#The set backs they've had from the start

[blackhholes]

teen wolf meme: [6/6] creatures -> ghost riders

In storm clouds just like these, phantom hunters would appear, riding black horses with blood-red eyes, and wolves and hounds at their side, baying and snarling. What were they hunting? Souls.

[unproduciblesmackdown]

set out to create a serious, canonesque drawing with which to say "feel free to go in my lackadaisy tag and help me mystery speculate" but only got going when i made it bowling and the rarepair agenda

[mad-hunts]

this is a very specific scenario, i know, but barton trauma-bonding with a hero and vice versa because they got stuck in the middle of the desert together due to the fact that they were both simultaneously betrayed / LEFT TO DIE there, but they managed to survive after they spent some time vehemently refusing to help each other in the beginning. though, they soon began to help each other (albeit reluctantly) because they realized that would be the ONLY way that they would survive this. and barton tries to kickstart their bastardization arc™ by telling the hero to kill the people who dumped them there. and this is because, in his mind, they don't deserve to live. then barton goes on to tell them that he's planning on killing the person who betrayed him so it's fineee if the hero does it,, because he ain't a snitch + won't tell anyone they killed anyone (,: now whether or not the hero actually starts their bastardization arc is up to them, of course, but if anyone is interested in a plot like this... HMU because i think this would be such an interesting dynamic to roleplay 👀

[mortalityplays]

talking about impenetrable accents/dialect just reminded me. when I was in Milan a couple of years back I was staying in this little rathole hotel and I had the biggest fucking migraine, so I was like non c'è problema I'll just go buy painkillers. of course every pharmacy on the map in a three block radius was closed, so my stupid ass just starts wandering around trying to figure out on the fly if you can get OTC from supermarkets in italy.

I walk into this little everything store (to my foreign eyes the kind of place that back home could sell you a bunch of carrots, a 6-pack of beer, pantyhose, bleach and a screwdriver set) and I see some household basics in the back but not what I need. with the confidence of a person who is only in the city for 3 days because he got bored and packed a bag and booked the cheapest flight available the week before (<= MENTAL ILLNESS), I was like no worries I know some italian, I can just ask.

I grab a bottle of water, walk up to the counter, and I'm like Ciao, hai il paracetamolo? And the guy is like che, and I'm like paracetamolo. Per la mia testa. And he's like che?

This is where I would have said 'aspirina' except I can't take aspirin for medical reasons, or 'antidolorifico' except I don't know that word and I've got no phone data for google translate and also I'm stupid. So in my fucked up leith-glasgow-italian accent I'm like paaa-ra-cetta-mollll-ooo. He's like ohhh bene, bene, and he calls another guy out of the back and asks him to go get something. Other guy then walks out of the store into the street, and before I can be like hey, che la fuck, he comes back and hands me a huge bundle of herbs.

At this point I'm like okay this entire interaction has been a bust, but these guys have been very nice and patient and they're both smiling happily at me because they've been of service, so I'm like ahh perfetto, grazie, pay them a couple of euros and leave.

EVENTUALLY I find a pharmacy that's open, and my head is fucking killing me, and my phone still isn't connecting, and now I have this small shrubbery poking out of my coat pocket, so I don't even bother looking around the shelves. I just walk straight to the counter and I'm like uhh ciao, scusi. And hearing my nightmare of an accent the guy answers in english and I'm like thank christ, do you please have paracetamol. Not aspirin, I can't take aspirin. And he's like yeah yeah hold on, goes into the back, comes out with what I need.

Only when he comes out he gives me this look, and then he starts laughing. And then he pretends he's not laughing and rings me up and I pay, and as I'm leaving I can see him losing it. But I don't care, my head is going to explode, I'm going back to the rathole to close the blinds and fall comatose for four hours.

When I get back to my hotel room I take off my coat and remember the huge bouquet of herbs in my pocket. They smell amazing, and I'm like I'm pretty sure this is parsley in which case I can just get some tomatoes and mozzarella later and make it work. but since I have no idea what that interaction was, I want to make sure. I bring out my phone to get a visual reference of what parsley leaves look like, and because I was using it for google translate earlier I put 'parsley' in the wrong box like a dope and translate it to italian.

prezzemolo

I wish I could have been the pharmacist in the moment he looked at my tired pissed off anglophone ass, heard me say 'paracetamol' in my fucked up accent, and turned around saw what was in my pocket. I'd have lost my shit too.

[mostlysignssomeportents]

“If buying isn’t owning, piracy isn’t stealing”

20 years ago, I got in a (friendly) public spat with Chris Anderson, who was then the editor in chief of Wired. I'd publicly noted my disappointment with glowing Wired reviews of DRM-encumbered digital devices, prompting Anderson to call me unrealistic for expecting the magazine to condemn gadgets for their DRM:

https://longtail.typepad.com/the_long_tail/2004/12/is_drm_evil.html

I replied in public, telling him that he'd misunderstood. This wasn't an issue of ideological purity – it was about good reviewing practice. Wired was telling readers to buy a product because it had features x, y and z, but at any time in the future, without warning, without recourse, the vendor could switch off any of those features:

https://memex.craphound.com/2004/12/29/cory-responds-to-wired-editor-on-drm/

I proposed that all Wired endorsements for DRM-encumbered products should come with this disclaimer:

WARNING: THIS DEVICE’S FEATURES ARE SUBJECT TO REVOCATION WITHOUT NOTICE, ACCORDING TO TERMS SET OUT IN SECRET NEGOTIATIONS. YOUR INVESTMENT IS CONTINGENT ON THE GOODWILL OF THE WORLD’S MOST PARANOID, TECHNOPHOBIC ENTERTAINMENT EXECS. THIS DEVICE AND DEVICES LIKE IT ARE TYPICALLY USED TO CHARGE YOU FOR THINGS YOU USED TO GET FOR FREE — BE SURE TO FACTOR IN THE PRICE OF BUYING ALL YOUR MEDIA OVER AND OVER AGAIN. AT NO TIME IN HISTORY HAS ANY ENTERTAINMENT COMPANY GOTTEN A SWEET DEAL LIKE THIS FROM THE ELECTRONICS PEOPLE, BUT THIS TIME THEY’RE GETTING A TOTAL WALK. HERE, PUT THIS IN YOUR MOUTH, IT’LL MUFFLE YOUR WHIMPERS.

Wired didn't take me up on this suggestion.

But I was right. The ability to change features, prices, and availability of things you've already paid for is a powerful temptation to corporations. Inkjet printers were always a sleazy business, but once these printers got directly connected to the internet, companies like HP started pushing out "security updates" that modified your printer to make it reject the third-party ink you'd paid for:

https://www.eff.org/deeplinks/2020/11/ink-stained-wretches-battle-soul-digital-freedom-taking-place-inside-your-printer

Now, this scam wouldn't work if you could just put things back the way they were before the "update," which is where the DRM comes in. A thicket of IP laws make reverse-engineering DRM-encumbered products into a felony. Combine always-on network access with indiscriminate criminalization of user modification, and the enshittification will follow, as surely as night follows day.

This is the root of all the right to repair shenanigans. Sure, companies withhold access to diagnostic codes and parts, but codes can be extracted and parts can be cloned. The real teeth in blocking repair comes from the law, not the tech. The company that makes McDonald's wildly unreliable McFlurry machines makes a fortune charging franchisees to fix these eternally broken appliances. When a third party threatened this racket by reverse-engineering the DRM that blocked independent repair, they got buried in legal threats:

https://pluralistic.net/2021/04/20/euthanize-rentier-enablers/#cold-war

Everybody loves this racket. In Poland, a team of security researchers at the OhMyHack conference just presented their teardown of the anti-repair features in NEWAG Impuls locomotives. NEWAG boobytrapped their trains to try and detect if they've been independently serviced, and to respond to any unauthorized repairs by bricking themselves:

https://mamot.fr/@q3k@hackerspace.pl/111528162905209453

Poland is part of the EU, meaning that they are required to uphold the provisions of the 2001 EU Copyright Directive, including Article 6, which bans this kind of reverse-engineering. The researchers are planning to present their work again at the Chaos Communications Congress in Hamburg this month – Germany is also a party to the EUCD. The threat to researchers from presenting this work is real – but so is the threat to conferences that host them:

https://www.cnet.com/tech/services-and-software/researchers-face-legal-threats-over-sdmi-hack/

20 years ago, Chris Anderson told me that it was unrealistic to expect tech companies to refuse demands for DRM from the entertainment companies whose media they hoped to play. My argument – then and now – was that any tech company that sells you a gadget that can have its features revoked is defrauding you. You're paying for x, y and z – and if they are contractually required to remove x and y on demand, they are selling you something that you can't rely on, without making that clear to you.

But it's worse than that. When a tech company designs a device for remote, irreversible, nonconsensual downgrades, they invite both external and internal parties to demand those downgrades. Like Pavel Chekov says, a phaser on the bridge in Act I is going to go off by Act III. Selling a product that can be remotely, irreversibly, nonconsensually downgraded inevitably results in the worst person at the product-planning meeting proposing to do so. The fact that there are no penalties for doing so makes it impossible for the better people in that meeting to win the ensuing argument, leading to the moral injury of seeing a product you care about reduced to a pile of shit:

https://pluralistic.net/2023/11/25/moral-injury/#enshittification

But even if everyone at that table is a swell egg who wouldn't dream of enshittifying the product, the existence of a remote, irreversible, nonconsensual downgrade feature makes the product vulnerable to external actors who will demand that it be used. Back in 2022, Adobe informed its customers that it had lost its deal to include Pantone colors in Photoshop, Illustrator and other "software as a service" packages. As a result, users would now have to start paying a monthly fee to see their own, completed images. Fail to pay the fee and all the Pantone-coded pixels in your artwork would just show up as black:

https://pluralistic.net/2022/10/28/fade-to-black/#trust-the-process

Adobe blamed this on Pantone, and there was lots of speculation about what had happened. Had Pantone jacked up its price to Adobe, so Adobe passed the price on to its users in the hopes of embarrassing Pantone? Who knows? Who can know? That's the point: you invested in Photoshop, you spent money and time creating images with it, but you have no way to know whether or how you'll be able to access those images in the future. Those terms can change at any time, and if you don't like it, you can go fuck yourself.

These companies are all run by CEOs who got their MBAs at Darth Vader University, where the first lesson is "I have altered the deal, pray I don't alter it further." Adobe chose to design its software so it would be vulnerable to this kind of demand, and then its customers paid for that choice. Sure, Pantone are dicks, but this is Adobe's fault. They stuck a KICK ME sign to your back, and Pantone obliged.

This keeps happening and it's gonna keep happening. Last week, Playstation owners who'd bought (or "bought") Warner TV shows got messages telling them that Warner had walked away from its deal to sell videos through the Playstation store, and so all the videos they'd paid for were going to be deleted forever. They wouldn't even get refunds (to be clear, refunds would also be bullshit – when I was a bookseller, I didn't get to break into your house and steal the books I'd sold you, not even if I left some cash on your kitchen table).

Sure, Warner is an unbelievably shitty company run by the single most guillotineable executive in all of Southern California, the loathsome David Zaslav, who oversaw the merger of Warner with Discovery. Zaslav is the creep who figured out that he could make more money cancelling completed movies and TV shows and taking a tax writeoff than he stood to make by releasing them:

https://aftermath.site/there-is-no-piracy-without-ownership

Imagine putting years of your life into making a program – showing up on set at 5AM and leaving your kids to get their own breakfast, performing stunts that could maim or kill you, working 16-hour days during the acute phase of the covid pandemic and driving home in the night, only to have this absolute turd of a man delete the program before anyone could see it, forever, to get a minor tax advantage. Talk about moral injury!

But without Sony's complicity in designing a remote, irreversible, nonconsensual downgrade feature into the Playstation, Zaslav's war on art and creative workers would be limited to material that hadn't been released yet. Thanks to Sony's awful choices, David Zaslav can break into your house, steal your movies – and he doesn't even have to leave a twenty on your kitchen table.

The point here – the point I made 20 years ago to Chris Anderson – is that this is the foreseeable, inevitable result of designing devices for remote, irreversible, nonconsensual downgrades. Anyone who was paying attention should have figured that out in the GW Bush administration. Anyone who does this today? Absolute flaming garbage.

Sure, Zaslav deserves to be staked out over an anthill and slathered in high-fructose corn syrup. But save the next anthill for the Sony exec who shipped a product that would let Zaslav come into your home and rob you. That piece of shit knew what they were doing and they did it anyway. Fuck them. Sideways. With a brick.

Meanwhile, the studios keep making the case for stealing movies rather than paying for them. As Tyler James Hill wrote: "If buying isn't owning, piracy isn't stealing":

https://bsky.app/profile/tylerjameshill.bsky.social/post/3kflw2lvam42n

If you'd like an essay-formatted version of this post to read or share, here's a link to it on pluralistic.net, my surveillance-free, ad-free, tracker-free blog:

https://pluralistic.net/2023/12/08/playstationed/#tyler-james-hill

Image: Alan Levine (modified) https://pxhere.com/en/photo/218986

CC BY 2.0 https://creativecommons.org/licenses/by/2.0/

[pomefioredove]

now I'm actually invested in this idea. maybe I'll write a full length fic someday idk... for now I have short hcs

parts 1 | 2 | 3 | kalim | bad ending

summary: crowley decides to "give away" yuu to the highest "donation" for financial reasons type of post: headcanons characters: all nrc students additional info: can be read as platonic or romantic, except malleus is pretty romantic, second person pov, yuu is gender neutral, maybe a little ooc I wrote this as soon as I got up

crowley has had his fair share of "what the fuck" moments from you but this was really taking the cake

he acts so... casual about it?

swaggers into ramshackle one morning and says times are tough and your personal expenses are straining the budget so he's decided to "put you in someone else's care"

"The screening process will be vigorous to make sure you end up in good hands!" like you're a cat or something "Your expenses will be covered and you'll have somewhere to go during break!"

okay great. pretty obvious you have no say in this, so you don't even argue. what's the worst that could happen?

*ੈ✩‧₊˚

Ace, Deuce, Jack, and Epel find you the next day to say they're pooling their money to buy you

"To what?"

Epel shrugs. "Oh, well Crowley said we need to offer a donation to prove we're capable of supporting you..."

(you think that if not for the laws of this land you would have slaughtered that old fart)

Jack goes on a really long tirade about how shady and underhanded this is, making sure to reaffirm that he believes you should be free to make your own choices

"So you'll let me go once you get me?"

"Uhhh..."

Ace thinks once they buy you you'll have no choice but to do all of his homework for him

Deuce says that's not really how it works- and even if he tried, Riddle would kill him

(they've already gone over this twice before finding you)

Epel happily volunteers to take you home with him over breaks, probably the only positive in this mess

even if he thinks the whole thing is kind of funny

*ੈ✩‧₊˚

incapable of keeping his mouth shut, Ace accidentally spills the plan to Riddle, who is understandably aghast

you can't just give away a person under your care like a toy!

of all the irresponsible things...

of course, he'll have to put up his offer, too

purely for your sake! with a nicer room and a brand new copy of the dorm rules, maybe you'll stop getting yourself into trouble

he's got some family money (doctors, naturally) and considers this a worthwhile purchase, for his sanity and yours

of course, Trey and Cater overhear and may or may not be pooling their own cash for a chance, too

going behind Riddle's back on this is a risky venture, but hey, someone's gotta be on your side, here, right?

I mean, between a bunch of sixteen year old boys, the housewarden, and them, who would you choose?

actually don't answer that

...not that it's much of a secret, anyway. Cater's already got their gofundme equivalent link in bio

*ੈ✩‧₊˚

Leona initially plans to have you become a live-in lackey like Ruggie

but then he really starts thinking- and, hey, the possibilities are endless, right?

for one, you'd make a really good pillow

he might have to kick Grim out for your full attention, but you could learn to live with that

and malleus would hate it

...that's reason enough for him

plus, he's got money to burn, so why not?

either way, he sets his bid at a reasonable (maybe too confident) price and sits back to watch the chaos unfold as everyone scrambles for a piece of the pie

news travels fast around school, after all

then Ruggie finds out that you could dethrone him as Leona's #2 and is understandably a little annoyed

that's his cushy post-grad job gig, thank you! he's worked hard for that!

besides, why should Leona get to hoard you? the guy can barely take care of himself!

so, Ruggie ends up outsourcing to a few dozen classmates for the necessary funds at a steep I-owe-you price

he's gonna be eating nothing but dandelions for a while...

*ੈ✩‧₊˚

now, Azul is annoyed

once the news goes school-wide, it's all anyone can talk about

talk about good marketing...

why didn't he think of such a brilliant scam? he could have negotiated with Crowley to have a café brand deal tie-in!

of course, he's already set his bid, with Jade and Floyd offering to pitch in as necessary

it's a risky investment, sure, but a worthwhile one

Azul tells everyone that with the prefect's "obvious" popularity, having them at the café a few nights a week would drive sales through the roof

though that's really just what he says to shirk suspicion

a likely excuse coming from him, though, really, it would just be nice having you around

and if not for his own affections, Floyd's incessant begging and Jade's subtly manipulative comments about "how nice" it would be having a new face around would be enough for him to cave eventually

*ੈ✩‧₊˚

"Kalim, no," is the first thing that Jamil says

"I strongly advise against this. It's another one of Crowley's silly scams and you could end up a target bec- are you even listening?"

hint: he is not

the second Kalim found out that he could get to take in his favorite magicless student like one of his treasures, he was all over it

(AKA infinite sleepovers)

and for what? a little optional donation to prove he's got the funds? he's got cash to spare!

he's already got your new room in Scarabia set up before he even puts his bid in

right next to his of course :)

and despite what Jamil insists, he himself might be working behind the curtain just a little to ensure he's the one who ends up with you

after all, why should Kalim get everything? this might be a valuable learning opportunity for him

You don't always get what you want

*ੈ✩‧₊˚

as much as Epel tries to keep the rest of his dorm from finding out, it's inevitable

he's actually a little surprised that the news didn't get to Vil sooner

with Rook around campus, surely he must have said something...

when Vil does find out, though, he just sighs

oh, of course. what next, will everyone meet each other in the arena and fight to the death over the prefect?

of all the silly, immature things...

oh? what's that? he's bidding anyway? of course he is, silly potato. he can't have some unwashed miscreant making you sleep on polyester bedding

(really, he's the only person on campus worthy of your time)

Rook has also been mysteriously absent from the dorm lately, though his initials on a poem and a strangely large sum of money end up in the donation pile

but really, that could be anyone... Rook would never dare betray Vil again, right?

*ੈ✩‧₊˚

Ortho finds out directly from the other first years and sends Idia the details immediately

with a little note of encouragement, of course: "could be excellent for improving your social skills!"

Idia understandably freaks out

"WTF!!!! nooo way! this is a person, not a chatbot we're talking about here! I can barely keep virtual pets alive!!!!"

(liar)

(...but this is still different)

the conversation ends there, but semi-anonymous bid from someone named "gloomurai" gets cashapp'd directly to crowley

*ੈ✩‧₊˚

everyone in the room immediately turns to Malleus

"For the record, I think it's wrong to be bargaining over a human being," Silver says first. "But if anyone could handle it with grace, it's you."

Lilia laughs. "Oh, you're just saying that because you like the prefect so much!"

"Father, you're the one who likes the prefect so much,"

"Oh, right! carry on then. After all, I'm sure we could share,"

Sebek is the only one relatively against the idea, though Lilia luckily manages to get him to lower his voice after his third speech about how you aren't good enough for his liege

Malleus is rather quiet through the whole evening, neither agreeing nor disagreeing with any of the points made

he disappears for a short while, and when he comes back he seems a little more confident

though, of course, he goes to you first

seeing him at Ramshackle in the middle of the night is a familiar and welcoming sight after all of the chaos of your week

and he's in a great mood!

"Child of man! I've come with news," he says. "I have heard of your predicament and have come up with a solution!"

you immediately sulk. "Oh, no. You know I think this whole thing is terrible, right?"

"Yes, Silver mentioned you might not like the idea of being bought and sold like a trinket. But worry not, I do not plan on paying for you in money,"

you pause, at a loss for words, and then tentatively continue. "You're not...?"

"Of course not. What a primitive idea, I was baffled to hear it myself. My proposal will be more traditional: a modest sum of treasure, and a generous amount of livestock and the finest crop Briar Valley can offer,"

certainly he's not this naive, you think

"You really think Crowley is going to accept that over money? I'm pretty sure Kalim just bid away an entire country's worth,"

he laughs. "You speak as if this is some kind of business deal! I'm quite confident that my dowry will be best,"

huh. that was a strange way of putting it

but then again, you still didn't really understand how things work here, so you go along with it

and you allow yourself to relax. he seems confident in his offer, and he doesn't even see you as some kind of prize to win!

"Oh, well, alright. Thanks! I'm glad you're on it,"

he smiles. "Rest assured, child of man, you're in good hands. My dowry will far outshine the others, and the wedding will be even better,"

"I was honestly getting a little nervous for a momen- wait- wedding!?"

[fanaticalthings]

Most children, once they've grown up and moved out, sometimes come back to visit their parents to use their house as a sort of personal grocery store

And with Bruce being a literal billionaire whose house is always stocked with food and supplies, the batkids (that aren't living in the manor) definitely visit just for the purpose of taking shit for themselves.

---

For Dick, it's just small things, food and maybe some utensils. Bruce is barely in the kitchen so he never notices dishes go missing, and there are like 10 other children in his house so literally any one of the younger kids could've stolen food in the middle of the night, so he doesn't bat an eye at all.

Babs probably steals Bruce's hardware or his tools from the batcave. Sometimes, if she's nice, she'll leave a note.

Steph probably takes shit that no one will notice at the time but will absolutely be annoyed about when they need said thing. Stapler, soap bars, the microwave plate, etc...(Taking after Jason, she steals the hub caps off the batmobile's tires)

However, for Jason, once his relationship with Bruce is somewhat decent, of course he's gonna be petty and start stealing the more expensive shit in the manor for his apartment. Jason's microwave is broken? The next day, the cave's self-made and enhanced microwave made by Bruce for convenience is just gone.

Jason's feeling a coffee maker for his place? The one in Bruce's study disappears, too.

---

At first, Bruce thinks he's just sleep deprived, but then much bigger things start to go missing, like the whole TV and couch set in the living room. He assumes the younger kids are just playing pranks on him (sounds like something Stephanie would do) but then Bruce notices that the thief deliberately avoids stealing things from the kitchen, which is where Alfred is most of the time, and suddenly Bruce has an irritated clue on who the culprit is.

At first, he doesn't say anything, until one day he comes back, tired from a patrol, and is about to log in all the info on the computer only to realize his batchair is gone. That's when he texts Jason a blunt "If you really need things for your place, you can just ask me. I'll buy them for you." (As if Jason himself isn't loaded from his totally legal activities)

---

So now Jason's pettiness levels increase tenfold, and oh, wouldn't you look at it, his bike needs some new tires, and he knows a great place to get some more.

One night, Bruce is just blearily getting up for a late night snack, only to see Damian scamper away with a...lamp? So Bruce immediately follows him into the foyer only to see ALL of his kids (sans the ones not living in the manor), trying to haul two arm chairs out the window, and they just stop dead silent to stare at him until someone whispers a nervous "Crap"

Bruce doesn't even have any energy to fight, he just pinches his nose and is all "What is the meaning of this" in his tired dad voice. And Duke meekly responds with "we wanted more chairs at Jason's place"

And suddenly it all makes sense. Not once did Bruce wonder how the HELL Jason managed to lug a whole 60in TV and a full couch set on his own in one night. Of course, he had accomplices. Bruce just turns right around and goes right the hell back to his room to sleep. He'll deal with this in the morning.

[emptymasks]

They're done! I really want to try and make prints again as it's been years and I've never felt like I was very good at making whole posters. Dipping my toe back in with these silly chibis of each Papa with every Ghoul they've had. Perhaps they can also work as a guide for those wanting to learn all the characters? I added in a fair amount of little references with the Ghoul's poses so it'll be interesting to see what you guys figure out and notice!

The prints are on pre-order and won't ship out until November. I've put up 25 of each to start with but if they get low on stock I'll keep adding more until I have them printed and then it'll be a set amount in stock.

Also a reminder about the stickers of every Ghost Papa and Ghoul that I made earlier this year that are also available as customisable badges! Thank you so much to everyone who already bought them and got Etsy to list them as a 'bestseller' for a while. They're still up and in stock.

EDIT: someone informed me Delta was not in Secondo's era so sorry little water ghoul but he got edited out of that drawing.

Characters featured on the prints and are also available on stickers and badges: Papa Emeritus I / Primo, Papa Emeritus II / Secondo, Papa Emerirus III / Terzo, Papa Emeritus IV / Cardinal Copia, Aether, Air, Alpha / Fire, Aurora, Chain / Water, Cirrus, Cowbell, Cumulus, Delta, Dewdrop / Sodo, Earth, Ifrit, Ivy, Lake, Mist, Mountain, Omega / Quintessence, Pebble, Phantom, Phil / Special Ghoul, Rain, Sunshine, Swiss, Zephy.

I can’t link to my Etsy without risking Tumblr hiding the post from tag search results, but the link is in my pinned post, my carrd, I’m emptymasks on Etsy. Reblogs help support artists more than likes ❤️

[ID: Four landscape drawings, one for each of Ghost's Papas and the Ghouls that were in the band with them while they were the lead singer. Each Papa is in the center with each of their ghouls standings to their sides. Every character has their name written above or below them, on brightly coloured backgrounds for each Papa's robe colour. Also, individual pixel art chibi drawings of 69 characters from various European musicals (listed above) that are available as stickers. These drawings are also available as badges where they are placed inside circles to show what they will look like as physical button badges, some of them with plain colour backgrounds and some with 1-3 different pride flags as examples of how you can customise the backgrounds.]

For those who want to know what the little references in the prints are and don't want to guess, they're under the cut:

Omega can be a stompy boy when he's playing guitar, Alpha likes to throw up peace signs, Air is very found of the rock horns hand symbol, there's one close-up photo of Lake out there where you can clearly see his black sclera contacts and he's doing double 'horns' hand symbol, Mountain infamously takes his shoes off when playing the drums and leaves them on the stage at the site of his drumkit, Dewdrop likes to like.. most things including his guitar and his picks and sometimes his own hand, Pebble liked to hand out his drumsticks at the end of shows by dropkicking them into the crowd, Omega wore a flower tucked into his guitar strap during one show and Terzo constantly flirts with him more than other ghouls, Delta is suspected to be the ghoul that attempted to kick an audience member off stage when they climbed onstage and attempted to kiss Terzo, Zephyr was the only band member and only keyboardist who sat down while playing, the special ghoul played by Tobias wore a nametag 'Phil' in an interview, Swiss constantly is showing all his teethies with his smiles and always wiggling and moving around, Aether and Dewdrop often interact with Dew teasing/bothering Aether, Dew and Rain also often interact with Dew constantly reaching to grab his neck and attempt to kiss him, aaaand I think that's everything I intentionally included other than just generally tried to get the poses and expressions to match the personality we've seen from each ghoul.

[three--rings]

One thing I haven't seen a lot of talk about in the fandom so far is about the financials of this season.

It took us two whole months to get a confirmation of renewal from Max, and I talked at the time that I think there was probably a lot of heated negotiations going on at the time with contracts and that's why it took as long as it did.

I think we see a huge number of indications of the compromises that were made in order for S2 to be made. One obvious one that has been talked about is being making in in NZ instead of LA, to save $.

But there's also the eight episodes instead of ten. And then the cast aspect. One downside of moving overseas was having to fly out and house the cast, not just pay day wages.

We knew immediately about Guz Khan not coming back, losing Ivan as a character. At the time I was sad but I thought it had the air of a pretty harshly practical call. If you went through the main recurring cast and said okay which character will affect the fewest things, has the least character interactions of anyone? It would be Ivan. (With the only competition being The Swede IMO, but he's Stede's crew and therefore a little more central.)

And then this season started and we got first The Swede sidelined and taken out of major scenes. And then I noticed that different members of the crew were simply absent for long stretches, like Wee John isn't around for ep 5 at all. And then Buttons takes flight.

Lucius and Pete aren't at the party for most of it. Fang isn't in the torture scene. Roach and Fang aren't in the bar. Etc. SCHEDULING IS HAPPENING.

The new characters are almost entirely played by NZ local actors, which is great, but also...cheaper.

In other words there are big signs that they did everything possible to give us a giant cast of almost everyone we love from S1, and cool new characters, in the most economical way possible.

And I'm grateful for it. I'm grateful we got S2, and it looks great, and it's well written, I'm having a blast, and we get to spend more time with this awesome cast.

But I also kinda think it needs to be said that the cost-cutting shows. That it shouldn't have been only 8 episodes, the pacing is off. That we miss every time someone from the ensemble isn't on screen.

That despite what they've put on screen looking very good, there's far less costuming budget, there's less elaborate sets, and it's a little disappointing. And it's clear it's not a lack of will or talent or vision but blatantly lack of money.

Look, streaming networks want brilliant shows that people love (that will get them to subscribe) but they very don't want to pay anyone to make them. That's like, the whole moment we're having right now.

Max puts out promos about how great it is to not have unions messing shit up in NZ. Well I have friends who are union costumers in LA and guess what union costumers did amazing last season. This season, well, I guess Stede got three whole shirts, so that's cool.

So I dunno. It's just stuff I think about. I'm not trying to be negative about the show in any way. I'm extremely happy with this season; I love it more than well, possibly any show I've ever been in fandom for.

But I see you, Max. You're cheap. You weren't that cheap when you were called HBO.

[tsukimefuku]

3rd of july ˚ ༘ ೀ⋆.˚ nanami kento

piece written in collaboration with my beloved friend and one of my favorite people, @rahuratna, for nanami's (a.k.a. internet's collective husbando) birthday. 💜🧡 content warning: fluff/comedy/sugestiveness word count: 1k

Nanami wasn't one to make big celebrations on his birthday. Up until he met you, he'd usually go about his work day quietly, saving up a few extra hours to simply go bowling or visit his favorite restaurants for dinner.

After you both started dating, not much had changed. You'd simply tag along for whatever he had planned, and would usually surprise him with something by the time you both got home - a box of dark chocolate, a new set of lingerie, a nice warm scented bath, a new CD album he had been looking for.

This time, however, you decided to push your luck on teasing the poor man.

On his birthday, of all days.

"Kento, how do you feel about surprise parties?" you ask, hiding the smile pulled on your cheeks behind your tea cup.

On the couch by your side, you could feel Nanami holding the urge to flinch the moment you were finished speaking.

"They are not my favorite," he answers in earnest.

"Seriously?" you inquire with a faux disheartened look.

"Yes," Nanami replies, with a tinge of concern to his voice.

"That is... unfortunate, then," you ensue, putting your tea on the coffee table and pulling your robe tighter around your body.

His Adam's apple bobs as he silently gulps.

"Why?"

"Well, my plan was to surprise you when you got home, but I figured you wouldn't want to get instantly jumped. So I told them to wait in the room," you finally say, with a grave finality, pointing to the closed bedroom door.

Truth is, he has no clue what you are really up to.

"Darling…" Nanami sighs, ever so patiently, "I thought it would just be the both of us unwinding, like the past years."

"I… I'm sorry, I really wanted to surprise you with something different this time."

You do sound regretful, and he plants a soft kiss on your cheek in response. Even now, he doesn't quite find it in himself to be annoyed at you, even if the prospect of Gojo lurking around his bedroom is enough to send disgusted shivers down his spine.

"It's… fine. Let's get this over with at once, and then have the house to ourselves."

"Are you sure? I could always go in there and tell them to-"

"No," he counters firmly. "You've arranged something a little different this year, and I'm going to appreciate it."

"Come on, then."

As perceptive as he is, Nanami doesn't notice the mischievous smile tugging at the corner of your mouth. Naturally, since you have successfully planted a seed in his mind, a terrifying image of his pristine suits being tried on by students and his custom made bowling ball being transformed into a disco light by the white-haired menace he calls a colleague.

When you reach the door and step aside for him, he visibly braces himself, fingers almost straightening a phantom tie at his throat.

"Sweetheart, I need to go and fetch a scarf. It's a little chilly in here."

Bless his heart. He's actually playing along.

You raise your voice.

"Oh, I left the blue one on the top shelf. Your closet."

"Right."

Nanami heads in with the air of a man charging from the trenches to face a volley of cannon fire. He stops dead in his tracks, eyes taking in the room.

It is empty of people, for starters.

The comforter on the bed has been pulled back, the white sheets scattered with rose petals. Candles have been placed strategically on the bedside table and vanity, emitting the subtle scent of the ocean. On a corner of the bed, a few ribbon-wrapped gifts await; a small stack of books and a box of his favourite dark chocolate with orange.

You saunter in behind him and he turns to you with a look that is both a solemn reprimand and a loving promise of a punishment you may appreciate later.

"Hmm. It's awfully crowded in here, my dear."

"Well, the rose petals were quite chatty, Kento. They've taken up all the space on our bed."

"They have indeed, you little-"

You laugh as you slip out of his reach, standing coyly in the doorway.

"Have a look at your gifts first."

He narrows his eyes, but approaches the bed, fingers unraveling the ribbon that holds the books together.

"What do we have here? 'The Master and Margarita.' Ah, wonderful. 'Bowling your way home: A salaryman's escape from bondage.'"

He pauses and raises an eyebrow and you gesture airily for him to keep going.

"Fine. What's this one? The-"

His voice cuts off abruptly.

"Kento? Are you all right?"

Very slowly, he turns to you.

"You got me the Kama Sutra?"

"I figured it would make a nice addition to your collection. I may even borrow it, from time to time."

You approach him now, casually opening the book to where you've placed a strategic leather marker within the section on sex positions.

"Since it's your birthday, maybe you'd like to start with the Virsha here?"

He considers the page seriously, before taking the book from you and flipping through it.

"I'm not sure, darling. You've put in enough effort setting all of this up."

Handing it back to you, he watches the flush that spreads upwards, across your neck as you are presented with the Indrani pose he has chosen instead.

"How about you let me do the work from here on out?"

"Well... "

"No, I insist."

His voice has that special intonation now, the husky rumble of desire, the inflection of hushed intimacy, the promise of that playful nature that only reveals itself when you're entangled in the sheets together.

You lay the book down, open to the very instructive illustration.

"In that case, let me present you with my last gift."

"There's another?"

Wordlessly, the robe you've been so studiously arranging around yourself slides to the floor. His kindling gaze takes in the sheer, violet lace, the tiny flowers embroidered strategically over the parts of you that he will discover at leisure.

***

Later, when the gossamer material lies discarded on the floor, when his exhausted limbs entwine with your own, when his golden hair runs like silk between your fingers, you speak into the hush of the bedroom.

"Happy birthday, my love."

His voice is muffled from where his face is pressed against your stomach.

"That was quite the surprise party."

"Maybe we should have one every year."

He snorts indignantly, but his lips curve in a smile against your skin all the same.

[erwinsvow]

how would rafe be when he’s at kelce’s house hanging out with friends and he brought shy reader with him when it’s late and she’s yawning and starts tugging on his arm whispering in his ear ‘i’m sleepy’ but trying not to interrupt

this was soooo lovely ♡ theyre such cuties

true to form—you're an early sleeper. there's no reason to stay awake so late, not when you're always home and your favorite baking show airs early. it was a habit, one that you had been feeding for years, and now that you were dating rafe, he was feeding into it too.

dates ended early, always coming back to tannyhill with ice cream for dessert before the sun had even finished setting. you rarely went to parties with him, but even when you did, he'd find a way to get you home or a locked room to sleep in while he finished selling.

and though you appreciated it like nothing else, you didn't want your boyfriend to get upset that you could never do anything that he liked. that's why you'd sucked it up today, accompanying rafe to kelce's for a 'hang out'—code for beer, pizza, and every person that the three boys knew.

curled up next to rafe, you drink the apple juice from kelce's fridge. it belongs to his little sister, but beer is disgusting and there's nothing else besides hard liquor. rafe's on his second, but still completely sober, while top is drunk already.

the sun set maybe an hour ago—and you've been yawning ever since. you think for a second, listening to the boys talk, that if you close your eyes, you might not be able to open them again. heavy lids flutter shut as you take in the conversation.

"i took out that girl. the one she introduced me to," kelce says, and though your eyes are closed, you know he just gestured to you.

"how was it?" rafe asks, his grip around your shoulder getting a little tighter. it feels warmer, and you snuggle in, finding sleep increasingly hard to evade.

"she was nice-"

"i had a girl once," topper drunkenly slurs, interrupting.

"shut it, top. yeah, kelce?" rafe asks, and even in your state, you feel yourself smile a little. making sure people finish their sentences after they've been interrupted is a habit you have passed on to rafe.

"it was good. she's a little quiet, but-"

"takes some time to open up," you mumble sleepily against rafe's arm. you don't know if they heard you, but your boyfriend did, leaning in to brush some hair away from your face, pushing it behind your ear. you hear top and kelce talking in the background.

"tired, kid?" he asks, quiet and into your ear. you blink a little, steadying yourself with the arm you'd been leaning on.

"no," you lie. "i'm fine. keep talking."

"late for you, huh?" rafe says, and though you don't want to admit it to him and be a buzzkill, nothing sounds better than going home and sleeping next to him right now—no matter how much you want to make sure kelce asks your friend out on another date.

"just sleepy," you mumble back. "but we don't have to go."

you look up at rafe, and you suddenly feel incredibly awake, when you take in how he's looking down at you—concerned eyes, a soft smile, all his attention on you with two friends and a bunch of people waiting for their turn near him.

"c'mon. grab your stuff." he turns away from you, doing that goodbye handshake thing that boys do with each other to kelce, topper too drunk still and instead getting a hard pat on the back. "we're goin'. see you tomorrow, and make sure no more beer for this one."

rafe takes you home, and though somewhere inside you feel bad for making him leave early, you begin to realize he's not mad about it. with that thought in mind, you fall asleep in the passenger seat of his truck.

he carries you upstairs.

[alchemistc]

"I am not packing your kitchen, Buck," Maddie says with a hard set to her jaw and a hand planted on her hip, and Evan sends her a warning look over his shoulder, elbow deep in packing tape and half-folded boxes. Tommy is clearly missing something.

"You found the ring cutter in there with the ladles too, huh?" Snipes Eddie from somewhere in the vicinity of the bathroom, and before Tommy can get a firm grasp on that Eddie's tipping his head back through the open doorway. "C'mon guys, seriously, you didn't pack this shit up before you forced us all to help you pack?" There's an unopened tube of lube in his hand.

"I'm getting things off of walls and that is all, Evan Buckley," comes Maddie's quick rejoinder, and Buck levels them both with a look.

"That could be for normal stuff! Sometimes rings need cutting! Sometimes you need to - lubricate other things!"

It is, of course, the moment Bobby wanders through the unlocked door.

Tommy's still familiar with the cadence of Hen and Howie, ribbing and mocking a form of endearment for them both, so he's not exactly shocked when Bobby just rolls with it and starts listing off the last fifteen calls they've needed it for. None of those things particularly improve the red rising up Evan's cheekbones, but Tommy catches the grin Bobby's hiding while he sets boxes of pizza up at the kitchen table, cleared of the latest seasonal decor Evan had dragged him through three different department stores to find, not that he could be bothered to care when the very existence of them was all it took to shift Maddie's opinion of him from tolerantly friendly to encouragingly approving.

("This loft was a minimalists wet dream before you were in the picture," she'd told him one evening, after she'd manipulated him into admitting he was terrified this didn't mean the same thing to Evan as it did to him. "He started nesting a month after my wedding, Tommy.")

And now they're here. Watching Evan pretend to be miffed by the teasing while he fights a roll of packing tape.

He's going to miss the upstairs shower, wide enough for two grown men to fit more than comfortably; and the balcony on cooler nights when he could tempt Evan out for a slow dance set to the late-evening traffic; the kitchen island at the perfect height to lift Evan onto and tilt his head up for an angled kiss.

He won't miss the open plan that makes it impossible to do much of anything with a snoring Eddie right below them, the tuba player two doors down who only seems to practice the moment Tommy's head meets the pillow at the end of any random days-long shift, the way the elevator always smells like tuna on Thursday afternoons.

There are things he won't have to miss, of course. Evan, on nights when they just can't make their schedules align well enough to justify the drive time. The extra fluffy towel set Evan had refused to reveal the origin of ("You'll buy your own and leave me, I know you're only with me for my towels."). The pictures plastered to the fridge that Tommy's spent the last few weeks plotting out space for on his own before deciding he'd need a new fridge just to fit them all. The plant he'd bought Evan to appease the grump, the first time he'd dragged him to the farmers market at the ass crack of dawn, lovingly named Herbert. The fancy adjustable bedside lamps Evan had bought the last time he'd caught Tommy squinting down his reading glasses at the book in his hands. Evan.

Christ, he wouldn't have to miss Evan anymore. They'd synched up their schedules more or less as well as they could, but Tommy's spent months now trying to ignore how quickly a sleepless night could turn restful with Evan in his bed - how fitful a night without him there had a habit of being.

Most of the loft is already packed. Evan's wardrobe has been dwindling for weeks now, a box at a time carted from the back of the Jeep up Tommy's drive, through the mud room, down the hall and straight to the closet that had never seen such a shock of color or variety of fabric. They'd sprung for a bigger mattress, once they'd gotten over the sticker shock and remembered how much they'd be saving by paying half a mortgage each with no rent to speak of, and other than the kitchen table most of Evan's other furniture was being donated.

All that really remained were the kitchen supplies Evan hadn't been willing to move until he handed over his keys, a few toiletries, a single drawer of clothes just in case he needed them. Pictures on the walls and stacks of books on the bookshelves - half a decade of life lived in this apartment and most of it was already half unboxed and slowly integrating into the fifteen years Tommy had put into his own solitary life.

Evan finishes taping boxes and makes a beeline for his itemized list, and Tommy has to pretend it's giving him as much grief as Evan's sister and best friend to see the clipboard in action. He's not entirely sure how well he sells it, when even Bobby's shooting him aggrieved looks only to grimace at whatever he finds in Tommy's expression.

And just like that, an hour passes and the pizza disappears; the boxes are loaded into the back of his truck; the kitchen table in Eddie's; and Maddie tugs her brother in for a hug, drags Tommy in for good measure too, kisses them both on the cheek as she leaves; Bobby tucks a wooden box filled with handwritten recipes on note cards into Evan's hand and Tommy pretends not to notice either of their teary eyes; Eddie hefts a six pack out of the otherwise empty fridge and promises to meet them at the house in forty-five.

There's still one picture stuck to the fridge - a candid from the first barbeque Athena and Bobby had hosted after their move, Tommy and Evan backlit by a setting sun, tucked up against each other leaned against a porch railing, and Tommy knuckles at it while Evan does a slow introspective spin to take in the wide expanse of windows and brick. He's still staring when Evan finishes and drifts towards him, hands tucking in at Tommy's waist, chin hooking over his shoulder.

"Is this one staying?"

Evan shakes his head, nose digging into the side of Tommy's neck. "Just wanted to keep it out so it could be the first one we put up."

He remembers the night. Karen had gotten him drunk and added him to the wives group chat. May Grant had stolen half his slice of cake right off his plate and dared him to protest. Jee had spent the entire night calling him Uncle Tommy and thrown a massive fit when she realized he wasn't going home with her to read a bedtime story. Christopher and Denny had spent half an hour trying to teach him how to play Fortnite and then been mystified when he trounced them in Mario Kart. He knows exactly why it's significant to him. "Why this one?" he asks, curving into the cradle of Evan's arms.

Evan's so much better with words than Tommy is, and Tommy's just grateful Evan takes his actions for the things he means with them. "That's the night I knew what our something was gonna be," Evan murmurs, and Tommy tips his chin back and angles his head to catch Evan's lips against his own.

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[mortalityplays]

The thing about writing advice is that most people who are in a position to give it don't really know how they do what they do.

It's like playing Hamlet: an actor can talk about the personal processes that help them to interrogate the text and get into the character's head, and they can talk about the experiences they've had that prepared them for the role, and they can talk about what they want their performance to convey and maybe even reflect on why they make certain choices. But they can't give you a ten step guide to playing Hamlet. It fundamentally doesn't work like that.

It can be frustrating. Sometimes the advice you get from authors you admire, authors whose work you relate to in an unspeakable way, is just not a good fit. It can be discouraging (why can't I see the world like they do? why can't I be up and awake and produce 2000 words before breakfast?) or it can even set you back (I mustn't use adjectives. I have to plan every page. I can't get started until I know the protagonist's grandmother's maiden name). You have to learn to see it as the individual talking to themselves, rationalising a largely automatic process in terms that can only ever correlate, never fully explain.

Only one piece of ageless advice has consistently held true for generations of good, bad and happily mediocre writers, probably since the dawn of society: steal time from your day job.

[moondirti]

ghoap x nanny! reader / 18+ / previous ft. surveillance. handjobs. voyeurism. mild s/m. dirty talk.

They check up on you when they can.

Price wasn't exaggerating when he doled out the mission details. It's a tough one. Grueling. The type that necessitates four flights a week and days of little to no sleep, the men fuelled on nothing but a snow-balling urgency to get it done. The target is a slippery fuck, with connections that transport him across the globe at the first sign of conflict. They come close to apprehending him only once, and nothing comes of it but the exacerbated threat of nuclear war as the bastard starts to squeak like a cornered mouse. Gaz has a near constant migraine. Soap stops being fun around the two week mark, exhaustion slowing his tongue. Ghost grows more unhinged with his kills, punching blades through the throats of anyone who dares get in their way.

But still, they check on you.

Isla occupies a quarter of their headspace at all times; half when they don't have to dedicate their focus to the operation. It's the longest they've ever spent away from their girl, the withdrawals hitting them like a bag of bricks. They do whatever's necessary, then, to tune into the nanny cams they have set up around the house, lest Johnny cries about the way her hands dimple when she uncurls a fist again. Or worse – before Simon forgets what tethers him to humanity.

They find the two of you are always doing something.

Which isn't a surprise. You had mentioned your background in early childhood education; they just thought that it'd been a device to impress them. But it's clear that you're eager to put your degree to use when they see you setting up yet another enrichment activity for their daughter and encouraging her to engage.

The first time, they had just arrived on base. It'd been five hours since they've seen you last and already, Johnny had pulled his phone to log onto the monitoring app he had installed.

Sure enough, you were in the same overalls they saw you in last, Isla changed into a fresh pair of pyjamas after her bath. You had her set on her play mat, but replaced the dangling toys for newer, more colourful ones. As she reached for them, you would sound out the shade in a high-pitched voice and grin excitedly when she'd babble back, as if aaaah! meant green.

He felt his heart tug something fierce, caught between endearment and unease at missing out, before getting dressed for debrief.

The third time, you let them know you could tell when the nanny cam is in active use. Not accusatorially, of course – it unfolded in a way too innocent to be anything but a whammy on their part.

They were in a humvee on exfil after being ambushed by the local army – soldiers with blood money lining their pockets, tasked with dispatching the bloodhounds that keep sniffing their patron's trail. Simon had watched a little boy get caught in the crossfire and decided it was imperative to check if Isla was okay, despite her being hundreds of miles away and off anyone's radar.

You're the first thing he saw, carrying the weight of a huge plastic storage container filled with water. In it, there were several rubber animals that inspired a fit of squeals somewhere off screen. You had laughed, a little out of breath, and he remembers the relief that flooded his chest at the dual sounds. Like the cold lick of waves across scorching sand.

As you'd passed by the camera, you stopped and crouched so your face would be in view.

"Isla likes splashing around in the water. I'm thinking of getting her a paddling pool." And you lifted the container as if you would ever need to justify the way you take of their daughter. "Hope you guys are well."

Johnny murmured from beside him. "Forgot aboot th' status light."

The seventh– ninth– maybe twelfth time (having lost count), it was just in time to catch you on your way out with Isla in tow.

They'd tuckered down in a shitty motel, awaiting the next word from Laswell, all four of them in one room. Gaz had been given the bed as consolation for the torn tendon in his knee, and Price had claimed the couch with nothing more than a growl about his back needing it. Thus, Ghost and Soap found themselves on the floor, the latter man tucked under his partner's arm, the other occupied with checking in on the porch feed. The time difference made it so that it was midday where you were.

You were dressed – and Simon recalls it as clearly as the day you met – in a green wrap skirt and tulip hat, their darling girl in a shade of pink that complimented its petals, sat on your hip as you struggled with her buggy. They forgot to give you the run down on unfolding it before they left, too overwhelmed with everything else to pay mind to the little things.

Johnny had jumped for the two-way talk function immediately, tapping on the little mic before clearing his throat.

"There's a latch under th' left arm. Flip it 'n' it shuid unfold automatically."

You jumped, pausing to face the porch cam with wide eyes. "Oh– Oh my god. Haha," Following his directions, you were able to get it open with little fuss. "that is so embarrassing. Pretend you never saw that."

Simon had his balaclava on, uncomfortable with going bare-faced in an unfamiliar room, but Johnny still felt the soft smile splitting his cheeks. Its warmth was unmistakable.

"Nonsense, lass. 'twas cute."

You bloomed at that, wiggling a little in place. Though the flustered moment hadn't lasted long, for Isla's mouth fell open at the recognition of her father's voice, chubby hand reaching out in its direction.

"Bldha! Pffffpp."

"That's right, baby! That's Da." You waddled closer to have her inspect the strange contraption hooked above their mailbox, turning your attention back to them. "We're going on a narration walk! Isla's gotten so good at recognising animals because of them. But it was so nice to hear from you. Isn't that right, sweetheart?"

"Gah!"

Simon locked the phone when neither of them could muster a response, emotion rushing their throats like white-river rapids. Hot tears seep into his side, a pair of misty eyes buried in his ribs.

"I know. I know, Johnny. S'alright. We'll see 'er again soon."

Now, he's made good on his promise.

All three rogue missiles located and dismantled in record time, meaning their slimy target could no longer use them as a shield. He'd been in shackles within the next day, wrangled somewhere in Istanbul and shipped off to a maximum security prison in The Hague. The task force left no loose thread untugged, which took an extra day but will be worth it in the long run. Price promises to reward them with a round, on him.

They're on their way back to base when Johnny tunes in a final time.

He's sure that Isla is asleep by now, confirmed by the baby monitor that focuses on the sprawled form in her cot. It would be best to exit the app and doze off like the other men – lord knows he needs it – but he can't help the itch to look for you too. To click through every channel, his curiosity unquenched, until–

Ah. There.

On the couch, bare legs stretched out along its length. A throw blanket tangled between them, one bent at the knee to support the book you're currently fingering through. The sight alone is enough to make him salivate.

But then he notices the thin material of your top.

Practically translucent. No doubt made for bed. You aren't wearing a bra, either, and the darker shade of your nipples practically flaunts itself through the fabric. They're too soft to protrude and cast a shadow on your breasts, but he's still able to get a good impression of what you would look like nude. Some part of him wilts with guilt at the shameless voyeurism he's subjecting you to.

Another part sends blood to the weight between his legs.

"Bleedin' Christ."

"Hm?" Simon grunts, disturbed by the restless pace of Johnny's heart. His head lifts off his shoulder, blinking warily to clear the silky gossamer of sleep threading his eyelids, before focusing on the grainy footage on his partner's screen.

"Ghost." He whines, hips bucking in desperation when the larger man does nothing. They haven't had the chance to relieve themselves since that night at the motel, and even then it had been a messy frotting as they tried not to disturb their sleeping comrades.

"A'right. Off to the bathroom with you, then."

He doesn't turn off of the live feed even as they cram into the compact space. Though he should. He needs to. Not because you're aware of their surveillance – you're far too engrossed in your book to pay mind to the blinking red light on the nanny cam. But because only depraved men gets off to unsuspecting hens, especially the ones they hired in good faith to take care of their child while they're away.

It's a dirty, dirty thrill that roars through him as Simon wraps an arm around his waist, palming his hard-on through his trousers. And it's a dirty thrill he wants no part of.

"Practically leakin' in your pants, boy. First time you see a pair of tits?" In the small mirror before him, he watches his pants get pulled down past his ass, underwear stained a deeper swatch of blue where his tip spits prespend.

It might as well be the first time, way he's humping Simon's hand like an over-eager mutt. Though he can't manage to choke it out through the rough groans pressing his vocal chords. Instead, what escapes him is a pathetic mess of trembling letters. "S'not... fookin, not– not–"

"Shhh, it's okay. She's jus' so pretty, yeah? Can't help but chub up and beg me to rub your aching cock, wishing it was her darlin' hand wrapped 'round you instead. I know."

"Nn, nae, Sim- Si– I wouid never... Ah!"

It's dry. A little raw. He makes no effort to lube his calloused palm to help it glide easier along Johnny's length, but he knows his boy better than he knows himself sometimes. That he needs pain when he's doing something bad like this, or else he'll lose himself to the guilt. A little bit of penance for the Catholic.

"Don' lie to me. Y'can't. But tha's alright," He pulls the foreskin off the head of his uncut mass, kneading a bit into his frenulum to watch the way white oozes against red. "I think about it too."

"A-Aye?"

"Hm. Think 'bout ya swallowing my cock while I sit 'er on my face. Bet she tastes sweet, like nectar. Jus' look at the thing." Which he does. You're seated a bit differently than you had been before. Less liberal. Wound up tight, with your nose buried in your book and your toes curled beneath your feet. Surely captured by some tense plot line or the other. "Would make you clean her cunt after I pump 'er full. Or vice versa, if she's into tha'."

"Yer a-aff yer heid... Fuck, I cannae–"

"That's it, Johnny. Let go, boy." Simon's strokes keep at the top, tugging in short, rough movements over the phone. The blanket now covers you fully, but it's no matter. The image of your breasts are now seared into both their minds, an array of fantasies unfurling before them, each nastier than the last. "Jus' like that."

Thick ropes of cum streak over the screen and sink countertop. It's weeks worth of pent up frustration, a culmination of despair and desire as a stuttered moan claws up Johnny's throat. The hand leaves his cock only when he starts shooting blanks, clenching tight at the overstimulation.

Simon makes him lick the mess off his palm.

(And unbeknownst to them, they'd hit the mic on their way to the bathroom.

You'd heard the whole thing.)

[procrastinationaccount]

Top 10 griddlehark scenes that could have resulted in kisses, ranked by how hot it would have been if it had happened

Disclaimer: I am in no way shape or form saying that this would have made the scenes better, merely mashing them together like dolls.

10. When the gang are headed to "Dulcinea"'s sickroom on Harrow's suggestion and Gideon says she could have kissed her. Girl do it!

9. Post-avulsion, once they're back in their room - preferably, right after "Don't price your life so cheaply, Griddle." Harrow is so fucking scared and so fucking in love, and while it is adorable that she turned to anger at the trials putting them in this position she also could have put that energy into a certain cavalier! Held back by just how pained and out-of-it Gideon was. You know in the morning she would be aggressively telling herself it was a dream.

8. Speaking of things Gideon told herself were dreams, that one time Harrow woke her up from a nightmare! Underrated scene imo. She's looking at you so so softly and understandingly despite the cynicism.

7. During the battle with Cyth, after Harrow saves her flying through the air and they're both slumped on a pile of bones. Gideon just nearly died because she was too busy admiring her perpetual bone, she's so proud of her it makes everything ache, and Harrow's openly performing for her now. No time for talking or thinking, pure adrenaline, just make your move before she passes out!

6. After passing the Winnowing challenge. They are both probably the most exhilarated and turned-on they've ever been. Harrow entered her body and it was a positive interaction. It might have fully struck at least one of them dead if it had happened.

5. During the stair fight, contingent on Harrow finishing the "how dare you mock my-" sentence. Gideon called her out on jealousy, which is major fucking progress for them as far as identifying feelings. They're drained and pissed off, and it's really setting in for Harrow how willing Gideon would be to give herself away to her. Show her that you care!

4. Pre-avulsion. See lovely role-swapped example by @sinshiney here!

3. Right after Gideon tucked away that shadow-colored lock of hair. We know it, we love it, Harrow I understand but at the same time please don't talk about the Body right now. You have no idea what this will do to the next year and a half+ of your relationship.

2. First Flower Of My House. Her trembling hand is on your cheek. A beautiful little smile is on her face. She just made the most beautiful declaration of love you've ever heard in your life. You're planning on dying anyway and have nothing left to lose. Shalalalalala-my-oh-my...

Honorable mentions:

After the discovery of Dulcie's ashes, once Gideon runs to confirm that Harrow wasn't the victim in a panic. It always kills me that she calls what she would've said the other day about finding Harrow dead a "youthful" dream, but at least you're done pretending now. Wake her up and give her an update!

The hug scene. Omitted because it's perfect the way it is.

The post-pool lean-in. Omitted because Gideon's mind was already made up when she started it. Meanest thing she's ever done.

While Gideon was backed up against that pillar, right after Harrow says, "And at the end of the night, the locked tomb is me." Would it have made any sense with the trajectory of their characters? No. Would it have been hot? It would have been hot as fuck, thank you for asking.