#Word Formatting

[visual-sculptors]

Strategies for Trust in Consulting Presentations

Establishing trust with your audience is a critical component of delivering effective consulting presentations. One of the key strategies to achieve this is by clearly communicating your expertise and experience in the subject matter. This can be accomplished by presenting your credentials, highlighting successful projects or client testimonials, and demonstrating a deep understanding of the topic at hand.

By showcasing your competence and track record, you can instill confidence in your audience and establish credibility as a trusted advisor. In addition to showcasing your expertise, utilizing visual aids and data to support your recommendations can further enhance your credibility and build trust with your audience.

Visual aids not only help in conveying complex information in a more understandable way but also serve as evidence to support the insights and solutions you are presenting.

Moreover, actively listening to your clients' concerns and addressing their questions demonstrates your commitment to understanding their needs, fostering a sense of collaboration and partnership that is essential in building trust and credibility.

By incorporating these strategies into your consulting presentations, you can effectively establish trust with your audience, leading to successful engagements and long-lasting client relationships.

Visual Sculptors Designs – Aligned to Client Branding Guidelines.

To ensure that presentations are in line with a management consulting company's branding and messaging, we adopt various important strategies: After signing an agreement with a firm, we have calls to understand past projects and brand guidelines. We then create a detailed style sheet for approval, usually finalizing after 1-2 iterations. For the initial 10-15 deliveries, the agency prioritizes delivering high quality work with multiple quality checks. This includes ensuring brand consistency in aspects like color scheme, choosing appropriate chart types, and formatting elements. Graphic design process helps familiarize the agency team with the client's brand.

[uncanny-tranny]

Not to keep body positivity posting, but this unironically cured all my body ails and I need everyone to see this, too

[Video Description: A Tik Tok posted originally by user trevor_wagner_

The video is captioned: My current body type is that you can tell I workout but you can also tell I don't say no when someone offers me a cookie

Trevor is sitting in a truck, and he lifts the sleeve of his shirt to flex his bicep. He then lifts his shirt by the hem to show off his stomach, which, where he then pats it. The song Half on a Stack by Three 6 Mafia is playing in the background. /End of Video Description]

[paintedcrows]

"Bill... Can I call you that?" / "You can call me whatever you want except 'My Love'!"

"Ha ha! That's a joke! Everybody loves me!"

Y yo a ti Ford, or whatever. @fearoftriangles pointed out that in the Spanish version of The Book of Bill: Bill says Ford can call him anything but "Mi Amor" instead of anything but "Late for Dinner" and-

...I swear, Spanish translators cannot keep getting away with this

[5ummit]

New Mature Content Warning Overlay (And How to Get Rid of It)

More fun community label "features"! Unlike the new mandatory label for #NSFW, this one is a bigger deal to me because it affects my entire blog and it can't be avoided by just using a different tag.

Apparently on custom blog layouts, if you happen to post or reblog even a SINGLE post that's been flagged with the mature content community label, a full-page warning overlay will appear blurring out your entire blog that must be manually clicked through every single time the page is refreshed. At first I thought this was just a bug due to my older layout but I've come to realize it's not. It's a feature (as confirmed by this recent changes post) that affects all custom themes. The formatting will vary based on your own theme but here's what it looks like on my blog:

I don't know about you but I find this is stupid and annoying. If it could be dismissed once and never seen again that might be one thing, but that's not the case. The vast majority of my blog is not "mature" enough to warrant such an aggressive and invasive warning. I also think pop-ups are obnoxious in general and I'll be damned if tumblr's going to force me to have one on MY blog.

After some desperate googling for a known workaround and being unable to find even a single mention of it, I decided to take on the challenge myself. I'm not a theme coder, so apologies if there's a better way to do this, but luckily it only took me like 10 minutes to figure out a simple fix, which I'm now sharing with anyone else who may want it:

.community-label-cover__wrapper {display: none}

Just copypaste that somewhere in your CSS and goodbye pop-up!

If you're not sure how to access your theme code, check out this help article. You can also add the code via the Advanced Options menu, which is actually even better (if you can get it to work, it depends on how your theme was coded), because it will then automatically be reapplied to a lot of themes without having to remember to manually add it every time if you change your theme in the future.

Obviously this will only remove it from your own blog for anyone who may visit it. If you never want to see this warning again on other people's blogs you can also add this custom filter to your ad block:

tumblr.com##.community-label-cover__wrapper

Unfortunately I do not have an easy tutorial on hand for this one as the method will depend on your specific ad block app or extension.

Some additional notes:

After adding the theme code and saving the changes, give it a minute to update as it sometimes takes a little while for the page to refresh.

The warning overlay only seems to appear if a "mature" post is on the FIRST page of your blog, which is still annoying and makes the whole thing even more pointless and stupid because what if someone visits any other page of your blog, and oh no, happens to see "mature" content they weren't warned about?!

The warning also appears on direct links to "mature" posts.

This hack has NOTHING to do with entire blogs that have been flagged as NSFW. It only works for non-flagged blogs with custom themes that happen to have individual "mature" posts.

[linipik]

one step forward, two steps back 

first | < Part 1 | Part 2|  tbc>

[gay-strawberry]

mister sparkly soft puppy heart eyes they call him

[thevioletcaptain]

today dean fucked up 😪

[slavhew]

jakey + dirkjake sandwiched between my organic chem notes. a poem in there somewhere

[starstrike]

Mithrun's desire as an SA analogue

TW discussion of SA and detailed breakdown of aesthetics evoking SA. The way I discuss this is vivid in a way that may be triggering, though there is no discussion of actual sexual assault. Just survivor's responses to it.

People relate to Mithrun and see his condition as an analogue for a few different things, like brain injury or depression. And I think all of them are there. But I also see Mithrun's story as an SA analogue, and Ryoko Kui intentionally evokes those aesthetics. I think it's a part of Mithrun's character that a lot of people miss, but I very much consider it text. This is partially inspired by @heird99's post on what makes this scene so disturbing; so check out their post, too :)

So to start off with, the demon invades Mithrun's bed, specifically. There's even a canopy around it, which specifically evokes this idea of personal intrusion; the barrier is being pulled apart without consent or warning. The way the hand reaches towards Mithrun's body from outside of the panel division makes it almost look like the goat stroking over his body. It's an especially creepy visual detail; similarly, the goat's right hand parts into the side of the panel as well. It's literally like it's tearing the page apart; but gently. So gently.

Mithrun is in bed. It is his bed that the demon is intruding on. He's in a position of intimacy. The woman behind him is a facsimile of his "beloved" that he left behind; the woman who, in reality, chose Mithrun's brother. He is in bed with his fantasy lover, who is leaning over him. While this scene isn't explicitly sexual, it is intimate. And it is being invaded. The goat lifts Mithrun gently, who is confused, but not yet struggling.

The erotics of consumption and violence in Ryoko Kui's work(remember that the word 'erotic' can have many different meanings, please) are a... notable part of some of her illustrations. I would say she blurs the lines between all forms of desire: personal, sexual, gustatory and carnal, in her illustrations in order to emphasize the pure desire she wants to work with and evoke to serve her themes. Kui deploys sexual imagery in a lot of places in Dungeon Meshi, and this is one of them.

In this case, horrifically. The goat's assault begins with drooling, licking, and nuzzling. The goat could be enjoying and "playing with" its food. But it can also be interpreted as it "preparing" Mithrun with its tongue as it begins to literally breach Mithrun's body. The goat also invades directly through his clothing; that adds another level of disturbing to me. There's nothing Mithrun can do in this moment of violation. Mithrun is fighting, but he is fighting weakly, trying to grip on and push away when he has no ability or option to. All he can do is beg the goat to stop. And it doesn't care. This all evokes sexual assault.

The sixth panel demonstrates a somewhat sexual position, with Mithrun's thighs spread around the goat's hunched over body. In the next, the goat pulls and holds apart Mithrun's thighs as he nuzzles into him. The way the clothing bunches up looks a bit as if it has been pushed up. It has pinned Mithrun down onto the bed, into Mithrun's soft furs and pillows. It takes a place made to be supernaturally warm and comfortable, and violates it. It's utterly and intimately horrifying. To me, this sequence of positions directly evokes a rape scene. I think Kui did this very explicitly. These references to sexual invasion are part of what makes this scene so disturbing; albeit, to many viewers, subconsciously.

This is also the moment the goat takes Mithrun's eye. Other than this, the goat seems exceptionally strong, but also... gentle. It holds Mithrun's body tightly, but moves it around slowly. It doesn't need to hurt Mithrun physically. But in that moment, it takes Mithrun's eye. Blood seeps from a wound while an orifice that should not be pierced is penetrated. This moment, the ooze of blood in one place specifically, also evokes rape. That single bit of physical gore is a very powerful bit of imagery to me.

Finally; it is Mithrun's desire that is eaten. After his assault, Mithrun can find no pleasure in things that he once did. He is fully disassociated from his emotions. This is a common response to trauma, especially in the case of SA. It's not uncommon for people to never, or take a long time to, enjoy sex in the same way again; or at all. They might feel like their rapist has robbed them of a desire and pleasure they once had. I think this makes Mithrun's lack of desire a partial analogue for the trauma of sexual assault.

Mithrun's desire for revenge was, supposedly, all that remained. Anger at his assaulter, anger at every being that was like it; though, perhaps not anger. Devotion, in a way. To his cause. I don't know. But the immediate desire to seek revenge is another response to SA. But on to Mithrun's true feelings on the matter.

This is... So incredibly tragic. Mithrun feels used up. Like his best parts have been taken away. Like he's being... tossed aside. This certainly parallels the way assault victims can feel after being left by an abuser. Or the way assault victims feel they might be "ruined" forever for other partners. These are common sentiments for survivors to carry, and need to overcome. In the text, it's almost like Mithrun feels the only being who can desire him is a demon who might "finish devouring" him. That that's his only use. It's worth noting that Mithrun trusted the demon. Mithrun's world was built by the demon, and Mithrun, in that way, was cared for by the demon. I think this reinforces Mithrun's place as a victim.

There's also something to be said about Mithrun as a victim of his own possessive romantic and sexual desire. The mirror shows him his beloved just dining with his brother, and it infuriates him. He doesn't know if the vision is real, nor if she has really chosen his brother as a romantic partner. The goat then creates a whole fantasy world where she loves him. As Mithrun's dungeon deteriorates, she is the only person that continues to exist. Mithrun continues to have control over her. And that is the strongest desire the demon is eating, isn't it? There's something interesting there, but I don't know what to say about it.

In conclusion, I think Mithrun's story is an explicit analogue for sexual assault-- though, certainly, among other things! The way the scene plays out and is composed explicitly references sexual violation and invasion of the body. His condition mirrors common trauma responses to sexual violence. And, at the end, he finally realizes he can recover.

Let's end on a happy Mithrun, after taking the first step on his journey to recovery :) You aren't vegetable scraps Mithrun. But even if you were-- every single thing in this world has value. Even vegetable scraps.

[non-plutonian-druid]

[ID: 8 sketches of scenes from The Murderbot Diaries where Murderbot expresses discomfort with being touched.

In the first, Done Abene takes a hold of Miki's shoulder. Murderbot, who is watching through Miki's eyes, falls off its perch and shouts "OH FUCK don't grab me".

In the second, Murderbot is standing awkwardly worried next to Mensah, just after she has been harassed by a journalist in the short story Home. It says, "You can hug me if you need to." Mensah replies "No, it's alright. I know it makes you uncomfortable" and Murderbot's face softens as it smiles.

In the third, Maro is hugging herself while looking at Murderbot and says "This is for you."

In the fourth, Murderbot thinks to itself while standing next to Mensah "If I kill this human... Mensah won't trust me anymore. She will not stand near enough to touch (without touching, ew).

In the fifth, Arada gazes up at Murderbot with a wobbly smile while Murderbot says "No hugging. It's in my contract. Do you need me to call someone for emotional support."

In the sixth, Murderbot holds a human up by the scruff of their uniform work jacket and says "Do not touch Security Consultant Rin."

In the seventh, Ratthi asks from offscreen "Do you have a relationship with this bot?" At Murderbot's disgruntled face, he says "Not like that."

In the eighth, Murderbot frowns sternly at Ratthi. Ratthi says "It was a sexual discussion." Murderbot instantly leaves, leaving behind a blank dotted outline while it hovers at pace away down the hall. End ID.]

Compilation video: Murderbot being touch averse for fifteen minutes aroace

aka touch averse murderbot appreciation post because i havent given that the attention it deserves. happy pride

[visual-sculptors]

Integrating Multiple Consultants in Joint Presentations

The collaboration conundrum of integrating multiple consultants in joint presentations can be a complex and demanding task. It necessitates a high level of effective communication, meticulous coordination, and a precise understanding of each consultant's unique role and expertise.

Successful integration of multiple consultants in a joint presentation requires the establishment of a cohesive team dynamic and the setting of clear expectations.

By ensuring that all team members are on the same page and understand their individual responsibilities, the presentation stands a higher chance of being delivered successfully.

Furthermore, it is imperative to approach collaboration with a professional and respectful attitude, valuing each consultant's contributions regardless of any potential conflicts or differing opinions.

Each consultant brings a valuable perspective and skillset to the table, and recognizing and leveraging these strengths can lead to a more comprehensive and well-rounded presentation.

By fostering an environment of mutual respect and teamwork, consultants can work together towards a common goal, ultimately enhancing the overall success and impact of the joint presentation.

Visual Sculptors Designs – Aligned to Client Branding Guidelines.

To ensure that presentations are in line with a management consulting company's branding and messaging, we adopt various important strategies: After signing an agreement with a firm, we have calls to understand past projects and brand guidelines. We then create a detailed style sheet for approval, usually finalizing after 1-2 iterations. For the initial 10-15 deliveries, the agency prioritizes delivering high quality work with multiple quality checks. This includes ensuring brand consistency in aspects like color scheme, choosing appropriate chart types, and formatting elements. Graphic design process helps familiarize the agency team with the client's brand.

[seravphs]

modern intimacy —

ੈ♡˳·˖✶ — GOJO x FEM READER

Gojo watches you get ready for your anniversary date. 

tags — married au, Gojo is the annoying type that doesn’t have to do any skincare or makeup to look good, so he’s doubly interested in your routine

“What’s that one?” 

“It’s mascara.”

“Huh. Okay, what’s that?” 

“It’s blush, honey.” 

“Can I try?” 

“Try it on?” You look up at him, surprised. Gojo, being Gojo, always looks perfect. You’re not sure what he would need makeup for. 

“Can I try putting it on you?” 

When you shrug, Gojo grins eagerly and pulls you onto his lap. You did not agree to that, but you let it slide. He takes the little compact in one hand and your fluffy brush in the other. His tongue peeks out in concentration as he taps rouge onto your cheeks. 

You catch a glimpse in the mirror against his protests. No wonder why-

“I look like a clown!” You protest. 

“But my adorable little clown,” he says. 

“Don’t try to wriggle your way out of this one! Give me that-“ you snatch your makeup back. 

You wince at you stare into the mirror once more. It’s useless. Your base is completely unsalvageable. You’ll have to start all over. 

“It’s fine,” Gojo drawls. “I’ll just get us another reservation.” 

You turn gleaming eyes on him and lift your blush brush. 

“Hey, wait!”

[trifoliate-undergrowth]

Pin-Lee suggesting that Murderbot start reacting to its injuries more to let humans know it’s been injured after realizing that it’s been casually walking around after a fight leaving a trail of Fluids. It’s like “I could.. probably write some code for that I guess.” and Dr. Mensah is like “don’t worry about it if it would be distracting to you. Just.... tell us afterwards. We want to know how you’re doing” and it’s like “i can give status reports yes.”

Pin-Lee is like “I still like the idea of you giving an indication you’ve been hit. For example.” she points finger guns. “Bang oh no I have definitely hit you with a projectile. Indicate that somehow.”

Murderbot, with extremely flat inflection which would not immediately seem like a distress call to nearby humans: “Ouch. I Have Been Injured.”

Pin-Lee is like “hm no there’s gotta be some sort of. I don’t know, you don’t have to verbalize if you don’t want to, maybe there’s like an alarm noise you could make? or an “AAA!” sound? Okay let’s try again BANG”

There is a brief delay (less then a second) and then Murderbot responds with damage vocalization option 2.

“File:Wilhelm_Scream.ogg” blasts through the station.

[art-creature]

Scrap paper zine / sketchbook thing - flip-through video here !

[ennard-is-near]

>Be me

> Just moved to neighborhood in Hurricane, Utah

>At a welcome party thrown for me

>Party is fun

>party suddenly stops and neighbors say they have to tell me something

>what?

>they give me a heads up about Michael.

>I ask what the deal is

>he’s not dangerous, you’ll know him when you see him. He’s just Michael.

>confused.png

>Few months later

>see a literal decaying body walking down the street.

>it’s just Michael.

[somewhereincairparavel]

Annabeth Chase and Jason Grace - two sides of the same coin, an analysis post.

after a long wait, I've finally posted my analysis on jason/annabeth being similar, and mirroring eachother as rivals/potential sibling figures more than percy/jason's 'bro rivalry', based on this post of mine which has crossed over a THOUSAND notes in the last week alone, and I've been getting so many reblogs and comments asking me to expand on my tags in that post and do a full analysis. so here it is. I've been procrastinating this for quite a while now for some reason but I'm glad I'm over my writer's block and I got to articulate my post well enough.

annabeth and jason have had very minor interactions throughout hoo, but the parallels and similarities in their character is jarringly noticeable, which is why I hoped for a jason/annabeth rivalry and not a percy/jason rivalry. they've both been raised at their respective camps since they were literal kids, they were well versed in their respective fields of knowledge, and were well respected/intimidated in their camps.

let's start off with the lost hero

when jason first meets annabeth, he says that her eyes were really intimidating and fierce, so right off the bat, we have jason who's pretty put off by annabeth because she very obviously looked angry, especially since she was frustrated about jason's arrival instead of percy, and looked like she could kill jason to get percy back.

-----------------------------------------------

this parallels to a lot when hazel kept going on about how difficult it was to warm up to jason because his eyes were always calculating and cold, and he gave off an untrustworthy vibe, that he'd sacrifice anyone for the sake of the mission.

both annabeth and jason have a certain similar ‘look’ in their eyes, which have nothing to do with the color. they both have the tendency to make people nervous simply with their eyes, because they always look like they're thinking of new things every few seconds. Ironically, jason first perceived annabeth, the way everyone else perceived him. scary and intimidating with an icy glare and hardened eyes.

They were both said to be ‘studying’ each other in distrust many times throughout. A part of why they didn't trust each other, was, in my opinion, because they embodied their least favorite shared personality trait of each other, secretiveness and guardedness. which is why annabeth got on so well with percy, and jason with leo/piper.

they didn't admire the closed off-ish vibe that they gave eachother. they both needed people who were open and carefree.annabeth said that jason looked like he knew too much information, but chose to keep it all a secret, very similar to her own guardedness from time to time, keeping it a secret and wanting to deal with it silently.

we also know that annabeth and jason are extremely knowledgeable in greek/roman mythology, they both love debates and were quite passionate about history. they were both assigned architecture projects by the gods themselves as a mark of honor and favour.

moving on to the next most important point, they reminded eachother of the people they missed, causing them to feel resentful.

jason, barely met his sister after they reunited. he was bitter when thalia said he had to go look for percy to help out annabeth with the search. he was aware that thalia and annabeth were childhood friends, getting closer to eachother than jason and thalia ever did. she found a home in luke and annabeth, not even a few months after baby jason was thought to be ‘dead’, that knowledge would've weighed a lot on jason. annabeth became the sibling to thalia grace that jason could never be.

while annabeth? the only thing annabeth thought of, after jason had a face off with his mother's remnant in boo, was the fact that jason, who looks eerily similar to luke, could've experienced the exact same fate as him. luke was jason if he had more wrath and held grudges, jason was luke if he had less anger and resentment. annabeth could connect the dots so easily, and that was truly the moment where she gained immense respect for him.

and, when jason told annabeth that his sister was thalia? she had a very odd sort of expression on her face.

annabeth also quotes that looking at jason made her feel bitter, because he reminded her of heras exchange, and the fact that she lost percy for months. whenever she looked at jason, she would only see her two childhood friends, a found family that was broken, and a love that was challenged.

whenever jason looked at annabeth, he would be reminded that thalia had a closer contact to her than she did jason, and had to accept that he would never know thalia as much as annabeth does.

annabeth and jason also appear very confident and sure of themselves, but have second thoughts all the time. they had to put on a fake facade, to live up to their expectations and lineage.

they were both also sort of people pleasers, annabeth couldn't really say no to anyone who asked her for help with things, like carrying the sky for luke especially, because not only where they giving her a chance to execute her knowledge and skill, the thought of helping someone made her genuinely happy. jason also loved seeing people happy, always wanting to say the right thing to satisfy someone, even if it meant he had to sacrifice his own struggles to help them.

fatal flaws:

annabeth’s fatal flaw, is hubris. when you are confident and sure that you can do something, and have a sense of excessive self pride.

and jason's fatal flaw is the temptation to deliberate. hesitation and second guessing, to put it in simpler words.both fatal flaws are so different, yet so similar, and they have both flaws, just in a different viewpoint.

as a child of athena, annabeth appears super confident and even conceding at times because of her wisdom, but at the same time, annabeth had to make sure she was one step ahead of everyone. she had to rethink everything and had to have a plan in her mind all the time, fearing that things wouldn't go smoothly.

she had to hesitate and second guess herself alot, despite her knowledge, like she did when she knew she had to look for the mark of athena. piper and percy had to boost up her confidence with affirmations, to let her know she's on the right path and to just follow her gut. annabeth feels obligated to have a temptation to deliberate, because, as a child of athena, she has to be all knowing and wise, and most definitely cannot fail her mother.

and jason? despite having a very low sense of self esteem and hesitation, he was so used to leading the people who were considered slightly inferior to him in camp jupiter, and basically getting treated like a celebrity for 12 years of his life in camp jupiter, that often, he thought what he did was right, he had his own perception of what a hero should be, and I quote

[“No, no,” Jason said. “I made my choice. You’re not to blame. You don’t owe me anything except to remember what I said. Remember what’s important.” “You’re important,” I said. “Your life!”Jason tilted his head. “I mean… sure. But if a hero isn’t ready to lose everything for a greater cause, is that person really a hero?”He weighted the word person subtly, as if to stress it could mean a human, a faun, a dryad, a griffin, a pandos… even a god”- Tower of Nero]

which was normal, since he had everyone basically following his lead without question as a kid. he's expanded on this in his conversation with piper in mark of athena, where he said he felt weird to suddenly be around people who were either equal/or superior to him in power, and not being in the ‘lead’ particularly.

jason had hubris, but certainly not in a way that you would call it an ego or excessive pride. he was hardwired and brainwashed into having his own perception of what is right and what is wrong, that he thought he was always making good enough decisions, at least from a roman child soldier’s standpoint. [Like when he was okay with not saving nico because it might sabotage their mission, he genuinely didn't think what he said was insensitive until hazel called him out, because he was brought up that way. he thought he was doing the right thing, by prioritising the mission and the duty, first. Like the dutiful roman he was made to be].

both annabeth and jason, have hubris and a temptation to deliberate.

annabeth and jason, also had an extremely difficult time breaking free from the thoughts that their godly parents were always right. It took on alot of disappointments for both of them to stand up to their parents (and not just godly ones, mind you)

they've both had disappointing absent mortal and godly parents with a hostile stepmother involved and monitored with each and every one of their moves. annabeth has had to deal with her stepmother playing the ‘bad cop’ with her father not even coming to her defence, just the way hera came butting into jason's life and giving him terrible memories, taking him away from thalia, with zeus not even caring.

speaking of which, they are both the only demigods who have harboured the most amount of resentment for hera. just the sight of hera pisses them both off, as it hera, stripped off so much time away from annabeth and percy, and memories from jason, which he never permanently got back.

this is sort of irrelevant but I'll add this anyway, in boo, athena also immediately liked jason for calling out zeus's unfairness to apollo, saying something like 'the boy is right' and she gave him an approving/appreciative look for his wisdom, which is pretty rare for athena to say or do to literally any demigod ever. this makes me wonder if she ever saw jason as someone who had some sort of athena legacy in him, which is why she was so pleasantly surprised with him. ugh we could've so gotten jason and annabeth as potential sibling figures bc of how many parallels they have, too bad that the percy/jason rivalry narrative was pushed too hard.

I hope I've drawn enough parallels with their characters, as a lot of you have been looking forward to this post for a while, hopefully this analysis hasnt been underwhelming for you all to read!

@thevoidcaller @karmaajr @onestorytorulethemall @newlyfoundwren @thesummerstorms