#QUESTIONS FOR THE GOD. (Asks)

[greelin]

“the worst they could say is no” true but while they are saying it they very well could hit me with force lightning like palpatine. From star war

[lunarwednesday]

Kindly Miquella... I see you've thrown away... Something you should not have... Under any circumstances.

[krysmcscience]

It’s finally done, guys – five whole pages of Narilamb AU comic AND MORE be upon you! (If you have trouble reading any of the text, view the full-size! These pages are huge!)

Yeesh, this took forever. <:)

There’s probably a ton of inconsistencies and anatomy/perspective wonkeries, but this was mostly just comic practice, so Oh Hekkin Well, Lol <:D

(Yes, I am aware the Gateway’s door isn’t present in the Afterlife, and the actual way in is just a pentagram portal. Yes, I put the door in there anyway because Artistic License, i.e. it felt more impactful for there to be a prison door of sorts to walk through to freedom, rather than just a bland boring portal on the ground. 😠)

anyway, i hate backgrounds so much lmao

Alternate ending and a buttload of bonus art under the cut, followed by goofy AU rambles and headcanon stuff:

I’m calling it the Revival AU. It’s not all that creative a title, and someone else has probably used it already, but I am too lazy to really care, LOL

Alternate ending page, which you will Definitely need to view the full-size for, Whoopsie Daisy:

The alternate ending was actually the first ending I finished things off with, because I had a brief badbrain moment where I forgot the emotional beat I initially wanted the comic to end on, and I tend to write comedy, anyway. I later remembered and drew out the proper ending, but I preserved and finished this one, too, because it still makes me giggle.

They had to go back for the followers off-screen in the AU’s real ending. And by ‘they’ I mean just the Lamb, because they weren’t about to ask three newly freed cats to go back into what used to be their prison. The Lamb DID spend some time watching Narinder and the bois enjoying the outdoors first, though:

In other news, here’s the Lamb and me making fun of my anatomy-drawing ‘skills’:

Meanwhile, if you’re wondering why the Lamb is just a-okay with how things went down vis a vis Their Murder, this bonus comic should answer at least some of your questions:

Ah, yes, also this is how they get engaged outside of the alternate ending. Forgot to mention that bit. XD (I already refuse to believe that Narinder is capable of flirting normally, so why would his initial marriage proposal be any better???)

Oh, and before any of them get a chance to actually head back to the cult grounds, there is one potential problem:

And by ‘problem’ I mean something Narinder intends to ignore for At Minimum a thousand years. Cuz he’s a petty bitch like that. :D

what do you mean i drew the lamb too tall compared to the background? clearly they’re standing on top of baal and aym lmao, why else would you think those two aren’t in this one??? (aym and baal got way too excited about finally being outside, you see, and their silly modes are nothing to sneeze at)

And, speaking of heading back to the cult grounds, I’m sure y’all would love to know how the Lamb’s followers felt about the brand new change in management:

It all went better than expected. <:D Tiny ramble now, feel free to skip down to the next comic.

Before you ask, no, the Lamb does not have any actual powers anymore, other than the immortality Narinder definitely grants them. The Red Crown just thinks it’s funny to suggest otherwise, and Narinder does nothing to discourage this. Also, the Lamb and Narinder aren’t actually married here yet, but, uh. Pretty safe to say that particular ritual directly follows the events of this comic. XD

Given how quickly he mellows out in canon, Narinder probably chills out a lot in this AU once he’s in charge of the cult, too, if only because 1.) He’s finally free, and 2.) He’s equally smitten with and distracted by the Lamb. He’s definitely in charge at least 95% of the time, though, because the Lamb never actually wanted to be a cult leader and, now that their time as a vessel is done, they just want to be a normal(ish) sheep who’s wholly devoted to their hot new divine husband.

Some followers do still have some valid concerns about these two being together, though, which I’m sure at least a few of you might share…

Unfortunately for any such concerns, the Lamb is a bonafide masochist in this AU. :D

They’re also 100% a sub, obviously

Anyone at all: Your relationship is problematic and potentially toxic

The Lamb: fuck yeah it is, it’s so hot~ OuO

Here’s just the last panel, made transparent for whatever nefarious purposes y’all might have for it:

Additional exchange Narinder and the Lamb have at some point, probably after the Lamb does a fatal whoopsie while out on a mission trip or in response to things getting a little too sadistic in the bedroom, ahaha:

Look, there is a very important distinction between life and death, and if you don’t understand that, then you’re probably not worthy of being the God of Death, anyway. (At least, according to Narinder, and ONLY Narinder.)

Last but not least, have these shittens:

~Such creative naming conventions I have utilized, lololol~ :D Anyway, there's a few deets on them in the rambles down below.

The rest is all ramble, so before I get to that, I’ll just say – likes and especially reblogs are very much appreciated!!! :D If you happen to really really REALLY like my stuff, meanwhile, I do have a link in my bio to my ko-fi page, where I’m accepting commissions and donations if you’re especially generous… ÓuÒ

Now, BE FREE IF YOU AIN’T DOWN FOR READING MY GOOFY RAMBLES

First ramble is re: Baal’s question of ‘Did it really work?’, since I didn’t feel like expanding on it in the comic proper, and it’s arguably pretty vague? He doesn’t ask because he doubts Narinder or his capabilities, exactly, but because neither Baal nor Aym have ever actually seen their god at full power before (he’s still technically not at full power here, either). It’s not expressly stated how soon the brothers were brought to Narinder after his imprisonment, but whether it was early on or after a length of time for Shamura to (somewhat) recover from his attack, he must have already been weakened, since I have no doubts that there was a huge battle that accompanied the Bishops working together to trap him. So, between that fight with all four of his siblings, sharing his power with a variety of vessels over time, and being chained immobile for a thousand years, he must have been severely weakened by the time he lent the Red Crown out to the Lamb, which would have only weakened him further.

I like to think this is how the Lamb is able to defeat him if they refuse to be sacrificed, despite how it took all four Bishops working together to subdue and chain Narinder in the first place.

All that aside, the three cats have been trapped in the Afterlife for so long that Baal also wanted verbal reassurance that they are all, indeed, actually able to leave it now – something that I headcanon isn’t possible without a significant amount of power (i.e. the Red Crown’s cooperation with its bearer/vessel).

(On a semi-related note, I don’t headcanon Aym and Baal as twins. I like sweetheart big bro Baal and snarky little goth bro Aym too much to have them be that close in age.)

Ah, teeny thing: If you noticed I switched up the art style for Narinder on the second page, that was intentional. It's sort of a visual indicator that there has been a Big Change for him - that being, how much power he has after sacrificing the Lamb. As for why I changed up his arms in the grass rollin' pic, I don't really subscribe to the notion that his arms are spooky bones because they're horrifically injured (beyond chain-chafing scars, that is), but rather just because he's the Bishop of Death, so he can change how normal-to-spooky they look at will. At some point I might doodle out how I imagine his appearance to range between least to most eldritch... 🤔

Next ramble, regarding Narinder’s feelings towards the Lamb...he was initially too focused on being freed from his imprisonment to form any real attachment to them. They were a tool for his use, first and foremost, but he did notice their intense devotion towards him. It was impossible not to notice, because the Lamb was always very happy to see him, even if it was because they died during a crusade (yet again). He wasn’t originally planning to revive them once he was freed, either, because he saw no real point to it – after all, they were already dead when they first met him, just as any other mortal would be when meeting him in the Afterlife, so death has very little real consequence in his eyes. But, once the chains were off, and it really sank in that he stood to lose the most devoted follower he’s ever had, he decided…why put their soul to rest for good or leave them stuck in the Afterlife when he could just as easily revive them again? And why not reward them for their hard work, anyway? Not only would it cost him nothing by comparison, but the future devotion that could come of it would surely make up for his (bare minimum) effort in reviving them.

He wasn’t expecting to get a full dose of that devotion and a smiling face so soon after killing them, though~ :3c (because the Lamb is a bonafide freak, and not-so-secretly into the fucked up power dynamics going on here, lol)

I should mention here that I am firmly of the belief that any non-god/vessel who crosses through the Gateway and into the Afterlife just straight up dies. So, Aym and Baal? Also straight up dead, from the second Shamura brought them through. Their souls were just never put to rest so that Narinder could have some company – if only according to Shamura. Narinder kept the two around mostly out of bewilderment, because honestly, who are these kittens, and what is Shamura’s game here, anyway??? They never even explained anything, they just tossed these kittens into the Afterlife and LEFT!!! At any rate, Aym and Baal being dead is how I explain why their souls apparently become lost in the void if they’re killed, along with the added complications required to revive the two because of it.

So, with those deets in mind, and given a bit of time, if Narinder hadn’t chosen to revive the Lamb, and also hadn’t chosen to put their soul to rest, they still would have woken up at some point, despite being as straight up dead as Aym and Baal. Who, don’t worry, were also properly revived while Narinder was waiting for the Lamb to wake up. Because I am also firmly of the belief that, first, the dead cannot leave the Afterlife without the use of a ritual/relic (and can't stay in the living world for long regardless), and second, dead followers’ devotion isn’t anywhere near as potent as that of the living, given how much more the living stand to lose.

Final ramble, regarding the Lamb’s feelings towards Narinder, and why they’re so devoted to him…

Well, you don’t spend most of your life on the run with your steadily-dwindling herd, trying to evade the ongoing genocide of your species, without becoming a little fucked up in the head. Maybe a lot fucked up in the head. Life is suffering, so might as well have fun with it, right? Maybe start finding death and pain to be kind of hilarious, even a little bit hot, once everyone you know and love is dead and gone, leaving you all alone? And maybe after that, there’s something comforting in how, despite the cold, cruel uncertainties of life, at least you can always count on the inevitability of death, patiently waiting for you until your very last breath? Who knows. Either way, as soon as the Lamb was killed, and they learned that the literal God of Death was offering them a second chance at life and vengeance via effective immortality, they were 100% ride-or-die-devoted all at once. Turns out death is kinder than life – go figure. (Of course, it helps that Narinder is 100% their type.)

They weren’t put off by Narinder’s thinly-veiled sadism or manipulations, either – they’re not too different in those regards, albeit opting for vastly different methods. It’s a very ‘two sides of the same coin’ sort of deal. In order to stay alive once they were made the last of their kind, the Lamb had no qualms with using others to their advantage, and that did not change once they were revived and expected to run a cult. They didn’t care for the position of authority, though – being a sheep and all, they’re much more of a follower than a leader, and thus greatly appreciated Narinder’s need for control. With how they had to keep on their toes for so long, the Lamb was also pretty good at reading people by the time they died, so they could recognize that a lot of Narinder’s posturing was just that – posturing. Dude’s 95% bluster and only 5% bite. He could obviously be vicious when he wanted or needed to (the Bishops' injuries were clear proof of that), but underneath his outer layer of cruelty was a generous layer of tsundere, and underneath all THAT was a soft squishy middle sibling velcro cat in desperate need of attention and affection.

(Which, for the record, he Did Not feel comfortable getting from Aym and Baal – Narinder still has no idea why the fuck Shamura sent them to him, beyond acting as keepers at best or trying to sabotage his attempts to escape at worst. Which, he thought HE sabotaged in turn, by guiding the kittens into being his devoted disciples instead. He thought he was very clever for it. ‘I outsmarted Shamura!’ he thought, despite that there was never anything there to outsmart. ‘What do you mean, Shamura sent your kittens to me for company?’ he demands of Forneus later. It may or may not lead him to pull Shamura out of Purgatory just so he can shake them and scream about how they should have Fucking Explained that!!!)

But, getting back on track as to why the Lamb was so willing to be sacrificed, I cannot stress this enough – if you pay even a minimal amount of attention to what he’s saying, Narinder is REALLY NOT SUBTLE about his intentions. ‘Death is of little consequence.’ ‘Followers are for you to use to your advantage.’ ‘Sacrifice a follower to absorb more power.’ So, yeah, the Lamb knew exactly what would be expected of them once the other Bishops were dead. They knew Narinder would expect them to die for him one last time. But, after all, death is of little consequence (not to mention hot), so when the time came, they wanted to see him freed, even if it meant oblivion for them in the end.

He’d given them a second life, and the ability to avenge their kin, and they felt indebted to him for that – so, while they were still pretty glum about the possibility that they might not get to see him free of his chains, nothing beyond their devotion and debt to him mattered. They never wanted all the drama and expectations that came with the Red Crown’s power, anyway, so, better for Narinder to have it back so that he could deal with it. What he did with the Lamb afterward would be up to him, and seeing as he was their god, they’d accept his decision gladly.

Were they in love with him by that point? Oh, obsessively so, but only in the devotional sense – romance was nowhere on their mind nor radar. That is, until he unexpectedly revived them again, told them he still needed them, and then offered down his hand to help them up.

The Lamb fell HARD for him in that moment. :3c

And now, a tiny shitten ramble. Lu and Li are twins, because sheep tend to have those a lot, and are conceived not long after the Lamb and Narinder’s marriage ceremony. Lu is the minutes older one, but Li is much more mature. I have put no further thought into these two, other than that they are utter menaces, birthed by the Lamb, cling hard to both their parents but especially Narinder (who spoils them rotten), and they are both genderfluid, using whichever pronouns/names they feel like at any given time. They are also both intersex, same as the Lamb, who was initially infertile up until Something Something Vague Magic, which I have also put no further thought into ¯\_(シ)_/¯

oh, and before anyone tries to suggest i headcanon this AU’s lamb as trending more female due to them giving birth or whatever, no, no, a thousand times no, they might have a vag, but they've also got a dick, and even if it's not as big as they'd like, they still know how to use it

Finally, the very tentative name for the Lamb in this AU is Yazdi, which is really just another name for the Baluchi breed of sheep XD (Not that the Lamb is this specific breed, I just didn’t like any of the other sheep-related names I found, ahaha...)

THAT’S ALL FOR NOW (collapses into an exhausted pile of goopy limbs)

[sweeneydino]

He's really sick.

Based on this hard-hitting scene in Spy Kids 2

God I love that movie.

[lilislegacy]

“honey” is such an ‘old married couple’ nickname. i usually hate pet names, especially for percy and annabeth, but i’m not gonna lie guys…. i kinda love the thought of them sometimes referring to each other as honey?? like, i can just hear it. “honey you know i respect and value your opinions so so much, but can you shut up for like 2 minutes?” “honey you know i love you and your great plans, but can you not get us fucking killed?” “hey honey can you use your sword to cut the tag off my dress?” “wise girl, honey, why is nico asleep in our guest room… again?” peak romance? i think yes. also annabeth is from the south, so it actually makes so much sense.

it’s so unexpected, but also so fitting?? idk for some reason i love it. just me? send help

[obsesssedblerd]

thinking about toji softly smiling down at you and asking, "you still mad at me, baby?" while fucking you in a mating press and chuckling when you don't answer because it feels too good and you can't even form thoughts, let alone words.

[beescake]

im a sollux kinnie and ur art is great. like a delicious meal. 1 million courses. my compliments to the chef.

AOGHHH TYSM I REALLY APPRECIATE IT

in gratitude i present a little guy doing setup for the first time 🐝

[regonold]

Ok fun idea so danny gains a reputation of the ghost who defeated the ghost king not becoming the ghost king but the man (boy) who defeated him

Like out of nowhere danny suddenly has the reputation of i defeated the being who it took a team of ancients to seal away

And eventually people hear of other things danny has done like defeating nocturn undergrowth and vortex and befriending clockwork pandora and frostbite

Until eventually he's accidentally built up a mythos around himself like he's went from friendly neighbourhood ghost boy to somehow a mythic being of legend

Which slowly bleads to his rouges and friends because why would the legendary phantom be fighting children no clearly they are much more powerful

So slowly danny is boosting his and his rouges and friends powers to powerful forces like the rouges might wonder what's happening as they are suddenly gaining powers or getting stronger and gaining titles

Like ember becomes known as mistress of sound and skullker actually gains the title of realms greatest hunter because how else could he survive against the legendary danny phantom

All the while Danny's got no clue whats happening except he's more powerful he's got no clue why but eh it helps so he's cool with it

Basically danny accidentally makes himself and his rouges/friends gods due to association and belief

If you wanna make it dpxdc some cult actually manages to summon the ghost king so Constantine decides to summon the one ghost supposedly able to beat the mad king

Only to get a fucking child and for said child to be a sassy little shit

[markantonys]

Nerdist interview

[ethosiab]

theyre always standing so fucking close together

[jesuistrestriste]

Sage hear me out...

Divorced dilf art who calls his younger gf mommy

art stays cooped up in the house all day—everyday—when you’re out at your hot new job.

he thinks about all the guys your age who probably ogle you and try to make passes at you, not knowing that you’ve got a man pushing 40 waiting at home for you with dinner and a pair of warm, strong open arms.

sigh.

when you do get home, he’s there to greet you (as always). he walks over and holds you close; kissing your cheek, and then your lips and your neck. each one soft and sweet and attempting to wipe your mind of any flirtation from younger men that you may or may not have endured throughout the afternoon.

“hi,” he whispers, and you slide your fingertips down his lower back, making him tremble like a wet kitten.

“hey, baby,” you hum in return. you’re shorter than him, and so when he leans his weight into you his forehead naturally falls into your shoulder. he smells like warmth and outdated cologne and need.

he mouths at your neck in the next moment, his hands sliding to lovingly cup your waist, “i missed you so much.. can i have you now?” he breathes out, his voice shaking and pleading. you feel something thick and warm press into your hip from inside his sweatpants.

and you chuckle and shake your head. he bites his bottom lip to stifle a petulant whimper.

“i missed you too,” you nip at his ear, “but i need you to use your manners if you want something from me.”

he stiffens for a moment before he stumbles forward a bit, taking you with him and gently pushing your back up against the door. “i’m sorry.”

the apology spills from his lips with an earnest desire to make his obedience known. he’d never want to disappoint you. you’re all he has these days.

“can i… can i please have you now?”

a breath. a shake of your head. a rock of his hips against your body followed by a sorrowful, begging moan.

“no?” he shifts against you, his body aching for yours.

“you’re forgetting something, Art.”

it only takes a moment for him to process your words before he’s mumbling a slurry of “i’m so sorry”s into your neck. but apologies only go so far, don’t they? he needs to correct his behavior. he needs to show you that he knows what you want from him.

“please…” he whispers, “please, mommy..”

the honorific rolls off his tongue like honey, heavy and sweet. it hangs in the air between you two and then you let out a low chuckle, “much better.”

“mommy,” he breathes out again, his erection involuntarily pulsing against your body through his clothes, “mommy, mommy, mommy—ngh“

his tone grows more desperate with each mumbling of the word; higher in pitch and more urgent. your hands move up to stroke his short blonde hair, and then you whisper into his ear.

“what do you want?”

god, what doesn’t he want? he wants your hand down his pants, your perfect cunt wrapped around his unworthy cock, your mouth, your lips, your tits. everything.

but he knows you. he knows that this is a trick question. you’re phrasing it like you’re going to give him something, a treat—a reward, but it’s a bit of a trap.

there’s a right and a wrong answer here. pick the wrong one, and he’s in for a night of painful orgasm denial (coupled with a ruined one to end the evening).

but luckily, art is smart. he knows what you want to hear.

“i.. i wanna eat mommy out.”

you pull back gently from him; and judging by the look that spreads over your face when he says that, he picked the right response.

you smile, and then your hands slide from his hair to his shoulders. in an instant, art finds himself being pushed down to the floor in front of you. he can’t help but scoot forward and shove his boner against your ankle, rutting himself into your soft skin as he dribbles precome in his briefs.

you lean back against the door, hiking up your skirt, before you’re looking down to him expectantly.

“don’t make me do all the work, baby,” you practically purr.

art’s hands scramble up your thighs to your panties, which he peels off of your sticky core with wide eyes, letting the thin fabric garment fall to pool at your heels. you giggle.

you kick them off to the side, feeling your boyfriend’s hands clutched around your legs. you sling a leg over his left shoulder, spreading your folds for him to see, and he wastes no time in parting his lips and engulfing your heat with his mouth.

you groan, letting your head loll back, and you move your fingers wander to the back of his hair once more to push his face further against you. you grind on his eager tongue, feeling him flick it over your clit as he whimpers and suckles. what a slut.

his baby blues look up to you with weighted lids, lapping at your cunt like it’s something he’s been starved of for years. his pupils dilate intensely as he stares up at you like you’re a god; something holy and unreal. and when you shake over his mouth’s ministrations, getting close, he lets out a long, drawn-out whine into your core.

he’s murmuring something that sends vibrations up your spine from the coil deep in your gut. it’s hard to make anything out when he’s drowning in you and loving it, but you can decipher bits and pieces.

“please, mommy”

“come in my mouth, mommy”

“give it all to me, mommy”

“i can take it, mommy”

you’re everything he’s ever dreamt about. you bend his perception of time and space and reason and logic. how could a sweet, beautiful, young thing like you ever want a washed-up, older athlete like him?

he prays that you don’t only like him for his money, and then he closes his eyes and mouths at your sensitive bud. he drools all over it like a sick dog, his brows pinching up as he moans out incoherent pleas for you to finish.

and holy fuck, you come hard.

a strangled cry jolts out of you as your back arches, mixing with a helpless sob from art, and then you absolutely soak his tongue with your juices. it gushes all over his face and he swallows as fast as he can; hell, he nearly chokes on it.

“ffffuck! art! oh my god, good boy, good boy, such a good boy!”

you rock over him until your orgasm recedes, and you pull his head back from you shakily by your tender hold on his hair. strings of your slick cling to the lower half of his face and the tip of his nose; a lewd squelch echoing out as he’s forcefully disconnected from your body. a dazed smile graces your lips and you peer down to watch as art’s hips shake against the hardwood floor and a dark stain appears at the front of his sweats. it’s a pathetic sight, really.

but you watch him moan softly and keep his gaze trained on you as he wipes his chin messily with the back of his hand.

“was i good?” he whispers, like he’ll cry if you say no.

he needs to hear you say it when he’s not lost in the throes of your climax.

your chest is still heaving while you try to slow your labored breaths, but you lean down anyways and meet his lips with yours. you taste yourself on his tongue. he shudders and winces.

you pull back, your bottom lip brushing his.

“so good, baby..”

art kisses the corner of your mouth softly, just once. he’s melting into you.

he loves you. but he swallows that down for now. he opts to murmur out something that’ll sum up everything he feels in a more palatable manner. something that makes him seem less desperate to keep you all to himself for as long as you can tolerate him.

something that he’s earnestly dying to say.

something that he knows you deserve to hear.

“thank you.”

[ballad-of-the-lamb]

hey there!

saturday and sunday @ 8PM EST-> onward join me and my friend on twitch in raising money for my bud's cat Ame whose recently had a huge vet scare!

This is not emergent, she has been treated, but her medicine does need to be paid off! Her name is Ame and she loves to yell.

What was believed to be either a neurological issue or an ear infection in severity has finally been found out; she has anemia and needs to be on medication to help! She's severely underweight and needs all the help she can get (and treats). It's suspected that she has IMHA based off of this episode being caused by stress; but tests for that are money they no one has right now. We're going to focus on what we can get her;

Which is the ability to have her meds without it being withheld from her for financial reasons!

The goal is at least 100$, but if 200$ is raised we have more rewards to raffle out!

Donations that are 20$ or more will be met with given art, just send your character ref sheets to MY BLOG alongside proof of your ko-fi donation and me or my friend will make you something. What that will be is a surprise :)

Once the goal is raised, we'll do a raffle with the donators! So make sure to add your blog name to the donation comment so we can get into contact with you!

we'll mail you a custom metal button 1.5" pin of your making or choosing! + a monochrome drawing will be made for you in my usual not-quite-comic style!

this pin can be your lamb, your oc, one of ours, or whatever else! We can make the art for it or you can have your own put into it. This is entirely customizable. ( if you want more than one pin, it will have to be discussed with us privately )

You can also WIN this prize if you just raw donate the full 100$!

Donate here!

Even if you can't attend stream or donate, simply sharing would be appreciated!

[bidamonalbarn]

PLEASE infodump about drake

okok this is specific to the drake/kendrick drama but i can also do a drake one too - im assuming you know basically nothing. & i barely know this shit so correct me if im wrong. also this will be routinely updated so! check in :D

2011 - Take Care (album) by Drake features Kendrick Lamar on the track Buried Alive Interlude

2012 - Drake has Kendrick open for his Club Paradise Tour. The same year they both feature on A$AP Rocky's song Fuckin Problems (also with 2 Chainz)

2013 - Kendrick called out a few rappers (J. Cole, Pusha T, Big Sean, etc.) including Drake. Drake responds saying he had no response, basically. They do this again the same year (Kendrick says shit, Drake doesnt respond)

2016 (ish) - They continue subtle beef (Kendrick saying Drake has ghost writers, Drake saying Kendrick "sold out")

2023 - First Person Shooter by Drake and J. Cole drops (their first collab since 2013). In the song Drake mentions "the big three" in reference to himself, J. Cole, and Kendrick

2024, Mar. - Like That by Metro Boomin' and Kendrick Lamar drops. In it Kendrick responds to Drake, saying "the big three ... it's just big me", implying that Kendrick is above Drake and J. Cole. Drake attempts to ban Like That from the radio.

2024, Apr. - Push Ups by Drake is released. The song is about how Drake believes Kendrick is being extorted - the track referencing the phrase "drop and give me 50".

2024, Apr. - Taylor Made Freestyle by Drake is released, his second diss track at Kendrick. Here Drake disses Kendrick for "selling out" specifically in reference to Bad Blood by Taylor Swift ft. Kendrick Lamar. Drake also used AI vocals of Snoop Dogg and Tupac - this resulted in him almost being sued by Tupac's Estate. Drake wiped the song from his sites

2024, Apr. - Euphoria by Kendrick Lamar is released. The track is 6 minutes long, cut down from its original 19 minutes. The title is in reference to the TV series Euphoria which Drake is an executive producer of - it's also referencing the sexualisation of underage people, something done by the show and (allegedly) Drake himself. Within the track Kendrick makes fun of Drakes accent, how Drake says the n-word, how Drake dresses... and a fuck load more

2024, May. - 6:16 in LA by Kendrick Lamar releases, less than 72 hours after Euphoria dropped. This track specifically disses Drake for having ghost writers/lots of co-writers. He also implies that Drakes friends are stabbing him in the back and selling his info. This track is co-produced by Jack Antonoff, who co-writes and co-produces for Taylor Swift.

2024, May. - Family Matters by Drake is released. I want to be honest with you, i didn't listen to this until i got this ask. This track implies Kendrick beats his wife. Drake also disses other rappers such as A$AP Rocky, Future, etc.

2024, May. - Drake releases a Buried Alive Interlude Parody on his Instagram

2024, May. - Meet the Grahams by Kendrick Lamar is released. In this track (which is by far my favourite of all the tracks) Kendrick calls Drake a deadbeat dad and accuses Drake of having another secret child (apart from Adonis). Kendrick has a verse dedicated to this supposed child in which he basically parents her - teaching her all the things Drake wont. He also implies Drake struggles with alcohol and gambling

2024, May. - Not Like Us by Kendrick Lamar is released. The fourth diss track from Kendrick. In this track Kendrick alleges that there's pedophiles and trafficking within OVO (an indie record label founded by Drake). Kendrick also says that every rapper who's complimented Drake is lying and now hates him for using Tupac's vocals through AI. This track includes my favourite line "Tryna stike a chord and it's probably A-Minor"

[crimeronan]

i've seen a couple people in the notes of this very good post about fictional polyamory by @thebibliosphere say things along the lines of "oh, i've been doing it wrong :(" or "how do i know if i did this right??" or "i should probably give up and start over, i wrote this badly :(" and. no!!!!

(i AM seeing far MORE people say "oh, this clarified and helped me so much, i think i know how to fix issues i've been having with my own story" which. YES!!!!)

listen. if you're a monogamous person who's writing a polyamorous relationship, and you've been focusing mainly on The Triad and All Three Together All The Time as the endgame, that's literally fine. that's a perfectly acceptable and strong starting point for your plotting, imo. you do not need to give up on a story that you've started like this.

but the things discussed in the post Can and Should improve your execution!

you can keep the same plot beats and overall relationship arc 100%. polyamorous relationships are infinite in their formations, every one is unique. "basically a monogamous romance but with three people" Does exist, as a relationship type. you're not hashtag Misrepresenting (TM) poly people with it

BUT i do think it will help to read up on some poly people talking about how their relationships Differ from monogamous ones.

so i have outlined some basic important concepts about polyamory.

MORE IMPORTANTLY though, i've broken down some questions that you can answer throughout the writing process to strengthen your individual dyad relationships, your individual characterization, & your characters' individual feelings/experiences. this is a writing resource have fun

future kitkat butting in to say i spent over two hours writing this and it definitely needs a readmore. it is also NOT comprehensive. but everything should be pretty simple to follow! feel free to reblog if you find it helpful yourself or just want to reward me for how gotdan long this took KSLDKFJKDL.

i've grabbed quick links for a couple of the important concepts, some have SEO pitches in them but the info largely seems to be good. (if i missed anything Egregiously Gross on these sites i should be able to update the links with better ones later, since they're under the readmore.)

sidenote: this is NOT meant to be overwhelming, despite the length. if you can't read all of this, that's Okay. you do not need to give up on your writing.

here we go:

compersion!

compersion is a BIG thing in a lot of polyamorous relationships. it's joy derived from seeing two (or more) of your partners happy together, or joy derived from seeing your partner happy with someone else.

compersion is really important as a concept because it highlights that every individual relationship within a polycule is different -- and that that's a GOOD thing. it's sort of the inverse of jealousy.

by the "inverse of jealousy," i mean that instead of feeling left out and upset and possessive, you feel happy/joyous/content.

i can use personal experience as an example: it's a Relief for me when my partners receive joy/support/sex/romance/etc that i can't (or prefer not to) give them. and i love seeing my partners make each other laugh and be silly together.

it's 100% okay for a poly triad not to be together 100% of the time, it doesn't mean that the third member is being left out or not treated equally when two people do things alone together.

(i have individual dates with my partners all the time! PLUS larger 3-and-4-person date nights.)

if the third member DOES feel jealous or left out, then the polycule can have a conversation to figure out what needs/wants aren't being met, and solve that. this happens semi-regularly in my polycule, as it will happen in any relationship (including monogamous ones)! it's just part of being an adult, sometimes you have to talk about feelings.

metamours!

a metamour is someone who is dating your partner, but ISN'T dating you. this may not be relevant for people writing closed three-person romantic sexual triads, but it's a super helpful term to know.

the linked article also lists different types of metamour relationships with some fun phrasing i hadn't heard before. the tl;dr is: sometimes you'll be domestic cohabitation friends, sometimes you'll be buddies with your own friendship, sometimes you might not interact much outside of parties, every relationship is different.

there's no one-size-fits-all requirement for metamour relationships. sometimes polyamorous people will end up dating their metamour after a while (has happened to me), sometimes polyamorous people will break up with one partner for normal life reasons, but remain friendly metamours.

the goal of polyamory is NOT for EVERYONE to fall in love. it is 100% okay if this happens in your story, it happens in real life too! but it is also 100% okay for characters to be metamours without ever becoming "more than friends."

(sidenote: try to kill any internalized "more than" that you have when it comes to friendship. friends are just as important and special and vital as partners.)

of course there are a million ways for messiness to occur with metamours within a complex polycule, exactly like with close-knit platonic friend groups. however this post is not about that! there's enough "here's how polyamory can go wrong" stuff out there already, so i'm focusing on the positives here :)

open versus closed polyamorous relationships!

i'm struggling to find an online article that reflects my experience without directly contradicting at least SOME stuff. so i'll give a quick rundown

google has a bunch of conflicting definitions of open relationships and whether open relationships are different from polyamory. the general consensus seems to be that an open relationship prioritizes one partnership (often a marriage), but that each partner can have extraneous flings or long-term commitments (most often sexual in nature).

this is not typically how i use the term wrt polyamory. the poly concept is pretty simple. a closed polyamorous relationship is one with boundaries like a monogamous one. there are multiple partners in the polycule, but they are not interested in having anybody new join said polycule.

an open polyamorous relationship tends to be more flexible -- it just means that IF someone in the polycule develops mutual feelings for a new person, it's fine for them to become part of said polycule if they want to! the relationship/person is open to newcomers.

some groups will need to negotiate this all together, others will just go "haha, you kids have fun." just depends on the individuals!

with open AND closed polyamorous relationships, the most important thing is making sure that there's respectful communication and that everyone is on the same page. but there's no one-size-fits-all way to do that.

i wish i could give you guys a prescriptive "You Must Do It This Way" guide, but that's.... basically the opposite of what polyamory is about, HAHA.

feelings for multiple people!

i was gonna tack this on to the previous section but decided it warranted its own lil bit.

a defining feature (....i'm told?) of monogamous relationships is that a monogamous person only has feelings for One individual at a time. they only want a relationship with one individual at a time. or, if they DO have feelings for multiple people simultaneously, they're still only comfortable dating one person at a time & being exclusive with that one person.

this is perfectly fine!

the poly experience is generally different from this. but once again..... polyamorous people all have different individual perspectives on this.

for me, i have never been able to draw hard boxes around romantic vs sexual vs platonic relationships, & i love many people at once. my personal polycule lacks many strict definitions beyond "these are my chosen people, i want to forge a life with them indefinitely, whatever shape that life takes"

some poly people feel explicit romantic or sexual attraction to multiple people at once, some poly people feel almost no romantic or sexual attraction at all. i'd say that MOST poly people feel different things for different partners, which is not a bad thing!

some poly people are even monogamous-leaning -- they have just chosen one romantic partner who is themselves part of a larger polycule. (so this monogamous-leaning person has at least one metamour!)

or alternatively, they might have one romantic partner AND a qpr, or other ways of defining relationships. (this is a factor in my own polycule!)

i made this its own point because if you're writing a straightforward triad, this is unlikely to come up in the story itself -- but it's worth thinking about how your characters develop/handle feelings outside of their partnerships.

like, is this sort of a soulmateship, 'these are the only ones for me' type deal? in which they won't fall in love with anyone else, and can be fairly certain of that?

that's pretty close to typical monogamous standards but you Can make it work. just be thoughtful with it

alternatively, can you see any of these characters falling in love Again after the happily-ever-after? and how would the triad approach it, if so? what would they all need to talk about beforehand, and what feelings would everybody have about the situation?

it's worth considering these questions even if the hypothetical will never feature in your actual canon, because knowing the answers to these questions will help you understand all of the individuals & their relationship(s) MUCH better.

i've been typing this for nearly two hours and there's a lot more i COULD say because... there's just a lot to say. i'll close out with some quick questions that you can ask yourself when developing the dyad dynamics within your triad

first, take a page and create a separate section for each individual dyad. then answer these questions for every pair:

how does each pair act when alone?

how do they act differently alone compared to when they're with their third partner?

are there any elements of this dyad (romantic, sexual, financial, domestic, etc) that these two people DON'T have with the third partner?

if so, what are they?

are there any boundaries or hard limits within this dyad that aren't shared with the third partner?

if so, what are they?

partner 3 goes out of town alone for a few weeks. what are the remaining two doing in their absence?

(doesn't have to be anything special, it's just to get a sense of how the two interact on a day-by-day basis without the third there)

what is something that each partner in the dyad admires about the other -- that they DON'T necessarily see in the third partner?

what problem do These Two Specifically need to solve in the story before their relationship will work?

how is that problem DIFFERENT from the problems being solved within the other two dyads?

doing this for ALL THREE dyads is VITAL imo. that way, you develop complex and nuanced and different relationships that all have unique dynamics.

those questions should be enough to get you started, i hope

then After you've charted the differences in relationships, you can start to jot down similarities in the overarching triad. what does one person admire in Both of their partners? what are activities that all three like to do together? what are boundaries or discussions that all three share?

but the main goal is to figure out how to Differentiate each relationship!

a polycule is only as strong as the individual relationships within it. if two people are struggling with their own relationship, adding a third person won't fix that.

(UNLESS the third person is the catalyst for those two to, like, Actually Communicate And Work Their Shit Out. i just mean that the old adage of "maybe if we just add a third-" works about as well to fix a miserable non-communicative marriage as, uh, "maybe if we have a baby-")

AND FINALLY.

if you're not sure whether your poly romance reads organically to poly people, you can hire a sensitivity reader with poly experience. if you can't afford that, you can read up on polyamorous resources like a glossary of terms & articles actually written by poly people. (and stories written by poly people!)

you can also just.... ask poly people questions, if they're open to it. i like talking about polyamory and my own relationships so you're welcome to send asks if u want, i just can't guarantee i'll answer bc my energy levels fluctuate a lot and i don't always have time.

polyamorous people are in an uphill battle for positive representation right now & so the LAST thing i want to see is authors giving up on their stories bc they're worried about getting things Wrong. well-meaning and positive stories that treat this kind of love as normal, healthy, & aspirational are So So So Needed. even if you guys end up with some funky-feeling details.

seriously, if you're monogamous then you probably don't have a full idea of Just How Nasty a lot of people can get about polyamory. i wish it DIDN'T mean so much for you guys to want to write nice stories about us, but it does mean a lot. and it means a lot that you want to do it WELL.

in conclusion. this is not a prescriptive guide, it's just a way to raise questions. and also, you all are doing FINE.

[onesidedradiostatic]

more stupid musings.

at the start of stayed gone, vox plugs himself into his network of tvs in his surveillance room. at the end of stayed gone, vox is still at that same chair, same room, still plugged in, he doesn't seem to have physically moved from his seat from start to end

this means from the start of stayed gone until the lost signal, we can assume everything we see of vox in the song is a simulation IN the tv virtual space that he's broadcasting on every screen, it's only him and a shit ton of props and backdrops.

but then we get to this scene

what the hell is going on here. are val and velvette simulated here? or did vox fucking unplug his wires and get up from his seat just to dance across the corridor and do this shit then go back and plug them back in?

[aestheticallynotdeerlightful]

Style swap- Invader Zim and Psychonauts

Cause I thought it would be fun and practice

.

(Please do not use or repost my works anywhere without explicit permission from me first thank you <3)