#SOLA GO! smart

[psychojumper]

Hartschaumeinlage von Aptex GmbH für meine SOLA Messwerkzeuge

Hartschaumeinlage von Aptex GmbH für meine SOLA Messwerkzeuge

Ich wollte schon länger einen Koffer für meine Messtechnik, in dem einfach alles seinen Platz hat und man immer die wichtigsten Messutensilien dabei hat! Daher habe ich bei der Firma Apex einmal angefragt, ob sie mir nicht dabei helfen könnten?! Hier seht ihr nun das Ergebnis. Alle Messwerkzeuge haben einen Platz in einer L-BOXX 136 von Sortimo gefunden. Aptex GmbH Die Firma Aptex hat sich auf…

[hyper-elastagirl]

Greetings from an extended hiatus how we feeling about that trailer guys

[bluupxels]

during inquisition -> post-trespasser

i’ve known what i wanted belathanni to look like post-trespasser since the beginning but actually seeing it....

[attila-werther]

solas babygirl do you not have an opinion on whether we should side with the mages or the templars in this close the breach storyline. as the theoretical physicist of this group, I feel like the advisors should be asking you, the one who stabilized the mark, about which is the smarter choice, instead of my inquisitor, mr. I Dont Remember Anything.

[magerightsmagefights]

Inquisitor!Merrill X Solas

That’s it. That’s all I wanted to say.

[stone-in-the-woods]

Ok, so first, this sounds like its supposed to manly play on Twitter if i get the vibe correctly. So we definitely need to add conspiracy theories about Nanda Parbat. Like, more or less paradise lead by mysterious monarchs? In the dc universe? Sounds scatchy as fuck. So obviously conspiracy theories. Bit it has to be actuall true and fals ones. Like for example thag the country was founded by time displaced Metas, that's why they are so powerful and independent. Or that its actually the real force that controls the JL. Or that they are actually a hiant assassin cult.

You know, jusz lots of different stuff. Bonus points for Tim/Bernard with Bernard constantly trying to figure out whats true about Nanda Parbat.

batman AU where everything is the same, exept that the Al Ghuls are the official royal family of the soverain city state of Nanda Parbat.

Like, its a very small country, but a powerful one and absolutely fuckall is known about their royal family, or the nation itself bc it's impossible to send spies inside without never hearing from them again. Nobody, exept for immidiate family even realizes that Damian is an actual crown prince of an actual country.

Like, just, him, on twitter. and then someone makes a joke about him and the way he is so overly formal in public. And Damian is like, 'yeah, I'm representing my whole country here, I'm the crown prince of my nation', and the person on twitter is like...

'Wat?'

And then Dick comes in the comments like. 'Look up the royal liniage of Nanda Parbat before you embarras yourself, I am begging you.' que a small twitter freakout bc holy shit, the youngest Wayne kid is actual fucking royalty, also, apparently Brucie Wayne fucked a princess, what's up with that?

the consequences this would have. Imagine this. They're at a gala, and IDK Black Mask shows up to rob/kidnap/kill them. The hired security never stood a chance. Bruce is there and is already making plans to slip out, and appear as batman.

interestingly enough, Damian is not making similar plans.

Damian just waits.

No more then two seconds later, at least 12 shadows crash trough the roof and absolutely massacre everyone there. No mercy, just murder, before making a protective ring around Damian, who is still completely cool and composed.

The cops try and make a stink about the 2 dozen dead henchmen and the dead Black Mask, but Crown Prince Damian just calmly walks over and tells commissioner Gordon that these were his body guards, and are therefore allowed to do these things if they judge it to be in favor of the crown prince's safety.

Nobody can really argue with that.

Two days later, at school, there are some upperclassmen who are being bitches, and are like. 'Where are your bodyguards now?'

'Just because you can't see them, doesn't mean they're not here.'

And a red dot appears on the boys forehead.

I just think it would be really funny if Damian Al Ghul was a genuine prince, in an official, international way. PS.

Even better if the Al Ghul's adopt Jason along the way, and Jason just, straight up also becomes a prince. He's not blood related tho, so he's still in line behind Damian, even though he is the oldest.

That would be insanity. After the Black mask fiasco, Jason just orders the shadows around like. 'okay, after we're done here, escort the crown prince to the secure location.' or whatever.

Someone films it. It goes viral.

People are like; 'what the fuck, why can you order them around like that.'

And Jason is like; 'I am the second prince, therefore, by tradition, the General. The Nanda Parbat fighting forces are under my command.'

and all of twitter is like; ????????

Do you see my vision here???

[felassan]

Cliff notes on the new info on Dragon Age: The Veilguard in today’s issue of Game Informer (magazine hub link):

Edit/update: I tidied up this post. ^^

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In CC you can customize things like shoulder width, chest size, glute size, hip width, how bloodshot your eyes are, nose crookedness, and more

There are hundreds of sliders for body proportions

CC detail: “Features like skin hue, tone, melanin”

There is nudity in DA:TV, “which I learned firsthand while customizing my Rook” in CC

Rook’s backstory also affects “reputation standing”, along with the other previously-known things like in-game dialogue etc

Lords of Fortune are pirate-themed, “piratic”

Rook ascends because of competency, not because of a magical McGuffin, contrasting with the 'destiny-has-chosen you’ angle DA:I has for the Inquisitor

Rook is here because they chose to be, “and that speaks to the kind of character that we’ve built. Someone needs to stop this, and Rook says, ‘I guess that’s me'”

The 4 voices we can choose for Rook each have a pitch shifter in CC

The game starts inside the bar (as previously detailed in other coverage)

In some dialogue wheels there is a “romantically inclined ‘emotional’ response” option. These are the replies that will build relationships with characters, romantic and platonic alike, but you can ignore them if you want to. Giving a companion the cold shoulder might nudge them into another companion’s embrace however

Bellara’s surname is Lutara

In the streets of Minrathous (in the opening segment of the game), there is a wide, winding pathway with a pub which has a dozen NPCs in it (is this The Swan tavern?)

The devs used the DA:TV CC to make each in-world NPC, except for specific characters like companions

There is smart use of verticality, scaling and wayfinding in the gameplay

If you play as e.g. a qunari Rook, the camera adjusts to ensure larger characters like them loom over those below. The camera also adjusts appropriately for dwarves to demonstrate their smaller stature

Neve Gallus is described as being capable

The Venatori Cultists we fight in the opening segment of the game are seizing the chaos caused by the demons unleashed by Solas’ ritual to try and take the opportunity to take over the city

As you traverse deeper and deeper into Solas’ hideout, more of his murals appear on the walls, and things 'get more elven'. Rhodes says “this is because you’re symbolically going back in time, as Minrathous is a city built by mages on the bones of what was originally the home of the elves”

At the heart of Solas’ hideout is his personal eluvian

Demons are fully redesigned in this game, on their original premise as creatures of feeling that live and die off the emotions around them. “As such, they are just a floating nervous system, pushed into this world from the Fade, rapidly assembled into bodies out of whatever scraps they find”

In the opening, we stop Solas’ ritual and save the world. “For now” anyways. Rook passes out moments later and wakes up in a dream-like landscape to the voice of Solas. He explains that a few drops of Rook’s blood interacted with the ritual, connecting them to the Fade forever. (I guess this is why they said in the Discord Q&A on June 14th that Rook has good reasons to want to avoid blood magic)

He also says that he was attempting to move Elgar’nan and Ghilan’nain (confirming who the two Evil Gods are) to a new prison, because the one he had previously constructed was failing. Unfortunately, Solas is trapped in the Fade by our doing, and the two gods are now free. “It’s up to Rook to stop them”, thus setting the stage for our adventure

Rook wakes up after this with Harding and Neve “in the lair of the Dread Wolf himself”, a special magical realm in the Fade called The Lighthouse. It’s a towering structure centered amongst various floating islands. This is where the team bonds, grows, and prepares for its adventures. It becomes more functional and homier as you do. “Already, though, it’s a beautifully distraught headquarters for the Veilguard, although they aren’t quite referring to themselves as that just yet”.

Because it was Solas’ home base, it's gaudy, with his fresco murals adorning various walls, greenery hanging from above, and hues of purple and touches of gold everywhere. Since it’s in the Fade, which is a realm of dreams that responds to your world state and emotion, the Lighthouse “reflects the chaos and disrepair of the Thedas you were in moments ago”

Clock symbols over dialogue icons signal optional dialogue options

At this point you can head over to Neve, engage in dialogue, and try and flirt with her

There is a dining hall in the Lighthouse. A plate, cutlery and a drinking chalice are at the end of a massive table. Matt Rhodes says that this is a funny and sad look at Solas’ isolated existence, and an example of the detail BioWare’s art team has put into DA:TV. “It’s like when you go to a friend’s house and see their bedroom for the first time; you get to learn more about them”

There is also a library, which is the central area of the The Lighthouse. It’s here that the party will often regroup and prepare for what’s next

The team decides that it must reach the ritual site back in Arlathan Forest. Corinne Busche said that the writer was "missing unique dialogue options here because I’m qunari; an elf would have more to say about the Fade due to their connection to it. The same goes for my backstory earlier in Minrathous. If I had picked the Shadow Dragons background, Neve would have recognized me immediately, with unique dialogue”

The team decide their next move. They go to Solas’ eluvian and back through to the ritual site in Arlathan Forest. However, it’s not fully functional without Solas, and while it returns them to the Forest, it’s not exactly where they want to go. Then a demon-infested suit of mechanized armor known as a Sentinel attacks them, and two NPCs appear to save you: the Veil Jumpers Strife and Irelin. Harding recognizes them, which you would expect if you read the comic Dragon Age: The Missing. They are experts in ancient elven magic. A cutscene ensues and we learn that Strife and Irelin need help finding Bellara Lutara. This cutscene is long and has multiple dialogue options.

“There’s a heavy emphasis on storytelling and dialogue, and it feels deep and meaty, like a good fantasy novel. BioWare doesn’t shy away from minutes-long cutscenes”

For Rook, this story is about what does it mean to be a leader? We define their leadership style with our choices. “From the sound of it, my team will react to my chosen leadership style in how my relationships play out.” This is demonstrated within the game’s dialogue and a special relationship meter on each character’s companion screen

Bellara is deep within Arlathan Forest, and following the events of the prologue, something is up here. Three rings of massive rocks fly through the air, protecting what appears to be a central fortress. Demon Sentinels plague the surrounding lands.

In gameplay/combat, players complete every swing in real time. Special care was taken in development for animation swing-through and cancelling. We can dash, parry, charge moves, and a completely revamped healing system that allows us to use potions at our discretion by hitting right on the d-pad. You can combo attacks and even ‘bookmark’ combos with a quick dash, which means that you can pause a combo’s status with a dash to safety and continue the rest of the combo afterward

Abilities can be used to customize your kit. They can be used on the fly as long as you account for cooldowns

When you pause and pull up the ability Wheel, it highlights you and your companions’ skills. There you can choose abilities, queue them, target specific enemies, and strategize with synergies and combos

Each character plays the same in that you execute light and heavy attacks with the same buttons, use abilities with the same buttons, and interact with the combo wheel in the same way, regardless of which class you select

Sword and shield warriors can hip-fire or aim their shield and throw it like Captain America

Warriors can parry incoming attacks which can stagger enemies. Rogues have a larger parry window. The mage the writer played couldn’t parry at all. Instead they throw up a shield that blocks incoming attacks automatically, so long as you have the mana to maintain it

On the start/pause screen: it has the map, journal, character sheets, skill tree, and a library for lore information. You can use it to cross-compare equipment and equip new gear for Rook and their companions, build weapon loadouts for quick change-ups mid-combat, and customize you and your party’s abilities and builds via an easy-to-understand skill tree. There aren’t in-depth minutiae, just "real numbers". For example, an unlocked trait might increase damage by 25 percent against armor, but that’s as in-depth as the numbers get. Passive abilities unlock jump attacks and guarantee critical hit opportunities, while abilities add moves like a Wall of Fire to your arsenal if you’re a mage. As you spec out this skill tree, which is 100 percent bespoke to each class, you’ll work closer to unlocking a spec, complete with a unique ultimate ability

“Sentinels and legions of darkspawn”

Combat is flashy and quick, with different types of health bars. Greenish-blue represents a barrier, which is taken down most effectively with ranged attacks

The game is gorgeous, with sprinkles, droplets, and splashes of magic in each attack a mage unleashes

The game looks amazing on consoles both in fidelity and performance modes

The mission to find Bellara is called “In Entropy’s Grasp”. You find her. She is the first companion you recruit (as Neve auto-joins). If your background is Veil Jumper, you get unique dialogue here with Bellara. She explains that everyone there is all trapped in a Veil Bubble, and there’s no way out once you pass through it. Despite the dire situation, she is bubbly, witty, and charming. She is spunky and effervescent

Companions are the faces of their factions, and in this case with Bellara, their entire area of the world. She is our window into Arlathan Forest. She is described as a sweetheart and a nerd for ancient elven artifacts, which is why she’s dressed more like an academic than a combatant. Her special arm gauntlet is useful both for tinkering with her environment and taking down enemies. While Neve uses ice magic and can slow time with a special ability, Bellara specializes in electricity, and she can also use magic to heal you. Her electric magic is effective against Sentinels. “However, without Bellara, we could also equip a rune that converts my ice magic, for a brief duration, into electricity to counter the Sentinels”

If you don’t direct your companions in combat, they are fully independent and will attack on their own

You progress at this point through the Forest, encountering more and more darkspawn. Bellara says that they have never been this far before because the underground Deep Roads, which they usually escape from, aren’t nearby. However, with “blighted” (BLIGHTED!) elven gods roaming the world, and thanks to the Blight’s radiation-like spread, it’s a much bigger threat in DA:TV than any prior DA game

The Forest has elven ruins, dense greenery and disgusting Blight tentacles and pustules

The style of the game is more high fantasy than anything in the series thus far and almost reminiscent of the whimsy of Fable. Matt Rhodes says that this is the result of the game’s newfound dose of magic: “The use of magic has been an evolution as the series has gone on. It’s something we’ve been planning for a while because Solas has been planning all this for a while. In the past, you could hint at cooler magical things in the corner because you couldn’t actually go there, but now we actually can, and it’s fun to showcase that.” The Forest’s whimsy will starkly contrast to the game’s other areas. The devs promise some grim locations and even grimmer story moments because, without that contrast, everything falls flat. Corinne says it’s like a “thread of optimism” pulled through otherworldly chaos ravaging Thedas. At this point in the game, Bellara’s personality is that thread

We can advance our bonds with our companions on their own personal quests and by including them in our party on main quests. Every Relationship Level you rank up, shown on their character sheet, nets you a skill point to spend on them. “The choices you make, what you say to companions, how you help them, and more all matter to their development as characters and party members”. Each companion has access to 5 abilities.

Each companion has issues, problems, and personal quests to complete. “Bellara has her own story arc that runs parallel to and informs the story path you’re on” (They’ve said that all of the companions have this too in previous promo material)

You progress deeper into the forest and Bellara spots a floating fortress and thinks that the artifact needed to destroy the Veil Bubble is in there. To reach it, we must remove the floating rock rings, and Bellara’s unique ability, Tinker, can do just that by interacting with a piece of ancient elven technology nearby. Rook can acquire abilities like Tinker later to complete such tasks in instances where Bellara, for example, isn’t in the party

Bellara has to activate three of these in the Forest to reach the castle. Each one you activate brings forth a bunch of Sentinels, demons, and darkspawn to defeat

You can create Arcane Bombs on enemies. It does high damage after being hit by a heavy attack

It sounds like mage characters can charge heavy attacks on their magical staffs. “then switch to magical daggers in a second loadout accessed with a quick tap of down on the d-pad to unleash some quick attacks”

Some enemies are “Frenzied”, meaning that they hit harder, move faster, and have more health

After a few more combat sections, including against a Frenzied sentinel, we reach the center of the temple. In there is an artifact called the Nadas Dirthalen. Bellara knows that this means “the inevitability of knowledge”. Before we can progress, a darkspawn ogre boss attacks, hitting hard with unblockable, red-coded attacks and a massive shield that you need to take down first. It is weak to fire

After defeating it (it’s a climactic arena fight), Bellara uses a special crystal to power the artifact and remove it from the pedestal, which destroys the Veil Bubble. Then, the Nadas Dirthalen comes alive as an Archive Spirit, but because the crystal used to power it breaks, we learn little about this spirit before it disappears. Bellara thinks that she can fix it (fixing broken stuff is her thing), so the group heads back to the Veil Jumper camp. The writer’s demo then ended.

The design of the game is not open world. The devs describe it as a “hub-and-spoke” design where the needs of the story are served by the level design. A version of DA:I’s Crossroads return (the network of teleporting eluvians) and this is how players will traverse across northern Thedas. “Instead of a connected open world, players will travel from eluvian to eluvian to different stretches of this part of the continent”. e.g. Minrathous, tropical beaches, Arlathan Forest, “to grim and gothic areas and elsewhere”. Some of these areas are large and full of secrets and treasures. Others are smaller and more focused on linear storytelling. Arlathan Forest is an example of this, but it still has optional paths and offshoots to explore for loot, healing potion refreshes, and other things.

Each location has a minimap, though linear levels like In Entropy’s Grasp won’t have the 'fog of war' that disappears as you explore like in some of the game’s bigger locations

The game has the largest number of diverse biomes in DA history

The Thedas of DA:TV “lives in the uncertainty”. “the mystery of its narrative”, “the implications of its lore”

The writer is surprised by BioWare’s command over the notoriously difficult Frostbite engine, and by how much narrative thought the dev team poured into these characters, even for BioWare.

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[source: the Game Informer pages from Issue 367 - the cover story from June 18th (link), two]

[telanadasvhenan]

thinking more about the psychological aspect of solavellan, and before I start, I'd like to stress that this is NOT CRITICAL of it, I actually think it's what makes part of the dynamic interesting. My word isn't the be all and end all, however, this is just my musings on the topic :] Also, REALLY long post! so, more under the read more lol

From Lavellan's point of view, I would personally struggle to see her trusting another lover or close one again for a long time, if ever again. I don't really think people ever talk about the real impact of the things she goes through, or what solas put her through, and the hurt as a result of it. The relationship is never defined between the two of them, it's always spoken about in vague undetermined words from their companions and poetic elvish between the two of them. Are they lovers? companions? partners? it's really up to the player. Leliana says that "you were close", Sera says Lavellan is "in it." Vhenan means home, heart, it's not a word said lightly imo and he tells you he loves her by their second kiss. It's never an official thing, so how secure can Lavellan truly feel?

This could go both ways when it comes to the break up. Crestwood, as a scene, is so interesting to me because the first portion seems like a man brought to his knees by weakness for the woman he loves. The two of them never cease to touch, fingers entwined, shoulders brushing, skin to skin. It's so reminiscent of how Lavellan matches his Hallelujah cadence. They're two parts of a song singing together. It's a gorgeous scene and it's understandable how so many are angry at how it ends because the whiplash between how it starts and what it leaves you with is severe. Imagine this from lavellan's shoes.

You're desperately in love with someone at odds with your people, who is wonderful and enticing and smart. Loving solas feels like loving the whole world, like being free and connected with the stars. But you don't know what this is. And, if you thought you did, how far can you presume? Is Lavellan always on edge, scared to love him deeper and richer than he loves her? or is she in a false sense of security, assuming his affection is forever hers. So when he not only breaks away your faith and trust in your history, plus potentially the vallaslin, she is clearly deeply upset. This isn't a minor fact that simply can be swept aside. The vallaslin is important. And Solas, even with the best intentions, has hurt her. He knows it and there's a reason why he apologises (bc he wimped out on the real truth). How much more does he know about her people that he has refused to tell her or kept from her by omission? Can you imagine the embarrassment, the utter humiliation of that secret? how many memories of them together where she replays his distaste for her people in her mind, knowing that he has access to knowledge that could change her perception of her past? Its ALOT. and thats even before the breakup.

Solas is not kind about the break up. It's rushed (impulsive to me) and doesn't do their connection justice. His composure cracks in places and it's very unlike him. It absolutely blindsides the player, so imagine being in Lavellan's place, AFTER THE VALLASLIN? personally, I wouldn't have been able to function. I half suspect that a sad, calm Lavellan is also in shock or disassociation. Because how else do you cope? The lack of communication between them alone is enough to raise my eyebrows. He promises answers. He confides that she saw through his mask and doesn't tell her what was real, and what was fake. He has given her a kernel truth whilst keeping her in the dark. Everything he told her could be a false, imaginary polite mask or it could be the truth. Where does it end? Where does he begin? Where does she stand?

I don't know if everyone has experienced what it's like to be ghosted or for a friend to simply disappear one day, but it changes you. I say this as someone who has both been avoidant as well as anxious, but you never recover. Someone disappearing like that makes you doubt any reassurance that people won't just evaporate from your life. So when Solas just disappears, the game's single conversation with Leliana feels a little lacking to me. I understand that they can't really dedicate a lot to it, I get that, so I'd like to fill it in. At first, it's search parties. Solas wouldn't just leave her like that. He promised her answers. He started another mural just before they left for corypheus. He didn't intend to just leave, surely.

Days, weeks and months pass. The question is worse than the truth. Is he dead? Did he use them? Was he being truthful when he spoke to her in those ruins, or another polite mask he could hide behind? Is it better if he's dead or better than he didn't deem her worthy enough to even say goodbye? We, as the players, obviously know this isn't true, but she doesn't know that. Does your lavellan assume the worst and be overcome with grief that her one love, her heart, her home, was nothing more than a lie of omission? or is there anger there at his betrayal of her trust once more? I seriously doubt it was easy to forget or dismiss. That kind of disappearance ruins your trust with people. Something. Anything would have been enough.

Again, this is all my opinion on how these emotions would play out and DEFINITELY NOT canon nor do they have to be! But I seriously struggle to see how Lavellan could even come to heal from these wounds within even a two year time skip. By the time of trespasser, almost everyone has left her side. She's almost entirely alone again, save Cullen and Josie (and leliana if she's not divine). And thats okay: they all have rich lives to return to. But that must just reaffirm to her that no one will stay. She is alone. How does she trust again?

And then there is Fen'harel. Lavellan's reaction to fen'harel has always lacked the fear I kind of hoped would be there? I mean this isn't just a minor deity, this IS THE antagonist of her entire faith. I'm assuming that she's lost hope in the gods, even though it's confirmed to her that they're real, but that message has been a part of her since childhood. So learning that he is the dreadwolf, again not from him, but from the fragments of his past must cut her deeply.

Her love was never who he said he was, she knows this, but who is the real man? She's never known him in a context where he can truly show her. Her love is fragmented between each identity he holds. Her trust that he is who he said he is fragments with it. The knowledge that not only has he been watching the inquisition, her, for years without a single hint that he lives or is okay must destroy her. Could you imagine how insignificant you must feel to him? And he essentially affirms to her that yes, in the greater scheme of things, his love and hers are inconsequential. They cannot matter to him because he cannot strive from his path. His indulgence was a mistake. And it's undeniably cruel. I love solas and I cannot argue that he was kind to Lavellan because he wasn't. To me, there is no way to see his actions as kind. Understandable, absolutely and definitely without malicious intent.

Lavellan learns that he loved her just as deeply, if not more. He loved her with all his heart and it did not matter. She changed him and it has only brought him more pain. He loves her too much to even allow her near him, to even give himself that weakness. They are apart from each other in an endless distance, only the two of them in the world. No one else.

Obviously, each Lavellan is different, and I've made a lot of assumptions, but I think it's worth considering. How do you love someone again after all of that? How much can you rebuild your faith after what you have learnt. Lavellan has loved a "god" (I know he's not a god, but for all intents and purposes, he has the power of a god and wears an evanuris crown.) and in turn, a god has loved her. And he left her with one last embrace that will leave its mark on her forever, then he leaves once more. Lavellan is alone.

Each love after is met with suspicion, distrust and comparison. Lavellan is entirely changed. How many pieces of her can be taken away until she is no longer herself? Each person wears a new mask she cannot determine. Where do they begin? Where can she find herself?

How lonely it must be to love someone like Solas and be at the other side of an endless distance.

[kcwriter-blog]

More thoughts on Solavellan

I started replying to a post about the psychological aspect of Solavellan because it was interesting, well thought out and I thought good points were made but it got very long, and I had new thoughts. I wanted to put them down. This is not a criticism of that post in any way, it’s good and I urge people to read it. I just see things differently.

The big problem I have with most takes on Solavellan is how they take agency away from Lavellan whenever Solas is mentioned. We have a woman who grew to be one of the most powerful leaders in Thedas but when we talk about her and her feelings, she suddenly becomes this naive child desperately in love with the man who broke her heart. I just don’t see it. I don’t see a relationship – no matter how intense – of a few months, defining her going forward. So, let’s look at it.

Solas and Lavellan do love each other deeply. We don’t hear Lavellan say I love you until the breakup scene and she never calls him vehnan until Trespasser. Obviously, that is, as with most things in the romance, because it was a rushed, late add to the game. But it is interesting.

People get on Solas’ case for not defining the relationship, but I would argue she isn’t in a hurry to define it either. Which is smart. They haven’t been together long and one, the other, or both of them could die.

It’s possible that Crestwood is the first chance they have had to talk about it. I’ve never liked the first dialogue option because Lavellan seems genuinely surprised that up until now, she doesn’t know what to call Solas. Which is silly. They have been exclusive for a few months now. They are in love. She’s been calling him something and my guess is it is vhenan (her heart, home). And Solas fully intends to have that discussion. He just gets cold feet because what he has to tell her isn’t something she is going to believe.

Moving on. The valleslin scene has had a lot posted about it and I don’t want to get into it. I think what’s important is not whether it is removed or not but the idea that Solas alone destroys her faith by telling her the truth. Did he hammer the final nail in the coffin of her faith? Yes, but a smart Lavellan has to be questioning everything already. Why? Because she met Mythal.

Even before she meets the head of her pantheon, she has been to the Temple of Mythal and learned a lot that differs from her people’s mythology. She learns that Mythal was murdered, not locked away. She learns that the Dread Wolf had no part in that murder. She sees a depiction of the Dread Wolf in an antechamber of the temple in a guard dog position which is weird. If she drank from the Well, she has a lot of ancient elven voices in her head telling her stuff. If she didn’t, she would have Morrigan telling her the same stuff.

She meets ancient elves. And those elves don’t see her or the Dalish as their own. Just as a reminder, Solas isn’t the only ancient elf to have feelings about the Dalish. Abelas is very pointed about saying Lavellan isn’t one of his people. Felassan makes fun of the Dalish. Mythal says “the People bend the knee to easily” in DA2. Heck, Felassan thinks more of the city elves than he does of the Dalish. Solas eventually comes around. It’s a grudging respect but he does allow that they have some good qualities.

Lavellan meets Mythal and Mythal isn’t exactly a nice person. She has chosen to possess the body of a human, not an elf. She never helps the elves. So, you have an elven goddess in diminished form running around helping human heroes but doing nothing for the people that pray to her. That must rock her world and her faith.

Her faith is already on the ledge by Crestwood. Solas possibly pushes it over. And he never would have told her if he hadn’t messed up and changed his mind about the other thing. It’s all impulsive. He isn’t thinking straight, just covering his ass and it hurts her. However, I think he still intended to carry on the relationship without telling her the truth. During the kiss, he finally realizes that if he loves her so much he almost told her everything, then not telling her is morally wrong and he comes up with a reason to end it.

After the breakup, Lavellan is hurt. It always hurts when someone breaks up with you. What hurts the most is knowing he still loves her. What also hurts is he won’t give her a reason. I don’t think she is questioning everything he told her at this point. He’s just the cold-hearted son of a bitch who broke her heart.

Most of us have been there. We’ve got breakup playlists, alcohol and friends to help get us through it. I usually imagine my Lavellan grabbing Bull, Dorian and Cole to help her take out her anger on a poor unsuspecting dragon. I also put off triggering the Wicked Grace game until after the breakup.

That doesn’t mean she isn’t angry or crying on Josephine’s shoulder. Of course she is, but she isn’t questioning her life choices. She could tell Solas to get lost, but she keeps him around. She is even kind to him when the Orb is discovered broken.

And everyone is kind of busy planning to find and finish Corypheus off once and for all. I see her putting a pin in it. Once they win, she will confront him and demand answers.

She doesn’t get the chance because he leaves without saying goodbye. That has to hurt. I don’t see her in a place where she could never trust anyone ever again. It’s more likely, she throws daggers at a drawing of him out in the practice yard. Even if she still loves him, she is an adult not a maiden in distress. As much as she loves Solas, her entire world does not revolve around him.

Solas made his choice. She may be concerned about him - especially after Cole’s cryptic message - but I don’t see her searching frantically for him. He knows where she is and can send her a message if he needs her.  

And she is busy. She must help clean up the mess Cory made. She has rifts to close. She has dignitaries to meet. She has paperwork. That doesn’t leave a lot of time for pining.

There is an idea that Lavellan is alone because all of her inner circle except her advisors go off and do their own thing. Except that isn’t true. They write letters – which you can find exploring the Winter Palace – in those letters some of them mention having visited or that they will visit. Lavellan is also capable of making new friends. She is not static.

Solas leaving her may still hurt. She may have (and probably did) tried to move on but so far no one matched him for any number of reasons. She is only alone in the sense that any leader is alone. What she probably misses the most about Solas is that he always treated her like a person, not an icon.

Then we get to Trespasser. If you have found all the clues for the secret dialogue option, she has figured out Solas is the Dread Wolf long before she confronts him. She has seen the murals, learned his story. She knows the Dalish got it wrong. She knows from experience that the Dalish get a lot wrong. And he’s Solas. She might not know him as well as she thought but she saw beneath his mask a little. She isn’t going to be afraid of this figure out of Dalish legend. Mostly she is going to be pissed because he didn’t tell her the truth, because he didn’t trust her.

As far as the arm thing goes. Weekes and Epler have said, he did not amputate her arm. Solas drew out the magic that was killing her. The arm disintegrated. It was already doing so by the time she meets Solas. If he hadn’t drawn out the magic, she would have disintegrated just like Solas’ friend Wisdom. I think arguments that she would have trouble trusting anyone based on this are a non-starter

Once all that is over, will Lavellan have a hard time trusting anyone? She will have a hard time trusting Solas. Who wouldn’t? Will it color her perception of anyone she might want to be romantically involved with? For a few years maybe but what are the chances she will fall in love with another god?

Trust isn’t just about people you’ve been romantically linked with. She still trusts her inner circle. They help her. A bad experience with one person, no matter how much she may love him, isn’t going to make her stop trusting people entirely.

Now apart from Solavellan, I’m pretty sure Lavellan is messed up psychologically. You can’t go through what she did and not be a little messed up. But it is that experience that may make her empathize with Solas and understand why he left her.

She knows what it is like to be a leader. Not in the sense of leading her clan but in the sense that her decisions have huge consequences. She knows how a leader’s decisions are always second guessed - like they are at the Exalted Council if you chose to exile the Wardens. She knows what it is like to have to step up and be the one to save the world. She knows that sometimes there are no good choices, and you do the best you can. She knows it messes you up and you can lose your way. Solas has lost his.

Is it ten times harder to empathize when you loved that person, and they destroyed your trust? Yes. Solas will have to win her trust back. She will view anything he says or does with suspicion, as anyone would. However, Solas rarely outright lies. She knows this. She will be asking a lot more questions and be paying more attention. She also knows that he didn’t lie about loving her.

Okay, but he is still planning to tear down the Veil so he must not love her very much. Her love moved the needle. He went from believing nothing was real to thinking everyone is real. Is it so hard to imagine that Lavellan thinks he can be reasoned with? I doubt she thinks her love alone will change him. That doesn’t mean she won’t want to try. That doesn’t mean she will want him back when it’s all over. It also doesn’t mean she is a quivering mess obsessing over their relationship.

Solavellan can be whatever you want it to be, based on your own experiences. For some it's an angsty story with a Lavellan pining for him. For others, she gets over it fast with Cullen's help. For me, she is a strong, proud woman who is able to use her own experiences to empathize with Solas and want to save him from himself. She may still love him, but that love has been tempered by her experiences with him. They will need to have a long talk if they ever meet up again.

[witsserviceablesubstitute]

I've been paying attention to Varric and Solas' relationship this go around and what I find interesting is that Varric is basically the only character Solas concedes to. I don't know if it's respect or just Varric having a way of approaching Solas that consistently puts him on the back foot. Varric is a world weary idealist who prioritizes humanity, always, and it tends to cut through Solas' pessimistic big picture thinking.

It was smart, I think, to choose Varric as the one to confront Solas and try to talk him down. He's the only character who really has a chance to. I'd even say Varric makes Solas question himself more than the Inquisitor.

[dalishious]

So I’m in the toilets at the market I work at washing my hands minding my own business, and I notice this young girl at the taps looking me up and down scowling. Note I’m bald and have a Solas tee on. So I’m like

“Is there a problem?”

And she just says

“Are you a fucking Solavellan?”

And I’m like

“Geez, what gave it away?” Because I have zero chill when it comes to smart arse teens and she starts going off her nut at me, screaming, literally screaming all the usual

Now she’s so loud her mum comes running in from outside to see what’s going on.

I just turned around and said

“I don’t know who you think you are but how dare you talk to me or anyone like that.”

Her mum just hit the roof at her, telling her off in front of about ten other market workers for her yelling, swearing, having the nerve to yell at an adult she doesn’t know like that…

And then the Mum finished with the classic line…

“What did you think was going to happen with Solas and Lavellan?! Of course that’s what’s going on!”

So she not only embarrassed herself, she got in major trouble and found out her Mum ships Solavellan…

It was a great start to the day.

[xjulixred45x]

If i was in charge of the character of stella i would make her the principal victim(alongside octavia) of his guilt tripping tactics, i think that stella could at least have some respect for stolas before the affair, trying to please him, learn astronomy to conect with him, and trying to be a good wife, but stolas being the narcissistic prick he is just thinks about himself and dont apreciate stella's efforts and that ends with stella enraged(with stolas, herself, maybe both?).

This lyrics of labour says it all

"Apologies from my tongue, and never yours

Busy lapping from flowing cup and stabbing with your fork

I know you're a smart man (I know you're a smart man), and weaponise

The false incompetence, it's dominance under a guise

If we had a daughter, I'd watch and could not save her

The emotional torture, from the head of your high table

She'd do what you taught her, she'd meet the same cruel fate

So now I've gotta run, so I can undo this mistake

At least I've gotta try"

The part of the weaponize incompetence is really fitting for Stolas.

Most of the cheaters/trashman use the incompetence to avoid doing tasks that are MEANT to be fullfied between BOTH MEMBERS of the relationship.

It feels as if in this case that you are telling, Stella was doing all the joint tasks of a couple, including, for example, the ones they are supposed to do like Goetia (with political themes). and I can honestly see Stolas using the excuse that his work is limited to professions (even using his depression as an excuse) to not give more to the family.

Stolas doesn't care that Stella wants to get close to him or get along with him, she is just a step up in status for him.

AND THE GUILT TRIPPING IS SO REAL.

Stella has the status she has thanks to her marriage to Stolas, he could use that as a way to control her from leaving or from feeling in DEBT to him (after all, the luxuries she has she couldn't afford. alone) and even applied something similar to Octavia but with a different approach.

if we go with Stolas not really caring about Octavia in this AU, I can see him doing a Mother Gothel on her when she does something he doesn't like or wants to leave the house. Tell her how that is "harming" her, how hell is dangerous, that she couldn't do it on her own, etc.

Overall, it's a very fucked up idea, but VERY GOOD ANON, keep it up.

____

La parte de la incompetencia armada es realmente apropiada para Stolas.

La mayoría de los infieles/hombres basura utilizan la incompetencia para evitar realizar tareas que DEBEN cumplirse entre AMBOS MIEMBROS de la relación.

se siente como si en este caso que estas relatando, Stella estuviera haciendo todas las tareas en conjunto de una pareja, incluyendo por ejemplo las que se supone deben hacer como Goetias(con temas políticos). y sinceramente puedo ver a Stolas usandonla excusa de que su trabajo se limita a las profesias(incluso usar de excusa su depresión) para no dar mas a la familia.

a Stolas no le importa que Stella quiera acercarse a el o llevarse bien con el, ella es solo un escalon en el estatus para el.

Y EL GUILT TRIPPING ES TAN REAL.

Stella tiene el estatus que tiene gracias a su matrimonio con Stolas, el podria usar eso como una forma de controlar que ella no se vaya o que se sienta en DEUDA con el(después de todo, los lujos que ella tiene no se los podria permitir ella sola) e incluso aplique algo similar a Octavia pero con un enfoque distinto.

si vamos con que Stolas realmente no le importa Octavia en este AU, puedo verlo haciendole un Madre Gothel cuando ella hace algo que no le gusta o quiere irse de la casa. decirle como eso le esta "dañando", como eo infierno es peligroso, que ella misma no podria por su cuenta, etc.

en general, es una idea muy jodida, pero MUY BUENA ANON, sigue asi.

[animezinglife]

It's not the most exciting thing to compliment, but I genuinely love the name choices in the Dragon Age series. They're both grounded yet fitting enough to suit a fantasy series. They fit the characters beautifully.

Take Varric for example: two-syllables, to-the-point, ends in a consonant. This sounds like someone who's going to get things done, but there's also kind of a laid-back feel to it.

Garrett/Marian Hawke (default): both names are cool as heck. There's a groundedness in the name, but either way, this isn't someone you're ever going to hold down. Hawks have wings, and they're hunters. They have incredible sight and claws. This is someone who will rise with a good, classic, strong, and fairly recognizable first name.

Leliana: four syllables, deceptively sweet, blatantly melodic in its sound. It's not at all a loud or garish name: perfect for someone who works quietly and in shadow (in Inquisition).

Cassandra: grand, loud, brash, and strong. Could you imagine her being named something like Phoebe?

Josephine: classic, feminine, and smart, defined by soft sounds (and dare I say a sharp but still "softer" advising approach than her fellow advisors)? Note I didn't say the result is softer. She'll wreck your marriage with the proper glove left on the proper table and drive your entire family to ruin, but she won't cut out your tongue physically or use a trebuchet at your doorstep.

Cullen: classic, strong, to-the-point. I honestly adore all the names in his family we're given (in Inquisition at least). Branson, Rosalie, Mia, and Cullen. Traditional, straightforward, and timeless.

Vivienne: elegant, graceful, and proud. I've always loved this name in general. The name lends itself well to a character who's haughty yet caring; proud but capable.

Fenris: a bit literal, but need I even explain this one? We're all lore and mythology nerds here.

Morrigan: I'm guessing I don't need to explain this one either.

Solas: seems obviously derivative of "light" or "bright." Brilliance. Yet it also makes me think of solitude; solemnity. Solas is a thinker and his name suits that.

Dorian: sounds bright, a bit elevated, and not entirely serious. Perfect for a bright, sarcastic character from a wealthy background.

Lace: girl-next-door, cute, a little tomboyish, and much tougher than the probably too-many boys she's been around most of her life. A girl named Lace? You should have zero doubts that she knows how to do absolutely everything.

Names make a difference when it comes to character, and I appreciate their decisions.

[arlathen]

the brainrot has gotten deep enough that i now have professors solavellan modern au on the mind again.

[liaragaming]

Solas' POV - a History of F*cking it all up

Problem: Gee. Someone needs to stop these crazed gods from destroying the world.

Bright idea: Right. I'll just lock them away so they can't hurt anyone.

Result: *Mass panic, civilization falls, elves lose their magic and longevity*

Realization:

Problem: I am too weak to open my foci to tear down the veil.

Bright idea: Right. I'll just leave this somewhere for an ancient darkspawn magister to find. There's no way he'll be smart enough to properly work it. He'll open it, die in the explosion, and I'll just pick it up.

Result: *Darkspawn Magister is in fact smart enough to work the orb and is now going to take over the world*

Realization:

Problem: *Previously mentioned Darkspawn Magister*

Bright idea: Right. The only proper thing to do is join this Inquisition gathering to fight Corypheus and help them fix all this. Yes. Nothing could go wrong.

Result: *makes friends, falls in love*

Realization:

Bright idea: Okay. Corypheus dead - check. Heart utterly broken - check. Ghosted all of my friends from the Inquisition - check. Ritual components gathered - check. All variants accounted for... Yeah. Yeah. I got this.

Rook: *disrupts rituals and free two ancient elven gods hellbent on destroying the world*

Solas:

[bloedewir]

Three weeks left and I'm hyped and delusional so here's another stupid DATV idea to proceed.

If -IF- the theory about Solas' not being actually trapped in the Fade is correct, I'd like to add something to it.

The Veil isn't a material curtain but it does separate Fade from the material world. What if a person needs to be on both sides at one time to destroy the Veil properly?

That's not going to happen but imagine this:

Fen'Harel is mostly ready to destroy the Veil but he needs some random rookie to unwillingly assist him. We (the players) get "oh no you disrupted my beautiful ritual unknown mortal hero and now I'm trapped!!", and Fen'Harel get Rook who doesn't understand what's going on. And while Rook thinks they're trying to save the world from evanuris, Fen'Harel uses their connection that create a bond between the real world and the Fade to tear down the Veil.

That's a sick idea but also a win-win situation because it includes: Fen'Harel being actually smart enough to plan something bigger than breakfast; Rook who eventually realizes they're a pawn (ah, metaphorical paradise); plot twist; mind blowing act 3; and sweet magnificent drama that breaks hearts and burns out souls.

21 days left