), when he's trying to ferret out some new insight (from Fadel), when he wants to see how someone (Fadel) will react to whatever outlandish (provocative) thing he's said or done.

And when Kant agrees, Style even checks again if Kant is serious about going through with it -- and it's this that convinces Style of the sincerity of Kant's request.

Yes, the car was a factor, and yes Style also wanted revenge and to humble Fadel, but at the centre of Style's motivation has always been a plea for help from a friend.

In episode 1: Kant: Under one condition. You have to make him head over heels in love with you. Style: I'll do it. Not just for the car, but someone like him needs to be humbled by someone like me.

But in agreeing to help Kant, Style really was damning Fadel to play the fool because Fadel's feelings (his heart) was a commodity that Style was fully willing to play with back then.

And there are aspects of truth here too. When Kant tells Style about Fadel (and Bison) being hitmen, Style decides he's done and wants out. Kant reasons that it's more dangerous for Style to break up with Fadel now, because it would look suspicious, but crucially this isn't enough to convince Style.

So Kant, once again, makes the plea to friendship and to his need for Style specifically, and it is this that causes Style to finally cave.

But in doing so, the things that Style agrees to are:

Kant: Work with me. Help me get more information about them. Once we get that, it's done. Captain puts them in jail, and we walk free.

So while Style may not be directly working with the police, he is working with Kant who he knows is working with the police. By proxy, Style is involved with the police, but in front of the empty pool, he makes it clear to Fadel just what that involvement actually entailed:

Style: Kant asked me to take you out so you could leave him alone and he could freely investigate. Fadel: What did he get out of it? Style: I don't know! That ain't my business! All I was asked of is to take you out.

And this, too, actually is true! Since finding out, Style has literally not discovered a single thing that could be remotely useful to the police investigation:

He's found out that Fadel likes to gym at night. He's found out that Fadel uses tenderloin in his burgers. That he runs in the morning before going to the market. That he attends a grief support group.

But these were all things Kant also already knew and could have given the police if it were in any way useful for the investigation.

Even his attempts to get Fadel to confess to his "other job" (something the police also already know) were clearly in service of wanting to save Fadel and/or convince him to give up the life of crime in the hopes that Fadel wouldn't have to be sent away from Style to prison.

But the truths are tangled up in misunderstandings and Fadel's own assumptions now; and also further tainted again by Bison's own hurt over Kant's betrayal. And Fadel literally cannot see -- because his eyes are filled with tears [see: @thisautistic's gifset + my tags] (good grief, Joong, the actor you are) -- the honesty Style is bleeding from the marrow of his bones.

Because the truth is that along the way Style has also found out that Fadel is a good older brother. That Fadel is still hurting and bleeding inside because his parents were murdered. That Fadel wears his favourite bands' make up in secret because he cannot bear the thought of other's judgement. He's found out that Fadel misses Style, wants Style, and hates himself for it. That Fadel is afraid to love. That Fadel is acutely aware of his own darkness and cannot comprehend an existence that would not involve someone (Style) rejecting it. That Fadel does not believe that 100% trust is possible, but that he will get himself drunk so that he can offer Style as much vulnerability as he can physically make himself give.

Because the things that Style did find out were all the ways Fadel's heart is soft and tender and precious and worthy worthy worthy of all the love Style has to give.

And Style will stand firm on this truth because this is the only thing he has left to give Fadel.

Because Fadel knows, now, all the ways Style was unworthy of his trust, but crucially has not figured out the most important truth:

Because in all the ways that Fadel has ever known he should want, Style actually IS worthy of his trust. Style knows the truth Fadel is hiding, knows what this man is capable of, knows the danger of being in his arms, knows the likely nonexistent future Fadel has to offer him -- and wants him anyway. -- Quoted from my meta post on the "One day, I'll be your 100%" line.

And as I alluded to in the tags on @yinwaring's insightful post: Style fully embodies the belief he espouses; because even in the face of a gun to his head and Fadel threatening to kill him if he will not admit that this, too, is a lie, Style refuses to give Fadel anymore dishonesty.

And this is because Style knows that the truth matters; now more than ever.

Because Style has had days to grapple with his worry after Fadel's disappearance. Style has had a week's worth of checking the diner only to face the regret he feels about not handling things differently. Style has had to recognise the terror of thinking he had lost something he never even knew he wanted in the first place.

And while Fadel had his realisation back in episode 4, Style never had to face this until Fadel vanished from his life and left a gaping hole in the shape of the absence of Fadel's smile.

So if this is what it takes, if this is the penance that Fadel demands of him, then it is a price Style is most happy to pay.

Because Fadel does not realise is that Style, too, now knows what it means to lose a love worth fighting for.

And in the war Fadel now feels compelled to wage against Style (because, yes, that's definitely still going on), the one damning thing Fadel has failed to recognised is that his only true weapon was leaving Style behind.

Which is why Style has already won. Not because Fadel's walls have crumpled again or because they don't still have a ton of things to talk through and work out (they really, really do), but because Style has already been stripped bare (and I mean this literally, like we all recognise THAT was the reason why Dunk is only in boxer shorts in that scene, right?? Like, I know we were joking about it, but seriously, that was so very intentional and a visual representation of Style being both stripped and, most importantly, freed from the lies he felt compelled to tell Fadel) and this means he has nothing holding him back.

And Fadel can wield his gun and his words and his anger and his hurt, but Style will die on the hill of the truth that he knew and understood and chose to love Fadel anyway, and saved this last confession for when he knew he could tell Fadel the truth without any lingering deception; and when the time is right, when Fadel is finally ready, Style will be there to welcome him back with open arms and, without any hesitation, an open heart.

[rassebers]

Ok [throws danganronpa in the den of hungry sharks]

[puppppppppy]

aughg

[ken-doll-roy]

'The Vampire Daniel' has a crazy, sexy ring to it. We should be calling him that more often.