#Star Trek Production Order

[episodicnostalgia]

Star Trek, 106 (Oct. 13, 1966) - “Mudd's Women”

Production order #04

The Breakdown

Captain Kirk sees a small ship flying around that he doesn’t recognize, so he decides to play space-cop and harass it until it’s engines burn out; this results in the vessel’s destruction, while severely draining the Enterprise’s own reserves.  Apparently Kirk’s instincts are correct though, as the ship’s captain is revealed to be a shifty moustachioed tasteless-Irish-caricature, which (in accordance with 1960’s standards and practices) means he is also not to be trusted.  The individual’s name is Harry Mudd (initially going by the alias Leo Walsh), and a quick investigative hearing reveals that he’s a small time ex-con flying without a licence.  While this latest infraction is enough to convict him, it’s Mudd’s “cargo” that creates real complications.  You see, before he was interrupted by Kirk, ol’ Harry was in the process of transporting three TOTAL HOTTIES to some planet where they could find a husband.  These women aren’t just your average babes though, they are so hot that literally EVERY man on board is pitching a tent just looking at them (save for Spock).  Indeed, the men are so horny that they’re unable to form complete sentences; even the ship’s computer notices. 

So what’s causing every male crew-member to reach cartoonish levels of sexual arousal? Perhaps the women are Orions in disguise? Mind control probes? Telepathic manipulation?  None of the above. It turns out all three ladies are just taking pills that bring out their “full sexual potential”, and (as we know) men can’t be held accountable for their actions when in the presence of a leggy dame operating at 100% babe-fficiency. You see, normally each of these women are naturally HIDEOUS …which is to say they’re still gorgeous, but with no make-up, and perhaps in need of a slightly better skincare routine (at most).  Without the drug none of these gals would ever be able to catch a man on their own, since apparently the 23rd century has attained even more unrealistic beauty standards than the ones we presently have.

The rest of the episode follows kirk as he tries to negotiate with some miners for the crystals he needs to power the Enterprise.  Since kirk’s security measures are apparently non-existent, Mudd is able to remotely broker a deal with the miners, bartering his freedom in exchange for his mail-order brides (should Kirk refuse to let Mudd go, the miners would withhold the crystals etc).  Since the miners are all jonesing to get laid, they agree to Mudd’s conditions, leaving Kirk no choice but to play along.  From there things get more ridiculous as Eve (one of the ladies in question) runs off, presumably sick of lying/being treated like a piece of meat.  She quickly gets lost in a sand storm until Ben (the lead Miner) finds her, and brings her back to his place.  But when Eve’s beauty-treatment wears off, Ben is appalled by her slightly dry skin (as anyone would be).  Cue Captain Kirk, who shows up with Mudd just in time to clue everyone in about the truth of the future brides’ condition (using one of the pills on eve as a demonstration of Mudd’s ruse).  It’s only when Eve’s beauty is restored that Kirk reveals the pill had been swapped with a placebo.  We are told that the only thing Eve ever truly needed to be beautiful was the confidence to believe in herself, which doesn’t explain how her acne cleared up in mere seconds, but that’s all we’re gonna get.  This explanation is apparently good enough for her and Ben to talk things out from there, and presumably live happily ever after on a remote planet with no available marriage counsellors, or even other people.  Ben arranges to give Kirk the Crystals he needs to power the Enterprise, and everyone parts ways (except for Mr. Mudd, who will be handed over to the rightful authorities)

The Verdict

There are so many things to unpack in ‘Mudd’s Women’, and I certainly don’t expect to do a thorough job of it here, nor have I the interest. It’s clear that the intention behind this episode is to highlight something about inner-beauty over physical vanity, but it badly misses the mark while spewing forth one outdated stereotype after the next.  Most of the missteps are all pretty obvious, ranging from a depiction of women whose worth are all dependant on finding a husband, to the portrayal of leering men being openly regarded as nothing more than natural and unavoidable (Mudd all but invokes the phrase “boys will be boys”).  Additionally, Harry Mudd’s Irish brogue would almost certainly be regarded as offensive and in poor taste if this were made today, which is doubtless why Rainn Wilson opted to forgo that particular characteristic when he portrayed Mudd on ‘Discovery’.

I will concede that most episodes from a series filmed nearly 60 years ago are bound have some problematic elements, but some are more egregious than others, and ‘Mudd’s Women’ belongs in that categorization.  Perhaps if the episode had been more clever I might have given it points towards entertainment value and creativity, but even there I found the whole ordeal almost as dull as it was silly.  Oh well, you can’t win ‘em all.

½ a star (out of 5)

Additional Observations

This is the first time (according to production order) that we get to see Spock ‘n Bones verbally sparring, which is the only reason I didn’t give this episode a 0 star rating.

Uhuru’s still in gold, and the universe remains as-of-yet out of balance.

The Episode opens with kirk being like “We’re chasing a vessel because it’s suspiciously running away when we chase it”.  But like, who wouldn’t?  Do Starfleet vessels even have the authority to perform random searches of independent starships?  Perhaps they do and I’d just forgotten, but I’d just as easily chalk this one up to a case of “the writers were making it up as they went”.

Harry’s relationship with “his” women feels very human trafficky, which was apparently a concern raised by the studio when the script was put forth as a potential candidate for the pilot. This matter is addressed with several lines of dialogue which establish that each of the women are traveling with Mudd of their own volition, but I’d still characterize their relationship with him as suspicious, at best.

[rebisrot]

did i ever tell you guys about the time i ranked star trek characters based on what menstrual product they'd use

[spirk-trek]

S1E11: The Corbomite Maneuver ⋆.˚ ✧ · ˚⊹

[gay-spock]

EVERY EPISODE OF STAR TREK: THE ORIGINAL SERIES (1966-1969) -> 01x02: "The Corbomite Maneuver"

"You know the greatest danger facing us is ourselves, and the irrational fear of the unknown. There's no such thing as 'the unknown', only things temporarily hidden, temporarily not understood."

[knittinglizards]

star trek s3e05: is there in truth no beauty?

[minkyumami]

Shore Leave is so Jim insisting on staying aboard the ship because he’s trying to seduce Spock, not realizing that Spock lowkey just wants a break from all their crazy sex. He’s like Captain 🥱 why don’t you go down to the planet and play? Have some playtime please. Go have a romp in the grass for me. “On my planet, to rest is to rest.” And “I’ve already had as much shore leave as I care for.” Or whatever he said.

[buckets-of-dirt]

I truly love New Voyages' fucked up little timeline that they make absolutely no attempt to justify or "fix" within the episodes. It's the last 2 years of the 5 year mission but "mind sifter" is apparently set in year 2ish despite being episode 9 and you can't always determine the timeline from which actors are present because it wasn't all filmed in release order and the character with the most developed arc is Peter Kirk who is several years older than he should be and none of the stardates make sense and this is part of its charm

[trekkingthroughthestargate]

Kirk having to vote Spock guilty as charged when just two episodes ago Spock is the reason he was declared not guilty at his own trial just HURTS!

[episodicnostalgia]

Star Trek, 103 (Sep. 22, 1966) - "Where No Man Has Gone Before"

The Breakdown

Captain Kirk is having a typical space day, playing games-of-the-future such as 3D chess, when a Space probe scans everyone's brain to see if they have latent super powers; and, if it should just so happen that someone DOES have latent super powers, then the probe might just decide to just switch those on.  So that’s exactly what happens. It turns out that Gary Mitchell (Kirks long-time-friend-who-isn't-Spock, so I’m sure he won’t die) has super ESP now and he can accumulate knowledge, and control his surroundings using the power of his mind.  For all intents and purposes this guy is quickly becoming a god.

In a twist that may shock you, Gary’s power corrupts him, and he quickly becomes a murdering sociopath. Since things are getting out of hand, Kirk tries to strand his buddy on a deserted planet.  Naturally that doesn’t appeal to Gary, and he joins forces with the-hot-lady-doctor Elizabeth Dehner that he’s been negging for the whole episode (who now finds him attractive after she also starts developing powers), resolved to murder his good friend Kirk.  But thankfully Elizabeth isn’t as blood thirsty, and ultimately sacrifices herself to help Kirk crush Gary under a rock.  The day is saved, and everyone lives happily ever after …except for Gary and Elizabeth.

The Verdict

It’s easy to see why this was chosen as the (second) Pilot episode, and does tidy job of establishing Kirk and Spock’s dynamic, while also giving us a clearer understanding as to the nature of the Enterprise’s mission. Overall I like how this episode also hops along at a quicker pace than ‘the cage’, and nicely sets the tone for the show overall. If anything, it’s odd to me that the studio chose to air ‘The Man Trap’ as the official pilot.

3 Stars (out of 5)

Additional Observations:

Spock in command gold is just wrong. The man was born for Blue.

I’m assuming Gary Mitchell’s silver eyes are contact lenses, but goddamn do they look uncomfortable.

Gary is the worst offender, but Elizabeth Dehner gets enough implied flak for being career minded (instead of actively pursuing romance) to suggest that she’s become used to it. It was certainly on the writer’s minds, as if they couldn’t even fathom a utopia where a woman could focus on intellectual pursuits without being  regarded a “walking freezer unit.”  At one point Gary even asks Kirk to hook him up with a less frigid bitch than Dr. Dehner to monitor him (as a medical professional) in sickbay, and Kirk shrugs it off as giving his buddy “a challenge.” Really Classy, Kirk.

This is also Doctor Piper’s (head of medical) one-and-only appearance, so I have to assume that he was probably a few days out from retirement.  Maybe he’d just seen one-too-many space gods try to murder the crew and got himself reassigned.

[iamenits]

Screenshots of McCoy smiling (and a few where he isn't) from every Star Trek episode in production order.

[kirksbignaturals]

according to production during the filming of a Star Trek TOS episode, one director had ordered over 50 boxes of tea to "mend the actors throats, which surely had become sore from repeating long lines of dialogue throughout the day" when he reportedly yelled out "EVERYBODY TEA?" as a question the cast took it as command to "EVERY(BODY TEA)" resulting in their bodies being extremely tea that we all know and clock today

[gallifreyanhotfive]

Random Doctor Who Facts You Might Not Know, Part 3

The Master's father, Marnal, wrote an episode for Star Trek but took his name off it after they changed it too much.

The Fifth Doctor took Tegan back and time to kill that same would-be-dictator as a baby but was also unable to go through with it.

Nyssa once turned the Fifth Doctor into a vampire.

The Time Lords created the Were Lords, a species of lycanthropic soldiers who could regenerate, to fight for them in the Vampire Wars.

The Tenth and Fourteenth Doctors have different enough blood that the Fourteenth Doctor was able to resist blood control that used the Tenth Doctor's blood.

The Garvond is a monstrous entity in the APC Net of the Matrix composed of all the demented, evil sides of the Time Lords.

The First Great Time War was between the Time Lords and the Order of the Black Sun.

The Veil was fond of the Twelfth Doctor and considered them to be companions. The Veil hoped that the Twelfth Doctor would take them with him when he escaped from the confession dial.

Jack Harkness described the Midnight entity as someone who could eat its way into a person's brain and steal their voice. Given that it is unknown where he got this information, this suggests that Jack might have had an encounter at some point.

Both the Doctor and the Master have used the name "Merlin" before.

The final incarnation of the Master was a highly destructive entropy wave in one timeline.

The Eleventh Doctor once returned to the Library with Amy Pond, but he never mentioned River Song. They encountered Book Monsters.

The Doctor's first TARDIS was a Type 50, but they were left behind when the Doctor ran away from Gallifrey. This left them angry and hurt that the Doctor had replaced them, so they ran off from Gallifrey to find him.

According to the Seventh Doctor, the Rani and her giant rodent came to his graduation party.

There exists a canned drink called Sontaran Up that a Sontaran was seen drinking.

The Sixth Doctor's method for fighting the Weeping Angels included winking one eye at a time, so the Angels were always being observed. Given that he was almost immediately sent back in time where he encountered the Tenth Doctor, this isn't a very good method.

Due to similarities between the life stories of the Doctor and the Devil, there are many races who believe they are the same being.

The Thirteenth Doctor, Yaz, and Dan once watched a production of Cinderella. While trying to make it more exciting, the Doctor accidentally replaced all the characters and props with the real versions, who began to attack each other and the audience.

The Doctor had thirteen children before running away on Gallifrey who were all killed (or perhaps a better word would be 'culled') by the Watch after Susan's birth.

The Doctor has had other children over the years (although they did not recognize all of them as such) including but not limited to Miranda Dawkins, Edward Grove, the Sound Creature, Daqar Keep, Jenny, and the Sapling.

Gostak was one of the First Doctor's tutors who he admired very much, but similar to Borusa, he went mad and had to be stopped by several incarnations of the Doctor.

Part 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27, 28

[cantsayidont]

Despite its protestations of progressive values, STAR TREK media has always explicitly presented (and, with only fleeting exceptions, consistently celebrated) the Federation as an expansionist imperial power, engaged in a large-scale project of colonialism.

The usual apologia/rationalization for this, both from the franchise itself and from its fans, is that the Federation is also a post-scarcity socialist utopia. However, that is expressly not the case in TOS, despite the attempts of the later series to insist otherwise.

Indeed, the plots of some of the most famous and acclaimed episodes of TOS are specifically about resource extraction and ensuring the Federation's access to crucial resources, including lithium (in "Mudd's Women"), pergium (in "The Devil in the Dark"), and dilithium (in "Mirror, Mirror," et al). We are told repeatedly that the Enterprise has a mandate to use force to secure these resources if gentler methods fail. Moreover, while the Federation has a strategic interest in these resources, it's clear at various points in TOS that their extraction and exploitation are, to a significant extent if not exclusively, overseen by private interests for profit. For instance, in "Mudd's Women," Harry Mudd remarks:

Well, girls, lithium miners. Don't you understand? Lonely, isolated, overworked, rich lithium miners! Girls, do you still want husbands, hmm? Evie, you won't be satisfied with a mere ship's captain. I'll get you a man who can buy you a whole planet. Maggie, you're going to be a countess. Ruth, I'll make you a duchess. And I, I'll be running this starship. Captain James Kirk, the next orders you're taking will be given by Harcourt Fenton Mudd!

In "The Devil in the Dark," Kirk ultimately takes a regulatory position — he will not permit the pergium miners to kill the Horta or continue to destroy her eggs — but at no point does he suggest that stopping the pergium production that threatens the Horta is a viable or even acceptable alternative. The accord he proposes is contingent on the Horta's agreement that she and her children will support the mining efforts on her planet, since Kirk emphasizes that "a dozen planets" are depending on the miners to supply needed pergium. (What would have happened to her if she hadn't agreed is not stated, but the episode strongly suggests that she would have been severely punished for noncompliance with Kirk's mediated solution: forcibly relocated to some kind of Horta reservation away from the main mining operations, perhaps.) When the Horta does agree to this proposal, Kirk assures Vanderberg, "you people are going to be embarrassingly rich," which once again suggests that while the miners may have contractual agreements to delivery pergium to Federation worlds, they are still a private, for-profit business, not a Federation department or nationalized entity.

Profit is also Ron Tracey's motivation for breaking the Prime Directive in "The Omega Glory": He believes that he's discovered a "fountain of youth" that he can own, monopolize, and exploit, and that the value of that resource will be enough to buy his way out of legal trouble for his regulatory violations.

We mostly don't see the Enterprise crew handle money except on away missions in other cultures or times, but there are a number of indications that the Federation in this era has not abandoned money: For instance, Harry Mudd's list of past offenses includes purchasing a space vessel "with counterfeit currency," while in "The Apple," Kirk rhetorically asks if Spock knows how much Starfleet has invested in him, which Spock begins to answer, "One hundred twenty-two thousand two hundred …" before Kirk cuts him off. More tellingly, in "I, Mudd," we have the following exchange:

KIRK: All right, Harry, explain. How did you get here? We left you in custody after that affair on the Rigel mining planet. MUDD: Yes, well, I organized a technical information service bringing modern industrial techniques to backward planets, making available certain valuable patents to struggling young civilizations throughout the galaxy. KIRK: Did you pay royalties to the owners of those patents? MUDD: Well, actually, Kirk, as a defender of the free enterprise system, I found myself in a rather ambiguous conflict as a matter of principle. SPOCK: He did not pay royalties. MUDD: Knowledge, sir, should be free to all. KIRK: Who caught you? MUDD: That, sir, is an outrageous assumption. KIRK: Yes. Who caught you? MUDD: I sold the Denebians all the rights to a Vulcan fuel synthesizer. KIRK: And the Denebians contacted the Vulcans.

Whether Deneb is a member of the Federation at this time is unclear, but Vulcan certainly is, and so we may assume that Vulcan and presumably the Federation itself are also part of "the free enterprise system."

The first indication that the Federation does not use money is in STAR TREK IV, and it's not obvious there if Kirk's remark that "They're still using money" is talking about money more broadly or just physical currency, which the Federation may have phased out even if it still uses credit or electronic transfers of monetary value. (Certainly, McCoy's attempt in STAR TREK III to charter a starship indicates that he had some means of paying for passage, since the captain of the ship specifically demands more money upon learning of the intended destination.)

If we accept at face value the assertion of TNG and DS9 that the Federation has genuinely abandoned the use of money, rather than simply going cashless, the most reasonable Watsonian explanation is that this has been a relatively recent development during the 70–80 years between the TOS cast movies and TNG, most likely related to the development of replication technology (which the Federation did not yet have in Kirk's time).

Of course, from a Doylist standpoint, we could chalk up some of this incidental dialogue to the franchise's evolving construction of its own setting, in the same manner as anomalous references to Vulcans as "Vulcanians." Roddenberry and his apologists might also insist that he always meant to depict a socialist utopia, but was prevented by the nattering nabobs of negativity (i.e., the network's BS&P); I'm very skeptical of such claims, but the writers were acutely aware that depicting what Earth is like in Kirk's time would be opening a can of worms, which is why we didn't actually see 23rd century Earth (even briefly) until the movies.

However, the focus on resource extraction and its ramifications is such a load-bearing story element in TOS that the revisionist assertion that the Federation was already a post-scarcity socialist utopia in Kirk's time (as both DISCOVERY and STRANGE NEW WORLDS have attempted to claim) would require really substantial retcons of the original show, perhaps to the extent of insisting that some of those events never took place at all, or happened radically differently than what's in the TOS episodes most STAR TREK fans have seen. For me, anyway, that crosses a line from willing suspension of disbelief to "don't trust your lying eyes," and suggests a frustrating and somewhat disturbing determination to insist that TOS is something much purer and nobler than it is rather than grapple with its actual conceptual flaws and ideological shortcomings.

[jbk405]

I wish you luck on your journey, watching the franchise in chronological order will certainly be an experience. I’ve only ever seen it discussed in joking fashion here on tumblr, I don’t know anybody who actually did it that way.

Everybody’s going to have different opinions, but the gestalt in general is not kind to Captain Jonathan Archer. Or Enterprise as a whole to be honest. Some of that is the inevitable “It’s not REAL Trek!” Nerd virtriol that fans of a long franchise will heap on anything new, but the series does have a lot of problems in and of itself. The first two seasons in particular are rough, and though it began to improve in season three it never really got its feet before its cancellation.

Enjoy!

ok you've done it. you've put enough trek on my dash that i'm going to watch it. all of it. in chronological order. until i decide to stop. i'm halfway through season 1 of enterprise. i've seen maybe half a season of TOS and a scattering of eps of TNG and that's it. and besides having 2 lines of the enterprise theme song (which i was NOT expecting) i just have one question on my mind. is anyone's favorite captain Captain Archer?

[38sr]

How did you get where you are now? Job wise I mean? Were you a college student before doing this or did you go looking for jobs in the art industry straight away?

Oh, well it's been quite a journey for me in terms of how I got to where I am right now but here's the full timeline (?):

August 1996 - BIRTH

April 2007 - I watch Brave Story at Tribeca Film Festival, life is changed and I decide to purse animation

June 2014 - Graduate high school and accepted into Montserrat College of Art for Animation & Interactive Media

Summer of 2016 - Studied abroad in Japan attending Niigata School of Art & Design

Summer of 2017 - First animation job as an animation intern for Sesame Street (yes that Sesame Street)

December 2017 - Graduated from college (yes I graduated early due to having college credits in high school), did not have a job lined up

2018 to 2019 - Living back in NY with my parents, working on indie animation productions, creating emotes and animated intros for content creators, applying and getting rejected from many job listings, received and fail multiple storyboard tests, developing my own projects and story ideas after years of not being able to for school work

July 2019 - Fly to California for the first time, made the decision to move in order to further pursue a career in animation, at this time the Nickelodeon Artist Program were accepting submissions so I busted out boards for a personal project in 3 days and submitted it (please do not be like me, take your time haha)

September 2019 - I receive a call from Nickelodeon and I go through a series of interviews for 2 months straight

Thanksgiving 2019 - I receive news I was selected as a trainee for the Nickelodeon Artist Program

January 2020 - Move to California and begin work as a trainee at Nickelodeon (specifically for Rugrats reboot)

March 2020 - The pandemic

July 2020 - I leave Nickelodeon and move onto Titmouse as a storyboard revisionist for Star Trek Lower Decks

November 2020 - My Supervising Director for Lower Decks recommends me to the first Critical Role show Legend of Vox Machina

December 2020 - I do freelance boards for Vox Machina and get hired as a full time revisionist for season 2

January 2021 - I receive a interview request for a job on WondLa at SkyDance due to one of the directors finding my work online, I heavily consider the job

May 2021 - My Adventures of Superman is announced, I draw a piece of fanart that goes viral

July 2021 - Vox Machina season 2 wraps, I receive an offer to return to Lower Decks season 3 as well to work on X-Men 97 (I said yes to Lower Decks)

August 2021 - Spiderman Freshmen Year (now known as Your Friendly Neighborhood Spiderman) asks if I be interested to do boards, I decline not knowing what it was for

September 2021 - Showrunner for Spiderman contacts me personally for interview, my Superman fanart from May 2021 finds it way in front of the eyes of one of the creators for MAWS, still currently doing revisions for Lower Decks S3

October 2021 - Accept job offer as board artist for Spiderman, freelancing on MAWS as a character designer (first time doing this job), turn down SkyDance job offer

December 2021 - Wrapped on Lower Decks S3

January 2022 - Launch as board artist for Spiderman at Marvel Studios, still been developing my own personal projects at this point

February 2022 - Studio Shaft offers layout and genga work for Madoka Magia Record after seeing animation work of my personal projects, I accept

April 2022 - My episode of Madoka Magia Record airs, Studio Pierrot sends offer for work on Boruto

May 2022 - After my first episode on Boruto I am offered to work on Bleach Thousand Year Blood War, I accept and continue to on Bleach as of this post (3 seasons in total), Studio Mir offers me animation work for XMen 97 (I accept but only work on the first episode)

Summer of 2022 - Working on Spiderman, animating on animes, I think at some point this is when I was offered to do animation work for Castlevania Nocturne

November 2022 - Complete season 1 of Spiderman, Marvel/Disney lays me off for *reasons*, I receive an email about potential work on an unannounced show at Nickelodeon, I'm unemployed at this point

January 2023 - Collecting unemployment, freelancing on animes, trying to survive in general, also approached by Colosso to create my own course

February 2023 - Land a short gig on Big City Greens movie over at Disney TVA, Studio Mir once again offer me work but this time for second animated Witcher film

March 2023 - Land an interview as a character designer for that unannounced Nick show, didn't get the job

May 2023 - Wrap up on Big City Greens and Witcher, fly to Japan to relax (I failed)

July 2023 - Land a layout artist position at A24 (no it's not for Hazbin Hotel), Studio Mappa offer me work on Jujutsu Kaisen Shibuya Arc

September 2023 - Land another interview with Nickelodeon (this time for storyboard artist), freelancing on layouts and animation for Castlevania Nocturne S2, A24 job is stressing me out way too much so I decide to leave, MAWS hits me up for retakes on season 2

October 2023 - Wrap up at A24, I land the board artist job at Nick, I am also drowning in Jujutsu Kaisen production meltdown, complete my online course for Colosso, wrap up on MAWS S2

November 2023 - I start at Nick as a board artist, Colosso course release, I am still dying by the hands of Studio Mappa

January 2024 till now - Still boarding over at Nick and still animating on animes (I am VERY selective now about it though after JJK), I am also in therapy now Yeah so that's like, a real rough timeline over everything from school till now (and even then I am missing a lot of work details like video games and development projects due to NDAs). But pretty much what carried me was putting myself and my art out there on social media along with building relationships with people in the studios (outside of just my production) and that's how I've been able to maintain a steady work flow even when I was unemployed. Also not being afraid to develop my own ideas and share them since most of the times that gives the leadership a pretty good idea what sensibilities I have (and they just happen to match). I hope that answered your question!

[pod-together]

Pod-Together Day 4 Reveals 2024

Strawberry-Coated (Hannibal (TV)) written by Artemiaz, performed by Dr_Fumbles_McStupid Summary: At last, the monster turned its head. Cunning had departed from mercurial eyes. There was no pride in that sharp face; no wicked smile hidden at the corner of an insatiable mouth. Right now, Hannibal Lecter was just a man. “Will… don’t do this.” After five sweet years of domestic bliss, there’s only one thing that could sour the atmosphere between Will and Hannibal: the anniversary of Abigail Hobbs’ death.

Gifts Are Given (Not Taken) (Original Work) written by Hagar, performed by DuskDragon39 Summary: It is the tradition dictated by King Tharus, founder of the Kingdon of Artium, that his heirs renew his treaty with the dragon Kess'ar before they ascend to the throne. Unfortunately for them, Kess'ar also retains his right to not renew the treaty - and the dragon does not suffer fools kindly.

holding on where i am able (RWBY) written by hopelessgemini, performed by MistbornHero Summary: it is a quiet night in vacuo, and ruby rose can't sleep.

Death's Champions (The Sandman (TV 2022)) written by Lalaith_Quetzalli, performed by godoflaundrybaskets Summary: It is said that there can be no true life without death. Likewise, it is known that without one of the Endless, reality will eventually crumble. When the Magus and his Order of Ancient Mysteries prove smarter and stronger than expected, and succeed in summoning and capturing Death, something must be done in order to rescue her. What kind of individuals can be expected to undertake such a mission?

Brownstone Ghosts [text, audio] (Red White & Royal Blue - Casey McQuiston) written by Mansikka, performed by ToughPaperRound Summary: It's time for Henry to share some secrets with Alex. Past time, actually; if only he'd figured out a way to explain before those secrets all but introduced themselves. "Alex," Henry says, clutching a bottle of whiskey for support while giving him a nervous smile. "How do you feel about... ghosts?"

Perfect Days (The Furious Pain of Living) (Batman - All Media Types, Green Lantern - All Media Types, DCU) written by Mbira, performed by Poluche Summary: The thing is, Hal was meant to fly. To go, to see, to be, to not be stuck in the same place without moving forward, isolated without future. So yes, he was freaking out. Enough to ask a sketchy dude whose real name he didn’t even know for help. Or Hal is stuck in a time loop. Batman and Robin are there for him.

How Steve became "Sir Steve the Brave" [text, audio] (Stranger Things (TV 2016)) written by MeggieJolly, performed by steddiestories Summary: Eddie tells Steve a story about how Eddie the Banished and Sir Steve the Brave met. It was only supposed to be a fun little story, but it sort of turns into an accidental feelings confession. ~ »This is the story of Eddie the Banished, Sir Steve the Brave and their merry band of fools.« Eddie started with his usual dramatic flair. He had been stretched out on the bed next to Steve, but now he sat up to do his story - or well, maybe ‚performance‘ would be the better word - justice. »Their story happened a long, long time ago, somewhere in Europe. A place with castles and fortresses, with princes and knights, bards and fools. The kind of place that only exists in history books and fantasy these days. This was the world in which Sir Steve lived in a castle up on a hill overlooking a small town that was ruled by his parents. Sir Steve had been knighted a few years ago and fought in some tournaments to prove himself, but nowadays he was mostly stuck on his parents’ estate.«

A Gift of Flexibility (titanium) (Star Trek: Deep Space Nine) written by BardicRaven, performed by BardicRavenReads, audio production by onegoldenraptor Summary: When Julian is struggling, someone gives him a gift. A gift that helps. A gift of flexibility. When Garak is struggling, Julian gives him a gift. A gift of flexibility. A gift he hopes will help.

The Art of Not Letting Go, Chapter 2 (Ted Lasso (TV)) written by rockinhamburger, performed by klb Summary: Beard takes a deep breath and gives in to the impulse he’s been restraining for weeks: “But with your permission, I'd love to run off this plane and into her arms.” Ted’s eyes widen now, and Beard watches anxiously for hints of how he’s taking this. Ted leans back in his seat and closes his eyes for a few moments, like he’s doing some internal reflection. Then he opens his eyes again, looks at Beard, and says, soft and quiet, “No.” No. The no hangs in suspension as Beard struggles to make sense of it, that’s how sure he was Ted would say yes. He’s too surprised to speak. He must be taking too long because Ted shifts forward, expression conflicted. “Now, obviously you got free will, Beard. I’m not about to tell you what to do. You’re free to make whatever choice you want, so if you wanna stay here… stay with her? I trust you to make good choices, and I’ll support whatever you choose.” Ted lets out a slow, emotional breath. “But if you’re asking for my permission, I—” He visibly swallows, “I’m not giving it.”

The Doctor Doesn’t Text [text, audio] (Doctor Who (2005)) written by waltztangocache, performed by rscreighton and oddfront Summary: The Doctor shares some near future communications technology with Donna.

refreshing as an evil forgotten [text, audio] (魔道祖师 - 墨香铜臭 | Módào Zǔshī - Mòxiāng Tóngxiù) written by unitaryexectheory, performed by Wonderlandian_Geek Summary: Mo Xuanyu dies to bring back Wen Ruohan.