#They gave her character a Backstory instead of a Personality.

[homoqueerjewhobbit]

It sure seems like they're setting up Juno Temple for some kind of Venom spinoff because otherwise they wasted a lot of very boring screentime on her character for nothing.

[computercreature]

something i see a lot in the dungeon meshi fandom is attributing izutsumi's personality traits to her being a cat. and while ryoko kui definitely gave her cat-like traits intentionally, she's a talented enough writer to also give her a backstory with reasons for those traits. for example, her tendency to only do and eat what she wants.

izutsumi's character arc revolves around freedom. she grew up caged in a circus. and although she was fed enough to survive, this was only because a living catgirl attracted more customers than a dead one.

[id: first image is izutsumi as a child framed behind bars and standing on all fours, making it clear how skinny she is. a hand in the foreground holds out a bowl of what appears to be kibble. narration says “thrown in a cage and given food every once in a while… is that what you would call ‘being raised’?” in the second image she is now sitting on the floor of her cage and eating a rat. end id]

look how skinny she is! we see her eating what appears to be... kibble? oats? and then a rat that she possibly caught for herself. she had no choice but to eat anything she could.

[id: part of the dungeon meshi manga. a slightly older izutsumi is tied to a post and tade sits next to her to say "we've got a roof over our heads, beds, food, and clothes. they've got everything here. is there someplace nicer than this out there?" izutsumi thnks for a moment and says "i hate that someone's already decided what i'm going to eat tomorrow. my name, the clothes i wear, where i sleep, where i go next... here, all of that's been decided by another person... even though, come tomorrow, i might want to eat something else instead. that's why i'm leaving." at this, tade cries out in shock. end id]

when she's taken into the nakamoto household they begin to treat her much better. she's on about equal footing as tade, who also had a rough living situation before being taken in, and tade loves it there! they get healthy and tasty food and they're not sleeping in cages. but izutsumi still isn't free. she can pass off her chores and vegetables to tade and disobey in any way she can but she can't leave. maizuru even put a collar on her, further dehumanizing and trapping izutsumi.

when izutsumi joins laios's party, she's finally 'free', but it's not the kind of freedom she wants. she has to eat even more food she doesn't want or else she'll starve. but the difference now is that she's can leave at any time, and if she stays, she's treated as an equal. they're not feeding her monsters because they see her as inferior. they're all eating the same food so they can reach their goal(s). and this is part of izutsumi ultimately learning that in order to do what she wants, she has to be willing t do the things she doesn't want to

[certifiedducky]

Reasons why I don’t believe Chloe was never meant to be redeemed:

1) the intro, from season one, included queen bee

And she’s the only hero who has since been replaced. If nothing else, it shows that they didn’t plan on vesperia until way later.

2) She was given a sympathetic backstory(which they used to enact short-term change)

and i am specifically talking about despair bear, which makes me all sorts of frustrated because her butler using her self-soothing method to manipulate and shame her into acting better for her classmates makes me feel so sad for her.

but the fact still stands that they gave Chloe a sympathetic backstory that not only tied her to adrien, potentially giving her an ally to help her change, but to explain(not excuse) her behavior.

there is ZERO reason for that screenshot to exist of a character that was never considered for redemption. you don’t paint your villains that way.

3) lila, like her entire existence

Okay so like, as a superhero show that has clear time both in and out of the suits, it makes sense to have clear civilian AND supervillain antagonists to keep it interesting on both sides. In season one, Ladybug and Chat Noir had hawkmoth. Adrien had Gabriel, and Marinette had Chloe. At the end of the season, they introduced lila as marinette’s civilian antagonist. THERE WAS NO REASON TO INTRODUCE A NEW ANTAGONIST FOR MARINETTE UNLESS THEY KNEW THERE WOULD BE A VOID SOON. The fact that Lila and Chloe essentially serve the same purpose after season 3, so much so that lila is almost completely sidelined until much later, shows that they didn’t know what to do with them *because chloe wasn’t supposed to be a villain*.

4) zoe & vesperia

Here’s the thing: If Chloe was meant to be irredeemable from the start, there should have been a clear plan for the bee miraculous. I can think of two ways it could’ve gone: either develop another bee holder from season 2 onwards, or have chloe steal the bee. Because what we got instead was Chloe’s half sister who was introduced in season FOUR. Not only was she introduced to the show, she was introduced to marinette. And she received her miraculous in the very next episode. There was no development, and it reflects very poorly on marinette that she chose to give a miraculous to a girl she had just met(and a girl related to Chloe at that, even if Zoe was nice, it’s very irresponsible). Had Zoe been introduced in season 2, or even the beginning of 3, it would’ve made way more sense for her to be given a miraculous by season 4. But that’s not what happened. Instead we get a character that’s shoehorned into a role because it needs filled.

5) RESISTING AN AKUMA

Chloe was the first person to resist an akuma. enough said. Because why would you give that accomplishment to a character that you planned to stay an antagonist from the start????

And listen, i’m not the first person to say these things. And it’s not the first time i’ve said it. and i’ll say it again and again because it’s frustrating. Because not only did we get this potential, but we’re being told to our faces that it was never there. That we’re crazy for thinking she could change. I don’t know what was going on in the writers room, but honestly even if they DID plan to keep her an antagonist from the start, maybe they should start lying and say they changed their minds. because all of the clues point to her being redeemed. It leaves the writers looking incompetent, utterly incompetent.

[olderthannetfic]

Something I need white people to stop doing in fandom: assuming anyone who is writing villain-centric fic is white. I'm black. I'm allowed to explore villains' backstories, psychology, etc. if I like. It doesn't render me white. I know, some people are just trying to shit on women so they throw "white" in front of the word women before they say "writing about villains is some white women shit". I know some people are just mad anyone writes about villains at all. For them, calling it a straight or white or straight and white woman thing is a way of not saying what they're actually thinking, which is that no one should do it.

But I would respect people a lot more if they just said what they meant. Just say you hate something. Don't assign a race or gender or orientation to what you hate. Say what you mean. Yeah, you'll get less fawning reblogs. You'll also be significantly less transparent and pathetic to actual black people reading your post.

This goes double for when someone is talking about a black villain. I can humanize him and give him a backstory instead of the ??? canon gave him. I can humanize him. And you know what? I like it when someone does that and they're white. If a white person humanizes a flat black character and sympathizes with them and treats them like a person, that's good, actually! Yes, even if it's the dreaded straight white woman of myth and legend doing it. Especially if it's her, even. I want to live in a world where a straight white woman pours her heart into writing a black man. I like that a lot. That means she's moved past the racist idea of scary black men and is viewing us as people.

Is it supposed to be woke or progressive to tell white women not to humanize others? Bc if so, my follow-up question is simple: how?

--

I always feel so bad for the black girls in fandom who are into... like... Reylo or Phantom/Christine or some bog standard problematic het like that. The amount of shit they get, man...

(It happens with lots of other things, obviously. I've just personally witnessed some truly reprehensible incidents involving shippers of those.)

[sarahreesbrennan]

I remember reading in one of your blog entries (years ago??) that in the new book you were writing, the main character's *sister* had cancer. Does that mean that Alice was originally the main character of Long Live Evil? Was she going to go into the book to save Rae, instead of Rae going in to save herself?

How extremely kind of you to remember!

No, that was actually a YA murder mystery that I wrote while ill, revised while recovering, and sent out into the world where it died on submission. (Which means we sent it out to about 12 editors and the editor either said no, or said yes and took it to acquisitions - a group of people at the publisher including sales and marketing - and acquisitions said no.)

One editor told me she really wanted and really tried to buy it. Another person who worked in publishing (and has since changed jobs, or I wouldn’t share this) said the response at her acquisitions was - if you like this writer, find the next her (implications about health and youth were made).

I was terrified my agent was going to ditch me too, but she said ‘We’ll sell that one day, for now let’s write the next thing.’

I remember another writer telling me she missed my work that wasn’t a tie-in, and I felt ashamed to tell her it wasn’t that I wasn’t writing other things - it was that I couldn’t publish them.

The tie-ins meanwhile were paying the bills (they still are tbh!) and I was and remain so grateful for them. But I also really loved writing them - especially my Sabrina tie-ins, you don’t forget the first, and it reminded me I want to write horror and poly one day - and how they got me to love and sympathise with so many fandoms.

I see the burnout of caregivers all around me, and I wanted to write the story of one. But maybe I also wanted to take a step back from cancer. I didn’t think I did, at the time. I had a whole lot of things I tried writing before Long Live Evil, and I think some of them were really good. One of my critique partners gave me a lipstick with the same name as someone in the murder mystery. There was a romance novel another critique partner said was her favourite thing I’d ever written. But none had someone with cancer at the heart of the story.

And even though Rae isn’t much like me, maybe I had to start there. You can’t make real magic using someone else’s liver. Maybe I had to wait to be brave enough to use my own liver.

I do get requests for advice on how to cope with rejection of your writing, and I always worried I didn’t have anything else to say, but I suppose my example says - if you can, (and I know it’s hard, you feel so terrible at writing and so useless) (and you love the work you’ve done so much and you don’t see a way forward to loving the next thing) (but still, if you possibly can) write the next thing.

Even if the first thing sells, you’ll want the next thing one day. Writing the next thing is more writing practise, so it’ll make you better. Write the next thing.

Ultimately I’m really glad Long Live Evil was my comeback book. I think it needed to be. It took the time it took.

But maybe it was a shade of that past book (where the heroine’s sister with cancer was six, so not much like any of the Time of Iron characters) that made me think of the YA version of this book, which I always had in my mind as something I was intentionally hewing away from - a more straightforward book, a book that might have sold better - in which shy reader Alice was the hero. She’s the one with the suggestive hero name - Alice through the looking glass - the heroine looks, and the more projectable-upon personality. She’d get called annoying less often (though still some, because she’s a girl), partly because she is (with love, Rae knows I’m right) a genuinely less annoying person. Much kinder, much sweeter, and much better at in-depth reading! Her sister being in trouble would’ve been a backstory, a catalyst point, and - you’re totally right - a great motivation for her to get the Flower. Saving a family member is a much more sympathetic and heroic motivation than saving yourself and one I do love (the Hunger Games, Labyrinth, Mahy’s the Changeover, and I write it a lot!). I think Snarky While Tragically Dying Rae would’ve been a pretty popular side character, too. I think it would’ve been a good book! Just not mine.

I love your question because I love thinking about POV, and all the decisions that are the building blocks of a story. To me, the Alice centric Time of Iron is a version that exists. As are several versions of the Lia centric Time of Iron. And versions centring other characters exist to me, too. (Eric, absolutely.)

Speaking of POV musing, I think Rahela the wicked stepsister featured more in the musical than the book. If the Time of Iron series ever became a TV show (and at this point in time I think I’d rather a movie because it wouldn’t… get cancelled…) and I got to write it (don’t know why I would…) I would start with the beginnings for three characters about to go on a journey to somewhere strange to them: Key in the Cauldron, Rae in the hospital, and Vasilisa in the icelands. There are so many possibilities! And I really wanted the sense that there were so many possibilities, too.

But I wanted the chronically ill one to be the centre of the story, and for it to be her villain origin story, and to ask a lot of questions (hence a lot of villains!) about who gets villainised and why. And I thought hers, to my mind, would be the most fun of all the possible stories.

So that’s the one I made. But Long Live Evil has a lot of origins. Thank you for remembering one of them! I don’t think I would’ve dared tell the story, if things hadn’t worked out for me (so far, fingers crossed).

And I also tell it to be clear my publisher was taking a RISK with me and Long Live Evil, and I really appreciate that, and I’m so happy it’s worked out for them (again so far, early days, fingers crossed, etc).

I hope some writers - whether in the process of submission, rejection or making the choices that are the building blocks of story - find this helpful, and some readers find it interesting.

Let this be one of the universes in which your story is told.

[endiness]

not to go off on this again (and because of a bullshit clickbait article from screenrant as if that isn't their entire business model in the first place) but it's still so fucking mindboggling to me just how much henry cavill was able to brainwash people. like, the idea that he was the one that made the show and he was the only good thing about it and the only good casting choice when he was very noticeably the worst actor on the entire show and meanwhile the rest of the cast is extremely talented and easily acted circles around him. not to mention that he has all the charisma of a black hole sucking all of the chemistry out of the room.

and the whole idea that he is some uber fan of the franchise and the only person on the entire show that knows anything about the source material and cares about it which is also always said in conjunction with the idea that he's the one who made the show. when he didn't even know that the books existed, he only read them once after lauren told him about them, he's only played tw3 (and not even the dlc for it), and by his own admission he didn't do any research for the role. and then meanwhile you've got joey who wrote a whole ass song in ~24 hours and showed up in costume with a lute to audition and who's read the entire series at least 3 times as of 2023; therica, whose books are all annotated and she tries to go back and reread the series before each season and even goes on youtube to watch video essays to refresh her memories; cassie, who has a binder full of notes on philippa and her backstory and everything; and many, many other cast members who've done a lot of research into the books and their characters and the universe and the franchise. but somehow henry cavill is the massive superfan. because he said that a lot in interviews. while never actually giving any examples of that beyond, like, having said he played tw3 for a ton of hours. (which, duh, 'cause a playthrough of that game can easily clock in at +100 hours.)

and speaking of the idea that he just cares SO much about the source material and that's why he ragequit the show because the writers weren't following the books closely enough, likE. he is the one who made geralt's characterization book inaccurate in s1 because he would cut his lines and either just say nothing or grunt instead. (and he also gave his scene partners zero indication he was going to do this and just left them hanging and wondering what was going on and if he was actually going to say his lines and put them into the position of having to improvise and take his lines just to move the plot forward.) and the only reason why he suddenly started to advocate for a more book accurate geralt come s2 is because he got dunked on by reddit for his performance in s1. (which he also took virtually no responsibility for whatsoever and just passed all of the blame off onto the writers for HIS acting choices. wait, that's not entirely accurate. he also blamed yennefer and ciri's prominence on geralt's lack of dialogue even though ciri's scenes were the ones that were cut in s1. yennefer's, too, btw.) he also fucked up geralt and jaskier's friendship by cutting his lines in s1 (and imo there is a lot of implication that the things he was cutting in their scenes was actual affirmation on geralt's side of things that he actually cares about jaskier) and by his own admission, he didn't want to play them as being all buddy-buddy with each other. and his refusal to play geralt struggling with fatherhood and with any negative character traits in s2 led to the domino effect of eskel's death (which in itself led to vesemir trying to create new witchers and lambert's harsher attitude toward ciri), yennefer's betrayal, and voleth meir being the big bad of the season. he also cut a sex scene between geralt and yennefer in s2 because he didn't think it would be in character of them to have sex after reuniting (lolwut) and he cut a scene between geralt and triss of even them just platonically finding comfort in each other (that's what happens in the books.) but yeah, HE just cares about the source material SO MUCH. that's why everything he had a hand in went against the books.

(not to mention that the thing he was clashing with lauren over was that he was not the main character (ciri is the main character of the main books, btw) but rather co-lead with two women and he was mad that the show heavily revolves around women (the books heavily revolve around women) instead of men.) (in s2 interviews, he goes on about how important men being three dimensional characters is to him as if women being three dimensional characters on the show somehow means that men can't be. which is ironic of him to say anyway, tbh, considering he didn't want geralt to be a three dimensional character. as three dimensional characters have flaws. and he didn't want geralt to have any.) (oh, and just to mention but when talking about how violent men can be three dimensional and caring, henry cavill lists who men can be caring towards: other men, family, children. weird he doesn't mention women at all. i'm sure that's not an indication of anything especially when it's said by someone who's a self-professed nerd, lorebuff, redditor, and gamer. because they're always known for non-rancid takes about women. especially when they've already gotten flack for their "i'm afraid to flirt because i'll be accused of being a rapist" #metoo takes. 💅)

(also, just with the conspiracy theory that henry cavill ragequit the show because it wasn't following the books closely enough. like, that is just a conspiracy theory though. the only "proof" there ever was of it was henry cavill going on about how important adhering to the source material is to him. except everything he had a hand in went against the books, so that can't be true. and the thing he and lauren were clashing over was how he was not the main character (geralt is not the main character) and the prominence of women in the series (the women in the books drive the plot forward in massive ways). so that can't be true. and s3 was the closest adaption of the books anyway, so yeah. that really can't be true. and the only other thing that's "proof" is the rumor that the writers hate the source material. which was started by henry cavill's buddy, a writer who was fired from the show for allegedly being emotionally, physically, and sexually abusive. so i'm sure his word is totally trustworthy and he wouldn't have a vested interest in lying and creating a rumor to incite the fanbase against his former co-workers whom he was allegedly fired for mistreating in the first place. (btw, witin the past year, the same writer was fired again for allegedly the same kind of reasons.) also, i'm sure it's jut a coincidence how that rumor, which was started by henry cavill's friend, to disparage the show and the writers dropped about a week before henry cavill announced he was no longer going to be on the show. like, it definitely couldn't've been a coordinated effort between them or anything.) (psst, the rumor that hc was fired for being sexist actually has the most evidence supporting it. js.)

[annymation]

Reimagining the characters in Wish

(Part 1- Asha)

Hey guys! I don’t really know how to start this, but let’s just say that I… Didn’t like how Disney’s 100th anniversary movie turned out, like at all.

But I can tell there was a lot of unexplored potential beneath this story, that in my opinion felt overly simple and bare bones.

But if you love it, that’s awesome, more power to you, I wish I could’ve loved it too. And I don’t want to rewrite it to show I’m “better than the writers at Disney” because I’m definitely not lol, I have no experience in writing, and I’m sure they put a lot of passion into the project and I respect them for that. But this movie inspired me with ideas for a different story that I think is worth telling.

But I won’t start telling it today, instead, I'll start a series of blogs sharing my ideas for changes in the characters and their stories, after I get some feedback I will start posting more of the story itself.

If you’re interested, then come along!

Asha✨

Personality

- Asha is a 18 year old girl, with a passion for drawing and helping those around her, sometimes even worrying more about helping others than helping herself

- She’s like a big sister to her 7 friends, always being the voice of reason and acting responsible, but not in a bossy way, she’s actually very playful with them

- To the people of Rosas tho, she's seen as kind of a weirdo, for you see, she spends almost every time of the day drawing in her sketchbook

- She practices everyday to become a better artist, and the people of Rosas find this to be very peculiar, after all, why would you take so much effort to perfect a talent when you can simply wait to turn 18 and wish for the king to make you an amazing artist?

- Asha doesn’t mind these comments, although they have made her less willing to share her drawings with others that aren’t her 7 friends

- As the story progresses we see Asha flourish from a shy and introverted girl to a brave woman who after discovering a terrifying secret about the kingdom’s rulers, steps in and inspires others to join her and fight an evil sorcerer king and his alchemist wife (yes, I made Amaya an alchemist, more on that on part 2 when I talk about how I’d change Magnifico and Amaya)

- Some Disney characters that share similarities with her personality wise are: Belle, Tiana, Pocahontas and Esmeralda

Main Traits:

Calm and mature

Determined

Passionate about her interests (drawing, dancing, philosophy and stars)

Helpful and generous

Perceptive and always questioning things around her that no one pays attention to (like why do all the artists only paint the King and Queen?)

Playful

Compassionate

Backstory

Oooh boy I gave this poor girl so much angst, okay let’s go

Asha grew up with her grandfather, her parents both died in a fire when she was just a baby

(this isn’t just to fit the “haha Disney princess has no parents” cliche, there’s plot relevance in this “mysterious fire” that I’ll talk about later)

Growing up with her grandpa, he’d always support her dream to be an artist, like her mother, who was an art teacher

Her mother not only drew really well, but she also was able to create the illusion that her drawings could move, by flipping through the pages of her sketch books

In other words, her mom was an animator

Asha saw this technic her mom used as a form of magic, so she would often tell her grandpa she wanted to “Do magic just like my mom”

Her father was a philosopher (this was established in the actual movie but never explored haha whyyyy), who taught people that working hard to achieve your dreams is not only rewarding, but also essential, because it’s part of the human nature to persevere and fight for what we believe, even if we fail, even if it’s hard, just keep moving forward.

This philosophy may sound very “umm duh” for me and you since we all know and hear everywhere nothing in life comes for free… But that’s not the case in Rosas

In this rewrite the kingdom wasn’t created by Magnifico, but rather the kingdom has existed for many generations, being ruled by different kings before Magnifico who also granted wishes… but I’m getting ahead of myself.

The point is that the culture of just asking the king to give you or make you whatever you want to be has been in this kingdom’s culture since forever, so when Asha’s dad comes out saying “hey! Maybe we should stop just relying on the king to make our dreams come true, right?” He’s actually being quite a revolutionary… and sharing a very dangerous belief to other people…

At this point you might suspect what caused that “mysterious fire”

So, back to Asha, growing up with her grandpa, they shared a lot of happy memories together. Reading her father's books and her mother's art books helped Asha connect with them even tho she never had them in her life.

But as her grandfather grew older, he became senile.

Asha went from being taken care of by her grandpa to being the one who took care of him when she was still around 13 years old, and when she turned 15 her grandfather passed away of old age

Asha went on to live with her best friend Dahlia, the two became like sisters.

Though she managed to move on from the loss of her grandfather, she could never shake the feeling that he died without getting his wish granted... But she had no way to prove that, it was just a feeling

The wish granting system works different in my rewrite, instead of there being a public wish granting ceremony once a month, there would only be a public wish TAKING ceremony, that would work just like in the movie, you turn 18, you go give your wish to the king yada yada yada.

But the wish granting part would work like this: Almost every night the king would release the wishes up in the sky, they would float down like balloons to their respective owners while they sleep, and once they woke up in the morning they'd feel that their wishes were granted, for they would wake up changed.

With this method, there's no way of confirming if someone really got their wish granted or not, unless you went to ask the king.

Asha never did ask the king if he granted her grandfather's wish, but her grandfather would sometimes express how he wasn't feeling completely fulfilled in his life, he felt like there was something... missing.

This feeling of hollowness persisted in him until the very end, no matter how hard Asha tried to help her grandfather, she never knew him as his real self, because he gave part of his soul to the king, the most beautiful part of his soul, his wish.

Asha had no proof that her grandfather didn't get his wish granted, only a gut feeling.

But because of this, Asha wasn't that thrilled to give her own wish to king magnifico, knowing there was the possibility of it never being granted.

Not to mention she didn’t even know what to wish for, “I’m just 18 and you guys expect me to already know what’s my heart’s deepest desire? I’m still figuring that out, all I know is that I wanna draw”

Plus she wanted to follow her father's philosophy and achieve her wish on her own, eventually, when she figured out what her wish even was.

Asha never rebelled against the system tho, she wasn't a confrontational person. She just accepted the people of Rosas preferred to rely on the king's magic, but that just wasn't for her.

However, on her 18 birthday, when it was expected of her to give her wish to the king, she simply said she didn't have a wish, and even if she did she wouldn’t want to hand it over, she wanted to make it come true on her own. This lead to an argument with the king, and after a series of events (that I don't have time to summarize here, but you can find out about it on my rewrite) leads to her finding out a terrible truth about her kingdom. And that's how her story begins.

Design

- I’d keep these braid ornaments that Asha had in the concept art

- Since in my rewrite she’s not that invested in the kingdom of Rosas, I’d remove all the Kingdom of Rosas symbols that are present in her design (there are a LOT of them)

- I’d replace these Rosas insignia with more star and constellations themed symbols, to reflect how Asha believes that the stars are connected to people and they can guide us, just like how her father believed.

Final Thoughts

My intentions with these changes were to give Asha a strong emotional hook, and something that makes her feel relatable.

The emotional hook here is how she spent so much of her life taking care of her grandfather that she kinda never had time to worry about her own desires, that alone can be relatable to caregivers of elderly people that watch their grandparents or even their own parents lose themselves as time passes, and end up worrying more about the person they’re taking care of than themselves.

Asha has this internal emotional conflict where she feels she needs to constantly help others the same way she helped her grandfather, and one of the things she’ll learn as the story progresses is that it’s not selfish of her to want more for HERSELF.

Another thing that would be relatable about Asha is her passion for drawing, and how most people in Rosas would say she’s wasting her time practicing so much when she can just wait until she turns 18 and wish to be amazing at drawing.

She’d never stop believing that taking her time to improve on her talent and trying again and again was worth every second of her time, because let me tell ya folks, drawing is HARD, and animating like Asha’s mom did is even HARDER, it takes a whole lot of practice, and Asha was determined to keep trying.

She’d be much like Belle, remaining true to herself even tho those around her considered her odd, and very passionate about drawing just as much Belle was passionate about reading.

I also find it funny how Asha’s motivations are fairly down to earth, like in Disney movies you usually have:

I want to be free from these palace walls!

I want to explore the ocean!

I want to open a restaurant!

I want to find true love!

And then there’s Asha here like

“My life is fine, I just wanna chill and draw stuff”

And that’s it, but, in her environment where everyone is expected to have this great wish that they have to give to the king so he’ll make it a reality, she’s kinda the odd one out, and I love that. Would be a great subversion of the Disney formula.

Of course after she learns Magnifico and Amaya’s true intentions she gets a lot more agency and the desire to save her people, her “call for adventure” if you will.

But what are Magnifico and Amaya’s true intentions? Click here for part 2 and find out!

Thank You For Reading!

[mllemaenad]

Listening to Wyll's backstory in context of all the details we're acquiring on devil's contracts and soul selling is fascinating.

See - I listened to Lann Tarv's three tales to get my soul coins. I felt bad for making Karlach listen to that, obviously, but to be honest I didn't even want the coins that much. I actually wanted the stories. I wanted a better understanding of how this works.

And what I'm learning is - for the gods (and godlike beings) of this world, cruelty seems to be the point. I mean - it's possible there's a god in this world I wouldn't want to stab to death with a rusty fork, but if so I have not met them yet.

These beings have the power to save people and places, to change lives, to do anything. And when someone asks them to - they demand a terrible price. But they don't just demand a price. They subvert the original request in such a way that they utterly fail to deliver on the original promise.

An abused woman wishes to be loved - and her true love appears, but dies instantly. A man wishes to save his children from starvation, and ends up personally growing masses of meat on his own body - not only painful for him, but forcing his children into survival cannibalism, which they were trying to avoid.

Auntie Ethel works the same way. Every one of her customers is left in a tortured state, while Ethel still takes her payment.

The idea is that the person must come to regret their wish long before the payment comes due. Every cry for help must be met with a boot to the face. Or else the mortals will get uppity? Or something.

What is interesting is how consciously Wyll defies that. And how much Mizora is dancing around, trying to force him into that state of miserable regret.

Wyll was manipulated into selling his soul. He was a kid, and he was summoned into a terrible situation - and in that moment, he could see no other way to save the city. Mizora did need to save Baldur's Gate to serve her boss's purposes, so she couldn't take that victory from him - but she did everything she could to take the joy of it.

He didn't get respect, or admiration, or his father's pride for saving the city. He lost his home and his family. He was assumed to have done something monstrous because he was denied an opportunity to defend himself.

That was supposed to fill him with bitterness and regret - but he got to work building his own life instead. By the time you run into him, the Blade of Frontiers is a hero of some renown. He's remade himself, and found a way to enjoy what his powers can do, however he came by them.

So that didn't work.

Then Mizora sent him after Karlach, and that was a mission tailored to break him. Karlach is kind and heroic herself, and that the start she has been sold into slavery, mutilated and forced to fight in a war against her will. If Wyll killed her, and then found out who she really was, then he betrayed everything the Blade of Frontiers is supposed to stand for - and he would lose the life he made for himself.

But he didn't, and that didn't work either. He's got a friend, now, who at least knows part of what he's dealing with.

So Mizora gave him demonic features. That would destroy the life he's made for himself, because no one would trust him to help them.

Except now Wyll basically goes nowhere on his own, and a small army of people can attest that he got those horns and eyes as punishment for being a good man. Mizora might be able to shut his mouth, but she can't silence his friends - and the group absolutely have shouting sessions about everything. Wyll's horns become a battle scar, like his missing eye, and nothing more.

And beyond that, if you are playing as a heroic character, a significant throughline in the game's story is the journey of the tiefling refugees. The story makes it clear that these people experience a constant barrage of racism, due to their appearance and "demonic" heritage. It also makes it abundantly clear that this prejudice is entirely undeserved - they're just people, with virtues and flaws like everyone else, and what is happening to them is terrible. So Wyll turns up to assist a bunch of people whom he now at least somewhat resembles - and with Karlach along, you have two people in the group who technically count as "infernal", but haven't got an evil bone in either of their bodies.

Mizora created solidarity. Oops.

Wyll is deeply suspicious of gods and higher powers. He doesn't want to make more deals with devils. When Elminster arrives to tell Gale what Mystra demands of him, he explicitly says he does not do religion. When you get Mizora to agree to let his contract expire in six months, he starts by casually invoking the gods - but switches to thanking the player character instead, because he knows who helped, and who did not.

But he utterly refuses to regret the pact he made. That can be a struggle. He clearly misses his dad, and would like that relationship repaired. The fact that he was transformed very much against his will is clearly a source of distress from him.

But if he regrets, then Mizora wins. That's it. Game over. She gets what she wanted all along. So he doesn't.

The main companion characters all have this kind of problem, and naturally have different ways of dealing with it. You have characters like Shadowheart and Lae'zel, who were indoctrinated as children, or Gale, who was literally seduced by one of these nightmare deities - and with them you have to start out by convincing them they they were the wronged party in the first place.

But Wyll knows exactly what game he's playing, and he's been screaming defiance the whole time. It's just that, in his case, the "defiance" is grinning and carrying on every time Mizora inflicts some more bullshit on him.

[ultimategenshintournament]

Ultimate Genshin Tournament: Round 5

Propaganda below cut

Venti:

calls the Traveler "his warrior" plus he's like our long-time friend??? He basically asked us out during the alchemy event???? You can choose to bring him up during the fight with Signora????? He's the best idc

He. Is. Amazing. So many layers, so interesting...So much trauma and potential...Not to mention look how AWESOME he is generally!!! He's kind and caring towards everybody, and also carefree and mischievous!!! How can you not love him??

he’s TOO GOOD for this world- he’s just a little guy!! Like he cares for his nation and the people of Mondstadt SO MUCH it hurts when people say he doesn’t. Like, my poor trauma-driven little mega-powerful war god who’s actually just a tiny little wind spirit honoring his dead friend!!!! I love him so much

his lore means he gets brought up almost every patch. he convinced a bunch of the most lethal women in Teyvat to have tea instead of screwing him up. he would always rather take the path of least resistance. he’s the three time best bard in Mond. he never seeks glory, only wishes to offer it to others. he was a better father to Diona than her real one five minutes into meeting her. he gives Glory whispers of what the world looks like so she can navigate. when a nun of his own church denied his identity he decided to run a heist to steal back an item that is only holy because it is his. he keeps his misery and loneliness trapped within, and does his best to bring joy to every person he meets. how can you not love him? 

He's Venti. How do you beat that? Answer: you don't. You can't. 

they say that an nation is most like their archon but is the anemo archon a god that took after the people's traits or did the people take their archons traits (the only correct answer is that venti took after old mond's people traits and it's so disgustingly sweet, he's a lil baby who cared so much that he kept old mond's wishes heard and their dream a reality — of freedom (without a god, as much as he could) where humanity leads trust. he left mondstadt because he trusted that humanity would do that right thing always but then he got betrayed by the Lawrence clan but he forgave them???! the anemo archon gave them no punishment , but mondstadt did . venti has me ugly crying

Kaeya:

He's cool, he's mysterious, he wears an eyepatch, he has a super tragic backstory, he's good with kids, he takes care of his friends, what's not to love!!!

despite all the hardships he’s suffered, he’s still such a kind person 

This is the character of the everyman. Everyone should love Kaeya because he's with you no matter what. He has the great mystery of his origins and his damage with his family and his brother, but he is with you til the end. That's what makes him so special to me

Furina:

girl deserves therapy and hugs and the best life in the WORLD because oh boy she went through a lot!!!! wouldn't pretending to be a god for 500 years with no support mess you up? and yet she still kept on going for her people!! she wanted to save her nation from a doomsday prophecy and she DID

After act 5 she deserves the world :(

“If all the people of Fontaine are on one side, and I am on the other…is it not obvious where the scales of suffering should tilt?” NO IT ISNT YOU’RE JUST ABNORMALLY SELFLESS AND INCREDIBLE AND PERSISTENT. Even the Archons praise Furina’s name and say she is a human with strength and capability worthy of an Archon. That’s not even to speak of Focalors. She snapped at Arlecchino only when the Harbinger implied that Furina had done nothing to preserve her people from the flood. Meanwhile every minute she was working to prevent the prophecy. A month after we took her to court and almost got her killed she agreed to help us direct a play, a favor for a favor

[arcaneconfessions]

Actually,  I don't like the concept of Felicia because she oversimplifies the story and creates plot holes.

Now suddenly Vander didn't pick up two orphans because he blamed himself for the violence, and wanted it to stop. It's not because he saw how it affected the children of Zaun, and decided right there to make a change for the future.  But because he happened to know their mom (which then brings the question. If Felicia's kids are so important to him, why are they in the thick of things? You'd think they'd have them somewhere safer.)

Also, in season one act one, Silco didn't know the kids. And even ignoring that plot hole, it still muddies things up.  Now his arc isn't about learning to care for a child, and understanding how that kind of personal connection can change your perspective. Because, he already cared for them before his sad sad case of amnesia. 

So now it's about him caring about the girls, then not caring, then caring about Jinx again. That's not an arc, that's a meandering circle. 

Instead of the men bonding with the respective girls,  because of their own personality and history. Where Vander was dealing with his own guilt, and trying to attone. Where Silco saw his own trauma reflected in Jinx, and chose to guide her in the way he wished to be. It's now “Oh they know their mom, that's why!” Which is far less intriguing and character driven.

Speaking of, instead of their fallout- and Vander’s subsequential murder attempt- being about the widening gap of their ideologies, or plans. It's now been boiled down to “When she died, I lost my head”

Okay, but that's worse. You do get how this is worse, right. Instead of Silco being the thing “worse than enforcers” as said before. He was someone mourning his friend, just to get nearly murdered by his other friend who decided to blame it all on him. 

Then, we're left to actually try to figure out when this drowning attempt even happened, since we now confirmed it's during the day of ash. Are we to believe that Vander dropped his gauntlets (symbolically representing his path of non violence) picked up the girls, tucked them into bed...then took Silco down by the river? That kind of flies in the face of the characterization Vander gave himself in the letter, of it being a heat of the moment thing.  Ya know, for Felicia.

And is now a good time to mention that Vander appears younger in the drowning flashback,  than he did in the opening scene? I was led to believe it happened years before. Absolutely muddled.

And, when everyone just happens to know everyone else, then the world just feels smaller. Which is a shame, because the team behind season one made non champion characters, to avoid this very feeling.

Not everything is about shipping, sometimes people hate bad writing…because it's bad. Also, she's in a committed relationship with Connol, and even having his baby. In what way would anyone assume that she's “getting in the way” of any ship? (Unless you have a Connol ship you're passionate about, I guess?)

You're not gonna convince me that inventing a fridged woman to slap on top of Silco and Vander’s backstory is feminist in any way. 

.

[theloganator101]

The Great BNHA Review: We Live in a Society

The world of fiction! The place where everything in the story happens. So when you're worldbuilding there are many things to take into consideration to make the world of your story feel alive.

From the people that inhabits it, the cities, towns, villages, and locations the characters live in. And even having a set of rules to follow to avoid plot holes and help the world they live in make sense.

Much like how despite technology being more advanced compared to real life, yet still not being able to have flying cars or advanced robots. Those kind of things can sometimes break immersion in the story, and as a writer you would want to avoid that as much as possible.

HOWEVER! The world BNHA takes place in doesn't make a lick of sense when you think about it for more than thirty seconds, and the foundation of the world breaks the more you think about it.

Case in point, UA!

I think at this point we all can agree that UA wasn't an actual school and instead a glorified boot camp to train child soldiers to fight. And for a series called MY HERO ACADEMIA!! There's hardly any academia in it at all.

Apparently Hori didn't wanna bother with that part of the series and being forced to write "boring" scenes and just get back to the exciting battles. Like where're the scenes of the class studying for their latest tests? Where're the scenes of the kids doing their favorite activities? Where're the scenes of them bonding with their superiors?

WHERE'S THE FUCKING ACADEMIA PART OF THIS GOD FORSAKEN SERIES!?!?!

You can't just name it My Hero Academia and only give us 20% of what the show is called! It just feels like false advertising at this point!

Also about the whole child soldier thing? Yeah let's go deeper into that.

Why are we relying on TEENAGERS to fight in these big battles and save the world when they've only been in hero school for a single year? That's literally like forcing teenagers to discover a cure of a disease when they've only taken a year of biology class!

And yeah, I get it, it's an anime so it's expecting you to suspend your disbelief, and they already had experience with fighting villains before so it would make sense to recruit them. But again, these are fucking teenagers and we shouldn't be relying on them to fight battles the adults should be able to handle!

This is one of the biggest problems of having your story take place in a world similar to modern real life, because here adults actually gives a shit as to what children go through and knows it would be fucked up to send them to fight in war! And the excuse of it taking place in Japan and thus how they do things is different compared to most countries is NOT GOING TO CUT IT!

These grown ass adults should KNOW bringing kids to fight in a war is fucked up and should NOT be encouraged! But since they're so desperate they choose to get them involved! The only exception to this is Rock Lock since he already knows this!

Okay, let's step away from the whole child soldier thing and focus on something the story never gave us introspection of... the fact that we never got to see how quirkless people are really treated.

It's explained that 20% of the population is quirkless, so almost a quarter are born without it. And from what we saw of Izuku's life with it, discrimination must be a common thing in their society. So it would make sense to explore that since it's tied to the main character's backstory and how he's going to make things better for others like him.

... Except that's not how it goes.

We never get to see how the life of a quirkless person is like, we never get to canonically see Izuku interacting with someone like him with the only exception being Melissa. But the thing about her is that she grew up on an island and her father a respected scientist, so it's kind of difficult to tell how the quirkless life is like if this is the only example we get... and it's not a good one.

But wait! There is a canon major character that was also quirkless like Izuku! And it's Yuga Aoyama. And how did the story treated him?

Oh it was revealed real late into the story with no awareness and treated him like shit for being an unwilling traitor, then replace him with Shinsou who whined and complained his way into the Hero Course.

Uhh, what the fuck?

And the worst part about all this is that Izuku has no reaction or acknowledgement whatsoever! He doesn't sympathize or feel less alone, he doesn't comment or say anything about this! So it's like what's even the point!?

Oh don't worry, we'll come back to this whole Izuku not acknowledging his past later in the review! But there's one more thing I wanna talk about in this world.

Is how blatantly biased society is to the Heroics occupation.

From what we've seen and learned, people are not allowed to use their quirks in public. And that the only way would be able to legally use them is to have a provisional license... which is only obtained if you're training to be a hero.

Uhh, but what if you don't wanna go into heroics? What if there is a person who wants to be a comedian? A layer? A construction worker? What if they have quirks that they think would help them in their jobs? Would they get in trouble if they tried using their quirks on the job? Is the Provisional License exam the only way to be able to use your quirk freely? Is there another test people can take to get one if they don't want to go into heroics?

Yeah you see what I'm trying to say here?

Since Hori's so focused on getting to the next big battle that he barely thinks about the world BNHA takes place in and leaves holes in the process. The world of BNHA feels more like a dystopia where heroics is all that matters and that anything else is boring and not as interesting. And since the world itself is so flawed, that I don't feel immersed into it at all and all I have are these questions on how things are run.

So in the next part, we'll be taking a look into the themes and messages the story tries to tell it's readers... but oh boy, did it really fumble with it's messages.

[kalpeavaris]

V0id Pilot

Say Hello to my Murder Drones Fancharacter. B) I recently got into the series when I saw the final episode on my Recommended Page and *finally* gave into the curiosity. And what can I saw, I watched this entire series like four times already since the end of August. The brainrot has set in. So I created a fancharacter, yippie! More about her under the cut. *eyes*

Her name is "Evie", although it's more of a cover. She does not know her "real" designated name, all she knows is that she was number 24 in the holding chambers where she was being held roughly around the same time Nori and Yeva where. She did escape before them, though she didn't escape the Solvers grip. Her exorcism wasn't finished properly, only around 48%, making her vulnerable to the solvers plans.

More or less "willingly" Evie was letting it using her as a disassembly drone, doing what she was told, before she was able to temporarily rid herself of the control and flee.

She's difficult to explain in terms of personality - Evie is still in search of who she really was before she was taken over as a host, but fears that she might find out that she never had any purpose outside of being a host. Evie actively avoids this topic and appears cold and cynic to outsiders, when instead she is deeply insecure and afraid of being taken over again (which will happen, RIP).

I had in mind to have her be one of the butlers at Tessas estate, hence the sketch of her with the common butlers appearance from the show, but in the end I might change this to a different character. Her backstory isn't entirely fleshed out, I'm still learning alot about the plot.

Regarding her design, she wears a pilots had (without the emblem), a cropped top, pants and a jacket thats too big for her and usually slides down her shoulders. The braid she has is actually more like one of the solvers "tentacles" in disguise with a USB port at the end which can be used to quickly down- or upload data/viruses. Her tail & wings are more biological like Uzis & Cyns. I haven't decided on the colors yet, but her eyes/LEDs are turquoise!

[autumnteawithfriends]

One thing i don't understand about HB and HH is that, Vivziepop said it was inspired by the show Bojack Horseman. And i don't see it at all.

First is that BH adresses that Bojack is a horrible person and we shouldn't root for him, while in HH we should like Alastor,Vox,Angel Dust and Valentino even tho they did somewhat worse thing then Bojack. Alastor and Angel are confirmed to have killed people wgile they were alive, Alastor was also a cannibal and literaly in Hell. I would honnestly prefered if it was like Bojack Horseman, that even thecreators know their characters are bad people. But instead these characters are codled like little babies on their mothers lap.

Second is deffinitly the clear misoginy Viv shows through her shows. Female chracters in BjH are complex characters who don't have to be a man's armpiece, unlike in HB and HH. PC and Diane Nguyen are one my favorite female chracters in cartoon media and love their stories throughout the show. I unfortunetly can't say the same in HH and HB. Female characters are, for what i saw, reduced to 3 categories: bitch,normal/nice wife and chaotic. And nothing else. One of the best examples of these is Stella(Stola's ex-wife and Via's mom) for what i seen she mostly had the same childhood as Stolas, or even worse. Only seen for her ability to give birth to an heir and be a wife and the show hates her for that? She must have been under alot pressure to give birth to an heir, Octavia. I honnestly somewhat preffered Stella over that crybaby Stolas.

And even Vivziepop said she loved Bojack Horseman, but i can bet on all the money i have that she hates PC and Diane for trying to distance themselfs from Bojack and that she was on Bojack's side all the time.

Anyways these my thoughs only and you can tell me yours if you want to

Thanks for the ask!

Okay, something I’ll admit is that I’ve never fully watched Bojack Horseman, I’ve only seen some specific scenes on YouTube. But something I can say with full confidence is that Viv claiming her shows are on the same level as Bojack Horseman is fucking ridiculous

First of all, she can’t say her shows are in the same level as Bojack when she refuses to do serious shit that even kids cartoons do. Such as having morally grey characters, not having a black and white morality, actually giving your characters development and consequences, it’s basically a laundry list.

Yeah, Stella would’ve been an infinitely better character to feel sympathy for if Viv actually gave a shit about her female characters + didn’t try her damndest to make us feel bad for Stolas. Like, how the fuck did Viv not expect some people to actually feel sympathy for her compared to Stolas considering her backstory? Stolas is a classist, racist, monarch who enacts Quid Pro Qud on Blitz yet we’re supposed to feel sympathy for him. Yet when people for sympathy for Stella, someone who’s only really a violent person with intense anger issues at her worst (which is 100% justified to me considering her backstory) suddenly people who feel bad for her are abuser apologists (which is false)

Like, you cannot say your shows are on the same level as Bojack Horseman if you refuse to focus on any of your female characters, refuse to give ACTUAL consequences that stick, and try to make us feel bad for arguably the most vile character in the show (Stolas) without doing anything to justify it. There’s so much more I could mention but you get the point.

Thanks for the ask again, apologies that I couldn’t really cover your points about Diane and PC (Also I realize that this is more about HB then HH, but the points still count)

[solradguy]

why is xtra hated? Does it have character inconsistencies or something else to have hate towards it?

Ok. So. For starters, one of the main characters is a girl named Mizuha that is very probably a child/young teenager and they draw her like this all of the time (sometimes even WORSE):

(her personality is... fine... I guess. she's just uncomfortably sexualized)

The plot is basic shounen genre trope soup. The other main character, Tyr, has a dragon/Gear arm and was sealed away for a mystery amount of years so he looks like a teenager but is older than Ky (who was ~24 in the canon at the time). They also did that thing where Ky ~just so happened~ to have seen Tyr on the battlefield when he was a kid before he joined the Holy Order, and Tyr is apparently working with/under Kliff. Very "we have a new character and need to speedrun making him relevant. let's shoehorn him into everyone else's backstories."

Tyr's Gear arm (it looks like a normal arm unless he activates it):

None of the characters ever bring any of this up ever again outside of Xtra. It's not mentioned in GG World, any of the guide books/encyclopedias, character profiles, novels, interviews, etc. Which you think it would be if Kliff knew A GUY WITH A GEAR ARM IN THE HOLY ORDER LOLL

The characters that are actually in the games make cameo appearances throughout the comic and I think the artist had more fun drawing them than they did the actual protagonists because they all look leagues cooler than anything Tyr or Mizuha end up doing

I will give Xtra credit for one thing though, and that's for giving us one of the rawest Sol Badguy scenes in the entirety of Guilty Gear:

I just don't get how the guy that wrote Lightning the Argent and Butterfly & Her Gale, two books that are still canon-relevant and generally enjoyed by the (JP) community, ended up writing such a bland story. Was it solely his idea? Was someone else forcing him to make changes to the plot and he just had to go with it?? This was GGX era so Guilty Gear was doing PRETTY GOOD in Japan at the time.

I have no idea why they felt the need to put out something with such an unoriginal premise in a series that frequently bends or breaks genre expectations. Daisuke Ishiwatari is included as an author on this, but I get the impression that was just a legality thing since he wrote basically the entire setting and cast outside of the few new ones introduced in Xtra. None of the Tyr lore beats line up with any of the established Gear lore, either pre- or post-Xtra.

Why did they write Xtra when they could have written something focused on the established cast instead. Going into Xtra for the first time is like when you pick up a cup expecting it to be pop and find out it's water instead but since you were expecting something sweet the water just tastes gross and extremely disappointing. Xtra is my least favorite Guilty Gear entry out of the entire library. Vastedge at least gave us Naoki Hashimoto and Isuka gave us A.B.A. Xtra just gave us wiki editors annoying homework.

You can read Xtra over on Mangadex if you wanna form your own opinions about it. It's only one volume and can be read pretty quickly: https://mangadex.org/title/911025e8-ae47-499c-8eff-453d18b6459a/guilty-gear-xtra

[thevindicativevordan]

How are you feeling on Absolute Superman as a character? I dunno, Absolute WW and Batman are right out on the gate with their massive changes, but this Superman still feels like it's business as usual despite not being Clark Kent. Maybe it's 'cause I've seen some of this stufff done by Morrison already.

Absolute Wonder Woman is straight up the same person as her mainline counterpart despite her different background. I cannot think of a single moment where she's done something yet that made me go "Earth 0 Diana would never do that". I imagine that's Thompson's intention, she's changed Diana's upbringing, powerset, and gear but not her character. Despite everything, this is still recognizably Wonder Woman. Tradeoff is that I don't know if Thompson will take advantage of the opportunity to give this Diana her own unique personality quirks, to really make this Diana "hers".

Absolute Batman is different specifically from Scott Snyder's New 52 Batman - but not that different from "regular" Batman. By that I mean Snyder wrote New 52 Batman as a chatterbox. Either he was constantly talking and even dropping quips, or he was monologuing to himself in narrative boxes. Absolute Batman is much more terse, helped by how Alfred is the POV character instead of Bruce, but that's how writers usually write Batman. Usually he doesn't talk much, which means while this Batman is a departure from the mainline version under Snyder's pen, he's not that different from the regular guy. More brutal to be sure, mainline Batman doesn't usually maim people - but even then he sometimes cripples them. Batman isn't too different either.

Snyder advertised the AU as maintaining the core of the heroes while changing the circumstances and some of the details. Keeping that in mind, it's no surprise Superman doesn't diverge too much from his mainline counterpart either. For the record I thought issue 2 did a great job in laying out what this Superman's deal is. As Lois notes, he's still testing and coming to terms with his powers. He has mixed feeling regarding Earth and humanity. He's proud of his heritage as the son of workers, we see that in how he tells Lois he's another "Child of the Dirt". Kal claims solidarity with the human working class, even calling them by the same title he gave to the Kryptonian laborers: People of Steel. In other words they are his people. We've gotten a leftist Superman before in the early Siegel and Shuster as well as the Morrison New 52 Action run, but this is the first Superman who openly says "yes I am a working class hero and a proud one at that". Everything about Aaron's revamp of Superman emphasizes that. His parents are laborers instead of nobles, his first foe is a megacorp that uses Peacemakers as a Pinkerton-esque organization to beat down the workers. Superman's first act as a hero we see isn't catching a helicopter or smashing a car, it's singlehandedly clearing out a mine of diamonds and asbestos so the impoverished miners don't have to risk their lives. Even the new backstory for his s-shield, which recasts it as the mark of laborers, on Krypton feeds into that.

But he does actually say something that mainline Superman wouldn't: he flat out tells Lois she's everything wrong with Earth. When Clark acknowledges humanity is flawed, he usually follows it up with an impassionate defense of how humanity is good despite their flaws. On some level Clark needs that to be true, because he views himself as human (at least at the start), as one of us. Clark needs to believe we're good in spite of our flaws because he needs to believe the same of himself, and wants to think we will accept him. Kal meanwhile just let's that accusation hang there. Clearly he has seen the worst of humanity, and he's not making excuses for us. Some of us are bastards. Some of us might be irredeemable. To me that was very illuminating in how it teases certain aspects of Kal's backstory. Kal is an outsider, he's Kryptonian, and he's viewing us from outside the box.

Biggest difference between New 52 Superman and Absolute Superman? New 52 Superman was cocky. Even downright arrogant at times in his early days which I loved. Clark would openly taunt the cops and criminals alike. Know why? Because he had the happy Smallville upbringing! His earliest memories of life on Earth were of loving his parents and being loved. Smallville was a happy place that instilled in him a sense of self-worth. When the Kents died it was when he was already almost a man, and he had Lana still. All of that gave him the confidence to challenge the world, because it was his world too. Absolute Superman? Doesn't have that same confidence. Presumably he saw how his father and mother were treated for being Labor Caste. Kal knew they weren't valued the same as the higher castes, and you can imagine how that might have affected his sense of self-worth.

On Krypton Kal learned that the people in charge rarely have the best interests of their underlings in mind. However the morals he was instilled by the Els were of the same nature as what the Kents traditionally teach. Kal is compassionate, courageous, and determined to make a difference. As Lois notes, his ethos are solid. It's his purpose and place in life that remains a question mark for now. What we have gotten so far I like, but we won’t know the whole of this Superman until we get more details on his wanderings across Earth prior to where we see him in issue 1.

Funnily enough, Absolute Superman is the only one of three who actually feels like he's living up to Snyder's pitch of "underdog heroes". He's on the run with zero support. Batman has his mom, Alfred, and his childhood friends, he's working a six figure job, he's not isolated. Diana has Steve, her Pegasus, and the military backing her up (for now). Kal? He's got no one except his suit AI, and while Sol is helping stay alive, it's not supporting him at all in his heroic ambitions. Even Lois, while coming around to supporting him, hasn't actually quit her job and ran off to join him. At the end of issue 2 he's still a lone wanderer. All those people he worked to save in issue 2? Brutally gunned down by Peacemaker. Of the three it's Superman who feels the bleakest, and I'm loving it. Finally have a Superman book with the balls to ask the question: "is it worth it to try and be a good man in a world that spits on anyone who wants to better it?" Looking forward to seeing how the book wrestles with that central theme.

[affluent-havoc]

Byakuya's Mom?

I find her fascinating with her non-existent ways cus, depending how one interprets Byakuya's backstory, she can be vastly different! Perhaps his mother is still around in his life as a duo with Kijo, maybe the two having a sorta connection despite Togami's not allowing to be wed cus screw the rules. They wanna live their Disney Villain fantasies. Or, maybe the two are still together but not, Byakuya's mom simply being another cog in the Togami Conglomerate's machine in which both Kijo and her just ignore each other's existence. Maybe, instead of that, Byakuya's mom just had a business like contractual obligation to birth Byakuya, either via the sex or with Kijo being the sperm doner. Then, she simply gave birth and fucked off, either staying in whatever country she's at or booking it somewhere else around the world after being paid off by Kijo. Perhaps, she's living a cozy life as a botanist. Furthermore, another interpretation, one I've actually seen a bit in fics is Byakuya's mom somewhat being in his life for about a couple years just to raise him before he went of with Kijo. Depending on the interpretation, she can be an actually sweet person who may actually miss Byakuya when he eventually is gone, maybe not teaching him too much of anything but at least introduces him to the piano (maybe the violin too). Or, maybe, instead of being nice, she honestly couldn't care less of a shit about Byakuya. It's also interesting seeing these different Momma Togami and how Byakuya feels about here. Or well, not really Momma Togami cus she's not a Togami but there is literally no information on this woman anyway. For all we know, Byakuya could have just been born in a lab with how he never talks about her in canon. Hell! Byakuya could have 2 dads and we'd never know. For the sake of simplicity though, I'll still blab about his hypothetical mother. Which, depending on the interpretation can depend on if 1. Byakuya even remembers her 2. If he has fond memories of her 3. If he even cared to any extent about her and who she is 4. If he gained anything from being in her care. It's safe to say that he didn't really care with his motive video but again, it's really fascinating thinking about this hypothetical character and how little they matter, how mysterious they kinda are, and the interpretations that can be brought from the fact that, for the most part, someone had to give birth to make Byakuya Togami be born. Additionally, cus I dunno how to squeeze this in... ALSO LIGHT SPOILER LANGUAGE HERE! it's also a bit interesting imagining the hypothetical of his mom living somehow after the tragedy. After all, the Togami's fell but it never said that anyone who is tied to them but not a Togami themself died. So, Byakuya's half siblings (or some of them) could still be alive along side his hypothetical mother. That's about it though! Hope this was an interesting ramble! Stuff like this fascinates me and, as someone who really likes Byakuya, many readings on his backstory, character, and family is just really neat!