#harcourt fenton mudd

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[astralbondpro]

Star Trek: The Original Series // S02E12: I, Mudd

[cantsayidont]

Despite its protestations of progressive values, STAR TREK media has always explicitly presented (and, with only fleeting exceptions, consistently celebrated) the Federation as an expansionist imperial power, engaged in a large-scale project of colonialism.

The usual apologia/rationalization for this, both from the franchise itself and from its fans, is that the Federation is also a post-scarcity socialist utopia. However, that is expressly not the case in TOS, despite the attempts of the later series to insist otherwise.

Indeed, the plots of some of the most famous and acclaimed episodes of TOS are specifically about resource extraction and ensuring the Federation's access to crucial resources, including lithium (in "Mudd's Women"), pergium (in "The Devil in the Dark"), and dilithium (in "Mirror, Mirror," et al). We are told repeatedly that the Enterprise has a mandate to use force to secure these resources if gentler methods fail. Moreover, while the Federation has a strategic interest in these resources, it's clear at various points in TOS that their extraction and exploitation are, to a significant extent if not exclusively, overseen by private interests for profit. For instance, in "Mudd's Women," Harry Mudd remarks:

Well, girls, lithium miners. Don't you understand? Lonely, isolated, overworked, rich lithium miners! Girls, do you still want husbands, hmm? Evie, you won't be satisfied with a mere ship's captain. I'll get you a man who can buy you a whole planet. Maggie, you're going to be a countess. Ruth, I'll make you a duchess. And I, I'll be running this starship. Captain James Kirk, the next orders you're taking will be given by Harcourt Fenton Mudd!

In "The Devil in the Dark," Kirk ultimately takes a regulatory position — he will not permit the pergium miners to kill the Horta or continue to destroy her eggs — but at no point does he suggest that stopping the pergium production that threatens the Horta is a viable or even acceptable alternative. The accord he proposes is contingent on the Horta's agreement that she and her children will support the mining efforts on her planet, since Kirk emphasizes that "a dozen planets" are depending on the miners to supply needed pergium. (What would have happened to her if she hadn't agreed is not stated, but the episode strongly suggests that she would have been severely punished for noncompliance with Kirk's mediated solution: forcibly relocated to some kind of Horta reservation away from the main mining operations, perhaps.) When the Horta does agree to this proposal, Kirk assures Vanderberg, "you people are going to be embarrassingly rich," which once again suggests that while the miners may have contractual agreements to delivery pergium to Federation worlds, they are still a private, for-profit business, not a Federation department or nationalized entity.

Profit is also Ron Tracey's motivation for breaking the Prime Directive in "The Omega Glory": He believes that he's discovered a "fountain of youth" that he can own, monopolize, and exploit, and that the value of that resource will be enough to buy his way out of legal trouble for his regulatory violations.

We mostly don't see the Enterprise crew handle money except on away missions in other cultures or times, but there are a number of indications that the Federation in this era has not abandoned money: For instance, Harry Mudd's list of past offenses includes purchasing a space vessel "with counterfeit currency," while in "The Apple," Kirk rhetorically asks if Spock knows how much Starfleet has invested in him, which Spock begins to answer, "One hundred twenty-two thousand two hundred …" before Kirk cuts him off. More tellingly, in "I, Mudd," we have the following exchange:

KIRK: All right, Harry, explain. How did you get here? We left you in custody after that affair on the Rigel mining planet. MUDD: Yes, well, I organized a technical information service bringing modern industrial techniques to backward planets, making available certain valuable patents to struggling young civilizations throughout the galaxy. KIRK: Did you pay royalties to the owners of those patents? MUDD: Well, actually, Kirk, as a defender of the free enterprise system, I found myself in a rather ambiguous conflict as a matter of principle. SPOCK: He did not pay royalties. MUDD: Knowledge, sir, should be free to all. KIRK: Who caught you? MUDD: That, sir, is an outrageous assumption. KIRK: Yes. Who caught you? MUDD: I sold the Denebians all the rights to a Vulcan fuel synthesizer. KIRK: And the Denebians contacted the Vulcans.

Whether Deneb is a member of the Federation at this time is unclear, but Vulcan certainly is, and so we may assume that Vulcan and presumably the Federation itself are also part of "the free enterprise system."

The first indication that the Federation does not use money is in STAR TREK IV, and it's not obvious there if Kirk's remark that "They're still using money" is talking about money more broadly or just physical currency, which the Federation may have phased out even if it still uses credit or electronic transfers of monetary value. (Certainly, McCoy's attempt in STAR TREK III to charter a starship indicates that he had some means of paying for passage, since the captain of the ship specifically demands more money upon learning of the intended destination.)

If we accept at face value the assertion of TNG and DS9 that the Federation has genuinely abandoned the use of money, rather than simply going cashless, the most reasonable Watsonian explanation is that this has been a relatively recent development during the 70–80 years between the TOS cast movies and TNG, most likely related to the development of replication technology (which the Federation did not yet have in Kirk's time).

Of course, from a Doylist standpoint, we could chalk up some of this incidental dialogue to the franchise's evolving construction of its own setting, in the same manner as anomalous references to Vulcans as "Vulcanians." Roddenberry and his apologists might also insist that he always meant to depict a socialist utopia, but was prevented by the nattering nabobs of negativity (i.e., the network's BS&P); I'm very skeptical of such claims, but the writers were acutely aware that depicting what Earth is like in Kirk's time would be opening a can of worms, which is why we didn't actually see 23rd century Earth (even briefly) until the movies.

However, the focus on resource extraction and its ramifications is such a load-bearing story element in TOS that the revisionist assertion that the Federation was already a post-scarcity socialist utopia in Kirk's time (as both DISCOVERY and STRANGE NEW WORLDS have attempted to claim) would require really substantial retcons of the original show, perhaps to the extent of insisting that some of those events never took place at all, or happened radically differently than what's in the TOS episodes most STAR TREK fans have seen. For me, anyway, that crosses a line from willing suspension of disbelief to "don't trust your lying eyes," and suggests a frustrating and somewhat disturbing determination to insist that TOS is something much purer and nobler than it is rather than grapple with its actual conceptual flaws and ideological shortcomings.

[marlinspirkhall]

Harry Mudd read the Ferengi rules of acquisition exactly once and decided to make it everyone else's problem

[startrektospolls]

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Episodes that won so hard they automatically get to go to the finale under the cut:

The Corbomite Maneuver: Here & here

[halestromthewhoobsessed]

I love “I, Mudd”, but the ending being Mudd punished by being trapped on the androids’ planet with multiple replicas of his wife is the most 60s thing in The Original Series

[chernobog13]

"Harcourt Fenton Mudd, YOU'VE BEEN DRINKING AGAIN!"

[sandy-castle]

I want Star Trek fans to know how jealous I am of them. I’d kill for whole books like this that go into the Justice Society’s members, histories, and bases. I want to see Kent Nelson’s fingerprints

[defconprime]

Mudd’s Women

[that-glitter-chick]

Cyclones has risen in popularity since his unexpected romance, with the Autobot Tailgate, in the IDW comics. Back in the day he was an impressively deep and well developed personality added woefully late in the original series. I like to think of him as a precursor to Beast Wars Dinobot; honorable, brave, loves his culture but doesn’t always agree with his commanding officer, it’s enough to make me head canon him as Dinobot’s direct ancestor.

Imagine my surprise to find out that he was originally played by Roger C. Carmel, known to Star Trek fans as the original actor of the unforgettable character Harcourt Fenton “Harry” Mudd! Two VERY different characters indeed lol!

[episodicnostalgia]

Star Trek, 106 (Oct. 13, 1966) - “Mudd's Women”

Production order #04

The Breakdown

Captain Kirk sees a small ship flying around that he doesn’t recognize, so he decides to play space-cop and harass it until it’s engines burn out; this results in the vessel’s destruction, while severely draining the Enterprise’s own reserves.  Apparently Kirk’s instincts are correct though, as the ship’s captain is revealed to be a shifty moustachioed tasteless-Irish-caricature, which (in accordance with 1960’s standards and practices) means he is also not to be trusted.  The individual’s name is Harry Mudd (initially going by the alias Leo Walsh), and a quick investigative hearing reveals that he’s a small time ex-con flying without a licence.  While this latest infraction is enough to convict him, it’s Mudd’s “cargo” that creates real complications.  You see, before he was interrupted by Kirk, ol’ Harry was in the process of transporting three TOTAL HOTTIES to some planet where they could find a husband.  These women aren’t just your average babes though, they are so hot that literally EVERY man on board is pitching a tent just looking at them (save for Spock).  Indeed, the men are so horny that they’re unable to form complete sentences; even the ship’s computer notices. 

So what’s causing every male crew-member to reach cartoonish levels of sexual arousal? Perhaps the women are Orions in disguise? Mind control probes? Telepathic manipulation?  None of the above. It turns out all three ladies are just taking pills that bring out their “full sexual potential”, and (as we know) men can’t be held accountable for their actions when in the presence of a leggy dame operating at 100% babe-fficiency. You see, normally each of these women are naturally HIDEOUS …which is to say they’re still gorgeous, but with no make-up, and perhaps in need of a slightly better skincare routine (at most).  Without the drug none of these gals would ever be able to catch a man on their own, since apparently the 23rd century has attained even more unrealistic beauty standards than the ones we presently have.

The rest of the episode follows kirk as he tries to negotiate with some miners for the crystals he needs to power the Enterprise.  Since kirk’s security measures are apparently non-existent, Mudd is able to remotely broker a deal with the miners, bartering his freedom in exchange for his mail-order brides (should Kirk refuse to let Mudd go, the miners would withhold the crystals etc).  Since the miners are all jonesing to get laid, they agree to Mudd’s conditions, leaving Kirk no choice but to play along.  From there things get more ridiculous as Eve (one of the ladies in question) runs off, presumably sick of lying/being treated like a piece of meat.  She quickly gets lost in a sand storm until Ben (the lead Miner) finds her, and brings her back to his place.  But when Eve’s beauty-treatment wears off, Ben is appalled by her slightly dry skin (as anyone would be).  Cue Captain Kirk, who shows up with Mudd just in time to clue everyone in about the truth of the future brides’ condition (using one of the pills on eve as a demonstration of Mudd’s ruse).  It’s only when Eve’s beauty is restored that Kirk reveals the pill had been swapped with a placebo.  We are told that the only thing Eve ever truly needed to be beautiful was the confidence to believe in herself, which doesn’t explain how her acne cleared up in mere seconds, but that’s all we’re gonna get.  This explanation is apparently good enough for her and Ben to talk things out from there, and presumably live happily ever after on a remote planet with no available marriage counsellors, or even other people.  Ben arranges to give Kirk the Crystals he needs to power the Enterprise, and everyone parts ways (except for Mr. Mudd, who will be handed over to the rightful authorities)

The Verdict

There are so many things to unpack in ‘Mudd’s Women’, and I certainly don’t expect to do a thorough job of it here, nor have I the interest. It’s clear that the intention behind this episode is to highlight something about inner-beauty over physical vanity, but it badly misses the mark while spewing forth one outdated stereotype after the next.  Most of the missteps are all pretty obvious, ranging from a depiction of women whose worth are all dependant on finding a husband, to the portrayal of leering men being openly regarded as nothing more than natural and unavoidable (Mudd all but invokes the phrase “boys will be boys”).  Additionally, Harry Mudd’s Irish brogue would almost certainly be regarded as offensive and in poor taste if this were made today, which is doubtless why Rainn Wilson opted to forgo that particular characteristic when he portrayed Mudd on ‘Discovery’.

I will concede that most episodes from a series filmed nearly 60 years ago are bound have some problematic elements, but some are more egregious than others, and ‘Mudd’s Women’ belongs in that categorization.  Perhaps if the episode had been more clever I might have given it points towards entertainment value and creativity, but even there I found the whole ordeal almost as dull as it was silly.  Oh well, you can’t win ‘em all.

½ a star (out of 5)

Additional Observations

This is the first time (according to production order) that we get to see Spock ‘n Bones verbally sparring, which is the only reason I didn’t give this episode a 0 star rating.

Uhuru’s still in gold, and the universe remains as-of-yet out of balance.

The Episode opens with kirk being like “We’re chasing a vessel because it’s suspiciously running away when we chase it”.  But like, who wouldn’t?  Do Starfleet vessels even have the authority to perform random searches of independent starships?  Perhaps they do and I’d just forgotten, but I’d just as easily chalk this one up to a case of “the writers were making it up as they went”.

Harry’s relationship with “his” women feels very human trafficky, which was apparently a concern raised by the studio when the script was put forth as a potential candidate for the pilot. This matter is addressed with several lines of dialogue which establish that each of the women are traveling with Mudd of their own volition, but I’d still characterize their relationship with him as suspicious, at best.

[astralbondpro]

I had a thought of Matt Berry as Harry Mudd, and now I can't stop laughing.

[best-star-trek-character]

Round Two

[classicoatcakes]

If the fabled fourth AOS Star Trek movie ever, like actually happens, the writers/directors/producers 𝓑𝓔𝓣𝓣𝓔𝓡 not be little 𝓟���𝓢𝓢𝓘𝓔𝓢 about it and put *𝐻𝒜𝑅𝒞𝒪𝒰𝑅𝒯 𝐹𝐸𝒩𝒯𝒪𝒩 𝑀𝒰𝒟𝒟 in that galdarn movie and he 𝓑𝓔𝓣𝓣𝓔𝓡 be just as 𝓕𝓛𝓐𝓜𝓑𝓞𝓨𝓐𝓝𝓣 and 𝓖𝓐𝓨 as he was in the 𝓞𝓡𝓘𝓖𝓘𝓝𝓐𝓛 𝓢𝓔𝓡𝓘𝓔𝓢!!!

[pluralzalpha]

Galactic Gazetteer: Mudd

Class: K

Quadrant: Alpha

Primary: Beta Aurigae

Discoverer/ruler: Harcourt Fenton Mudd

Inhabitants: Andromedan androids

Appearance: TOS "I, Mudd" (1967)

Fun fact: inhabited by androids sent from the Andromeda Galaxy. Harry Mudd was temporarily their ruler and prisoner.

Another fun fact: a Mars-type world; rings were added for the remastered version.

Fun fact 3: Beta Aurigae listed as primary in the FASA Federation source book. Listed as UFC 257704 in The Worlds of the Federation, and as planet Galor IV in Decipher's Worlds sourcebook.

[startrektospolls]

Please reblog so others can participate

Find a link to the other polls here

Episodes that won so hard they automatically get to go to the finale under the cut:

The Corbomite Maneuver: Here & here