#and when i post about being sad its just sort of obnoxious
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electronicmail · 2 months ago
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Firefox-official vs electronicmail
Hydrogen bomb vs coughing baby
okay come up with a better idea then. firefox-official is gone asshole it’s electronicmail or nothing
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lillified · 1 year ago
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Just curious, why do you ship Megastar?
[long post incoming, apologies, you activated my sleeper phrase]
Short answer: I like these characters and their potential. I like the idea of them, and I made up new versions because I want to see their dynamic and subtext taken seriously, and not flanderized/made into a meanspirited joke by media that is supposed to be "mature"
Long answer:
when i was watching transformers as a kid i was really interested in the dynamic of two characters who are mean and jaded and instinctively push eachother away, but work extremely well together. i didn't really understand coding yet, but in my interest in the decepticons as an entity with an ideological identity that wasn't just "bad guy" (transformers was like. the first time i really started thinking about deeper meanings and propaganda in media, which probably explains why i am as obnoxious as I am) I was always sad with how megatron and starscream never really got the chance to have their dynamic approached in a different way. in a lot of ways those two are the heart and soul of the decepticons, and I've always thought that putting more care and attention into their relationship and not just writing it off as a cruel plot device would be the first step in having a more nuanced view of the Decepticons as a whole
personally I believe that, in a similar way to batman and the joker, those two have always had a dynamic that kind of blurs the lines, and at times is outright suggested. unfortunately though, like batman and the joker, over time an unwillingness to engage with the reality of that uncomfortable, sort of meanspirited coding just led to the near-sighted stereotyping becoming crueler and more abusive. acknowledging that it exists at all means acknowledging there was that bias, so the "joke" was just repeated until it became the only thing their interactions were really known for. it's an act of flanderization, and that makes me sad
i guess my case in point is--they have a lot of potential that just isn't realized. even in places where their relationship is given depth there's still almost always this really tonally dissonant violence to their interactions that's never unpacked, not really, because how are you going to sell toys of that? moreover, how are you going to make megatron "redeemable" after that? what could be considered strange, poorly executed slapstick in its origin became aesthetically worse and worse, but was never given serious thought--and I think that makes the story, overall, worse! "maturing" the brand didn't make it smarter, it just made an elephant in the room, and now Transformers is so locked in to its decided status quo that we haven't had a different perspective on any of these characters since Animated.
I apologize for the rant, but it's something I think about alot and your question is somewhat related to that. I'm frustrated by how dismissively these characters are written in versions of Transformers that are supposed to "smart" and "mature", I'm frustrated by how that negatively impacts the story, and I'm frustrated by how the people who like these characters can be dismissive of it. I think there's a lot of story potential and thematic insight into the decepticons that can be gained by looking at these two as characters with a history, and not just a bad joke! I think that you can have all the best parts--the sabotage, betrayal, bitterness, and the irony of someone you refuse to trust who still manages to know you better than anyone else, and have that shown through actions and character development, and actually written instead of having to be overscored by unintelligible violence for the sake of being "dark" and reaffirming, in the cheapest way possible, that you're looking at characters who are evil! I want to see that in a story!
my work is honestly not really about what I think transformers IS, or HAS to be, but what I think it has the potential to be, and what my interpretation of the themes means to me. I want to see all of the Decepticons viewed with a different lens, and these two are probably the most important Decepticons, both on a story/thematic level and a cultural one. transformers was the first piece of media I was really consciously critically thinking about, entirely by chance, and in the interest of art and human expression I want to make something different that is interested in being more thoughtful
anyway, sorry again for rambling. I might delete this later to keep my page clean, but I appreciate the question! I'd give more specific examples of why I like the stuff I made up but those would be spoilers.
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n3v3r-trust-th3-living · 3 months ago
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And finally....the moment of truth...
So ive been working at a movie theater over a year now and used one of my movie passes to see Beetlejuice beetlejuice and my short review of it?
SPOILERS BELOW
3-3.5 out of 5 or 6-7 out of 10 so good/pretty good like slightly above mid.
But I still liked and enjoyed it a lot, it was fun and I liked the nostalgia fuel being a fan since childhood in the late 90's and 00's and I plan to see it 2 more times, once in 4DX (thank you employee discount). I also have merch put aside for me at work lol
The good
It was fun, well acted, practical effects were great, music was well implemented into their scenes and great choices of music, Catherine O hara stole the show as Delia, sets looked amazing, especially the netherworld iim glad we get to explore more of it.
I liked the jeremy twist (although the hints were kinda obvious to me At least to me). Their parallels to Beetlejuice and Lydia were good and i also felt a parallel between Jeremy and Beetlejuice's teen death rocker alter ego he used to trick lydia from the original unused script, Maybe iits just mee tho.
It is sad to see Lydia become a shell of herr self over the years not tto mention addicted to pills but i think its an interesting way to go especially with her ptsd from beetlejuice, I can see it. (I just wish they used this more as an explanation on her current state and the rift in her relationship with Richard and Astrid as well as as lydia's powers)
I enjoyed the parallels too the musical seeing lydia sort of adopt Charlie's role and astrid be in the shoes that musical Lydia was interesting. Not sure how intentional it was with that or if it was intentional at all tho.
the not so good
The begining slogs a bit, and once we pick the pace up it feels rushed especially during the wedding after the musical number (which Was good), other parts seem rushed too, it feels like a lot going on at once like they pushed multiple ideas for sequels all together which also gave a lot of new characters barley anything to do and made me feel liike they're kinda useless.
I love Delores, im absolutely self shipping with her but it feels like shes just there for eye candy and to be the ficy "other woman" trope.
Willam Defoe's character is fun in theory especially a cocky actor/stuntman playing a cop who died from a scene and is a wannabe cop in the afterlife but in execution he feels pointless.
I wanted to like Astrid more, im glad she wasn't like horribly written, I LOATHE when activist characters especially young ones are written by people who make them unlikable and obnoxious but she felt kinda .... boring sorta like a bit of a rehash of movie and musical lydia (with a dash of cartoon) in one but we only get glimpses into her interests and a lot of it is similar to Lydia even the activist part. And yeah obviously she can share interests with her parents I get she probably got it from them but i wanna know other stuff about her. Although a thing i do like is she is a sceptic while Lydia knows the paranormal exist.
Sorta related to that above there's a bunch oof cool ideas i wish weren't rushed through or they'd explore more.
we also get more netherworld lore which is cool and good but some of it leaves more questions then i had for years with the original.
lastly because this is my biggest Tim Burton beef is that there was still racial stereotypes in the film, he has learned bit over the years with Wednesday but it's still obvious he has some way to go with the Asian dry cleaner and the Soul Train scenes where we see most of the black characters in the film mind you probably the most black people we've seen in any Tim Burton film LOL (speaking as a black fan)
WOW uh I wrote way more than expected lol i have more thoughts but that's it for now, hopefully I will be posting here more in the near future.
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mikarchive2 · 1 year ago
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the amount of mutuals who softblocked me because of this era im in makes me really sad to be honest... its not like i didnt have annoying hyperfixations in the past? and people were usually okay with it? i always wonder if its the Problematicism of kuro that makes mutuals leave or if im really just being unbearably obnoxious this time. oh well. no hard feelings i guess but its sort of jarring when people post about how they consider their mutuals real friends but when you dare to go full weird girl theyre like. bye
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ashersbraincell · 2 months ago
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Because I’m so normal about R.I.Producer’s music
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I have, despite not necessarily ALL of the lyrics fitting them, assigned this song a “Wonderland Gidget and Orlam antagonise Iggy and Genzou respectively with their god complex” interpretation :3
Below the cut is some specific thoughts on certain lyrics :
“Here goes an imposter a stain on this world
whining in a fit until their story's been heard”- gives me the tree commenting on both Gidget and Orlam. Particularly how they’re a “stain” on the original innocence etc etc
“with nothing nice to say
I won't be saying anything at all”-like to imagine this as Orlam putting himself above Genzou, like commenting on how Genzou just sort of lets his mouth run being mean and shit, and showing how he’s “above” that and won’t do the same, despite the subtext of such a saying being that you DO have something “not nice” to say/don’t have anything nice to say which both obviously paint an obvious picture. In short? Passive agressive
“but how do you think I feel?
they're but the dirt beneath my heel
I gaze upon the many from my mighty throne”-just Orlam’s god complex with being king and all
“yes, look at me in fear
I'd like for you to disappear”-obviously Orlam to Genzou
“no, I shouldn't have to say I'm sick of your nerve and your gall
I'd grab the fire in your eye and I'd drown it 'til it's gone”-this just reminds me of Arc 1 Orlam literally boiling Genzou alive
“oh, everyone around me knows I'm the best of them all
the level I'm on above and beyond your kind and assuming, I tried to play nice”-Originally both Gidget and Orlam, but then with the transition in the word “kind” it transitions to Gidget, because well yk, they were less upfront and obnoxious about their god complex at first, and generally appeared kind
“but when I hear the hubris that spews from your mouth
that's not something you should be bragging about” - I’m sorry but this just GIVES Orlam to Genzou idk what to tell you
“oh, now here we go again
acting like we're the best of friends
you cry: "I wish that I could be like that someday!"
blame all belongs to you
you can't conceive of something new
it's sad, I'll never tell you what I wanna say
no, I'll never let them know I've had it with 'give it your all'” OMFG ITS LITERALLY GIDGET LIKE. At first I’m specifically thinking of that scene when Iggy out of jealousy was the snapping point in Gidget falling head first into conformity to gender roles. The one crying “I wish I could be like that some day” is Gidget post this. And then “you can’t conceive of something new” is a last ditch snap at both Iggy AND their mom at being unable to accept their gender identity, before giving up in the last line, resigning to giving it their all in trying to impress and appease what would be a stereotypically successful “female” life
“so give me all of your applause, 'cause as you may recall
the level I'm on above and beyond your kind
anticlimatic the scene of the crime
no one can blame me for taking what's mine
I showed them my world and yet still I'm defied
now how could one think that behavior is right?”-Just Wonderland Gidget, I don’t think I really have to explain
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tinseltine · 2 years ago
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#7 – THE MENU | Searchlight Pictures | Director Mark Mylod | Writers Seth Reiss & Will Tracy - In what feels like a former lifetime now, I once intended to be a chef.  Upon graduating high school, I was accepted into a chef’s apprenticeship program, of which I did one semester; where I was pretty badly burned, had to roll 500 chicken cordon bleu, and came to the conclusion I hate working weekends, all of which and more, promptly ended my culinary dreams. When I started Tinsel & Tine, I had intentions of going to a movie and a restaurant in the same night and reviewing both in the same post. If there were tie-ins great, if not, fine. I just liked the idea of marrying food with film.  I followed that format exactly once :/ 
Then I said I’d focus in on films which hone in on food/dining/cooking – if there are 10 foodie films covered on this site, I’d be surprised.  But had I done what I set out to do, this movie, THE MENU would have been the culmination of the meeting between food and film!It is stupendously written by Seth Reiss (Late Night with Seth Meyers) and Will Tracy a writer on SUCCESSION (which I still have to watch) who must have given his boss, Mark Mylod, Director/Producer SUCCESSION, first dibs. Mylod admits to never having been a foodie, yet felt the script just nailed the concept. 
What I love is how immersive it is. This is extensive real-life world building at its best. You know this place, this experience exists. A remote island restaurant known for its storytelling, molecular gastronomy, overseen by a celebrated chef – Julian Slowik (Ralph Fiennes), who charges $1,250 a head, should you be lucky enough to get a reservation.And you can imagine the type of guests it would attract:  A wealthy, older married couple (Reed Birney & Judith Light) who no longer really have anything to say to each other, but they’re both so used to being comfortable in every sense of the word, they’d never change their status quo.A has-been celebrity with a bloated ego and need to be recognized (John Leguizamo). Dining with his personal assistant (Aimee Carrero) who detests and feels a sort of kinship with her employer.An obnoxious food critic, so in love with her own pseudo-intelligence and power, she reeks of it (Janet McTeer) dining with her editor who falls over himself to please and stroke her ego (Paul Adelstein).A table full of Wall Street Bros, insufferably entitled, assuming the rules don’t apply to them as minions to the Angel Investor of the restaurant (Arturo Castro, Mark St. Cyr and Rob Yang).And the young couple, on the surface it seems that he’s so overly obsessed with his epicurean pastime that he’s oblivious to anything and everyone else, except Chef.  She just seems like a relatively new girlfriend along for the ride to be accommodating.  (Nicholas Hoult & Anya Taylor-Joy).
Truly, being on the beautifully barren island of indigenous foods, having each preposterously, highfalutin course displayed and described in detail, along with the character-driven conversations at each table, seemed like the movie to me – one I was enjoying. But then it kicks into high gear as a black comedy and you’re really in for some surprises. And yet the film retains a sense of believability. What really works are the scenes between Taylor-Joy and Fiennes. These two are a recipe of unexpected flavors. 
However, as original as The Menu feels, it also has a lot in common with Glass Onion: A Knives Out Mystery and Triangle of Sadness, all three taking place on an island and making commentary about the ostentatiously privileged.  It also reminds me of TÁR (#4) another immersive, authentic feeling film. Both Lydia Tár and Julian Slowik are geniuses who have reached beyond the pinnacle of their careers, and seem to be self-sabotaging, in order to once again experience the thrill of climbing to the top.
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thebibliosphere · 3 years ago
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So I'm currently unemployed because I got fired for taking too much sick leave (it was legally sketchy blah blah blah but in the end I just can't work and take care of myself and investigate my mystery health problems at the same time). So I've been spending more time writing!
I really admire your writing and loved Hunger Pangs. I'm looking forward to the poly elements developing and I'm wondering if you have any advice for writing about poly. I've made one of my projects a snarky take on "write what you know" ... Apparently what I know is southern gothic meets Pacific northwest gothic, chronic illness pandemic surrealism, and falling back-asswards into threesomes.
I know this is a very open-ended question and I don't expect an answer, I'm just curious about it if you have the energy. As a writer, trying to write honestly / realistically about polyamory/enm, I'm curious if you have any thoughts on what's different about portraying monogamy or nonmonogamy in books, romance or erotica or otherwise.
I'm trying to read examples but it's hard to find examples that fit the niche I'm looking at. Excuse me if this question is nonsense, it's the cluster headaches.
I'm sorry to hear you've been dealing with all that and solidarity on the cluster headaches. But I'm glad you're finding an outlet through writing! And I hope you're happy with an open-ended ramble in response because oh boy, there's a lot I could talk about and I could probably do a better job of answering this sort of thing with more specific questions, but let's see where we end up.
There's definitely a big difference between writing polyamory/ENM (ethical non-monogamy) and what people often expect from monogamous love stories.
Just even from a purely sales and marketing standpoint, the moment you write anything polyamorous (or even just straight up LGBTQIA+ without the ENM) you're going to get considered closer to being erotica/obscene than hetero romances. It's an unfair bias, but it's one that exists in our society. But also the Amazon algorithm and their shitty, shitty human censors. Especially the ones that work the weekends. (Talking to you, Carlos 🖕.)
So not only do you start out hyper-aware that you're writing something that is highly stigmatized or fetishized (at least I'm hyper-aware) but that you are also writing for a niche market that is starving for positive content because the content that exists is either limited, not what they want, or is problematic in some fashion i.e. highly stigmatized or fetishy. And even then, the wants, desires, and expectations of the community you're writing for are complex and wildly varied and hard to fit into an easy formula.
When writing monogamous love stories, there is a set expectation that’s really hard to fuck up once you know it. X person meets Y. Attraction happens, followed by some sort of minor conflict/resolution. Other plot may happen. A greater catalyst involving personal growth for both parties (hopefully) happens. Follow the equation to its ultimate resolution and achieve Happily Ever After. 
But writing ENM is... a lot more difficult, if only because of the pure scope of possibilities. You could try to follow the same equation and shove three (or more) people into it, but it rarely works well. Usually because if you’re doing it right, you won’t have enough room in a single character arc to allow for enough growth, and if ENM requires anything in abundance, it’s room to grow.
And this post is huge so I’m going to put the rest under a cut :)
There's also a common refrain in certain online polyam/ENM circles that triads and throuples are overrepresented in media and they may be right to some extent. Personally, I believe the issue isn't that triads and throuples are overrepresented, but that there is such minuscule positive rep of ethical non-monogamy in general, that the few tiny instances we have of triads in media make it seem like it's "everywhere" when in actuality, it's still quite rare and the media we do have often veers into Unicorn Hunter fetish porn. Which is its own problematic thing. And just to be clear, I’m not including this part to dissuade you from writing "falling back-asswards into threesomes." If anything, I need more of it and would hook it directly into my brain if I could. I'm just throwing it out there into the void in the hope that someone will take the thought and run with it, lol.
I’d love to see more polyfidelitous rep in fiction, just as much as I’d like to see more relationship anarchy too. More diversity in fiction is always good.
Another thing that differs in writing ENM romance vs conventional monogamy is the feeling like you need to justify yourself. There's a lot of pressure to be as healthy and non-problematic as possible because you are being held to a higher standard of criticism. Both from people from without the ENM communities, and from the people within. Granted, some people don't give a shit and just want to read some fantastic porn (valid) but there are those who will cheerfully read Fifty Shades of Bullshit and call it "spicy" and "romantic," then turn around and call the most tooth-rottingly-sweet-fluff about a queer platonic polycule heresy. That's just the way the world works.
(Pro-tip for author life in general: never read your own reviews; that way madness lies. I glimpsed one the other day that tagged Hunger Pangs as “ethical cheating” and just about had an aneurism.)
And while that feeling of needing to justify yourself comes from a valid place of being excluded from the table of socially accepted norms, it can also be to the detriment of both the story and the subject matter at hand. I've seen some authors bend so far over backward to avoid being problematic in their portrayal of ENM, they end up being problematic for entirely different reasons. Usually because they give such a skewed, rose-tinted perspective of how things work, it ends up coming off as well... a bit culty and obnoxious tbh.
“Look how enlightened we are, freed from the trappings of monogamy and jealousy! We’re all so honest and perfect and happy!”
Yeah, uhu, sure Jan. Except here’s the thing, not all jealousy is bad. How you act on it can be, but jealousy itself is an important tool in the junk drawer that is the range of human emotion. It can clue us in to when we’re feeling sad or neglected, which in turn means we should figure out why we’re feeling those things. Sometimes it’s because brains are just like that and anxiety is a thing. Other times it’s because our needs are actually being neglected and we are in an unhealthy situation we need to remedy. You gotta put the work in to figure it out. Which is the same as any style of relationship, whether it’s mono, polyam or whatever flavor of ENM you subscribe to* And sometimes you just gotta be messy, because that’s how humans are. Being afraid to show that mess makes it a dishonest portrayal, and it also robs you of some great cannon fodder for character development.
Which brings me in a roundabout way to my current pet peeve in how certain writers take monogamous ideals and apply them to ENM, sometimes without even realizing it. The “Find the Right Person and Settle Down” trope.
Often, in this case, ENM or polyamory is treated as a phase. Something you mature out of with age or until you meet “The One(tm).” This is, of course, an attempt to follow the mono style formula expected in most romances. And while it might appeal to many readers, it’s uh, actually quite insulting. 
To give an example, I am currently seeing this a lot in the Witcher fandom. 
Fanon Netflix!Jaskier is everyone's favorite ethical slut until he meets Geralt then woops, wouldn’t you know, he just needed to find The One(tm). Suddenly, all his other sexual and romantic exploits or attractions mean nothing to him. Let's watch as he throws away a core aspect of his personality in favor of a man. 
Yeah... that sure showed those societal norms... 
If I were being generous, I’d say it’s a poor attempt at showing New Relationship Euphoria and how wrapped up people can become in new relationships. But honestly, it’s monogamous bias eking its way in to validate how special and unique the relationship is. Because sometimes people really can’t think of any other way to show how important and valid a relationship is without defining it in terms of exclusivity. Which is a fundamental misunderstanding of how ENM works for a lot of people and invalidates a lot of loving, serious and long-term relationships.
This is not to say that some polyam/poly-leaning people can't be happy in monogamous relationships! I am! (I consider myself ambiamorous. I'm happy with either monogamy or polyamory, it really just depends on the relationship(s) I’m in.) But I also don't regard my relationship with a mono partner as "settling down" or "growing up." It's just a choice I made to be with a person I love, and it's a valid one. Just like choosing to never close yourself off to multiple relationships is valid. And I wish more people realized that, or rather, I wish the people writing these things knew that :P
Anyway, I think I’ve rambled enough. I hope this collection of incoherent thoughts actually makes some sense and might be useful. 
----
*A good resource book that doesn't pull any punches in this regard is Polysecure by Jessica Fern. It's a wonderfully insightful read that explores the messier side of consensual non-monogamy, especially with how it can be affected by trauma or inter-relationship conflicts. But it also shows how to take better steps toward healthy, ethical non-monogamy (a far better job than More Than Two**) and conflict resolution, making it a valuable resource both for someone who is a part of this relationship style***, but also for writers on the outside looking in who might have a very simple or misguided idea of what conflict within polyam/ENM relationships might look like, vs traditional monogamous ones.
** The author of More Than Two has been accused of multiple accounts of abuse within the polyamorous community, with many of his coauthors having spoken out about the gaslighting and emotional and psychological damage they experienced while in a relationship with him. A lot of their stories are documented here: https://www.itrippedonthepolystair.com/ (warning: it is not light material and deals with issues of abuse, gaslighting, and a whole other plethora of Yikes.) While some people still find More Than Two helpful reading, there are now, thankfully, much, much better resources out there.
*** Some people consider polyam/ENM to be part of their identity or orientation, while others view it as a relationship style.It largely depends on the individual. 
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venfx · 4 years ago
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magnus fic roundup
as tma comes to a close, i thought i'd post some of my favorite fics to come out of this fandom. most of these are classics, listed in no particular order.
A Weather In The Flesh by @cuttoothed​ | 3K | S1-S4 | Jon/Martin | Complete
"There is a span of years where Jon doesn’t touch anyone other than the occasional hand shake. It’s not so bad. He’s never been someone who’s needed physical affection."
Jon has never been any good at making people want to stick around.
↳ this is such a well-done exploration of jon’s character and his relationship with touch, and i’ve re-read it at least five times. sweet and sad and phenomenally well-written.
in the chillest land and on the strangest sea by imperfectcircle, singlecrow | 20K | Safehouse, S1-S4 | Jon & Daisy, Jon/Martin | Complete
Jon remembers a statement he read years ago given by a Jesuit priest, who said that the shortest prayer he knew was, just, fuck it, as in fuck it; it's in God's hands. He takes Daisy's hand and trails on after her.
or; hope is a thing with feathers.
↳ hey, you wanna fuckin..... feel things? read this.
The Magnus Institute vs the 21st Century: a series of emails and IMs by shinyopals | 26K | Series | S3 | Pre-Jon/Martin | Complete
The Magnus Institute hires a Data Protection Officer. He sets about diligently booking in meetings, writing policy documents, and training all the staff in the importance of confidentiality. Now if only he could get hold of the Head Archivist, who seems to have vanished again...
(Jon is only trying to save the world, but apparently some people think he should still be doing his day job.)
↳ i’d be surprised to find people who haven’t read this series, but it’s the definition of “the magnus archives is a workplace comedy”. also, alasdair stuart has actually read some clips of this on Twitch, so that’s a fun bonus.
Bell, Book, and Candle by yellow_caballero | 102K | Series | S3 into S4 | Jon/Martin | Complete 
In accordance with the Ride or Die Pact of 2009, Jonathan Sims can call upon Georgie Barker at any time for aid with no strings attached. Despite their rocky history, their childhood friendship, and Jon’s barely recovered alcoholism, this pact is sacred and must be upheld.
Georgie Barker may regret this. She may regret it when she discovers that the world is full of monsters and eldritch gods and dickhead managers. She may regret it when a punk rocker who should be dead collapses on their doorstep, a teenager again who needs their help. She may regret it when her stupid ex-boyfriend starts selling his soul for knowledge and the ability to keep his new family safe.
But she probably won’t. Georgie isn’t scared of anything - not a Clown’s apocalypse, not the apocalypse that Jon is destined to begin, and not Jon’s own loss of humanity.
Maybe she should be.
↳ if you’re looking for an everyone-lives-no-one-dies-happy-ending fic that also happens to be massively chaotic, look no further. 
The Reverb in These Holy Halls by @wolftraps​ | 98K | AU, S1-S4 | Jon/Martin | Complete
Undoing the apocalypse would have been enough for Jon, if all his people survived. Without them, Jon's only recourse is making it so it never happened in the first place. He's going to do better this time.
↳ quintessential time travel AUs. plot-wise, i feel like these can be difficult to write, but op does a fantastic job of tying things together in a way that makes sense. plus, it’s just fun to read.
jon sims v the nhs by @thoughtsbubble​ | 12K | Series | S3 | Complete
Joan Bright has a new patient. He's carrying an old tape recorder and is covered head to toe in scars. Jonathan Sims looks dangerous, but Dr Bright has dealt with all sorts of atypical individuals. She has no reason to be nervous.
Right?
↳ if you’ve ever thought “hey, jon should probably go to therapy”, then 1) you’re absolutely right and 2) this is... probably what would’ve happened. prior knowledge of The Bright Sessions is not required. also, apparently, this fic is written by the showrunner of The Underwood Collection? wild.
Family, Found by Dribbledscribbles | 9K | S4 | Complete
It’s Basira who catches onto it.
The collective shift that seems to come over them when heading in or out of the Institute. Not just the oppressive sensation of being observed, their every move catalogued for the voyeuristic cravings of some unseen Eye(s). That feeling remained with them even when they left the Institute these days, but it was always stronger inside its walls. That wasn’t the change. Nor was it the point.
The point was: making life worse for Jonathan Sims.
↳ i think being part of the avengers fandom circa 2012 has given me permanent found-family-trope brainrot, but you know what. jonathan sims can have a little happiness, as a treat. 
Road to Damascus by @titanfalling​ | 107K | Series | S4 | Jon & Tim | Complete
n. an important moment of insight, typically one that leads to a dramatic transformation of attitude or belief
Or, in which Tim becomes an avatar for the end of all things.
↳ tim dies and then he doesn’t. there is catharsis and world building. just....read it.
Come, Change Your Ring With Me by @backofthebookshelf​ | 29K | S3 | Peter/Jon, Jon/Martin, Peter/Elias | Complete
The Lukases demand the Archivist marry into the family, and the Institute relies on them too much to say no. Peter is smug. Elias is fuming. Martin is suffering. Jon thinks this might be tolerable if only Peter would hurry up and leave him alone already.
OR, the soap opera we call an Archives revolves around Peter Lukas this time.
↳ superb evil-bastards-in-love content, feat. martin pining, tim being obnoxious, and jon being... well, tired, mostly. i will literally never get tired of how op writes peter. 
creatures that i briefly move along by @dotsayers​ | 16K | Series | AU, Post-S4 | background Jon/Martin 
Mr Sims was so weird, was the thing. Miss Grant always said calling people weird was rude, and Anna sort of agreed, but she didn’t know what other word to use to describe Mr Sims.
He’d only been in with the class for a few days, really, and half of that he just sat at the back listening, but that didn’t stop her from making a swift judgement. 5BG had had student teachers before, back when they were 3ST, and they’d been uniformly normal.
Mr Sims was… actually, Anna had a better adjective. He was interesting.
↳ i just.... love teacher!jon fics. this series delivers. 
Once Bitten by @apatheticbutterflies | 1K | S4 | Jon & Daisy | Complete
Jon Sims has always been a jumpy kind of guy. Nervous. Twitchy. Daisy used to think it meant he was guilty. Turns out he was. Just not of what she’d thought.
Daisy learns how to peel an orange.
↳ daisy and jon’s relationship is an example of an instance where i’m happy to say “fuck what you wrote mr. jonny ‘chocolate torte of tragedy’ sims, i want them to be friends”.
pins and needles by mutterandmumble | 13K | S1-S4 | Complete
He’s got a reputation to uphold anyways; an uptight, rigid reputation that dictates the way that he interacts and functions and is such an integral part of him that he can’t let go of it anytime soon. He likes his safety nets. He likes his contingencies. He likes his privacy, and everything around this place right down to the walls seems to have ears, so he’ll stay tight-lipped up to and beyond the threat of death.
He’s good at that.
In which Jon takes up embroidery and bumbles through life the best that he can.
↳ out of all the introspective jon pieces i’ve read (and there are many), this one stands out. maybe it’s the symbolism or the characterisation, or maybe it’s the fact that i have an embroidery kit lurking in the back of my closet along with a hundred other half-pursued hyperfixations. whatever. this is excellent.
sleeping in by @ivelostmyspectacles | 5K | S2 | Jon/Tim | Complete
“Who are you trying to convince?”
Jon gives up, letting his head sag against Tim’s shoulder. “I don’t know.”
aka Elias gets tired of Jon and Tim's bickering, sends them away for a "team-building" weekend trip, and is sure to book them a room with only one bed
↳ this has everything you’d need from a “oh no there’s only one bed” fic. someone please get these men therapy.
if you try, sometimes (you get what you knead) by @ajcrawly​ | 3.5K | S1-S4 | Jon/Martin, Tim/Sasha | Complete
It starts with an abundance of boeuf bourguignon and ends up as a team tradition.
Food and love in uncertain times.
↳ more found family fic, this time with a diverse og!archival staff and food as a metaphor for love. hurt in all the right ways. made me hungry in the process.
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nugnthopkns · 4 years ago
Text
don’t say you miss me
word count: 5.5k
warnings: explicit!fem reader, references to sex but nothing explicit, cursing, recreational drug use (marijuana), alcohol consumption, there is no happy ending
recommended listening: overnight | maggie rogers
series masterpost: here
a/n: second installment of hiiapl! little overnight inspired ditty that i’m actually pretty proud of. i’m having so much fun with this it’s insane
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You had never meant to get attached.
It was a lot easier said than done – especially with Kevin. He was loud and obnoxious, sure, but it was part of his charm. When you first met him, outside a club in downtown Winnipeg, you were blown away by his duality. He had been so loud with his group but quietly brought you a bottle of water after you puked on the sidewalk. After insisting you take his number so you could let him know you got home safely, Kevin convinced you to go to dinner with him. One meal turned into several and before you knew it you were engaged in a casual fling with the Winnipeg Jets’ newest centre. It was mostly sex, with the ocasional interaction outside of the bedroom, but something about Kevin made it feel like more than just a hookup. Over the few months you slept together your feelings shifted, and you began to harbour a rather large crush.
Just when you were going to take the leap and talk to Kevin about getting serious fate reared its ugly head. After only being in Winnipeg for six months, electing to not return to Massechusettes right away after the Jets playoff run finished, Kevin was traded out of the city. The news split your heart in two – there was no way the two of you could become a couple. Though long distance could have been an option, you weren’t going to ask him to commit to that. Being a professional athlete is tough as is, and having a girlfriend a six hour flight away was extra stress you refused to put on Kevin. 
The last night you spent with Kevin was emotional. Lots of tears were shed, mostly from you. You knew he was compartmentalizing it all and trying to not let you know how much the trade was affecting him. Whenever the two of you had talked about hockey, Kevin was always quick to mention how much he loved Winnipeg and how much he wanted to stay. Neither of you talked much, too focussed on wallowing in sadness and committing each other’s bodies to memory. He left the next morning, and there was a silent agreement that whatever the two of you had was over. It was fun while it lasted but now you both have to be adults and get on with life. 
☼☼☼☼
Nearly six months later you consider yourself to be getting on with life just fine. You’ve got a better paying job, a new apartment, and enthusiastically throw yourself into any project that’s presented. To others, however, you’re barely hanging on. Any time you get a text notification, you hold your breath until a name flashes that isn’t Kevin’s. A notification from Instagram saying he viewed your story makes your heart beat three times as fast. You constantly check for updates on how he’s playing, and watch as many Flyers games media blackouts will allow just to catch a glimpse of his face. No matter how hard you try, you just can’t shake Kevin Hayes. 
“They’ll be in town this weekend,” your best friend Rachel says. “Are you gonna reach out to him?”
You nearly drop the carton of chinese food you’re eating on the floor. “I didn’t know that,” you stammer, trying to make your surprise believable. Kevin will be back in Winnipeg for the first time since being traded. You knew this already, of course, because you have the Flyers scheduled imprinted in your memory.
She narrows her eyes at you. “Don’t fucking lie to me. You knew they were coming to town. The NHL app stays open on your phone at all times.”
Caught in your lie, you can do nothing but duck your head. You’ve thought a lot about what you’re going to do. Should you send him a text, let him know you’re available after the game? Or should you ignore him completely and make it seem as though you’re doing much better than you are?
“I don’t know Rach. I’ve never had a sort of ex come back to the city he left me in.”
“He didn’t necessarily want to leave you,” Rachel points out. “He got traded. If you want my two cents, I don’t think you should give him a call. You need to move on, not stay stuck in the past.”
Your friend is right, and you know that’s what you should do. Moving on from Kevin would be easier if you didn’t try to contact him. He hasn’t reached out to you so you assume you’re the only one in the relationship still struggling to come to terms with his departure. You struggle with the decision until puck drop, but ultimately decide against texting him. It simply wouldn’t be beneficial for your fragile heart. 
A small group of friends has gathered at Rachel’s to watch the game. You’re lucky, or unlucky, to run with a crowd of die-hard Jets fans who get together any time they play, whether it’s at someone’s house or a sports bar around the corner from the arena. Though you tried your best to get out of it tonight, making up any excuse you can think of to stay at home and sob quietly into a pillow, Rachel knows better than to let you be alone and forces you to be in attendance. 
It’s a pretty quiet game with the Jets dominating the first two periods. The Flyers are sluggish, not connecting passes and taking far too many penalties. You’re pretty sure Winnipeg has it in the bag when the puck drops for the final twenty minutes of play, so you turn your attention away from the television, picking up a conversation with Christina, the girl your friend Tyler brought along. 
Some choice words must have been said to the Flyers in the intermission because they come out swinging. Before you can comprehend what’s happening, they’ve tied the game. The period is full of contact, with multiple players from each team spending time in the penalty box. Your attention is once again returned to the large screen for the final few minutes, and your jaw drops as you watch Kevin dangle through the Jets defence to sink the puck into the back of the net. It turns out to be the game winning goal, and you sit in silence as your friends pay up the money they lost in bets and check their updated fantasy pool standings. Maybe you should text him. 
“Don’t fucking do it,” you hear Rachel whisper in your ear. Your other friends know of your past with Kevin, they were around and spent some time with him, but they don’t know how much you were still holding on. Everyone besides Rachel assumes you’re alright – that Kevin is just a blip in your past. 
You roll your eyes and sigh, but tuck your phone back into the pocket of your jeans. It stays there – out of sight, out of mind – until it buzzes some time later. Expecting it to be your mother hounding you for not calling in a while, you pull it out. A message from Kevin flashes and you go whiter than a ghost. 
Taking the boys out celebrating the big win. You in? 
The words, so casual, feel like a punch to the stomach. Why the months of radio silence just to ask to see him like you’re friends? Making sure that no one is paying attention to you, you quickly type out a reply. 
That’s not a good idea and you know it Kevin. 
You send the message and immediately turn off your phone. This way you won’t have to deal with the aftermath until much later. You allow other things to hold your attention and don’t head home until you’re so tired that it will be impossible for you to think about Kevin’s text. 
When you power your phone back up in the morning, you’re shocked to find that Kevin never responded. He obviously didn’t care too much about your absence, and part of you wonders if he was just being polite. It doesn’t make sense, but instead of letting your brain overthink the lack of response you throw yourself headfirst into cleaning your apartment. Hours later it’s spotless, and you slump onto the couch in a pile of exhaustion. You check your social media notifications, a few mentions from your friends about the shenanigans you all got up to the night before and your sister tagging you in a post letting you know she’d like to visit a specific beach the next time she comes to visit. Kevin’s profile photo sits at the top of your instagram feed, and before you can stop yourself you click to view his story. 
It’s a snapshot of his teammates with bright smiles on their faces. Each of them is holding a can of beer, and a few look as though they shared a joint before entering the establishment. The photo is captioned ‘glad to be back in winterpeg’ and is accompanied by a couple of snowflake emojis. Your heart clenches inside your chest – it hurts more than you thought it would to see him enjoying himself as though he has no bittersweet feelings about being back. It would be beneficial to unfollow Kevin, but you can’t force yourself to pull the metaphorical trigger and completely cut him from your life. 
Kevin leaves the next day for Vancouver. You know this because you watch his story yet again, and curse yourself for grasping at straws. Why must he have such a strong hold on you after so long? A call to Rachel has her driving to your place in minutes, ready to hold you while you cry and distract you from the pain that still lingers from his first departure.
☼☼☼☼
It’s easier to forget Kevin without him being in the city – you do your best, and eventually it sort of sticks.
He no longer crosses your mind every few days. You go weeks, sometimes a month or two, without thinking about him. It’s nice to no longer get sad when you enter a bar you frequented with him or wince when someone mentions how he’s playing. It also helps that he never returns to Winnipeg. 
There’s no reason for him to. The Flyers don’t play another away game against the Jets the rest of season, and as far as you know he doesn’t frequently talk to his old teammates. Your life fades into a quiet routine you come to love dearly. The world feels balanced for the first time since Kevin left and you’re nothing but thankful. 
Life moves on, and you find yourself succeeding in your career – so much so that you’re quickly offered a promotion. The change increases your workload and doesn’t leave you much of a life outside of work, but it doesn’t matter much to you. It’s a welcome distraction and keeps thoughts of Kevin out of your mind. No one comments on your genuine improvement, but you know they can see it. Rachel is proud, and she’s told you exactly once. It’s all you’ll get out of her so you take it and roll with it. The rest of the regular season passes without you so much as knowing, or caring, and before you know it there’s a notification for an article saying the Flyers were eliminated in the second round. For the first time you find it really hard to care.
☼☼☼☼
Summers in Winnipeg are your favourite. The city is warm for the first time all year and the flowers look beautiful in full bloom. With the promotion you’re afforded more vacation time, which you plan to take full advantage. There’s nothing you love more than hanging with friends in the sun, soaking up the rays, and casually drinking. 
The days bleed into one another in the way that all good summers should, and before you realize it it’s your last day at work for a week. It will be nice to be free from workplace constraints for a while, and your friends have the time off as well. The group of you are heading to a cabin on Falcon Lake where you’re sure lots of partying will take place. You suggested getting farther away, but settled on the area in case Tyler’s sister goes into labour. He’s a very family oriented person and offered to watch his nephew when the time comes. 
Four o’clock comes faster than you ever could have imagined, and you cheerfully wave goodbye to your co-workers. Some complain of your ability to leave during the busiest season of the year, but most of them wish you well. You put an immense amount of work into your job regardless of the quarter and know you deserve the break. If you don’t stop at the grocery store on your way you’ll be in trouble since you’re in charge of all the breakfasts and you currently only have a half-eaten loaf of bread that could go stale any day. 
You’re in the cereal aisle, deciding whether or not you really need Honey Nut Cheerios for the trip, when you hear his unforgettable voice. It’s loud and booming and brings back so many feelings that you’ve learned to repress that you turn on your heel and head to the nearest self checkout despite only gathering half the items on your list.
Back in your car, you dial Rachel’s number and try to regulate your breathing. 
“Hello?”
You don’t bother with any formalities. “Kevin is here.”
“In Winnipeg?” she asks, more than a tad confused. “Why would he be in Winnipeg?”
The interior of the Ford Escape you drive feels too small, so you crack a window and peel out of the parking space. Rachel’s voice reverberates throughout the car thanks to the bluetooth system. “I don’t fucking know, but he’s here.”
“I don’t think that’s possible Y/N,” Rachel says, always the realist. “He lives in Boston. What would he be doing in Winnipeg in the middle of July?”
You aren’t sure, and make sure to tell her so. “But it was him,” you swear. “He was in the grocery store.” You stop at a red light, placing your blinker on and checking both ways before turning right. A few more minutes and you’d be safely tucked away in your apartment, away from the world and the possibility of running into Kevin.
“There’s like a hundred tall gingers in the city babe, you didn’t see him.”
“You’re right, I didn’t see him,” you agree. “I heard him. How many tall gingers are there in Winnipeg with Boston accents?”
“Oh fuck. I’m coming over.” With that, Rachel hangs up, and you pull into the parking garage. You sit in silence for a minute or two before deciding your shaking legs can hold you upright. Perhaps you weren’t as over Kevin as you thought. 
Rachel spends the rest of the afternoon and evening with you, ensuring you don’t do anything stupid and letting you spew all your feelings, both good and bad. More than one bottle of wine is consumed, but you have more than enough time to nurse a hangover. If you play your cards right through the week this won’t be the only time you do it either. 
You wake up on top of your pristine sheets, Rachel grumbling beside you – she’s never been as good at holding her alcohol.
“What time is it?”
The alarm clock on your bedside table flashes a few numbers and you have to stare at them for a minute before you comprehend them. “Just after eight,” you say, sitting up. Surprisingly, you feel fine. Maybe the crippling weight of your feelings for Kevin cancels out the hangover you most definitely should be feeling. 
“We need to get going. Gotta pack the car and hit the road. I’m the one who needs to get the keys so we have to be there before everyone else,” she sighs, grumbling something else under her breath as her feet hit the floor. 
You just laugh at her and head into the kitchen. While Rachel showers you make coffee and pack the food into the ancient cooler your father gave you when you moved out many moons ago. It has served its purpose on several trips like this – you’ll be sad to see it go eventually. You switch places with Rachel, and once you’re feeling refreshed the two of you stuff your trunk and hit the road. 
The drive is rather uneventful, with the both of you sitting in silence, and it doesn’t take you long to approach your destination. Rachel is a poor navigator so you’re tasked with figuring out where you’re going and making sure you get there, but it could be worse. You have a general sense of where you’re going. Getting the keys is painless and you get to work unpacking your overloaded SUV.
“Do you think there will be other people around we can party with?” Rachel asks as you close the trunk for the last time. 
You shrug. “Don’t know Rach. It doesn’t look like it.”
She drops it, agreeing with you, and you separate to unpack your personal belongings. The cabin is large enough that no one has to share a room, which you’re grateful for. Though you love your friends dearly, they don’t always know what personal space is. At some point in the afternoon the rest of the group trickles in, and by dinner you’ve all settled and are ready to party. 
Tyler figures out how to use the ancient barbeque and sets to work cooking the burgers. Everyone else gets side dishes ready or sets the table, with Christine starting a bonfire. You don’t know her well, only having met her a few times, but your friend seems to be infatuated with her. She fits in great with the group so you aren’t worried about any awkward tension. Dinner passes in a fit of giggles and shouts, and once the dishes are done you can relax fully. 
The beer you grab from the fridge on your way out the door makes your insides fuzzy in the best way possible. By the fire, surrounded by those who care about you the most, you feel at peace. You’re yet to think about the sudden reappearance of Kevin in Winnipeg, and you’d like to keep it that way. Someone grabs the beat up acoustic guitar you found in the living room and thrusts it in your direction. You’d taught yourself to play in college, and it comes in handy for times like this. 
“I refuse to play Wonderwall,” you laugh, shooting pointed looks at each and every person sitting around you. 
“Come on Y/N,” Rachel groans. “Just once?”
“Fuck off.”
You don’t mean it, of course, and strum the opening chords with a grimace on your face. Tyler counts everyone in and they sing for you, which is appreciated. You might be decent at playing, but your singing voice is one that shouldn’t see the light of day if it can be helped. It’s more fun than you imagined it could be so one song turns into three, and before you know it your makeshift jamboree attracts the attention of the neighbours you didn’t know existed. 
Applause erupts from behind you, and you flush enough that your cheeks warm significantly. “You guys are so good I hate to disrupt the rhythm,” a deep voice says, “But do you mind if a buddy and I join you? We’re a little lonely by ourselves next door.”
Tyler’s out of his seat in a heartbeat, jumping up to pat the man on the back. “Of course man, come on over! I’m Tyler, and that’s Rachel, Christine, Marshall, and Y/N.”
You all wave politely, and the mystery guest introduces himself. “Nice you meet you guys. I’m Nolan.”
It’s then you get a good look at who you’re speaking to. He seems to be a few years younger than you, maybe early twenties, and he has a face you just can’t place. Maybe you’ve seen him around Winnipeg – the city is small enough that you can often spot the same faces in a crowd. “I’ll just yell at him to come over and we can get the party started,” Nolan explains, “Kev, bud, come on over! And bring a couple beers.”
All the blood rushes from your fingers at the name. You shake them intensely, willing your circulatory system to function properly again. If you had to hazard a guess there’s probably a million people in Manitoba named Kevin. There’s no reason for it to be Kevin Hayes. You’re most certainly still spooked from your near encounter with him yesterday. 
“Fuck Patty, you couldn’t come back and grab your own?” the emerging figure grumbles in the vocal stylings you’ll have imprinted on your heart until your dying day. Kevin is here, and if you don’t leave in the next few seconds you’ll be face to face with him for the first time in over a year. 
You stand abruptly, not stopping to explain your hasty exit to anyone, and practically run into the house. The door slams behind you and you do your best to make your heart rate return to normal. Tyler shouts something you can’t quite comprehend, but you know it’s probably some sort of reconnection greeting. He’d met Kevin a couple of times while the two of you were together and had gotten along with him well. 
“Hey,” Rachel whispers, “You good?”
You hadn’t heard her come in. “Not really,” you admit. “I mean like I knew he was in town but never in a million years did I think he’d crash my fucking vacation.”
She nods in agreement. “What do you want to do?”
“Stay in here forever?” An eye roll is sent your way but you choose to ignore it. “I’m serious Rach, I can’t go back out there, at least not tonight. Every time I think I’m over him he finds a way to make me realize I’m just faking.”
“I know,” Rachel says simply. She really does – as your best friend she’s privy to your every thought on the matter. After making sure that you'll be okay she heads back outside, armed with an excuse for your early departure. 
You spend the rest of the night tucked under the covers, listening to the laughter of your friends outside, no doubt in your mind that Kevin is the source for most of it. He’s always been good at commanding an audience. Thoughts swim freely in your brain, most of them occupied by Kevin in some capacity. Was tonight just a one off? Will you have to eventually face him? What will you say? Eventually sleep comes, though it’s fitful and fleeting. 
☼☼☼☼
You do your best to avoid Kevin, and it works for a day or two. Tyler has stricken up a friendship with the athlete, and spends more time with him and Nolan than your group. You don’t mind all that much because they typically are out on Nolan’s boat or lounging in their cabin, but every night the group reconvenes at your firepit. The excuses are starting to run out – there’s only so many times you can say you have heat exhaustion before someone stops believing you.
“Y/N, Kevin hasn’t even mentioned you,” Tyler whines one night after dinner. “It won’t be awkward. We only have a few days left, please spend time with us?”
“I’m spending plenty of time with you,” you grumble. “You promise he won’t say anything?”
Tyler shoots you a smile that lets you know he knows that he’s broken down your resolve. “Why would he? If he was going to do it he would have already.”
You aren’t sure if that makes you feel better or worse. You’re glad he’s faring better than you, but on the other hand you wish he’d at least make an effort to inquire into your well-being. Maybe it was simply proof that you were still holding onto something that didn’t mean much of anything. Eventually you’d have to face the music, whether it be with Kevin or someone in the future, so you make the decision to try and at least get used to seeing former flames in social settings. 
“You’re rolling my joints tonight asshole,” you grumble, shoving your sock clad feet into a pair of worn out sandals. 
There’s a small commotion, mostly in excitement at your begrudging agreement, and you roll your eyes as you grab what is destined to be your first of many beers from the fridge. Rachel slides up beside you on the way out the door and squeezes your hand, letting you know she’s ready to support you no matter what happens. It’s comforting, and the nerves in your stomach settle a small amount. 
Marshall is already outside, helping Nolan start the fire. They seem to be extremely similar and you’re glad they can seek each other out when the rest of the group gets too rambunctious. The rest of your party filters out of the house and takes up residence in the adirondack chairs. Kevin doesn’t appear to be around, so you allow yourself to speak freely, loud and unabashed. 
“No I’m telling you,” you insist, trying to convince Nolan your stance on Jack Antonoff is correct. “Jack is literally responsible for reinventing pop production.”
He laughs at how into the conversation you are. “Why the fuck should I care?”
“Because you fucking listen to Lorde!” 
Someone else is laughing along with you and it nearly stops you in your tracks. At some point Kevin had joined the party, but you hadn’t noticed. Knowing that he was listening makes you suddenly self conscious, and you wrap your sweater tighter around your shoulders. Nolan can tell you’re uncomfortable and does his best to relieve the tension. 
“Kev, do you wanna run back and grab the weed?” he asks. 
The auburn haired man pulls a baggie out of his hoodie pocket. “Got it right here baby cat,” he grins. “And it’s ready to go. You got a light?”
Nolan tosses him the lighter and Kevin expertly puts the joint between his parted lips. He lets the smoke fill his lungs before exhaling, and you watch him more intently than you should. You’re thrown back to the memories of Kevin’s apartment downtown, where you’d smoke in content silence after a night of passionate sex. The scenes flash in your mind and you’re overcome with melancholia. You had been so happy in the moment, and now you’re in a similar situation but feel nothing. Other than sharing in your laughter, Kevin is yet to say anything to you. 
You must have been lost in your thoughts, because Kevin is staring at you with a quizzical expression. “Y/N? Do you want a hit?”
It takes you a second to snap out of your daze, but to cautiously take the lit joint from his hand. “Thank you Kevin,” you say, voice timid. It’s the first time you’ve spoken to him since he left Winnipeg for the first time. 
He shoots you a dazzling smile and your insides threaten to turn to mush. No matter how hard you’ve tried to convince yourself you over him, that you’ve moved on from Kevin, you know you’re wrong. Kevin Hayes will have some sort of hold on you until you die. To distract yourself from the overwhelming amount of emotion you inhale deeply, hoping that the buzz smoking will bring can clear your mind. You really don’t want to think about what you lost when he’s right in front of you. 
The three of you sit in silence, passing the joint in a circle, and listen to the conversation your friends are engaged in. Marshall ropes Nolan into a game of cornhole and he goes begrudgingly. As he stands he sends you a sympathetic look, and you know that he’s familiar with your history with Kevin. It doesn’t surprise you – Kevin isn’t exactly one to keep secrets. 
“So,” Kevin says once it’s just the two of you, “How have you been?”
You do your best to swallow the lump in your throat. “I’ve been good. Work has been crazy lately, so this break has been really nice.”
He presses, and you indulge him in a conversation about your new job, though it can barely be considered that now. Everything is surface level – you’re afraid of letting Kevin in too much. Though your fling may have been brief, it didn’t make his departure or the lack of contact any easier. He tells you about his life in Philadelphia and how much he loves it there. Before you can stop yourself, you ask him a loaded question. 
“Do you like it more than Winnipeg?”
Kevin falters. It takes both of you a moment to process what you said. Not one to lie, he answers truthfully. “Yeah.” It comes out in a sort of deflated sigh. “But I miss –”
“Don’t say it,” you rush, trying hard to keep your voice down. “You don’t mean it.”
An embittered huff comes from him, and you watch carefully as he peels the worn ball cap off his head and tugs on his curls. “I do,” he insists. “I absolutely miss you.”
You no longer care who can hear you. “If you missed me, you would have texted. Called. Anything,” you say cooly. Everyone else has clued in to the fact that something is going on between you and Kevin, and have migrated inside in an attempt to give you privacy.
“I did. You’re the one who said it wasn’t a good idea to see each other again.”
“Because it had been over half a year!” you shriek. “And it had been radio silence before then. You left Kevin, and I’m not blaming you. I know it’s your job. But you left and it was so fucking hard, and it stung because you didn’t even try. So when you hit me up after that game I knew I had to say no. Because no matter how much I try to convince myself otherwise, I’m still so in love with you that if you asked I’d uproot my life and follow you to Philly. I don’t want to be that girl.”
The outburst leaves you gasping for breath. Never before had you spilled heartache so fast – with a sort of reckless abandon. Anytime you’ve had these types of conversations you’ve been calm and collected. You’re currently the farthest thing from it. 
Kevin’s expression softens, and a sadness fills his eyes. “I was scared,” he begins, “Because for the first time in my life I was with someone I could see spending the rest of my life with. Sure, we weren’t serious, but I was going to take it there. Then I got traded and the plans I had went to shit and I was too scared to do anything about it. So I let you slip away.”
Silence fills the space between you. You don’t know what to say, so you focus on unraveling the loose thread from the hem of your cardigan. Kevin shuffles in his seat awkwardly. “Where do we, uh, go from here?”
The question shocks you. To the best of your understanding, you had made it perfectly clear where your relationship was headed. “Nowhere,” you breathe. “You head back to Philly, meet another girl, and fall in love. I stay here, do my job, and learn to be content with myself.”
“There’s no room for us in your little plan?”
“We’ve run our course Kev. As much as I still love you, will always love you, we’re too fundamentally different for us both to really be happy in a relationship. You have to know that.”
He nods. “I do.” With that, Kevin rises from the chair, gives you a sad smile, and leaves. You assume he’s calling it a night, and you wish to do the same. Finally having that conversation was exhausting and all you want to do is sleep for the next twelve hours. 
☼☼☼☼
The rest of the trip passes without you seeing Kevin again. He and Nolan left early the morning after your conversation, and you do your best to enjoy yourself. Part of your brain makes you believe you’re the reason they left, though Tyler tells you otherwise. No one asks about what happened between you two, not even Rachel, and you return to the city determined to start anew. Eventually you break the cycle of obsessing over Kevin’s stats, and take it upon yourself to unfollow him on social media. Life goes on. 
Things never really get easier. You still find yourself grieving the loss of Kevin, late at night when you can’t sleep, but are confident in your decision to say goodbye for good. Time heals everything, and eventually you’ll be okay. 
☼☼☼☼
taglist: @jamiedrysdales​ @kiedhara​ @tortito​ @boqvistsbabe​ @iwantahockeyhimbo​ if you want to be added just shoot me an ask :)
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openheartthot · 4 years ago
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Be Mine
Pairing: Open Heart [Ethan x f!MC (Camille Prescott)]
Word Count: 1,764
Rating: T
Warinings: Brief mentions of sex/sexual content 
Category: Fluff :)
Summary: Ethan and Camille make it official on Valentine’s Day.
***
I know it’s been like 2 months since I last posted a fic but I’ve been feeling a tiny bit more positive about OH3, plus it’s Valentine’s Day and these two idiots are in love. Don’t mind me making Ethan the insecure one as payback for what PB does to us haha
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Ethan has been so buried in work that, lately, all the days seem to blend into one another. He can’t remember the last time he took a day off-- he’s been living, eating, and breathing Edenbrook.
And then there’s Camille.  
On the rare occasion that he manages to tear himself away from the hospital… he’s been living, breathing, and eating her, too. 
Ethan tugs slightly at his collar, a sudden flush working up his neck at the reminder of her soft blonde hair and even softer curves. 
The airy sound of her laugh has his head instinctually jerking up and in the direction of the residents’ lounge. 
As Ethan turns on his heel to follow the familiar noise, he can’t help but take note of the pink decorations adorning the walls and hanging from the ceilings. No matter how lost he’s been in his work lately, the universe just won’t let him forget about Valentine’s Day. 
It’s a stupid holiday, really. He’s always thought so. The boxed chocolates are a sad, chalky, affair, and the brightly colored gifts are gimmicky at best. The whole thing is little more than a capitalist cash-grab, and there is nothing Ethan hates more than capitalism. 
He forces himself not to roll his eyes as he spots two nurses exchanging cards in his periphery. 
It’s not that he dislikes love, but he does dislike the showmanship and theatricality that seem to surround February 14th. 
It’s just another day to him. In his thirty-seven years, he hasn’t once deigned to involve himself in such a tacky display of affection, and he sure isn’t going to start now. 
Except…
As he opens the door to the residents’ lounge, Camille is elbow deep in a pile of pink tissue paper. The excitement in her wide smile is nothing short of arresting, and of course, he should’ve known that she’d live for something like this. 
“Aww, look at it!” Camille squeals, her eyes shining as she lifts a stuffed bear from the mountain of gift wrapping. Her eyes dart over to Ethan, noticing him in the doorway, and her smile grows. She wiggles one of its fuzzy arms in an imitation of a wave. “It’s so cute, isn’t it?” 
“It’s something,” Ethan says tactfully, crossing the room to slip an arm around her waist. He catches a whiff of her light floral perfume, and can’t resist leaning down to peck her on the cheek. “Did Sienna buy that for you?” 
He may not be a fan of Valentine’s Day, but neither does he wish to offend Sienna Trinh, especially not after the basket of homemade scones she delivered to his office that morning. 
“Nope, one of Camille’s patients has a crush on her.” Lahela teases from the couch, where he is sorting through a thick stack of cards from his own extensive list of admirers. 
A strange itch works its way up the back of Ethan’s spine at Bryce’s words, and his arm tenses instinctively around Camille’s waist. 
Just because he loathes Valentine’s Day does not mean that he wants another man buying her tacky trinkets and writing sappy notes. 
Camille doesn’t seem to notice his displeasure, her lips pitching into a smile as she holds up the card to show him. 
“Medically speaking, you make my pulse race. Isn’t that adorable?” She laughs, and Ethan narrows his eyes at the obnoxiously pink card. The card that someone else gave to Camille. 
Her green eyes dart over the surface of the card once more, and Ethan feels something tight and uncomfortable building in his chest. 
“I think that’s the most brainless thing I’ve ever heard.” Ethan says sharply. “Which patient sent this?” He needs to know, so he can reassign them to another resident. 
“Relax, Ethan, it’s Jake from the pediatric ward.” Camille says with a breezy laugh. “He’s twelve.” 
“Oh,” Ethan shifts his weight, embarrassed. The sound of his pager is a welcome reprieve, and he glances at it gratefully. “Are you coming over tonight? I can meet you in the atrium.” 
It’s become almost routine for them, on the rare occasion they both have a night off. After the stress of the past few weeks, Ethan can’t wait to get her alone. Even if it’s only to watch a movie and drink that horrible cheap wine she likes, he just wants to spend time with her. Even the thought of a proper Valentine’s Day date, oddly, holds a new appeal when he considers Camille across the table, her smile lighting up the room...
“I think we’re gonna do a Galentine’s Day thing tonight.” Camille says with an apologetic shrug.
“Galentine’s Day?” Ethan asks, unable to keep the disgruntled edge out of his voice. It seems a new term is invented every time he turns his back. It’s deeply perturbing. 
“Yeah!” Sienna chimes in. “Me, Camille, Aurora, and Jackie, since we all managed to get the night off and none of us have significant others-- except Camille, I mean, you and her…” Sienna trails off, looking unsure. 
“It’s okay, he hates Valentine’s Day, anyway.” Camille interjects quickly. “And we’re not official or anything like that.” 
The look she shoots him is equal parts hopeful and nervous, as if she’s waiting for Ethan to correct her. He wants to, God, how he wants to correct her. To say that they are very much a official and serious relationship.
Instead, he freezes on the spot. 
“My pager…” he says pathetically, before turning and abruptly striding out of the room. 
***
All day, Ethan is a black storm cloud drifting sullenly through the rose-colored halls of Edenbrook. 
It’s clear to the rest of the staff that something is wrong, but no one is quite sure what. He hasn’t been in such a bad mood in months, not since he started seeing Camille. The rumor mill churns out a steady stream of speculation, doing nothing to improve Ethan’s mood. 
Finally, Naveen corners him in front of a bulletin board covered in construction paper hearts.
“Do you think I’m enough for her?” Ethan asks, staring pointedly at the board rather than making eye contact with his former mentor. 
“I’m not sure I follow.” Naveen says mildly. 
“She’s so...vibrant. Loving.” Ethan reaches out and touches one of the paper hearts. Camille organized the project, helping every pediatric patient decorate a heart and hanging them up with painstaking care. “I’m the opposite.” 
“Are you?” Naveen asks, “I’ve seen you with her, and you seem happy. You two are good together.” 
“She doesn’t want to spend Valentine’s Day with me,” Ethan admits, feeling foolish even as the words leave his mouth. “Because she thinks I hate it, which I do, of course…” 
“But you wouldn’t hate it with her?” Naveen prompts.
Ethan nods with a rueful smile. He shouldn’t be surprised, the man was considered the best diagnostician in the country for a reason. 
“It’s okay to seek happiness, Ethan. You can let go of the cynicism if you want to.” With that, Naveen turns to leave, but not before pressing a small cardboard box into Ethan’s hand with a wink. 
***
Camille lingers as Baz finishes gathering the last of his papers and shuffles out the door of the diagnostics office. 
Ethan doesn’t look up as he fumbles with the tiny cardboard box in his lap, but he can feel her warmth hovering in front of his desk. He thinks he would know the feel of her even if he was blind, deaf, and dumb. 
Finally, finally, Ethan manages to tear open the little cardboard flap and maneuver his fingers into the narrow opening.
“I’d like to speak with you--” he begins. 
“--Can we talk?” Camille says at the exact same time. 
“I’d like to go first.” Ethan says, taking a deep breath. “I’m sorry. For my behavior this morning. I have never liked Valentine’s Day, that’s true, but I do like you.” 
He pauses, and glances up at Camille’s face to gauge her reaction. Her expression is soft, and the fond look in her green eyes makes Ethan’s heart stutter in his chest. 
Emboldened, he reaches into the box and sets a piece of candy on the desk with a decisive nod. 
Camille leans over, a curtain of blonde hair falling over her shoulder as she tries to get a better look at the candy heart. 
“Sweet talk?” Her laugh is bright and clear. “Ethan you actually have to try and sweet talk me, this is a cop out!” 
Ethan can feel a hot blush pricking at his cheeks and he shakes his head. 
“No, dammit, that’s the wrong one.” He stands and pours a few more hearts into his hand, ignoring the dusty residue that is surely being shaken all over his desk. It takes a few moments of searching until he finally finds the correct saying on a yellow heart.
“Here,” he says, brusquely handing her the candy.
“Be mine.” She looks back up at him with glittering eyes, her teeth sinking into the soft pink of her lower lip. 
“I know we haven’t defined our relationship yet, but I want to be with you. Officially.” He clears his throat when Camille doesn’t immediately respond. “I understand if you need some time to--”
“Shut up,” Camille breathes, stepping forward until she can loop her arms around his neck. Her command is unnecessary, considering how Ethan has already been rendered speechless by her proximity.
He can feel her smile against his mouth as she meets his lips with her own. He groans as her fingers anchor in the hair at the base of his neck, tugging softly. 
The kiss deepens as Camille’s lips part beneath his, and Ethan’s hands work underneath her blouse, sliding against the bare skin of her back. 
“Is that a yes?” Ethan asks, his voice gravelly as she plants a trail of kisses along his jaw. 
He is thirty-seven years old, and for the first time he has reduced himself to a lovesick adolescent. It’s strange how willing he is to embarrass himself in front of her, how willing he is to do anything for her. 
“Of course it’s a yes! I’ve been waiting forever for you to commit to me.” Camille says with a radiant smile. Ethan cups her face gently.  
“So, what now? I have a standing reservation at a restaurant downtown. I’d like to take you out on a real date.” 
“That sounds nice,” Camille says, toying with one of the scattered candy hearts. “But first, I found this…” 
Cheekily, she holds out the blue candy. 
Kiss me. 
***
Tagging separately!
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thanks-mike-stamford · 3 years ago
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Fics that inspire my writing - Part II
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This is Part II. Read Part I or Part III
Continuing the discussion, I grouped these fics together for something they have in common: author style! It was actually a bit hard choosing them because they are all written by authors who have a distinct style. Something in them that makes you recognise the author right away, that makes you think - oh yes, definitely is a story from this person. When you have a bunch of stories with the same kind of feel, it's hard to choose one to illustrate my point. Tip is: binge read the authors below!
Part II
I Used to Live Alone Before I Knew You by etothepii Back when there wasn't even s2 yet I was already reading stuff from this author. I absolutely love their fics. This one is super interesting, a Good Omens fusion book version - beyond numerous screaming posts on the internet I'm not really familiar with this universe.
Something I like in all their fics and it's worked beautifully in this one is that there's more than it seems under the surface. The characters are not an open book even to the reader, and the narrator (close Sherlock POV) doesn't give all the information. The narrator sometimes doesn't even explain the information we are given. The facts are presented piece by piece, building the layers of a character, making it clear that even if right now, for this story, it's not relevant, this person is a complex human being (or angel. Or demon) that doesn't exist solely for the purpose of the plot. Two factors help with this: the non-linear narrative, that permits we only know a part of someone when it becomes relevant; and the sort of omniscience of Sherlock. I say sort of because yes, he's a demon and he has access to the core of someone. He's able to fish for stuff that happened in someone's life and how they feel about that as a way to build their vulnerability to sin. However, this is not necessarily mind-reading or future prediction. He makes deductions based on the soul, let's put this way. But because he can't use it to predict exactly what is going to happen, he still gets surprised. Because the characters are layered, they are able to be consistent with what we know and yet unexpected, up until the end.
The combination of giving powers to the narrator and using non-linearity is brilliant, working to enhance the themes behind the plot, which are about the complexity of the human soul. I'm working on a WIP that has similar themes and I try to play with these aspects to make it smooth like this story, instead of a philosophical essay using voices of characters. I've tried the non-linear narrative in a published fic, but it didn't have the same level of success in serving the story. Let's see if it goes better when I try again.
What It Is by toyhto This author has two main things going on in their fics: the type of angst that makes you question yourself, and the type of humour that is not really about trying to make you laugh, it's a very weird type of humour. I love weird stuff.
This fic is not Toyhto's best angsty one or best humourous one, but it's one that creates a good mix of both, like a tragicomedy (but without a tragic ending). You have John not knowing how to feel about Sherlock, and Sherlock gambling possibilities on how to fix the situation. It's the narrative that fascinates me. The story keeps its cards close, the reader is often a bit uncomfortable, a bit wrong-footed. You don't know where the story is going (hell, sometimes you don't even know where a scene is going), so you keep hanging up until the end. There's an underlying panic in how characters interact, but it's never hysterical, it's never loud or obnoxious. And then you find yourself snorting in situations that shouldn't have been funny. Life is usually not one genre or the other, so why literature should be? I love that the story never tries to be something (sad, funny, intriguing), and yet it is. It's not easy to pull something like this.
I have a WIP currently on my drive folder where I try to play with this tragicomedy narrative thing. This fic inspires me in trying to keep the reader on their toes all while looking effortless.
Borrowed Ghosts by DiscordantWords DiscordantWords has been out there since 2016 showing how there's more than a way to fix canon. In fact there are multiple ways. This is the author you want to go if you watch the show and think eeh this should have gone a different way. There's probably a story in here which takes the same premise you thought about.
This one is just too incredible. Because it picks up right from a crucial point in canon and said - ok, what if everything still happened, but they actually make sense? For this story consistency is key, and if canon gave us a John Watson making bad decisions while nursing an unreliable brain work, that's what you get. But make it make sense! This is what happens when you are on a roll of bad decisions, this story tells me. This is what happens when you're isolated from what before kept you on track. This is what happens when on top of everything your mind is playing you tricks: they don't just stop because you decided to. That's not how it works. This story acknowledges the bad stuff, but to fix them it doesn't propose miracles, and it definitely doesn't ignore them. We get the consequences but we also get the process of change that is necessary for things to be good once again. Like John says: there's a difference between wishing something happened differently and wishing it hadn't happened at all. But it did happen, so now what?
Make it canon divergence but character consistency and twist it to fix it, it's what inspires me in this fic.
The Ancillus's Tale by Chryse I reiterate that everything by Chryse is a must, but everyone that follows me on twitter had to deal with me constantly gushing about their most recent work for months, so it will be this one here. I just have a lot of feelings about this fic. Oh, yes, omegaverse again, inspired by The Handmaid's Tale.
The one aspect that comes to my mind when I think about Chryse's works is dark themes. If I want to read about fucked up stuff happening, I will go to them. And this particular fix has fucked up stuff from the first to the last chapter. And it's very immersive: you get inside the head of whoever is POV at the moment, Sherlock or John. You get their physical reactions, their thoughts, you know what they know. And the world building is on point: detailed enough that is totally credible, you can see reality becoming that way, but it's not described to exhaustion. We are presented the info about what we need to know, and rest is there, somewhere at your peripheral vision where you know it exists but it doesn't become a nuisance to the plot. But more important than that, it's how the dark themes are treated. It's never on black or white situations, surprisingly, despite the universe setting. The characters especially - they are allowed to have conflicted feelings, they are allowed to misbehave even if they are supposed to be on the good side, they have nuance and complexity. And the cherry on top: just because it has a dark premise, it doesn't mean it can't have a super satisfying happy ending that even brings comfort to the soul after letting it being hurt. We get snippets of comfort, the promise it's going to happen all along the fic, to compensate the extreme suffering the characters are going through. It's glorious.
I have been toying with the idea of writing something on the dark side. In fact my next multi chapter is super fucked up (but as always, with the certainty of a happy ending), and I hope it can see the world soon. I'm writing with this premise in mind: characters are allowed to have conflicted feelings, and they are allowed to misbehave, that won't make them the bad guys.
This was part II! If you missed part I, just click here. Part III is up!
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personasintro · 4 years ago
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Hello, I’m not trying to defend rude people coming to you asking you to hurry the story lol but I’m going to tell you something that might help as advice as a writer, maybe? Just please don’t take it the wrong way bc I’m not trying to tell you how to do your thing!
I think what frustrates readers the most is that the story escalated SO QUICKLY from the beginning, like since the “deal” to all the fluff, the “””””fake””””” dating, the sex, the (very obvious) romantic moments that were completely brushed off, not to mention all the confusing things Jungkook says to Y/N and viceversa, etc. AND THEN.. the whole story goes back to (in a sense) zero: Jungkook is back with Kiko, the person that hurted him so deeply on him, Y/N and Jungkook are still friends even after they spended all those weeks being basically like boyfriend and girlfriend and that there’s clearly something there that ALL of us can see (unless you didn’t want us to believe that and we’re all not reading the same story).
And I’m not saying that it’s bad or that you’re doing things the wrong way but IT IS very confusing to us bc its starting to feel like there’s no real character development and everything’s going backwards instead of forward.
Again, I’m not saying this is how you should do this but, as a reader myself, the lack of development, in terms of character and not as a “this is how I want the story to end” type of thing, it’s very frustrating and dryning for some people.
What I’m trying to say is that maybe the people on your ask box aren’t just being obnoxious and trying to tell you how they want the story to end. Maybe they’re mad at the fact that after everything that’s happened between Y/N and Jungkook, they’re still with the same mindset. I mean, even the whole “mutual help” agreement is over and they’re still the same characters when the story began. It makes you wonder if maybe that’s everything there is to their story 🤧
My point it’s that: if the story’s plot it’s based on that “mutual help” they had, isn’t it supposed to bring some noticeable change to the character’s life after instead of just passing by, almost uneventfully?
Anyway, I hope I don’t make you feel mad or sad with my whole ass analysis lol that really isn’t the point of it, I’m just seriously very confused with the way the story is progressing, and maybe clarifying some things, without spoiling anything, may help us readers understand where is this story going. Btw, none of this means that the story or the plot or the characters are bad AT ALL, I would say it’s the complete opposite, we are all SO immersed in it that we’ve got to the point were we’re just desperate for more! But yeah, thank you for your beautiful story! I’ll still check every update even if you decide to complete ignore this question lol ❤️❤️
As much as I appreciate you trying to justify all those asks, it doesn't change the fact how I feel about this whole thing. Frustrated, sad and overwhelmed, that's how I've been feeling for a few weeks now (maybe even months) because some people on this app are too much sometimes. It's one of the reasons why I disabled my asks.
If any of the readers have any problem with how the story is going, I've said too many times they don't have to read it. Them getting all frustrated over how I write my OWN story is ridiculous. People trying to tell me how to write my story is ridiculous. If you guys read my answers to every ask, you probably know by now what makes me frustrated and what bothers me the most. It doesn't take a genius to figure that out and I ask... how the hell people are still being so pushy with their own preferences? I've explained countless things so many times and honestly, I'm exhausted because of it. I feel like nobody listens to me what I'm saying and that puts a little disrespect in my opinion.
+ I get the feeling people don't read MH thoroughly and forget all the things that have been discussed there. I don't get the feeling as if the story went back to zero, I'm sorry that you do but well, I respect your opinion but obviously are opinions about this are very different. I can't believe I've to explain this all over again but well... here we go! y/n and Jungkook being still friends doesn't mean there are things that haven't slightly changed (whether they acknowledge it or not). Them acting like a girlfriend and a boyfriend has been explained by THEM, why they acted like that and even admitted it felt nice. There is an obvious attraction and their deal hasn't helped with that.
+ I know very well what I'm doing with my story [SLOW BURN STORY] and I asked readers many times to just trust me. I'm so freaking frustrated because if people are getting so frustrated over my story too, why the hell are they still reading it? I'm not asking for people to tell me what to do, directly or indirectly because I'm sorry but that's the vibe I'm getting from all those asks. They're not normal and typical asks of "oh I wish they were together" but the length those people are willing to go just to push their own preference is ridiculous.
+ If you think there's no character development (just because y/n x jk aren't together and jk x kiko are) then I'm sorry but MH isn't probably your kind of story. And I'm not going to point out what those characters development are because if you read the story thoroughly and with some sort of understanding, you could easily tell what it is and you wouldn't have to question me about it.
+ Again, if anyone finds this story so frustrating and draining (that's what you probably meant) just don't read it. I really appreciate everyone who does read it, but ONCE AGAIN... I'm not sure what to do with it? I'm not going to change the story and even though I do read those opinions, 90% of time I don't even know how to respond. And people willing to take some of their time to be frustrated in my inbox when you can probably tell that it is as much frustrating for me, is blowing my mind and not in the good sense.
+ Maybe they’re mad at the fact that after everything that’s happened between Y/N and Jungkook, they’re still with the same mindset. This fucking blew my mind all over again. As much as I'm aware a story can evoke a lot of feelings (one of the reasons why writing and reading stories is so amazing), this is different than just people being casually mad about something. And that's exactly it, people are mad and then they come into my inbox and spread negativity and even bigger distaste to writing for me. If anyone is so mad because of how story is going and it's hard for them to process it (now I'm going to be the one giving you an advice) just don't read it. And I don't mean this in any rude way, I genuinely think people shouldn't read it if them being so mad means they'll show their anger and frustration to me. Because newsflash but I'm a person behind this screen, I can get mad and frustrated too. Do you guys think these kinds of asks aren't hurting me to a certain extent?
+ You think this story is confusing? Alright, what am I supposed to do with it? Like, I'm genuinely curious what you guys expect me to do. I told you to trust me, it didn't help. I told you this story is a slow burn one, it didn't help. I told you there are things that are changing and if you read the story properly and with some understanding, you'd be able to notice it (even if it's not something big and eye-catching), that didn't help too.
+ It's not my responsibility to explain and clarify every thing people are confused about but still, I've always tried to explain everything but you know what? I don't feel like doing it again. Because every time people are confused about something, it always has something to do with the future of the story and people indirectly asking me about spoilers – whether you think it's true or not, I've been here long enough to know when people are trying to get answers out of me. Plus, it's very hard almost impossible to explain some things without spoiling anything. That's why I always told you guys to trust me and you'll get your answers at the right time.
I really hate explaining my thoughts like this because it makes me feel like a douchebag but I'm so sick of some people thinking like I owe them something. At the end of the day, I'm here to write a story and me interacting with all of my readers is my choice. I could easily just post a chapter and not care what people think, and I do think some people are using this fact over me thinking they can be impolite, rude, pushy and frustrating. I've been patient enough about this, but the more this keeps happening the more I'm questioning my presence here.
There... here are my thoughts and I know people will take from it whatever they want (or more like won't take anything from it) but honestly, I'm so exhausted if you couldn't tell by now. I'm so done with always justifying myself. These thoughts have been bubbling inside of me for so long and I always told myself to just close the app, breathe it out and come back positive... but I realized that every time I think about this, I feel exactly the same and I know that it's not my fault because that's how some of you make me feel.
All I ask if for mutual understanding because I've always been trying to be respectful and understanding, that's one of the things I've been very careful about.
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1dsource · 4 years ago
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Author Spotlight: falsegoodnight
Don’t forget to show the author to leave kudos and comments to show the author love!
before we knew
Words: 39k
“C’mon Lou,” says Zayn after a moment, He sounds even more exasperated than before. Louis sort of has a knack for exasperating people, especially people like Zayn who aren’t usually bothered by his brattiness. “Can’t you give this guy a chance? Harry Styles? Aren’t you curious about him at all?”
Despite his best efforts, Louis still flinches at the name. He really shouldn’t be so affected after all these years. He’s seen the name printed down the curve of his waist in obnoxiously and uncommonly large loopy letters every single day since his sixteenth birthday eight years ago. He’s very familiar with the name Harry Styles.
It sounds pretentious and Louis hates it.
He hates everything about his supposed soulmate.
He hates his large handwriting that stands out like a claim on his skin whenever he’s walking around shirtless. He hates his pretentious name. And now he hates his supposed curls and green eyes and dimples.
Or Louis has been skeptical of soulmates for years so it seems like fate when he finally bumps into the owner of the obnoxiously large signature printed into his skin since age sixteen: Harry Styles, a human rights attorney who is firmly against soulmates.
sleeping on our problems
Words: 67k
I’m in love with you, Louis thinks. He feels empty, weighed down by his sadness and the loss of Harry inside him just moments ago before his knot finally went down.
There’s moments where he’s sure Harry feels the same. Like now, when he’s gazing down at Louis with so much adoration and tenderness. It’s like they’re both on the cusp of something more, but neither of them ever say a word.
His confession is on the tip of his tongue ready to slide out like honey, and yet he remains silent. They both do, looking at each other and recognizing the reluctance mirrored in each other’s eyes. It’s then that Louis realizes they’re both scared.
Or Louis sleeps with Harry and they have more than just catching feelings to worry about.
my love’s not simple (it’s fragile)
Words: 27k
“Can I take you out tomorrow?” he asks. “My shift ends at 7 but we can go for dinner at 8.”
Louis is silent for a few seconds and then, “Like… on a date?”Harry swallows thickly. He hasn’t done this in years, hasn’t ever wanted to. “Yeah.”
He’s worried he’s misread things but then Louis raises his head to kiss Harry’s cheek. “Yeah,” he says easily. “Sure.”
Tension leaves his body swiftly. “Are you sure?” asks Harry. “I know we’re both so busy but I can’t not try with you, Lou.”
“Neither can I,” says Louis. “I think we can figure it out. I care about you a lot Harry. We’ve known each other for a week, but I already like you so much.”
Or Harry's new job is threatened by his impending rut. Desperate for a solution, he allows Niall to introduce him to Louis, an omega whose heat begins the same day. They click.
Part 1 of this lovesick feeling
there’s nothing like it (nothing at all)
Words: 15k
His hands are outstretched on the mattress like he’s reaching out for something, reaching out for Harry. It makes his heart swell, almost bursting with affection and love. He only waits a bit longer before reaching over to turn off the light and pulling Louis to his chest, smiling when the omega immediately sighs in contentment, nuzzling into his skin happily.
Tomorrow, he tells himself. Tomorrow, they’ll talk about it.
Or, Harry isn’t ready for things to change, and the end is just the beginning.
Part 2 of this lovesick feeling
bruise you like a peach
Words: 40k
There’s two reasons Harry despises Econ.
The first is that it’s boring as fuck. The second reason is a bit more personal, a bit more focused in a way. As in it’s focused on one specific thing, or in his case, person.
His name is Louis Tomlinson.
Alternatively titled 'the peach fic.'
Part 1 of peach
thinking about peaches
Words: 23k
Eight smutty drabbles following the events of bruise you like a peach. 
Part 2 of peach
Don’t Let It (Me) Break
Words: 168k
"You broke up with him more than two years ago Lou, don't you think this has gone on too long?"
No. He couldn't just let him go. He couldn't end this painful cycle of remembering and longing but never having.
"It's more complicated than that."
"You still sleep in his sweaters."
"They're comfortable!"
Yup, everything is fucking great.
Or the one where Harry is oblivious, Louis is broken, Zayn and Liam are in love, Gemma and Lottie are lovely, and Niall is just waiting for everyone to get their shit together.
Oh, and it's all Malcolm's fault
in a world alone
Words: 50k
Harry’s breath catches as the glow grows bigger and bigger until he’s squinting his eyes and blinking at the sudden intense brightness. He closes his eyes, rubbing at them helplessly. When his eyes open again- he gasps, grip loosening on his bow as he gawks at the sight before him.
Because the swan is gone.
And in its place is the prettiest omega Harry has ever seen.
A Swan Lake AU
give me love
Words: 41k
Despite being an omega, Louis’ always had a blatant dislike of alphas.
Or, Louis doesn't feel like a good omega, Harry doesn't remember how to be an alpha, and they figure it out together.
(co-author: soldouthaz)
call you mine
Words: 12k
“I have a request.”
That’s what Louis Tomlinson says to Harry when he opens the front door a bit too aggressively. The latter feels justified after a round of annoyingly incessant knocking that was much too loud in the drowsy sludge of early Saturday morning.
“Zayn’s asleep,” is Harry’s tired, hoarse reply, irritation prickling at his skin. Less than a minute ago he was in bed, feeling perfectly content sprawled out on the mattress with the chilled air from the fan cool against his bare skin. And now he’s leaning up against the wooden door frame in nothing but his briefs because Zayn’s best mate decided that showing up unannounced at seven in the fucking morning was a brilliant idea.
“I’m not here for him,” says Louis curtly.
Or, Louis’ curious about how it feels to be bitten. Harry’s going to need more than just one bite.
Part 1 of love bites
at your fingertips
Words: 27k
He finds himself wrapped up in sheets in bed on Thursday night, staring at the familiar name on a new story that was posted the night before.
His fingers twitch, ready to hit play and surrender to his impulses, saving the regret and turmoil for later.
And still he hesitates, internally praying that he’ll somehow gain the strength to exit out within the next few moments before he inevitably loses his patience and hits the button.
Three…
Two…
One. 
Play.
Or, Louis really should have seen it coming.
move so pretty (you’re all i see)
Words: 10k
Harry’s pretty content with his life. He loves his job- a veterinarian at a local clinic who’s already built up a name for himself despite his young age. He loves his gorgeous flat with its wide, open space and minimalistic, yet still homey feel. He loves his family who he talks to and visits as much as possible, not bothered by the long hours of driving to Holmes Chapel from London he endures multiple times a month. He loves his friends and his coworkers and his neighbors- especially Allison, the little old lady next door who brings him and Louis cookies on holidays and who always comments on how “strong and handsome you are, Mr. Styles,” everytime he sees her.
And most importantly, he loves Louis, just- maybe in a slightly different way.
words like a charm
Words: 18k
Ever since Louis joined the team in fifth year, a few facts have become set in stone.
One: Louis is the best chaser in Hogwarts.
Two: Harry is the best beater in Hogwarts.
Three: They do not get along.
So it’s really unfair of Liam to think that forcing them to spend time together as Louis recovers from his injury will make them the best of friends. The last thing Louis would do is get along with that git.
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victoria-daydreams · 4 years ago
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Of Vices and Virtues
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Chapter Three: Budding Relationships
AN: Each chapter I post I gain more and more readers, and I thank you all!
Word Count: 3.7k
Trigger Warnings: violence, mention of hate crimes
Chapter Four: Enter Sebastian Shaw
Today we had the day off, since the teenagers proved to Charles and Erik they were not prepared to go along with them to ambush Shaw. So, I was once again approved as being the babysitter while Charles, Erik, and Moira go to Russia. I shook my head and chuckled at Erik's and I conversation before he left with Charles and Moira.
Erik laughed mockingly and clapped his hands together, "Are you sure you want her as a babysitter Charles? She did such a horrible job last time,"
Irritation filled me, and I glared daggers at him "Careful, Erik," I said with mock sweetness. "Or you'll find yourself crying like a spoiled two year old," I threatened.
He grinned boyishly despite my threat.
I was currently sitting on the couch with the others in an identical hangout room with another book in my hand. Except this one had a pinball machine, and overlooked a statueless courtyard. Plus, this room had all its windows. Angel, Hank, Raven, Sean, and I were all sitting on the leather couches. Honestly, it didn't surprise me when Sean sat with the girls and I, he just wouldn't give up. Alex and Darwin were playing on the pinball machines, and Alex was beating him rather badly.
"Jesus man, you are KILLING me." Darwin complained, as Alex focused intently at the pinball machine.
"Don't beat yourself up, I had a lot of spare time,"
Alex's last remark confused me. Hank had said that he'd been in prison for the last four years, and I don't think they gave their prisoners meaningless arcade machines. The thought quickly leaves my mind as I heard two CIA agents talking loudly.
"Oh, I didn't know the circus was in town!" an arrogant CIA agent caught my attention. "Hey, come on honey, give us a little uh..." doing a terrible impression of Angel's wings, I could hear her mutter 'no' under her breath, I couldn't help but feel sorry for her. "No? Come on, let's see the foot," the agent jeered.
I could feel the anger starting to rise up inside of me, as I felt the happiness in the room subsided. Hank got up and walked to the button that closes the curtains.
"There it is, come on Big Foot. Let's go," Hank saluted the man mockingly, as the curtains closed."Hey, come on. Hey!" As Hank sat back down, the room fell silent, except the soft pinging of the pinball machine.
"They're just guys being stupid," Raven comforted, just realizing how much this actually upset Angel.
"Guys being stupid I can handle. Okay, I've handled that my whole life!" she snapped. "But I'd rather a bunch of guys stare at me with my clothes off than the way these ones stare at me!" Angel snapped again, disheartening Raven, who still wasn't completely over last night's events.
More silence.
"At us," Raven added sadly, Angel turned away guiltily, for lashing out on Raven, but there was no way she was going to apologize for it.
A flood of self-consciousness and self-loathing assaulted me, I tried to focus on my physical surroundings, rooting my thoughts enough to sort out my emotions and bring them under control. My hands balled into fists, my entire body tense. I brought my hand to my temple and massaged it with two fingers in an attempt to ease the pain.
Raven's soft voice called across from me, "Sorry, Claudia. Did we bother you?"
"Bother her?" Angel scoffed, voice dripping with attitude. "How could we have bothered her? She has an invisible mutation, no one could ever bother her,"
I forced a smile. Her attitude was merely an obnoxious mask for her fragile heart. I set my copy down of Jane Erye onto the table.
"You're right, Angel. The only thing I have to be bothered about is people wanting to see me swing from a tree," I quipped darkly. "And you know, gaining basic civil rights," I added, my eyes narrowed slightly.
Our bitter conversation is brought to an end by the abrupt sound of a thud coming from outside. We stared at each other in confusion before I stood up, sensing danger. We stayed still for a moment, listening to the thuds, there's silence and then there's a whooshing sound.
"This doesn't feel right," Darwin muttered, before striding over to the curtains and pressing the button to open them. Alex gives the pinball machine one last flick and then followed him. Outside, there was nothing. We gathered around the clear, glass window looked at each other, confused. I waited tersely, my eyes darting back and forth.
"Do you sense something, Claudia?" Raven asked.
"Something's wrong," I whispered, but only Raven heard me. She shot me a curious glance, but was stopped from saying anything by Alex.
"What is that?" Alex demanded, pointing at the black figures blocking the light of the moon.
The light made it only a silhouette, preventing us from seeing what it truly was, all we could see that a silhouette was holding up another silhouette.
And then it isn't.
I cried out in pain as I felt the fear and pain of a man dying strong in my mind. I tried to relax the man, but he was already dead. Just as I opened my eyes, a body came crumbling down to the ground and smashing instantly right in front of the window causing causing all of us to jump back in surprise. I let out a gasp as Angel and Raven let out a scream in horror, clutching tightly onto my arm. I heard more screams and felt more pain as more men started to fall from the sky.
Suddenly, the roof lights flickered on, the sky is littered with falling bodies crashing in various sights around the buildings, the sound of screams and smashing glass, filling our ears. Guards rushed out of the buildings, positioning themselves surrounding the window, blocking us from harms way. They signaled for us to move out of the way, as more attacks proceeded. I searched for the mind that kept killing the CIA agents, but couldn't seem to keep a right mind. Raven let out another scream as an agent tumbled from the sky and into the glass roof outside
Terror filled the room, seeping into my every pore.
"Get back! Get back! Do not leave that room, we are under attack!" A man without a gun shouted.
In a flash of flames, the red man dressed well in a suit appeared in a puff of smoke and we all screamed for the agents to turn around. Taking them by surprise. The guards taking a few moments for it to register before beginning to shoot at him. It was too late, he was gone.
The glass shattered as a bullet hit the window, and we rushed to duck behind the sofa, screams filled my ears. Darwin stood closest to the edge, his arms stretched out to shield us from the oncoming storm. A tornado appeared, swiftly making it's way around the other side of the building, ripping apart what Hank had called 'Cerebro'. I didn't want to watch Hank's pained expression, when he saw his hard work torn away, but I could feel Hank radiating sadness and frustration.
"Stay here, my ass!" Darwin shouted to us, making his way towards the door. Running out into the corridor, we were stopped by some more guards.
"GET BACK!" the agents screamed at us.
"We can help! We can help!" Darwin tried to plead, but we're just pushed back.
Deep down, I knew Darwin realized that we couldn't.
Raven's hysterical, a complete mess. I managed to calm her emotions down with my empathic powers, but she somehow overruled that and became anxious once more. A wave of heat hits me, followed by an immense explosion. Raven screamed as agents are sucked into the flames, and we run back to where we were. Met with more destruction, back into the room, the tornado was moving closer and most of the guards were dead, falling down, one by one. Raven sobbed louder and screamed again when an agent is launched through the only remaining window by the hurricane. I can't be the only person to notice that we've completely backed ourselves into a corner.
The red man stabbed the last agent and Raven whimpered. A good looking Spanish man and the one that closely resembled most people's portrayal of the devil, stepped over the window, entering the room, one on each side. We were closed in.
Someone fired another shot and Raven screamed again.
"Wait, wait! You want the mutants? They're right through that door! Just let us normal people go! We're no threa-" a muffled voice is cut off and Raven's face changed into one of disgust.
A helmeted man, who was easily in his forties, walked through the door. To be honest, he looked kind of stupid.
"Where is the telepath?" The man in the helmet asked, as if it were no big deal that they just killed hundreds of men.
"Not here," The devil looking man noted, you could tell who was in charge there and it definitely wasn't him.
"Too bad," The other man smiled. "Well, at least I can taking this silly thing off," he stated, pulling the helmet off and ran his fingers through his long hair, pushing it back into its place.
At least we agree on something, he does look entirely silly.
But how would that helmet protect his thoughts from a telepath like Charles? No one in the room could read his mind, but I could read his emotions and I knew that he was bad news, there was a danger radiating from him, anyone could feel that. My mind filled with the echoes of his thoughts tied to one specific emotion. Hatred. War, survival, the strongest race. He was thinking of things beyond what we were anticipating.
"Good evening," he addressed us. "My name's Sebastian Shaw. And I am not here to hurt you,"
I couldn't help but roll my eyes, "Liar. Your little sidekicks just murdered a fleet of CIA agents," I thought.
A lone agent appeared across the courtyard.
"Freeze!"
"Azazel?" Shaw lazily ordered
He disappeared, appearing again outside, swiftly killing the man and teleported back.
Shaw turned back to us, "My friends," He took another step towards us, handing his helmet to the Spanish man. "There's a revolution coming, when mankind discovers who we are, what we can do. Each of us will face a choice: be enslaved, or rise up to rule," His eyes lingered on me for longer than I would have liked. But Shaw was not done yet. "Choose freely, but know that if you are not with us then you are, by definition, against us,"
"So. You can stay, fight for the people that hate and fear you. Or, you can join me, and live like kings," he looked to the boys, none of them attempting to make a move. Then he looked to Angel, standing in front of me. "And queens," He holds his hand out to her and Angel took it with almost no hesitation. I couldn't help sending her a look of pure disgust.
"Angel..." Raven's voice dropped in disappointment, although I didn't particularly like her, it didn't mean I wanted this to happen.
"You kidding me?" Sean's face dropped, he enjoyed flirting with Angel the most, but I never imagined he would be this crushed.
Angel looked back at us, "Come on," she commanded, gesturing towards us. "We don't belong here and that's nothing to be ashamed of,"
Darwin reached out to her, but Angel turned away, ignoring us.
"We have to do something," Raven insisted.
Alex and Darwin exchange a few harsh whispers. Alex pushed Darwin in the side and Darwin turned away.
"Stop. I'm coming with you," Darwin announced, stepping over what was left of the window. Angel smiled, clearly pleased someone had listened to her speech, even Shaw seemed momentarily pleased.
I watched in disbelief as Darwin moved towards the line of mutants. Shaw stepped towards him.
"Good choice. So tell me about your mutation," He said slyly.
"Well I adapt to survive," Darwin explained, Alex lead us into the center of the room. "So I guess that means I'm coming with you," Darwin finished.
Shaw nodded, "I like that," Shaw signaled for him to join Angel and Darwin stood next to Angel.
"ALEX!" Darwin yelled, forming a rock solid barrier and dipping Angel to protect her.
"Get down!" Alex shouted, shoving us out of harms way, sending rings of energy, launching at Shaw, Alex grinned momentarily before his face dropped.
We watched in horror as Shaw had somehow absorbed his energy. I raised my hand to send a telekinetic blast towards Shaw and that's when everything else became a blur, and before I knew it Azazel vanished, and appeared right in front of me within a blink an eye. His tail wrapped around my throat, I yelped lightly when my feet left the floor, kicking out blindly, but my five five frame wasn't really doing anything to stop this man who was nearly a foot taller than I was. I clawed at his tail so air could fill my lungs again, but it was a futile effort as he only tightened his grip
"Protecting your fellow mutants? That's a noble gesture," He shivered slightly, who wouldn't after absorbing that much power. Darwin got up, confused, and Angel moved back towards the Spanish man. "Feels good," Shaw shrugged his shoulders a little and let out a smirk.
"Azazel drop her," Azazel did as he was command, air filled my lungs but only momentarily. As soon as Azazel dropped me, Shaw's hand clasped around my neck, and brought me up off of my feet. I gagged on his choking grasp, my hands once again trying to claw it off my neck. "Now who's this?" Shaw wondered aloud a small sinister smile on his lips, his eyes scanning my body over.
The very air that he gave off was dangerous and intimidating. I mean that was obvious when he first walked through the doors, but it was made all the more clearer now that I was only inches from his face.
It was his eyes. Those eyes that looked right through me and held no warmth.
"Her name is Claudia," Angel spoke up. If Shaw wasn't choking the life out of me right now I would be livid with Angel telling him my name and for betraying us. "She can manipulate emotions, she could come with us," Angel suggested, with a rather large smile on her face.
"Yes, she could," Shaw agreed, nodding his head. "With your abilities, I'm sure you'll be very valuable to us. Your power is very interesting, Claudia," Shaw stated, and a shiver went down my spine when he said my name.
"No...it's not," I managed to utter out.
"Oh to me it is," Shaw disagreed, a menacing smile on his face. "With your abilities, I'm sure we'll be able to control anyone at will. We'll make an army. We'll be unstop-"
"No!" I hissed.
"What?"
"Go...to...hell!" I wheezed out.
"Hmm, it's too bad really, a beautiful woman like you..I saw so much potential in you," Shaw snarled gleefully, then swung his free hand, as it connected to the right side of my face, some of the energy from Alex's power thrown with it, causing me to see stars on impact. He threw me into the wall, my limp body collided with the drywall.
The room seemed to fade, leaving stars in my eyes and I felt my adrenaline crash, but surprising felt more energy than I ever had before.
Shaw turned sharply to Darwin. Darwin goes to throw a punch, but is quickly blocked. Shaw grabbed his mouth. "Adapt to this," Shaw whispered, and we watch, horrified expressions on our faces, as he puts all of Alex's energy into Darwin's mouth.
I watched as darkness slowly crept into my vision as Shaw, Azazel, the Spanish man, and Angel disappeared into a burst of flames. That's when I see Darwin standing there, convulsing.
Darwin tried to find different ways to adapt, but Alex's power was able to destroy the barrier. I watched him turn to platinum, then rock as the plasma burnt within, the orange-red glow peeking out of the rock like lava until he turned to solid rock. Then he realized it just wasn't going to work. He faced Alex and the rest of us, the blonde's eyes widened with terror, as he watched his new friend slowly die. Darwin looked over at Alex with black eyes, as he reached out, wordlessly and the stone started to break apart again. Then the cracks of Darwin's form brightened, and he exploded into only bits and pieces.
And just like that, he was gone forever.
Everyone all stood for a few moments in silence. Then the whole cataclysm sunk in, and everyone began scrambling around. Hank ran out the door saying he was going to find a first aid kit for me, Sean and Raven took baby steps towards where Darwin had diminished, and Alex rushed over to me, examining me. I already felt my face was swelling black and blue, a little shadow of blood remained under my head.
My vision was almost completed darkened, but my eyes met Alex's and in that instant, I knew how much he was hurting. He practically killed a man. Just as the thought crossed my mind, Alex spoke.
"H-He's gone. I k-k- I-I kill-killed him," Alex stuttered, his expression full of devastation.
"No, you didn't," I whispered, feeling even more drained as the seconds passed. "Trust me,"
"Claudia!"
I heard someone yell. But I couldn't tell who it was, for I slipped into unconsciousness and let the darkness envelope me before the person could call my name again.
~~~x~~~
When I awoke my body was no longer on the cold, hard ground of the rec room, but instead on the lumpy mattress I've become used to. Someone must have carried me. I managed to sit up a little less than an inch before my head started spinning and pain shot through my spine causing me to lie back down and gasp loudly.
Pain.
It's a slightly indescribable sensation; all one can really use is a mix of adjectives and synonyms, and even then one couldn't fully describe what they were feeling. Just what the pain feels like, using personifications and such. Right now, I felt like someone had beaten the tar out of me, which is what exactly happened. It hurt to breathe, it hurt to blink, it even hurt to think of even possibly moving again. I couldn't open my eyes, as they were held close with hard crust. I tried to push them open, but could only pry open my left eye, as the more I pushed myself in opening the right one, the more it hurt.
My brown orb peered around the room, my vision was still blurry. It was two o'clock in the morning if I read the time right. It had been fours hours since Darwin's death.
A tear rolled down my cheek, wiping it away. I couldn't tell if it was on my own volition or if I was just channeling everyone's emotions. I didn't want to cry, but I could no longer control it, when tears kept effortlessly sliding down my face. I looked through my tears, and I knew I wouldn't be sleeping for the rest of the night. I touched my head lightly, as I felt a long bandage wrapped around it. It was so sore, and gave little jolts of pain every time I picked up on someone's feelings.
I slowly slid out of the comforts of a bed that wasn't truly mine and let short, loud cry of pain as I moved. I stood up too quickly and a wave of dizziness hit me like a truck, causing me to plop back down onto the bed until it passed. I pushed myself up off the bed again and trudged to the door and into the hallway, I was put in a room at the end of the corridor that seemed to remain untouched by the events, I realized nobody would dare go back to our old rooms, they were just rubble and dust.
It was everywhere. The scent of burned flesh made my stomach turn, and the smoke stung my eyes. I felt sick to my stomach, but there was nothing to vomit. I could feel sweat trickle down the back of my neck, mixing painfully with the open wounds there, but I didn't close my eyes. My stomach was twisted into knots, and it was all I could do not to break down and cry. The pain from everyone else was what was kill me.
Fear. Anger. Despair. Disgust. Malice. Painpainpainpainpain-
I threw myself against the cold, concrete wall in effort to keep myself upright and placed my overheated forehead on the wall to ground me. I breathed deeply, my chest heaving and summoned up what little strength I had to push on.
I wandered more and I found an abandoned bathroom with shattered mirrors and glass coating the ground. I lingered in the doorway, not wanting to take the chance that I might cut my feet open on the shattered fragments. But one of the mirrors was intact, except for a slight, thin crack in the upper right hand corner. It was across from me and I caught a glimpse of myself in the mirror. That in itself wasn't unusual, but it wasn't my face that stared back at me.
My hair was limp black and my eye a dull, muddy color. I stepped closer to the mirror, forgetting about the damned glass. And dear Lord, my face. I looked paler than usual and exhausted, worn out. Not to mention a god damn black eye.
I raked my fingers through my black hair to sort out the tangles, letting out a huff of air, a sardonic laugh escaped from lips.
"This is what I left the comforts of New York for? Death and destruction?"
Chapter Five: A Place to Call Home
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tuiyla · 4 years ago
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A Definitive History of Bubbline
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With “Obsidian” coming out in two days, it really is time for a definitive history of Marceline and Bubblegum’s relationship. And by that I mean the tumultuous road that led us to “Obsidian” from a production and fandom point of view. For a list of Bubbline episodes, check out my Bubbline Guide (and part two) - which I need to update, I know I know. For this post, I wanted to highlight how far this pairing has come and what Bubbline means to queer representation in children’s cartoons.
This is less of an analysis and more of an overview with links to more information on specific incidents to keep it (relatively) brief. I say it’s a definitive history but it isn’t an exhaustive one, so do check out the links included to learn more about how we got here. I realize not everyone cares about these kinds of things but I think it’s important to know how hard Adventure Time’s creators had to fight. Bubbline is a pioneer ship in many ways but it doesn’t always get the recognition it deserves.
Initial Concepts
As is the case with much of Adventure Time, the initial concept of who the characters of Bonnibel and Marceline were going to be is very different than what we ended up getting. @gunterfan1992 explores this and other production tidbits in depth in his book so I do recommend checking that out. The short version is that these two were created to be opposites and with a Betty and Veronica type dynamic in mind where they would both be love interest to the protagonist, Finn.
This didn’t quite end up being the case but remnants of this concept are seen in “Go With Me” (March, 2011), the episode with the first on-screen Bubbline interaction. As Marcy helps - and sabotages - Finn in asking Bonnie out, she also becomes a potential love interest for him but she shuts him down immediately. So while Finn’s crush on PB continues, the notion that Marceline would be part of a love triangle is dismissed. Instead, this first Bonnie and Marcy interaction established that the two already know each other and there’s some bitterness in that past.
“What Was Missing” and the Mathematical Controversy
A potential preexisting relationship between the two was further explored in “What Was Missing” (September 2011) just a season later. The episode was written and storyboarded by Rebecca Sugar and eventual showrunner Adam Muto. Sugar was responsible for much of the character depth added to Marceline and later even played, quite aptly, her mother in the Stakes miniseries. It was Sugar who wrote the now beyond iconic “I’m Just Your Problem” based on personal experiences and suggested that Marcy and Bonnie be queer characters with a complicated romantic past.
“What Was Missing” was hugely important in how it hinted at a complex relationship through character interactions, Marceline’s song, and the last scene twist with PB’s shirt. The AT crew were supportive of the idea and sneaked in plenty of queer subtext, but this is where I have to point out that 2011 was a very different time and it’s thanks, in part, to Bubbline that things have changed. Autostraddle’s article from back when covers what is now known as the Mathematical controversy. Audiences picked up on the subtext and Cartoon Network was not having it. The popularity of the ship soared but the execs were not taking to queer implications kindly.
Great Bubbline Drought
So, the ship has sailed but controversy looms over it. “What Was Missing” s subtle by today’s standards but it was enough to keep Marceline and Bubblegum apart for two years on-screen. Each character went through wonderful development in the meantime, as did the show itself, but there’s a certain sense of bitterness to what came to be known as the Great Bubbline Drought. CN got so afraid of the potential backlash that they waited two years to have a new episode featuring the pair, “Sky Witch” (July 2013), by which point Sugar had left AT to work on her own show, Steven Universe. I’m happy that Sugar got to create her own show and push for even more queer representation, but it’s also sad that she never got to write more for the ship she pioneered.
“Sky Witch” still happened, though, and featured even more subtext, from PB’s side this time around. The shirt returned and there was hope as Marcy and Bonnie were seen hanging out together more often (”Red Starved” and ��Princess Day”). Another controversy threatened to emerge in August 2014 when Olivia Olson, Marceline’s voice actress said that creator Pendleton Ward had confirmed a pre-show Bubbline romance. It was a messy ordeal with deleted tweets and questions about whether the two could get together again in the series. Fortunately, though, things changed in the three years between 2011 to 2014 and another Bubbline drought didn’t follow.
The Season That Changed Everything
It took another two years after “Sky Witch” but the ball was finally, inevitably, relentlessly rolling. “Varmints” premiered in November 2015 and three episodes later, the Stakes miniseries kicked off. What season 7 meant wasn’t just breadcrumbs and (not so) subtle songs anymore: suddenly, there were too many Bubbline moments to count. “Varmints” served as a follow-up to “What Was Missing” and a final reconciliation, and though Stakes was primarily about Marcy, it also developed her relationship with Bonnie. Afterwards, it became clear that Bubbline was heading somewhere.
It’s worth noting that the cultural context also changed between when “Sky Witch” and “Varmints” aired. In December 2014, The Legend of Korra ended with Korra and Asami beginning their romantic relationship, and Rebecca Sugar was making Steven Universe more and more explicitly queer by the day. Adventure Time started the ball rolling but now it wasn’t alone as a popular Western cable cartoon with queer characters. However, Bubbline was still very much subtext at this point, just with significantly more hope of becoming more.
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Late Series Entanglement
But at what point does subtext become plain text? Bubbline fans sure did have fun with that question between Stakes and the finale. Bonnie and Marcy became near inseparable, with most of their major appearances involving one another from this point on. These included the meet the adoptive dad date “Broke His Crown” (March 2016), the Elements miniseries (April 2017) and the nigh on obnoxiously on the nose “Marcy & Hunson” (December 2017). In fact, all but two of Marceline’s major appearances from season 7 on included Bonnie - the exceptions being “Everything Stays” as part of Stakes, and “Ketchup”, which really wasn’t any less gay.
Bubbline moments really did become too many to count, with the vast majority of them having romantic implications. And with queer representation becoming more and more prominent in Western animation, canon Bubbline romance seemed like a question of when rather than if. I’d like to point out here how this was often frustrating, though. After the very rocky start, this relationship was thriving and was really basically confirmed, but that last little push to make it undeniably a part of queer history was still needed.
“Come on!” - The End and Beyond
The almost three years that passed between Stakes and “Come Along With Me” (September 2018) were much more tolerable than the Drought; after all, there was plenty of Bubbline content in the later seasons. The big question as the finale came was whether Adventure Time would fizzle out on its early pioneer of a wlw ship or follow through, once and for all. Almost four years after LoK ended and just before season 1 of She-Ra and the Princesses of Power dropped, Marcy and Bonnie had an emotional moment, kissed on screen, and ended the series together.
The intricacies of why a kiss was needed as a signifier of romance is a discussion for another day. But wouldn’t it have been strange after almost a decade of build-up for them not to seal the deal with a kiss? And to think it almost didn’t happen, as by that point it was so obvious they were together. Again, I direct your attention towards Paul Thomas’s book, he explains how it was storyboard artist Hanna K. Nyström’s call to add this final detail. Because, come on! Sometimes, you need to be as clear as possible, and that’s the case with queer representation in animation.
Since the finale, the comics have been continuing the Bubbline train - which are not technically canon but one can have fun regardless. In any case, the existence of Marcy and Bonnie’s relationship, of their queer identities, is not something that can reasonably be denied. It was a long road, and, make no mistake, an arduous one, but this is the story of a win. A win for storytelling and a win for wlw relationships.
We’ll Build Our Own Forever
So, there you have it, a Bubbline timeline of sorts. In March of 2011 we had the first on-screen interaction and now, in November of 2020, we’re getting a 45-minute-long special with the two of them as the central characters. They’re canonically in love, with King Princess covers of Bubbline songs and more. I tried to contain myself, for once, and not write too much. I think it’s important that people have a general idea of just how monumental all of this is and how, even just 9 years ago, “Obsidian” would have been totally inconceivable.
Some of this might have come as a surprise to you. It’s certainly not been easy to get to where we are now with Bubbline and it’s yet to be seen how open “Obsidian” will be about the relationship. I’ve been talking about Bubbline for years and attempted to chronicle their relationship many times so I’m happy I’ve finally done it from this perspective as well.
Adventure Time: Distant Lands “Obsidian” is streaming on Nov 19 on HBO Max. If you can, stream it so we can show that there’s popular demand for stories like that of an angry vampire and a despotic piece of gum.
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antihero-writings · 4 years ago
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The Boy with the Unspeakable Name (Ch1)
Fandom: Harry Potter (and the Chamber or Secrets)
Fic Summary: Tom Riddle may have won his battle with Harry in the Chamber of Secrets, but there were a few unforeseen consequences; loss of Tom’s memory being the most obnoxious of them. Is it possible to stop Tom’s past from becoming his future? Or is the young Tom Riddle doomed to repeat his mistakes?
Notes: I’ve actually had this idea ever since the first or second time I read Chamber of Secrets. Though Tom has never been my favorite character, I found young Tom interesting, and I always thought things would have gone differently if he had come back when he was Harry’s age. I was always curious if he could have been redeemed if things had gone this way. Now, I know JK Rowling purposely wanted to create an irredeemable villain, so she wouldn’t have redeemed him even then, but I wanted to write a fic playing with that idea myself.
Despite having had this idea for a long time, I didn’t write it because I was afraid I’d bite off more than I could chew, and wouldn’t finish. But this last time I read Chamber of Secrets, I decided I’d just go for it. I’m still afraid I won’t finish, as this is the longest premise of any of my fics posted, (and I haven’t finished any of my other, shorter, long fics…) but I didn’t want that to stop me from at least trying out the idea. Even if I don’t finish it, at least I’ll have something to show for it!
All that being said, if you like this fic and do want me to continue please consider commenting, and/or reblogging. Sometimes one comment can mean the difference between me continuing, and me leaving the fic behind. It really helps to know people are interested.
Above art from the internet. 
Chapter 1:
He didn’t know how fitting it was.
Tom Riddle didn’t know just how fitting it was that the first two things he sensed after waking up were the sound of crying, and the stench of blood.
He didn’t remember how much of his past—or perhaps one could call it his future—was comprised of tears, blood, muffled screaming, and the words avada kadavra! hissed in a cold, high voice that was surely not his own.
Right now, he didn’t remember much of anything at all.
Sixteen years or sixty, he remembered none of pain, the loss, or the victory.
All he knew in this moment was that world was damp and cold, it smelled like death, and someone was weeping.
That was the world to him; an ink spill on living canvas. A hole made in screaming pages.
The sound of weeping was the first thing he knew in this new life—(or this old life, made new)—it echoed and filled the place—whatever the place was—like the slow drip of water in an empty cave; tiny on its own, mistakable in a crowd, but sharp, vast, and overpowering when the world was hollow.
And the world did feel hollow.
He did not wake to a warm, dry hospital bed, a fire, and a heap of get-well cards. His family did not surround him, showering him with love and gratitude, asking what he did and did not remember, and what had happened to their sweet boy. No one held up pictures, pointing to the scenes and people within them fervently demanding remember?!, praying amnesia would leave him sooner rather than later.
Instead he woke to a place in which every sensation burned: cold searched for weaknesses in his damp cloak and slithered across his skin; the smell of blood bored into his nostrils, enough he could almost taste it; and the longer he heard the wailing it burned in his ears too.
Burned because it hurt his heart not just his ears? Because it was sad? Because it mattered, and he needed to know what was wrong?
Surely not.
Burned because it was annoying, and he wanted to shut it up. Burned because it wasn’t a nice sound to wake up to, and whoever they were ought to have more courtesy for orphan boys who just wanted to wake up in peace.
Everything burned because something about feeling, sensing anything at all, was…oddly unfamiliar. Not strange as in a new way; it was like something he once knew well that had been forgotten, left behind for a while, like nostalgia.
And if simply living was this foreign…how long had it been since he was last alive? How long had he been a ghost? And what brought him back to his body?
He opened his eyes.
Sight didn’t change the impression he had received from his other senses; mostly it just added ‘dark’ to the list of not-very-nice things the world was made of. And due to this fact, sight didn’t burn nearly as much as his other senses. Still, the world was crisper, more colorful, somehow, despite its drab nature…
He was in a chamber, a dungeon of sorts—probably underground. Stones and statues, turned brownish-green in the humid atmosphere, lined the walls. Snakes poked their heads out at him from the walls, their eyes glittering as if they’d come alive at any moment. And before him was a particularly large statue of a man.
But, as he sat up, his clothing—long, black robes, with a green patch on the chest—clinging to him uncomfortably, there were a few things sight showed him worth noting:
The first, most obvious, was the gigantic snake lying beneath the statue some ways down the chamber, its scaly green tail glistening in the low light. It was clearly dead; lying still, its belly up. There was blood where its lifeless eyes had been scratched blind, and a hole in the roof of in its gaping mouth, one of its front fangs missing. This was most likely the source of the foul smell. How long had it been dead? Couldn’t have been long, considering the other things around the room…
The second, what may have once been a book. This one was very close to himself. Its pages were ripped out of their bindings, in shreds, surrounding him like fresh snowfall. The leather cover had many holes and gashes in it, apparently made by the missing fang, which also lay beside the book, blackened ink on its tip—(but can words bleed?)—the book mutilated beyond repair. This was one of the strangest sights. It was almost as if someone—probably the person crying—blamed it for their problems and took their anger out on it, before that anger became the sorrow that resonated through the chamber now.
The third was a gleaming orange and red bird, long tail feathers unfurled on the floor, like a flame, its head held high, sitting quietly beside the mourner. It didn’t look like it didn’t belonged in such a grim place—like a rich person walking in a slum.
There was another glittering thing beside him: a silver sword with jewels encrusted in the hilt. This was likely the cause of the snake’s death, especially considering it had blood coating it.
A little way from it was a pile of raggedy brown fabric. ��He couldn’t quite tell what it was supposed to be.
The sixth: the source of the crying, a boy. He had unruly black hair, and his black robes—(the same robes, he noted, that he himself was wearing, or very similar)—were christened with the blood and slime of beasts—(and maybe men, he couldn’t know)—and ink. He was possessed by the demon that was tragedy; his entire form shaking, heaving, whether from sadness or rage, or both, only time, and a healthy dose of good questioning would tell.
The last thing of note, and what was most likely the source of the tears: a corpse. A girl specifically, with red hair—almost as fiery as the bird’s feathers—ashen skin, and, once again, the black robes—(must be a uniform of some sort). Perhaps they were at a school? Quite a dreary school it was, if so. She was small, apparently young.
The scene was both a lot, and not much, to go on.
Three living things—one without memory, another without peace—two dead, and four inanimate, one of the inanimate things more mauled than any of the living or dead.
His mind started to provide theories about the scene,
Theory one:
The snake had killed the girl, the boy had taken up the sword and killed it in outrage.
Made sense, but that still left the diary, the bird, and himself. As well as the pile of fabric…
He didn’t see the bird having a big role in this; his best guess was that it belonged to the boy, as it seemed loyal to him, sharing his grief, and that its role was the scratch marks on the snake’s eyes, helping the boy defeat it.
Theory two: The girl had written something in her diary the boy didn’t like, perhaps something about he himself. He had torn the diary apart, and in a jealous rage sent his pet snake after her, but regretted it after the snake went too far and killed her, and decided to kill it after all.
Theory three: Reverse of roles; the diary was the boy’s, and she had found it, and he was either mad she found it and tore it, or she had after finding something she didn’t like in it, potentially about him, and the offended party let loose the snake.
Theory four: The snake belonged to neither of them, it was by accident they happened to wake it, or stumble into its home while fighting about this diary.
But why did they find an underground chamber the best place for an argument? Did they live here? Was this a normal place for them to spend time? Like some sort of secret hideaway? Were they in hiding from something?
Four(a): Or else were they on some quest to find it—was the snake guarding treasure? Did the diary hold the map to it, and they tore it simply to keep anyone else from finding it, or else falling into the same trap?
Theory five: The diary was his own; not the boy's or the girl's. He had some relationship to one or both of them that went awry.
Five(a): The snake was his own, and he had set it loose on the girl for some reason, perhaps he was the jealous and angry party here.
Theory six: The snake didn’t kill the girl.
Six(a): She was already dead or dying before the snake even arrived. Maybe the snake's venom, or something else about this chamber, was meant to cure her and failed.
Six(b): The boy killed her. Perhaps in his aforementioned jealous rage he had took the sword to her himself, and now he regretted it.
Six(c): He himself killed her.
He sat up, blinking at the dreary universe. The boy didn’t hear him, just kept on crying. It was a very tiresome noise to hear so constantly.
He reached over and, quietly as possible, drew the diary closer. What made its disfigurement all the stranger was that every page he could see appeared blank. People didn’t usually have qualms with blank diaries—it was the words that people were so touchy about.
When he lifted up the cover, he could see beneath the gashes a name: Tom Marvolo Riddle.
The sight of the name sent a curious sensation through his stomach; he didn’t remember who it belonged to, but the name set a fire boiling in his gut, a bubbling, swirling, writhing fire within him. A fire that threatened to destroy everything around it too.
He looked up at the mourner. Was that his name? Or was the girl, in fact, a very petite, long-haired boy? Did the diary belong to no one present, and it was the secrets within, not the owner, that mattered? But there were no words at all, let alone any secrets…
Or…was it perhaps his own? His own name that he didn’t even remember.
Sitting here theorizing wasn’t going to get him any closer to the truth.
It didn’t seem like a good idea to disturb the boy in his grief, but he didn’t have much choice—losing your memory is an ordeal of its own, you know.
He got to his feet—this sensation too didn’t feel completely mundane to him. Everything felt nostalgic—like in some fond childhood he walked, and smelled, and saw, and heard, but as he grew up, sense left him, and he forgot what it meant to be alive. His damp clothes clung to his body, making him shiver.
His footstep broke the atmosphere; the first new sound in the stagnant place, the pieces of peace cutting through the tears. The boy gasped—the kind of raw gasp, full of dread and despair, one takes when they realize the dragon is awake.
But the dragon in this particular chamber was slain…
His slow steps filled the chamber, an ominous repetition, the ticking of a clock.
When he got close, the boy’s hand wrapped around the hilt of the sword, the metal twinkling in the dim light, scraping and clattering on the stone as it moved.
“I’d stay back if I were you,” his voice was soft but solid, dangerous, wet with tears, shaking with rage, hoarse from screaming.
He stopped. He didn’t know what that meant, and he wasn’t sure he wanted to find out.
Hmm…What to ask? ‘Why’s that?’ ‘What happened here?’ ‘Who are you, who was she, and, while you’re at it, who am I?’
The scene was still fresh; if he touched the embers it might reignite.
“And…If you were me, what would you do?” he decided to ask. Speech, words forming on his tongue, felt odd too… but it was the sound of his voice that caught him most off guard…why? Had he been expecting to hear something different?
It was an odd question; he could tell the boy wasn’t expecting it. He paused. Then he scoffed,
“I’ll never be like you.” Then his voice grew quiet and dangerous, “But if I were in your place…I would run. As far away as I could, and as fast as I could, before I found out what the famous Harry Potter is capable of when you take something important from him.”
An even odder response.
The boy turned. One of his most defining features was the circular-rimmed, cracked glasses he wore. That, and the lightning-shaped scar on his forehead, which was red and irritated. Seeing this scar, for some reason, made ire rise in Tom’s throat too. His glasses shielded eyes of a bright green which also heralded from a distant memory.
Bright, but dark. A green that pierced the veil of shadows, yet reflected the rest of the world. He wondered if he had ever seen such hatred in someone’s eyes before, in that past he didn’t remember. They burned as bright as the bird by his side, bright as the girl’s hair. They were bright enough to set the chamber ablaze, dark enough to enact the threats in all the room’s corners. Yet his name didn’t immediately come to mind.
Harry Potter. That was what he said his name was. Once said aloud, the name was more familiar than sensation itself; a burning scar upon his mind, never quite healed. The name was rage, and humiliation itself to him…though he couldn’t place the source of these emotions; no memories came to mind.
They were enemies.
Only two names he knew so far, and both sent the same sort of mad fury through him. Curious.
He couldn’t be more than twelve years old. Twelve years old was quite the young age to be defeating monsters, watching girls die, and to hold such hatred in one’s eyes. Very young to be so hated by he himself.
He was just a kid. Did this Harry Potter really deserve all this?
Why did they hate each other so much? Was it normal for him to hate twelve-year-old boys?
Come to think of it, how old was he himself? He sounded young, not much older than him. But he didn’t feel young.
Why did he hate him so much?
It was starting to look like Theory six(c) might be the most likely.
He didn’t take his advice. He didn’t know much about himself, but he didn’t think he was one to take people’s advice, especially not that of his enemies. In ignorant defiance he took a step forward.
“Stay back!” Harry Potter barked, as vicious as a loyal guard dog.
That same hatred he felt buzzed behind his words.
Another step.
He held up the sword.
“I’m warning you.” Tom knew the threat in his voice was very real.
Yet he came closer. Close enough to see the face of the girl.
He didn’t recognize her. Predictable, but aggravating. He had hoped that perhaps seeing her would bring him to his senses. Alas, she was just a dead girl.
He leaned in closer.
“DON’T YOU DARE TOUCH HER!!” the boy’s words, along with the sword, were at his throat without a second to spare.
He simply flicked his gaze to him; no sign of shock or emotion at his outburst on his features.
The world must burn for this boy too. Burn, not because of sensation itself was strange, but because what he felt was currently was too much to bear.
Hatred, horror, heartbreak…hell. It all blazed and overflowed in his eyes.
He backed up one step, then another, and kept backing away until the sword was no longer close to his skin. Harry could have easily followed him, keeping the threat alive, but it seemed staying by the girl, protecting her lifeless body was his highest priority—Why? What could he possibly do now that she was dead? Was he prone to mutilate dead girls? Was his touch repugnant enough on its own to warrant such violence?
The anger was still white-hot, but confusion was in the boys’ eyes too now.
Yes, six(c) seemed pretty likely.
So, how had he lost his memory? He himself didn’t seem hurt in the slightest physically, he didn’t even have so much as a spitting headache to tell him he’d knocked his head hard enough to lose his memory. It didn’t appear as though he and the boy had dueled, despite the indication they were opponents, and the sword in his hand. Nothing indicated how he could lose his memory, or why…or, come to think of it, why he was still alive.
If it was true he had killed her, that they were enemies, why hadn’t Harry killed him in his sleep? He surely had the chance, in the midst of all the wailing. Why didn’t he walk up to him, send that sword through him and be done with it? Why didn’t he fight him, run him through, now? Tom was clearly unarmed, and Harry was likely the one who killed the snake, clearly he had the upper hand, the power to do so. It all made too much sense.
He could tell he wanted to.
…The diary. It must be connected to everything. Would it reveal the truth of the situation, and his lost memories? Everything seemed to trace back to it. From the looks of things, it was the source of the scene…and it was the most confusing part of the scenario. If he started with it, perhaps he could get somewhere.
He sauntered back to it, crouched down and picked up the mangled cover, staring at the name, the holes where someone—presumably Harry—had stabbed it, a few blank pages hanging limply out of the binding. But why would he hurt an inanimate diary?
“Who’s Tom Riddle?” he asked.
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