#YOU were the anon.......

[endusviolence]

Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?

I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?

In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".

Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.

This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.

Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.

The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.

[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]

There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.

This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.

[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]

As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.

But of course, you knew that already, didn't you?

Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.

[morp]

H

Hi? Hello? HELL??O???????

This is adorable! This is awesome!! Holy shit!!!!!! Aahhh!?!!??!!!????? !!!! Hello!!!???? You did not design me one you designed two!!!

@morp

Based on the Ice dragon and Galbo Enemies, This dragon is known as Ribbit! They're a swamp dragon who has taken charge of a Young Kirby/Puffball who showed up in their swamp one day after not being able to figure out where the child came from! The child's name is Squash! They woke up one day without memories, but they were bruised up and very scared by the unfamiliar terrain. They're a very clumsy little puffball and their guardian, Ribbit, often patches up their scratches for them!

[fanaticalthings]

Jason being the easiest kid is super funny. Bruce looking at Jason and remembering Dick at 18: “we can work through this. He’ll come around if I don’t give up on.”

Bruce, watching over a freshly street-snatched Jason: Why is he so calm

Having Dick as the rambunctious, feral, and unhinged first child must've given him SO much whiplash once Jason entered the picture. Lil guy just vibed in his own world. Just reading books and doing schoolwork. Baby Jason hurt nobody.

Bruce will just be going over the ground rules of the manor, remembering all the chaos Dick brought upon the household.

Bruce: No swinging from the chandelier.

Jason: ?? I wasn't planning to?

Bruce: No murder.

Jason: What? That never even crossed my mind-

Bruce: And please, for the love of God, don't sneak out and try to beat up the nearest criminal on our block

Jason:

Jason: WHO is responsible for these rules being created??

Bruce will just come home from a long day of work. He's tired and just wants a nice, quiet evening, but he's subconsciously psyching himself up to prepare himself for the chaos he'll witness once he enters the manor

but then Jason's just quietly doing his own thing, maybe even helping Alfred with some chores, reading, or just lounging about in the manor. In general, just causing no trouble and Bruce just turns to Alfred, all worried like, "Is he sick? I don't think children are supposed to behave this way."

[electronicmail]

Firefox-official vs electronicmail

Hydrogen bomb vs coughing baby

okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing

[xxplastic-cubexx]

GORGEOUS DRAWING OMG YOU'RE SO TALENTED MATE!!!

We need more Magneto protecting his Charles with all his will>>>>>

thank you much my friend !!!!!!!!! might i offer you a small gift..

and a bonus. if you will.

[jesuistrestriste]

Art Donaldson with literal loser reader? This is for the netizens of the world who don’t do anything but homely activities. Like for the depraved girls/nbs/boys whoever frfr like? Reader who’s obsessed w him, met him through a friend or sm??

art knows you don’t get out much.

he knows you’d prefer to stay inside and obsessively scroll twitter or tumblr or play video games as opposed to accompanying him to a party on campus.

by now, he knows all of your little habits that you’ve developed through your early youth and have grown to enjoy more than anything. he accepts them, because he accepts you.

but he also can’t deny that he’d love to take you out more than you usually let him.

he wants to take you out to a club and grab your hips and rut into your backside while you two drunkenly dance. and he wants to show you off to his friends when they all go out to the bar.

so when he fucks you.. he sometimes lets this stuff slip.

he’s pushing you down into the bedding and moaning into your neck, little gasps punctuating each roll of his hips against yours as he fills you with every single girthy inch of him. he reaches down for one of your hands and directs it to the back of his blonde locks, silently pleading with you to tug on them the way he likes.

“fuh-fuck,” he groans, his eyes rolling back as he gets close, “nobody even knows we’re dating… you— mngh—! you gotta come out with me this weekend… ohh god..”

and you pull on his hair and wrap your legs around him; your insides too stirred up to form a response. you feel him pummeling the deepest parts of your walls with an intensity that only washes in when he’s aching for something.

“… but.. ungh, fuck fuck fuck, i.. i think you like it, don’t you? staying in when im out… letting me come back to you at the end of the night and stuff my dick into this pretty hole of yours… letting me use you… AH— baby—! fuckkk, i’m gonna come inside you— i’m gonna come inside you, ’m gonna fucking— ohh god, please—“

and then he’s pulling himself out and slamming back in once, twice, three times before he lets out an anguished moan and spills warmly into your body; coating your parts in a thick, sticky, milky dose of desperation and longing as he pulls your back up into an arch while you yelp under him. he presses his stomach to yours as he rides out his high.

he so desperately wants you to quit the internet so that he can take you out properly and show you all of the ways he can make you happy.

he knows you liked him first—he was told that you’d had a huge crush on him—but none of it really mattered now. he’s obsessed with you too, so..

why won’t you let him show the world?

[plutoons]

Could i request snorplo? 👉👈

Snorplo for you anon

[nouverx]

Maybe a cool idea would be Alastor and Luci from one of your human aus dying and seeing eachothers demon forms for the first time, making fun of one or the other

I love your artstyle btw

I think you mistook me for someone else lol?? I don't have any human AU,,, I did make a human design to Alastor but it's canon compliant so,,,

HOWEVER, it has been a while since I last drew my human Alastor so here he is

[qrowscant]

pilot for a lancer game, his name is ouro

[the-palelady]

could you mayhaps perhaps potentially elaborate on simon meeting the love of his life????

this made me giggle

but absolutely

because when i tell you he is down bad…he is down bad bad.

the tickets were soap’s, but he couldn’t possibly go alone. kyle might have been down to attend, but in johnny’s eyes asking simon, a quiet man who you wouldn’t catch dead in a crowded place like this, sounded much more interesting.

of course, simon was reluctant, saying no a million times before he finally gave in. which took some bribing on soap’s end (listen, free beer is free beer).

the show was packed. shoulders touching shoulders, people practically climbing over one another as the stadium’s energy became more intense. but simon had to admit to himself that he was enjoying it, tapping his foot to the beat of the music, a beer in one hand and his free hand shoved into his pants pockets. the colorful lights reflected off his amber eyes until the shine of your own eyes caught his attention.

you were so bright eyed and full of energy. you sang each song, word for word, with the people around you, uncaring of what was going on beyond the walls of the stadium. it was just you and the music. simon almost felt like he was intruding on the peaceful moment you were having (even though ride the lightning is hardly a peaceful song).

it took until almost the end of the show for him to finally work up the courage to speak to you, pushing through the crowd of people as he followed you out to the lobby.

once the concert was over, johnny turned to simon only to find a group of teenagers standing in his place. soap didn’t expect to lose his lieutenant in a place like this. but after almost 30 minutes of searching, he really didn’t expect to find simon leaning against a wall, hands once again nestled into the pockets of his jeans and his hooded head tilted downwards, seemingly looking at something.

“there ya fuckin’ are, lt. been lookin’ for ya fo-”

johnny’s mouth locks itself shut when you come into view, his words not even reaching simon’s ears, too fixated on you.

tiny little thing you are in comparison to simon, monster of a man he is. you have a band shirt on, makeup done although your eyeliner is a bit smudged, and hair jostled about, sticking up in some places. your fingers fiddle with one another, clasped together as you rambled on about something to romeo in front of you.

a sea of people has to step around johnny, his jaw practically touching the floor as he watches simon’s usually disinterested expression stay locked onto you, eating up every word that slips from your mouth. he can see the fireworks going off in simon’s eyes, the subtle nod of his head, urging you to keep speaking. his mouth moves under the black mask that obscures the lower half of his face, but johnny’s not close enough to hear what he’s saying.

even sees his shoulders shake, laughing at something you had said, to which you join in with your own giggles.

after some time, someone shouts, and from the way you perk up, johnny assumes it’s the group you came to the concert with. when you turn back, he utters something before his hand slips out of his pocket, holding his phone out to you.

you take the device with a smile, tapping something in before handing it back and leaving with a big grin spreading across your face, cheeks rosy red and eyes just as sparkly as simon’s.

johnny’s voice doesn’t even break simon from his thoughts when he finally approaches him, still watching you scurry away with your friends.

“thought i was ‘ere to see metallica?! no’ fuckin’ romeo and juliet.”

[notherpuppet]

Alastor is a complex character!

Despite being one of the few characters in Hazbin with confirmed identities (his ethnic background and sexual orientation), those identities are in of themselves, complex experiences.

There’s seemingly nothing about the character that is Black or White.

I think that’s why he is such a compelling character! Also, it’s probably one reason why he is such an attractive conduit for folks’ creative expression.

His identities are not necessarily why many people may gravitate towards him, but they do offer a chance for people to investigate him and explore a character—as unique as he is—into avenues they may not have considered before.

I can commiserate with feeling defensive of a character who shares an identity with you—ESPECIALLY an underrepresented one. Discourse is natural and completely fine! (And very educational sometimes in my experience)

But I don’t think it’s fruitful to police a fandom in these matters. Some folks come to my inbox (I delete the really rude ones) or comment sections with a very cop-like attitude to a space that’s supposed to be creative and/or fun *airhorn*

That’s my take as just some guy on the internet 🤓🛜 have a good dayyyyy

[tunemyart]

So I've just watched the finale and I'm feeling... Weird. I think part of it is because this show started with everything I like in a story (cool badass ladies, a queer romance, found family, redemption, etc etc) and ended up being... Not all that (most characters die, the romance is doomed, and I guess the redemption mostly happened but wasn't entirely satisfactory to me). Also, I'm someone who as Trauma (tm) with death so, I guess my brain's first reaction is "fuck that I just want them all happy and safe" and it takes me a while to accept when stories take these paths, however well written they might be.

Still, I thought it all went a bit fast in the last 2 eps, with parts of the show ringing just a little bit more hollow than I would have expected? I'm left feeling like the characters of Alice, Mrs Hart and Jen were treated a bit superficially (Lillia's story felt more complete). I also wished we had seen more of Agatha's past because spending centuries just conning witches then killing them is... a bit boring? (maybe we learn more about her in WandaVision, I haven't seen it). And obviously I wished we had seen more of Agatha and Rio. It's like the show couldn't decide if it was about Agatha or about Billy (partly because, I'm guessing it's setting up a 3rd show about him?), and with this short format we ended losing a bit on Agatha's part.

Anyway, curious of what you think of all that because your analysis are always super interesting, and like I said my own brain might be a bit biased towards resistance with this one. And obviously would love to read your fanfic(s) should you write any!

So, I've started and restarted a reply to this a few times, but I think what my answer boils down to is: we're meant to have multilayered responses to this finale. We're meant to sit with it. It's meant to change our experience of the show we've had to this point.

I think the best metaphor for this is the fact the revelation that Rio is Death. Bear with me, because I know this got spoiled for us way early on and we all knew it and were all just waiting for the revelation to drop - but imagine for a second that we didn't know that Rio, Agatha's ex-girlfriend and spooky fun vaguely-a-psychopath as played by the delightful Aubrey Plaza, is death. Your perception of Rio would have been turned on its head. Your perception of Agatha would have been turned on its head. Your perception of the Witches' Road and what we're even doing here with Death walking alongside us as a tourist would have been turned on its head.

Now, we all had an incredibly fun time even with the knowledge that Rio is death before we should have had it. But I think some of the power for what it meant for the story - and our perception of what was really happening - was muted.

Jen, at the beginning of 1.08, says, "She told us who she was from the very beginning."

Sit with that - because the same is true of this story.

---

It turns out that the Road is a metaphor for death. This isn't fully illustrated for us until Nicky, the author of the Ballad, walks down the road with Death's hand in his, and we go, oh. Oh.

Agatha tells us in the beginning that the Road doesn't exist, a rare instance of her giving anyone unbridled truth. And sure - the Road that our coven walked down doesn't exist. The Road that all the witches Agatha lured to the deaths believed in doesn't exist. It's a fiction. But it's significant that Agatha lured them all to the Road and killed them. They wanted to walk the Road. They died. Not "they died instead" - it's a two-fold statement. They wanted to walk the Road and they died. In a gruesome way, Agatha's been taking witches on the Witches' Road since the 1750s.

I don't think the significance of that is lost on Agatha, either, especially where we pick up at the beginning of 1.08. Lilia's dead, and everybody's reeling.

Perhaps Agatha more than anybody.

---

I also want to quickly take a look at Rio's accusation of Agatha regarding Billy.

"The bodies are really piling up." "Did you doubt me?" "Yeah, I did. I thought there'd be a trick in there somewhere. And there was! You were distracting me from him."

Because this is a revelation about Agatha's actions toward not just Rio, but any audience watching her - i.e., us the viewers. She's been distracting us! Not from who Billy is, we know that of course, but with regard to what the Road itself is. Agatha's known the Road isn't real the entire time. She's been protecting Billy from that knowledge. She's been protecting Billy from Rio. She's been protecting the coven itself from disintegrating. And, the biggest con woman move of them all, she's been distracting us - with less and less success as the show goes on - from the fact that she is not even the slightest bit in control.

---

So I definitely want to circle back to what you said about how the show started out with everything you like in a story, because oof, yeah, I felt that. I felt that hard in the finale. Coming off the impact of the incredible storytelling in 1.07, and the queer jokes and campy Wicked cosplay balancing out the sad, I think many of us spent the next week expecting some kind of emotional resolution that probably involved the remaining coven banding together in some more of that found family we've felt them becoming along the way.

Here's where things starts going wrong, right off the bat: they don't. Instead, they splinter. Not only are you aware of just how few of them are left (Jen, Billy, Agatha), but Jen and Agatha can't handle Lilia's death. Jen's distraught. The close up on Agatha running away out of the trial and back onto the Road, alone, shows her looking hunted and wild in her guilt. Everything that follows has its seeds in that moment of rending that began with Lilia's death.

From the beginning, the point has been that Agatha Harkness is a covenless witch. It's something we've seen her revel in - maybe simply because she has no choice but to own it. But the fact is that here, for the first time in centuries, she had a coven. She didn't intend to have one - she intended to kill them all in her basement and not think twice about them again. But events transpired the way they did. They became her coven. And one by one, they all died on the Road.

Rio, of course, has the words to cut right to the quick: "Your coven is shrinking," she teases Agatha cruelly. Agatha looks wild - because she's right. The worst thing is that she killed Alice - and she didn't mean to. She didn't want to. But she did, and in exactly the same way she'd intended to kill her at the beginning, the same way she's been killing witches for hundreds of years. "Your coven is shrinking," and it's Agatha's fault. It's Agatha's coven. It's Agatha's coven.

Hold on to that, too.

---

One of the things that I've been mulling over most is Agatha's character. She's so much fun in the beginning. We're all fucking charmed by her. We also don't have the full context of just how much of a serial killer she is.

So for me, at least, watching 1.08 and not only not getting found family, but getting an Agatha so far away from a "redemption" story that she only just barely is willing to not sacrifice Billy for herself, was kind of a rude awakening. Agatha's a lot more of a villain that I was prepared for. Surprise!

Agatha's so far away from "redemption", in fact, that she's only just barely starting to feel empathy for other witches. She's just starting to be affected by people who aren't #1. And that's a trauma response. And it's so, so, so deeply rooted in her that she's only just starting to be able to conceive of the idea of people who care for her. Of the possibility of being able to live in community. She's not ready for a redemption arc. There was no way that the kind of redemption arc she'd need could fit into nine episodes, because so much of it would for her be predicated on a mental shift that Agatha just hasn't arrived at yet. She's still so angry. She's still so traumatized. She's done almost none of the work. And even at the end, even with the final gesture of sacrificing herself for Billy, that's not a final act of redemption, oh Agatha's now a good person/forgiven/insert word frame of choice.

What this show did in terms of redemption for Agatha was set her up to be in a place where she might want it - where she might want to do and be better for Billy, and someday, for Nicky.

And it's significant that that point comes for Agatha in dying… and after death.

---

This show is about death. The Road is about death. Death is a character on the show.

Like, okay, you're saying. Fine. But what about my gay fun times? What about my queer romance, my found family?

And please know that I'm there with you.

I'm not hugely in touch with what the larger fandom is saying and how they're reacting because I have my little echo chamber here on tumblr and a few friends who have actual social media, but even here I get the sense that we're all kind of :/ for fairly similar reasons. What happened to the show I fell in love with?

And for me, the last few days, I think it's been important to realize that the fact that the show I fell in love with didn't suddenly become a different show. It didn't pull a bait and switch. No twists were in bad faith. Everything has been right here in the text of the show from the very beginning.

And I think it's important to see the story that Jac Schaeffer et al. were actually telling vs. our expectations of what they were telling, or worse, what we wanted them to tell. For just one example, I was convinced we were going to see Alice again - maybe Lorna Wu, too. I wasn't expecting it to be for the sole purpose of recognizing that not only is she dead, but to give Alice herself the space to say that it wasn't fair, that she wasn't ready, that she'd just broken her family's curse, that now she can really do something with her life! Because, ugh, yeah! It's not fair, for all those reasons! But that's also death. Likewise, Sharon's just dead, and worse, her death was pretty much meaningless. Lilia rediscovered herself again, and she chose her death to save everyone else - extremely meaningful. But at the end - she's just dead. We don't see her again. She's gone. She, like the others, walked the Road and away with Death.

I loved these covenless witches. I loved them finding themselves together. I loved them bonding around the campfire and discovering community. I miss them all, so so much. But they told us from the beginning how haunted by death all of them were: Alice and her mom, Lilia and her coven in Sicily, Billy and William Kaplan, Agatha and her son and her ex-lover. And of course, Death herself. Forget haunting these individuals - she came to actually join the temporary coven. Like, fuck. They told us what this show was about.

---

This show is about death, but it's more complicated than that: we'll take our cue from Rio again, who, in being Death, is also the original Green Witch. In short, this show is about Green Craft, "growth and decay in constant flow."

So yes - almost every single witch in the coven dies. Yes, it's permanent. No, the queer romance isn't resolved happily. No, Agatha doesn't have a redemption, satisfying or otherwise. And no, none of it follows what we've come to expect from found family story trajectories.

But the focus shouldn't be solely on the decay. There's a whole cycle of growth coming up after it, even now, and it's being made possible by the death and decay that we just witnessed. And most importantly, it's confirmed that this isn't the end of the story - just the end of "Agatha All Along."

---

I'll finish by actually answering your question - I've been sitting with the finale for a few days, because I also felt weird about it. And I think that's the right word: "Weird." Very spooky season-esque, first of all, but also not tipping all the way right into "bad".

The first thing to acknowledge is that no story is perfect - they were limited by nine episodes by what they had the space to show, and finales are really hard to get just right. The second is that you're allowed to not like any or all of it, especially when something happens that asks you to change your entire understanding of the story thus far, i.e. the Road isn't real, or when you have a particular trauma around death and it turns out that that's what the whole show is about in ways we hadn't fully realized. The third is that it's worth sitting with stories sometimes and seeing how they marinate and develop in your brain and your soul over time. All of these things can and should coexist.

This isn't my first go-round with a series finale that initially made me ???, so I was fortunate in that I felt like I had a cheat sheet. I've still got some marinating to do to see how this continues to change for me. But it's helped me to realize that my ??? reaction is what the story wanted me to have - that the characters are reeling right along with me. Not just Alice in shock about her death, but also Billy at the implications of his creation of the Road regarding his responsiblity for what happened on it. We're meant to feel this way… and then we're meant to reconsider the journey we've been on, the Road we've walked with all of them and the death we've died alongside them, and see it anew for what it really is.

[bixels]

Be honest, what are your thoughts on appledash? Do you hate it or its more of not a big deal

Not a big deal to me. I like it, I see all the appeals, I just personally like Rarijack more.

[sandflakedraws]

Okay I’m not even into trolls or anything, but that height analysis was pretty cool and interesting lol

Any more things you analyzed? (Or even a fun fact, idk, just wanna see people talk about things they like)

i've analyzed quite a lot but one thing i haven't seen other folks fully explore is the horrific living conditions in that bottle.

i know why it's not covered in film, cause again, this story is a silly musical comedy for kids! and if it were given it's full appraisal, the tone of the movie would be absolutely shot.

...

but like,,,, it's so dang bad in there my dude. it's SO bad.

like, in it's upright position, the diamond's base isn't big enough for floyd to lay down on, without cricking his neck severely.

so even when we see him drifting to sleep, he's sitting. minimum 2 months of trying to sleep sitting up. (against a cold/hard surface no less)

(he's also got an instant-wake response to . someone lightly tapping on the door. . .)

oh and also! the air in there has gotta be super thin, as there is but a single breathing hole at the top of it, not even as wide as a troll finger.

and that's ! when it's not capped off ! most of the time, it's got the spritz cap on, making it even harder for any air to circulate in there.

while we're at it ; since that's the only opening (no clasps, no grooves, no visual indicators that it can open via any other method at all, hence the film's conceit that the brothers need to hit the PFH to free him), i'm inclined to believe that it's also the only way to get food to him...

... which is to say you can have your pick of many terrible options for that. whether velvet & veneer tried to mash something through there, or have him sip from the world's worst gerbil feeder,

or they just. didn't feed him at all. and he's only alive because it's a magic world.

wHICH IS STILL SAYING NOTHING ABOUT HOW THEY ACTUALLY HANDLE HIM

plugging those excerpts cause. y. yeah... they're not gentle with him at all. bro is Bruised to all hell.

.... and none of this has to do with the actual core threat in the movie, which is having his core forcefully ripped from his body, leading to the whiteness and crystallization we see goin on.

in conclusion i need way more art/fics covering floyd's recovery okay? okay.

[insertsomthinawesome]

[requests are closed] Anon i'm sorry this is so late I finished these months ago. I meant to draw more but never got around to it UUUH. SORRY SLDKJSLDGKJSD I love them so much. I need to draw them more. ;;v;;

-NO ROMANCE INCLUDED-

[gabe-lovebot]

councilor 3D model

i learnt 3d modelling from the ground up to bring him to life. he's yours now. do whatever you want with him

[link]

please credit me if you make something using the model (or even ping/link me to it, i would love to see what you made!)

currently available as a .blend, .fbx and an SFM port.