#Wedding Part 2

[simplybybea]

Chapters: 13/20 Fandom: The School for Good and Evil - Soman Chainani, The School for Good and Evil (2022) Rating: General Audiences Warnings: No Archive Warnings Apply Relationships: Clarissa Dovey/Leonora Lesso Characters: Clarissa Dovey, Leonora Lesso, Emma Anemone, Agatha (The School for Good and Evil), Sophie (The School for Good and Evil), Aric (The School for Good and Evil), Rafal Mistral | The School Master Additional Tags: Modern AU, rom com, Fake Dating, Family Vibes, Single Parents, Married Life, Parenting, School Reunion, romance film, Aric is a little kid not evil, They're oblivious, Kids want their moms to stop messing around, Co-Parenting, family fic, Friends to Lovers Summary:

Clarissa Dovey needs a date to her school reunion after breaking up with her boyfriend. Emma is busy so her best friend and fellow single parent Leonora Lesso steps up. It all sort of spirals from there.

[hinamie]

10 years later

[quercus-queer]

Small collection of The Chicago Rat Hole saga

[texaschainsawmascara]

Anya Taylor Joy & Malcolm McRae wedding

[lirarey]

Tim Burton loves couples where one is dead and the other is alive, doesn't he?

[admireforever]

Colin & Penelope

[ifwebefriends]

This Day Aria: a gorgeous and dramatic aria building tension to the final confrontation of the episode, both hinting at the villain’s true plans and the true love that Cadence has for her fiancé

Shining Armor in that one shot:

[ivymoonstudios]

nesta archeron

[all-was-not-well]

I'm obsessed with the fact that the Mondriches are invited to every intimate Bridgerton family event (bachelor parties, weddings...) but apparently Daphne and Simon are not.

[sarucane]

Ed Teach's Stories

From practically the moment we meet him, Ed's identity is unstable. We know who is he (Blackbeard) from context, from the story told by the the room around him, by Izzy and the flag his crew. But the thing is, Ed doesn't fit the story of the Mad Devil Blackbeard. Two of his first few words are "good" and "love" for crying out loud. He's called "Blackbeard," but his beard is grey.

This instability exists because Ed himself isn't sure what story he's telling--or wants to tell. "I shouldn't be bored, I'm fucking Blackbeard!" All through his early episodes Ed is in increasingly desperate tension with his own identity. He's trying to tell stories within stories, wanting all the stories to be true at the same time, yet aware of the reality that the world is constantly trying to wipe one or another of the stories away. And not really trusting that he can tell the whole story of who he is.

In the first season of OFMD, Stede wears a different outfit every episode. Yet Stede remains the same: despite his internal tensions (almost despite himself) there's a stability to his identity. But all through both seasons of OFMD, Ed putting on a new outfit means he's trying to tell a completely different story about himself.

And underneath this cacophony, there's Ed. And Ed is himself a chorus of stories, a living contradiction. A patricidal murderer who was protecting his mother; a paragon of masculinity who longs for softness and fluidity; a man renowned for violence and madness who has in fact carefully cultivated that reputation and is extremely careful with his violence; a killer who doesn't kill, yet who does kill all the time just at a bit of a remove; a half a dozen names and personas and yet always Ed; unloveable, yet deeply loved.

At the beginning of the show, Ed isn't actually good at telling his own story. He's good at listening to other people's stories, and conforming himself to them often without conscious effort. But when he tries to really tell his own story--asking Stede to run off to China, singing his break-up song song, going to become a fisherman--he fails. We don't understand in the first season why his judgement clouds, why he becomes weak when he tries to tell his story. But in the second season after spending half an episode in Ed's mind, a painful truth is undeniable: Ed, like Stede, doesn't think he's worthy of telling his own story.

So instead of telling his own story, Ed let other people tell his story. In the first season, Ed built off what Izzy told him he had to be. But he couldn't lose himself in Blackbeard, no matter how hard he tried. So in the second season, when Ed couldn't face living with his contradictions anymore, he wrote an ending worthy of Blackbeard.

All this, because Ed thinks he can only be "himself" by telling one, single story about himself. By denying his contradictions, rather than embracing them. Splitting himself in two to tell himself a story, rather than telling the story himself.

What Ed doesn't believe or trust is this: For Ed to really be himself, he has to be impossible. Two contradictory things, at the same time.

The second season of OFMD is about learning to embrace all these contradictions. In each episode of OFMD, character look at the same object or situation (a wanted poster, a unicorn, a velvety suit, a relationship, a past trauma) and they tell two completely different stories about it. Sometimes one of those stories turns out to be wrong, but more often than not both are true, and something else--something beautiful-- is born from the place where those contradictions meet. And the characters, Ed most of all, learn to accept and balance this dissonance.

Thematically speaking, I'd argue that's why the second season of OFMD is more fantastical than the first: fantasies are contradictions, real and not-real at the same time. And isn't that what transformation is, in the end? What you are and what you are not, meeting and becoming "you"?

Transformation isn't all good. At first, Ed's fantastic stories hide his pain or invoke despair

But later, the fantasies make their way into reality. The impossible begins to shape reality--and opens a way for hope.

In the last episode of S2, Ed emerges from the waves as the kraken--but there's 3 musical tracks playing, three themes: the kraken, Ed, and Blackbeard. Then he reads a love letter, and has a deeply romantic moment with his boyfriend. He puts on a new outfit to escape the British, yet his personality doesn't change at all. When Izzy first apologizes to him, Ed says "I'm the one who should be apologizing," but then Izzy changes his entire understanding of their relationship. Becomes the first family figure to offer Ed permission to be himself.

Contradictions galore, and yet Ed is still Ed. Both who he was formed into by other people (his father, Izzy, Pop Pop) and yet who he is.

In the final scenes, Ed begins to finally accept the tensions of his life. He tells Zheng that yes, he wants to kill Richie--but he doesn't go on a revenge quest. And while before his forays into being someone else meant changing his name, his clothes and mannerisms, his whole story, he doesn't act like that at all in the last scene of the ep.

And Ed's been able to do all this, to come this far, because of Stede. Stede, who Ed was drawn to because he was a "fancy man who leads a brigade of imbeciles," yet had won a fight with Izzy. Stede, who looked at Ed at his lowest moment, after Ed had admitted that the entire basis of their friendship had been in bad faith, and said, "I'm your friend." Stede who, even knowing Ed wouldn't want to hear from him, poured his heart into letters about how their bond was unbreakable.

Stede is everything he is, all at the same time. And when Ed was drowning in his own contradictions, (a rope tied around him that he could not undo and yet had put on himself) trapped somewhere "inevitable, yet impossible," Stede appeared as a fantastic, beautiful creature and brought him home.

Stede lets Ed be everything he is, and sees it all as true and worthy of love. Even when Ed fucks up, it's all right.

And sometimes, telling two different stories about something doesn't lead to a fragmented self, doesn't drive people apart.

Sometimes, it means understanding. Means acceptance, safety, connection.

From discordance (contradiction), harmony. A gentleman can be a pirate. A man can be a bird, or a unicorn. Izzy can have been one of the good ones and a fucking nightmare. And Ed can tell all his stories, they can all be true--and he can still be Ed.

[winterlili]

When You Invite a Celeb to Your Wedding AU - AKA Miraculous Matrimony - part 1

This is a funny little starter comic I made based off of this post. I would like to make it a series, but we’ll just have to see. One thing is for sure, I had a lot of fun making these pages!

[cephydeluxe]

most Simeon/MC fics r kyute as hell, but a lot of them focus simeon's reason for "falling" (aka: disobeying father's rule of never extending a human's life by stealing the ring of light) as solely because he loves mc,

and like..... that's ok 😐 and all, but I feel like it kinda narrows simeon's character a bit ((but the following thoughts below r my interpretation so take this more as appreciation than a criticism of any other interpretations of simeon))

Simeon, regardless of whether or not it's reciprocated, still feels brotherly love for the brothers. They were once his brothers, and when it came time to wage war against them in the name of their Father, he refused to fight them and was demoted.

His love for his family made him refuse God's orders because the idea of harming his family was worse than the disapproval of God.

"ok well what does this have 2 do w the ring of light" shut up ill get 2 that >:(

I'm not gonna recap much cause my phone's at like 8% idgaf srry 😒. The only important parts is that mc's existence and pacts w the brothers is highly unstable and causing chaos in the three realms, and the only ways to fix it are to either kill lucifer with the night dagger, or to obtain the ring of light from the celestial realm.

So it's either trade lucifer's life for mc's, or steal the ring from micheal. The ring is immediately ruled out because demons can't enter the celestial realm, and it would probably (most definitely) cause a political shitstorm if a demon did steal it.

So the only option left is to kill lucifer, and right as mc is given the choice of killing him or themself, here comes Simeon, fresh from the celestial realm with the stolen ring of light in tow

Now, most fics tend to depict these events as simeon risking his status as archangel (an already unstable position given his refusal to fight during the war) as a huge romantic sacrifice because of his love for mc.

And that's,, cute ig but there is so many more things going on in that scene (2 me at least, solmare isn't really known 4 their writing 🫢)

Simeon's sacrifice in stealing the ring, in potentially incurring the wrath of God, in committing the same sin Lilith did to be disowned and even killed by their shared Father, and in risking his home he was raised and lived in for his entire life,

was both for his family that he has missed for thousands of years and for the person who healed them when he himself was unable to.

The TSL series (written by Simeon before the exchange program) are a retelling of the events between the avatars and mc. Even after they are cast out of heaven for treason and simeon is demoted for not wanting to hurt them, he still cares about them and wants the best for them, writing stories about them and their "Henry".

Even if the brothers treat him coldly and distantly, he still cares about them deeply enough that the prospect of killing lucifer? Their eldest brother?

The one who constantly does everything in his power to keep the rest of his family safe after the death of his sister?

The one who traded his loyalty to the demon prince after just landing after being thrown out of his home?

It's completely unthinkable to Simeon.

So that just leaves MC, then. The reincarnation of Lilith and the friend of all seven brothers, even after being violently killed by one of them,

(belphie, cough cough)

Still accepts all of them and keeps them together, and at this point in the story, is practically welcomed as a fixture in their messy yet tight-knit family.

For MC to sacrifice themself for the brothers would be to break them, to leave another unfillable void in their hearts like Lilith did so many years ago. The moment things would return to normal and Lucifer regained his memories would be devastating, knowing that yet again he failed to keep his family safe and whole.

Grief for MC's death would be felt far and wide, Simeon included.

Both outcomes of using the night dagger are unthinkable to Simeon, both causing unimaginable grief for everyone.

So the ring of light is all that remains.

It's a no-brainer, really.

Angels aren't restricted from the celestial realm, and if the ring is stolen by an angel, it has a way less likely chance of falling back on the devildom, on the fragile peace him and many others have worked so hard to facilitate between the three realms.

So what if the consequences will primarily fall upon Simeon alone, it matters little to the certain disaster either outcomes of wielding the night dagger will bring. Both Lucifer and MC will be unharmed, and the chaos will end.

But could you imagine the feelings he must have felt?

In the chamber where the ring of light is kept, having just snuck past Micheal, a twist in his gut from breaking the most basics of holy disciplines he has spent his entire life embodying, just staring at the ring of light in its container, the last momento of a father's love for his favorite child before disowning him.

It's a warning, a sign that tells Simeon that he will be next to fall if he takes this ring.

He takes it anyway, throwing his loyalty to God away if it means saving Lucifer, saving his family, saving the peace they've obtained without him.

A penance, maybe, for his inaction in the war, when perhaps one seraphim could've made a difference, if not win the war, then at least could've spared Lilith's life.

Can you imagine how he must have felt, standing in front of MC with the ring in his hands?

Lilith's sin that started the war wasn't just that she fell in love with a human, it was when she extended the life of her lover because of it. A clear defiance of Father's will, to negate written fate for the sake of her selfish love was what got her killed.

And here Simeon stands, staring into the eyes of her reincarnation as he offers them the ring that will save them, extend their life, and doom Simeon to walk the same path their angelic ancestor died on.

The ring is a promise, of the disownment that Simeon faces, of the pain he will endure in defying God's word as an angel (whose sole objective, down to the very fabric of his being, to the very purpose of his creation, is to embody and enforce), of the corruption of his very soul that paints his ivory feathers black.

It's also a promise of devotion, of commitment to this deadly sin, this selfless sacrifice, to the human he's fallen in love with, and to the family he longs to be close with again.

It's a vow, for all the atrocities he's willing to commit for the sake of protecting those he cherishes above all else.

It's a vow, for the deeply rooted love for the human, one who's very existence is the result of the tragic end of the angel who came before him and paved the doomed path he now walks.

Like Oroboros eating its tail, Simeon's love for the demon brothers and MC is never-ending and inevitable.

When asked, he says he wishes he could've fought with the brothers in the war, so he could "stay the same as them" and that the war weighed heavily on his mind from time to time.

Ever since he watched them be cast down to hell, he was destined to fall with them someday, too.

.

.

.

(christ, this got so out of hand, this is probably a huge mess to read, srry I'm not a writer or a media analyst, this is just ramblings of someone who's got some really dramatic art to make.) simeon 4ever bby <3

(also I could make a separate post from solomon's pov where he's willing to sacrifice a pact with lucifer, something he's worked for years for a chance, just to save MC, but im sleepy goodnight)

(most of this post was written while I was listening to elden ring ost, thank u bayle the dread for making this post way more dramatic than it needed to be)

[landgraabbed]

[tomatoland]

I think I would miss you even if we’d never met

Top & Mew are two people who don't know what love is. Mew gets too comfortable in his singleness, while Top is never alone. If they had never met, Mew would still never let anyone into his heart and Top would never know what it would be like to love someone and have someone truly care about him. Their relationship is about being vulnerable enough to let someone in.

I think I would miss you even if we'd never met.

I think I would miss the way you call me on my bullshit and make me want to be a better man.

I think I would miss the way my chin fits on your shoulder and how you keep me grounded.

I think I would miss the way you fit in my arms and how we always fall asleep cuddling.

I think I would miss kissing you and being in your world because you’re my whole world.

I think I would miss eating ice cream with you and sharing new experiences with you.

I think I would miss playing and laughing with you.

I think I would miss holding your hand and seeing your face light up when you see me even if we haven’t been separated for very long.

But most of all, I would just miss you.

Even if we never met, even if— I would miss you somehow. Somehow, something inside me would just know... and miss you.

[horrorknife]

saying “i dont like cheaters and thats why i dont like lawrence” sure is a crazy take to have when this is the movie series about torturing people. i just dont know if this is the appropriate place to try having a discussion about the morality of cheating when you all love hoffman who is a raging misogynist and takes great joy in causing people harm and suffering. that’s fine or whatever but lawrence gordon commits emotional infidelity and everyone loses their fucking minds. william easton exists and is well liked as a character and youre gonna try telling me how despicable you think lawrence is for emotionally cheating on his wife.

[admireforever]

Colin & Penelope