#a piece of me still believes that like

[ehh-is-the-name]

The people have spoken...

Cobs would respect your gender neutral pronouns!

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[animalinvestigator]

happy 9 years

here's to 990 more

[pureseasalt]

iñaki godoy studied luffyology at the esteemed monkey d'university. he graduated top of his class. latin honors. he's on his way to get a phd. oops wait he's already got it. my god. the talent on this young man. he's got that natural troublemaker face. the class clown at the back of the class kind of energy. a kid who's hiding something in his hand. u take one glance at this guy and u know he's not up to no good. but would u follow him anyway? are u kidding me. look at him. of course u would.

[b4kuch1n]

podcast people in my phone

[hinamie]

theyre soft your honour

[newttxt]

and thats a wrapppppppp!!

from the 10th and final chapter of utilities included

masterpost

[s0fter-sin]

soap's whole deal being sniper and demolitions gets me going bc on the surface they sound so different but when you get into it, you realise it's bc soap's smart

sniping is all math; calculating distances and wind interference and bullet drop. something i think people overlook is he was listed as a sniper first so it can be implied that he's better at it than demolitions. he does more sniping in both campaigns than demolitions work; in capture or kill, ghost specifically calls on him to take down the aq snipers

and demolitions is math with a hit of chemistry; knowing what mixes with what, knowing how much to use, recognising environmental factors and adjusting accordingly. it's not just about the boom; so much work goes into contained/ planned explosions. especially when having enough power for a breacher charge and not bringing down the whole building is the difference between mission success and failure

the chemical bombs he makes in alone can't just be any old cleaners, they have to have the correct reaction to each other; he just knew off the top of his head what would mix with what to create what reaction. he would also potentially have to recognise them by sight/smell bc they would’ve been written in spanish

soap would also have to know architecture; recognising structural integrity and weak points so he knows exactly where to plant a charge to bring it down and how it'll come down

he has an incredible soldier's mind people just forget that bc he's sociable which itself is a skill

we know he tends to buck against orders he doesn't agree with like when he pushes back against ghost in capture or kill and shepherd when he tells them to release hassan

he gets closer to people and sees if he can trust them and that's when he follows them without question. really think about how he talks to alejandro and rudy; he asks about their home and alejandro's family and rudy's relationship with him. those aren't questions you ask a stranger after a few hours of knowing them. that's not even touching on his relationship with ghost

he also deliberately brings people of higher ranks down to his level; talking informally with ghost and giving him a shoulder punch, addressing alejandro (a colonel!!) by his first name and rudy by his nickname despite literally just meeting them. he personalises all of them and it’s in direct opposition to the reason most characters do that; it’s not due to insubordination or lack of respect, the more he respects and trusts someone, the more casual he is with them

he digs into people; he wants to know what makes them tick and that determines if he can one, trust them and two, follow their orders. once he decides that, he's the ultimate soldier; he bleeds loyalty which makes him vicious when that loyalty is taken for granted

he isn't naive or bubbly or insecure; he's an incredibly smart and aware soldier. he's aggressive and bloodthirsty and loyal and intuitive and i love him so much

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[skrunksthatwunk]

thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.

[ratatatastic]

the sauna robe era: a beautiful saga unfolding before us. we really have gone from "it was matthew's idea to wear them for pregame fits" to "sasha texted them team to make them wear the robes for the preds game"

nashville predators @ florida panthers postgame interview | 11.7.24 (x)(x)(x)(x)(x)

DO YOU KNOW HOW FUNNY IT IS THAT BOTH RODDY AND MAFFHEW WENT oh the whole team all thought it was a prank but we still wore them anyways which somehow makes the robe walkin an exercise in trust and love that everyone passed with flying colours god this team is filled with lobe and friemdship

also happy mackie did in fact get ribbed for taking the shirt option his team uncles sure are giving him the rookie experience and also "i wasn't sure if i was showing too much skin or not" on a team

THAT WALKED IN LIKE THIS WITHOUT ANY SHAME. YEAH BUD I DONT THINK THATS A PROBLEM HERE.

the robes are truly a hit amongst the team aka we dont have to use our brains and we just put on a robe its fantastic, mackie maffhew and nosey are on absolutely onboard unsurprisingly

and if you wondering oh what about paul when will we see him-

the answer is a firm NO on both accounts so to those (me) who wanted to see an old man in a skimpy robe our dreams have to be crushed from the getgo but maybe if the streak goes long enough-

[sysig]

“It could be that the loss of her children drove the Queen deeper into her darker desires...but, I don’t believe she was fighting against them that hard before that particular tragedy. No monster does.” (Patreon)

Bonus:

Hmm, wonder what he could cover those holes with :3c

[cozylittleartblog]

i can finally say real and sincere words i dedicate my song to you

print on my etsy

[shima-draws]

THAT right there, ladies and gentlemen, is a LOVE CONFESSION

[hinamie]

So remember me in a softer light

[allthatmay]

So, today my husband said, "Some people think Shanks is a radial leftist, but I think he's the most centrist character in the show. Dragon fills the role of the radial leftist/anarchist that people often attribute to Shanks."

And, huh, yeah. People do often talk about Shanks like he's an anarchist, but he's really not. I've always said that Shanks is a mediator, keeping a tentative peace between the pirate tribes and the government until the time comes wherein the One Piece can be claimed and the mysterious consequences can happen, but that means he is effectively playing the part of a centrist—straddling the fence, as it were. The key difference, I think, is that Shanks knows for certain that change is coming in the form of a rubber deity, and he is trying to guide it into place. All his work is done behind the scenes with very little violence if he can help it.

Now, it's easy to assume that Shanks' plans involve the complete dissolution of the government as it presently stands; that he is simply using his power & influence to mitigate harm for the many until the "real fight" can begin (and, with him having recently decided to chase the One Piece, now it has), but that might not be the case (and, even if it is the case, a lot of centrists use "mitigating harm for the many" as a reason not to take action against some truly heinous acts). The reality may be that Shanks doesn't see the need for the total collapse of the government, or perhaps he knows something about it that we don't (i.e. because he might be of Celestial Dragon blood). I don't really believe this is the case because, as far as I'm aware, Shanks hasn't ever shown any real support for the World Gov but he has shown, time and time again, that he believes in dreams, in people's personal willpower, and in the ability of anyone to become strong and change the future. But the truth is that we can't know his intentions for certain without Oda giving us more information, so my husband's assertion that Shanks is a centrist makes some sense.

In particular, Luffy is what makes this theory interesting: slap him in between Dragon and Shanks, and there's a very real dichotomy between the two "fathers" in his life. See, Luffy idolises Shanks and thinks of him similarly to a father, but he might realise as time goes on that he can't be like Shanks; he might realise that Shanks' ideals will only carry him so far. After all, what good is it to be a pacifistic when your enemy is a powerful government that is comfortable with mass murder?

(My rebuttal is that Luffy is the only one who can be like Shanks. He is effectively Shanks' dream: Shanks wants to be strong enough to do all the work himself, to suffer all the pain himself, and while he is one of the strongest men in the world, he simply can't do that; what he can do is only achievable through the support he has at his side. Meanwhile, Luffy has close support in his crew, and he has the Gum-Gum Fruit! He can literally become a godlike figure and shape the world around him! He can do everything that Shanks wants and needs and, as sure as I am that Shanks wishes he could have done it himself—I'm thinking back to his days with Roger here—he knows that it was never meant to be him.)

This is where Dragon comes in. Dragon, in direct contrast to Shanks, uses violence as a tool whenever he can. He's all about the greater good, for lack of a better term. His thinking is along the lines of, "People are suffering now and we can help, and we have no qualms in forcibly dismantling a government that uses slavery, genocide, and imprisonment to control its populace. We don't wait for the right time to act, we simply act." Do I think Shanks would approve of Dragon's goals? Yes. Do I think he would approve of Dragon's means in achieving those goals? No, but mostly because Shanks is very self-sacrificial and tries to take whatever suffering is necessary for change onto himself, relying only on his small, personal crew, whereas Dragon is happy to let other people martyr themselves for the rebel cause. He lets a small, amnesiac child join them, for crying out loud—something Shanks would never do, not even if the child proved very capable.

If anything is to come from this difference of ideals, I think it's that Luffy will learn from both of them and find his own way to the One Piece and into the world waiting beyond. Why? Well, because Luffy is all about freedom, and no one on the side of Dragon or Shanks is truly free. As for the world itself, it's hard to predict what will happen after Luffy's done with it because it's pretty dependent on Oda's philosophy. For instance, Oda seems to approve of monarchies, which is not something I would personally imagine remaining in a world without a governing body—but, hey, what do I know?

Of course, we all know that the true centrist in the show is undeniably Garp. He will let real, undeniable harm befall those he cares about in order to maintain the status quo, or to stop the government from toppling because [gasp] that would be the worst thing ever! He's a man who believes the government is essential and joins up in order to change it from the inside, only to fall short of his own expectations because he won't stand up when it matters most. Not even for the sake of his beloved grandson.